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Model SR9600 User Guide
AV Surround Receiver
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NOTE:
This equipment has been tested and found to comply
with the limits for a Class B digital device, pursuant to
Part 15 of the FCC Rules. These limits are designed to
provide reasonable protection against harmful
interference in a residential installation. This
equipment generates, uses and can radiate radio
frequency energy and, if not installed and used in
accordance with the instructions, may cause harmful
interference to radio communications. However, there
is no guarantee that interference will not occur in a
particular installation. If this equipment does cause
harmful interference to radio or television reception,
which can be determined by tuning the equipment off
and on, the user is encouraged to try to correct the
interference by one or more of the following measures:
- Reorient or relocate the receiving antenna.
- Increase the separation between the equipment
and receiver.
- Connect the equipment into an outlet on a circuit
different from that to which the receiver is
connected.
- Consult the dealer or an experienced radio/TV
technician for help.
NOTE:
Changes or modifications may cause this unit to fail
to comply with Part 15 of the FCC Rules and may
void the use’s authority to operate the equipment.
IMPORTANT SAFETY
INSTRUCTIONS
READ BEFORE OPERATING EQUIPMENT
This product was designed and manufactured to meet strict quality and safety standards. There are,
however, some installation and operation precautions which you should be particularly aware of.
1. Read these instructions.
2. Keep these instructions.
3. Heed all warnings.
4. Follow all instructions.
5. Do not use this apparatus near water.
6. Clean only with dry cloth.
7. Do not block any ventilation openings. Install in accordance with the manufacture's instructions.
8. Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus
(including amplifiers) that produce heat.
9. Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two
blades with one wider than the other. A grounding type plug has two blades and a third grounding
prong. The wide blade or the third prong are provided for your safety. If the provided plug does not fit
into your outlet, consult an electrician for replacement of the obsolete outlet.
10. Protect the power cord from being walked on or pinched particularly at plugs, convenience
receptacles, and the point where they exit from the apparatus.
11. Only use attachments/accessories specified by the manufacturer.
12. Use only with the cart, stand, tripod, bracket, or table specified by the manufacturer, or sold with the
apparatus. When a cart is used, use caution when moving the cart/apparatus combination to avoid
injury from tip-over.
13. Unplug this apparatus during lightning storms or when unused for long periods of time.
14. Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been
damaged in any way, such as power-supply cord or plug is damaged, liquid has been spilled or
objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not
operate normally, or has been dropped.
Additional Safety Information!
This product should not be placed in a built-in installation such as a bookcase or rack unless proper
ventilation is provided or the manufacturer’s instructions have been adhered to.
Apparatus shall not be exposed to dripping or splashing and that no objects filled with liquids, such
as vases, shall be placed on the apparatus.
When the switch is in the OFF position, the apparatus isn’t completely switched-off from the MAINS.
This Class B digital apparatus complies with Canadian
ICES-003.
Cet appareil numérique de la Classe B est conforme
à la norme NMB-003 du Canada.
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK,
DO NOT REMOVE COVER (OR BACK)
NO USER-SERVICEABLE PARTS INSIDE
REFER SERVICING TO QUALIFIED SERVICE PERSONNEL
The lightning flash with arrowhead symbol within an equilateral triangle is
intended to alert the user to the presence of uninsulated “dangerous voltage”
within the product’s enclosure that may be of sufficient magnitude to constitute
a risk of electric shock to persons.
The exclamation point within an equilateral triangle is intended to alert the user
to the presence of important operating and maintenance (servicing) instructions
in the literature accompanying the product.
WARNING
TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK,
DO NOT EXPOSE THIS PRODUCT TO RAIN OR MOISTURE.
CAUTION:
TO PREVENT ELECTRIC SHOCK, MATCH WIDE BLADE OF PLUG
TO WIDE SLOT, FULLY INSERT.
ATTENTION:
POUR ÉVITER LES CHOC ÉLECTRIQUES, INTRODUIRE LA
LAME LA PLUS LARGE DE LA FICHE DANS LA BORNE CORRESPONDANTE
DE LA PRISE ET POUSSER JUSQU’AU FOND.
NOTE TO CATV SYSTEM INSTALLER:
This reminder is provided to call the CATV (Cable-TV) system installer’s attention to Section 820-40 of the
NEC which provides guidelines for proper grounding and, in particular, specifies that the cable ground
shall be connected to the grounding system of the building, as close to the point of cable entry as practical.
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TABLE OF CONTENTS INTRODUCTION
Thank you for purchasing the Marantz SR9600
Surround Receiver.
This remarkable component has been engineered
to provide you with many years of home theater
enjoyment. Please take a few minutes to read this
manual thoroughly before you connect and
operate the SR9600.
As there are a number of connection and
configuration options, you are encouraged to
discuss your own particular home theater setup
with your Marantz A/V specialist dealer.
PRECAUTIONS
DO NOT LOCATE IN THE FOLLOWING PLACES
To ensure long-lasting use, do not locate the
SR9600 where it is:
Exposed to direct sunlight.
Near sources of heat such as heaters.
In highly humid or poorly ventilated environments.
Dusty.
Subjected to mechanical vibrations.
On wobbly, inclined or otherwise unstable
surfaces.
In locations such as in cramped audio racks
where radiated heat is blocked. To ensure
proper heat radiation, ensure the below
clearance from walls and other equipment.
INTRODUCTION.................................. 1
PRECAUTIONS ................................... 1
DESCRIPTION..................................... 2
FEATURES .......................................... 4
ACCESSORIES ................................... 5
FRONT PANEL .................................... 6
FL DISPLAY AND INDICATOR ........................................ 7
REAR PANEL ...................................... 8
REMOTE CONTROLLER RC3200B . 10
NAMES AND FUNCTIONS ............................................ 10
LOADING BATTERIES ..................................................10
REMOTE-CONTROLLABLE RANGE ............................ 10
ACTIVATING THE RC3200B ......................................... 11
OPERATING DEVICES ................................................. 11
A/V AMP ........................................................................ 12
MULTI ROOM A/B ......................................................... 13
TUNER 1/2 .................................................................... 15
RECORDING MACROS ................................................ 15
SHOW THE SR9600 STATUS ON THE RC3200B ........ 16
WORKING WITH MODES ............................................. 17
ADJUSTING THE SETTINGS ....................................... 17
LEARNING COMMANDS .............................................. 19
RC3200B SETUP .......................................................... 20
IMPORTANT NOTICES ................................................. 20
CLEANING RC3200B .................................................... 20
HOW TO RESET THE RC3200B .................................. 20
CONNECTIONS................................. 21
SPEAKER PLACEMENT ............................................... 21
CONNECTING SPEAKERS .......................................... 21
CONNECTING AUDIO COMPONENTS ........................ 22
CONNECTING VIDEO COMPONENTS ........................ 23
ADVANCED CONNECTION .......................................... 25
CONNECTING THE REMOTE CONTROL JACKS ....... 25
CONNECTING THE ANTENNA TERMINALS ............... 26
CONNECTING FOR MULTIROOM LISTENING ........... 27
CONNECTING i.LINK COMPONENTS ......................... 28
CONNECTING OTHER EQUIPMENT ........................... 29
SETUP ............................................... 30
ONSCREEN DISPLAY MENU SYSTEM ....................... 30
1 INPUT SETUP ........................................................... 32
2 SPKR (SPEAKER) SETUP ........................................ 35
3 SURROUND SETUP ................................................. 41
4 VIDEO SETUP ........................................................... 43
5 PREFERENCE .......................................................... 44
6 ACOUSTIC EQ .......................................................... 46
7 AUDIO STATUS ......................................................... 47
BASIC OPERATION (PLAYBACK) ... 48
SELECTING AN INPUT SOURCE ................................ 48
i.LINK FUNCTION ......................................................... 48
VIDEO CONVERT ......................................................... 48
SELECTING THE SURROUND MODE ......................... 49
ADJUSTING THE MAIN VOLUME ................................ 49
ADJUSTING THE TONE (BASS & TREBLE) CONTROL ...
49
TEMPORARILY TURNING OFF THE SOUND .............. 49
USING THE SLEEP TIMER ........................................... 49
NIGHT MODE ................................................................ 50
DIALOGUE NORMALIZATION MESSAGE ................... 50
RE-EQ ........................................................................... 50
LIP.SYNC ....................................................................... 50
SURROUND MODE........................... 51
SURROUND .................................................................. 51
SOURCE DIRECT ......................................................... 51
PURE DIRECT .............................................................. 51
OTHER FUNCTION ........................... 55
VIDEO AUTO ON/OFF FUNCTION ............................... 55
AUTO VIDEO SELECTOR (AUTO VIDEO SEL) ........... 55
ATTENUATION TO ANALOG INPUT SIGNAL .............. 55
LISTENING THROUGH HEADPHONES ...................... 55
DOLBY HEADPHONE MODE ....................................... 55
VIDEO ON/OFF ............................................................. 56
DISPLAY MODE ............................................................ 56
SELECTING ANALOG AUDIO INPUT OR DIGITAL
AUDIO INPUT ........................................................... 56
RECORDING AN ANALOG SOURCE ........................... 56
7.1 CH INPUT ................................................................ 57
SPEAKER A/B ............................................................... 57
AUX2 INPUT .................................................................. 57
BASIC OPERATION (TUNER) .......... 58
LISTENING TO THE TUNER ........................................ 58
PRESET MEMORY ....................................................... 59
MULTIROOM
SYSTEM ............................................ 61
MULTIROOM PLAYBACK USING THE MULTI ROOM
OUT TERMINALS ..................................................... 61
MULTI ROOM PLAYBACK USING THE MULTI SPEAKER
TERMINALS ............................................................. 61
OPERATION OF THE MULTIROOM OUTPUTS WITH THE
REMOTE CONTROL FROM MULTI A OR B ROOM .....
62
TROUBLESHOOTING ....................... 63
HDMI .............................................................................. 64
i.LINK (AUDIO) .............................................................. 64
TECHNICAL
SPECIFICATIONS ............................. 65
DIMENSIONS .................................... 65
MULTIMULTI
SPEAKERSPEAKER
F/PF/PBANDBANDTHXTHXPURE DIRECTPURE DIRECT UPUP
DOWNDOWN
TUNINGTUNING
AUX 1 INPUTAUX 1 INPUT
RRAUDIOAUDIO
DIGITALDIGITAL S-VIDEOS-VIDEO
LLVIDEOVIDEO
POWER ON/STANDBYPOWER ON/STANDBY
VOLUMEVOLUME
UPUPDOWNDOWN
INPUT SELECTORINPUT SELECTOR
PHONESPHONES
STANDBYSTANDBY
AV SURROUND RECEIVER SR9600AV SURROUND RECEIVER SR9600
SURROUNDSURROUND
MICMIC
ENTERENTER
MENUMENU
PURE DIRECTPURE DIRECT THXTHX
7.1CH INPUT7.1CH INPUT
MODEMODE AUTOAUTO
MULTIMULTI
A/BA/B
T-MODET-MODE
MEMORYMEMORY CLEARCLEAR
DISPLAYDISPLAY
EXITEXIT
SPEAKERSSPEAKERS
MRACMRAC
AUTO TUNEAUTO TUNE
Left
8 inchs (20 cm)
or more
Above
8 inchs (20 cm)
or more
Right
8 inchs (20 cm)
or more
Rear
8 inchs (20 cm)
or more
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THX need not be activated for music, movies made
especially for TV, or shows such as sports
programming, talk shows, etc.
This is because they were originally mixed for a
small room environment.
THX and Ultra 2 are trademarks or registered
trademarks of THX Ltd. Surround EX is a jointly
developed technology of THX and Dolby
Laboratories, Inc. and is a trademark of Dolby
Laboratories, Inc. Used under authorization. All
rights reserved.
The THX Ultra2 specification provides
uncompromised 7.1 channel playback of any multi-
channel program, whether movie soundtracks or
music over the widest possible seating area.
There are an additional two processings for THX
Ultra2 as bellow.
A.S.A. (Advanced Speaker Array)
ASA is a proprietary THX technology which
processes the sound fed to 2 surround and 2
surround back speakers to provide the optimal
surround sound experience. When you set up your
home theater system using all eight speaker
outputs (Left, Center, Right, Surround Right,
Surround Back Right, Surround Back Left,
Surround Left and Subwoofer), placing the two
Surround Back speakers close together facing the
front of the room as shown in the diagram will
provide the largest sweet spot. If for practical
reasons you have to place the Surround Back
speakers apart, you will need to go to the THX
Audio Set-up screen and choose the setting that
most closely corresponds to the speaker distance,
which will re-optimize the surround sound-field.
ASA is used in two new surround modes; THX
Ultra2 Cinema, THX Music Mode and THX Games
mode.
B.G.C. (Boundary Gain Compensation)
If your chosen listening room layout (for practical or
aesthetic reasons) results in most of the listeners
being close to the rear wall, the resulting bass level
can be sufficiently reinforced by the boundary that
the overall sound quality becomes boomy. THX
Ultra2 receivers contain the BGC (Boundary Gain
Compensation) feature to provide an improved
bass balance. BGC can be selected by choosing
THX Ultra2 Subwoofer-Yes from the Boundary
Gain Compensation section of the THX Audio
setup menu.
THX Surround EXDolby DIgital Surround EX is a
joint development of Dolby Laboratories and THX
Ltd.
In a movie theater, film soundtracks that have
been encoded with Dolby Digital Surround EX
technology are able to reproduce an extra channel
which has been added during the mixing of the
program. This channel, called Surround Back,
places sounds behind the listener in addition to the
currently available front left, front center, front
right, surround right, surround left and subwoofer
channels. This additional channel provides the
opportunity for more detailed imaging behind the
listener and brings more depth, spacious
ambience and sound localization than ever before.
Movies that were created using the Dolby Digital
Surround EX technology, when released into the
home consumer market may exhibit wording to
that effect on the packaging. A list of movies
created using this technology can be found on the
Dolby web site at www.dolby.com. A list of
available DVD software titles encoded with this
technology an be found at www.thx.com.
Only receiver and controller products bearing the
THX Surround EX logo, when in the THX Surround
EX mode, faithfully reproduce this new technology
in the home. This product may also engage the
THX Surround EX mode during the playback of 5.1
channel material that is not Dolby Digital Surround
EX eocnded. In such case, the information
delivered to the Surround Back channel will be
program dependent and may or may not be very
pleasing depending on the particular soundtrack
and the tastes of the individual listener.
SURROUND EX™” is a trademark of Dolby
Laboratories. Used under authorization.
DESCRIPTION
THX
®
is an exclusive set of standards and
technologies established by the world-renowned
film production company, Lucasfilm Ltd. THX
resulted from George Lucas desire to reproduce
the movie soundtrack as faithfully as possible both
in the movie theater and in the home theater.
THX engineers developed patented technologies
to accurately translate the sound from a movie
theater environment into the home, correcting the
tonal and spatial errors that occur.
When the THX mode of the SR9600 is on, three
distinct THX technologies are automatically
added:
Re-Equalization-restores the correct tonal balance
for watching a movie in a home environment.
These sounds are otherwise mixed to be brighter
for a large movie theater. Re-EQ compensates for
this and prevents the soundtracks from being
overly bright and harsh when played in a home
theater.
Timbre Matching-filters the information going to
the surround speakers so they more closely match
the tonal characteristics of the sound coming from
the front speakers.
This ensures seamless panning between the front and
surround speakers.
Adaptive Decorrelation-slightly changes one
surround channels time and phase relationship
with respect to the other surround channel.
This expands the listening position and creates
with only two surround speakers the same
spacious surround experience as in a movie
theater with multiple surround speakers.
The Marantz SR9600 was required to pass a
rigorous series of quality and performance tests, in
addition to incorporating the technologies
explained above, in order to be THX Ultra certified
by Lucasfilm Ltd.
THX Ultra requirements cover every aspect of
performance including pre-amplifier and power
amplifier performance and operation, and
hundreds of other parameters in both the digital
and analog domain.
Movies which have been encoded in Dolby Digital,
DTS, Dolby Pro Logic, stereo and Mono will all
benefit from the THX mode when being viewed.
The THX mode should only be activated when
watching movies which were originally produced
for a movie theater environment.
DTS was introduced in 1994 to provide 5.1 channels
of discrete digital audio into home theater systems.
DTS brings you premium quality discrete
multichannel digital sound to both movies and
music.
DTS is a multichannel sound system designed to
create full range digital sound reproduction.
The no compromise DTS digital process sets the
standard of quality for cinema sound by delivering
an exact copy of the studio master recordings to
neighborhood and home theaters.
Now, every moviegoer can hear the sound exactly
as the moviemaker intended.
DTS can be enjoyed in the home for either movies
or music on of DVDs, LDs, and CDs.
DTS and DTS Digital Surround are registered
trademarks of Digital Theater Systems, Inc.
The advantages of discrete multichannel systems
over matrix are well known.
But even in homes equipped for discrete
multichannel, there remains a need for high-quality
matrix decoding. This is because of the large
library of matrix surround motion pictures available
on disc and on VHS tape; and analog television
broadcasts.
The typical matrix decoder of today derives a
center channel and a mono surround channel from
two-channel matrix stereo material. It is better than
a simple matrix in that it includes steering logic to
improve separation, but because of its mono,
band-limited surround it can be disappointing to
users accustomed to discrete multichannel.
Neo:6 offers several important improvements as
follow,
Neo:6 provides up to six full-band channels of
matrix decoding from stereo matrix material.
Users with 6.1 and 5.1 systems will derive six
and five separate channels, respectively,
corresponding to the standard home-theater
speaker layouts.
Neo:6 technology allows various sound
elements within a channel or channels to be
steered separately, and in a way which follows
naturally from the original presentation.
Neo:6 offers a music mode to expand stereo
nonmatrix recordings into the five- or six-
channel layout, in a way which does not diminish
the subtlety and integrity of the original stereo
recording.
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DTS-ES Extended Surround is a new multichannel
digital signal format developed by Digital Theater
Systems Inc. While offering high compatibility with
the conventional DTS Digital Surround format,
DTS-ES Extended Surround greatly improves the
360-degree surround impression and space
expression thanks to further expanded surround
signals. This format has been used professionally
in movie theaters since 1999.
In addition to the 5.1 surround channels (FL, FR, C,
SL, SR and LFE), DTS-ES Extended Surround also
offers the SB (Surround Back) channel for surround
playback with a total of 6.1 channels. DTS-ES
Extended Surround includes two signal formats
with different surround signal recording methods,
as DTS-ES Discrete 6.1 and DTS-ES Matrix 6.1.
DTS, DTS-ES and Neo:6 are trademarks of
Digital Theater Systems, Inc.
The stereo CD is a 16-bit medium with sampling at
44.1 kHz. Professional audio has been 20- or 24-
bit for some time, and there is increasing interest in
higher sampling rates both for recording and for
delivery into the home. Greater bit depths provide
extended dynamic range. Higher sampling rates
allow wider frequency response and the use of
anti-alias and reconstruction filters with more
favorable aural characteristics.
DTS 96/24 allows for 5.1channel sound tracks to
be encoded at a rate of 96kHz/24bits on DVD-
Video titles.
When DVD-video appeared, it became possible to
deliver 24-bit, 96 kHz audio into the home, but only
in two channels, and with serious limitations on
picture. This capability has had little use.
DVD-audio allows 96/24 in six channels, but a new
player is needed, and only analog outputs are
provided, necessitating the use of the D/A
converters and analog electronics provided in the
player.
DTS 96/24 offers the following:
1. Sound quality transparent to the original 96/24
master.
2. Full backward compatibility with all existing
decoders. (Existing decoders will output a 48
kHz signal)
3. No new player required: DTS 96/24 can be
carried on DVD-video, or in the video zone of
DVD-audio, accessible to all DVD players.
4. 96/24 5.1-channel sound with full-quality full-
motion video, for music programs and motion
picture soundtracks on DVD-video.
DTS and DTS 96/24 are trademarks of Digital
Theater Systems, Inc.
Dolby Digital identifies the use of Dolby Digital
audio coding for such consumer formats as DVD
and DTV. As with film sound, Dolby Digital can
provide up to five full-range channels for left,
center, and right screen channels, independent left
and right surround channels, and a sixth (.1)
channel for low-frequency effects.
Dolby Surround Pro Logic II is an improved matrix
decoding technology that provides better spatiality
and directionality on Dolby Surround program
material; provides a convincing three-dimensional
soundfield on conventional stereo music
recordings; and is ideally suited to bring the
surround experience to automotive sound. While
conventional surround programming is fully
compatible with Dolby Surround Pro Logic II
decoders, soundtracks will be able to be encoded
specifically to take full advantage of Pro Logic II
playback, including separate left and right surround
channels. (Such material is also compatible with
conventional Pro Logic decoders.)
Dolby Digital EX creates six full-bandwidth output
channels from 5.1-channel sources. This is done
using a matrix decoder that derives three surround
channels from the two in the original recording.
For best results, Dolby Digital EX should be used
with movies soundtracks recorded with Dolby
Digital Surround EX.
About Dolby Pro Logic
II
x
Dolby Pro Logic IIx technology delivers a natural
and immersing 7.1-channel listening experience to
the home theater environment. A product of
Dolby's expertise in surround sound and matrix
decoding technologies, Dolby Pro Logic IIx is a
complete surround sound solution that maximizes
the entertainment experience from stereo as well
as 5.1-channel encoded sources.
Dolby Pro Logic IIx is fully compatible with Dolby
Surround Pro Logic technology and can optimally
decode the thousands of commercially available
Dolby Surround encoded video cassettes and
television programs with enhanced depth and
spatiality. It can also process any high-quality
stereo or Advanced Resolution 5.1-channel music
content into a seamless 6.1- or 7.1-channel
listening experience.
The Dolby Headphone technology provides a
surround sound listening experience over headphones.
When listening to multichannel content such as
DVD movies over headphones, the listening
experience is fundamentally different than
listening to speakers. Since the headphone
speaker drivers are covering the pinna of the ear,
the listening experience differs greatly from
traditional speaker playback. Dolby utilizes
patented headphone perspective curves to solve
this problem and provides a non-fatiguing,
immersive, home theater listening experience.
Dolby Headphone also delivers exceptional 3D
audio from stereo material.
Manufactured under license from Dolby
Laboratories. Dolby, Pro Logic, and the double-
D symbol are trademarks of Dolby Laboratories.
Circle Surround II (CS-II) is a powerful and
versatile multichannel technology. CS-II is
designed to enable up to 6.1 multichannel surround
sound playback from mono, stereo, CS encoded
sources and other matrix encoded sources. In all
cases the decoder extends it into 6 channels of
surround audio and a LFE/subwoofer signal. The
CS-II decoder creates a listening environment that
places the listener inside music performances
and dramatically improves both hi-fi audio
conventional surround-encoded video material.
CS-II provides composite stereo rear channels to
greatly improve separation and image positioning
adding a heightened sense of realism to both audio
and A/V productions.
CS-II is packed with other useful feature like dialog
clarity (SRS Dialog) for movies and cinema-like
bass enrichment (TruBass). CS-II can enable the
dialog to become clearer and more discernable in
movies and it enables the bass frequencies
contained in the original programming to more
closely achieve low frequenciesovercoming the
low frequency limitations of the speakers by full
octave.
Circle Surround II , TruSurround XT, Dialog Clarity,
TruBass, SRS, and
symbol are trademarks
of SRS Labs, Inc.
Circle Surround II , TruSurround XT, Dialog Clarity
and TruBass technologies are incorporated under
license from SRS Labs, Inc.
HDCD
®
(High Definition Compatible Digital
®
) is a
patented process for delivering on Compact Disc
the full richness and details of the original
microphone feed.
HDCD encoded CDs sound better because they
are encoded with 20-bits of real musical
information as compared to 16-bits for all other
CDs.
HDCD overcomes the limitation of the 16-bit CD
format by using a sophisticated system to encode
the additional four bits onto the CD while remaining
completely compatible with the CD format.
When listening to HDCD recordings, you hear
more dynamic range, a focused 3-D sound stage,
and extremely natural vocal and musical timbre.
With HDCD, you get the body, depth and emotion
of the original performance not a flat, digital
imitation.
HDCD system manufactured under license from
Microsoft. This product is covered by one or more
of the following: In the United States 5,479,168
5,638,074 5,640,161 5,808,574 5,838,274
5,854,600 5,864,311 5,872,531 and in Australia
669,114 with other patents pending.
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FEATURES
The SR9600 incorporates the latest generation of
digital surround sound decoding technology such
as Dolby Digital EX, Dolby Digital, DTS ES
(Discrete 6.1 and Matrix 6.1), DTS Neo:6 (Cinema,
Music), Dolby Pro-Logic II (Movie, Music and
Game), Dolby Pro-Logic IIx (Movie, Music and
Game), Circle Surround II (Cinema, Music and
Mono).
In addition, Marantz has focused on the future. By
utilizing pre-out jacks, 7.1 direct inputs and a RS-232C
communication port, the SR9600 is tomorrows
technology, today!
• THX Ultra certified
7 ch amplifiers have enough power for even the
most difficult conditions found in large rooms.
Enormous power reserves endow the system with
substantial dynamic ability at high sound levels.
140 watts to each of the seven main channels, the
power amp section features an advanced,
premium high- storage power supply capacitors,
and fully discrete output stages housed in cast
aluminum heat sinks .
• Current feedback 7 ch amplifier
Current feedback topology combines total operational
stability with excellent frequency response, while
requiring only minimal amounts of negative feedback.
It offers excellent transient response and superb
sonic transparency.
The SR9600 incorporates the most advanced
Digital Signal Processing circuitry, along with a
192 kHz/24 bit D/A converter in each of the 7
channels. Independent power supply circuits are
incorporated for the FL display, as well as audio
and video sections for maximum separation, clarity
and dynamic range. Together with hand-selected
customized components, all elements work in
harmony to recreate the emotion, exactly as the
artist intended.
The SR9600 is designed and engineered with
extensive feedback from custom installation
experts, dealers and consumers. It features multi-
room/multisource, assignable DC triggers, a RS-
232C communication port, flasher input, IR
receiver input, 4 emitter out heavy duty speaker
binding posts and an extensive array of both
analog and digital inputs/outputs. With 9
assignable digital inputs, 4 component video
inputs, SACD multichannel (7.1 channel) direct
inputs, video convert system and a speaker B and
OSD output versatility is taken to a stunning new
level. Furthermore, the SR9600 can output the
OSD information through the Y/C (S-video) and
composite video outputs.
An easy-to-use, programmable, learning remote
control allows full access to all of the operating
functions and can be used for system operation as
well.
The new generation of Marantz Receivers is stylish
and completely symmetrical. On the front panel of
the SR9600, buttons are kept to a minimum. Source
selectors and volume controls are intuitively placed.
The SR9600 is here to perform in your unrivaled
home entertainment setup.
• i.LINK Transmission Formats
i.LINK is the generic name for the IEEE 1394 digital
interface standard of the Institute of Electrical and
Electronics Engineers. It covers the transmission of
data such as digital sound and the operation of
connected devices.
Two i.Link transmission formats are MPEG-2TS,
which is used in digital broadcasting, and DV, which is
used by DVD recorders and for digital video.
This receiver supports the i.LINK (Audio)format. Only
components that support i.LINK (Audio) can be
connected to the SR9600. i.LINK (Audio) makes it
possible to digitally transmit multichannel audio from
DVD-Audio and Super Audio CDs.
This receiver also supports flow rate control. Using a
high-precision crystal oscillator, this receiver can
convert digital signals into analog signals without
them being affected by jitter.
(i.LINK and the i.LINK logo
are trademarks of
Sony Corp.)
Copyright Protection
This receiver supports DTCP (Digital Transmission
Content Protection). DTCP protects copyrights by
authenticating and encoding data transmissions
between digital components that use i.LINK. To play
back DVD-Audio or Super Audio CDs using i.LINK,
the connected device must support DTCP. Before
connecting a component to this receiver, refer to its
instruction manual
.
• HDMI
HDMI (High-Definition Multimedia Interface) is an
enhancement to the DVI (Digital Visual Interface)
standard. It adds capabilities for digitally transmitting
audio signals in addition to video signals. Where
multiple cables were previously needed for audio/
video, HDMI enables audio/video connection via a
single cable.
The HDMI jacks of this receiver support HDMI Ver.
1.1. The multichannel signals of DVD-Audio can be
transmitted as digital signals without conversion.
Copyright Protection
This receiver supports HDCP (High-bandwidth Digital
Content Protection). HDCP is copyright protection
technology that consists of data encoding and other
device authentication. Its purpose is to protect digital
video content. Both this receiver and the connected
component (such as a video player or monitor) must
support HDCP. Before connecting a component to
this receiver, refer to its instruction manual.
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ACCESSORIES
Remote control unit RC3200B
Ex
M
S
VOL
CH
OK
Microphone MC-10
AC cable
AA-size batteries
××
××
×
3
AM loop antenna
××
××
×
2
FM feeder antenna
××
××
×
2
FM antenna adapter
××
××
×
2
RS232C cable
Front AUX jack cover
PUSH
PUSH
User guide
THX/THX Surround EX
Dolby Digital EX, Dolby Digital, DTS ES
(Discrete 6.1, Matrix 6.1, Neo:6)
Dolby Headphone
Dolby Pro Logic IIx (Movie, Music, Game)
Circle Surround II (Cinema, Music, Mono)
HDCD decording
Bi-amp drive
HDAM-SA2
Source/Pure Direct mode
9 bands x 7 ch GEQ
8 ch level meter
DSD direct conversion
DSD to PCM converter
MRAC (Marantz Room Acoustic Calibration)
Improved station name input method, 50 presets
Auto adjust function for speaker distance settings
(delay time)
Assignable 2 HDMI inputs
Assignable 2 i.LINK inputs
Lip sync. control
2 Multiroom operation
Dual AM/FM Tuner
7 x 140 Watts (8 Ohms), discrete amplifiers
High power current feedback circuitry
Massive energy power supply, huge troidal core
transformer, large ELCOs
192 kHz/24 bit DAC for all 8 channels
32 bit digital surround processing chipsets
Large heavy duty speaker terminals for all channels
Auto input signal detection
Front optical AUX input
(digital camera, portable DVD)
Main electric volume with zero-cross detection
and 0.5dB per step control
Multiroom speaker
Video off mode
Setup menu via all video output
(composite, S-video and component video)
Video conversion system
(composite video S-videocomponent video)
Auto video selector
Video auto power on/off
Two monitor outputs
RS-232C terminal for future upgrade or system
control
Assignable 4 DC trigger outputs
4 emitter outputs
Learning remote control
Flasher input, IR receiver input
Graphic display, 256 x 64 pixel
Transmit/receive remote control system
Copper plate chassis
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Notes:
When using headphones, the surround mode can
be change to STEREO or Dolby Headphone using
MENU and Cursor button.
The surround mode returns to the previous setting
as soon as the headphone plug is removed from
the jack.
r
SURROUND MODE button
You can select the surround mode by pressing this
button. (See page 49)
t
AUTO (Auto Surround) button
Press this button to select the AUTO Surround mode.
When this mode is selected, the receiver determines
the surround mode corresponding to a digital input
signal automatically.
(See page 49)
y
MULTI (Multiroom) button
Press this button to activate the Multiroom system.
ROOM A/ROOM B indicator will be illuminated in
the display. (See page 61)
q
POWER switch and STANDBY indicator
When this switch is pressed once, the unit turns ON
and the display is illuminated. When pressed again,
the unit turns OFF and the STANDBY indicator is
illuminated.
w
INPUT SELECTOR knob (AUDIO/VIDEO)
This knob is used to select the input source.
Video selectors, such as DVD, LD, TV, DSS, VCR1,
VCR2 and AUX1 select video and audio simultaneously.
Audio function sources
,
such as TAPE, CD-R, CD,
TUNER-1, TUNER-2 and AUX2 may be selected
in conjunction with the video source.
This feature (Sound Injection) combines sound
from one source with a picture from another.
Choose the video source first, then choose a
different audio source to activate this function.
e
HEADPHONE jack for stereo headphones
This jack may be used to listen to the SR9600s
output through a pair of headphones. Be certain
that the headphones have a standard 1/4 stereo
phono plug. Note that the main room speakers will
automatically be turned off when the headphone
jack is in use.
u
MULTI SPEAKER button
Press this button to activate the Multiroom
Speaker system. M-SP A/M-SP B indicator will
be illuminated in the display. (See page 61)
i
GYRO TUNING dial
Rotate this dial to change the frequency or the preset
number of the tuner.
o
AUTO TUNE button
When this button is pressed and the GYRO TUNING
dial is rotated, auto scan function of the tuner
frequency starts.
!0
T-MODE (Tuner Mode) button
Press this button to select the auto stereo mode or
mono mode when the FM band is selected.
The AUTO indicator lights in the auto stereo
mode. (See page 58)
!1
BAND button
Press this button to switch between FM and AM in
the tuner mode.
!2
F/P (Frequency/Preset) button
During reception of AM or FM, you can change the
function of the GYRO TUNING dial for scanning
frequencies or selecting preset stations by pressing
this button.
!3
CLEAR button
Press this button to cancel the station-memory
setting mode or preset scan tuning.
(See page 59)
!4
MEMORY button
Press this button to enter the tuner preset memory
numbers or station names. (See page 59)
!5
VOLUME control knob
Adjusts the overall sound level. Turning the control
clockwise increases the sound level.
!6
AUX1 INPUT jacks
These auxiliary audio/video input jacks accept the
connections of a camcorder, portable DVD, video
game system, etc. When not using these jacks,
protect with the included jack covers.
How to Attach the Front AUX Jack Cover
AU
X
1
INP
U
T
A
U
DIO
S-V
ID
E
O
DI
G
ITAL
VIDEO
L
R
U
P
PUS
H
PUSH
!7
PURE DIRECT button and indicator
When this button is pressed once, SOURCE
DIRECT appears on the FL display. If pressed again,
PURE DIRECT appears. After 2 seconds, the FL
display indication goes out.
In the source/pure direct mode, the tone control
circuitry and bass management are bypassed.
Notes:
The surround mode is automatically switched to
AUTO when the pure direct function is turned on.
• Additionally, speaker configurations are fixed
automatically as follows.
Front SPKR = LARGE
Center SPKR = LARGE
Surround SPKR = LARGE
Surround Back SPKR = LARGE
Sub woofer = YES
!8
THX button and indicator
Press this button to activate THX processing for
the input source. The THX indicator is illuminated
in the THX mode.
!9
7.1CH INPUT button
Press this button to select the output of an external
multichannel player.
@0
MENU button
Press this button to enter the OSD menu system.
@1
Cursor ( , , , )/ENTER button
Press these buttons when operating the OSD menu
system and tuner function.
@2
EXIT button
Press this button to exit from the OSD menu system.
FRONT PANEL
Front AUX Jack Cover
MULTIMULTI
SPEAKERSPEAKER
F/PF/PBANDBANDTHXTHXPURE DIRECTPURE DIRECT UPUP
DOWNDOWN
TUNINGTUNING
AUX 1 INPUTAUX 1 INPUT
RRAUDIOAUDIO
DIGITALDIGITAL S-VIDEOS-VIDEO
LLVIDEOVIDEO
POWER ON/STANDBYPOWER ON/STANDBY
VOLUMEVOLUME
UPUPDOWNDOWN
INPUT SELECTORINPUT SELECTOR
PHONESPHONES
STANDBYSTANDBY
AV SURROUND RECEIVER SR9600AV SURROUND RECEIVER SR9600
SURROUNDSURROUND
MICMIC
ENTERENTER
MENUMENU
PURE DIRECTPURE DIRECT THXTHX
7.1CH INPUT7.1CH INPUT
MODEMODE AUTOAUTO
MULTIMULTI
A/BA/B
T-MODET-MODE
MEMORYMEMORY CLEARCLEAR
DISPLAYDISPLAY
EXITEXIT
SPEAKERSSPEAKERS
MRACMRAC
AUTO TUNEAUTO TUNE
@0
@2
@4
@1
q
t y u
o
i
@7@6
!0
!3
!4
!5
!6
e
w
!7 !8
!9
@3
@5
!2!1
r
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FL DISPLAY AND INDICATOR
Note:
This indicator flashes if the input signal cannot be
detected.
¡3
DIGITAL/ANALOG input indicator
DIGITAL
This indicator is illuminated when a digital input
has been selected.
ANALOG
This indicator is illuminated when an analog input
source has been selected.
¡4
SIGNAL FORMAT and TUNER indicators
2 DIGITAL
This indicator is illuminated when a Dolby Digital
signal is input.
EX
This indicator is illuminated when a Dolby Digital
EX signal is input.
dts
This indicator is illuminated when a DTS signal is
input.
ES
This indicator is illuminated when a DTS ES signal
is input.
96/24
This indicator is illuminated when a DTS 96/24
signal is input.
PCM
This indicator is illuminated when the input signal
is PCM (pulse code modulation).
HDCD
This indicator is illuminated when the input signal
is from a HDCD.
Sampling frequency
This indicator displays the sampling frequency
when a PCM or multi channel PCM signal is input.
32, 44.1 and 48 kHz are not displayed.
SA-CD
This indicator is illuminated when the input signal
is from a SACD.
M-PCM
This indicator is illuminated when the input signal
is multi channel PCM.
AUTO
This indicator is illuminated when the tuners auto
mode is in use.
TUNED
This indicator is illuminated when a station is being
received with sufficient signal strength to provide
acceptable listening quality.
ST (Stereo)
This indicator is illuminated when an FM station is
being received in stereo.
@3
DISPLAY button
When this button is pressed, the FL display mode
is changed as follows :
Normal display
Level meter
Auto display
off
Display off
Normal display.
The display off indicator DISP is illuminated when
Display off is selected.
@4
MRAC button/MIC jack
Press this button to
automatically measure speaker
characteristics using the included microphone
(MC-10). (See page 36)
@5
SPEAKER A/B button
Press this button to select speaker system A and/or B.
@6
INFRARED receiver window
This window receives infrared signals for the
remote control unit.
@7
INFRARED transmitter window
This window transmits infrared signals for the
remote control unit.
Opening and closing the front panel door
When you want to use the controls behind the front
panel door, open the door by gently pressing on
the lower part of the panel. Keep the door closed
when not using these controls.
Caution:
Be careful not to pinch your fingers between the
door and the panel.
DIGITAL
ANALOG
i.LINK
HDMI
L
SL
dB
DVD:AT-HDMI 2
DOLBY DIGITAL EX
CR
SR
S
LFE
+18.0
ATTPEAKSPKR A
.
BMULTI A
.
B
.
SPK
SLEEP V-OFF Re-EQ NIGHT
DIGITAL
SURROUND
AUTO ST
TUNED
TUNED ST
DISP
g
s
j ¡0 ¡1 ¡3¡2f ¡4h lk
d
¡6
¡5
a
¡4
¡7¡8
¡3
When the display is OFF
Normal display
a
DISP (Display Off) indicator
This indicator is illuminated when the SR9600
display is turned off.
s
SURROUND mode / i.LINK indicator
This indicator is illuminated to show that the
surround mode is in use.
It also displays i.LINK information.(See page 28)
d
Main Information Display
This display shows messages relating to the
status, input source, tuner, audio input mode or
other aspects of units operation.
f
SLEEP timer indicator
This indicator is illuminated when the sleep timer
function in the main room is in use.
g
Multiroom system indicator
This indicator is illuminated when the multiroom
system is active.
h
V (Video)-OFF mode indicator
This indicator is illuminated when the Video off
mode is selected.
j
SPKR (Speaker) A/B indicator
This indicator displays which speaker system is
active.
k
Re-EQ indicator
This indicator is illuminated in the Re-EQ mode.
l
NIGHT mode indicator
This indicator is illuminated when the SR9600 is in
the Night mode, which reduces the dynamic range
of digital program material at low volume levels.
¡0
PEAK indicator
This indicator is a monitor for an analog audio input
signal. If the selected analog audio input signal is
greater than what the internal processor can hold,
this is illuminated If this happens, you should press
the ATT button on the remote control unit.
(See page 12)
¡1
ATT (Attenuation) indicator
This indicator is illuminated when the attenuation
function is active.
¡2
HDMI/i.LINK indicator
HDMI
This indicator is illuminated when the audio signal
input from the HDMI jacks is being played back.
i.LINK
This indicator is illuminated when the audio signal
input from the i.LINK connector is being played
back.
When operating
the SR9600 as a tuner
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t
7.1 CHANNEL or AUX2 INPUT
By connecting a DVD Audio player, Super Audio
CD multichannel player, or other components that
has a multichannel port, you can play back the
audio with 5.1 channel or 7.1 channel outputs.
y
Preamp Outputs
(L, R, SL, SR, SBL, SBR, C)
Jacks for L (front left), R (front right), C (Center), SL
(surround left), SR (surround right), SBL (surround
back left) and SBR (surround back right).
Use these jacks for connecting to external power
amplifiers.
u
Main amplifier inputs
(L, R, SL, SR, SBL, SBR, C)
When the jumper plugs that link the preamp
outputs with these inputs are removed, these jacks
may be used to connect an external source to the
internal amplifiers.
Notes:
When connecting equipment, remove the attached
jumper plugs and store them carefully so as not to
lose them.
Only remove the jumper plugs when required.
After you finish using an main amp input jack,
replace the jumper plug.
i
Subwoofer output
Connect this jack to the line level input of a powered
subwoofer.
If an external subwoofer amplifier is used, connect
this jack to the subwoofer amplifier input.
If you are using two subwoofers, either powered or
with a 2 channel subwoofer amplifier, connect a Y
connector to the subwoofer output jack and run one
cable from it to each subwoofer amplifier.
o
Multiroom outputs (Audio L&R, Video)
These are the audio and video output jacks for the
multiroom A and B systems.
Connect these jacks to optional audio power
amplifiers or video display devices to listen and
view the source selected by the multiroom A and B
systems in a remote room.
!0
SPEAKER C switch
Set to ON to connect a bi-amp to this receiver or set
to OFF for normal speaker connection (surround
back and multiroom speakers).
(See page 27)
e
VIDEO IN/OUT (DVD, LD, TV, DSS, VCR1,
VCR2/DVD-R)
These are the video inputs and outputs.
There are 6 video inputs, and 2 video outputs with
both composite video and S-video jack for each.
Connect VCRs, DVD players, and other video
components to the video inputs.
The 2 video output channels can be used to connect
VCRs for making recordings.
r
AUDIO IN/OUT (DVD, LD, TV, CD, DSS,
VCR1, VCR2/DVD-R, TAPE, CD-R/MD, CD)
These are the analog audio inputs and outputs.
There are 9 audio inputs (6 of which are linked to
video inputs) and 4 audio outputs (2 of which are
linked to video outputs). The audio jacks are
labeled for cassette tape decks, CD players, DVD
players, etc. The audio inputs and outputs require
RCA connectors.
q
DIGITAL INPUT (Dig. 1 - 8)/
OUTPUT (coaxial, optical)
These are the digital audio inputs and outputs.
There are 4 digital inputs with coaxial jacks, and 4
with optical jacks.
The inputs accept digital audio signals from a CD,
LD, DVD, or other digital source component.
For digital output, there is 1 coaxial output and 1
optical output.
The digital outputs can be connected to MD
recorders, CD recorders, DAT decks, or other
similar components.
w
i.LINK connector
Up to S400 (400 Mbps) i.LINK devices can be
connected to this receiver.
UNSWITCHED 1A 120W MAXUNSWITCHED 1A 120W MAX
SWITCHED 1A 120W MAXSWITCHED 1A 120W MAX
AC 120V 60HAC 120V 60H
ZZ
AC OUTLETSAC OUTLETS
USB AUDIOUSB AUDIO
OUTPUTOUTPUT
INPUTINPUT
--
11
(DVD)(DVD)
INPUTINPUT
--
2 2
((
DSSDSS
))
INPUTINPUT
--
11
((
DVDDVD
))
INPUTINPUT
--
3 3
((
VCR-1VCR-1
))
22
CDCD
INPUTINPUT
--
22
(DSS)(DSS)
22
11 11
22
33
4444
33
RS232CRS232C DC OUTDC OUT
EMITTER OUTEMITTER OUT
MULTI RCMULTI RC
RCRC
--
55
MONITOR OUTMONITOR OUT
11OUTOUTININOUTOUTININ
DSSDSSTVTVDVDDVD LDLD
TAPETAPE
VCR-1VCR-1
OUTPUT-2OUTPUT-2
OUTPUT-1OUTPUT-1
ININ
MAIN INMAIN IN7.1CH IN7.1CH IN
MULTI OUTMULTI OUT
SURR.SURR.
RIGHTRIGHT
SURR.SURR.
LEFTLEFT
SPEAKER SYSTEMSSPEAKER SYSTEMS
FRONT A OR B, CENTER, SURR,FRONT A OR B, CENTER, SURR,
SURR BACKSURR BACK : MINIMUM 6 OHMS : MINIMUM 6 OHMS
FRONT A AND BFRONT A AND B : MINIMUM 8 OHMS : MINIMUM 8 OHMS
CENTERCENTER
FRONT BFRONT B
RIGHTRIGHT
FRONT BFRONT B
LEFTLEFT
FRONT AFRONT A
RIGHTRIGHT
FRONT AFRONT A
LEFTLEFT
SLSL SBLSBL SLSL SRSR SBLSBL SBRSBR
SWSW
AA BB
SBRSBRSRSR
COAXCOAX
OPTOPT
88
77
66
22
55
44
33
11
DIGITALDIGITAL
ININ
DIGITALDIGITAL
OUTOUT
OUTOUT
AC INAC IN
CC
BB
//
PP
BB
CC
RR
//
PP
RR
YY
CC
BB
//
PP
BB
CC
RR
//
PP
RR
YY
CC
BB
//
PP
BB
CC
RR
//
PP
RR
YY
CC
BB
//
PP
BB
CC
RR
//
PP
RR
YY
CC
BB
//
PP
BB
CC
RR
//
PP
RR
YY
RR
LL
MODEL NO. SR9600MODEL NO. SR9600
TUNER-1TUNER-1
FM(75FM(75
))GNDGNDAMAM
FM(75FM(75
))GNDGNDAMAM
TUNER-2TUNER-2
CLASS 2 WIRINGCLASS 2 WIRING
((
AUDIOAUDIO
))
S400S400
S400S400
INPUTINPUT
--
4 4
((
VCR-2VCR-2
//
DVD-RDVD-R
))
VCR-2VCR-2
//
DVD-RDVD-R
ININ
CD-RCD-R
//
MDMD
OUTOUT
RR
LL
((
AUX 2AUX 2
))
CC
AUDIOAUDIO
PRE OUTPRE OUT
LL RR CC
AUDIOAUDIO
SWSW
VIDEOVIDEO
S-VIDEOS-VIDEO
RR
LL
MULTI OUTMULTI OUT
VIDEOVIDEO
AA BB
COMPONENTCOMPONENT
VIDEOVIDEO
HDMIHDMI
Ver 1.1Ver 1.1
FLASHERFLASHER RECEIVERRECEIVER
ININININ
IRIR
OUTOUT
ININ
SURR.BACKSURR.BACK
/MULTI SPK./MULTI SPK.
/SPK. C/SPK. C
RIGHTRIGHT
SURR.BACKSURR.BACK
/MULTI SPK./MULTI SPK.
/SPK. C/SPK. C
LEFTLEFT
ONON
OFFOFF
SPEAKER CSPEAKER C
qw y o!1t u i !2e
r
!3
!7!8@2@3@4 !9@1 !4!5
@0
@5
!6
!0
REAR PANEL
¡5
SIGNAL FORMAT indicators
2 SURROUND
This indicator is illuminated when a Dolby
Surround signal is input.
MATRIX
This indicator is illuminated when a Matrix 6.1
Surround signal is input.
DISCRETE
This indicator is illuminated when a Discrete ES +
Discrete 6.1 Surround signal is input.
DUAL MONO
This indicator is illuminated when a Dolby Digital or
DTS dual mono signal is input.
NO AUDIO
This indicator is illuminated when the input signal
is PCM NO AUDIO.
¡6
ENCODED CHANNEL STATUS indicators
These indicators display the channels that are
encoded with a digital input signal.
If the selected digital input signal is Dolby Digital
5.1 ch or DTS 5.1 ch, L, C, R, SL, SR and
LFE will be illuminated.
If the digital input signal is 2 channel PCM-audio,
L and R will be displayed. If Dolby Digital 5.1 ch
signal with a Surround EX flag or DTS-ES signal
comes in, L, C, R, SL, S , SR and LFE
will be illuminated.
When playing back a disk such as an SA-CD or
DVD-Audio disk, the actual audio and display may
not match with some DVD players.
¡7
VOLUME indicator
The volume level is indicated as a bar graph and
numerically in decibels.
¡8
HDMI / HDMI THR
indicator
HDMI
This indicator is illuminated when HDMI AUDIO is
set to ENABLE and an HDMI device is
connected to the SR9600.
HDMI THR
This indicator is illuminated when HDMI AUDIO is
set to THROUGH and an HDMI device is
connected to the SR9600.(See page 44)
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SELECTING THE SURROUND MODE
Using the SR9600
To select the auto surround mode during playback,
press the AUTO button on the front panel.
To add the THX effect to the Auto Surround mode,
press the THX button on the front panel.
To select a specific surround mode, press the
SURROUND MODE button on the front panel.
Using the remote control unit
To select the auto surround mode, tap the A/V
Amp and press the page up button until page 2/8
is displayed. Tap the AUTO.
To add the THX effect to the Auto Surround mode,
tap the THX mode button on page 2/8 of the
remote control unit.
To select a specific surround mode, tap the mode
button on pages 2/8 to 4/8 on the remote control
unit.
ADJUSTING THE MAIN VOLUME
Adjust the volume to a comfortable level using the
VOLUME control knob on the front panel or the
VOL
/ buttons on the remote control unit.
To increase the volume, turn the VOLUME knob
clockwise or press VOL button on the remote
control unit, and to decrease the volume, turn
counterclockwise or press VOL button on the
remote control unit.
Notes:
The volume can be adjusted within the range of
to +18 dB, in 0.5 dB.
However, when the channel level is set as described
on page 39, if the volume for any channel is set at
+1 dB or greater, the volume cannot be adjusted up
to 18 dB.
(In this case the maximum volume adjustment
range is 18 dB)
ADJUSTING THE TONE (BASS &
TREBLE) CONTROL
During a listening session you may wish to adjust
the bass and treble control to suit your listening
tastes or room acoustics.
To
adjust the tone
, tap the A/V Amp and press the
page up button until page 6/8 is displayed.
To adjust the bass effect, tap Bass + or Bass .
To adjust the treble effect, tap Treble + or Treble .
Note:
The tone control function is unavailable for the
Virtual, Source Direct, Pure Direct, Dolby
Headphone, THX mode, and 192kHz PCM.
TEMPORARILY TURNING OFF
THE SOUND
To temporarily silence all speaker outputs such as
when interrupted by a phone call, press the H
button on the remote.
This will interrupt the output to all speakers and the
head phone jack, but it will not affect any recording
or dubbing that may be in progress.
When the system is muted, MUTE appears on
the display.
Press the H button again to return to normal
operation.
USING THE SLEEP TIMER
1.
To program the SR9600 for automatic standby,
tap the Sleep on the remote control unit.
Each
tap
of the button will increase the time
before shutdown in the following sequence:
2.
The sleep time will be shown for a few seconds
on the FL display, and it will count down until
the time has elapsed.
When the programmed sleep time has elapsed,
the SR9600 will automatically turn off.
Note that the SLEEP indicator on the
FL
display will illuminate when the sleep mode is
set.
3.
To cancel the sleep mode,
tap
the Sleep until
the SLEEP OFF and the SLEEP indicator
disappear.
MULTIMULTI
SPEAKERSPEAKER
F/PBANDTHXTHXPURE DIRECTPURE DIRECT UP
DOWNDOWN
TUNTUNING
AUX 1 INPUT
RAUDIO
DIGITAL S-VIDEO
LVIDEO
POWER ON/STANDBYPOWER ON/STANDBY
VOLUME
UPDOWN
INPUT SELECTORINPUT SELECTOR
PHONESPHONES
STANDBYSTANDBY
AV SURROUND RECEIVER SR9600AV SURROUND RECEIVER SR9600
SURROUNDSURROUND
MIC
ENTENTER
MENUMENU
PURE DIRECTPURE DIRECT THXTHX
7.1CH INPUT7.1CH INPUT
MODEMODE AUTOAUTO
MULTIMULTI
A/B
T-MODE
MEMORY CLEAR
DISPLAY
EXIT
SPEAKERS
MRAC
AUTO TUNE
2/8 A/V Amp
Surround Mode 1
wed Jun 01 4:40
pm
3/8 A/V Amp
Surround Mode 2
wed Jun 01 4:40pm
4/8 A/V Amp
Surround Mode 3
wed Jun 01 4:40pm
MULTI
SPEAKER
F/PF/PBANDBANDTHXPURE DIRECT UPUP
DOWN
TUNINGTUNING
AUX 1 INPUTAUX 1 INPUT
RRAUDIOAUDIO
DIGITALDIGITAL S-VIDEOS-VIDEO
LLVIDEOVIDEO
POWER ON/STANDBY
VOLUMEVOLUME
UPUPDOWNDOWN
INPUT SELECTOR
PHONES
STANDBY
AV SURROUND RECEIVER SR9600
SURROUND
MICMIC
ENTERENTER
MENU
PURE DIRECT THX
7.1CH INPUT
MODE AUTO
MULTI
A/BA/B
T-MODET-MODE
MEMORYMEMORY CLEARCLEAR
DISPLAYDISPLAY
EXITEXIT
SPEAKERSSPEAKERS
MRACMRAC
AUTO TUNEAUTO TUNE
H
Ex
M
S
VOL
CH
OK
6/8 A/V Amp
Tone Adjust
wed Jun 01 4:40pm
H
Ex
M
S
VOL
CH
OK
OFF 10 20 30 40
90 80 70 60 50
5/8 A/V Amp
Mode
wed Jun 01 4:40
pm
1.
SR9600U DFU_01_ENG 4_4 05.4.27, 5:47 PMPage 49 Adobe PageMaker 6.5J/PPC
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