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5 LFO1/2LFO1/2
Waveform buttons
Selects the waveform of the LFO.
Sine wave
Triangle wave
Sawtooth wave
Sawtooth wave (negative polarity)
Square wave
Random wave
Trapezoidal wave
Sample & Hold wave (one time per
cycle, LFO value is changed)
Chaos wave
Modied sine wave. The amplitude
of asine wave is randomly varied
once eachcycle.
A waveform generated by the data
specied by LFO Step 1–16. This
produces stepped change with
a xed pattern similar to a step
modulator.
[TEMPO SYNC] button
Set this ON if you want the LFO rate to synchronize with
the tempo.
[KEY TRIGGER] button
Species whether the LFO cycle will be synchronized to
begin when the key is pressed (ON) or not (OFF).
RATE
If Rate Sync is OFF, this species the LFO rate independently
of the tempo. Increasing this value shortens the cycle
of the LFO.
If Rate Sync is ON, this species the LFO rate as a note value.
DELAY TIME
Species the time elapsed before the LFO eect is applied
(the eect continues) after the key is pressed (or released).
* After referring to “How to Apply the LFO, change the
setting until the desired eect is achieved.
FADE TIME
Species the time over which the LFO amplitude will reach
the maximum (minimum).
* After referring to “How to Apply the LFO, change the
setting until the desired eect is achieved.
OFFSET
Raises or lowers the LFO waveform relative to the central
value (pitch or cuto frequency). Positive (+) value will
move the waveform so that modulation will occur from
the central value upward. Negative (-) value will move the
waveform so that modulation will occur from the central
value downward.
PARTIAL 1–4 [L] button
Turn each partial on/o.
* These are shown only in the module layout.
[LFO 1] [LFO 2] buttons
Select the LFO that is shown in the screen.
If STEP is selected for LFO
[TEMPO SYNC] button
Set this ON if you want the LFO rate to synchronize with
the tempo.
[KEY TRIGGER] button
Species whether the LFO cycle will be synchronized to
begin when the key is pressed (ON) or not (OFF).
RATE
If Rate Sync is OFF, the LFO rate is specied independently
of the tempo. Increasing this value shortens the cycle
of the LFO.
If Rate Sync is ON, this species the LFO rate as a note
value.
DELAY TIME
Species the time elapsed before the LFO eect is applied
(the eect continues) after the key is pressed (or released).
* After referring to “How to Apply the LFO, change the
setting until the desired eect is achieved.
FADE TIME
Species the time over which the LFO amplitude will reach
the maximum (minimum).
* After referring to “How to Apply the LFO, change the
setting until the desired eect is achieved.
OFFSET
Raises or lowers the LFO waveform relative to the central
value (pitch or cuto frequency). Positive (+) value will
move the waveform so that modulation will occur from
the central value upward. Negative (-) value will move the
waveform so that modulation will occur from the central
value downward.
LENGTH (upper bar)
Species the number of steps. The active steps are
highlighted.
Waveform display for each step
When you click the 9 (step number) below the waveform,
a popup appears, allowing you to select the waveform
of that step.
You can change the Step Level by dragging the waveform
up/down.
How to Apply the LFO
Apply the LFO gradually after the key is pressed
Fade Mod (Fade Mode) : ON-IN
Note on
high (more)
low (less)
Pitch
Cuto Frequency
Level
Pan
Delay
Time Fade Time
Depth
Apply the LFO immediately when the key is pressed, and then gradually begin to decrease the eect
Fade Mod (Fade Mode) : ON-OUT
high (more)
low (less)
Pitch
Cuto Frequency
Level
Pan
Note on
Delay Time Fade Time
Depth
Apply the LFO gradually after the key is released
Fade Mod (Fade Mode) : OFF-IN
high (more)
low (less)
Delay
Time Fade Time
Depth
Note
o
Note
on
Pitch
Cuto Frequency
Level
Pan
Apply the LFO from when the key is pressed until it is released, and gradually begin to decrease
the eect when the key is released
Fade Mod (Fade Mode) : OFF-OUT
Note on
high (more)
low (less)
Delay
Time Fade Time
Depth
Note o
Pitch
Cuto Frequency
Level
Pan
PRO EDIT parameters (LFO1/LFO2)
Waveform
Selects the waveform of the LFO.
SIN Sine wave
TRI Triangle wave
SAW-UP Sawtooth wave
SAW-DW Sawtooth wave (negative polarity)
SQR Square wave
RND Random wave
TRP Trapezoidal wave
S&H Sample & Hold wave (one time per
cycle, LFO value is changed)
CHS Sample & Hold wave (one time per
cycle, LFO value is changed)
VSIN
Modied sine wave. The amplitude of a
sine wave is randomly varied once each
cycle.
STEP
A waveform generated by the data
specied by LFO Step 1–16. This
produces stepped change with a xed
pattern similar to a step modulator.
Tempo Sync Sw
OFF, ON Set this ON if you want the LFO rate to
synchronize with the tempo.
Rate Note
1/64T–4
This is eective if Rate Sync is ON.
Species the LFO rate in terms of a note
value.
Rate
0–1023
This is eective if Rate Sync is OFF.
Species the LFO rate without regard
to the tempo. Higher values produce a
faster LFO rate (a shorter cycle).
Oset
-100–+100
Raises or lowers the LFO waveform
relative to the central value (pitch or
cuto frequency). Positive (+) value will
move the waveform so that modulation
will occur from the central value
upward. Negative (-) value will move
the waveform so that modulation will
occur from the central value downward.
Rate Detune
0–127
Subtly changes the LFO cycle speed
(Rate parameter) each time you press a
key.
Higher values produce greater change.
This parameter is invalid if Tempo Sync
is ON.
Delay Time
0–1023
Species the time elapsed before
the LFO eect is applied (the eect
continues) after the key is pressed (or
released).
* After referring to “How to Apply the
LFO, change the setting until the
desired eect is achieved.
Delay Time Keyfollow
-100–+100
Adjusts the value for the Delay Time
parameter depending on the key
position, relative to the C4 key (center C).
To decrease the time that elapses
before the LFO eect is applied (the
eect is continuous) with each higher
key that is pressed in the upper
registers, select a positive (+) value;
to increase the elapsed time, select
a negative (-) value. Higher values
will produce greater change. If you
do not want the elapsed time before
the LFO eect is applied (the eect is
continuous) to change according to the
key pressed, set this to “0.
0
C4C3C2C1 C5 C6 C7
-50
-100
+50
+100 Key
Time
Fade Mode
ON-IN Species how the LFO will be applied.
* After referring to “How to Apply the
LFO, change the setting until the
desired eect is achieved.
ON-OUT
OFF-IN
OFF-OUT
Fade Time
0–1023
Species the time over which the LFO
amplitude will reach the maximum
(minimum).
* After referring to “How to Apply the
LFO, change the setting until the
desired eect is achieved.
Key Trigger Sw
OFF, ON
Species whether the LFO cycle will be
synchronized to begin when the key is
pressed (ON) or not (OFF).
Pitch Depth
-100–+100
Species how deeply the LFO will aect
pitch.
* If OSC Type is other than VA, the range
is limited to -63–+63.
Filter Depth
-100–+100 Species how deeply the LFO will aect
the cuto frequency.
Amp Depth
-100–+100 Species how deeply the LFO will aect
the volume.
Pan Depth
-63–+63
Species how deeply the LFO will aect
the pan.
MEMOMEMO
Positive (+) and negative (-) value for
the Depth parameter result in diering
kinds of change in pitch and volume. For
example, if you set the Depth parameter
to a positive (+) value for one partial, and
set another partial to the same numerical
value, but make it negative (-), the
modulation phase for the two partials will
be the reverse of each other.
This allows you to shift back and forth
between two dierent partials, or combine
it with the Pan setting to cyclically change
the location of the sound image.
Phase Position
Species the LFOs starting phase value when Key
Trigger is ON.
* This has no eect if Waveform is RND, S&H, or CHS.
01 cycle
11/4 cycle
21/2 cycle
33/4 cycle
PRO EDIT parameters (STEP LFO1/STEP LFO2)
Step Length
1–16 This is eective if Waveform is STEP.
Species the step size that is looped.
Step 1-16
-72–+72
This is eective if Waveform is STEP.
Specify the Depth value of each step.
If you want to specify this in pitch scale
degrees (100 cents), the settings are as
follows.
11Pitch Depth: 51, Step: multiples of 6 … up to
one octave of change
22Pitch Depth: 74, Step: multiples of 3 … up to
two octaves of change
33Pitch Depth: 89, Step: multiples of 2 … up to
three octaves of change
* If OSC Type is not VA, the Pitch Depth
setting range is limited to -63–+63, so
only “1” above is possible.
Step Curve 1-16
0–36 Species the type of curve at each step.
& “Step curve types
Step curve types
Curve Type 0
Curve Type 1–6 (variations of square wave)
1 2
5 6
3 4
Curve Type 7–10 (variations of ascending saw)
7 8 9 10
Curve Type 11–15 (variations of descending saw)
11
15
12 13 14
Curve Type 16–19 (variations of ascending exponential)
16 17 18 19
Curve Type 20–23 (variations of descending exponential)
20 21 22 23
Curve Type 24–27 (variations of ascending charging curve)
24 25 26 27
Curve Type 28–31 (variations of descending charging curve)
28 29 30 31
Curve Type 32–36 (other variations)
32 33 34 35
36
4 OSCOSC
OSC common
OSC Type
Species the oscillator type.
[PCM]
PCM is used.
Click to open the Wave Browser.
You can use bank and category to
narrow the search results, or use
keyword search to select a wave.
[VA] A numerically calculated analog-
modeled wave is generated.
[PCM SYNC]
A PCM wave that allows an
oscillator sync eect with
STRUCTURE = SYNC is used.
[SUPER SAW] SuperSAW is used.
[NOISE] White noise is used.
PARTIAL 1–4 [L] button
Turn each partial on/o.
* These are shown only in the module layout.
[PCM]
PCM is used.
Click to open the Wave Browser. You can use bank and
category to narrow the search results, or use keyword
search to select a wave.
WAVE GAIN
Species the gain (amplitude) of the waveform.
The value will change in 6 dB (decibel) steps.
Each 6 dB increase doubles the gain.
[STEREO (L+1) ] button
Turn this on if you want to use the wave in stereo. Wave
Number R is specied automatically (the wave that follows
Wave Number L).
This turns o if you select [MONO] or if you select a wave
for R that is other than L+1.
[MONO] button
Selects monophonic performance (MONO).
Sound only the last-played key one at a time.
[VA]
A numerically calculated analog-modeled wave is
generated.
[
] Sawtooth wave
[U] Square wave
[S] Triangle wave
[R] Sine wave
[RAMP] Ramp wave
[JUNO] Modulated sawtooth wave
[S2] Triangle wave variation
[S3] Triangle wave variation
[R2] Sine wave variation
WAVE GAIN
Species the gain (amplitude) of the waveform.
The value will change in 6 dB (decibel) steps.
Each 6 dB increase doubles the gain.
PULSE WIDTH
This eect is produced when the waveform is deformed by
varying the duty cycle of the pulse width.
It is also eective with waveforms other than SQR (square
wave).
* If the value is 64, the pulse width has a 50%:50% duty
cycle.
PWM DEPTH (LFO2)
Species the amount (depth) of LFO applied to PW
(Pulse Width).
PW is modulated according to the LFO2 setting.
FAT
Boosts the low-frequency region.
INVERT
If this is ON, the phase of the VA waveform is inverted.
[PCM SYNC]
Produces the wave of the specied waveform.
PCM SYNC is eective if specied as Slave when the
structure is SYNC (the sync-modulated partial is 1 or 3).
WAVE GAIN
Species the gain (amplitude) of the waveform.
The value will change in 6 dB (decibel) steps.
Each 6 dB increase doubles the gain.
[SUPER SAW]
SuperSAW is used.
WAVE GAIN
Species the gain (amplitude) of the waveform.
The value will change in 6 dB (decibel) steps.
Each 6 dB increase doubles the gain.
SUPER SAW DETUNE
Adjusts the Detune depth for SuperSAW.
Higher values produce a deeper Detune eect.
[NOISE]
White noise is used.
WAVE GAIN
Species the gain (amplitude) of the waveform.
The value will change in 6 dB (decibel) steps.
Each 6 dB increase doubles the gain.
Wave Browser
Keyword search
Lets you use keywords (multiple selections are allowed)
to further narrow the focus of the displayed result.
WAVE list
WAVE information
Shows the category, category thumbnail, sound number,
and sound name of the selected WAVE.
Bank list
Shows a list of the banks that you own.
The contents of the bank selected here are shown in the wave
list in the center.
Multiple banks can be selected simultaneously.
5Drag to select a region.
5Click while holding down the Ctrl key (Windows).
5Click while holding down the Command key (Mac).
To de-select a currently selected bank, click it again. If no bank
is selected, All (all banks) are shown.
Category lter
Filters the WAVE list by category.
Multiple lters can be selected
simultaneously.
5Drag to select a region.
5Click while holding down the
Ctrl key (Windows).
5Click while holding down the
Command key (Mac).
“ i ” symbol
When you place the mouse cursor (mouse pointer) over
this, a list of shortcuts appears.
PRO EDIT parameters (OSC)
OSC Type
Species the oscillator type.
PCM PCM is used.
VA A numerically calculated analog-
modeled wave is generated.
PCM-Sync
A PCM wave that allows an oscillator
sync eect with STRUCTURE = SYNC is
used.
SuperSAW SuperSAW is used.
Noise White noise is used.
Wave Bank
INT_A, INT_B,
INT_C, ...
This is the bank name of the wave that
is sounded when the OSC Type is PCM.
Wave L/R
Species the wave that is sounded when OSC Type is PCM.
If using mono, specify only the left side (L). If using stereo,
specify the right side (R) as well.
If using mono, specify only Wave L and leave Wave R
at 0: OFF.
If you specify only Wave R, no sound is heard.
VA Waveform
Species the wave that is used when OSC Type is VA.
SAW Sawtooth wave
SQR Square wave
TRI Triangle wave
SIN sine wave
RAMP Ramp wave
JUNO Modulated sawtooth wave
TRI2 Triangle wave variation
TRI3 Triangle wave variation
SIN2 Sine wave variation
VA Waveform Invert Sw
OFF, ON If this is ON, the phase of the VA
waveform is inverted.
PCM-Sync Wave Name
Species the wave that is used when OSC Type is PCM-Sync.
The PCM-Sync oscillator is eective when specied as the
Slave (the sync-modulated partial 1 or 3) when Structure
is set to SYNC.
Gain
-18–+12 [dB]
Species the gain (amplitude) of the
waveform.
The value will change in 6 dB (decibel)
steps.
Each 6 dB increase doubles the gain.
Pulse Width
0–127
This eect is produced when the
waveform is deformed by varying the
duty cycle of the pulse width.
It is eective when OSC Type is VA, and
is also eective with waveforms other
than SQR (square wave).
* If the value is 64, the pulse width has
a 50%:50% duty cycle.
PWM Depth
-63–+63
Species the amount (depth) of LFO
applied to PW (Pulse Width).
PW is modulated according to the LFO2
setting.
SuperSAW Detune
0–127
Adjusts the Detune depth for SuperSAW.
Higher values produce a deeper Detune
eect.
* This is eective only when SuperSAW
is selected as the OSC Type.
Click Type
SOFT
Changes the sense of attack by varying
the position at which the sound starts.
This is available if OSC Type is VA.
However, HARD is eective only when
Waveform is TRI, TRI2, SIN, or SIN2.
HARD
NATURAL
OFF
Fat
0–127 Boosts the low-frequency region.
This is eective if OSC Type is VA.
OSC Attenuator
0–255
Species the OSC level.
255 is the reference value. If you want
only the self-oscillation of the lter to
be heard, set this to 0.
FXM Switch
OFF, ON
This sets whether FXM will be used (ON)
or not (OFF).
* FXM (Frequency Cross Modulation)
uses a specied waveform to apply
frequency modulation to the currently
selected waveform, creating complex
overtones. This is useful for creating
dramatic sounds or sound eects.
FXM Color
1–4
Species how FXM will perform
frequency modulation. Higher settings
result in a grainier sound, while lower
settings result in a more metallic sound.
FXM Depth
0–16 Species the depth of the modulation
produced by FXM.
Delay Mode
Partial Delay
This produces a time delay between the moment a key is
pressed (or released), and the moment the partial actually
begins to sound. You can also make settings that shift the
timing at which each partial is sounded.
By modifying the tonal character of the partial that is
sounded with a delay, or by modifying the pitch for each
partial, you can produce arpeggio-like performances by
pressing a single key. The partial delay time can also be
synchronized to the tempo.
If Legato Retrigger Interval is other than OFF, legato
operation occurs only when Delay Mode is NORMAL.
Also in this case, Legato Retrigger Interval operates as 0
(retriggers at each Delay Time).
NORMAL
The partial begins to play after the
time specied in the Partial Delay Time
parameter has elapsed.
Note o
Delay time
Note on
No Partial Delay
HOLD
Although the partial begins to play
after the time specied in the Partial
Delay Time parameter has elapsed,
if the key is released before the time
specied in the Partial Delay Time
parameter has elapsed, the partial is
not played.
Note o
Delay time
Note on
No sound
played
KEY-OFF-
NORMAL
Rather than being played while the key
is pressed, the partial begins to play
once the period of time specied in
the Partial Delay Time parameter has
elapsed after release of the key.
This is eective in situations such as
when simulating noises from guitars
and other instruments.
Note o
Delay time
Note on
KEY-OFF-
DECAY
Rather than being played while the key
is pressed, the partial begins to play
once the period of time specied in
the Partial Delay Time parameter has
elapsed after release of the key. Here,
however, changes in the Amp Envelope
begin while the key is pressed, which
in many cases means that only the
sound from the release portion of the
envelope is heard.
Note o
Delay time
Note on
Delay Time Sync
OFF, ON Set this ON if you want the partial delay
time to synchronize with the tempo.
Delay Time
(note)
1/64T–2
This is available when Delay Time Sync
is ON. It species the delay time in
terms of a note value.
Delay Time
0–1023
This is available when Delay Time
Sync is OFF. It species the delay time
without regard to the tempo.
Wave Tempo Sync
OFF, ON
Adjust wave playback to the tempo.
Valid only when you select a Wave with
BPM. When this feature is enabled, the
parameters associated with pitch and
FXM are disabled, and for the carrier
side of the XMOD, the XMOD eect is
disabled.
9

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