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IMPORTANT

Check your power supply

Make sure that your local AC mains voltage matches the

voltage specified on the name plate on the bottom panel. In

some areas a voltage selector may be provided on the bottom

panel of the main keyboard unit near the power cord. Make

sure that the voltage selector is set for the voltage in your area.

The voltage selector is set at 240V when the unit is initially

shipped. To change the setting use a “minus” screwdriver to

rotate the selector dial so that the correct voltage appears next

to the pointer on the panel.

WICHTIG

Überprüfung der Stromversorgung

Vergewissern Sie sich vor dem Anschließen an das Stromnetz,

daß die örtliche Netzspannung den Betriebsspannungswerten

auf dem Typenschild an der Unterseite des Instruments

entspricht. In bestimmten Verkaufsgebieten ist das Instrument

mit einem Spannungswähler an der Unterseite neben der

Netzkabeldurchführung ausgestattet. Falls vorhanden, muß der

Spannungswähler auf die örtliche Netzspannung eingestellt

werden. Der Spannungswähler wurde werkseitig auf 240 V

voreingestellt. Zum Verstellen drehen Sie den Spannungsregler

mit einem Schlitzschraubendreher, bis der Zeiger auf den

korrekten Spannungswert weist

IMPORTANT

Contrôler la source d’alimentation

Vérifiez que la tension spécifiée sur le panneau arrière

correspond à la tension du secteur. Dans certaines régions,

l’instrument peut être équipé d’un sélecteur de tension situé sur

le panneau inférieur du clavier à proximité du cordon d’alimen-

tation. Vérifiez que ce sélecteur est bien réglé en fonction de

la tension secteur de votre région. Le sélecteur de tension est

réglé sur 240 V au départ d’usine. Pour modifier ce réglage,

utilisez un tournevis à lame plate pour tourner le sélecteur afin

de mettre l’indication correspondant à la tension de votre

région vis à vis du repère triangulaire situé sur le panneau.

IMPORTANTE

Verifique la alimentación de corriente

Asegúrese de que tensión de alimentación de CA de su área

corresponde con la tensión especificada en la placa de

características del panel inferior de la unidad del teclado

principal, cerca del cable de alimentación. Asegúrese de que

el selector de tensión esté ajustado a la tensión de su área. El

selector de tensión se ajusta a 240V cuando la unidad sale de

fábrica. Para cambiar el ajuste, emplee un destornillador de

cabeza “recta” para girar el selector de modo que aparezca la

tensión correcta al lado del indicador del panel.

M.D.G., EMI Division © Yamaha Corporation 1996

VU29860 604CRCP3.3-01A0 Printed in Japan

92-469 1

ENVIRONMENTAL ISSUES: Yamaha strives to pro-

duce products that are both user safe and environmentally

friendly. We sincerely believe that our products and the

production methods used to produce them, meet these

goals. In keeping with both the letter and the spirit of the

law, we want you to be aware of the following:

Battery Notice: This product MAY contain a small non-

rechargable battery which (if applicable) is soldered in

place. The average life span of this type of battery is ap-

proximately five years. When replacement becomes nec-

essary, contact a qualified service representative to per-

form the replacement.

Warning: Do not attempt to recharge, disassemble, or

incinerate this type of battery. Keep all batteries away

from children. Dispose of used batteries promptly and as

regulated by applicable laws. Note: In some areas, the

servicer is required by law to return the defective parts.

However, you do have the option of having the servicer

dispose of these parts for you.

Disposal Notice: Should this product become damaged

beyond repair, or for some reason its useful life is consid-

ered to be at an end, please observe all local, state, and

federal regulations that relate to the disposal of products

that contain lead, batteries, plastics, etc.

NOTICE: Service charges incurred due to lack of knowl-

edge relating to how a function or effect works (when the

unit is operating as designed) are not covered by the

manufacturer’s warranty, and are therefore the owners

responsibility. Please study this manual carefully and con-

sult your dealer before requesting service.

NAME PLATE LOCATION: The graphic below indi-

cates the location of the name plate. The model number,

serial number, power requirements, etc., are located on

this plate. You should record the model number, serial

number, and the date of purchase in the spaces provided

below and retain this manual as a permanent record of

your purchase.

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK.

DO NOT REMOVE COVER (OR BACK).

NO USER-SERVICEABLE PARTS INSIDE.

REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.

PRODUCT SAFETY MARKINGS: Yamaha electronic

products may have either labels similar to the graphics

shown below or molded/stamped facsimiles of these

graphics on the enclosure. The explanation of these graph-

ics appears on this page. Please observe all cautions indi-

cated on this page and those indicated in the safety in-

struction section.

See bottom of Keyboard enclosure for graphic symbol markings

The exclamation point within the equi-

lateral triangle is intended to alert the

user to the presence of important oper-

ating and maintenance (servicing) in-

structions in the literature accompany-

ing the product.

The lightning flash with arrowhead

symbol, within the equilateral triangle,

is intended to alert the user to the pres-

ence of uninsulated “dangerous volt-

age” within the product’s enclosure that

may be of sufficient magnitude to con-

stitute a risk of electrical shock.

IMPORTANT NOTICE: All Yamaha electronic prod-

ucts are tested and approved by an independent safety

testing laboratory in order that you may be sure that when

it is properly installed and used in its normal and custom-

ary manner, all foreseeable risks have been eliminated.

DO NOT modify this unit or commission others to do so

unless specifically authorized by Yamaha. Product per-

formance and/or safety standards may be diminished.

Claims filed under the expressed warranty may be denied

if the unit is/has been modified. Implied warranties may

also be affected.

SPECIFICATIONS SUBJECT TO CHANGE: The

information contained in this manual is believed to be

correct at the time of printing. However, Yamaha reserves

the right to change or modify any of the specifications

without notice or obligation to update existing units.

SPECIAL MESSAGE SECTION

Model _____________________________________

Serial No. __________________________________

Purchase Date ______________________________

CLP-611 CLP-811

Owner’s Manual English

Bedienungsanleitung Deutsch

Mode d’emploi Français

Manual de instrucciones Español

CLP-811

CLP-611



Introduction

Thank you for choosing a Yamaha CLP-811/611 Clavinova. Your Clavinova is a fine musical instrument

employing advanced Yamaha music technology. With proper care, your Clavinova will provide you with

many years of musical pleasure.

● Yamaha’s AWM (Advanced Wave Memory) sound

generation provides extremely rich, realistic voices.

Piano voices are especially true and powerful.

● The damper pedal produces natural piano

resonances, obtained from direct sampling of string

and soundboard resonance characteristics.

● Piano-like touch response offers great control and

playability. Responsiveness can be set to any of four

levels.

● Dual mode lets you play any two voices in unison.

● Split mode divides the keyboard into two zones, so

that you can play a different voice with each hand.

● Special Organ Combination voice can be freely

edited.

● Unique Clavinova Tone voice provides a new and

versatile sound.

● Built-in metronome function facilitates effective

practice.

● Digital recording function can record and replay your

keyboard input (up to about 4,200 notes).

● With MIDI compatibility and a solid range of MIDI

functions, the Clavinova can serve well within a wide

variety of advanced MIDI setups.

● Built-in computer interface allows for direct connec-

tion to personal computers running advanced music

software.

● Large LCD provides an effective and friendly inter-

face. Well-designed displays make setup and control

operations extremely easy.

To ensure that you can take full advantage of your Clavinova’s many outstanding features, please read

through this manual carefully, and store in a safe place for future reference.

Taking Care Of Your Clavinova

Your Clavinova is a fine musical instrument, and deserves the most careful treatment. Observe the following

points and your Clavinova will sound and look great for many years.

1 Never open the case and touch or tamper with

the internal circuitry.

2 Always turn the POWER switch OFF after use,

and close the key cover to protect the keyboard.

3 Clean the cabinet and keys of your Clavinova

only with a clean, slightly damp cloth. A neutral

cleanser may be used if desired. Never use

abrasive cleansers, waxes, solvents, or chemical

dust cloths as these can dull or damage the

finish.

4 Never place any vinyl products on your

Clavinova. Contact with vinyl can cause irre-

versible damage to the finish.

5 Install your Clavinova in a place that is away

from direct sunlight, excessive humidity and

heat.

6 Never apply excessive force to the controls,

connectors or other parts of your Clavinova, and

avoid scratching or bumping it with hard ob-

jects.

7 Make sure that your local AC voltage matches

the voltage specified on the Clavinova’s name-

plate (located on the bottom panel, under the

keyboard). Note that some Clavinovas are

equipped with a voltage selector dial located

next to the power-cord inlet. If your unit in-

cludes a selector, turn it as necessary (with a

screwdriver) to select the correct voltage.

● Nameplate Location

The CLP-811/611 nameplate is located on the

bottom panel.

Contents

Getting Ready ........................................................2

Music Stand .....................................................2

Key Cover.........................................................2

Powering Up ....................................................3

Adjusting the Volume ..................................... 3

Using Headphones......................................... 3

Panel Controls and Connectors............................... 4

Basic Controls and Functions .................................. 6

Controlling the Clavinova .............................. 6

Frequently Used Buttons............................... 6

Playing the Demos and Piano Songs ...................... 8

Playing the Demos ......................................... 9

Playing the Piano Songs.............................. 10

One-Hand Practice with Piano Songs ........ 11

Repetition Practice with Piano Songs ........ 12

Selecting and Playing Voices ................................ 13

Selecting a Voice .......................................... 13

Using the Pedals .......................................... 14

Changing the Sound [VARIATION],

[BRILLIANCE], [REVERB], [EFFECT].......... 14

TOUCH............................................................16

TRANSPOSE ..................................................17

DUAL Mode (Mixing two voices together) .. 17

SPLIT Mode (Dividing the keyboard) .......... 18

Using the METRONOME .............................. 19

Using the Recorder ...............................................20

Recording.......................................................20

Playback.........................................................22

Configuration Functions (FUNCTION mode) .......... 24

Basic Procedure ............................................26

Function descriptions.................................. 27

F1. Tune (Keyboard fine tuning) .............. 27

F2. KTune (Key-by-key fine tuning).......... 27

F3. Scale (Temperament selection) ......... 28

F4. DualFunc. (Settings for

DUAL mode.)..................................... 29

F5. SplitFunc. (Settings for SPLIT

mode.) ................................................29

F6. OrganEdit (ORGAN

COMBINATION settings)................... 30

F7. Metronome (Metronome settings) ..... 32

F8. Display (Display mode) ..................... 32

F9. L.Pedal (Function of left pedal) ......... 33

F10. DamperDpt (Damper-pedal depth) .... 33

F11. Damper (Number of

damper-pedal levels)......................... 34

F12. CancelVol (Volume of muted

piano-song track) .............................. 34

F13. MIDIFunc. (MIDI settings) ................. 34

CLP-811

F14. MicRevDpt (Microphone reverb

depth) .................................................36

F15. Backup (Backup ON/OFF

settings) .............................................36

CLP-611

F14. Backup (Backup ON/OFF

settings) .............................................36

The Clavinova’s Device Connectors ...................... 38

Connecting to a Personal Computer .......... 40

Troubleshooting ....................................................42

Options ................................................................43

Index....................................................................44

Demo and Piano Songs Lists ................................ 46

Factory Defaults ...................................................47

MIDI Data Format ................................................48

Specifications........................................................53

CLP-811 Assembly Procedure .............................. 54

CLP-611 Assembly Procedure .............................. 60

MIDI Implementation Chart ................................. 66

• Within this manual, a white arrow ( ) indicates how the Clavinova responds to an action that you

have taken.

• All front panel illustrations are from the CLP-811.

• Screen illustrations show examples only. Actual screen content will vary according to operational

settings.

Getting Ready

Music Stand

CLP-811

To raise the stand:

1. Using two hands, take hold of the left and right sides

of the music stand. Lift the stand upwards while at

the same time rotating the top of the stand toward

you.

2. Push the stand down into place so that the opening

on the base of the stand fits onto the small notch on

the plastic hook.

To retract the stand:

Lift the stand straight up off the notch, then rotate it

backwards and return it to its original position.

CLP-611

To raise the stand:

1. Lift the stand forward as far as it will go.

2. Flip down the two metal supports at the bottom rear

of the stand.

3. Lower the stand downward slightly so that it comes

to rest on the metal supports.

To lower the stand:

1. Lean the stand forward as far as it will go.

2. Raise the two metal supports (at the back of the

stand) so that they are flush with the stand.

3. Gently lower the stand backward until it is all the

way down.

NOTE

Please do not try to use the stand in half-raised

position. When raising or lowering the stand, always

hold on to it until it is securely in place.

Key Cover

To open the cover:

1. Lift the cover slightly (not too much).

2. Gently slide the cover open.

To close the cover:

1. Slide the cover all the way forward, holding it firmly

so that it can’t drop down.

2. Gently lower the cover over the keys.

Hold the cover with both hands when moving it, and do not release it until it is fully opened

or closed. Be careful to avoid catching fingers (your and others’,) between the cover and the

main unit.

Be careful of fingers when opening or closing.

CLP-811/611 Getting Ready

Powering Up

1. Connect the power cord.

Insert one end of the power cord into the power connector on the Clavinova, and

the other end into a standard wall outlet. (If your unit comes with a plug adaptor

and its use is required, please connect it to the end of the cord before plugging in.)

2. Switch on the power.

The [POWER] button is located to the left of the keyboard. Press it once to

switch the power on.

The display comes on, and the power indicator on the front left of the

instrument lights up. One or more panel indicators also light up.

To switch the power off, press [POWER] once again.

The display and indicators all go off.

Adjusting the Volume

You adjust the volume by moving the [MASTER

VOLUME] slider up or back. Adjust as necessary while

playing on the keyboard.

Using Headphones

You can connect headphones to either

or both of the PHONES jacks. The

connection automatically cuts off

output from the Clavinova’s speakers.

Two jacks are provided so that two

people can listen at the same time.

(Headphones must be purchased

separately.)

CLP-811/611 Getting Ready

The power inlet is located at

rear of Clavinova, on the

underside of the main unit

(directly above the backboard.)

BRILLIANCE

REVERB EFFECT TOUCH

NORMAL

ROOM

MEDIUM

TEMPO

POWER

Power indicator

PHONESMIC.MIC. VOL.

MIN MAX

CLP-811

MASTER VOLUME

MAX

MIN

Louder

Softer

PHONESMIC.MIC. VOL.

MIN MAX

Standard jack

for stereo headphones

CLP-811

CLP-611

PHONES

The power indicator is located on

the front side, so that you can tell

if power is on even with the key

cover closed.

The [MASTER VOLUME] slider

also controls the output level to

the PHONES and AUX OUT

jacks.

Recommended headphones:

Yamaha HPE-160

Panel Controls and Connectors

Front Panel

CLP-811/611 Panel Controls and Connectors

POWER

MASTER VOLUME

FUNCTION

TRANSPOSE SPLIT VARIATION

PIANO1

PIANO2 CLAVI.TONE E.PIANO 1 E.PIANO2

VIBES STRINGS CHOIR

HARPSI-

CHORD

PIPE

ORGAN

COMBINATION

BASS

BRILLIANCE REVERB EFFECT TOUCH

MAX

MIN

METRONOME

TEMPO

–

YES

SONG

SELECT

START

STOP

REC

CLP-

811

STEREO SAMPLING

RECORDER

DEMO

PIANO SONG

TRANSPOSE

BRILLIANCE

REVERB EFFECT TOUCH

MELLOW

NORMAL

BRIGHT

ROOM

HALL 1

HALL 2

STAGE

CHORUS

SYMPHONIC

TREMOLO

ECHO

SONG

MEASURE

TEMPO

SPLIT

HARD

MEDIUM

SOFT

FIXED

MASTER VOLUME

FUNCTION

TRANSPOSE SPLIT VARIATION

PIANO 1

PIANO 2 CLAVI.TONE E.PIANO 1 E.PIANO 2

VIBES STRINGS CHOIR

HARPSI-

CHORD

PIPE

ORGAN

COMBINATION

BASS

BRILLIANCE REVERB EFFECT TOUCH

MAX

MIN

METRONOME

TEMPO

–

NO +

YES

SONG

SELECT

START

STOP

REC

RECORDER

DEMO

PIANO SONG

TRANSPOSE

BRILLIANCE

REVERB EFFECT TOUCH

MELLOW

NORMAL

BRIGHT

ROOM

HALL 1

HALL 2

STAGE

CHORUS

SYMPHONIC

TREMOLO

ECHO

SONG

MEASURE

TEMPO

SPLIT

HARD

MEDIUM

SOFT

FIXED

A-1 B-1

C0 D0 E0 F0 G0 A0 B0 C1 D1 E1 F1 G1 A1 B1 F2 G2 A2 B2 C3 D3 E3 F3 G3 A3 B3 C4 D4 E4 F4 G4 A4 B4 C5 D5 E5 F5 G5 A5 B5 C6 D6 E6 F6 G6 A6 B6 C7C2 E2D2

345 0 A C E

789 D F

(CLP-811)

This button exists on the CLP-811 but not on the CLP-611.

All other panel buttons are common to both models.

Middle C

1 [POWER] ................................ page 3

2 [MASTER VOLUME]..................... 3

3 [FUNCTION] ................................. 24

4 [TRANSPOSE] / [

t]..................... 17

5 [SPLIT] / [

s] .................................. 18

6 [BRILLIANCE] .............................. 15

7 [REVERB] ....................................... 15

8 [EFFECT]......................................... 15

9 [TOUCH] ........................................ 16

0 Voice selectors ............................... 13

A [VARIATION] ............................... 14

B Display (LCD) ................................. 6

C [METRONOME] ........................... 19

D Tempo [▲] [▼] [-/NO] [+/YES]

.................................................. 6,19,26

E [DEMO/PIANO SONG] ................ 8

F Song select [▲] [▼] ....................... 26

G RECORDER [1] [2] ........................ 20

PHONESMIC.MIC. VOL.

MIN MAX

PHONES

CLP-811

CLP-611

AC INLET

MIDI

AUX IN

HOST SELECT TO HOST

IN OUT

L+R

THRU

PC-2 PC-1

Mac

MIDI

AUX OUT

L+R

(CLP-811)

AC INLET

MIDI

AUX IN

HOST SELECT TO HOST

IN OUT

L+R

THRU

PC-2 PC-1

Mac

MIDI

AUX OUT

L+R

CLP-811/611 Panel Controls and Connectors

Rear Panel

P MIDI [IN] [OUT] [THRU] ...... 39,48

Q HOST SELECT [MIDI] [PC-2]

[PC-1] [MAC] ............................ 39,40

R [TO HOST] ................................ 39,40

S AUX IN [R] [L/L+R] ...................... 39

T AUX OUT [R] [L/L+R].................. 39

U [AC INLET] ............................ 3,58,64

H [START/STOP] ............. pages 10,21

I [REC] ............................................... 21

J Soft pedal ....................................... 14

K Sostenuto pedal ............................. 14

L Damper pedal ................................ 14

M [MIC.VOL] (CLP-811 only) .......... 38

N [MIC.] (CLP-811 only) ................... 38

O [PHONES] ................................... 3,38

Basic Controls and Functions

This section describes the basic controls and operational features of your Clavinova.

Please read through this information carefully.

Controlling the Clavinova

You control the Clavinova functions by pressing the buttons on the panel. The display indicates the

results of each operation and keeps you informed of the current status.

BRILLIANCE

REVERB EFFECT TOUCH

TRANSPOSE

MELLOW

NORMAL

BRIGHT

ROOM

HALL 1

HALL 2

STAGE

CHORUS

SYMPHONIC

TREMOLO

ECHO

HARD

MEDIUM

SOFT

FIXED

SONG

MEASURE

TEMPO

SPLIT

Name of voice, piano song, or function

Piano song No., Measure count

Tempo

Split

Transpose

Touch

Effect Metronome

Reverb Graphic

Brilliance

Frequently Used Buttons

[MASTER VOLUME]

Adjusts the output level to the speakers, headphones, and AUX OUT jacks.

TEMPO [▼] [▲]

Adjust the playback tempo for demo songs and piano songs. Also adjust the metronome tempo.

You can set the tempo to any value between 32 and 280. Pressing [▼] and [▲] at the same time resets the

value to its standard setting (either 120 or else as set within the currently selected song).

• Holding down the appropriate increment/decrement button (TEMPO [▼][▲]/[-/NO][+/YES] or

SONG SELECT[▼][▲]) causes the corresponding value to change continuously. In most cases the

setting will stop upon reaching the maximum or minimum limit. In some cases, however, the setting

will continue to loop through the available values.

• You can return any value to its factory default by pressing [-/NO] and [-/YES] at the same time.

CLP-811/611 Basic Controls and Functions

BRILLIANCE

REVERB EFFECT TOUCH

TRANSPOSE

MELLOW

NORMAL

BRIGHT

ROOM

HALL 1

HALL 2

STAGE

CHORUS

SYMPHONIC

TREMOLO

ECHO

HARD

MEDIUM

SOFT

FIXED

SONG

MEASURE

TEMPO

SPLIT

FUNCTION

MASTER VOLUME

TRANSPOSE SPLIT

BRILLIANCE REVERB EFFECT TOUCH

VARIATIONPIANO 1 PIANO 2 CLAVI.TONE E.PIANO1 E.PIANO2

VIBES STRINGS CHOIR BASS

HARPSI-

CHORD

PIPE

ORGAN

COMBINATION

METRONOME

TEMPO

–

YES

SONG

SELECT

START

STOP

REC

RECORDER

DEMO

PIANO SONG

MAX

MIN

[MASTER VOLUME]

TEMPO [▲] [▼] / [–/NO] [+/ YES]

Memory Backup

The Clavinova includes a memory-backup feature than can retain settings

while power is off and restore them when you resume play. Although all

backup is set to OFF at time of shipping, you can use the FUNCTION

mode’s Backup setting (F15 on the CLP-811, F14 on the CLP-611) to

selectivety set backup on or off for different groups of settings.

If backup for a group is set OFF, all settings within that group return to

their factory defaults each time power comes on. (A listing of factory

defaults appears on page 47.) Note that the Clavinova unconditionally

backs up and restores the Backup settings themselves, as well as any

keyboard input that you have recorded.

Memory backup remains effective for about a week, after which all

settings will return to their factory defaults. If you wish to retain your

settings for a long period of time, please be sure to switch the Clavinova

on for at least a few minutes each week.

CLP-811/611 function groups

CLP-811/611 functions can be broadly divided into three groups, as

follows.

Voice and performance functions (p.13-p.19)

Recording and playback functions (p.20-p.23)

FUNCTION-mode settings (p.24-p.37)

FUNCTION mode...

You can use FUNCTION mode to

set a wide variety of system and

utility parameters. All parameters

are originally set to standard

default values (factory defaults),

but you are free to change them

to suit your particular needs.

Memory...

The Clavinova stores the various

settings you have made within its

internal memory.

Backup...

Use the memory backup feature

to retain memory settings while

power is off, so that they will be

restored when you switch the

power back on.

CLP-811/611 Basic Controls and Functions

BRILLIANCE

REVERB EFFECT TOUCH

TRANSPOSE

MELLOW

NORMAL

BRIGHT

ROOM

HALL 1

HALL 2

STAGE

CHORUS

SYMPHONIC

TREMOLO

ECHO

HARD

MEDIUM

SOFT

FIXED

SONG

MEASURE

TEMPO

SPLIT

FUNCTION

MASTER VOLUME

TRANSPOSE SPLIT

BRILLIANCE REVERB EFFECT TOUCH

VARIATIONPIANO 1 PIANO 2 CLAVI.TONE E.PIANO1 E.PIANO2

VIBES STRINGS CHOIR BASS

HARPSI-

CHORD

PIPE

ORGAN

COMBINATION

METRONOME

TEMPO

–

YES

SONG

SELECT

START

STOP

REC

RECORDER

DEMO

PIANO SONG

MAX

MIN

Playing the Demos and Piano Songs

Your CLP-811/611 includes thirty built-in piano songs, together with demo songs for

each of the different voices (one demo per voice). Let’s try playing some of these songs

now. When playing piano songs you are free to turn off the left-hand or right-hand part

so that you can practice along. You can also pick out a specific phrase for repetition-type

practice.

Procedure

Switch on the power.

(If power is not yet on)

Press the [POWER] button.

The power comes on.

We’ll adjust the output volume while playing the songs. For now, please

set the [MASTER VOLUME] slider to approximately middle position.

Select the DEMO/PIANO SONG mode.

Press the [DEMO/PIANO

SONG] button on the right

side of the panel.

The voice indicators

begin cycling on and

off. The screen indi-

cates the new mode and

prompts you for a song selection.

We’ll begin by playing some demos. Then we’ll proceed to play some of the

piano songs and try out the special practice features.

For a listing of the internal

demos and piano songs...

See page 46.

The Clavinova does not receive

MIDI signals while DEMO/PIANO

SONG mode is active. It is not

possible to transmit demo and

piano song data to other devices

over MIDI.

DEMO/PIANO SONG mode

cannot be selected if the

Clavinova is in RECORDING

mode or if it is playing back a

recorded performance.

The word song, as used here,

refers to any stored sequence of

performance data. Demo songs

and piano songs both exist as

stored performance data.

CLP-811/611 Playing the Demos and Piano Songs

BRILLIANCE

REVERB EFFECT TOUCH

NORMAL

ROOM

MEDIUM

SONG

TEMPO

Press a voice selector or SONG SELECT button.

Playing the Demos

BRILLIANCE

REVERB EFFECT TOUCH

TRANSPOSE

MELLOW

NORMAL

BRIGHT

ROOM

HALL 1

HALL 2

STAGE

CHORUS

SYMPHONIC

TREMOLO

ECHO

HARD

MEDIUM

SOFT

FIXED

SONG

MEASURE

TEMPO

SPLIT

FUNCTION

MASTER VOLUME

TRANSPOSE SPLIT

BRILLIANCE REVERB EFFECT TOUCH

VARIATIONPIANO 1 PIANO 2 CLAVI.TONE E.PIANO1 E.PIANO2

VIBES STRINGS CHOIR BASS

HARPSI-

CHORD

PIPE

ORGAN

COMBINATION

METRONOME

TEMPO

–

YES

SONG

SELECT

START

STOP

REC

RECORDER

DEMO

PIANO SONG

MAX

MIN

5 4

(After completing steps [1] and [2] above...)

Begin playback by selecting a voice.

Press the voice selector

corresponding to the demo

that you want to hear.

The voice indicator

begins flashing and the

Clavinova starts play-

ing the demo.

Adjusting the volume

Move the [MASTER VOLUME] up or down to adjust the volume while

listening to the playback.

Adjusting the tempo

Although each demo song

includes its own tempo

setting, you are free to

adjust the playback tempo

by pressing TEMPO [▼]

or [▲]. To return the

playback tempo to its

original setting, press both

TEMPO buttons ([▼] + [▲]) at the same time.

Stopping the playback

You can stop playback of the ongoing song by pressing either the

[START/STOP] button or else the flashing voice selector.

Terminating DEMO/PIANO SONG mode

Press the [DEMO/PIANO SONG] button.

The screen returns to the previous display.

Continuous playback...

You can choose to have demos

and piano songs play out one

after another, in either numerical

or random order. For details, see

“Playing the Piano Songs” on the

next page.

Using [VARIATION]...

If you press [VARIATION] while in

DEMO/PIANO SONG mode, the

Clavinova will begin playback of

a randomly selected piano song.

BRILLIANCE

REVERB EFFECT TOUCH

NORMAL MEDIUM

SONG

TEMPO

HALL 1

BRILLIANCE

REVERB EFFECT TOUCH

NORMAL MEDIUM

SONG

TEMPO

Displays playback tempo as an offset (-99 to

+99) from the demo song's internal tempo

setting. A TEMPO indication of "---" means that

playback is at the song's preset tempo.

HALL 1

Tempo reset...

Selecting a different song for

playback automatically resets the

tempo (so that the new song will

replay at its internal tempo

setting). During continuous

playback, the tempo automati-

cally resets each time the song

changes.

CLP-811/611 Playing the Demos and Piano Songs

Unlike piano songs, demo songs

cannot be used for one-handed

and repetition-type practice. (See

page 11, 12)

Playing the Piano Songs

BRILLIANCE

REVERB EFFECT TOUCH

TRANSPOSE

MELLOW

NORMAL

BRIGHT

ROOM

HALL 1

HALL 2

STAGE

CHORUS

SYMPHONIC

TREMOLO

ECHO

HARD

MEDIUM

SOFT

FIXED

SONG

MEASURE

TEMPO

SPLIT

FUNCTION

MASTER VOLUME

TRANSPOSE SPLIT

BRILLIANCE REVERB EFFECT TOUCH

VARIATIONPIANO 1 PIANO 2 CLAVI.TONE E.PIANO1 E.PIANO2

VIBES STRINGS CHOIR BASS

HARPSI-

CHORD

PIPE

ORGAN

COMBINATION

METRONOME

TEMPO

–

NO +

YES

SONG

SELECT

START

STOP

REC

RECORDER

DEMO

PIANO SONG

MAX

MIN

-1

-2

(After completing steps [1] and [2] on page 8...)

Select song(s) and begin playback.

-1 Press SONG SELECT

([▼] or [▲]) as necessary to

make your selection. You

can select a single song (by

song number), or you can

choose continuous playback of all songs. The “SONG” indication on the

screen indicates the selection.

1,..,30

Selects playback of one piano song, by its song number.

ALL

Selects sequential continuous play of all demo and piano songs.

RND

Selects continuous play of the demo and piano songs, in random order.

(Alternative: You can select a random song by pressing [VARIATION].

In this case, playback will begin immediately.)

-2 After making your selection, press [START/STOP] to begin playback.

Adjusting the volume

Move the [MASTER VOLUME] up or down to adjust the volume while

listening to the playback.

Adjusting the tempo

Each piano song includes its

own tempo setting. Once

you have selected a song,

however, you are free to

change the setting (either

before playback starts or

while it in progress) by

pressing TEMPO [▼] or

[▲]. To return playback to

its original setting, press both TEMPO buttons ([▼] + [▲]) at the same time.

Stopping the playback

The Clavinova automatically prompts for new song selection when

playback is finished. You can stop the song while playback is in progress

by pressing the [START/STOP] button. You can then select another song

as described in Step [3] above.

Terminating DEMO/PIANO SONG mode

Press the [DEMO/PIANO SONG] button.

The screen returns to the display shown just before you entered this mode.

Next we will see how to switch off either the left-hand or right-hand part of a

piano song so that you can practice the part yourself (one-hand practice). We

will also see how to repeatedly play a single selected song phrase (to facilitate

repetition-type practice).

BRILLIANCE

REVERB EFFECT TOUCH

NORMAL

ROOM

MEDIUM

SONG

TEMPO

Song name Song No.

Reset of playback tempo...

Selecting a different song for

playback automatically resets the

tempo (so that the new song will

replay at its internal tempo

setting). During continuous

playback, the tempo automati-

cally resets each time the song

changes.

CLP-811/611 Playing the Demos and Piano Songs

If you select ALL and then

press a voice selector ....

The Clavinova will begin

sequential playback beginning

with the demo song for the

selected voice.

BRILLIANCE

REVERB EFFECT TOUCH

NORMAL

ROOM

MEDIUM

SONG

TEMPO

Displays playback tempo as an offset (-99 to

+99) from the piano song's internal tempo

setting. A TEMPO indication of "---" means

that playback is at the song's preset tempo.

One-Hand Practice with Piano Songs

Each piano song has its left-hand and right-hand parts recorded on separate tracks: the right-hand part in

Track [1], and the left-hand part in Track [2]. This makes it possible for you to switch off either part at any

time. This feature is ideal for one-handed practice: just switch off one of the parts, then play the missing

notes yourself in accompaniment with the other part.

BRILLIANCE

REVERB EFFECT TOUCH

TRANSPOSE

MELLOW

NORMAL

BRIGHT

ROOM

HALL 1

HALL 2

STAGE

CHORUS

SYMPHONIC

TREMOLO

ECHO

HARD

MEDIUM

SOFT

FIXED

SONG

MEASURE

TEMPO

SPLIT

FUNCTION

MASTER VOLUME

TRANSPOSE SPLIT

BRILLIANCE REVERB EFFECT TOUCH

VARIATIONPIANO 1 PIANO 2 CLAVI.TONE E.PIANO1 E.PIANO2

VIBES STRINGS CHOIR BASS

HARPSI-

CHORD

PIPE

ORGAN

COMBINATION

METRONOME

TEMPO

–

NO +

YES

SONG

SELECT

START

STOP

REC

RECORDER

DEMO

PIANO SONG

MAX

MIN

2 3

Procedure

Switch off the part that you want to play by yourself.

After selecting a piano song as described above, simply press [1] or

[2] to mute (switch off) the right or left part.

When you switch off the track, the indicator above the track button

goes off. (When you first select the song, both indicators will be on.)

• You can toggle each part OFF and ON by pressing the track button as

needed.

Start playback and begin practice.

Press [START/STOP] to begin playback. Play the muted part yourself,

for practice.

Synchronous start

You can set up one-part

playback so that it begins

precisely when you strike

the keyboard. To select this

feature, hold down the track

button that you have set ON

(either [1] or [2]) and press

[START/STOP]. This sets the instrument into SYNCHRO START mode.

Playback of the selected part will then begin when you hit a key on the

keyboard.

When you select SYNCHRO START, a corresponding marking

appears at the center of the display.

Using the left pedal as a START/STOP switch.

You can set the left pedal to operate in the same way as the [START/

STOP] button, so that you can start and stop playback without using your

hands. Left-pedal operation is determined by function F9; see page 33 for

details.

Stopping the playback

The Clavinova automatically prompts for new song selection when

playback is finished. You can stop the song while playback is in progress

by pressing the [START/STOP] button.

Parts cannot be switched off

during continuous (“ALL” or

“RND”) playback.

Switching parts ON/OFF

during playback...

The [1] and [2] buttons can be

used to switch tracks on and off

even while playback is in

progress.

Adjusting the volume of the

muted part...

After switching off a part, you

may notice that you can still hear

it sounding in the background at

low volume. This sound is

intentionally left to provide a

timing guide for your practice.

You are free to adjust its volume,

or to switch it off entirely, by

using function F12. See page 34

for details.

CLP-811/611 Playing the Demos and Piano Songs

If you hold down an unlit track

button and press [START/

STOP]...

The track button comes on and

the Clavinova enters SYNCHRO

START. The track will start

playing back when you hit a key

on the keyboard.

BRILLIANCE

REVERB EFFECT TOUCH

NORMAL

ROOM

MEDIUM

SONG

TEMPO

SYNCHRO START marking

Reset of part selection...

The Clavinova automatically sets

both tracks ON when you select

another song.

Repetition Practice with Piano Songs

This feature lets you extract a phrase from any piano song and play it repeatedly. By combining this

function with the “one-hand practice” feature described above, you can select and then practice a specific

passage as many times as you like.

BRILLIANCE

REVERB EFFECT TOUCH

TRANSPOSE

MELLOW

NORMAL

BRIGHT

ROOM

HALL 1

HALL 2

STAGE

CHORUS

SYMPHONIC

TREMOLO

ECHO

HARD

MEDIUM

SOFT

FIXED

SONG

MEASURE

TEMPO

SPLIT

FUNCTION

MASTER VOLUME

TRANSPOSE SPLIT

BRILLIANCE REVERB EFFECT TOUCH

VARIATIONPIANO 1 PIANO 2 CLAVI.TONE E.PIANO1 E.PIANO2

VIBES STRINGS CHOIR BASS

HARPSI-

CHORD

PIPE

ORGAN

COMBINATION

METRONOME

TEMPO

–

NO +

YES

SONG

SELECT

START

STOP

REC

RECORDER

DEMO

PIANO SONG

MAX

MIN

1 2

Procedure

Set the phrase start and end points (“A” and “B”), and then

begin practice.

Select a piano song (by song number), then begin playback and listen for

the desired start point. When playback reaches the beginning of the

phrase you want to repeat, press [FUNCTION].

The Clavinova marks

this point as Point A.

The screen displays

“A–”.

Continue listening for the end point of the phrase you want to repeat.

When playback reaches the

end point, press [FUNC-

TION] once again.

The Clavinova marks

this point as Point B.

The screen now dis-

plays “A-B”.

Playback now automatically jumps back to the start point and the selected

sequence begins repeating. You can now practice the passage as many

times as you like.

Stopping the playback

To interrupt repeat play temporarily while retaining the Point A and B

settings, press [START/STOP] once. You can then resume the repeat

playback by pressing [START/STOP] once again.

To clear the A and B settings, press [FUNCTION].

This feature is not available with

continuous (“ALL” or “RND”)

playback.

If you want the phrase to start

at the beginning of the song...

Press [FUNCTION] before you

begin the playback.

CLP-811/611 Playing the Demos and Piano Songs

BRILLIANCE

REVERB EFFECT TOUCH

NORMAL MEDIUM

SONG

TEMPO

ROOM

BRILLIANCE

REVERB EFFECT TOUCH

NORMAL MEDIUM

SONG

TEMPO

ROOM

If you select a different song....

The A and B settings are

automatically cleared.

Selecting and Playing Voices

Your Clavinova offers you an excellent selection of great-sounding voices (11 voices on

model CLP-611, 12 voices on model CLP-811). You can use the VARIATION, BRIL-

LIANCE, REVERB, and EFFECT features to vary the sound and feel of each voice.

The Clavinova also allows you to mix any two voices together (“DUAL mode”), and to

select different voices for the right and left ranges of the keyboard (“SPLIT mode”). A

built-in metronome is also provided.

Selecting a Voice

CLP-811/611 Selecting and Playing Voices

Procedure

To select a voice, press the corre-

sponding voice selector.

The voice indicator lights up.

Try playing the voice. Adjust the volume as necessary by moving the [MASTER

VOLUME] slider.

BRILLIANCE

REVERB EFFECT TOUCH

TRANSPOSE

MELLOW

NORMAL

BRIGHT

ROOM

HALL 1

HALL 2

STAGE

CHORUS

SYMPHONIC

TREMOLO

ECHO

HARD

MEDIUM

SOFT

FIXED

SONG

MEASURE

TEMPO

SPLIT

FUNCTION

MASTER VOLUME

TRANSPOSE SPLIT

BRILLIANCEREVERB EFFECT TOUCH

VARIATIONPIANO 1 PIANO 2 CLAVI.TONEE.PIANO1 E.PIANO2

VIBES STRINGS CHOIR BASS

HARPSI-

CHORD

PIPE

ORGAN

COMBINATION

METRONOME

TEMPO

–

YES

SONG

SELECT

START

STOP

REC

RECORDER

DEMO

PIANO SONG

MAX

MIN

Voice selector

BRILLIANCE

REVERB EFFECT

TOUCH

NORMAL

ROOM

MEDIUM

TEMPO

Name of voice

Instrument icon

To familiarize yourself with the

features of each voice...

You can get a good feel for each

voice by listening to its built-in

demo (see page 46 of this

manual).

About the EFFECT settings...

Each voice is set to its standard

(default) effect at time of

shipping. For information about

effects settings and how to

change them, see page 15.

The ORGAN COMBINATION

voice...

...can be set to any of eight built-

in organ types. You can edit each

of these types to produce your

own customized sounds. You use

function F6 to set the voice up;

see page 30 for details.

Using the Pedals

This section explains the use of the instru-

ment’s three pedals.

Damper (Right) Pedal

The damper pedal functions in the same way as a

damper pedal on an acoustic piano. While the

damper pedal is pressed notes played have a long

sustain. Releasing the pedal immediately stops

(damps) any sustained notes.

Sostenuto (Center) Pedal

This pedal sustains only those notes whose keys

are being pressed when the pedal first goes down.

Keys that you strike after the pedal is already down

are not held. This makes it possible to sustain a

chord, for example, while at the same time playing

other notes staccato.

Soft (Left) Pedal

This pedal reduces the volume and slightly changes the timbre of the notes you

play. The pedal has no affect on notes that are already playing when the pedal is

first pressed.

If you step down on the damper

pedal here, the note already in

play and the three subsequent

notes will continue to sound after

their keys are released.

If you step down on the sostenuto

pedal here, only the first note will be

held.

Variable damper-pedal action...

The sustain length produced by

the damper pedal varies

according to how far you press

the pedal down. The pedal is

factory-set for 8-level action, but

you can change this setting using

function F11 (see page 34).

Changing the Sound ... [VARIATION],

[BRILLIANCE], [REVERB], [EFFECT]

[VARIATION]

You use this feature to select a variation on the standard voice.

Procedure

Press [VARIATION] to toggle the variation voice on and off.

The indicator lights up if the variation is selected.

Default setting = OFF.

CLP-811/611 Selecting and Playing Voices

Changing the function of the

left pedal...

You can switch the function of the

left pedal so that it operates as a

second [START/STOP] button

rather than as a soft pedal. To

change the operation, use

function F9 (see page 33).

BRILLIANCE

REVERB EFFECT TOUCH

TRANSPOSE

MELLOW

NORMAL

BRIGHT

ROOM

HALL 1

HALL 2

STAGE

CHORUS

SYMPHONIC

TREMOLO

ECHO

HARD

MEDIUM

SOFT

FIXED

SONG

MEASURE

TEMPO

SPLIT

FUNCTION

MASTER VOLUME

TRANSPOSE SPLIT

BRILLIANCE REVERB EFFECT TOUCH

VARIATIONPIANO 1 PIANO 2 CLAVI.TONE E.PIANO1 E.PIANO2

VIBES STRINGS CHOIR BASS

HARPSI-

CHORD

PIPE

ORGAN

COMBINATION

METRONOME

TEMPO

–

YES

SONG

SELECT

START

STOP

REC

RECORDER

DEMO

PIANO SONG

MAX

MIN

[VARIATION]

[BRILLIANCE]

[REVERB]

[EFFECT]

[–/NO] [+/ YES]

[BRILLIANCE]

Use this feature to set the brightness of the output sound. You can select from

three levels.

MELLOW

Light, mellow tone

NORMAL

Standard brightness (=default setting)

BRIGHT

Clear and penetrating sound

Procedure

Press [BRILLIANCE] as neces-

sary to select the desired setting,

while watching the screen.

The screen displays the current

setting.

[REVERB]

This feature sets the reverb type applied to the Clavinova’s sound. Each setting

produces reverb acoustics similar to a particular performance environment. You

are also free to adjust the “reverb depth.”

OFF

No reverb applied.

ROOM

Acoustics of midsize room

HALL 1

Sound of small concert hall

HALL 2

Sound of large concert hall

STAGE

Stage-performance acoustics (=default setting)

Procedure

Press [REVERB] as necessary to

select the desired setting, while

watching the screen.

The screen shows the current

setting. (Nothing is shown if

reverb is set to OFF.)

Changing the reverb depth

Hold down the [REVERB] button

to display the current depth setting.

To change the depth setting:

continue to hold down [REVERB]

while pressing [-/NO] or [+/YES].

You can set to any value between 0

and 20. The default setting is 8.

[EFFECT]

Use this button to select an effect for the voice. You can set a separate effect for

each voice. Within each voice you can also set separate depth levels for each of

the four effects.

OFF

No effect

CHORUS

Shimmering, broadening effect

SYMPHONIC

Adds a deep, symphonic backdrop

TREMOLO

Tremolo effect

ECHO

Reverberating echo effect

The BRILLIANCE setting does

not apply to the ORGAN

COMBINATION voice. Instead,

you can use function F6 (see

page 30) to edit this voice.

BRILLIANCE

REVERB EFFECT TOUCH

BRIGHT

ROOM

MEDIUM

TEMPO

Selected brilliance

The reverb type and depth

settings are common to all

voices.

CLP-811/611 Selecting and Playing Voices

BRILLIANCE

REVERB EFFECT TOUCH

BRIGHT

HALL 1

MEDIUM

TEMPO

Depth

BRILLIANCE

REVERB EFFECT TOUCH

BRIGHT

HALL 1

MEDIUM

TEMPO

Selected reverb

Default settings...

A standard (default) effect is set

for each voice prior to shipping.

“Depth” refers to the amount of

reverb applied.

Depth = 0: No reverb

Depth = 20: Maximum reverb

Procedure

Press [EFFECT] as necessary to

select the desired setting, while

watching the screen.

The screen shows the current

setting. (Nothing is shown if

the effect is set to OFF.)

Changing the effect depth

Hold down the [EFFECT] button

to display the depth setting for the

currently selected effect. (No value

will be shown if the effect is set to

OFF.) To change the depth setting:

continue to hold down [EFFECT]

while pressing [-/NO] or [+/YES].

You can set to any value between 0

and 20.

This setting does not affect the

physical action of the keyboard.

The TOUCH setting applies to all

voices.

TOUCH

You use this feature to set the relationship between key striking force and the

resulting sound volume. Select from among four settings in accordance with

personal preference, voice type, and performance goal.

HARD:

Considerable force is required to produce maximum loudness.

MEDIUM:

Standard keyboard action (=default setting)

SOFT:

Allows maximum loudness to be produced with relatively light key

pressure.

FIXED:

All notes are produced at uniform volume, regardless of striking

force. You can select the volume by setting the velocity value, as

described below.

Procedure

Press [TOUCH] to change the

setting.

The display indicates the

current selection.

Volume adjustment for FIXED setting

If FIXED touch is selected, you

can hold down the [TOUCH]

button to display and change the

velocity (volume) setting. To

change the setting, hold down

[TOUCH] and press [-/NO] or

[+/YES]. You can set to any value

between 1 and 127; the default setting is 64.

CLP-811/611 Selecting and Playing Voices

BRILLIANCE

REVERB EFFECT TOUCH

BRIGHT

HALL 1

MEDIUM

TEMPO

CHORUS

Selected effect

BRILLIANCE

REVERB EFFECT TOUCH

BRIGHT

HALL 1

MEDIUM

TEMPO

CHORUS

Depth

BRILLIANCE

REVERB EFFECT TOUCH

TEMPO

NORMAL

ROOM

MEDIUM

Selected touch

BRILLIANCE

REVERB EFFECT TOUCH

TEMPO

NORMAL

ROOM

FIXED

Only if FIXED

Volume

The clavinova measures

keyboard striking force by

monitoring the velocity at which

the key moves downward when

hit. If touch is HARD, MEDIUM,

or SOFT, this physical velocity

determines the volume.

Velocity = 1: Minimum volume

Velocity = 127: Maximum volume

The FIXED-touch velocity setting

applies to all voices.

Depth setting...

Depth = 0: No effect

Depth = 20: Maximum effect

Default depths...

Standard default depths are set

up for each effect type within

each voice.

BRILLIANCE

REVERB EFFECT TOUCH

TRANSPOSE

MELLOW

NORMAL

BRIGHT

ROOM

HALL 1

HALL 2

STAGE

CHORUS

SYMPHONIC

TREMOLO

ECHO

HARD

MEDIUM

SOFT

FIXED

SONG

MEASURE

TEMPO

SPLIT

FUNCTION

MASTER VOLUME

TRANSPOSE SPLIT

BRILLIANCEREVERB EFFECT TOUCH

VARIATIONPIANO 1 PIANO 2 CLAVI.TONEE.PIANO1 E.PIANO2

VIBES STRINGS CHOIR BASS

HARPSI-

CHORD

PIPE

ORGAN

COMBINATION

METRONOME

TEMPO

–

YES

SONG

SELECT

START

STOP

REC

RECORDER

DEMO

PIANO SONG

MAX

MIN

[TOUCH]

[–/NO] [+/YES]

TRANSPOSE

This feature allows you to shift the pitch of the entire keyboard, so that you

can continue to play in a signature that you are comfortable with while at the

same time “transposing” to match the key of a singer or of another instru-

ment. You can set the transposition in semitone increments. If you set it to 5,

for example, then each keyboard C will produce the sound of F, and any song

played in key of C will be produced in key of F.

Procedure

Hold down [TRANSPOSE] and

press [-/NO] or [+/YES] to set the

transposition interval, in semitone

increments. You can set to any

value from -12 to +12; the default

setting is 0.

CLP-811/611 Selecting and Playing Voices

DUAL Mode (Mixing two voices together)

This feature selects simultaneous play of any two voices. You can combine dissimilar voices for a duet-

like sound, or try working with similar voices to create a complex, layered type of sound.

BRILLIANCE

REVERB EFFECT TOUCH

TRANSPOSE

MELLOW

NORMAL

BRIGHT

ROOM

HALL 1

HALL 2

STAGE

CHORUS

SYMPHONIC

TREMOLO

ECHO

HARD

MEDIUM

SOFT

FIXED

SONG

MEASURE

TEMPO

SPLIT

FUNCTION

MASTER VOLUME

TRANSPOSE SPLIT

BRILLIANCE REVERB EFFECT TOUCH

VARIATIONPIANO 1 PIANO 2 CLAVI.TONE E.PIANO1 E.PIANO2

VIBES STRINGS CHOIR BASS

HARPSI-

CHORD

PIPE

ORGAN

COMBINATION

METRONOME

TEMPO

–

NO +

YES

SONG

SELECT

START

STOP

REC

RECORDER

DEMO

PIANO SONG

MAX

MIN

1 2

BRILLIANCE

REVERB EFFECT TOUCH

TEMPO

NORMAL

ROOM

MEDIUM

First voice

(Voice

Second voice

(Voice

Procedure

Entering DUAL mode

Simply press the two

appropriate voice selectors

at the same time (hold one

down and then press the

other).

The voice indicators for

both voices will come on.

The screen shows the name

for both voices, with the

lowest-numbered voice first

(in accordance with the voice

numbering shown at right).

PIANO 1 PIANO 2 CLAVI.TONE E.PIANO1 E.PIANO2

VIBES STRINGS CHOIR BASS

HARPSI-

CHORD

PIPE

ORGAN

COMBINATION

Voice numbering 1

(CLP-811)

DUAL or SPLIT...

It is not possible to use the DUAL

and SPLIT features at the same

time.

Handling of VARIATION

The current VARIATION setting

for each voice remains in effect

when you first enter DUAL mode;

the VARIATION indicator will be

lit if VARIATION is selected for

either or both voices. Once you

have entered the mode, each

press of [VARIATION] switches

variation ON or OFF for both

voices together. If you need to

set variation ON for one voice

only, you must do so before

entering DUAL mode.

Transposition settings...

-12: Down by twelve semitones

(one octave)

0: No transposition; notes

produce their standard pitch

+12: Up by twelve semitones

(one octave)

High and low pitch limitations

The CLP-811/611 does not

produce pitches above C7 (the

highest note on an 88-key

keyboard) or below A-1 (the

lowest note). If you transpose up

semitones, the highest

keys on the keyboard are

automatically sounded one octave

lower than the expected tone. If

you transpose down, the lowest

keys are automatically raised.

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Transposition value (semitones)

If transposition is set to nonzero, these indications and

the numerical setting will remain on the screen.

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SPLIT

FUNCTION

MASTER VOLUME

TRANSPOSE SPLIT

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VARIATIONPIANO 1 PIANO 2 CLAVI.TONE E.PIANO1 E.PIANO2

VIBES STRINGS CHOIR BASS

HARPSI-

CHORD

PIPE

ORGAN

COMBINATION

METRONOME

TEMPO

–

YES

SONG

SELECT

START

STOP

REC

RECORDER

DEMO

PIANO SONG

MAX

MIN

[TRANSPOSE]

[–/NO] [+/ YES]

You can use function F4 to

make various settings related to

dual play — see page 29 for

details.

If you select [STRINGS] as

one of the voices, you can use

function F4 to select a slower

string attack.

Terminating DUAL

mode...

Pressing any one of the voice

selectors will select the corre-

sponding voice and return you

to normal mode.

Handling of effects

If both voices are set to their standard effects at the time you enter DUAL mode, the

Clavinova will automatically select the effect and depth to be applied for the combination. In

all other cases, the Clavinova will set the effect as follows.

[Type]

a) If both voices are set to the same effect...

Each voice retains its original effect.

b) If effect for one voice only is OFF...

Each voice retains its original effect settings. One voice receives no effect; the other

receives the effect set up prior to entry into DUAL mode.

c) If the two voices are set to different effects ...

The effect setting for Voice

1 is used for both voices. The effect setting for Voice

2 is

forced off until DUAL mode terminates.

d) If you change the EFFECT type while DUAL mode is in progress, the Clavinova will

apply the newly selected effect to both voices.

[Depth]

You can set the depth to any level using function F4.

SPLIT Mode (Dividing the keyboard)

This feature allows you to divide the keyboard into left and right zones. You can select the split point,

and assign a different voice to each zone.

Procedure

Enter SPLIT mode.

Press [SPLIT].

The SPLIT indicator

lights up.

The Clavinova

automatically

selects the default

voice (BASS if CLP-811; STRINGS if CLP-611) for the left zone.

You can use function F5 to make various settings related to split play —

see page 29 for details.

Select the split point.

Hold down [SPLIT] and hit

the key at which you want

to split the keyboard. If you

omit this operation, the

Clavinova automatically

sets the split point to F

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SPLIT or DUAL...

It is not possible to use the DUAL

and SPLIT features at the same

time.

The “split point” is the highest

note in the left zone.

Handling of VARIATION

You can select VARIATION

independently for each of the two

voices. During SPLIT mode, the

VARIATION lamp and voice

indicator show the status of the

right-zone voice only.

While you are holding the

[SPLIT] button down, however,

the lamps change to show the

status for the left-zone voice.

You can also use function F5 to

set the split point (see page 29).

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Voice for right zoneVoice for left zone

CLP-811/611 Selecting and Playing Voices

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FUNCTION

MASTER VOLUME

TRANSPOSE SPLIT

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VARIATIONPIANO 1 PIANO 2 CLAVI.TONE E.PIANO1 E.PIANO2

VIBES STRINGS CHOIR BASS

HARPSI-

CHORD

PIPE

ORGAN

COMBINATION

METRONOME

TEMPO

–

YES

SONG

SELECT

START

STOP

REC

RECORDER

DEMO

PIANO SONG

MAX

MIN

Voice selector

[SPLIT]

Select the voice for the

right zone.

Press a voice selector to select

the voice for the right zone.

Select the voice for the

left zone.

Hold down [SPLIT] and press

a voice selector to select the

voice. (The voice indicator for

the currently selected left-zone

voice lights up while [SPLIT]

is held down.)

Terminating SPLIT

mode...

Press and release the [SPLIT]

button.

The SPLIT indicator goes

off.

Handling of EFFECTS

If both voices are set to their standard effects at the time you enter SPLIT mode, the

Clavinova will automatically select the effect and depth to be applied for the combination. In

all other cases, the Clavinova will set the effect as follows.

[Type]

a) If both voices are set to the same effect...

Each voice retains its original effect.

b) If effect for one voice only is OFF...

Each voice retains its original effect settings. One voice receives no effect; the other

receives the effect set up prior to entry into SPLIT mode.

c) If the two voices are set to different effects...

The effect setting for the right-hand voice is used for both voices. The effect setting for

the left voice is forced off until SPLIT mode terminates.

d) If you change the EFFECT type while SPLIT mode is in progress, the Clavinova will

apply the newly selected effect to both voices.

[Depth]

You can set the depth to any level using function F5.

CLP-811/611 Selecting and Playing Voices

Using the METRONOME

The CLP-811/611 includes a built-in metronome with adjustable tempo, volume and beat.

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FUNCTION

MASTER VOLUME

TRANSPOSE SPLIT

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VARIATIONPIANO 1 PIANO 2 CLAVI.TONE E.PIANO1 E.PIANO2

VIBES STRINGS CHOIR BASS

HARPSI-

CHORD

PIPE

ORGAN

COMBINATION

METRONOME

TEMPO

–

NO +

YES

SONG

SELECT

START

STOP

REC

RECORDER

DEMO

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MAX

MIN

1 2

Procedure

Switch on the metro-

nome and set the tempo.

Press the [METRO-

NOME] button.

The metronome comes

on and begins tapping.

Adjust the tempo.

Press TEMPO [▼][▲] as

necessary to set the tempo. You

can set to any value between

32 and 280. The default setting

is 120.

Adjust the metronome volume.

Hold down [METRONOME] and press [-/NO] or [+/YES] to adjust the

metronome volume. The screen continues to display the volume setting

while the button is held down. You can set to any value between 1 and 20;

the default is 10.

Switching off the metronome...

Press and release the [METRONOME] button.

The metronome goes off.

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Animated metronome icon

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Tempo

Metronome volume

You can also use function F7 to

set up the metronome. In

addition to volume setting, F7

also allows you to select a beat.

The metronome will generate the

corresponding beat pulse, and a

flashing beat display will appear

under the metronome icon. (See

page 32.)

Beat marker

CLP-811/611 Using the Recorder

Using the Recorder

Your Clavinova includes a two-track recorder that lets you record and play back a key-

board performance. If you like, you can build a two-track song by recording separate

performances (and separate voices) onto each track.

The recording function is a useful adjunct to any keyboard study program, since it lets

you hear exactly how you sound from the listener’s perspective. It can also be just plain

fun.

The recorder registers the following data.

■ Common to Both Tracks

● Tempo ● Reverb type & depth ● Effect type

■ Independent for Each Track

● Notes played ● Voice selection ● Voice variation

● Dual-mode voices ● Split-mode voices ● Damper pedal

● Soft pedal ● Sostenuto pedal ● Brilliance level

● Effect depth ● DUAL-mode settings (F4) ● SPLIT-mode settings (F5)

NOTE

DUAL-and SPLIT-mode settings cannot be changed while recording is in progress.

Recording

Procedure

Make initial settings.

Select the voice you want to use. (If you are using SPLIT or DUAL

mode, select both voices.) You may also want to set the volume and

tempo values.

If you have already recorded to one track and wish to listen

to it while recording on the other, check that the indicator

for the track you want to hear is lit up green. If the lamp is

off, press the track button ([1] or [2]) once to set it on.

Enter RECORDING-mode standby.

Press the [REC] button once to enter recording standby. The track-

indicator over one of the track buttons will light up red.

The lamp will come on only if the

track contains recorded data.

Before beginning a recording...

You may find it convenient to

press both buttons to check

whether data already exists. If

either lamp comes on, then the

corresponding track contains

data that will be lost when you

being recording to it.

If you have not recorded

anything since power-on, the

lamp above button [1] will come

on. If you have already

recorded, then the lamp above

the most recently recorded track

will come on.

You cannot enter RECORDING

mode while the Clavinova is in

DEMO/PIANO SONG mode.

To release RECORDING-mode

standby...

Press the [REC] button a second

time.

Select the track you want to record.

The red indicator shows the

currently selected track. If

you wish to change the

selection, press the appro-

priate track button ([1] or

[2]).

Start the recording.

Recording begins automati-

cally when you play a note

at the keyboard. As an

alternative, you can begin

the recording by pressing

the [START/STOP] button.

Stop the recording.

You can stop the recording by pressing either [REC] or [START/STOP].

The indicator above the recorded track will change to green, to indicate

that the track contains data.

Changing initial settings

After recording is completed, it remains possible to modify the initial settings

that you selected at Step 1 above. (It is not possible, however, to modify SPLIT

or DUAL settings.)

When making such a change, BE CAREFUL! DO NOT hit any keys on the

keyboard and do not press the [START/STOP] button, as doing so will cause

erasure of all your data.

To make a change, proceed as follows.

(a) Press [REC] to enter RECORDING mode.

(b) If necessary, press the track button for the track you want to change (so

that the indicator is red).

would press the appropriate voice selector.

(d) Press [REC] again to exit RECORDING mode.

CLP-811/611 Using the Recorder

If the selected track already

contains recorded data...

That data will be lost when you

begin actual recording as

described in Step 5 below.

The approximate amount of

remaining memory...

appears at the upper right of the

screen (in kilobytes). The starting

value (with both tracks empty) is

21.

The first metronome dot

flashes in time with the current

tempo setting.

Using the left pedal as a

START/STOP switch...

You can set the left pedal to

operate in the same way as the

[START/STOP] button, so that

you can start and stop recording

without using your hands. Left-

pedal operation is determined by

function F9; see page 33 for

details.

The screen counts the

measures (in accordance with

the TEMPO setting) as recording

proceeds. The metronome dot

display keeps track of the beat.

You are free to switch the

metronome sound on or off. The

metronome sound is not included

in the recording.

Maximum recording capacity...

is approximately 4,200 notes, but

varies somewhat according to

pedal usage and other such

factors. The recording indicator

begins flash when memory is

almost full. If memory becomes

completely full, recording stops

and the Memory Full! message

appears.

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Remaining memory

Flashing

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Measure count

Beat

If you begin making a change at

Step (c) but then wish to

cancel it, you can do so by

pressing the other track button

and then pressing [REC].

Tempo, reverb type/depth, and

effect type settings...

apply to both tracks. If you

change the value for one track,

the change automatically applies

to both.

Erasing a track

To erase a track, proceed as follows:

(a) Press [REC] to enter RECORDING mode.

(b) Select the track you want to erase (so that the indicator is red).

CLP-811/611 Using the Recorder

Playback

To select a track for playback, press the corresponding track button so that the

indicator comes on green. You can then start the playback by pressing

[START/STOP]. Note that you are free to select either or both tracks. (If a track

is empty, its indicator will not come on.)

Playback always begins from the

start of the recorded data, and

stops automatically at the end of

the recorded data. The LCD

displays the measure count as

playback progresses. You can stop

playback at any time by pressing the [START/STOP] button.

If both tracks contain data, then once you have started playback you can

toggle sound for either track ON or OFF by pressing the corresponding track

button.

You cannot start playback

while the Clavinova is in DEMO/

PIANO SONG mode or

FUNCTION mode. (But note that

FUNCTION mode is automati-

cally released when you press

either of the track buttons.)

It is possible to play along on the

keyboard during playback.

To adjust the playback volume

and tempo...

Use the [MASTER VOLUME]

slider and the [TEMPO] buttons.

To restore the initial TEMPO

setting, press both TEMPO

buttons at the same time.

The Clavinova retains the

recording even after power

goes off, and will hold it for

about a week without power. If

you wish to maintain the data for

a long period of time, be sure to

switch the power on at least a

few minutes each week.

You can use the MIDI Bulk

Dump function to save your

recording to an external storage

device (such as a Yamaha DOU-

10 Disk Orchestra Unit). See

page 34 for details.

If you use the metronome

during playback...

It will automatically switch off

when playback is finished.

A track will not produce any

sound if its indicator is off.

This is in contrast to built-in

piano songs, where even a

deselected track may play back

at low volume as a practice aid

(see page 11).

Playback data is not transmit-

ted through the MIDI OUT

connector.

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Measure count

CLP-811/611 Using the Recorder

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Flashing

TEMPO

SONG

Synchro Start

The Synchro Start feature lets you set recorder playback so that it begins auto-

matically when you play on the keyboard.

To select this feature simply hold

down one of the recorded track

buttons and press [START/STOP].

A “SYNC” indication will appear

on the screen to indicate that the

Clavinova is in Synchro Start

standby, and the first metronome

dot will flash in time with the current tempo setting.

Function of Left Pedal

You can set the left pedal so that it functions as a second [START/STOP]

button. This makes it possible for you to use your foot to start and stop playback

and recording, so that your hand does not have jump from the panel to the

keyboard. Left-pedal operation is selected by function F9; see page 33 for

details.

CLP-811/611 Configuration Functions (FUNCTION mode)

Configuration Functions (FUNCTION mode)

The Clavinova‘s FUNCTION mode provides a variety of configuration functions that

you can use to customize the operating environment. When you first receive the

Clavinova, all parameters are preset to their factory defaults. The configuration func-

tions give you the freedom to adjust the settings to suit your needs.

FUNCTION mode consists of 15 or 16 main functions (F1 to F15 on CLP-811,

F1 to F14 on CLP-611). Six of these are further divided into subfunctions. The

table below illustrates the structure.

Function Table

Subfunctions

4.1 D.Balance (Voice volume balance)

4.2 D.Detune (Voice tuning divergence)

4.3 Vc1.Octave (Octave shift for Voice #1)

4.4 Vc2.Octave (Octave shift for Voice #2)

4.5 Vc1.EffDpt (Effect depth for Voice #1)

4.6 Vc2.EffDpt (Effect depth for Voice #2)

4.7 Str.Atk (Attack speed for STRINGS

voice)

4.8

ResetOK? (Return to factory defaults.)

5.1 SplitPoint (Split point)

5.2 S.Balance (Voice volume balance)

5.3

VcR.Octave

(Octave shift for right zone)

5.4

VcL.Octave (Octave shift for left zone)

5.5

VcR.EffDpt (Effect depth for right zone)

5.6

VcL.EffDpt (Effect depth for left zone)

5.7 Sus.Pedal (Effective range of

damper pedal)

5.8

ResetOK? (Return to factory defaults.)

6.1 ****** (Organ type)

[Where “******” is replaced by type name,

such as “JAZZ ORGAN1”.]

6.2 VoiceEdit (Voice edit settings)

6.3 AtkMode (Attack mode)

6.4 RotSP.Spd (Speed of rotary-

speaker effect)

6.5 RotSP.Dpt (Depth of rotary-

speaker effect)

6.6

ResetOK? (Return to factory defaults.)

7.1 Beat

7.2 Volume

Page

Main Functions

[F1.Tune]

(Keyboard fine tuning)

[F2.KTune]

(Key-by-key fine tuning)

[F3.Scale]

(Temperament selection)

[F4.DualFunc.]

(DUAL-mode settings)

[F5.SplitFunc.]

(SPLIT-mode settings)

[F6.OrganEdit]

(ORGAN COMBINATION settings)

[F7.Metronome]

(Metronome settings)

Attack: Initial, sharp segment of

sound produced immediately

following key strike.

Rotary-speaker effect:

Shimmering sound effect

obtained by rotating the speaker.

CLP-811/611 Configuration Functions (FUNCTION mode)

Subfunctions

13.1 TxCh. (MIDI transmitting channel)

13.2 RxCH. (MIDI receiving channel)

13.3 Local (Local control ON/OFF)

13.4 PrgChg (Program Change enable/

disable)

13.5 CtrChg (Control Change enable/

disable)

13.6 MIDITran (Transposition of outgo-

ing MIDI data)

13.7

SetupSnd (Transmit Panel setup file)

13.8

BulkDump (Bulk data dump)

14.1/15.1 Voice (Voice settings)

14.2/15.2 MIDI (MIDI settings)

14.3/15.3 Tune (Tuning and tempera-

ment settings)

14.4/15.4 Pedal (Pedal settings)

14.5/15.5 Display (Display mode)

Page

Main Functions

[F8.Display]

(Display mode)

[F9.L.Pedal]

(Function of left pedal)

[F10.DamperDpt]

(Damper-pedal depth)

[F11.Damper]

(Number of damper-pedal levels)

[F12.CancelVol]

(Volume of muted piano-song track)

[F13.MIDIFunc.]

(MIDI settings)

CLP-811 only:

[F14.MicRevDpt]

(Microphone reverb depth)

[F14/F15.Backup]

(Backup ON/OFF settings)

* F14 on CLP-611

F15 on CLP-811

CLP-811/611 Configuration Functions (FUNCTION mode)

Basic Procedure

This section explains the procedure for viewing and changing the function settings.

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MASTER VOLUME

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VIBES STRINGS CHOIR BASS

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METRONOME

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–

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1 5

2 4 3 4 4

Procedure

Enter FUNCTION mode.

Press [FUNCTION].

The FUNCTION indicator lights up.

Select the main function.

Select the main function

using the [t] and [s]

buttons directly to the right

of the [FUNCTION]

button. (The arrow markings

are printed under the but-

tons.) Main functions run

from F1 to F15 (on the

CLP-811) or F14 (on the CLP-611).

Change the setting or select the subfunction using the

[-/NO] and [+/YES] buttons.

If there are no subfunctions: Pressing the button changes the value.

If there are subfunctions: Press [+/YES] to move to a subfunction.

Proceed using the following three sets of buttons.

■ Use the [t] and [s] buttons to cycle through subfunctions and main

functions.

■ Use the [-/NO] and [+/YES] buttons to set the value for the item

marked by the blinking cursor on the screen. Press both buttons at the

same time to return the value to its factory default.

■ If you are working at a screen with multiple settings, use SONG

SELECT [▼], [▲] to select the item you want to set. The selected

item will blink on the screen. (This operation is effective only with

screens that present more than one value.)

To terminate FUNCTION mode...

Press the [FUNCTION] button.

The FUNCTION indicator goes off, and the screen return to the

previous display.

It is not possible to enter

FUNCTION mode directly from

DEMO/PIANO SONG mode or

RECORDING or playback is in

progress.

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Function number

Function name

CLP-811/611 Configuration Functions (FUNCTION mode)

Function descriptions

F1.Tune (Keyboard fine tuning)

You use this function to fine-tune the pitch over

the entire keyboard. This function is useful, for

example, when you need to adjust tuning when

playing with other instruments.

1 To access this item, enter FUNCTION mode and

select main function F1.

2 The screen shows the current pitch (in hertz) for key

A3. You can adjust the pitch (in increments of about

0.2 hertz) by pressing [-/NO] or [+/YES]. The adjust-

ment automatically carries over to all keys on the

keyboard.

Values: 427.0 to 453.0 (hertz)

Default: 440.0 (hertz)

• Hertz: Frequency, in cycles per second; abbreviated as

“Hz”. The frequency of a sound wave determines its

pitch, with higher frequencies producing higher pitches.

NOTE

You can make the same adjustment directly from

the keyboard without entering [FUNCTION]

mode, as follows.

To raise the pitch (by about 0.2 Hz)...

Hold down the two lowest white keys (A-1 and B-1) and

hit any key from C3 to B3.

To lower the pitch (by about 0.2 Hz)...

Hold down the two lowest keys (A-1 and A

-1) and hit any

key from C3 to B3.

To reset to standard pitch...

Hold down the three lowest keys (A-1, A

-1, B-1) and hit

any key from C3 to B3.

NOTE

You can also adjust pitch in increments of about 1

Hz (without entering FUNCTION mode) as

follows.

To raise or lower the pitch...

Hold down keys A-1 and B-1 (the two lowest white keys)

or else A-1 and A

-1 (the two lowest keys), and press [-/

NO] or [+/YES].

To reset to standard pitch...

Hold down keys A-1 and B-1 or else A-1 and A

-1 and

press

[-/NO] and [+/YES] at the same time.

(Note that the screen will show the TUNE display when

you hold down keys A-1 and either A

-1 or B-1, and will

then return to normal display when these keys are re-

leased.)

F2.KTune (Key-by-key fine tuning)

This function lets you adjust the pitch of indi-

vidual keys, so that you can set up your own

customized scaling system (temperament). The

function also allows you to switch this custom-

ized scaling system OFF or ON at any time.

1 To access this item, enter FUNCTION mode and

proceed to main function F2.

2 The screen indicates whether the function is ON or

OFF. You can toggle the setting by pressing either

[-/NO] or [+/YES]. You must set the function ON if

you wish to adjust the tuning.

Values: ON, OFF

Default: OFF

• The ON/OFF setting determines whether this customized

tuning is used during play. Set ON to use the tuning, or

OFF to use standard tuning.

3 After setting the function ON, hit the key that you

want to tune.

The screen displays the name of the struck key.

4 You can now adjust the pitch for that key by pressing

[-/NO] or [+/YES]. Adjustment is in 1-cent incre-

ments, and is indicated as a relative value (“0”

produces standard pitch).

Values: -50,...,+50 (cents)

Default: 0 (standard pitch) for all keys

You can repeat this procedure (3 and 4) to adjust pitch

for as many keys as you like.

Cent: One-hundredth of a semitone. (100 cents = 1 semitone)

To reset fine tuning of all keys to “0”...

1 Press down the three lowest keys on the keyboard

(A-1, A

-1, and B-1) at the same time. The screen will

display the following.

2 Press [+/YES] to reset.

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CLP-811/611 Configuration Functions (FUNCTION mode)

F3.Scale (Temperament selection)

This function selects the tuning system, or tem-

perament.

The equal temperament now standard on present-

day pianos was preceded by a series of other

temperaments. These various temperaments had

an important influence on music composition and

instrument development in their day. Selecting

one of these other temperaments allows you to

experience the original sound of older musical

pieces.

The Clavinova lets you to select from seven

different temperaments, as follows.

Equal

Pure Major

Pure minor

Pythagorean

Mean Tone

Werckmeister

Kirnberger

1 To view or change the temperament setting, enter

FUNCTION mode and proceed to main function F3.

The screen displays the current temperament value

and key (if applicable).

2 To change the temperament: Be sure that the blinking

cursor is located over the temperament value. (If

necessary, press SONG SELECT [▼] to move the

cursor.) Then press [-/NO] or [+/YES] to change the

setting.

Values: EQ. Equal

PM. Pure major

Pm. Pure minor

PY. Pythagorean

ME. Mean tone

WE. Werckmeister

KI. Kirnberger

Default: EQ. Equal

3 If you select a non-equal temperament, you must also

select the key you want to play it in. (Tuning is

different for each key.) To do this, press SONG

SELECT [▲] to move the cursor to the key-selection

area, and then press [-/NO] or [+/YES] to change the

setting.

Values: C, D

, D, E

, E, F, F

, G, A

, A, B

, B

Default: C

NOTE

You use the SONG SELECT arrows to select the

parameter you want to set (so that the parameter

is marked by a blinking cursor). You then use the

[-/NO] or [+/YES] button to set the value.

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CLP-811/611 Configuration Functions (FUNCTION mode)

F4.DualFunc. (Settings for DUAL mode.)

You use this function to set various parameters for

DUAL-mode play.

1 To access this function: first activate DUAL mode (by

pressing two voice selectors at the same time), then

press [FUNCTION], and then press [t] or [s] to

proceed to F4.

2 Next, press [+/YES] to enter the subfunction group.

Then use [t], [s] to move among the different

subfunctions, and [-/NO], [+/YES] to set the values.

NOTE

If you are not working in DUAL mode...

The top right of the screen will display a triple

dash (---) and you will not be able to enter the

subfunction group. To enable entry, activate

DUAL mode by pressing two voice selectors at

the same time. (You can do this without leaving

FUNCTION mode).

Subfunctions

4.1 D.Balance (Voice volume balance)

Settings: 0,...,20 [10 = equal balance]

[Above 10, Voice 1 is louder.]

Default: Varies according to voice combination

Sets the relative volumes for the two voices. This function is

useful when you want to highlight one voice while playing the

other as a backdrop.

4.2 D.Detune (Voice tuning divergence)

Introduces slight pitch difference between the two voices,

producing a somewhat fatter sound.

Values: -10,...,+10 [0: No detuning]

[0 → +10: Voice

1 pitch rises]

[0 → -10: Voice

2 pitch rises]

Default: Varies according to voice combination

4.3 Vc1.Octave (Octave shift for Voice #1)

4.4 Vc2.Octave (Octave shift for Voice #2)

Values: -1, 0, +1

Default: Varies according to voice combination

These subfunctions allow you to shift each voice up or down

an octave. Each combination produces its own distinctive

sound and acoustics.

4.5 Vc1.EffDpt (Effect depth for Voice #1)

4.6 Vc2.EffDpt (Effect depth for Voice #2)

Values: 0,...,20

Default: Varies according to voice combination

These subfunctions allow you to set the depth for each voice’s

effect. Setting is not available if the effect is set OFF. Note that

you cannot change a voice’s effect selection while working in

FUNCTION mode; you must first return to normal mode.

NOTE

“Voice

1” is identified by the first (left-side)

voice name on the screen. For information about

how the Clavinova selects the voice order, see

page 17.

4.7 Str.Atk (Attack speed for STRINGS voice)

Values: SLOW, FAST

Default: FAST

Sets the attack speed (the initial rise speed) for the STRINGS

voice. A SLOW attack can create an interesting ambience for

certain types of songs. (Note that this setting is effective only if

STRINGS is selected as one of the voices.)

4.8 ResetOK? (Return to factory defaults.)

Press [+/YES] to return all of the DUAL-mode subfunction

settings to the factory defaults. (Factory defaults are different

for each voice combination.)

NOTE

As a shortcut, you can switch directly into

FUNCTION mode’s F4.DualFunc. area by

holding down the two appropriate voice selectors

and pressing [FUNCTION]. Once you have

changed the settings, press [FUNCTION] again

to quit the mode.

F5.SplitFunc. (Settings for SPLIT mode.)

You use this function to set various parameters for

SPLIT-mode play.

1 To access this function: first enter SPLIT mode, then

press [FUNCTION], and then press [t] or [s] to

proceed to F5.

2 Next, press [+/YES] to enter the subfunction group.

Then use [t], [s] to move among the different

subfunctions, and [-/NO], [-/YES] to set the values.

NOTE

If you are not working in SPLIT mode when you

enter the main F5 screen...

The top right of the screen will display a triple

dash (---) and you will not be able to enter the

subfunction group. To enable entry, you must first

quit FUNCTION mode and press the [SPLIT]

button.

Subfunctions

5.1 SplitPoint (Split point)

Values: Any key on keyboard

Default: F

Selects the split point. The selected key becomes the top note

of the left zone.

• Once you are at this screen, you can select the split point

simply by pressing the appropriate key.

• To set the split point without entering FUNCTION mode:

Hold down [SPLIT] and press the appropriate key, see page

18.

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CLP-811/611 Configuration Functions (FUNCTION mode)

5.2 S.Balance (Voice volume balance)

Values: 0,...,20 [10 = equal balance]

[Right voice gets louder as value increases.]

Default: Varies according to voice combination

Sets the relative volumes for the two voices.

5.3 VcR.Octave (Octave shift for right zone)

5.4 VcL.Octave (Octave shift for left zone)

Values: -1, 0, +1

Default: Varies according to voice combination

These subfunctions allow you to shift each voice up or down

an octave. Set the values in accordance with the range of the

music you are playing.

5.5 VcR.EffDpt (Effect depth for right zone)

5.6 VcL.EffDpt (Effect depth for left zone)

Values: 0,...,20

Default: Varies according to voice combination

These subfunctions allow you to set separate effect depths for

each zone. Setting is not available if the effect is OFF. Note

that you cannot change a voice’s effect selection while

working in FUNCTION mode; you must first exit the mode.

5.7 Sus.Pedal (Effective range of damper pedal)

Values: L, L+R, R

Default: L+R

Selects whether the damper pedal operates on both zones

(L+R), on the left zone only (L), or on the right zone only (R).

5.8 ResetOK? (Return to factory defaults.)

Press [+/YES] to reset all of the SPLIT-mode subfunction

settings to their factory-default values. (Factory defaults are

different for each voice combination.)

NOTE

As a shortcut, you can switch directly into

FUNCTION mode’s F5.SplitFunc. area by

holding down [SPLIT] and pressing the [FUNC-

TION] button. Once you have changed the

settings, press [FUNCTION] again to return to

normal mode.

F6.OrganEdit (ORGAN COMBINATION settings)

The CLP-811/611 offers you eight different

editable organ types. You use the OrganEdit

function to edit these types, and to select the type

to be played.

• You can use the Backup function (F15 on the CLP-811, F14

on the CLP-611) to select whether editing results are

retained after power goes off. See page 36.

You edit an organ voice by adjusting its various

stops — each represented as a separate bar that

appears on the display — and by setting a variety

of other edit parameters. Specifically, you can edit

the following items for each of the eight organ

types.

• Volume levels for each of eight continuous tones

• Response time for continuous tones

• Volume levels for each of three decay (attack) tones

• Attack length for the three decay tones

• Attack mode (EACH or FIRST)

• Rotary speaker effect (depth and speed)

As an example, you can build a very realistic

percussive organ sound by applying appropriate

decay volumes and attack length. Or you might

create a pipe-organ sound by combining slow

response with a weak attack.

1 To access this function: first select the ORGAN

COMBINATION voice, then enter FUNCTION mode

and go to main function F6.

2 Next, press [+/YES] to enter the subfunction group.

Then use [t], [s] to move among the different

subfunctions, and [-/NO], [-/YES] to set the values.

(But see additional information below regarding

operation of the VoiceEdit subfunction.)

NOTE

If the ORGAN COMBINATION voice is not yet

selected when you move to the main F6 screen...

The top right of the screen will display a triple

dash (---), and you will not be able to enter the

subfunction group. To enable entry, you must

first select the ORGAN COMBINATION voice.

(You can do this without leaving FUNCTION

mode.)

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CLP-811/611 Configuration Functions (FUNCTION mode)

Subfunctions

6.1 ****** (Organ type) [ Where “******” is replaced by

the type name, such as “JAZZ ORGAN1”. If the selected

type has been edited, a “*” appears after the name.]

Values: JAZZ ORGAN1, JAZZ ORGAN2, JAZZ OR-

GAN3, JAZZ 16 '1', BASIC 16 '8', THEATER 16',

OLD ORGAN, WONDERFUL

Default: JAZZ ORGAN1

6.2 VoiceEdit (Voice edit settings)

Each voice allows you to set independent volumes for eight

continuous tones and three decaying attack tones. You can also

set a response time (for the continuous tones) and an attack

length (for the decay tones).

Tones and Volumes

• The 8-foot stop sets the volume for the fundamental tone.

The 4-foot, 2-foot, and 1-foot stops respectively set volumes

for the overtones that are one octave, two octaves, and three

octaves up. The 16-foot stop sets the volume for the tone that

is one octave lower than the fundamental tone.

Response Time and Attack Length

Procedure

1 Go to the [6.2 VoiceEdit] screen, and then press SONG

SELECT [▼] or [▲] to move into the editing component.

The screen displays a bar graph. Each bar corre-

sponds to a different parameter, and can be set to any

of eight levels.

2 You can now use SONG SELECT [▼], [▲] to move from

bar to bar, and the [+/YES] and [-NO] buttons to change

the bar levels. The currently selected bar is displayed in

blinking mode.

3 When you are finished editing, you can press [t] or [s]

to move to another subfunction.

Edit parameters are as follows.

Footage 16' (Continuous-tone volume)

Footage 8' (Continuous-tone volume)

Footage 5+1/3' (Continuous-tone volume)

Footage 4' (Continuous-tone volume)

Footage 2+2/3' (Continuous-tone volume)

Footage 2' (Continuous-tone volume)

Footage 1+1/3' (Continuous-tone volume)

Footage 1' (Continuous-tone volume)

Response (Response time for continuous tones)

AtkFootage 4' (Decay-tone)

AtkFootage 2+2/3' (Decay-tone)

AtkFootage 2' (Decay-tone)

AtkLength (Length of decay tones)

6.3 AtkMode (Attack mode)

This parameter sets the attack mode for the organ voice

selected by subfunction 6.1. Choose either of the following.

EACH: Apply attack tones to all notes. (This is the

default.)

FIRST: Apply attack tones only to the first held note of

any note combination (legato sequence). If at

least one key is down, all subsequent keys are

produced without attack tones.

6.4 RotSP.Spd (Speed of rotary-speaker effect)

6.5 RotSP.Dpt (Depth of rotary-speaker effect)

Values: 0,...,20

Default: Varies according to organ type

These parameters set up the rotary-speaker effect. The speed

setting selects the speaker’s rotation speed. The depth setting

selects the intensity of the effect.

6.6 ResetOK? (Return to factory defaults.)

Press [+/YES] to return all of the edit settings for the selected

voice type to their factory defaults.

NOTE

As a shortcut, you can switch directly into

FUNCTION mode’s F6.OrganEdit area by

holding down the [ORGAN COMBINATION]

button and pressing [FUNCTION]. When you

are ready to exit from FUNCTION mode, press

[FUNCTION] once again.

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5+1/3'

2+2/3' 2+2/3'

Footage

Response AtkLength

1+1/3'

4' 2'

AtkFootage

Each parameter (each bar on the graphic) can be set to any of eight levels.

Selected bar flashes on and off.

16'

Continuous tones Decay tones

4-foot

2+2/3-foot

2-foot

4-foot

2+2/3-foot

2-foot

1+1/3-foot

1-foot

16-foot

8-foot

5+1/3-foot

Volume

Time

Attack length

Longer attack length →

Greater response time →

Volume

Time

Continuous Tone Decay Tone

CLP-811/611 Configuration Functions (FUNCTION mode)

F7.Metronome (Metronome settings)

This function sets the beat and volume for the

metronome.

1 To access these settings, enter FUNCTION mode and

go to main function F7.

2 Next, press [+/YES] to enter the subfunction group. If

necessary, use [t] or [s] to select the subfunction

(either “Beat” or “Volume”), and then use [+/YES] or

[-NO] to set the value.

Subfunctions

7.1 Beat

Values: NORMAL (no beat), 2, 3, 4, 5, 6

Default: NORMAL

7.2 Volume

Values: 1,...,20

Default: 10

NOTE

You can also set the metronome volume without

entering FUNCTION mode. Simply hold down

the [METRONOME] button and press [-NO] or

[+/YES] to change the setting.

NOTE

As a shortcut, you can switch directly into the

metronome setup function by holding down

[METRONOME] and pressing [FUNCTION].

Once you have changed the settings, press

[FUNCTION] again to return to normal mode.

F8.Display (Display mode)

This function selects the type of information

displayed in the screen areas indicated below.

1 To access this item, enter FUNCTION mode and go to

main function F8.

2 Press [-/NO] or [+/YES] to change the setting.

Values: NORM, CHORD, VELO, MIDI

Default: NORM

Explanation

NORM (normal)

CHORD

• The bar graph shows the volume of each note being hit,

where the leftmost bar indicates note C (of any octave) and

the rightmost bar shows note B (of any octave). If you hit

two or more like-named notes (for example, C1 and C3), the

graph indicates the volume for the loudest of these.

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Voice name

Instrument icon

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Name of chord played at keyboard

ABF

Volume of each note being hit

CLP-811/611 Configuration Functions (FUNCTION mode)

VELO (velocity)

MIDI

• The display format for incoming messages is as follows.

Message Type Indication

Note on/off xxx:Vel:yyy (where xxx = note name

yyy = velocity)

Program Change Prog #zzz

Control Change Ctrl #zzz:zzz

Exclusive Ex.Data

The screen does not report Aftertouch and Pitchbend

messages.

F9.L.Pedal (Function of left pedal)

This setting determines whether the left pedal

operates as a soft pedal (its normal function) or as

a second, foot-driven START/STOP switch.

1 To access this item, enter FUNCTION mode and go to

main function F9.

2 Press [-/NO] or [+/YES] to change the setting.

Values: SOFT, START

Default: SOFT

F10.DamperDpt (Damper-pedal depth)

Selects the amount of resonance applied by the

damper pedal to the PIANO 1 acoustic piano

voice.

1 To access this item, enter FUNCTION mode and go to

main function F10.

2 Press [-/NO] or [+/YES] to change the setting.

Values: 0,...,20

Default: 10

NOTE

This setting is effective for the PIANO 1 voice

only.

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Incoming MIDI message (realtime display)

12345678910111213141516

Indicates volume of Clavinova notes being

played by external MIDI device. Each bar

shows volume of the loudest note on the

corresponding reception channel (channels 1 to

16).

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Name and velocity (1 to 127) of last note played

A-1

‘

Shows velocity of most recent note played within

each keyboard area. Each bar corresponds to a

different area (15 areas).

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CLP-811/611 Configuration Functions (FUNCTION mode)

F11.Damper (Number of damper-pedal levels)

Under normal settings, the length of the damper

pedal’s sustain effect varies according to how far

you displace the pedal — the harder you step

down, the longer the notes are held. You use

function F11 to set the number of discrete dis-

placement levels recognized by the Clavinova.

You may find this feature useful during record-

ing: setting the value to “2” (pedal ON/OFF only)

can reduce the amount of data generated by pedal

action, allowing you to record a longer series of

notes.

1 To access this item, enter FUNCTION mode and go to

main function F11.

2 Press [-/NO] or [+/YES] to change the setting.

Values: 2, 8, 128 (levels)

Default: 8

F12.CancelVol (Volume of muted piano-song track)

When playing one of the Clavinova’s 30 built-in

piano songs, you can elect to switch off either part

(left-hand or right-hand) so that you can practice

along. Under default settings, the Clavinova

continues to play back the deselected part at a low

volume to serve as a practice guide. You can use

the F12 setting to make this playback louder or

softer, or to switch it off entirely.

1 To access this setting, enter FUNCTION mode and go

to main function F12.

2 Press [-/NO] or [+/YES] to change the setting.

Values: 0,...,20

Default: 5

F13.MIDIFunc. (MIDI settings)

This function sets up the various MIDI param-

eters. For general information about your

Clavinova’s MIDI support, refer to “MIDI Data

Format” on page 48.

1 To access these settings, enter [FUNCTION] mode

and go to main function F13.

2 Next, press [+/YES] to enter the subfunction group.

Then use [t], [s] to move among the different

subfunctions, and [-/NO], [+/YES] to set the values.

Subfunctions

13.1 TxCh. (MIDI transmitting channel)

Values: 1,...,16; OFF

Default: 1

Selects the channel the Clavinova uses to transmit perform-

ance-related messages to external MIDI devices. (Only devices

set to receive on this channel will respond to these messages.)

• For DUAL and SPLIT mode play...

If TxCh is set to any value other than OFF, the Clavinova

will always use Channel 2 to transmit data from Voice 2 (in

DUAL mode) or from the left zone (in SPLIT mode). If the

setting is OFF, the Clavinova will not transmit any data for

either voice.

• The Clavinova does not transmit data for demo songs, piano

songs, and recorded performances.

13.2 RxCH. (MIDI receiving channel)

Values: ALL; 1&2; 1,...,16

Default: ALL

Selects the channel the Clavinova uses to receive performance-

related messages from external MIDI devices. The Clavinova

will not recognize any messages received over non-selected

channels.

• If setting is ALL

The Clavinova operates as a multitimbral playback device,

responding indepently to messages over all channels. This

setting is ideal when you want to use a sequencer to drive a

multivoice arrangement.

• If setting is 1&2

The Clavinova responds to messages received over channels

1 and 2 only.

• Panel settings and keyboard play are not affected by received

MIDI data (with the exception of MIDI data for reverb type,

reverb depth, and effect type).

• The Clavinova does not receive MIDI messages when

operating in DEMO/PIANO SONG mode.

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CLP-811/611 Configuration Functions (FUNCTION mode)

13.3 Local (Local control ON/OFF)

Values: ON, OFF

Default: ON

Selects whether the Clavinova keyboard produces sound from

the Clavinova. More precisely, determines whether the

Clavinova’s keyboard drives the Clavinova’s internal tone-

generator system.

Under normal circumstances this setting is left ON, so that the

Clavinova keyboard produces sound from the Clavinova’s tone

generator. If you want to use the keyboard to control an

external MIDI device only, however, you would set this value

to OFF. This setting makes it possible, for example, to use the

keyboard to play an external device, while at the same time

using another external device to play the Clavinova.

13.4 PrgChg (Program Change enable/disable)

Values: ON, OFF

Default: ON

A MIDI Program Change message instructs the receiving

device to switch voices.

If you are using the Clavinova to control an external device, for

example, then each time you change the voice selection (by

pressing a different voice selector), the Clavinova will issue a

Program Change message telling the external device to switch

to the same-numbered voice. (Each voice is associated with a

unique program-change number.)

Similarly, if the Clavinova is playing MIDI data received from

an external device, then receipt of a Program Change message

will cause the Clavinova to change the voice used to reproduce

this data. (Note that this change applies only to the MIDI data;

the voice produced by the Clavinova keyboard does not

change.)

There are times when you may want to disable the use of

Program Change messages, so that voice switching at both

sides must be handled locally. You can do this by setting the

PrgChg value to OFF. In this case, the Clavinova will not

generate messages when voice selectors are pressed, and will

not respond to any Program Change messages that it receives.

• Program-change numbers on the CLP-811/611

Program-change number assignments on the CLP-811/611

are in conformance with the XG standard. Refer to “MIDI

Data Format” (page 48) for specific information.

13.5 CtrlChg (Control Change enable/disable)

Values: ON, OFF

Default: ON

Control Change messages transfer performance-related control

information from one MIDI device to another. Such informa-

tion includes pedal actions and volume settings.

If you are using the Clavinova to control an external device, for

example, then each time you step on the damper pedal a

corresponding Control Change message is issued to that

device.

If you are using an external device to control the Clavinova,

then Control Change messages received from that device will

cause appropriate changes at the Clavinova side. These

changes apply only to incoming MIDI data; panel settings and

keyboard sound do not change. (But note that reverb-depth

control change is an exception, since it affects both MIDI and

local sound.)

There are times when you may want to disable the use of

Control Change messages. You can do this by setting the

CtrlChg value to OFF, so that the Clavinova will not generate

these messages, and will not respond to any such messages that

it receives.

• Control Change implementation on the CLP-811/

611...

Refer to “MIDI Data Format” (page 48) for details.

13.6 MIDITrans (Transposition of outgoing MIDI

data)

Values: -12,...,12 (in semitones)

Default: 0 (no transposition)

Use this function to set transposition of note data being sent

out from the Clavinova. Note that this operation has no relation

to the keyboard transpotion set up by the [TRANSPOSE]

button.

13.7 SetupSnd (Transmit Panel setup file.)

This operation transmits the Clavinova’s current panel

configuration to an external MIDI sequencer such as the

YAMAHA DOU-10 Disk Ochestra Unit, so that it can be

restored to the Clavinova at a later time.

For example, assume that you want to record a performance to

a sequencer so that you can later play it back at the Clavinova

while at the same time playing along locally at the keyboard. In

this case you might find it convenient to first record the panel

configuration you will want to use for local play. The panel

will then set itself automatically just before playback begins.

Procedure

1 Set the panel to the configuration that you want to record.

2 Run a MIDI cable from the MIDI OUT connector on the

Clavinova to the MIDI IN connector on the sequencer.

3 Enter FUNCTION mode and move to subfunction 13.7

SetupSnd.

4 Press [+/YES] to transmit the setup.

The screen displays Completed briefly to indicate

that transfer is completed.

• Transmitted data...

In addition to the Panel data indicated on page 50 of the

“MIDI Data Format” section, the Clavinova also transmits

the key-by-key fine tuning data set up within the F2.KTune

function.

• To reload the data from the external device...

1. Run a MIDI cable from the MIDI OUT on the sequencer

to the MIDI IN at the Clavinova.

2. Begin transmission from the sequencer. (Refer to the

sequencer’s operation manual.)

The Clavinova automatically receives and loads the

data.

NOTE

It is not possible to reload the setup data into a

different Clavinova model. If you stored setup

data for a CLP-811, for example, then you can

reload the data to any CLP-811, but not to a CLP-

611.

13.8 BulkDump (Bulk data dump.)

This feature lets you permanently save recordings you have

made with the Clavinova’s RECORDER. The Bulk Dump

operation sends the performance data from both RECORDER

tracks to an external MIDI storage device such as the Yamaha

DOU-10 Disk Orchestra Unit. (Note that this information is

sent in the form of bulk data, rather than as sequence data.) The

saved data can later be restored by retransmission.

Procedure

1 Run a MIDI cable from the MIDI OUT connector on the

Clavinova to the MIDI IN connector on the storage device.

2 Set the storage device into the appropriate receiving mode.

(Refer to the device’s operating manual for instructions.)

CLP-811/611 Configuration Functions (FUNCTION mode)

3 At the Clavinova, select function F13 and move to

subfunction 13-8 BulkDump.

4 Press [+/YES] to begin the dump.

The screen displays Working while transmission is in

progress, and then Completed to indicate that the

operation is finished. It then returns to the original

Bulk Dump screen.

5 When transfer is finished, you can terminate FUNCTION

mode and resume normal play.

To reload the saved data:

1. Run a MIDI cable from MIDI OUT on the storage device

to MIDI IN at the Clavinova.

2. Start transmission from the storage device. (Refer to the

device’s operation manual.)

The Clavinova automatically receives and restores the

incoming data. The restored data is then available for

normal playback.

NOTE

• It is not possible to reload data into a different

Clavinova model. Data from a CLP-811, for

example, can be loaded into another CLP-811,

but not into a CLP-611.

• You cannot send or receive bulk data while the

Clavinova is in RECORDING mode or while it

is playing back recorded data.

• You cannot receive bulk data while the

Clavinova is in FUNCTION mode.

• When transmitting bulk data, the Clavinava

will not transmit other types of MIDI data and

will not recognize incoming MIDI messages.

(On CLP-811 only:)

F14.MicRevDpt (Microphone reverb depth)

This function sets the reverb depth (intensity of

reverb effect) applied to microphone input. (Note

that this function is not available on the CLP-611.)

1 To access this setting, enter FUNCTION mode and go

to main function F14.

2 Press [-/NO] or [+/YES] to change the setting.

Values: 0,...,20

Default: 10

F14/F15.Backup (Backup ON/OFF settings)

(F14 on the CLP-611; F15 on the CLP-811.)

The Clavinova’s backup feature allows you to retain selected

settings while power is off so that they can be restored when

power comes back ON. Each BACKUP subfunction sets

backup ON or OFF for a specific group of settings.

• If backup for a group is set OFF, all settings within that

group return to their factory defaults each time power comes

on. (A listing of factory defaults appears on page 47.) If

backup is set ON, then existing settings are automatically

restored.

• Memory backup remains effective for about a week, after

which all settings will return to their factory defaults. If you

wish to retain your settings for a long period of time, please

be sure to switch the Clavinova on for at least a few minutes

each week.

1 To access this setting, enter FUNCTION mode and go

to the main function F14 (CLP-611) or F15 (CLP-811).

2 Next, press [+/YES] to enter the subfunction group.

Then use [t], [s] to move among the different

subfunctions, and [-/NO], [+/YES] to set the values.

Subfunctions

14.1/15.1 Voice (Voice settings)

14.2/15.2 MIDI (MIDI settings)

14.3/15.3 Tune (Tuning and temperament set-

tings)

14.4/15.4 Pedal (Pedal settings)

14.5/15.5 Display (Display mode)

Values: ON, OFF

Default: OFF*

* But note that the Backup ON/OFF settings themselves, as

well as recorded performance data, are always backed up.

BRILLIANCE

REVERB EFFECT TOUCH

NORMAL

ROOM

MEDIUM

TEMPO

BRILLIANCE

REVERB EFFECT TOUCH

NORMAL

ROOM

MEDIUM

TEMPO

CLP-811/611 Configuration Functions (FUNCTION mode)

Parameters in Each Group

14.1/15.1 Voice (Voice settings)

• Voice selection

• DUAL mode ON/OFF status and voice combination

• The [F4.DualFunc.] settings (for each voice combination)

• SPLIT mode ON/OFF status and voice combination

• The [F5.SplitFunc.] settings (for each voice combination)

• REVERB type and depth

• EFFECT type and depth (for each voice)

• BRILLIANCE setting

• VARIATION ON/OFF status (for each voice)

• TOUCH setting

• All [F6.OrganEdit] settings

• All [F7.Metronome] settings

• The [F14.MicRevDpt] setting (CLP-811 only)

14.2/15.2 MIDI (MIDI settings)

All MIDI settings ([F13.MIDIFunc.] settings 13-1 to 13-6)

14.3/15.3 Tune (Tuning and temperament set-

tings)

• Current TRANSPOSE setting

• Keyboard fine tuning ([F1.Tune] setting)

• Key-by-key fine tuning ([F2.KTune] settings)

• Temperament selection ([F3.Scale] settings)

14.4/15.4 Pedal (Pedal settings)

• Left-pedal function ([F9.L.Pedal] setting)

• Damper-pedal depth ([F10.DamperDpt] setting)

• Number of damper-pedal levels ([F11.Damper] setting)

14.5/15.5 Display (Display mode)

Display mode ([F8.Display] setting)

• To reset all values to their factory defaults...

Switch the power OFF, then hold down the highest key on

the keyboard (key C7) and switch the power back on. Note

that this operation will also delete all recorded performance

data.

For a listing of the factory default values, see page 47.

POWER

MASTER VOLUME

FUNCTION

TRANSPOSE SPLIT VARIATION

PIANO1

PIANO2 CLAVI.TONE E.PIANO1 E.PIANO2

VIBES STRINGS CHOIR

HARPSI-

CHORD

PIPE

ORGAN

COMBINATION

BASS

BRILLIANCE REVERB EFFECT TOUCH

MAX

MIN

METRONOME

TEMPO

–

NO +

YES

SONG

SELECT

START

STOP

REC

CLP-

911

STEREO SAMPLING

RECORDER

DEMO

PIANO SONG

TRANSPOSE

BRILLIANCE

REVERB EFFECT TOUCH

MELLOW

NORMAL

BRIGHT

ROOM

HALL 1

HALL 2

STAGE

CHORUS

SYMPHONIC

TREMOLO

ECHO

SONG

MEASURE

TEMPO

SPLIT

HARD

MEDIUM

SOFT

FIXED

(CLP-811)

PHONESMIC.MIC. VOL.

MIN MAX

PHONES

CLP-811

CLP-611

The Clavinova’s Device Connectors

1 MIC. VOL. dial, and 2 MIC. jack (CLP-811)

Connecting a microphone to the MIC jack (a standard phone jack) lets you sing along. The input

from the microphone is mixed with the keyboard sound and produced at the Clavinova’s speakers.

• MIC. VOL. dial

Use the dial to adjust the input volume from the microphone.

NOTE

Microphone reverb depth...

Although the reverb type setting is always the same for both keyboard and micro-

phone, the CLP-811 allows you to set an independent reverb depth for the micro-

phone input. (You make this setting using function F14; see page 36.)

3 PHONES jacks

The Clavinova provides two headphone jacks (standard phone jacks), so that two people can listen

in at the same time. Connecting a headphone set to either jack automatically cuts off the internal

speakers.

CLP-811/611 The Clavinova’s Device Connectors

Recommended headphones:

Yamaha HPE-160

AC INLET

MIDI

AUX IN

HOST SELECT TO HOST

IN OUT

L+R

THRU

PC-2 PC-1

Mac

MIDI

AUX OUT

L+R

(CLP-811)

MIDI

AUX IN

HOST SELECT TO HOST

IN OUT

L+R

THRU

PC-2 PC-1

Mac

MIDI

AUX OUT

L+R

CLP-811/611 The Clavinova’s Device Connectors

4 AUX IN jacks (R and L/L+R)

5 AUX OUT jacks (R and L/L+R)

• AUX IN R and L/L+R

These standard phone jacks accept

connection from a synthesizer, tone-

generator module (such as the

YAMAHA DOU-10 Disk Orchestra

Unit), or other such playback

device. Sound transmitted from the

external device is produced by the

Clavinova’s internal speakers. Make

the connection (using standard

audio cord) as illustrated at right.

NOTE

A line-level mono source can be connected to the L/L+R jack.

• AUX OUT R and L/L+R

You use these standard phone

jacks to feed Clavinova output

to an external stereo recorder,

amplifier, or other such device.

This makes it possible, for

example, to record the sound to

a tape recorder or cassette, or

to produce it through external

speakers. Make the connection

(using standard audio cord) as

shown above.

When connecting to a stereo unit, set the [MASTER VOLUME] slider to center position and

adjust the volume at the recording side.

NOTE

If a line is inserted into the L/L+R jack only, the Clavinova mixes left- and right-

channel signals and outputs them over this line. This ensures that you don’t lose any

of the Clavinova’s sound.

6 MIDI IN, OUT, and THRU connectors

These are used to connect to external MIDI devices. Note that you must set the HOST SELECT

switch (described below) to MIDI in order to enable use of these connectors.

For basic information about MIDI connections and operation, refer to page 48.

7 HOST SELECT switch, and 8 TO HOST connector

TO HOST connector....

Allows direct connection to a personal computer.

HOST SELECT switch...

Sets the connection type. If connecting directly to a personal computer, you use this switch to

select the computer type. If connecting via MIDI, set this switch to the MIDI position. Refer to

“Connecting to a Personal Computer” (page 40) for detail.

Never feed AUX OUT output

back into the AUX IN jacks.

When using AUX OUT to

connect to an external device, do

not connect that device back to

the AUX IN at the Clavinova side.

Since the AUX OUT signal

always includes all sound

received at the AUX IN jacks,

interconnection will create a

feedback loop that will distort the

sound and may cause damage to

your equipment.

Audio cord (and adaptors, if

required) should be non-

resistance type.

The Clavinova’s [MASTER

VOLUME] slider and REVERB

setting do not affect the sound

received at the AUX IN jacks.

AUX IN

Audio cord

OUTPUT

Clavinova

Standard

phone plugs

MIDI

AUX IN

HOST SELECT TO HOST

IN OUT

L+R

THRU

PC-2 PC-1

Mac

MIDI

AUX OUT

L+R

DOU-10 or

Synthesizer, tone-

generator

module,...

Clavinova

MIDI

AUX IN

HOST SELECT TO HOST

IN OUT

L+R

THRU

PC-2 PC-1

Mac

MIDI

AUX OUT

L+R

Standard

phone plugs

AUX OUT

Pin-phone

adaptors

Pin plugs

Audio cord

Pin plugs

Stereo

AUX IN

Connecting to a Personal Computer

Although the CLP-811/611 can be connected to a personal computer via the MIDI IN/OUT connectors and

a MIDI interface, the TO HOST connector and HOST SELECT switch allow direct connection to Apple

Macintosh, IBM-PC/AT, or NEC PC-9801/9821 series personal computers for sequencing and other music

applications without the need for a separate MIDI interface.

CLP-811/611 The Clavinova’s Device Connectors

1. Connecting to an Apple Macintosh Series

Connect the TO HOST connector of the Clavinova to the modem or printer port on your

Macintosh, depending on which port your MIDI software is using for MIDI data communica-

tion, using a standard Macintosh 8-pin system peripheral cable. Set the HOST SELECT switch

to the “Mac” position.

You may also have to make other MIDI interface settings on the computer side, depending on

the type of software you use (refer to your software owner’s manual). In any case the clock

speed should be set to 1 MHz.

●“Mac” Cable Connections

• 8-pin system peripheral cable.

• Data transfer rate: 31,250 bps.

■ Trademarks

• Apple and Macintosh are trademarks of Apple Computer, Inc.

• IBM-PC/AT is a trademark of International Business Machines Corporation.

All other trademarks are the property of their respective holders.

HOST SELECT TO HOST

PC-2 PC-1

Mac

MIDI

Apple Macintosh

Series Computer

Set to the

“Mac”

position.

2 (HSK i)1

1 (HSK 0)2

5 (RxD-)3

MINI DIN

8-PIN

4 GND4

3 (TxD-)5

8 (RxD+)6

7 (GP i)7

6 (TxD+)8

MINI DIN

8-PIN

2. Connecting to an IBM-PC/AT Series Computer

Connect the TO HOST connector of the Clavinova to the RS-232C port on your IBM compu-

ter, using a standard 8-pin MINI DIN → 9-pin D-SUB cross cable. Set the HOST SELECT

switch to the “PC-2” position.

Refer to your software owner’s manual for information on any settings you might have to make

on the computer side.

●“PC-2” Cable Connections

• 8-pin mini DIN → 9-pin D-SUB cable. Use a “PC-1” type cable if your computer uses a

25-pin serial port.

• Data transfer rate: 38,400 bps.

●“PC-1” Cable Connections

• 8-pin mini DIN → 25-pin D-SUB cable.

NOTE

• When using the [TO HOST] terminal of the CLP-811/611, first turn the power off

on both the CLP-811/611 and the computer before connecting the cable. After

connecting the cable, turn the power of the computer on first, then the CLP-811/

611.

• When not using the [TO HOST] terminal of the CLP-811/611, make sure the cable

is disconnected from the [TO HOST] terminal. If the cable is left connected, the

CLP-811/611 may not function properly.

• When the HOST SELECT switch is set to “Mac”, “PC-1”, or “PC-2, no data

transfer occurs via the MIDI connectors. To use the MIDI connectors for connec-

tion via a standard MIDI interface, set the HOST SELECT switch to “MIDI”.

• If your system doesn’t work properly with the connections and settings listed

above, your software may require different settings. Check your software operation

manual and set the HOST SELECT switch to the position that provides the

appropriate data transfer rate.

CLP-811/611 The Clavinova’s Device Connectors

HOST SELECT TO HOST

PC-2 PC-1

Mac

MIDI

IBM-PC/AT Series

Computer

Set to the

“PC-2”

position.

8 (CTS)1

7 (RST)2

2 (RxD)3

4 5 (GND)

3 (TxD) 5

MINI DIN

8-PIN

D-SUB

9-PIN

MINI DIN

8-PIN

D-SUB

25-PIN

5 (CTS)1

4 (RTS)2

3 (RxD)3

4 7 (GND)

2 (TxD) 5

● Connector Pin Numbers

MINI DIN 8-PIN

D-SUB 25-PIN

D-SUB 9-PIN

123456789

10 11 12

14 15 16 17

18 19 20 21 22 23 24 25

678

Troubleshooting

If you encounter what appears to be a malfunction, please check the following points before assuming that

your Clavinova is faulty.

1. No Sound When the Power is Turned ON

Is the AC plug properly connected to the Clavinova and an AC wall outlet? Check the AC connection

carefully. Is the MASTER VOLUME control turned up to a reasonable listening level?

Also make sure that a pair of headphones is not plugged into the PHONES jack, and that Local

Control (see page 35) is ON.

2. The Damper Pedal Doesn’t Work

If the damper pedal doesn’t function, or if notes are sustained even when the pedal is not pressed,

check that the pedal cord is properly plugged into the main unit (see page 58:CLP-811, see page

64:CLP-611).

3. The Clavinova Reproduces Radio or TV Sound

This can occur if there is a high-power transmitter in your vicinity. Contact your Yamaha dealer.

4. Intermittent Static Noise

This is usually due to turning ON or OFF a household appliance or other electronic equipment which

is fed by the same AC line as your Clavinova.

5. Interference Appears On Radio or TV Sets Located Near the Clavinova

The Clavinova contains digital circuitry which can generate radio-frequency noise. The solution is to

move the Clavinova further away from the affected equipment, or vice versa.

6. Distorted Sound When the Clavinova is Connected to An External Amplifier/

Speaker System

If the Clavinova is connected to a stereo system or instrument amplifier and the sound is distorted,

reduce the setting of the Clavinova volume control to a level at which the distortion ceases.

7. KSN NG error message appears on the screen.

This message indicates that there is an internal problem. Please contact your dealer for assistance.

CLP-811/611 Troubleshooting

CLP-811/611 Options

Options

● BC-8 Bench

A comfortable bench styled to match your Yamaha Clavinova.

● HPE-160 Stereo Headphones

High-performance lightweight dynamic headphones with extra-soft ear pads.

● DOU-10 Disk Orchestra Unit

Offers a range of MIDI recording and playback functions, plus the Yamaha Disk Orchestra Collection,

Disklavier PianoSoft

, General MIDI, and Standard MIDI File disk playback capability.

CLP-811/611 Index

Index

• For a full overview of the contents of this manual: Refer to Contents on page 1.

• To locate information about specific buttons and connectors: Refer to Panel Controls

and Connectors on pages 4 and 5.

• To locate information about FUNCTION-mode parameters: See the Function Table on

pages 24 to 25.

This index is intended to help you locate information not covered by the sections men-

tioned above. Note that an asterisk (*) after a page number indicates that the informa-

tion is in the page’s sidebar (to the right of the main text).

Computer, connection to ............................... 40-41

Configuration functions.................................. 24-37

Connectors .................................................... 38-39

Damper pedal......................................................14

number of levels ..................................... 14*, 34

DEMO/PIANO SONG mode ............................ 8-12

Demo songs .......................................................8,9

listing of ..........................................................46

Depth

Damper pedal.................................................33

EFFECT depth ...............................................16

REVERB depth ..............................................15

Display...................................................................6

DUAL mode ................................................... 17-18

Factory defaults .....................................................7

listing of ..........................................................47

Resetting to ....................................................37

FUNCTION mode..................................... 7*, 24-37

Headphones ..........................................................3

Key cover...............................................................2

Left pedal, function ....................................... 14*,33

Main functions, list of ..................................... 24-25

Memory backup.....................................................7

setting ON or OFF ......................................... 36

Microphone reverb...............................................36

MIDI............................................................... 34-36

Music stand ...........................................................2

Muted-part volume adjustment .................... 11*, 34

Parts, left- and right-hand ................................... 11

Muting a part .......................................... 11*, 34

Pedals .................................................................14

changing function of left pedal................ 14*, 33

Piano songs.....................................................8, 10

one-hand practice.......................................... 11

repetition practice .......................................... 12

Power ....................................................................3

Power indicator ......................................................3

Recording (Recorder feature) ........................ 20-23

Changing initial settings ................................ 21

Initial settings .................................................20

CLP-811/611 Index

Setup File ............................................................35

Shortcuts to FUNCTION mode

To [F4.DualFunc.] .......................................... 29

To [F5.SplitFunc.] ..................................... 29-30

To [F6.OrganEdit] ..................................... 30-31

To [F7.Metronome] ........................................ 32

Soft pedal ............................................................14

changing function of ............................... 14*, 33

Songs .............................................................. 8-12

listing of ..........................................................46

Sostenuto pedal ..................................................14

SPLIT mode .................................................. 18-19

Split point ............................................................18

Subfunctions, list of ....................................... 24-25

SYNCHRO Start

For recorder playback.................................... 23

For song playback ......................................... 11

Temperament ......................................................28

Scale ..............................................................28

Tracks, recorder ............................................. 20-21

erasing a track ................................................22

(

See also

Parts)

Volume adjustment ................................................3

Demo and Piano Songs Lists

Listen der Demo-Songs und der Piano-Songs

Liste des morceaux de démonstration et des

morceaux de piano

Listas de canciones de demostración y piano

Demo Songs / Demo-Songs / Morceaux de démonstration / Canciones de demostración

Voice Name Title Composer

Piano1 Ballad No. 1 G minor op. 23 F.F. Chopin

Piano2 Lake Louise Y. Kuramoto

Clavinova Tone Consolation No. 3 F. Liszt

Harpsichord “Allemande” from French Suite No. 5 BWV816 J.S. Bach

Vibes Study in A minor op.70 G. Pfeiffer

Strings Salut D’amour op.12 E. Elgar

Choir My Old Kentucky Home S.C. Foster

Pipe Organ “Prelude No.1 C Major” from Eight Short J.S. Bach

Prelude and Fugues, BWV553 - 560

Bass (CLP-811) Greensleeves Traditional

Some demo pieces are excerpts from or rearrangements of the original work.

Einige Demo-Songs sind Auszüge aus oder Arrangements von Originalwerken.

Certains morceaux de démonstration sont des extraits ou des réarrangements de l’oeuvre originale.

Algunas canciones de demostración son extractos del trabajo original o arreglos del mismo.

Piano Songs / Piano-Songs / Morceaux de piano / Canciones de piano

CLP-811/611

Demo and Piano Songs Lists/Listen der Demo-Songs und der Piano-Songs/Liste des morceaux de démonstration et des morceaux de piano/Listas de canciones de demostración y piano

No.

Title Composer

16 The Harvest Time G. Lange

17 Impromptu op.90-2 F.P.Schubert

18 Waltz op.64-2 F.F.Chopin

19 Nocturne op.9-2 F.F.Chopin

20 Sonata C major K.545 1st Mov. W.A.Mozart

21 1ére Arabesque C.A.Debussy

22 La Prière d’une Vierge T.Badarzewska

23 Frühlingslied J.L.F.Mendelssohn

24 La Viollette L.Streabbog

25 Ecossaise G major L. v. Beethoven

26 Arabesque J.F.F.Burgmüller

27 The Entertainer S.Joplin

28 Gavotte G. P. Telemann

29 Little Serenade J. Haydn

30 Allegro B major K.3 W. A. Mozart

No.

Title Composer

1 Für Elise L.v.Beethoven

2 Dolly’s Dreaming and Awakening T.Oesten

3 Blumenlied G.Lange

“Marche Turke” from Sonata A major K.331

W.A.Mozart

5 Waltz “Petit Chien” op.64-1 F.F.Chopin

6 Türkicher Marsch L.v.Beethoven

7 SpinnerLied A.Ellmenreich

8 Alpenabendröte T.Oesten

9 Sonatine Anh.6 L. v. Beethoven

10 Melodie op.68-1 R. A. Schumann

11 Heidenröslen G.Lange

12 La chevaleresque J.F.F.Burgmüller

13 Minuet G major BWV Anh.114 J.S.Bach

14 Ronde alla Turca J.F.F.Burgmüller

15 Minuet G minor K.1e W. A. Mozart

Factory Defaults / Werksvoreinstellungen

Réglages d’usine par défaut / Ajustes de fábrica

The following is a listing of the Clavinova’s factory defaults.

Die folgende Liste ist eine Zusammenstellung der werksseitigen Voreinstellungen des Clavinova.

Vous trouverez ci-dessous une liste des réglages par défaut du Clavinova.

La siguiente es una relación de los ajustes de fábrica del Clavinova.

CLP-811/611 Factory Defaults/Werksvoreinstellungen/

Réglages d’usine par défaut/Ajustes de fábrica

EFFECT depth Varies by effect type and voice

BRILLIANCE NORMAL

TRANSPOSE 0

TOUCH setting MEDIUM

Fixed-touch velocity 64

Metronome OFF

Metronome volume 10

TEMPO 120

Voice selection PIANO1

DUAL mode OFF

SPLIT mode OFF

SPLIT mode Voice

2 BASS (on CLP-811)

STRINGS (on CLP-611)

REVERB type STAGE

REVERB depth 8

EFFECT type Varies by voice

FUNCTION-mode settings / Einstellungen des FUNCTION-Modus’ /

Réglages du mode FONCTION / Ajustes del modo FUNCTION

F7-2 Metronome volume 10

F8 Display mode NORMAL

F9 Left-pedal function SOFT pedal

F10 Damper-pedal depth 10

F11 Damper-pedal levels 8

F12 Volume of muted part 5

F13-1 MIDI/Transmitting channel 1

F13-2 MIDI/Receiving channel ALL

F13-3 MIDI/Local control ON

F13-4 MIDI/Program Change enable ON

F13-5 MIDI/Control Change enable ON

F13-6 MIDI/Transposition 0

If CLP-811

F14 Microphone reverb depth 10

F15 Backup settings All OFF

If CLP-611

F14 Backup settings All OFF

F1 Tuning A3=440Hz

F2 Key-by-key tuning OFF

Tuning values All values = 0

F3 Scale (temperament) EQ (equal)

F4-1 DUAL/Voice volume balance Varies by voice combination

F4-2 DUAL/Detuning Varies by voice combination

F4-3,F4-4 DUAL/Octave shift Varies by voice combination

F4-5,F4-6 DUAL/Effect depth Varies by voice combination

F4-7 DUAL/STRING attack FAST

F5-1 SPLIT/Split point F

F5-2 SPLIT/Voice volume balance Varies by voice combination

F5-3,F5-4 SPLIT/Octave shift Varies by voice combination

F5-5,F5-6 SPLIT/Effect depth Varies by voice combination

F5-7 SPLIT/Damper-pedal range L+R

F6-1 Organ Type JAZZ ORGAN1

F6-2~5 Organ Edit settings Varies by organ type

F7-1 Metronome beat Normal (No beat)

Factory Reset

You can return all settings to their factory defaults by holding down key C7 (the highest key) while switching on the

power. Note that this reset covers all settings—dual mode, split mode, reverb, effect, touch, and so on. Note also that the

reset will erase the contents of the recorder, and will return all Backup settings to OFF.

Zurücksetzen aller Parameter

Sie können alle Einstellungen zurück auf die Werksvoreinstellungen bringen, indem Sie während des Einschaltens Taste

C7 (die höchste Taste) gedrückt halten. Beachten Sie, daß diese Funktion alle Einstellungen betrifft - den Dual-Modus,

den Split-Modus, den Hall, die Effekte, die Anschlagsdynamik usw. Bedenken Sie auch, daß der gesamte Inhalt des

Rekorders gelöscht wird, und daß alle Einstellungen der Backup-Funktion auf OFF gestellt werden.

Réinitialisation d’usine

Vous pouvez réinitialiser tous les réglages à leurs valeurs par défaut en maintenant enfoncée la touche C7 (Do7 - la

touche la plus haute) à la mise sous tension. Cette réinitialisation couvre alors tous les réglages - mode double, mode

partagé, réverbération, effet, toucher, etc. Elle effacera également tout le contenu de l’enregistreur et tous les réglages

de copie de sauvegarde seront désactivés (remis sur OFF).

Reposición de los ajustes de fábrica

Es posible restablecer todos los ajustes a sus valores originales de fábrica manteniendo pulsada la tecla C7 (la nota más

alta) mientras se enciende el instrumento. Advierta que esta operación de reposición afecta a todos los ajustes del modo

dual, dividido, reverberación, efectos, pulsación, etc. Tenga también presente que la reposición borrará los contenidos de

la grabadora y volverá a desactivar todos los ajustes de memoria de seguridad.

MIDI Data Format

Introduction to MIDI

MIDI (for “Musical Instrument Digital Interface”)

is an internationally recognized standard for com-

munication of musical performance and control data

among supporting devices. Such devices include

electronic musical instruments, computers, and

sequencers. MIDI communication is carried out

through standard MIDI connectors and cables.

MIDI makes it possible for you to use your

Clavinova to control playback at remote devices,

and to use remote devices to control playback at

your Clavinova.

• MIDI operates on digital data. All data is con-

verted to appropriate digital format prior to

transmission.

• Different MIDI devices offer differing levels of

MIDI support. The level of available support is

given in the device’s “MIDI Implementation

Chart.” (The Implementation Chart for your

Clavinova appears on page 66.) In general, you

will want to avoid transmission of MIDI com-

munications that are not supported at the receiv-

ing side.

MIDI Connectors

MIDI IN Receives incoming MIDI data.

MIDI OUT Transmits outgoing MIDI data.

MIDI THRU Relays all data received at the MIDI

IN connector.

MIDI Cable

MIDI connection requires use of dedicated MIDI

cables.

• You set up the Clavinova’s MIDI parameters

using Function F13 (MIDIFunc.). See page 34.

• Information about MIDI can be found in a wide

variety of readily available magazines and

books.

CLP-811/611 MIDI Data Format/MIDI-Datenformat/Format de données MIDI/Formato de datos MIDI

MIDI

IN OUT THRU

MIDI-Datenformat

Einführung zu MIDI

MIDI (Akronym für “Musical Instrument Digital

Interface”) ist ein international anerkannter Stan-

dard für den Austausch musikalischer Spiel- und

Steuerdaten zwischen Geräten, die dieses Format

unterstützen. Diese Geräte sind unter anderen

elektronische Musikinstrumente, Computer,

Sequenzer und Effektgeräte. Die MIDI-Kommuni-

kation findet über standardisierte MIDI-Buchsen

und -Kabel statt.

MIDI ermöglicht es Ihnen, mit Ihrem Clavinova die

Wiedergabe und den Klang anderer Geräte zu

steuern, und umgekehrt von anderen Geräten aus

die Wiedergabe und den Klang Ihres Clavinova zu

beeinflussen.

• MIDI funktioniert mittels digitaler Daten. Alle

Daten werden vor der Übertragung in das

entsprechende, digitale Format konvertiert.

• Die verschiedenen MIDI-Geräte bieten verschie-

dene Ebenen der MIDI-Kommunikation. Die

kommunizierbaren Parameter werden in der sog.

“MIDI-Implementationstabelle” jedes Gerätes

angegeben (Die Implementationstabelle des

Clavinova befindet sich auf Seite 66.) Im allge-

meinen ist es sinnvoll, die Übertragung von

MIDI-Daten zu vermeiden, die empfangsseitig

nicht verarbeitet werden.

MIDI-Buchsen

MIDI IN Empfängt ankommende MIDI-

Daten.

MIDI OUT Sendet abgehende MIDI-Daten.

MIDI THRU Leitet alle am MIDI IN empfange-

nen Daten unverändert weiter.

MIDI-Kabel

MIDI-Verbindungen erfordern spezielle MIDI-

Kabel.

• Die MIDI-Parameter des Clavinova stellen Sie

mit Funktion F13 (MIDIFunc.) ein. Siehe Seite

34.

• Informationen über MIDI sind in vielen Musik-

magazinen und Büchern verfügbar.

MIDI

IN OUT THRU

CLP-811/611 MIDI Data Format/MIDI-Datenformat/Format de données MIDI/Formato de datos MIDI

Format de données MIDI

Introduction au système MIDI

Le système MIDI, de l’anglais “Musical Instrument

Digital Interface” (interface pour instruments de

musique numériques) est une interface de commu-

nication utilisée de par le monde qui permet le

partage de données musicales entre divers instru-

ments ou équipements musicaux MIDI et la com-

mande mutuelle de ces équipements. Les instru-

ments impliqués sont notamment les instruments de

musique électroniques, des ordinateurs et des

séquenceurs. Les communications MIDI s’effec-

tuent par le biais de connecteurs et de câbles MIDI

standards.

Le système MIDI permet d’utiliser le Clavinova

pour contrôler la reproduction sur des appareils

éloignés ou d’utiliser des appareils distants pour

contrôler la reproduction sur le Clavinova.

• Le système MIDI concerne les données numéri-

ques. Toutes les données sont converties dans le

format approprié avant la transmission.

• Différents appareils MIDI peuvent offrir un

niveau différent de compatibilité MIDI. Le

niveau de compatibilité disponible est repris

dans le “tableau d’implémentation MIDI” de

l’appareil. (Le tableau d’implémentation MIDI

du Clavinova se trouve à la page 66). En règle

générale, il convient d’éviter la transmission de

communications MIDI qui ne sont pas suppor-

tées du côté récepteur.

Connecteurs MIDI

MIDI IN Reçoit les données MIDI entrantes.

MIDI OUT Transmet les données MIDI

sortantes.

MIDI THRU Sert de relais pour toutes les

données reçues à la borne MIDI IN.

Câble MIDI

La connexion MIDI demande l’utilisation de câbles

MIDI appropriés.

• Vous pouvez configurer les paramètres MIDI du

Clavinova à l’aide de la fonction F13

(MIDIFunc.). Voir page 34.

• Vous trouverez de plus amples informations

concernant le système MIDI dans toute une série

d’ouvrages et de magazines de lecture aisée.

MIDI

IN OUT THRU

Formato de datos MIDI

Introducción a MIDI

El sistema MIDI (“Musical Instrument Digital

Interface” = intercomunicación digital entre instru-

mentos musicales) es una norma internacionalmente

aceptada para el intercambio de datos de control y

de interpretaciones musicales entre dispositivos de

soporte. Entre tales dispositivos se encuentran los

instrumentos musicales electrónicos, los ordenado-

res y los secuenciadores. La comunicación MIDI se

realiza a través de conectores y cables MIDI norma-

lizados.

El sistema MIDI le permite utilizar el Clavinova

para controlar la reproducción en dispositivos

remotos, así como utilizar los dispositivos remotos

para controlar la reproducción del Clavinova.

• MIDI opera con datos digitales. Todos los datos

son convertidos al formato digital adecuado

antes de la transmisión.

• Los dispositivos MIDI diferentes ofrecen niveles

distintos de soporte MIDI. El nivel de soporte

disponible se facilita en la “Tabla de

Implementación MIDI” del equipo (la del

Clavinova se ofrece en la página 66). Por lo

general, intentará evitar la transmisión de comu-

nicaciones MIDI que no sean soportadas por el

equipo receptor.

Conectores MIDI

MIDI IN Recibe los datos MIDI entrantes.

MIDI OUT Transmite los datos MIDI salientes.

MIDI THRU Reenvía todos los datos recibidos a

la entrada MIDI IN.

Cable MIDI

Las conexiones MIDI requieren el uso de cables

MIDI específicos.

• Los parámetros MIDI del Clavinova se configu-

ran con la función F13 (MIDIFunc.). Véase

página 34.

• Existe información sobre MIDI en una amplia

variedad de revistas y libros de difusión pública.

MIDI

IN OUT THRU

1. NOTE ON/OFF

[9nH] → [kkH] → [vvH]

9nH = Note ON/OFF event (n = Channel No.)

kkH = Note No.

(Sending: 09H~78H = A-2~C8)

(Receiving: 00H~7FH = C-2~G8) *1

vvH = velocity

(Note ON = 01H~7FH. Note OFF = 00H.)

[8nH] → [kkH] → [vvH]

8nH = Note OFF (n = Channel No.)

kkH = Note No. (00H~7FH = C-2~G8)

vvH = velocity

*1: If received value exceeds the supported range

for the selected voice, the note is adjusted by

the necessary number of octaves.

2. Control Change

[BnH] → [ccH] → [vvH]

BnH = Control Change (n = Channel No.)

ccH = Control No.

vvH = Control value

1) Bank Select

ccH Parameter Value (vvH)

00H Bank select MSB 01H: Normal

00H~7FH: Incorrect sounding

20H Bank select LSB 00H~7FH

70H Brilliance: Normal Variation: OFF

71H Normal ON

72H Bright OFF

73H Bright ON

74H Mellow OFF

75H Mellow ON

* Bank selection processing does not occur until

receipt of next Program Change message.

* Bank Select messages are not effective on the

Organ Combination voice.

2) Main Volume (Receive only)

ccH Parameter Value (vvH)

07H Volume 00H~7FH

3) Expression

ccH Parameter Value (vvH)

0BH Expression 00H~7FH

4) Damper Pedal

ccH Parameter Value (vvH)

40H Damper 00H~7FH

5) Sostenuto Pedal

ccH Parameter Value (vvH)

42H Sostenuto

00H~3FH:OFF 40H~7FH:ON

6) Soft Pedal

ccH Parameter Value (vvH)

43H Soft pedal

00H~3FH:OFF 40H~7FH:ON

7) Attack Time

ccH Parameter Value (vvH)

49H Attack time 00H~7FH

Effect-1 Depth (Reverb Send Level)

ccH Parameter Value (vvH)

5BH Effect-1 depth 00H~7FH

* Adjusts the send level for the reverb effect.

9) Effect-4 Depth (Variation-Effect

Send Level)

ccH Parameter Value (vvH)

5EH Effect-4 depth 00H~7FH

3. Mode Messages

[BnH] → [ccH] → [vvH]

BnH = Control Event (n = Channel No.)

ccH = Mode Message No.

vvH = Mode Message value

1) All Sound Off

ccH Controller Value (vvH)

78H All Sound Off 00H

* Turns off all sound on the specified channel.

Does not reset Note On and Hold On conditions

established by Channel Messages.

2) Reset All Controllers

ccH Controller Value (vvH)

79H Reset All Controllers 00H

* Resets controllers as follows.

Controller Reset Value

Expression 127 (Max.)

Damper Pedal 0 (OFF)

Sostenuto 0 (OFF)

Soft Pedal 0 (OFF)

3) All Notes Off

ccH Controller Value (vvH)

7BH All Notes Off 00H

* Switches OFF all the notes that are currently ON

on the specified channel. Any notes being held

by the damper or sostenuto pedal will continue

to sound until the pedal is released.

4) Omni Off (Receive only)

ccH Controller Value (vvH)

7CH Omni Off 00H

* Same processing as All Notes Off.

5) Omni On (Receive only)

ccH Controller Value (vvH)

7DH Omni On 00H

* Same processing as All Notes Off.

6) Mono (Receive only)

ccH Controller Value (vvH)

7EH Mono 00H

* Same processing as All Sound Off.

7) Poly (Receive only)

ccH Controller Value (vvH)

7FH Poly 00H

* Same processing as All Sound Off.

● Remarks

1. The Clavinova will not send or accept Control

Change messages if the FUNCTION-mode

Control Change setting is OFF.

2. The Clavinova does not transmit Local ON/OFF

and Omni ON/OFF messages. (All Notes Off is

transmitted as a series of Note Off messages.)

3. The Clavinova saves the bank select value (MSB

and LSB; receivable in any order) to its internal

buffer. This value is then used to determine the

voice selection upon receipt of the next Program

Change message.

4. The Clavinova always operates in multitimbral

polyphonic mode. The mode does not change in

response to Omni ON/OFF, Mono, and Poly

messages.

4. Program Change

[CnH] → [ppH]

CnH = Program Change (n = Channel No.)

ppH = Program Change No.

* The Clavinova will not send or accept Program

Change messages if the FUNCTION-mode

Program Change setting is OFF.

* Program number assignments are as follows.

Voice Program Change No.

PIANO 1 00H

PIANO 2 01H

CLAVI. TONE 58H

E. PIANO 1 05H

E. PIANO 2 04H

HARPSICHORD 06H

VIBES 0BH

STRINGS 30H

CHOIR 34H

PIPE ORGAN 13H

ORGAN CONBINATION

10H

BASS (CLP-811) 20H

5. System Realtime Messages

1) Active Sensing

[FEH]

* Transmitted every 200 msec.

* If the Clavinova receives no MIDI signals for

400 msec. following receipt of an FEH, it will

execute processing equivalent to All Sound Off

→ All Notes Off → Reset All Controllers.

2) Clock

[F8H]

* Clock signal is issued 96 times per whole note.

* If Exclusive Message specifies use of an external

clock, the Clavinova counts 96 clock signals as

one whole note.

3) Start

[FAH]

* Transmitted at rhythm start.

* Receipt causes song to start.

4) Stop

[FCH]

* Transmitted at rhythm stop.

* Receipt causes song to stop.

* If error occurs during MIDI reception, the

Clavinova switches off damper, sostenuto, and

soft effects and then executes All Notes Off

processing (for all channels).

6. System Exclusive Message

(Yamaha MIDI Format)

[F0H] → [43H] → [0nH]→ [7CH] → ... → [F7H]

F0H,43H,0nH,7CH: n = Channel No.

01H,36H: Data length

43H,4CH,20H,20H: CL

43H,4CH,50H,27H,39H,36H:

CLP’96

30H,30H: (Version x,y)

[Panel Data]

[Checksum (1 byte)]=0-(43H+4CH+20H+..... data end)

F7H: End of Exclusive

[Panel-data content]

(1) Voice

(2) DUAL ON/OFF

(3) DUAL voice

(4) DUAL balance

(5) DUAL detuning

(6) DUAL Voice

1 octave shift

(7) DUAL Voice

2 octave shift

(8) DUAL Voice

1 effect depth

(9) DUAL Voice

2 effect depth

(10) DUAL/STRINGS slow attack ON/OFF

(11) SPLIT ON/OFF

(12) SPLIT voice

(13) SPLIT point

(14) SPLIT balance

(15) SPLIT Voice

1 octave shift

(16) SPLIT Voice

2 octave shift

(17) SPLIT Voice

1 effect depth

(18) SPLIT Voice

2 effect depth

(19) SPLIT damper mode

(20) Reverb type

(21) Reverb depth

(22) Effect type 1

(23) Effect type 2

(24) Effect depth

(25) Brilliance

(26) Variation

1 ON/OFF

(27) Variation

2 ON/OFF

(28) Touch sensitivity

(29) FIXED-touch velocity

(30) Left pedal function (Soft/Start)

(31) Key-specific tuning ON/OFF

(32) Tempo (absolute value; LSB)

(33) Tempo (absolute value; MSB)

(34) Organ Combination voice No.

(35)~(51) Organ Combination data 1

CLP-811/611 MIDI Data Format/MIDI-Datenformat/Format de données MIDI/Formato de datos MIDI

(52)~(68) Organ Combination data 2

(69)~(85) Organ Combination data 3

(86)~(102) Organ Combination data 4

(103)~(119) Organ Combination data 5

(120)~(136) Organ Combination data 6

(137)~(153) Organ Combination data 7

(154)~(170) Organ Combination data 8

* The Clavinova does not accept requests to

transfer panel data.

7. System Exclusive Messages

(Universal System Exclusives)

1) Universal Realtime Message

[F0H] → [7FH] → [XnH]→ [04H]→ [01H] →

[

RRRR

H] → [mmH] → [F7H]

MIDI Master Volume

* This message changes the volume for all

channels at the same time.

* Receipt of this message affects the volume on

the MIDI receiving channel(s) only. Panel

volume does not change.

F0H: Exclusive status

7FH: Universal realtime

7FH: ID of target device

04H: Sub-ID #1 (Device control message)

01H: Sub-ID #2 (Master Volume)

RRRR

H: Volume LSB

mmH: Volume MSB

F7H: End of Exclusive

-or-

F0H: Exclusive status

7FH: Universal realtime

XnH: X is ignored; n=0~F

04H: Sub-ID #1 (Device control message)

01H: Sub-ID #2 (Master Volume)

RRRR

H: Volume LSB

mmH: Volume MSB

F7H: End of Exclusive

2) Universal Non-Realtime Message

(GM ON)

[F0H] → [7EH] → [XnH]→ [09H]→ [01H] →

[F7H]

GM (General MIDI) Mode ON

F0H: Exclusive status

7EH: Universal non-realtime

7FH: ID of target device

09H: Sub-ID #1 (General MIDI message)

01H: Sub-ID #2 (General MIDI ON)

F7H: End of Exclusive

-or-

F0H: Exclusive status

7EH: Universal non-realtime

XnH: X is ignored; n=0~F

09H: Sub-ID #1 (General MIDI message)

01H: Sub-ID #2 (General MIDI ON)

F7H: End of Exclusive

* Receipt of the GM ON message causes MIDI

parameters to reinitialize. Allow sufficient time

for processing to execute (about 50 msec) before

sending the Clavinova another message.

8. System Exclusive Messages

(XG Standard)

1) XG Native Parameter Change

[F0H] → [43H] → [1nH]→ [4CH]→ [hhH] →

[mmH] → [

RRRR

H] → [ddH] ... → [F7H]

F0H: Exclusive status

43H: Yamaha

1nH: Device No.

(If transmission, n=0. If reception, n=0~F.)

4CH: XG model ID

hhH: Address High

mmH: Address Mid

RRRR

H: Address Low

ddH: Data

: :

F7H: End Of Exclusive

2) Bulk Dump (Receive only)

[F0H] → [43H] → [0nH]→ [4CH] → [aaH] →

[bbH] → [hhH] → [mmH] → [

RRRR

H] → [ddH] →

... → [ccH] → [F7H]

F0H: Exclusive status

43H: Yamaha

0nH: Device No. (n=0~F.)

4CH: XG model ID

aaH: Byte count

bbH: Byte count

hhH: Address High

mmH: Address Mid

RRRR

H: Address Low

ddH: Data

: :

ccH: Checksum

F7H: End Of Exclusive

* Receipt of this message causes reinitialization of

relevant parameters and Control Change values.

Allow sufficient time for processing to execute

(about 50 msec) before sending the Clavinova

another message.

* XG Native Parameter Change message may

contain two or four bytes of parameter data

(depending on the parameter size).

* For information about the Address and Byte

Count values, refer to Table 1 below. Note that

the table’s Total Size value gives the size of a

bulk block. Only the top address of the block

(00H, 00H, 00H) is valid as a bulk data address.

* Transmission of excessive bulk-data length may

cause error at the receiving side. Keep message

length within 512 bytes. If you need to send

more than 512 bytes, break the transmission into

multiple parts and allow at least 120 msec

between each transmission.

MIDI Parameter Change (SYSTEM)

Address (H) Size (H) Data (H) Parameter Description Default (H)

00 00 00 4 020C~05F4 MASTER TUNING -50~+50 [cents] 00 04 00 00 * Value below 020CH selects -50 cents.

01 1st byte bits (3~0) → Bits 15~12 400 Value above 05F4H selects +50 cent.

02 2nd byte bits (3~0) → Bits 11-8

03 3rd byte bits (3~0) → Bits 7-4

4th byte bits (3~0) → Bits 3-0

04 1 00~7F MASTER VOLUME 0~127 7F

05 1

06 1 34~4C TRANSPOSE -12~+12 [semitones] 40 *

Values 28H to 33H select -12 to -1, respectively.

7E 0 XG SYSTEM ON 00=XG System ON

Values 4DH to 58H select +1 to +12, respectively.

7F 0

RESET ALL PARAMETERS

00= ON (Receive only)

Total Size 7

MIDI Parameter Change (EFFECT 1)

* For a listing of REVERB, CHORUS, and VARIATION type numbers, refer to the Effect MIDI maps.

Address (H) Size (H) Data (H) Parameter Description Default (H)

02 01 00 2 00~7F REVERB TYPE MSB Refer to the Effect MIDI Map. 01 (=HALL 1)

00~7F REVERB TYPE LSB 00: Basic Type 00

0C 1 00~7F REVERB RETURN -∞dB…0dB…+6dB (0…64…127) 40

02 01 40 2 00~7F VARIATION TYPE MSB Refer to the Effect MIDI Map. 00 (No effect)

00~07F VARIATION TYPE LSB 00: Basic Type 00

Note: “VARIATION TYPE” corresponds to the Clavinova’s panel-set effect type.

MIDI Parameter Change (Multipart)

Address (H) Size (H) Data (H) Parameter Description Default (H)

08 nn 11 1 00~7F DRY LEVEL 0~127 7F

nn= Part number

CLP-811/611 MIDI Data Format/MIDI-Datenformat/Format de données MIDI/Formato de datos MIDI

Effect MIDI Map (REVERB)

MSB LSB

00H 01H 02H 03H~

00H No effect ←←←

01H HALL 1 HALL 2 HALL 1 ←

02H ROOM ←←←

03H STAGE ←←←

Effect MIDI Map (VARIATION)

MSB LSB

00H 01H 02H 03H~

00H~06H

No effect ←←←

07H ECHO ←←←

41H CHORUS ←←←

44H SYMPHONIC ←←←

46H TREMOLO ←←←

9. System Exclusive Messages

(Clavinova MIDI compliance)

[F0H] → [43H] → [73H]→ [xxH] → [nnH] →

[F7H]

F0H: Exclusive status

43H: Yamaha

73H: Clavinova

xxH:

Device ID (CLP’96:3BH; CLP common:01H)

nnH: Substatus

Control nn

Internal clock 02H

External clock 03H

Bulk data:

06H (followed by bulk data)

F7H: End Of Exclusive

* Substatuses 02H and 03H can be received by

Device ID 01H as well as by 3BH.

1) Bulk Dump Format for Key-by-Key

Tuning Data

F0H,43H,73H

3BH:

Device ID (CLP’96:3BH)

06H: Bulk ID

00H: Bulk No.

(Bulk dump format for key-

specific tuning data)

00H,00H,0BH,00H: Data length

[Bulk data]: low(A-1), high (A-1) ...

low (C7), high (C7)

[Checksum (1 byte)] = 0 - sum(bulk data)

F7H: End Of Exclusive

2) Bulk Dump Format for Sequence

Data

F0H,43H,73H

nnH: Device ID (CLP-811:40H; CLP-611:3EH)

06H: Bulk ID

05H: Bulk No.

(Sequence-data bulk dump format)

0xH,0xH,0xH,0xH: Data length = xxxx bytes

[Bulk data]: low,high,...,low,high

[Checksum (1 byte)] = 0 - sum(bulk data)

F7H: End Of Exclusive

3) Bulk Data Format for Organ

Combination

F0H,43H,73H

3BH: Device ID

06H: Bulk ID

06H: Bulk data format for

organ combination

00H,00H,01H,01H: Data length = 11H bytes

0nH: n = Channel No.

[16']

[8']

[5+1/3']

[4']

[2+2/3']

[2']

[1+1/3']

[1']

[Response]

[Attack 4']

[Attack 2+2/3']

[Attack 2']

[Attack length]

[Attack mode] (00H=FIRST; 01H=EACH)

[Rotary-speaker speed]

[Rotary-speaker depth]

[Checksum (1 byte)] = 0 - sum(bulk data)

F7H: End Of Exclusive

10. System Exclusive Message

(Special operators)

[F0H] → [43H] → [73H]→ [xxH] → [

RRRR

H] →

[0nH] → [ccH] → [vvH] → [F7H]

F0H: Exclusive status

43H: Yamaha

73H: Clavinova

3BH: Device ID (CLP’96n:3BH)

RRRR

H: SK special operator

0nH:

Control MIDI Change (n = Special Operator Channel No.)

cc: Control No.

dd: Value

F7H: End Of Exclusive

Control ON ccH ddH

SPLIT POINT Always 00H 14H Split key No.

METRONOME Always 00H 1BH 00H:OFF

01H: –

02H:2/4

03H:3/4

04H:4/4

05H:5/4

06H:6/4

7FH:Normal

DAMPER LEVEL Ch:00~0FH 3DH (Sets channel-

specific piano

damper level)

00H~7FH

CHANNEL DETUNING

Ch:00~0FH 43H (Sets channel-

specific

detuning)

00H~7FH

VOICE RESERVE Ch:00~0FH 45H 00H:RESERVE

OFF

7FH:ON *1

*1 When RESERVE=ON, received volume and

expression data becomes effective at next Key

ON. RESERVE=OFF is the normal setting.

11. Additional System Exclusive

Message

[F0H] → [43H] → [1nH]→ [27H] → [30H] →

[00H]→ [00H] → [

RRRR

H]→ [ccH]→ [F7H]

* This message changes master tuning for all

channels. (If this and XG master-tuning message

are both received then last received becomes

effective.)

1) Master tuning

[00H] → [mmH] → [

RRRR

H] → [ccH]

F0H: Exclusive status

43H: Yamaha

1nH: (If transmission, n=0. If reception, n=0~F.)

27H: TG100 Device ID

30H: Sub-ID

00H:

mmH: Master Tuning MSB

RRRR

H: Master Tuning LSB

ccH: Any value up to 7FH.

F7H: End Of Exclusive

CLP-811/611

MIDI Data Format/MIDI-Datenformat/Format de données MIDI/Formato de datos MIDI

Specifications / Technische Daten

Spécifications techniques / Especificaciones

CLP-811 CLP-611

Keyboard 88 keys (A-1 to C7)

Tone Generator AWM (Advanced Wave Memory)

Polyphony 64 notes max. 32 notes max.

Voices PIANO 1, PIANO 2 CLAVINOVA TONE, ELECTRIC PIANO 1, ELEC-

TRIC PIANO 2, HARPSICHORD, VIBES, STRINGS, CHOIR, PIPE

ORGAN, ORGAN COMBINATION, BASS (CLP-811 only), and voice

variations.

Reverb ROOM, HALL 1, HALL 2, STAGE

Effects CHORUS, SYMPHONIC, TREMOLO, ECHO

Brilliance MELLOW, NORMAL, BRIGHT

Controls DUAL, SPLIT, METRONOME, TRANSPOSE, TOUCH (HARD, ME-

DIUM, SOFT, FIXED), MICROPHONE VOLUME (CLP-811 only),

MICROPHONE REVERB (CLP-811 only), various functions.

Display Large liquid-crystal display

Recorder 2-TRACK RECORDING/PLAYBACK; adjustable TEMPO

Pedals DAMPER, SOSTENUTO, SOFT

Demos 12 demo songs and 30 piano songs 11 demo songs and 30 piano songs

Connectors AUX OUT R & L/L+R (output impedance 600Ω);

AUX IN R & L/L+R (input impedance 10kΩ, input sensitivity -10dBm);

MIC jack (CLP-811 only) ; two PHONES jacks; TO HOST; MIDI IN/

OUT/THRU

Main Amplifiers 120W (60W × 2)

Speakers

14cm × 2, 5cm × 2, elliptical (5 × 9cm) × 2

14cm × 2, 5cm × 2

Dimensions Music stand 1436mm × 513mm × 906mm 1418mm × 511mm × 879mm

(W × D × H) down (56-9/16 × 20-3/16 × 35-11/16) (55-13/16 × 20-1/8 × 34-5/8)

Music stand up 1436mm × 513mm × 1014mm 1418mm × 511mm × 1051mm

(56-9/16 × 20-3/16 × 39-15/16) (55-13/16 × 20-1/8 × 41-3/8)

Weight 67.0kg (147 lbs 9 oz) 60.0kg (132 lbs 3 oz)

Specifications and appearance are subject to change without notice for purpose of product improvement.

Die Technischen Daten und das Äußere können sich mit dem Ziel der Weiterentwicklung des Produktes

jederzeit ohne Ankündigung ändern.

Les spécifications techniques et l’aspect du Clavinova peuvent être sujets à modifications sans avis préalable,

dans un but d’amélioration continue du produit.

Las especificaciones técnicas y las características físicas están sujetas a modificaciones para fines de mejora

de producto sin previo aviso.

CLP-811/611 Specifications/Technische Daten/Spécifications techniques/Especificaciones

CLP-811 Assembly Procedure

NOTE

• Be careful not to confuse parts, and be sure to install all parts

in the correct direction. Please assemble in accordance with

the sequence given below.

• Assembly should be carried out by at least two persons.

• Be sure to use the correct screw size, as indicated above. Use

of incorrect screws can cause damage.

• Be sure to tighten up all screws upon completing assembly of

each unit.

• To disassemble, reverse the assembly sequence given below.

1 Have a Phillips-head screwdriver ready.

2 Open the box. Take out the two styrofoam

pads and place them on the floor. Then

take out main unit (A) and place it on top

of the pads.

NOTE

Position the pads so as to protect the phone jacks on the base of

the unit.

3 Remove all parts from the box. Confirm

that all of the parts indicated above are

present.

4 Fasten lower board (E) to the left and

right sideboards.

First, unravel the pedal cord bundled to the bottom of

lower board (E). Then align the ends of lower board (E)

with the right sideboard (C) and left sideboard (B).

Finally, fasten in place with the four wide roundhead

screws 1.

CLP-811/611

CLP-811 Assembly Procedure/Montage des CLP-811/CLP-811 Montage Procédure/Montaje del modelo CLP-811

Montage des CLP-811

HINWEIS

• Achten Sie darauf, die Teile nicht zu verwechseln, und installieren Sie

alle Teile in der richtigen Ausrichtung. Gehen Sie beim Zusammenbau

bitte in der angegebenen Reihenfolge vor.

• Die Montage sollte von mindestens zwei Personen vorgenommen

werden.

• Achten Sie darauf, die richtige Schraubengröße zu verwenden, wie es

oben gezeigt ist. Die Verwendung der falschen Schrauben kann zu

Schäden führen.

• Achten Sie während der Montage darauf, bei jedem Arbeitsgang alle

Schrauben festzuziehen.

• Für die Demontage muß die angegebene Reihenfolge umgekehrt

befolgt werden.

1 Halten Sie einen

Kreuzschlitzschraubendreher bereit.

2 Öffnen Sie den Karton. Nehmen Sie die

beiden Styroporteile heraus und legen Sie sie

auf den Boden. Nehmen Sie dann die Haupt-

einheit (A) heraus, und legen Sie es auf die

Styroporteile.

HINWEIS

Positionieren Sie die Styroporteile so, daß die Klinkenbuchsen am Boden

des Gerätes geschützt sind.

3 Nehmen Sie alle Teile aus dem Karton. Sehen

Sie nach, ob alle oben gezeigten Teile vorhan-

den sind.

4 Bringen Sie die Unterseite (E) an den linken

und rechten Seitenteilen an.

Lösen Sie dazu zunächst das Pedalkabel auf, das unten an der

Unterseite zusammengebündelt ist (E). Richten Sie dann die

Enden der Unterseite (E) mit dem rechten Seitenteil (C) und dem

linken Seitenteil (B) aus. Schrauben Sie die Unterseite schließlich

mit den vier breiten Rundkopfschrauben 1 fest.

Phone jacks

Klinkenbuchsen

Prises pour casque d’écoute

Tomas de auriculares

Styrofoam pads

Styroporteile

Coussinets en mousse

Planchas de poliestireno

Four wide roundhead screws 1

Vier breite Rundkopfschrauben 1

Quatre grosses vis à tête ronde 1

Cuatro tornillos anchos de cabeza redonda

(6✕20mm)

Two thin flathead screws 3

Zwei dünne Flachkopfschrauben 3

Deux fines vis à tête plate 3

Dos tornillos finos de cabeza plana 3

(4✕20mm)

Four wide flathead screws 2

Vier breite Flachkopfschrauben 2

Quatre grosses vis à tête plate 2

Cuatro tornillos anchos de cabeza plana 2

(6✕20mm)

Four tapered screws 4

Vier Senkkopfschrauben 4

Quatre vis pointues 4

Cuatro tornillos cónicos 4

(4✕20mm)

Two short roundhead screws 5

Zwei kurze Rundkopfschrauben 5

Deux petites vis à tête ronde 5

Dos tornillos cortos de cabeza redonda 5

(4✕12mm)

Two cord clamps 6

Zwei Kabelhalter 6

Deux pinces de fixation pour câbles 6

Dos bridas de cable 6

Lower board (E)

Unterseite (E)

Panneau inférieur (E)

Panel inferior (E)

Power cord (F)

Netzkabel (F)

Cordon d’alimentation (F)

Cable de alimentación (F)

Backboard (D)

Rückseite (D)

Panneau arrière (D)

Panel de fondo (D)

Main unit (A)

Haupteinheit (A)

Appareil principal (A)

Unidad principal (A)

Left sideboard (B)

Linkes Seitenteil (B)

Panneau latéral gauche (B)

Panel lateral izquierdo (B)

Right sideboard (C)

Rechte Seitenteil (C)

Panneau latéral droit (C)

Panel lateral derecho (C)

Pedal cord bundled at back of board.

Pedalkabel an der Unterseite.

Cordon des pédales enroulé à l’arrière du panneau.

Cable de pedal enrollado en el reverso del panel.

CLP-811/611

CLP-811 Assembly Procedure/Montage des CLP-811/CLP-811 Montage Procédure/Montaje del modelo CLP-811

CLP-811 Montage Procédure

REMARQUE

• Veiller à ne pas mélanger les pièces et à les installer dans le sens

correct. Veuillez assembler l’instrument dans l’ordre indiqué ci-dessous.

• La présence de deux personnes minimum est nécessaire pour

procéder au montage.

• Toujours utiliser des vis aux dimensions correctes, comme indiqué ci-

dessus. l’utilisation de vis aux dimensions incorrectes pourrait en effet

endommager l’instrument.

• Resserrer convenablement toutes les vis après le montage de chaque

élément.

• Pour démonter le Clavinova, inverser l’ordre des indications données ci-

dessous.

1 Préparer un tournevis Phillips (en croix).

2 Ouvrir le carton d’emballage. Sortir les deux

coussinets en mousse et les placer sur le sol.

Sortir ensuite l’appareil principal (A) et le

placer sur les coussinets.

REMARQUE

Placer les coussinets de sorte à protéger les connecteurs pour casques

d’écoute, sur la face arrière.

3 Retirer toutes les pièces du carton. Vérifier

que toutes les pièces indiquées ci-dessus sont

présentes.

4 Attacher la partie inférieure (E) aux parties

latérales gauche et droite du coffret.

Défaire en premier lieu le cordon de la pédale fixé à la partie

inférieure (E). Aligner ensuite les extrémités de la partie

inférieure (E) sur les extrémités de la partie latérale droite (C) et

de la partie latérale gauche (B). Finalement, visser en place à

l’aide des quatre vis à tête ronde 1.

Montaje del modelo CLP-811

NOTA

• Observe cuidado para no confundir las piezas, y asegúrese de montar

todas ellas en el sentido correcto. Proceda al montaje en el orden

indicado a continuación.

• El montaje deberá realizarse al menos por dos personas.

• Procure utilizar los tornillos del tamaño adecuado, según se indica

arriba. El empleo de tornillos inadecuados puede ocasionar daños en el

instrumento.

• Asegúrese de apretar bien todos los tornillos después de montar cada

unidad.

• Para desmontar las unidades, invierta la secuencia de montaje

facilitada a continuación.

1 Prepare un destornillador de estrella.

2 Abra la caja. Retire las dos planchas de

poliestireno y colóquelas sobre el suelo. A

continuación extraiga la unidad principal (A)

y colóquela sobre las planchas.

NOTA

Sitúe las planchas de forma que queden protegidas las tomas de

auriculares de la base de la unidad.

3 Extraiga todas las piezas de la caja. Comprue-

be que no falta ninguna de las piezas arriba

indicadas.

4 Asegure el panel inferior (E) a los laterales

derecho e izquierdo.

En primer lugar, desenrolle el cable del pedal fijado en la base del

panel inferior (E). Seguidamente, alinee los bordes del panel

inferior (E) con los paneles laterales derecho (C) e izquierdo (B).

Por último, ensámblelo en su sitio con los cuatro tornillos anchos

de cabeza redonda 1.

Four wide roundhead screws 1

Vier breite Rundkopfschrauben 1

Quatre grosses vis à tête ronde 1

Cuatro tornillos anchos de cabeza redonda 1

(6✕20mm)

5 Install backboard (D).

Rest the bottom of backboard (D) on the leg ledges (on

both sideboards), and pivot the top of the board into place.

Fasten the upper part of the backboard to the two side-

boards using the short roundhead screws 5. Fasten the

lower part of the backboard in four places using the

tapered screws 4.

6 Install main unit (A).

Lift the main unit, holding it on the bottom as shown in

the diagram. Be sure to grasp the board at least 4 inches

(10 cm) away from the sides. Slide the unit onto the

sideboards from the front, and continue sliding until it is

all the way back.

NOTE

Be careful to avoid snagging your hands or clothes when

installing the main unit.

7 Fasten main unit (A) into place.

First check from the sides to confirm that there is no gap.

Then move to the back and check the gaps between the

main unit and the right and left sideboards. Adjust so that

these gaps are equivalent, and fasten in place (at both ends

of the rear side) with two of the wide flathead screws 2.

Next, move to the front and screw in the two thin flathead

screws 3, and then the remaining two flathead screws 2.

CLP-811/611

CLP-811 Assembly Procedure/Montage des CLP-811/CLP-811 Montage Procédure/Montaje del modelo CLP-811

5 Bringen Sie die Rückseite (D) an.

Setzen Sie die Unterkante der Rückseite (D) auf die Fußvor-

sprünge (auf beiden Seitenteilen), und kippen Sie die Oberkante

der Rückseite an die Haupteinheit. Befestigen Sie die Oberkante

der Rückseite mit den kurzen Rundkopfschrauben 5 an den

beiden Seitenteilen. Befestigen Sie den unteren Teil der Rückseite

an vier Stellen mit den vier Senkkopfschrauben 4.

6 Montieren Sie die Haupteinheit (A).

Heben Sie die Haupteinheit an, indem Sie darunter greifen, wie in

der Abbildung gezeigt. Achten Sie darauf, das Teil mindestens 10

cm von den Seiten entfernt zu greifen. Schieben Sie die Einheit

von vorne auf die Seitenteile, bis sie ganz hinten anschlägt.

HINWEIS

Achten Sie darauf, daß Sie während der Installation der Haupteinheit nicht

Ihre Hände oder Ihre Kleidung verletzen.

7 Befestigen Sie die Haupteinheit (A).

Überprüfen Sie von der Seite, daß keine Lücke zu sehen ist.

Überprüfen Sie dann von hinten aus den Spalt zwischen der

Haupteinheit und den linken und rechten Seitenteilen. Richten

Sie die Haupteinheit so aus, daß beide Abstände gleich sind, und

schrauben Sie die Haupteinheit an den beiden Enden der

Rückseite mit zwei breiten Flachkopfschrauben 2 fest.

Schrauben Sie dann an der Vorderseite die beiden dünnen

Flachkopfschrauben 3 und die beiden übrigen Flachkopf-

schrauben 2 fest.

Four tapered screws 4

Vier Senkkopfschrauben 4

Quatre vis pointues 4

Cuatro tornillos cónicos 4

(4✕20mm)

Two short roundhead screws 5

Zwei kurze Rundkopfschrauben 4

Deux petites vis à tête ronde 4

Dos tornillos cortos de cabeza redonda 4

(4✕12mm)

At least 4 inches(10 cm)

Mindestens 10 cm

Minimum 10 cm

Mínimo 10 cm

CLP-811/611

CLP-811 Assembly Procedure/Montage des CLP-811/CLP-811 Montage Procédure/Montaje del modelo CLP-811

5 Installer le panneau arrière (D)

Reposer le bas du panneau arrière (D) sur le rebord des pieds (des

deux panneaux latéraux) et faire pivoter le dessus du panneau

pour le mettre en place. Fixer la partie supérieure du panneau

arrière aux deux panneaux latéraux à l’aide des petites vis à tête

ronde 5. Attacher la partie inférieure du panneau arrière à quatre

endroits à l’aide des vis pointues 4.

6 Installer la partie principale (A)

Soulever la partie principale, en la soutenant par le fond comme

illustré sur le diagramme. Toujours veiller à saisir le panneau à

au moins 10 cm des extrémités. Glisser la partie principale sur les

panneaux latéraux en commençant par l’avant et la faire glisser

jusqu’à ce qu’elle soit insérée à fond.

REMARQUE

Faire attention de ne pas coincer ses mains ou ses vêtements lors de

l’installation de la partie principale.

7 Fixer la partie principale (A).

Vérifier tout d’abord de côté pour s’assurer qu’il n’y a pas de

vide. Se mettre ensuite derrière et vérifier les espaces entre la

partie principale et les panneaux latéraux gauche et droit. Régler

l’ensemble de sorte que les espaces soient équivalents de chaque

côté et les fixer en place (aux deux extrémités de la partie arrière)

avec deux des grosses vis à tête plate 2. Se déplacer ensuite vers

l’avant et visser les deux petites vis à tête plate 3 puis les deux

grosses vis à tête plate restantes 2.

5 Instale el panel posterior (D).

Apoye la base del panel posterior (D) sobre los rebordes de las

patas (en ambos paneles laterales), y gire la parte superior del

panel para colocarlo en su posición. Asegure la parte alta del

panel posterior a los dos paneles laterales utilizando los tornillos

cortos de cabeza redonda 5. Atornille la parte baja del panel

posterior a cuatro puntos empleando los tornillos cónicos 4.

6 Instale la unidad principal (A).

Levante la unidad principal, sosteniéndola por la base como se

muestra en la ilustración. Procure sujetar el panel como mínimo a

10 cm de los bordes. Inserte la unidad en los paneles laterales

desde la parte frontal, y deslícela hasta el fondo.

NOTA

Tenga cuidado con las manos y la ropa cuando instale la unidad principal.

7 Asegure la unidad principal (A) en su posi-

ción.

Primero observe desde los lados para asegurarse de que no queda

ninguna abertura. Después sitúese en la parte posterior y revise

las aberturas existentes entre la unidad principal y los paneles

derecho e izquierdo. Ajústelos para que queden igual y asegúrelos

en su posición (en ambos extremos de la parte posterior) con dos

de los tornillos anchos de cabeza plana 2.

A continuación, colóquese en la parte frontal y atornille los dos

tornillos finos de cabeza plana 3, y después los dos de cabeza

plana restantes 2.

Two wide flathead screws 2

Zwei breite Flachkopfschrauben

Deux grosses vis à tête plate 2

Dos tornillos anchos de cabeza plana

(6✕20mm)

Two thin flathead screws 3

Zwei dünne Flachkopfschrauben 3

Deux fines vis à tête plate 3

Dos tornillos finos de cabeza plana 3

(4✕20mm)

Two wide flathead screws 2

Zwei breite Flachkopfschrauben 2

Deux grosses vis à tête plate 2

Dos tornillos anchos de cabeza plana 2

(6✕20mm)

AC INLET

Two cord clamps 6

Zwei Kabelhalter 6

Deux pinces de fixation pour câbles

6

Dos bridas de cable 6

8 Connect up the pedal cord and power cord.

Hold the pedal-cord connector so that the hook is facing

away from the backboard, the backboard, and plug it into

the main unit. Then adhere the two cord clamps 6 to the

backboard at the locations shown in the diagram. Set the

pedal cord securely into the clamps. Finally, connect the

power cord (F) to the main unit.

9 Extend the adjuster.

Turn the adjuster so that it is set firmly against the floor.

0 Set the voltage selector (if applicable),

and plug the power cord into a standard

wall outlet.

If your unit is equipped with a voltage selector, make sure

that the value is set to the voltage level used in your area

(110V, 127V, 220V or 240V). To change the setting, turn

the selector (with a screwdriver) so that the appropriate

value is aligned with the pointer on the panel. Note that

the selector is set to 240V at time of shipment.

After completing the adjustment, you can plug the cord

into a wall outlet. In some areas you may need to attach a

(supplied) adaptor to the plug to enable connection to the

standard local outlet.

■ After completing the assembly, please

check as follows.

• Are there any parts left over?

➔ Review the assembly procedure and correct any errors.

• Is the Clavinova clear of doors and other movable fixtures?

➔ Move the Clavinova to an appropriate location.

• Does the Clavinova make a rattling noise when you shake

it?

➔ Tighten all screws.

• Does the lower board rattle or give way when you step on

the pedals?

➔ Turn the adjuster so that it is set firmly against the floor.

• Are the pedal and power cords inserted securely into the

inlets?

➔ Check the connections.

• If the main unit creaks or is otherwise unsteady when you

play on the keyboard, refer to the assembly diagrams and

retighten all screws.

CLP-811/611

CLP-811 Assembly Procedure/Montage des CLP-811/CLP-811 Montage Procédure/Montaje del modelo CLP-811

8 Schließen Sie das Pedalkabel und das Netz-

kabel an.

Halten Sie den Stecker des Pedalkabels so, daß der Haken zur

Tastaturseite weist, und stecken Sie ihn an die Haupteinheit.

Bringen Sie dann die beiden Kabelhalter 6 an der Rückseite an

den in der Abbildung gezeigten Positionen an. Stecken Sie das

Pedalkabel sicher in die Kabelhalter. Stecken Sie zum Schluß das

Netzkabel (F) an die Haupteinheit.

9 Ziehen Sie den Höhenversteller heraus.

Drehen Sie den Höhenversteller so, daß er fest gegen den

Fußboden drückt.

0 Stellen Sie den Spannungsumschalter ein

(wenn nötig), und stecken Sie dann das

Netzkabel in eine Netzsteckdose.

Wenn Ihr Gerät mit einem Spannungsumschalter ausgestattet ist,

vergewissern Sie sich, daß der eingestellte Wert auf die

Versorgungsspannung Ihrer Gegend eingestellt ist (110 V, 127 V,

220 V oder 240 V). Um die Einstellung zu ändern, drehen Sie den

Schalter (mit einem Schraubendreher), so der korrekte Wert mit

dem Zeiger auf dem Panel übereinstimmt. Beachten Sie, daß der

Schalter zur Zeit der Auslieferung auf 240 V eingestellt ist.

Wenn Sie die Einstellung vorgenommen haben, können Sie das

Kabel in eine Netzsteckdose stecken. In einigen Gegenden

müssen Sie evtl. einen (mitgelieferten) Adapter am Stecker

anbringen, um diesen in die Netzsteckdose einstecken zu können.

■ Wenn der Zusammenbau beendet ist, prüfen

Sie bitte folgende Dinge:

• Sind Teile übrig geblieben?

➔ Gehen Sie den Vorgang des Zusammenbaus noch einmal durch

und korrigieren Sie eventuelle Fehler.

• Befindet sich das Clavinova weit genug von Türen und anderen be-

weglichen Vorrichtungen entfernt?

➔ Bewegen Sie das Clavinova an einen entsprechend sicheren

Ort.

• Macht das Clavinova Klappergeräusche, wenn Sie es schütteln?

➔ Ziehen Sie alle Schrauben fest.

• Klappert die Unterseite oder gibt sie nach, wenn Sie das Pedal tre-

ten?

➔ Drehen Sie den Höhenversteller, bis er fest auf dem Fußboden

steht.

• Sind Pedal- und Netzkabel richtig an den Buchsen angeschlossen?

➔ Prüfen Sie die Verbindung.

• Wenn die Haupteinheit knarrt oder beim Spielen wackelt, betrach-

ten Sie die Abbildungen und ziehen Sie alle Schrauben noch einmal

nach.

9 0

240

127

110

220

CLP-811/611

CLP-811 Assembly Procedure/Montage des CLP-811/CLP-811 Montage Procédure/Montaje del modelo CLP-811

8 Raccorder le cordon des pédales et le cordon

d’alimentation

Tenir la fiche du cordon des pédales de telle sorte que le crochet

soit tourné à l’opposé du panneau arrière et la brancher dans la

partie principale. Appliquer ensuite les deux pinces de fixation du

cordon 6 sur le panneau arrière aux emplacements marqués sur

le diagramme. Faire passer le cordon des pédales fermement

entre les pinces de fixation. Finalement, raccorder le cordon

d’alimentation (F) à la partie principale.

9 Etendre le stabilisateur

Tourner le stabilisateur afin qu’il repose fermement sur le sol.

0 Régler le sélecteur de tension (le cas échéant)

et brancher le cordon d’alimentation dans une

prise secteur normale.

Si votre appareil est équipé d’un sélecteur de tension, toujours

s’assurer qu’il est bien positionné sur la tension en vigueur dans

votre région (110V, 127V, 220V ou 240V). Pour modifier le

réglage, tourner le sélecteur (à l’aide d’un tournevis) de sorte que

la valeur souhaitée s’aligne sur le pointeur du panneau. Le

sélecteur est réglé sur 240V à la sortie d’usine.

Après avoir effectué les réglages, vous pouvez brancher le cordon

dans une prise secteur. Dans certaines régions, vous devrez peut-

être relier la fiche à un adaptateur (fourni) pour pouvoir raccorder

le Clavinova à une prise secteur locale.

■ Lorsque le montage est terminé, veuillez

mener à bien les vérifications suivantes.

• Reste-t-il des pièces non utilisées?

➔ Passer en revue la procédure de montage et corriger toute er-

reur éventuelle.

• Le Clavinova est-il placé à l’écart des portes et de toute autre struc-

ture mobile?

➔ Déplacer le Clavinova vers un emplacement approprié.

• Lorsque vous secouez quelque peu le Clavinova, entendez-vous un

cliquetis?

➔ Serrer convenablement toutes les vis.

• Le panneau inférieur fait-il du bruit ou s’écarte-t-il lorsque vous ap-

puyez sur les pédales?

➔ Tourner le stabilisateur de sorte que le Clavinova repose

fermement sur le sol.

• Les cordons des pédales et d’alimentation sont-ils bien enfoncés

dans les prises?

➔ Vérifier toutes les connexions.

• Si la partie principale de l’appareil craque ou est instable lorsque

vous jouez sur le clavier, consulter les diagrammes de montage et

resserrer toutes les vis.

8 Conecte el cable del pedal y el cable de

alimentación.

Sostenga el conector del pedal del cable de manera que el gancho

quede orientado en sentido contrario al panel de fondo, y

conéctelo a la unidad principal. Después adhiera las dos bridas de

cable 6 al panel de fondo, en las posiciones indicadas en el

dibujo. Asegure con decisión el cable del pedal a las bridas. Por

último, conecte el cable de alimentación (F) a la unidad principal.

9 Regule el estabilizador.

Gire el estabilizador hasta que apoye firmemente sobre el suelo.

0 Ajuste el selector de tensión (si es necesario),

y conecte el cable de alimentación a una toma

mural estándar.

Si la unidad está provista de un selector de tensión, asegúrese de

que coincide con la tensión de red de su localidad (110 V, 127 V,

220 V o 240 V). Para cambiar el ajuste, gire el selector (con un

destornillador) hasta que la aguja del panel esté alineada con el

valor adecuado. Observe que el selector viene ajustado a 240 V

en el momento de salir de fábrica.

Una vez realizado el ajuste, puede conectar el cable de alimenta-

ción a una toma mural. En algunas zonas quizás sea necesario

acoplar un adaptador (incluido con el equipo) al enchufe para

poder conectarlo a la toma mural.

■ Cuando haya concluido el montaje, comprue-

be los siguientes puntos:

• ¿Ha quedado alguna pieza sin instalar?

➔ Revise el procedimiento de montaje y corrija cualquier error

que se haya podido cometer.

• ¿Está el Clavinova alejado del recorrido de puertas y muebles?

➔ Traslade el Clavinova a una posición adecuada.

• ¿Suena algún ruido de holgura cuando se mueve el Clavinova?

➔ Apriete con firmeza todos los tornillos.

• ¿Vibra o cede el panel inferior cuando se pisan los pedales?

➔ Gire el estabilizador hasta que apoye firmemente sobre el

suelo.

• ¿Están perfectamente insertados los cables de pedal y alimenta-

ción en los conectores?

➔ Revise las conexiones.

• Si la unidad principal cruje o presenta algún signo de inestabilidad

cuando se toca el teclado, consulte los esquemas de montaje y

vuelva a apretar todos los tornillos.

Phone jacks

Klinkenbuchsen

Prises pour casque d’écoute

Tomas de auriculares

Styrofoam pads

Styroporteile

Coussinets en mousse

Planchas de poliestireno

CLP-611 Assembly Procedure

NOTE

• Be careful not to confuse parts, and be sure to install all parts

in the correct direction. Please assemble in accordance with

the sequence given below.

• Assembly should be carried out by at least two persons.

• Be sure to use the correct screw sizes. Use of incorrect screws

can cause damage.

• Be sure to tighten up all screws upon completing assembly of

each unit.

• To disassemble, reverse the assembly sequence given below.

1 Have a Phillips-head screwdriver ready.

2 Open the box. Take out the two styrofoam

pads and place them on the floor. Then

take out main unit (A) and place it on top

of the pads.

NOTE

Position the pads so as to protect the phone jacks on the base of

the unit.

3 Remove all parts from the box. Confirm

that all of the parts indicated above are

present.

4 Fasten right sideboard (C) to right leg (G),

and left sideboard (B) to left leg (F). In

each case, join the board to the leg, align-

ing the notch on the metal fitting with the

indentation on the leg. Fasten in place

with the long gold screws 1.

CLP-811/611

CLP-611 Assembly Procedure/Montage des CLP-611/CLP-611 Montage Procédure/Montaje del modelo CLP-611

Montage des CLP-611

HINWEIS

• Achten Sie darauf, die Teile nicht zu verwechseln, und installieren Sie

alle Teile in der richtigen Ausrichtung. Gehen Sie beim Zusammenbau

bitte in der angegebenen Reihenfolge vor.

• Die Montage sollte von mindestens zwei Personen vorgenommen

werden.

• Achten Sie darauf, die richtige Schraubengröße zu verwenden. Die

Verwendung der falschen Schrauben kann zu Schäden führen.

• Achten Sie während der Montage darauf, bei jedem Arbeitsgang alle

Schrauben festzuziehen.

• Für die Demontage muß die angegebene Reihenfolge umgekehrt

befolgt werden.

1 Halten Sie einen

Kreuzschlitzschraubendreher bereit.

2 Öffnen Sie den Karton. Nehmen Sie die

beiden Styroporteile heraus und legen Sie sie

auf den Boden. Nehmen Sie dann die Haupt-

einheit (A) heraus, und legen Sie es auf die

Styroporteile.

HINWEIS

Positionieren Sie die Styroporteile so, daß die Klinkenbuchsen am Boden

des Gerätes geschützt sind.

3 Nehmen Sie alle Teile aus dem Karton. Sehen

Sie nach, ob alle oben gezeigten Teile vorhan-

den sind.

4 Bringen Sie das rechte Seitenteil (C) am

rechten Bein (G), das linke Seitenteil (B) am

linken Bein (F) an. Verbinden Sie das Seiten-

teil mit dem Bein, indem Sie die Aussparung

an dem Metallbeschlag mit der Vertiefung im

Bein in Übereinstimmung bringen. Befesti-

gen Sie es mit den langen Goldene Schrauben

Six long golden screws 1

Sechs lange goldene Schrauben 1

Six longues vis dorées 1

Seis tornillos largos de oro 1

(5✕40mm)

Four tapered screws 4

Vier Senkkopfschrauben 4

Quatre vis pointues 4

Cuatro tornillos cónicos 4

(4✕20mm)

Two short roundhead screws 5

Zwei kurze Rundkopfschrauben 5

Deux petites vis à tête ronde 5

Dos tornillos cortos de cabeza redonda 5

(4✕12mm)

Two cord clamps 6

Zwei Kabelhalter 6

Deux pinces de fixation pour câbles 6

Dos bridas de cable 6

Four medium flathead screws 3

Vier mittlere Flachkopfschrauben 3

Quatre vis moyennes à tête plate 3

Cuatro tornillos medianos de cabeza plana 3

(6✕20mm)

Four medium roundhead screws 2

Vier mittlere Rundkopfschrauben 2

Quatre vis moyennes à tête ronde 2

Cuatro tornillos medianos de cabeza redonda 2

(6✕20mm)

CLP-811/611

CLP-611 Assembly Procedure/Montage des CLP-611/CLP-611 Montage Procédure/Montaje del modelo CLP-611

CLP-611 Montage Procédure

REMARQUE

• Veiller à ne pas mélanger les pièces et à les installer dans le sens

correct. Veuillez assembler l’instrument dans l’ordre indiqué ci-dessous.

• La présence de deux personnes minimum est nécessaire pour

procéder au montage.

• Toujours utiliser des vis aux dimensions correctes, comme indiqué à

gauche. L’utilisation de vis aux dimensions incorrectes pourrait en effet

endommager l’instrument.

• Resserrer convenablement toutes les vis après le montage de chaque

élément.

• Pour démonter le Clavinova, inverser l’ordre des indications données ci-

dessous.

1 Préparer un tournevis Phillips (en croix).

2 Ouvrir le carton d’emballage. Sortir les deux

coussinets en mousse et les placer sur le sol.

Sortir ensuite l’appareil principal (A) et le

placer sur les coussinets.

REMARQUE

Placer les coussinets de sorte à protéger les connecteurs pour casques

d’écoute, sur la face arrière.

3 Retirer toutes les pièces du carton. Vérifier

que toutes les pièces indiquées ci-dessus sont

présentes.

4 Attacher le panneau latéral droit (C) au pied

droit (G) et le panneau latéral gauche (B) au

pied gauche (F). Dans chacun des cas, fixer le

panneau au pied en alignant l’encoche de la

ferrure en métal sur l’indentation du pied.

Serrer en place à l’aide des longues vis dorées

Montaje del modelo CLP-611

NOTA

• Observe cuidado para no confundir las piezas, y asegúrese de montar

todas ellas en el sentido correcto. Proceda al montaje en el orden

indicado a continuación.

• El montaje deberá realizarse al menos por dos personas.

• Procure utilizar los tornillos del tamaño adecuado. El empleo de

tornillos inadecuados puede ocasionar daños en el instrumento.

• Asegúrese de apretar bien todos los tornillos después de montar cada

unidad.

• Para desmontar las unidades, invierta la secuencia de montaje

facilitada a continuación.

1 Prepare un destornillador de estrella.

2 Abra la caja. Retire las dos planchas de

poliestireno y colóquelas sobre el suelo. A

continuación extraiga la unidad principal (A)

y colóquela sobre las planchas.

NOTA

Sitúe las planchas de forma que queden protegidas las tomas de

auriculares de la base de la unidad.

3 Extraiga todas las piezas de la caja. Comprue-

be que no falta ninguna de las piezas arriba

indicadas.

4 Asegure el panel derecho (C) a la pata derecha

(G), y el panel izquierdo (B) a la pata izquier-

da (F). En ambos casos, acople el panel ali-

neando la entalladura de la parte metálica con

los dientes de la pata. Asegúrelo con los

tornillos dorados largos 1.

Lower board (E)

Unterseite (E)

Panneau inférieur (E)

Panel inferior (E)

Backboard (D)

Rückseite (D)

Panneau arrière (D)

Panel de fondo (D)

Main unit (A)

Haupteinheit (A)

Appareil principal (A)

Unidad principal (A)

Left sideboard (B)

Linkes Seitenteil (B)

Panneau latéral gauche (B)

Panel lateral izquierdo (B)

Right sideboard (C)

Rechtes Seitenteil (C)

Panneau latéral droit (C)

Panel lateral derecho (C)

Left leg (F)

Linkes Bein (F)

Pied gauche (F)

Pata izquierda (F)

L R

Right leg (G)

Rechtes Bein (G)

Pied droit (G)

Pata derecha (G)

Pedal cord bundled at back of board.

Pedalkabel an der Unterseite.

Cordon des pédales enroulé à l’arrière du panneau.

Cable de pedal enrollado en el reverso del panel.

Power cord (H)

Netzkabel (H)

Cordon d’alimentation (H)

Cable de alimentación (H)

Six long gold screws 1

Sechs lange goldene Schrauben 1

Six longues vis dorées 1

Seis tornillos largos de oro 1

(5✕40mm)

5 Install lower board (E).

Unravel the pedal cord bundled to the bottom of lower

board (E). Then align the ends of lower board (E) with the

right sideboard (C) and left sideboard (B). Fasten board

(E) in place with the four medium roundhead screws 2.

6 Install backboard (D).

Rest the bottom of backboard (D) on the leg ledges (on

both sides), and pivot the top of the board into place.

Fasten the upper part of the backboard to the two side-

boards using the short roundhead screws 5. Fasten the

lower part of the backboard in four places using the

tapered screws 4.

7 Set main unit (A) into place.

Lift the main unit by holding it on the bottom as shown in

the diagram. Be sure to grasp the board at least 4 inches

(10 cm) away from the sides.

8 Fasten main unit (A).

View the unit from the front, and adjust the position to the

right or left as necessary so that the overhang is equivalent

at both sides. Then, still working from the front, fasten in

place with the four medium flathead screws 3.

CLP-811/611

CLP-611 Assembly Procedure/Montage des CLP-611/CLP-611 Montage Procédure/Montaje del modelo CLP-611

5 Bringen Sie die Unterseite (E) an.

Lösen Sie dazu zunächst das Pedalkabel auf, das unten an der

Unterseite zusammengebündelt ist (E). Richten Sie dann die

Enden der Unterseite (E) mit dem rechten Seitenteil (C) und dem

linken Seitenteil (B) aus. Schrauben Sie die Unterseite schließlich

mit den vier mittleren Rundkopfschrauben 2 fest.

6 Bringen Sie die Rückseite (D) an.

Setzen Sie die Unterkante der Rückseite (D) auf die Fußvor-

sprünge (auf beiden Seitenteilen), und kippen Sie die Oberkante

der Rückseite an die Haupteinheit. Befestigen Sie die Oberkante

der Rückseite mit den kurzen Rundkopfschrauben 5 an den

beiden Seitenteilen. Befestigen Sie den unteren Teil der Rückseite

an vier Stellen mit den vier Senkkopfschrauben 4.

7 Montieren Sie die Haupteinheit (A).

Heben Sie die Haupteinheit an, indem Sie darunter greifen, wie in

der Abbildung gezeigt. Achten Sie darauf, das Teil mindestens 10

cm von den Seiten entfernt zu greifen.

8 Befestigen Sie die Haupteinheit (A).

Betrachten Sie das Gerät von vorn, und schieben Sie es in die

Position, in der der Überhang an den linken und rechten Seiten

gleich ist. Schrauben Sie, immer noch von vorn, die Haupteinheit

mit den vier mittleren Flachkopfschrauben 3 fest.

Four medium roundhead screws 2

Vier mittlere Rundkopfschrauben 2

Quatre vis moyennes à tête ronde 2

Cuatro tornillos medianos de cabeza redonda 2

(6✕20mm)

Four tapered screws 4

Vier Senkkopfschrauben 4

Quatre vis pointues 4

Cuatro tornillos cónicos 4

(4✕20mm)

Two short roundhead screws 5

Zwei kurze Rundkopfschrauben 5

Deux petites vis à tête ronde 5

Dos tornillos cortos de cabeza redonda 5

(4✕12mm)

Four medium flathead screws 3

Vier mittlere Flachkopfschrauben 3

Quatre vis moyennes à tête plate 3

Cuatro tornillos medianos de cabeza plana 3

(6✕20mm)

CLP-811/611

CLP-611 Assembly Procedure/Montage des CLP-611/CLP-611 Montage Procédure/Montaje del modelo CLP-611

5 Installer le panneau inférieur (E)

Défaire en premier lieu le cordon de la pédale fixé à la partie

inférieure (E). Aligner ensuite les extrémités de la partie

inférieure (E) sur les extrémités de la partie latérale droite (C) et

de la partie latérale gauche (B). Finalement, visser en place à

l’aide des quatre vis moyennes à tête ronde 2.

6 Installer le panneau arrière (D)

Reposer le bas du panneau arrière (D) sur le rebord des pieds (des

deux panneaux latéraux) et faire pivoter le dessus du panneau

pour le mettre en place. Fixer la partie supérieure du panneau

arrière aux deux panneaux latéraux à l’aide des petites vis à tête

ronde 5. Attacher la partie inférieure du panneau arrière à quatre

endroits à l’aide des vis pointues 4.

7 Installer la partie principale (A)

Soulever la partie principale, en la soutenant par le fond comme

illustré sur le diagramme. Toujours veiller à saisir le panneau à

au moins 10 cm des extrémités.

8 Fixer la partie principale.

Regarder l’appareil de face et régler sa position vers la droite ou

vers la gauche pour que la partie principale dépasse de manière

identique à gauche et à droite. Ensuite, continuer de travailler de

face et visser les quatre vis moyennes à tête plate 3.

5 Instale el panel inferior (E).

Desenrolle el cable del pedal fijado en la base del panel inferior

(E). Seguidamente, alinee los bordes del panel inferior (E) con

los paneles laterales derecho (C) e izquierdo (B). Acople el panel

(E) con los cuatro tornillos medianos de cabeza redonda 2.

6 Instale el panel de fondo (D).

Apoye la base del panel de fondo (D) sobre los rebordes de las

patas (en ambos lados), y gire la parte superior del panel para

colocarlo en su posición. Asegure la parte alta del panel de fondo

a los dos laterales empleando los tornillos cortos de cabeza

redonda 5. Atornille la parte baja del panel de fondo a cuatro

puntos empleando los tornillos cónicos 4.

7 Instale la unidad principal (A).

Levante la unidad principal, sosteniéndola por la base como se

muestra en la ilustración. Procure sujetar el panel como mínimo a

10 cm de los bordes.

8 Asegure la unidad principal (A) en su posi-

ción.

Sitúese delante de la unidad y ajuste los laterales derecho e

izquierdo de forma que el saliente sea equidistante por ambos

lados. A continuación, y también desde la parte frontal, asegúre-

los en su posición con los cuatro tornillos medianos de cabeza

plana 3.

At least 4 inches (10 cm)

Mindestens 10 cm

Minimum 10 cm

Mínimo 10 cm

AC INLET

Two cord clamps 6

Zwei Kabelhalter 6

Deux pinces de fixation pour câbles 6

Dos bridas de cable 6

9 Connect up the pedal cord and power cord.

Hold the pedal-cord connector so that the hook is facing

away from the backboard, and plug it into the main unit.

Then adhere the two cord clamps 6 to the backboard at

the locations shown in the diagram. Set the pedal cord

securely into the clamps. Finally, connect the power cord

(F) to the main unit.

0 Extend the adjuster.

Turn the adjuster so that it is set firmly against the floor.

A Set the voltage selector (if applicable),

and plug the power cord into a standard

wall outlet.

If your unit is equipped with a voltage selector, make sure

that the value is set to the voltage level used in your area

(110V, 127V, 220V or 240V). To change the setting, turn

the selector (with a screwdriver) so that the appropriate

value is aligned with the pointer on the panel. Note that

the selector is set to 240V at time of shipment.

After completing the adjustment, you can plug the cord

into a wall outlet. In some areas you may need to attach a

(supplied) adaptor to the plug to enable connection to the

standard local outlet.

■ After completing the assembly, please

check as follows.

• Are there any parts left over?

➔ Review the assembly procedure and correct any errors.

• Is the Clavinova clear of doors and other movable fixtures?

➔ Move the Clavinova to an appropriate location.

• Does the Clavinova make a rattling noise when you shake

it?

➔ Tighten all screws.

• Does the lower board rattle or give way when you step on

the pedals?

➔ Turn the adjuster so that it is set firmly against the floor.

• Are the pedal and power cords inserted securely into the

inlets?

➔ Check the connections.

• If the main unit creaks or is otherwise unsteady when you

play on the keyboard, refer to the assembly diagrams and

retighten all screws.

CLP-811/611

CLP-611 Assembly Procedure/Montage des CLP-611/CLP-611 Montage Procédure/Montaje del modelo CLP-611

9 Schließen Sie das Pedalkabel und das Netz-

kabel an.

Halten Sie den Stecker des Pedalkabels so, daß der Haken zur

Tastenseite weist, und stecken Sie ihn an die Haupteinheit.

Bringen Sie dann die beiden Kabelhalter 6 an der Rückseite an

den in der Abbildung gezeigten Positionen an. Stecken Sie das

Pedalkabel sicher in die Kabelhalter. Stecken Sie zum Schluß das

Netzkabel (F) an die Haupteinheit.

0 Ziehen Sie den Höhenversteller heraus.

Drehen Sie den Höhenversteller so, daß er fest gegen den

Fußboden drückt.

A Stellen Sie den Spannungsumschalter ein

(wenn nötig), und stecken Sie dann das

Netzkabel in eine Netzsteckdose.

Wenn Ihr Gerät mit einem Spannungsumschalter ausgestattet ist,

vergewissern Sie sich, daß der eingestellte Wert auf die

Versorgungsspannung Ihrer Gegend eingestellt ist (110 V, 127 V,

220 V oder 240 V). Um die Einstellung zu ändern, drehen Sie den

Schalter (mit einem Schraubendreher), so der korrekte Wert mit

dem Zeiger auf dem Panel übereinstimmt. Beachten Sie, daß der

Schalter zur Zeit der Auslieferung auf 240 V eingestellt ist.

Wenn Sie die Einstellung vorgenommen haben, können Sie das

Kabel in eine Netzsteckdose stecken. In einigen Gegenden

müssen Sie evtl. einen (mitgelieferten) Adapter am Stecker

anbringen, um diesen in die Netzsteckdose einstecken zu können.

■ Wenn der Zusammenbau beendet ist, prüfen

Sie bitte folgende Dinge:

• Sind Teile übrig geblieben?

➔ Gehen Sie den Vorgang des Zusammenbaus noch einmal durch

und korrigieren Sie eventuelle Fehler.

• Befindet sich das Clavinova weit genug von Türen und anderen be-

weglichen Vorrichtungen entfernt?

➔ Bewegen Sie das Clavinova an einen entsprechend sicheren

Ort.

• Macht das Clavinova Klappergeräusche, wenn Sie es schütteln?

➔ Ziehen Sie alle Schrauben fest.

• Klappert die Unterseite oder gibt sie nach, wenn Sie das Pedal tre-

ten?

➔ Drehen Sie den Höhenversteller, bis er fest auf dem Fußboden

steht.

• Sind Pedal- und Netzkabel richtig an den Buchsen angeschlossen?

➔ Prüfen Sie die Verbindung.

• Wenn die Haupteinheit knarrt oder beim Spielen wackelt, betrach-

ten Sie die Abbildungen und ziehen Sie alle Schrauben noch einmal

nach.

0 A

240

127

110

220

CLP-811/611

CLP-611 Assembly Procedure/Montage des CLP-611/CLP-611 Montage Procédure/Montaje del modelo CLP-611

9 Raccorder le cordon des pédales et le cordon

d’alimentation

Tenir la fiche du cordon des pédales de telle sorte que le crochet

soit tourné à l’opposé du panneau arrière et la brancher dans la

partie principale. Appliquer ensuite les deux pinces de fixation du

cordon 6 sur le panneau arrière aux emplacements marqués sur

le diagramme. Faire passer le cordon des pédales fermement dans

les pinces de fixation. Finalement, raccorder le cordon d’alimen-

tation (F) à la partie principale.

0 Etendre le stabilisateur

Tourner le stabilisateur afin qu’il repose fermement sur le sol.

A Régler le sélecteur de tension (le cas échéant)

et brancher le cordon d’alimentation dans une

prise secteur normale.

Si votre appareil est équipé d’un sélecteur de tension, toujours

s’assurer qu’il est bien positionné sur la tension en vigueur dans

votre région (110V, 127V, 220V ou 240V). Pour modifier le

réglage, tourner le sélecteur (à l’aide d’un tournevis) de sorte que

la valeur souhaitée s’aligne sur le pointeur du panneau. Le

sélecteur est réglé sur 240V à la sortie d’usine.

Après avoir effectué les réglages, vous pouvez brancher le cordon

dans une prise secteur. Dans certaines régions, vous devrez peut-

être relier la fiche à un adaptateur (fourni) pour pouvoir raccorder

le Clavinova à une prise secteur locale.

■ Lorsque le montage est terminé, veuillez

mener à bien les vérifications suivantes.

• Reste-t-il des pièces non utilisées?

➔ Passer en revue la procédure de montage et corriger toute

erreur éventuelle.

• Le Clavinova est-il placé à l’écart des portes et de toute autre

structure mobile?

➔ Déplacer le Clavinova vers un emplacement approprié.

• Lorsque vous secouez quelque peu le Clavinova, entendez-vous

un cliquetis?

➔ Serrer convenablement toutes les vis.

• Le panneau inférieur fait-il du bruit ou s’écarte-t-il lorsque vous

appuyez sur les pédales?

➔ Tourner le stabilisateur de sorte que le Clavinova repose

fermement sur le sol.

• Les cordons des pédales et d’alimentation sont-ils bien enfoncés

dans les prises?

➔ Vérifier toutes les connexions.

• Si la partie principale de l’appareil craque ou est instable lorsque

vous jouez sur le clavier, consulter les diagrammes de montage et

resserrer toutes les vis.

9 Conecte el cable del pedal y el cable de

alimentación.

Sostenga el conector del pedal del cable de manera que el gancho

quede orientado en sentido contrario al panel de fondo, y

conéctelo a la unidad principal. Después adhiera las dos bridas de

cable 6 al panel de fondo, en las posiciones indicadas en el

dibujo. Asegure con decisión el cable del pedal a las bridas. Por

último, conecte el cable de alimentación (F) a la unidad principal.

0 Regule el estabilizador.

Gire el estabilizador hasta que apoye firmemente sobre el suelo.

A Ajuste el selector de tensión (si es necesario),

y conecte el cable de alimentación a una toma

mural estándar.

Si la unidad está provista de un selector de tensión, asegúrese de

que coincide con la tensión de red de su localidad (110 V, 127 V,

220 V o 240 V). Para cambiar el ajuste, gire el selector (con un

destornillador) hasta que la aguja del panel esté alineada con el

valor adecuado. Observe que el selector viene ajustado a 240 V

en el momento de salir de fábrica.

Una vez realizado el ajuste, puede conectar el cable de

alimentación a una toma mural. En algunas zonas quizás sea

necesario acoplar un adaptador (incluido con el equipo) al

enchufe para poder conectarlo a la toma mural.

■ Cuando haya concluido el montaje,

compruebe los siguientes puntos:

• ¿Ha quedado alguna pieza sin instalar?

➔ Revise el procedimiento de montaje y corrija cualquier error

que se haya podido cometer.

• ¿Está el Clavinova alejado del recorrido de puertas y muebles?

➔ Traslade el Clavinova a una posición adecuada.

• ¿Suena algún ruido de holgura cuando se mueve el Clavinova?

➔ Apriete con firmeza todos los tornillos.

• ¿Vibra o cede el panel inferior cuando se pisan los pedales?

➔ Gire el estabilizador hasta que apoye firmemente sobre el

suelo.

• ¿Están perfectamente insertados los cables de pedal y alimenta-

ción en los conectores?

➔ Revise las conexiones.

• Si la unidad principal cruje o presenta algún signo de inestabilidad

cuando se toca el teclado, consulte los esquemas de montaje y

vuelva a apretar todos los tornillos.

FCC INFORMATION (U.S.A.)

1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!

This product, when installed as indicated in the instructions con-

tained in this manual, meets FCC requirements. Modifications not

expressly approved by Yamaha may void your authority, granted

by the FCC, to use the product.

2. IMPORTANT: When connecting this product to accessories and/

or another product use only high quality shielded cables. Cable/s

supplied with this product MUST be used. Follow all installation

instructions. Failure to follow instructions could void your FCC

authorization to use this product in the USA.

3. NOTE: This product has been tested and found to comply with

the requirements listed in FCC Regulations, Part 15 for Class “B”

digital devices. Compliance with these requirements provides a

reasonable level of assurance that your use of this product in a

residential environment will not result in harmful interference with

other electronic devices. This equipment generates/uses radio

frequencies and, if not installed and used according to the instruc-

tions found in the users manual, may cause interference harmful

to the operation of other electronic devices. Compliance with FCC

regulations does not guarantee that interference will not occur in

all installations. If this product is found to be the source of inter-

ference, which can be determined by turning the unit “OFF” and

“ON”, please try to eliminate the problem by using one of the

following measures:

Relocate either this product or the device that is being affected by

the interference.

Utilize power outlets that are on different branch (circuit breaker

or fuse) circuits or install AC line filter/s.

In the case of radio or TV interference, relocate/reorient the an-

tenna. If the antenna lead-in is 300 ohm ribbon lead, change the

lead-in to co-axial type cable.

If these corrective measures do not produce satisfactory results,

please contact the local retailer authorized to distribute this type

of product. If you can not locate the appropriate retailer, please

contact Yamaha Corporation of America, Electronic Service Divi-

sion, 6600 Orangethorpe Ave, Buena Park, CA90620

The above statements apply ONLY to those products distributed

by Yamaha Corporation of America or its subsidiaries.

* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.

• This applies only to products distributed by Yamaha-Kemble Music (U.K.) Ltd.

IMPORTANT NOTICE FOR THE UNITED KINGDOM

Connecting the Plug and Cord

IMPORTANT. The wires in this mains lead are coloured in accor-

dance with the following code:

BLUE : NEUTRAL

BROWN : LIVE

As the colours of the wires in the mains lead of this apparatus may

not correspond with the coloured makings identifying the terminals

in your plug proceed as follows:

The wire which is coloured BLUE must be connected to the termi-

nal which is marked with the letter N or coloured BLACK.

The wire which is coloured BROWN must be connected to the

terminal which is marked with the letter L or coloured RED.

Making sure that neither core is connected to the earth terminal of

the three pin plug.

CAUTION: TO PREVENT ELECTRIC SHOCK, MATCH WIDE

BLADE OF PLUG TO WIDE SLOT, FULLY INSERT.

ATTENTION: POUR ÉVITER LES CHOCS ÉLECTRIQUES,

INTRODUIRE LA LAME LA PLUS LARGE DE LA FICHE DANS LA

BORNE CORRESPONDANTE DE LA PRISE ET POUSSER JUSQU’AU

FOND.

• This applies only to products distributed by Yamaha Canada Music Ltd.

• Ceci ne s’applique qu’aux produits distribués par Yamaha Canada Musique Ltée.

WARNING- When using any electrical or electronic prod-

uct, basic precautions should always be followed. These pre-

cautions include, but are not limited to, the following:

1. Read all Safety Instructions, Installation Instructions,

Special Message Section items, and any Assembly Instructions

found in this manual BEFORE marking any connections, in-

cluding connection to the main supply.

2. Main Power Supply Verification: Yamaha products are

manufactured specifically for the supply voltage in the area

where they are to be sold. If you should move, or if any doubt

exists about the supply voltage in your area, please contact

your dealer for supply voltage verification and (if applicable)

instructions. The required supply voltage is printed on the

name plate. For name plate location, please refer to the graphic

found in the Special Message Section of this manual.

3. This product may be equipped with a polarized plug

(one blade wider than the other). If you are unable to insert the

plug into the outlet, turn the plug over and try again. If the

problem persists, contact an electrician to have the obsolete

outlet replaced. Do NOT defeat the safety purpose of the plug.

4. Some electronic products utilize external power sup-

plies or adapters. Do NOT connect this type of product to any

power supply or adapter other than one described in the owners

manual, on the name plate, or specifically recommended by

Yamaha.

5. WARNING: Do not place this product or any other

objects on the power cord or place it in a position where any-

one could walk on, trip over, or roll anything over power or

connecting cords of any kind. The use of an extension cord is

not recommended! If you must use an extension cord, the

minimum wire size for a 25' cord (or less) is 18 AWG. NOTE:

The smaller the AWG number, the larger the current handling

capacity. For longer extension cords, consult a local electri-

cian.

6. Ventilation: Electronic products, unless specifically

designed for enclosed installations, should be placed in loca-

tions that do not interfere with proper ventilation. If instruc-

tions for enclosed installations are not provided, it must be

assumed that unobstructed ventilation is required.

7. Temperature considerations: Electronic products

should be installed in locations that do not significantly con-

tribute to their operating temperature. Placement of this prod-

uct close to heat sources such as; radiators, heat registers and

other devices that produce heat should be avoided.

8. This product was NOT designed for use in wet/damp loca-

tions and should not be used near water or exposed to rain. Exam-

ples of wet/damp locations are; near a swimming pool, spa, tub,

sink, or wet basement.

9. This product should be used only with the components

supplied or; a cart, rack, or stand that is recommended by the

manufacturer. If a cart, rack, or stand is used, please observe all

safety markings and instructions that accompany the accessory

product.

10. The power supply cord (plug) should be disconnected from

the outlet when electronic products are to be left unused for ex-

tended periods of time. Cords should also be disconnected when

there is a high probability of lightening and/or electrical storm

activity.

11. Care should be taken that objects do not fall and liquids are

not spilled into the enclosure through any openings that may exist.

12. Electrical/electronic products should be serviced by a

qualified service person when:

a. The power supply cord has been damaged; or

b. Objects have fallen, been inserted, or liquids have been

spilled into the enclosure through openings; or

c. The product has been exposed to rain: or

d. The product dose not operate, exhibits a marked change

in performance; or

e. The product has been dropped, or the enclosure of the

product has been damaged.

13. Do not attempt to service this product beyond that de-

scribed in the user-maintenance instructions. All other servicing

should be referred to qualified service personnel.

14. This product, either alone or in combination with an ampli-

fier and headphones or speaker/s, may be capable of producing

sound levels that could cause permanent hearing loss. DO NOT

operate for a long period of time at a high volume level or at a

level that is uncomfortable. If you experience any hearing loss or

ringing in the ears, you should consult an audiologist.

IMPORTANT: The louder the sound, the shorter the time period

before damage occurs.

15. Some Yamaha products may have benches and/or acces-

sory mounting fixtures that are either supplied as a part of the

product or as optional accessories. Some of these items are de-

signed to be dealer assembled or installed Please make sure that

benches are stable and any optional fixtures (where applicable) are

well secured BEFORE using. Benches supplied by Yamaha are

designed for seating only. No other uses are recommended.

INFORMATION RELATING TO PERSONAL INJURY, ELECTRICAL SHOCK,

AND FIRE HAZARD POSSIBILITIES HAS BEEN INCLUDED IN THIS LIST.

IMPORTANT SAFETY INSTRUCTIONS

PLEASE KEEP THIS MANUAL

92-469-2

IMPORTANT

Check your power supply

Make sure that your local AC mains voltage matches the

voltage specified on the name plate on the bottom panel. In

some areas a voltage selector may be provided on the bottom

panel of the main keyboard unit near the power cord. Make

sure that the voltage selector is set for the voltage in your area.

The voltage selector is set at 240V when the unit is initially

shipped. To change the setting use a “minus” screwdriver to

rotate the selector dial so that the correct voltage appears next

to the pointer on the panel.

WICHTIG

Überprüfung der Stromversorgung

Vergewissern Sie sich vor dem Anschließen an das Stromnetz,

daß die örtliche Netzspannung den Betriebsspannungswerten

auf dem Typenschild an der Unterseite des Instruments

entspricht. In bestimmten Verkaufsgebieten ist das Instrument

mit einem Spannungswähler an der Unterseite neben der

Netzkabeldurchführung ausgestattet. Falls vorhanden, muß der

Spannungswähler auf die örtliche Netzspannung eingestellt

werden. Der Spannungswähler wurde werkseitig auf 240 V

voreingestellt. Zum Verstellen drehen Sie den Spannungsregler

mit einem Schlitzschraubendreher, bis der Zeiger auf den

korrekten Spannungswert weist

IMPORTANT

Contrôler la source d’alimentation

Vérifiez que la tension spécifiée sur le panneau arrière

correspond à la tension du secteur. Dans certaines régions,

l’instrument peut être équipé d’un sélecteur de tension situé sur

le panneau inférieur du clavier à proximité du cordon d’alimen-

tation. Vérifiez que ce sélecteur est bien réglé en fonction de

la tension secteur de votre région. Le sélecteur de tension est

réglé sur 240 V au départ d’usine. Pour modifier ce réglage,

utilisez un tournevis à lame plate pour tourner le sélecteur afin

de mettre l’indication correspondant à la tension de votre

région vis à vis du repère triangulaire situé sur le panneau.

IMPORTANTE

Verifique la alimentación de corriente

Asegúrese de que tensión de alimentación de CA de su área

corresponde con la tensión especificada en la placa de

características del panel inferior de la unidad del teclado

principal, cerca del cable de alimentación. Asegúrese de que

el selector de tensión esté ajustado a la tensión de su área. El

selector de tensión se ajusta a 240V cuando la unidad sale de

fábrica. Para cambiar el ajuste, emplee un destornillador de

cabeza “recta” para girar el selector de modo que aparezca la

tensión correcta al lado del indicador del panel.

VU29860 604CRCP3.3-01A0 Printed in Japan

Yamaha CLP-811 Handleiding

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