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Copying or reprinting this manual in part or in whole without
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Operation Manual
Usage and Safety Precautions
02
Usage and Safety Precautions
Safety Precautions
In this operation manual, symbols are used to
highlight warnings and cautions that you must
read to prevent accidents. The meanings of
these symbols are as follows.
Something that could cause
serious injury or death
Something that could cause injury
or damage to the equipment
Other symbols used
An action that is mandatory
An action that is prohibited
Warning
Operation using an AC adapter
Never use any AC adapter other than a
ZOOM AD-19.
Operation with external DC power supply
Use a 9V–16V external DC power supply.
Carefully study the warning indications of
the external DC power supply before use.
Operation with batteries
Use 8 commercially-available 1.5V AA bat-
teries (alkaline dry cell batteries, nickel
metal hydride batteries or lithium dry cell
batteries).
Carefully study the warning indications of
the batteries before use.
Always keep the battery cover closed
during use.
Alterations
Do not open the case or modify the prod-
uct.
Caution
Product handling
Do not drop, bump or apply excessive
force to the unit.
Be careful not to allow foreign objects or
liquids to enter the unit.
Operating environment
Do not use in extremely high or low tem-
peratures.
Do not use near heaters, stoves and other
heat sources.
Do not use in very high humidity or where
it could be splashed by water.
Do not use in places with frequent vibra-
tions.
Do not use in places with much dust or
sand.
AC adapter handling
When disconnecting the power plug from
an outlet, always pull on the plug itself.
Disconnect the power plug from the outlet
when the unit will not be used for extended
periods and whenever there is lightning.
Battery handling
Install batteries with the correct +/ orien-
tations.
Use the specified batteries.
Do not use new and old batteries together.
Do not use batteries of different brands or
types together.
Remove the batteries when the unit will
not be used for extended periods.
If a leak occurs, thoroughly wipe the bat-
tery case and battery terminals to remove
the leaked fluid.
Danger of explosion if battery is incorrectly
replaced. Replace only with the same or
equivalent type.
A warning that batteries (battery pack or
batteries installed) shall not be exposed to
excessive heat such as sunshine, fire or
the like.
Mic handling
Always turn the power switch OFF before
connecting a mic. Do not apply unneces-
sary force when connecting a mic.
Attach the protective cap when no mic is
connected for extended periods.
Connection cables and input/output jacks
Always turn the power OFF for all equip-
ment before connecting any cables.
Always disconnect all connection cables
and the AC adapter before moving the unit.
Volume
Do not use at a loud volume for extended
periods.
Usage Precautions
Interference with other electrical equipment
In consideration of safety, the
has been
designed to minimize its emission of electro-
magnetic waves and to suppress interference
from external electromagnetic waves. How-
ever, equipment that is very susceptible to
interference or that emits powerful electro-
magnetic waves could result in interference if
placed nearby. If this occurs, place the
and the other device farther apart.
With any type of electronic device that uses
digital control, including the
, electro-
magnetic interference could cause malfunc-
tion, corrupt or destroy data and result in other
unexpected trouble. Always use caution.
Cleaning
Use a soft cloth to clean the exterior of the unit
if it becomes dirty. If necessary, use a damp
cloth that has been wrung out well to wipe it.
Never use abrasive cleansers, wax or solvents
such as alcohol, benzene or paint thinner.
Breakdown and malfunction
If the unit becomes broken or malfunctions,
immediately disconnect the AC adapter or DC
power supply, turn the power off and discon-
nect other cables. Contact the store where you
bought the unit or ZOOM service center with
the following information: product model, serial
number and specific symptoms of breakdown
or malfunction, along with your name, address
and telephone number.
Copyrights
Windows
®
, Windows
®
8, Windows
®
7 and
Windows Vista
®
are trademarks or registered
trademarks of Microsoft
®
Corporation.
Macintosh, Mac OS and iPad are trademarks
or registered trademarks of Apple Inc.
The SD, SDHC and SDXC logos are trade-
marks. MPEG Layer-3 audio compression tech-
nology is licensed from Fraunhofer IIS and Sis-
vel S.p.A.
Bluetooth and the Bluetooth logo are regis-
tered trademarks of Bluetooth SIG, Inc. and are
used under license by ZOOM CORPORATION.
Other product names, registered trademarks
and company names in this document are the
property of their respective companies.
Note: All trademarks and registered trade-
marks in this document are for identifica-
tion purposes only and are not intended
to infringe on the copyrights of their
respective owners.
Recording from copyrighted sources, including
CDs, records, tapes, live performances, video
works and broadcasts, without permission of
the copyright holder for any purpose other than
personal use is prohibited by law.
Zoom Corporation will not assume any respon-
sibility related to infringements of copyrights.
Note about the Auto Power Off function
The power will automatically turn off if unused
for 10 hours. If you want the power to instead
remain on, see "Disabling the Automatic Power
Saving function" on P.19 and turn the function
off.
Contents
03
F8 Multi Track Field Recorder
Contents
Usage and Safety Precautions .............................02
Contents ................................................................03
Introduction ...........................................................04
Names of parts ......................................................05
Connecting mics/other devices to Inputs 1–8.....07
LCD display ........................................................... 10
Preparations
Supplying power .................................................. 13
Loading an SD card .............................................. 15
Turning the power on and off ..............................16
Setting the date and time (Date/Time (RTC))...... 17
Disabling the Automatic Power Saving
function (Auto Power Off) .................................... 19
Setting the power supply used (Power Source) . 20
Recording
Recording process ................................................22
Enabling recording on SD cards and setting
file formats ............................................................23
Selecting inputs and adjusting levels ................. 24
Recording ..............................................................26
Setting the sampling rate (Sample Rate) ............ 27
Setting WAV file bit depth (WAV Bit Depth) ........28
Setting MP3 file bit rate (MP3 Bit Rate)............... 29
Simultaneously recording tracks at different
levels (Dual Channel Rec) ....................................30
Capturing audio before recording starts
(Pre Rec) ................................................................32
Maximum file size (File Max Size) .......................33
Folder and file structure .......................................34
Changing recording take settings (Next Take) ....36
Playback
Playing recordings ................................................40
Mixing takes ..........................................................41
Changing the playback mode (Play Mode) ......... 42
Take and folder operations
Take and folder operations (FINDER) .................. 43
Overview of take metadata stored in files ..........50
Checking and editing take metadata ................... 51
Input settings
Input and output signal flow................................55
Adjusting the input signal monitoring balance..56
Monitoring the input signals of specific tracks
(PFL/SOLO) ............................................................ 57
Setting the monitoring volume on the PFL
screen (PFL Mode) ................................................58
Cutting low-frequency noise (HPF) ..................... 59
Input limiter ...........................................................60
Inverting the input phase (Phase Invert) ............. 64
Changing the phantom power settings
(Phantom) ..............................................................65
Changing the plugin power setting
(Plugin Power) .......................................................67
Delaying input signals (Input Delay) ...................68
Converting mid-side input to ordinary stereo
(Stereo Link Mode) ...............................................69
Adjusting the side level of a mid-side mic
capsule (Side Mic Level) ......................................71
Output settings
Setting signals sent to headphones
(Headphone Routing) ........................................... 72
Outputting alerts through headphones
(Alert Tone Level) ..................................................75
Disabling outputs (Output On/Off) ...................... 76
Setting the standard output level
(Output Level) .......................................................77
Setting the output level ........................................ 78
Delaying output signals (Output Delay)..............79
Output Limiter .......................................................80
Selecting signals sent to the main outputs
(MAIN OUT Routing) ............................................ 84
Selecting signals sent to the sub outputs
(SUB OUT Routing) ..............................................85
TIMECODE
Timecode overview ..............................................86
Setting timecode ................................................... 88
Setting automatic timecode recording delay
(Auto Rec Delay Time) .......................................... 95
Setting how timecode is initialized at startup
(Start Timecode) .................................................... 96
Slate mic/slate tone
Slate mic and slate tone overview ...................... 97
Recording with the slate mic (Slate Mic) ............98
Recording a slate tone (Slate Tone) ................... 101
Using USB functions
Exchanging data with a computer
(SD Card Reader) ................................................ 105
Using as an audio interface (Audio Interface) .. 106
Audio interface block diagrams ......................... 108
Audio interface settings ......................................11 0
Various settings
Setting how timecode is shown
(Home Timecode Display Size) .......................... 11 2
Setting level meter appearance (Level Meter) . 11 3
Setting the LED brightness (LED Brightness) ... 11 6
Making display settings (LCD) ........................... 117
Adding marks when pausing
(PLAY Key Option) ...............................................119
Other functions
Checking SD card information (Information) ... 121
Testing SD card performance
(Performance Test) ..............................................122
Formatting SD cards (Format) ...........................125
Restoring default setting values
(Factory Reset) ....................................................126
Checking the firmware version
(Firmware Version)..............................................127
Updating the firmware ....................................... 128
Appendices
Troubleshooting .................................................. 129
Detailed product diagrams ................................ 130
Metadata list .......................................................132
List of shortcuts .................................................. 136
Specifications ...................................................... 137
Introduction
04
Introduction
Thank you very much for purchasing a ZOOM Multitrack Field
Recorder. The
has the following features:
• 8 analog input channels with super high-quality preamps
The 8 lockable XLR/TRS combo jacks provide high-quality analog
inputs with EIN of 127 dBu or less, +75dB maximum input gain and
support for +4dB input.
• PCM recording at up to 192kHz/24-bit resolution
• Recording of up to 10 tracks simultaneously
Inputs 1–8 and a stereo mix (left and right) can be recorded at the
same time (8 tracks when the sampling rate is 192 kHz).
Dual channel recording of separate files at lower levels
simultaneously with ordinary recording (Inputs 1–4)
Using dual channel recording at a lower input level, you can create
backup recordings to use when unexpected loud noise causes regu-
lar recordings to distort, for example.
• Newly redesigned limiters for overload protection
With 10 dB of headroom, this limiter prevents distortion even more
than ordinary ones. The threshold can also be set to keep the signal
below that level.
Time code with pinpoint accuracy
The utilizes a high-precision oscillator that generates time-
code with accuracy of 0.2ppm, ensuring rock-solid stability when
syncing audio and video.
Outputs include a stereo headphone jack with a powerful
100mW amp as well as MAIN OUT 1/2 and SUB OUT 1/2 jacks
This allows you to send the audio signal to a video camera or other
device while monitoring with headphones.
• Built-in digital mixer with flexible signal routing
Prefader and postfader signals from inputs 1–8 can be freely routed
to any out puts.
• Phantom power (+24V/+48V) can be supplied
This can be turned on/off for each input separately.
Three possible power sources—batteries, AC adapter and
an external DC power supply
In addition to AA batteries and an AC adapter, a 9-16V external DC
power supply can also be used.
• Double SDXC card slots
Simultaneous recording on 2 SD cards is possible, and support for
SDXC cards up to 512 GB enables long-duration recording. In addi-
tion, the
can be used as a card reader by connecting to a
computer using USB.
• USB audio interface capabilities with up to 8 ins and 4 outs
The can be used not only as a 2-in/2-out audio interface, but
also as an 8-in/4-out audio interface (driver required for Windows).
• Other useful features
Other convenient functions include a built-in slate mic for voice
memos and a variable frequency slate tone generator to confirm lev-
els. There’s also both input and output delay, and pre-recording of up
to 6 seconds.
• ZOOM mic capsules can be connected
Use any ZOOM mic capsule instead of inputs 1/2.
Please read this manual carefully to fully understand the functions of
the
so that you can make the most of it for many years. After
reading this manual, please keep it with the warranty in a safe place.
Names of parts
05
F8 Multi Track Field Recorder
Back
Front
Display
Select
encoder
Slate
switch
MENU
key
Headphone
volume
Search
backward
key
MIC IN
connector
Battery slotTimecode IN/OUT
connectors
DC IN connector
Search
forward
key
Play/pause
key
Record
key
POWER
switch
Stop
key
Track
key
Track
indicator
Input volume
knob
LED level
meter
Slate mic
PFL key
LED level meter
48
Green Orange Red
30 18 12 6 0
(dBFS)
Names of parts
Left side
XLR TA-3TRS
Right side
3: COLD
HIROSE 4-pin
Connecting mics/other devices to Inputs 1–8
07
F8 Multi Track Field Recorder
Connecting mics
Connect dynamic and condenser mics with XLR plugs to
Inputs 1–8.
Phantom power (+24V/+48V) can be supplied to condenser
mics. ( P.65)
Dynamic mic
(XLR cable)
Condenser mic
(XLR cable)
NOTE
When disconnecting a mic, gently pull on the XLR plug while simul-
taneously pushing the connector lock release button.
Connecting line level equipment
Connect the TRS plugs of keyboards and mixers directly to
Inputs 1–8.
Direct input of passive guitars and basses is not supported.
Connect these instruments through a mixer or effects device.
(TRS cable)
Keyboard
(TRS cable)
Mixer
The can record a total of 10 tracks simultaneously: 8 individual tracks with signals coming from Inputs 1–8 and a stereo
mix of these inputs on left and right tracks.
You can connect mics and the outputs of line-level devices such as keyboards, mixers, or instruments with active electronics
to Inputs 1–8 and record them to tracks 1–8. Alternatively, Inputs 1 and 2 can instead receive input from a ZOOM mic capsule
connected to the
MIC IN connector.
Connecting mics/other devices to Inputs 1–8
Connecting mics/other devices to Inputs 1–8
08
Connecting mic capsules
A ZOOM mic capsule can be connected to the MIC IN connec-
tor on the back of the
.
NOTE
The mic capsule input is assigned to tracks 1/2.
When a mic capsule is connected, Inputs 1/2 cannot be used.
Connecting and disconnecting mic capsules
1. Remove the protective caps from the and the
mic capsule or extension cable.
2. While pressing the side buttons on the mic capsule or
extension cable, connect it to the main unit, inserting
it completely.
3. To disconnect the mic capsule or extension cable, pull
it away from the main unit while simultaneously
pressing the buttons on its sides.
NOTE
Do not use too much force when disconnecting. Doing so
could damage the mic capsule, extension cable or main
unit.
Reattach the protective cap when a mic capsule is not
connected.
Stereo input
By enabling the stereo link for tracks 1/2, 3/4, 5/6 or 7/8, the
corresponding Inputs (1/2, 3/4, 5/6 or 7/8) can be handled as a
stereo pair. ( P.24)
When linked, Input 1, 3, 5 or 7 becomes the left channel and
Input 2, 4, 6 or 8 becomes the right channel.
Connecting mics/other devices to Inputs 1–8 (continued)
Connecting mics/other devices to Inputs 1–8
09
F8 Multi Track Field Recorder
Concert recording
Inputs 1–4: mics for stage performance (XLR connections)
Inputs 5–6: line-level PA mixer outputs (TRS connections)
Inputs 7–8: mics for audience sound (XLR connections)
PA mixer
Audience mics
Vocal mic, etc.
2
3
4
1
6
7
5
8
While filming
Input 1: gun mic for main subject sound (XLR connection)
Inputs 2–5: wireless lavalier mics for performers (TRS
connections)
Inputs 6–7: mics for ambient sound (XLR connections)
Ambient
mics
Wireless lavalier mics
Gun mic
Lavalier receivers
2
3
4
1
6
7
5
Connection examples
The allows you to record in a variety of situations, such as:
LCD display
10
Recording/playback
file format and
sampling rate
(by card)
When recording: remaining recordable time
When playing: remaining playback time
(by card)
L/R tracks
Fader
Pan
Recording/playback take name
Press when stopped to show the
name of the next track to be recorded.
Track number
Red: input enabled
Green: playback track enabled
Grey: input disabled
Recording/playback tracks
Red: recording tracks
Green: playback tracks
Grey: disabled tracks
(by card)
Playback card
Green: used for playback
Grey: no card
Stopped
Status icon
Recording
Counter
(playback/elapsed recording time)
Frame rate
INT: internal timecode enabled
EXT: external input timecode enabled
Recording/playback timecode
Power type and remaining power
DC: AC adapter
EXT: external DC
power supply
AA: batteries
Full
Empty
Level meters
Stereo-linked
inputs
Clip indicators
Limiter indicators
Yellow: limiter functioning
Paused
Playing
Limiter status
Grey: disabled
Red: enabled
Yellow: functioning
Phantom power status
Lit: enabled
Unlit: disabled
HINT
Stereo-linked tracks are shown together i.e., "7/8".
When the Home Screen is not displayed, press and hold
to
return to the Home Screen.
Home Screen
Mixer
LCD display
LCD display
11
F8 Multi Track Field Recorder
Power type and
remaining power
Limiter
indicators
Tracks 1–8
MAIN OUT 1/2,
SUB OUT 1/2
tracks
L/R tracks
Level
meters
Status icon Counter Frame rate
Recording/playback
timecode
Recording/playback
take name
Playback
card
Recording/playback
file format and
sampling rate
(by card)
When recording: remaining recordable time
When playing: remaining playback time
(by card)
Clip indicators
Level meters
NOTE
Turn
to switch between showing the mixer (Tracks 1–8, MAIN
OUT 1/2, SUB OUT 1/2) and level meters (Views 1–4 can be set
P.113) on the display.
LCD display
12
Character input screen
MENU::
abc
#+=
Number of characters input/
Maximum number of characters
Press
Press
ABC
Press
Keyboard
Instructions
Automatic
input keys
Text box
Editing operations
Move cursor in box: and
Select character: Turn
Confirm character: Press
Complete editing: Move cursor to “Enter” and press
Cancel editing: Press
Automatic input keys
(Date): Automatically inputs the date. Example: 150210
(Time): Automatically inputs the time. Example: 180950
(Project): Automatically inputs “Project***” in the character
field.
(Scene): Automatically inputs the scene name.
NOTE
The following characters can be used in project names:
(space) ! # $ ' ( ) + , - 0 1 2 3 4 5 6 7 8 9 ; = @ A B C D E F G H I J K L M N O P Q R S T
U V W X Y Z [ ] ^ _ ` a b c d e f g h i j k l m n o p q r s t u v w x y z { } ~
LCD display (continued)
Preparations
Supplying power
14
Using an external DC power supply
1. Connect the external DC power supply equipment to
the EXT DC IN (Hirose) connector.
Connect a 9–16V direct-current power supply.
2. If there is an adapter, plug the adapter into an outlet.
NOTE
When connecting an external DC power supply, be sure to
make the power supply settings. ( P.20)
Using an AC adapter
1. Connect the dedicated AC adapter to the DC IN
connector.
2. Plug the dedicated AC adapter into an outlet.
Supplying power (continued)
Preparations
Turning the power on and o
16
Turning the power on and off
Turning the power on
1. Press and hold briefly.
The LED will light.
NOTE
The first time you turn the power on after purchase, you
must set the date/time ( P. 17). You can also change this
setting later.
If “No SD Card!” appears on the display, confirm that an
SD card is inserted properly.
If “Card Protected!” appears on the display, the SD card
write-protection is enabled. Slide the lock switch on the SD
card to disable write-protection.
If “Invalid SD Card!” appears on the display, the card is
not formatted correctly. Format the card or use a different
card. To format an SD card, see P. 125.
Turning the power off
1. Press and hold briefly.
NOTE
Keep pressing it until the ZOOM logo appears on the LCD.
The will automatically turn off if
it is unused for 10 hours.
To keep the power on continuously until powered off, see "Dis-
abling the Automatic Power Saving function" on P.19 and set Auto
Power OFF to Off.
Preparations
Setting the power supply used (Power Source)
20
Setting DC power supply (Ext DC) shutdown voltage
When an external DC power supply is being used, if the voltage
drops below the value set here, the will automatically stop
recording and turn off.
If AA batteries (Int AA) are installed, however, the power supply will
switch to INT AA and operation will continue.
4. Use to select
Shutdown
Voltage
, and press .
HINT
The shutdown voltage is the voltage when the external DC
power supply runs out and can no longer supply power.
See the manual for the external DC power supply for the
shutdown voltage value.
5. Use to select the
voltage, and press
.
1. Press .
2. Use to select
SYSTEM
,
and press
.
3. Use to select
Power
Source
, and press .
Continue to one of the following procedures.
Setting DC power supply (Ext DC) shutdown voltage ....P.20
Setting DC power supply (Ext DC) nominal voltage .......P.21
Setting the AA battery type (Int AA) .................................P.21
Set the external DC power supply shutdown voltage, nominal voltage and type of batteries so that the remaining power supply
charge can be shown accurately.
On this menu page, you can also check the voltage of each power supply and the remaining battery capacity.
Setting the power supply used (Power Source)
Preparations
Setting the power supply used (Power Source)
21
F8 Multi Track Field Recorder
Setting the AA battery type (Int AA)
4. Use to select
Battery
Type
, and press .
5. Use to select the type,
and press
.
NOTE
When multiple power supplies are connected, they will be used
in the following order of precedence.
1. Dedicated AC adapter (DC IN)
2. External DC power supply (Ext DC)
3. AA batteries in unit (Int AA)
The voltages of each power supply are shown on the display.
Setting DC power supply (Ext DC) nominal voltage
4. Use to select
Nominal
Voltage
, and press .
5. Use to select the
voltage, and press
.
HINT
The nominal voltage is the voltage of the external DC
power supply under normal conditions. This value should
be indicated on the surface of the external DC power
supply.
Recording
Enabling recording on SD cards and setting le formats
23
F8 Multi Track Field Recorder
Enabling recording on SD cards and setting file formats
The recording file format can be set independently for SD CARD slots 1 and 2.
HINT
Recording the same content to two cards is possible by using the
same settings for both card slots. This function can be used to
create a backup in case the sound skips on one card, for example.
You can also record tracks 1–8 unmixed on one SD card while
recording all tracks mixed together as MP3 or WAV data with left
and right tracks.
1. Press .
2. Use to select
REC
, and
press
.
3. Use to select
Rec to
SD1
or
Rec to SD2
, and
press
.
4. Use to select the file
type, and press
.
Setting value Tracks recorded Explanation
None Nothing is recorded on the SD card.
Track1-8
(Poly WAV)
Selected tracks
1–8
A single (multitrack) file is created that
contains audio for multiple tracks.
Track1-8
(Mono/Stereo WAV)
A single mono file is created for
each mono track and a single stereo
file is created for each stereo track.
Track1-8 + L/R
(Poly WAV)
All selected
tracks
A single (multitrack) file is created that
contains audio for multiple tracks.
Track1-8 + L/R
(Mono/Stereo WAV)
A single mono file is created for
each mono track and a single stereo
file is created for each stereo track.
L/R (Stereo WAV)
L/R tracks
A stereo file is created based on the
mix created by the internal mixer.
L/R (Stereo MP3)
NOTE
When recording with a Mono/Stereo setting, the audio files are
saved in a take folder that is created. ( P.34)
When recording to 2 SD cards simultaneously, files will be saved
in take folders with the same name on both cards. Folders will be
created automatically if they do not already exist.
If recording should stop on one SD card because, for example, it
runs out of space, recording will continue on the other SD card.
At such times, do not remove the card that has stopped recording
from the slot. Doing so could damage the card or data.
Recording
Selecting inputs and adjusting levels
24
You can select which Inputs 1–8 to use. Inputs will be recorded on tracks with the same numbers. For example, Input 1 will be
recorded on track 1 and Input 2 will be recorded on track 2.
Selecting inputs
1. Make the track indicator light by pressing the track
key for the number of the input to record.
The background color of the track number on the LCD also
changes at this time.
Track indicator
Track number
background color
Explanation
Lit red Red The input is enabled.
Unlit Gray The input is disabled.
NOTE
The signals from the inputs selected this way will also be sent to
the L/R tracks.
Linking inputs as a stereo pair
1. While pressing track key 1, press track key 2.
Tracks 1 and 2 will be joined as a stereo track (stereo link).
Repeat the same procedure to disable the stereo link.
HINT
The 3/4, 5/6 and 7/8 track pairs can also be stereo linked in
the same way.
When a mic capsule that allows independent L and R input
selection is connected, stereo-linking can also be enabled
and disabled for their tracks.
Selecting inputs and adjusting levels
Recording
Selecting inputs and adjusting levels
25
F8 Multi Track Field Recorder
Adjusting input levels
1. Turn for the selected track to adjust its input
level.
NOTE
When a mic capsule is connected,
for Inputs 1/2 is dis-
abled. Use the level control on the mic capsule to adjust its
input volume.
HINT
Inputs connected with XLR plugs can be set from +10 to
+75 dB, and inputs connected with TRS plugs can be set
from –10 to +55 dB.
If the sound distorts even when you lower the input level,
try changing mic positions and adjusting the output levels
of connected devices.
Using the limiter ( P.60)
Using the high pass filter ( P.59)
Press
+ together to lock (disable) input adjust-
ment for all track . Press + again to reen-
able operation.
Recording
Recording
26
Recording
1. Press .
This starts recording.
HINT
If the timecode function is enabled, recording will start from
frame 00 (00 or 02 when using drop frame) and files will
always end exactly on a second. This makes synchronization
easy when editing later.
2. Press to start a new take when recording.
This will end the current take and start a new take while
continuing to record without interruption.
NOTE
Pressing
during recording is only possible after record-
ing for at least a second.
3. Press to pause.
NOTE
When pausing, pausing will occur at a whole second
increment.
When recording is paused, a mark is added at that point.
Press
to resume recording.
A maximum of 99 marks can be added to a take.
HINT
During playback, you can press
and to jump to
points where marks have been added.
You can also add marks without pausing. ( P. 119)
4. Press to stop.
NOTE
If the maximum file size is exceeded during recording (
P.33), recording will continue in a new take with a number
that is one higher. No gap in sound will occur between the
two takes when this happens.
When recording on 2 SD cards simultaneously, if recording
should stop on one because it runs out of space, recording
will continue on the other SD card without interruption.
HINT
Files are automatically saved at regular intervals during
recording. Even if the power is interrupted or another
unexpected problem occurs during recording, an affected
file can be restored to normal by playing it with the
.
Press and hold when the HOME screen is displayed to
check the name that will be given to the next take recorded.
Recording
Setting WAV le bit depth (WAV Bit Depth)
28
Setting WAV file bit depth (WAV Bit Depth)
1. Press .
2. Use to select
REC
, and
press
.
3. Use to select
WAV Bit
Depth
, and press .
4. Use to select the bit
depth, and press
.
HINT
This can be set to 16-bit or 24-bit.
You can set the bit depth of WAV files.
Recording
Simultaneously recording tracks at dierent levels (Dual Channel Rec)
30
1. Press .
2. Use to select
REC
, and
press
.
3. Use to select
Dual
Channel Rec
, and press .
4. Use to select the track,
and press
.
5. Use to select
On
, and
press
.
When dual channel recording is
on, the name of the correspond-
ing second track (5–8) changes.
Along with regular recording, the can capture a second recording set to a different input level (dual channel recording).
For example, by using dual channel recording to record at an input level 12 dB below that of the regular recording, you have an
immediate replacement if the regular recording distorts because the track level is too high.
Dual channel recording can be used with tracks 1–4.
Simultaneously recording tracks at different levels (Dual Channel Rec)
Recording
Simultaneously recording tracks at dierent levels (Dual Channel Rec)
31
F8 Multi Track Field Recorder
6. Turn for the dual channel recording track to
adjust the input level.
For example, when dual recording is labeled for track 1, ad-
just for track 5.
HINT
Dual channel recording increases the amount of space used
on SD cards.
NOTE
When using dual channel recording, the track that is numbered
4 higher than the original track is used for the second recording.
For example, track 5 is used for the dual channel recording of
track 1 and track 6 is used for track 2. Dual channel recording
tracks cannot be used independently.
When dual channel recording is enabled, if stereo-linking is
enabled or disabled for tracks 1/2 or 3/4, the same setting will be
applied to tracks 5/6 or 7/8.
The limiter, high pass filter and other functions can be set inde-
pendently for the regular and dual recording tracks.
When a mic capsule is connected, its dual recording track input
level is fixed at –12 dB compared to the regular track.
Recording
Folder and le structure
34
HINT
A "take" is a unit of data created for a single recording.
A "Scene" is a unit containing multiple files and takes that com-
prise a single scene.
Folder and file structure
The folder and file structure differs according to the recording
file format. In addition, the names of folders and files depend
on how scenes are named.
When recording with the
, folders and files are created
on SD cards as shown below.
Folders and files are used to manage scenes and takes.
NOTE
Enabling recording on SD cards and setting file formats ( P.23)
Setting how scenes are named (mode) ( P.37)
150101-T001.WAV
150101-T003_Tr3.WAV
150101-T003_Tr4.WAV
150101-T003_Tr1.WAV
150101-T003.WAV Scene001-T001.WAV
150101-T003_Tr2.WAV
150102 Scene001
Root
Scene 150101
(1st take)
WAV format
Poly file
Next scene
150101
First scene
User created
folder
Order recorded
150101-T002.MP3
Scene 150101
(2nd take)
MP3 format
Stereo file
Scene 150101
(3rd take)
WAV format
Mono files (tracks 1–4)
Scene001-T001_Tr3.WAV
Scene001-T001_Tr4.WAV
Scene001-T001_Tr1.WAV
Scene001-T001_Tr2.WAV
Scene Scene001
(1st take)
WAV format
Mono files (tracks 1–4)
150102-T001_TrL_R.WAV
150102-T001_Tr1_2.WAV
150102-T001.WAV
150102-T001_Tr1_2_D.WAV
Scene 150102
(1st take)
WAV format
Stereo file (track 1–2)
Dual channel recording file (tracks 1–2)
Stereo file (L/R tracks)
150102-T002.WAV
Scene 150102
(2nd take)
WAV format
Poly file
Folder and file structure
Recording
Folder and le structure
35
F8 Multi Track Field Recorder
Take names
Structure Explanation
Scene001-T001
Take number
(001–999)
Scene number
(001–999)
Scene name
Scene name: Select none, the folder
name, the date or a name input by
the user ( P.37).
Take number: This number increases
by 1 for each recording made with
the same scene name and number.
Audio file name
File names are given by the according to the file for-
mat—poly, mono or stereo. Track numbers and other data are
added to file names.
File names
File names are given according to the following formats.
Type Structure Explanation
Poly file
Scene001-T001.wav
Take name
This is a file created
by poly recording.
Audio for multiple
tracks is recorded to
a single file.
Mono
file
Scene001-T001_Tr1.wav
Take name
Track number
This is a file created
by mono recording.
Stereo
file
Scene001-T001_Tr1_2.wav
Take name
Track number
This is a file created
by stereo recording.
Dual
channel
record-
ing file
Scene001-T001_Tr1_D.wav
Take name
Track number
Letter added to
dual channel
recording file
This is a file created
by dual channel
recording.
HINT
When recording with a Mono/Stereo setting, the audio files are
saved in the take folder that is created.
Recording
Changing recording take settings (Next Take)
36
1. Press .
2. Use to select
REC
, and
press
.
3. Use to select
Next
Take
, and press .
Continue to one of the following procedures.
Changing the note for the next take recorded ................P.36
Selecting notes from the history list ................................P.37
Setting how scenes are named (mode) ...........................P.37
Changing scene names .....................................................P.38
Selecting a scene name from the history list ..................P.39
Setting the take number reset condition .........................P.39
Changing the note for the next take recorded
You can input characters as a metadata note in the file.
4. Use to select
Note
, and
press
.
5. Use to select
Edit
, and
press
.
6. Edit the note.
See "Character input screen" (
P.12) for how to input characters.
NOTE
This note is written to the <NOTE> metadata.
You can change the recording take scene name or take scene mode, for example.
Changing recording take settings (Next Take)
Recording
Changing recording take settings (Next Take)
37
F8 Multi Track Field Recorder
Selecting notes from the history list
4. Use to select
Note
, and
press
.
5. Use to select
History
,
and press
.
6. Use to select the note
to use, and press
.
NOTE
The history list will be erased if the Factory Reset function
is used.
Setting how scenes are named (mode)
4. Use to select
Scene
Name Mode
, and press .
5. Use to select the mode,
and press
.
Recording
Changing recording take settings (Next Take)
38
Changing scene names
If Scene Name Mode is set to User Name, set the scene name
like this.
4. Use to select
User
Scene
Name
, and press .
5. Use to select
Edit
, and
press
.
6. Edit the scene name.
See "Character input screen" (
P.12) for how to input characters.
NOTE
The scene name is written to the <SCENE> metadata.
You cannot put a space or an @ mark at the beginning of
the name.
Setting value Explanation
None
The scene name and number are not used.
When recording files are created, they are named
only with the take number: "T001", "T002",
"T003", etc.
+ cannot be used to advance the scene
number by 1.
No folder is created in this case.
Example: T001.wav
Current Folder
The name of the currently selected folder is used
as the scene name.
+ can be used to advance the scene
number by 1. After advancing the scene number
by 1, the corresponding folder will be used as
the recording destination. If that folder does not
already exist, it will be created.
Example: FOLDER001-T001.wav
Date
The date is used as the scene name.
+ cannot be used to advance the scene
number by 1.
If recording occurs after the date changes, a
scene folder with the date will be created.
Example: 20150101-T001.wav
User Name
A scene name input by the user is used.
+ can be used to advance the scene
number by 1.
No folder is created in this case.
Example: MYSCENE001-T001.wav
Changing recording take settings (Next Take) (continued)
Recording
Changing recording take settings (Next Take)
39
F8 Multi Track Field Recorder
Setting the take number reset condition
4. Use to select
Take
Reset Mode
, and press .
5. Use to select the reset
mode, and press
.
Setting value Explanation
Off
The take number will not be reset.
However, if the folder is changed and that
folder contains a number higher than the
current take number, the take number will be
set to one higher than the highest existing take
number.
Folder Change
The take number will be reset, and if the
destination folder is changed, the take number
will be set to one higher than the highest take
number in that folder.
Selecting a scene name from the history list
4. Use to select
User
Scene Name
, and press .
5. Use to select
History
,
and press
.
6. Use to select the name
to use, and press
.
NOTE
The history list will be erased if the Factory Reset function
is used.
Playback
Playing recordings
40
1. Press .
Playback operations
Select take or jump to mark: Press
or
Search backward/forward: Press and hold /
Pause/resume playback: Press
NOTE
Tracks that have no playback files
appear gray.
HINT
The longer you press and hold
/ , the faster the
backward/forward search speed.
During playback, press track keys to switch between play-
ing back (lit green) and muted (unlit).
An "Invalid Take!" message will appear if the selected take
is not valid.
A "No Take!" message will appear if no take exists.
During playback, you can press to add a mark that
can be used for skipping. ( P. 119)
2. Press to return to the Home Screen.
Playing recordings
Take and folder operations
Take and folder operations (FINDER)
44
NOTE
When the cursor is on a take, you can press
to play
the selected take. You can also use , and .
A check mark appears on the playback take and recording/
playback folder.
Continue to one of the following procedures.
Creating folders .................................................................P.44
Selecting the take recording/playback folder ..................P.45
Checking take marks and using them for playback ........P.45
Changing folder and take names .....................................P.46
Copying takes to other cards and folders .......................P.47
Deleting folders and takes ................................................P.48
Emptying the TRASH folder ..............................................P.49
Creating folders
Folders can be created inside the currently selected SD card/
folder.
4. Use to select
New
Folder
, and press .
5. Edit the folder name.
See "Character input screen" (
P.12) for how to input characters.
NOTE
The folder created will be set as the recording folder.
The name of the folder created is written to the <PROJECT>
or <SCENE> metadata.
You cannot put a space or an @ mark at the beginning of
the name.
Take and folder operations (FINDER) (continued)
Take and folder operations
Take and folder operations (FINDER)
45
F8 Multi Track Field Recorder
Checking take marks and using them for playback
You can view a list of the marks in a recorded take.
4. Press , use to
select ”
Mark List
, and
press
.
5. Use to select a mark, and press .
The Home Screen will reopen, and playback will start from
the mark.
Mark start time
Added Mark
Indicates that a mark
was added during a
recording error.
Selecting the take recording/playback folder
Use this procedure to select the folder that contains the take
to be played or the folder to use for recording takes.
4. Press , use to
select
Select
, and
press
.
NOTE
The first take inside the selected SD card or folder will be
set as the playback take.
After selecting the take recording/playback folder, the
Home Screen will reopen.
Take and folder operations
Take and folder operations (FINDER)
46
Changing folder and take names
4. Press , use to
select
Rename
, and
press
.
5. Edit the folder/take name.
See "Character input screen" (
P.12) for how to input characters.
NOTE
The edited name of the folder/take is written to the
<PROJECT> or <SCENE> metadata.
You cannot put a space or an @ mark at the beginning of
the name.
Take and folder operations (FINDER) (continued)
Take and folder operations
Take and folder operations (FINDER)
47
F8 Multi Track Field Recorder
7. Use to select the
copy destination, and
press
.
NOTE
See "Take and folder operations" for how to select a folder.
( P.43)
8. Use to select
Yes
, and
press
.
Copying takes to other cards and folders
4. Press , use to
select
Copy
, and press .
5. Use to select the take to
copy, and press
.
6. Press .
Take and folder operations
Take and folder operations (FINDER)
48
7. Use to select “
Yes
, and
press
.
NOTE
Deleted folders and takes are not immediately erased
from the SD card. They are moved to the TRASH folder.
Deleting the folders and takes in the TRASH folder will
completely erase their data.
Deleting folders and takes
4. Press , use to
select
Delete
, and
press
.
5. Use to select the
folder/take to delete, and
press
.
Press to cancel deletion.
NOTE
You can press
to select/deselect all the folders and
takes that are currently shown.
6. Press .
Take and folder operations (FINDER) (continued)
Take and folder operations
Take and folder operations (FINDER)
49
F8 Multi Track Field Recorder
Emptying the TRASH folder
4. Press , and open the
TRASH
. Then, use to
select
Empty
, and
press
.
5. Use to select
Yes
, and
press
.
NOTE
Emptying the TRASH folder will completely erase the data
in it.
Take and folder operations
Overview of take metadata stored in les
50
Overview of take metadata stored in files
The writes a variety of information (metadata) to files
during recording.
When these files are read by an application that supports
metadata, you will be able to check and use the saved
information.
HINT
Metadata is data that contains information related to other data.
The
saves scene names and take numbers, for example,
as metadata in audio files.
A chunk is a unit that contains multiple data in a single block.
To use BEXT and iXML chunk metadata, an application that sup-
ports both data formats is necessary.
WAV file metadata
The metadata saved in files recorded by the in WAV
format is collected in BEXT (Broadcast Audio Extension) and
iXML chunks.
For information about the metadata saved in these chunks,
see the “Metadata contained in BEXT chunks in WAV files”
( P.132), “Metadata contained in iXML chunks in WAV files”
( P.133).
MP3 file metadata
The metadata saved in files recorded by the in MP3
format is written as ID3v1 tags.
For information about the ID3 fields and formats for saving
metadata, see the "Metadata and ID3 fields contained in MP3
files" ( P.135).
HINT
MP3 files conform to the MPEG-1 Layer III standard.
MP3 metadata cannot be edited.
Take and folder operations
Checking and editing take metadata
52
Checking and editing notes
5. Use to select
Note
, and
press
.
6. Use to select
Edit
, and
press
.
7. Edit the note.
See "Character input screen" (
P.12) for how to input characters.
NOTE
The contents of this note is written to the <NOTE> metadata.
Selecting notes from the history list
5. Use to select
Note
, and
press
.
6. Use to select
History
,
and press
.
7. Use to select the item
to use, and press
.
NOTE
The history list will be erased if the Factory Reset function
is used.
Checking and editing take metadata (continued)
Take and folder operations
Checking and editing take metadata
53
F8 Multi Track Field Recorder
Editing folder (tape) names
5. Use to select
Folder
(Tape) Name
, and press .
6. Edit the folder (tape) name.
See "Character input screen" (
P.12) for how to input characters.
NOTE
The folder (tape) name is written to the <TAPE> metadata.
The folder (tape) name used immediately after recording
is the name of the folder in which the take was recorded.
You cannot put a space or an @ mark at the beginning of
the name.
Circling takes
Use this function to add an @ mark to the beginning of the
name of the best take to make it stand out. This is called a
"circled take".
5. Use to select
Circle
,
and press
.
6. Use to select
Circled
,
and press
.
NOTE
To clear a circle, select
Not Circled
“ and press .
This circled status is written to the <CIRCLE> metadata.
Input settings
Input and output signal ow
55
F8 Multi Track Field Recorder
Input and output signal flow
MAIN OUT
1/2 jacks
SUB OUT
1/2 jack
HEADPHONE
jack
Recording
Output
Input 1
:
:
Trim
HPF
Input Limiter
Phase Invert
MS Stereo
Input Delay
Tr1-8 Fader
Mixer
L
R
Output Delay Level
Slate Mic/Tone
Output Limiter
Fader
Alert Tone
Slate Mic/Tone
Tr L/R Fader
Routing
:
:
:
:
Output On/Off, Level
Pan
Dual Channel Rec
Input 2
Input 7
Input 8
Track 1
Track 2
Track 7
Track L
Track R
Postfader
Prefader
Track 8
:
Input settings
Adjusting the input signal monitoring balance
56
Adjusting the input signal monitoring balance
1. Open the mixer on the Home
Screen. ( P.11)
2. Adjust the parameter settings.
Editing operations
Move cursor or change value: Turn
Select parameter to change: Press
Parameter Setting range Explanation
Fader Mute, 48.0 – +12.0 dB
Adjusts the level of the input
signal.
Panning L100 – Center – R100
Adjusts the left-right stereo
position of the sound.
HINT
You can turn
to move the cursor, and also adjust the settings
of the MAIN OUT 1/2 and SUB OUT 1/2 signals. ( P.78)
When a fader or pan knob is selected, press and hold to
reset it to its default value. If already set to its default value,
selecting a fader mutes the track.
NOTE
The MAIN OUT 1/2 and SUB OUT 1/2 faders do not affect the
levels of the slate mic and slate tone.
These volume and pan settings only affect the monitoring signals
and the data being recorded on the L/R track.
Settings are saved separately for each take that is already
recorded and can be changed during playback. ( P.41)
Mix settings are not saved with the take when the recorded file
format is MP3.
You can adjust the volume and panning of each input signal when monitoring during recording.
Input settings
Setting the monitoring volume on the PFL screen (PFL Mode)
58
1. Press .
2. Use to select
INPUT
,
and press
.
3. Use to select
PFL Mode
,
and press
.
4. Use to select the track,
and press
.
HINT
Select
ALL
“ to set all the tracks at the same time.
5. Use to select the mode,
and press
.
Setting value Explanation
PFL Monitor the prefader sound.
SOLO Monitor the postfader sound.
Setting the monitoring volume on the PFL screen (PFL Mode)
On the PFL screen, you can set the monitored sound to be either prefader listening (PFL) or postfader solo (SOLO).
Input settings
Input limiter
60
The limiter can prevent distortion by controlling input signals
that have excessively high levels.
Threshold
Level
Original
signal
Limited
signal
Attack
time
Release
time
Time
When the limiter is ON, if the input signal level exceeds the
set threshold value, the signal level will be suppressed to pre-
vent the sound from distorting.
The attack time is how long after the signal exceeds the
threshold before the limiter starts operating. The release time
is how long after the signal goes below the threshold before
the limiter stops operating. You can change these two param-
eters to adjust the sound quality.
HINT
The
has a newly designed limiter that provides 10 dB
of headroom, allowing signals to be kept well below the set
threshold, therefore more effectively preventing distortion.
The limiter uses a ratio of 20:1.
1. Press .
2. Use to select
INPUT
,
and press
.
3. Use to select
Input
Limiter
, and press .
4. Use to select the input,
and press
.
HINT
Select
ALL
“ to set all the inputs at the same time.
Input limiter
Input settings
Input limiter
61
F8 Multi Track Field Recorder
Setting the type
5. Use to select
Type
, and
press
.
6. Use to select the type,
and press
.
Setting value Explanation
Hard Knee
Only peaks that exceed the threshold are attenu-
ated. There is no effect below the threshold.
Soft Knee
The limiter gradually affects the signal about 6 dB
below the threshold for a gentler effect.
Continue to one of the following procedures.
Using the limiter ................................................................P.61
Setting the type .................................................................P.61
Setting the threshold .........................................................P.62
Setting the attack time.......................................................P.62
Setting the release time ....................................................P.63
Using the limiter
5. Use to select
On/Off
,
and press
.
6. Use to select
On
, and
press
.
Input settings
Input limiter
62
Setting the attack time
This sets the amount of time until limiting starts after the
input signal exceeds the threshold.
5. Use to select
Attack
Time
, and press .
6. Use to adjust the time,
and press
.
HINT
This can be set from 1 to 4 ms.
Setting the threshold
This sets the level at which the limiter begins operating.
5. Use to select
Threshold
, and press .
6. Use to adjust the
setting, and press
.
HINT
This can be set from 16 to 2 dBFS.
Input limiter (continued)
Input settings
Input limiter
63
F8 Multi Track Field Recorder
NOTE
Limiter operation is linked for tracks that have stereo link
or MS stereo link enabled. If the signal for either linked
channel reaches the threshold, the limiter will operate on
both tracks.
When the limiter is operating, the right-most segment of
the level meter and the mixer limiter indicator on the dis-
play light yellow.
Setting the release time
This sets the amount of time until limiting stops after the
input signal goes below the threshold.
5. Use to select
Release
Time
, and press .
6. Use to adjust the time,
and press
.
HINT
This can be set from 1 to 500 ms.
Input settings
Inverting the input phase (Phase Invert)
64
Inverting the input phase (Phase Invert)
1. Press .
2. Use to select
INPUT
,
and press
.
3. Use to select
Phase
Invert
, and press .
4. Use to select the input,
and press
.
HINT
Select
ALL
“ to set all inputs at the same time.
5. Use to select
On
, and
press
.
The phase of the input signal can be inverted.
This is useful when sounds cancel each other out due to mic positioning.
Input settings
Changing the phantom power settings (Phantom)
66
Setting the voltage
4. Use to select
Voltage
(For All Inputs)
, and press
.
5. Use to select the
voltage, and press
.
HINT
When using mics and other equipment that can operate with volt-
ages less than +48V, selecting +24V can reduce power consumption
by the
.
Using phantom power
4. Use to select
On/Off
,
and press
.
5. Use to select the input,
and press
.
HINT
Select
ALL
“ to set all inputs at the same time.
6. Use to select
On
, and
press
.
NOTE
When a mic capsule is connected, phantom power for inputs 1/2
are set to Off.
Changing the phantom power settings (Phantom) (continued)
Input settings
Delaying input signals (Input Delay)
68
Delaying input signals (Input Delay)
1. Press .
2. Use to select
INPUT
,
and press
.
3. Use to select
Input
Delay
, and press .
4. Use to select the input,
and press
.
HINT
Select
ALL
“ to set all inputs at the same time.
5. Use to adjust the delay
time, and press
.
HINT
This can be set from 0 to 30.0 ms.
NOTE
When Sample Rate is set to 192kHz, Input Delay is disabled.
If there are differences in the timing of input signals, use this function to correct them when recording.
Input settings
Converting mid-side input to ordinary stereo (Stereo Link Mode)
69
F8 Multi Track Field Recorder
Converting mid-side input to ordinary stereo (Stereo Link Mode)
Mid-side stereo format overview
This technique creates a stereo
recording from signals input by a
directional mid mic that captures
sound in the center and a bidi-
rectional side mic that captures
sounds from the left and right.
Mid-side recording allows you to
change the stereo width by the
adjusting the level of the side
mic.
Since this technique can capture
a wide stereo image, it is ideal
for recording open spaces with
numerous sound sources, such
as orchestras, live concerts and
soundscapes.
Mid-side recording is also extremely effective when you want
to be able to control the amount of room ambience in a sig-
nal. For this reason, it is often used for live as well as studio
recording. In addition, the stereo signal created by this tech-
nique is fully mono-compatible, making it especially useful
when recording sound for film, video, or broadcast.
1. Press .
2. Use to select
INPUT
,
and press
.
3. Use to select
Stereo
Link Mode
, and press .
4. Use to select the input
pair, and press
.
Signals from a mid-side stereo mic input connected to stereo-linked inputs can be converted to an ordinary stereo signal.
See "Linking inputs as a stereo pair" ( P.24) for how to use stereo linking.
Mid mic
Side mic
Phase
S+
Master
Pan
Phase
S-
Pan
Phase
M
Pan L R
Output settings
Setting signals sent to headphones (Headphone Routing)
72
1. Press .
2. Use to select
OUTPUT
,
and press
.
3. Use to select
Headphone
, and press .
Continue to one of the following procedures.
Setting the routing ............................................................P.72
Using mono headphone output .......................................P.73
Monitoring mid-side stereo signals .................................P.74
Setting the routing
4. Use to select
Headphone
Routing
, and press .
5. Use to select the tracks/outputs for headphone
routing and press
.
Clear all settings
Mono mix
Tracks routed to the
left headphone
channel
Tracks routed to the
right headphone
channel
Set tracks 1–8
to prefader
(deactivates MS)
Mid-side stereo
monitoring
Cycles options:
Change tracks 1–8 to
postfader (cancels others)
Change L/R to postfader
(cancels others)
Change M1/M2 to
postfader (cancels others)
Change S1/S2 to
postfader (cancels others)
(deactivates MS)
Prefader selected
Postfader selected
Off
You can set the type of signal sent to the headphone output to either prefader or postfader for each track.
Setting signals sent to headphones (Headphone Routing)
Output settings
Output Limiter
80
Output Limiter
HINT
For details about the effect of the limiter, see "Input limiter". ( P.60)
1. Press .
2. Use to select
OUTPUT
,
and press
.
3. Use to select
Output
Limiter
, and press .
4. Use to select the
output, and press
.
HINT
Select ALL to set all outputs at the same time.
Continue to one of the following procedures.
Using the limiter ................................................................P.80
Setting the type .................................................................P.81
Setting the threshold .........................................................P.81
Setting the attack time.......................................................P.82
Setting the release time ....................................................P.82
Setting links .......................................................................P.83
Using the limiter
5. Use to select
On/Off
,
and press
.
6. Use to select
On
, and
press
.
Using a limiter on the output can protect devices connected to the output jacks.
TIMECODE
Setting timecode
88
Setting timecode
1. Press .
2. Use to select
TIMECODE
,
and press
.
3. Use to select
Timecode
,
and press
.
Internal timecode
frame rate
External timecode
frame rate
Internal timecode
restart button
Timecode mode
Internal timecode
External timecode
Jam button
Internal user bits
External user bits
Continue to one of the following procedures.
Setting the mode ...............................................................P.89
Stopping timecode output when recording is stopped .P.90
Synchronizing audio clock with external timecode ........P.90
Automatically enabling internal timecode when no
external timecode is input ................................................P.91
Setting the user bits for internal timecode ......................P.91
Setting the frame rate for internal timecode ...................P.93
Jamming internal timecode .............................................P.94
Restarting internal timecode with a specified value ......P.94
TIMECODE
Setting timecode
89
F8 Multi Track Field Recorder
Setting the mode
The timecode mode settings allow you to specify:
Whether the
generates timecode or receives
external timecode
Whether or not timecode continues running when not
recording
4. Use to select
Mode
, and
press
.
5. Use to select
Mode
, and
press
.
6. Use to select the mode,
and press
.
Setting value Explanation
Off
No timecode will be written to the recording file.
Timecode will not be output from the TIMECODE OUT jack.
Int Free Run
Internal timecode will be generated regardless of the
recording mode.
The internal timecode can be set manually using the
following menu items:
MENU > TIMECODE > Timecode > Jam
MENU > TIMECODE > Timecode > Restart
Timecode will always be output from the TIMECODE OUT
jack.
Int Record
Run
Internal timecode will be generated only when recording.
The internal timecode can be set manually using the
following menu items:
MENU > TIMECODE > Timecode > Jam
MENU > TIMECODE > Timecode > Restart
When switching from another mode, or when recording
stops, the internal timecode will stop at the last value.
Int RTC Run
Internal timecode will be generated regardless of the
recording mode.
In the following situations, the internal timecode will be
synchronized (jammed) with the RTC (internal clock):
At startup
When Date/Time (RTC) has changed (P.17)
When switching to this timecode mode
Timecode will always be output from the TIMECODE OUT
jack.
Ext
The internal timecode will chase the external timecode.
You can also enable the automatic generation of internal
timecode when there is no external timecode. ( P. 91)
Ext Auto Rec
The internal timecode will chase the external timecode.
You can also enable the automatic generation of internal
timecode when there is no external timecode. ( P.91)
Recording starts automatically when external timecode input
is detected. Recording stops automatically when external
timecode stops.
TIMECODE
Setting timecode
93
F8 Multi Track Field Recorder
Setting value Explanation
23.976ND
This is the most common frame rate used with HD cameras
and other high-definition video recording. The count is 0.1%
slower than the actual time.
24ND
This is the standard frame rate used for recording film. This
is also used with HD cameras.
25ND
This is the frame rate for PAL video. This is used for PAL
video, which is used in Europe and other regions.
29.97ND
This is a frame rate used for NTSC color video and HD
cameras. The count is 0.1% slower than the actual time. This
is used for NTSC video, which is used in Japan, the United
States and other countries.
29.97D
This is an adjusted frame rate that uses drop frames to make
NTSC match the actual time. This is used with video for
broadcast that requires the actual time frame to be matched.
30ND
This is used to synchronize sound with film that is being
transfered to NTSC video. This is the standard frame rate
used for black-and-white television in Japan, the United
States and other countries.
30D
This rate is used for special applications. This synchronizes
with film sound to be transferred to NTSC using 29.97fps
drop frame. The count is 0.1% faster than the actual time.
HINT
ND stands for Non-Drop frame.
D stands for Drop frame.
NOTE
Matching frame rates must be set in advance on all connected
video and audio devices.
Setting the frame rate for internal timecode
4. Use to select
FPS
, and
press
.
5. Use to select the frame
rate, and press
.
Slate mic/slate tone
Slate mic and slate tone overview
97
F8 Multi Track Field Recorder
Slate mic and slate tone overview
When recording with the , you can add audio com-
ments that describe, for example, the scene being filmed or
the anticipated cuts. You can also record slate tone signals
that can be used to synchronize with video.
The
has a built-in slate mic for recording comments
and the ability to output a variable frequency tone signal.
HINT
A "slate" is a clapperboard used when recording video.
NOTE
The slate mic and slate tone cannot be used at the same time.
The slate mic and slate tone cannot be used during audio file
playback.
Slate mic/slate tone
Recording a slate tone (Slate Tone)
102
Setting the frequency
4. Use to select
Frequency
, and press .
5. Use to adjust the
frequency, and press
.
HINT
This can be set from 100 to 10,000 Hz.
Setting the routing
Set the destination for the slate tone signal.
4. Use to select
Routing
,
and press
.
5. Use to select the tracks/outputs for slate tone
signal routing and press
.
Clear all settings
Set all to postfader
Select postfader
Off
HINT
Press
to switch between Postfader and Off.
Recording a slate tone (Slate Tone)
(continued)
Using USB functions
Audio interface settings
110
Audio interface settings
Setting loop back (Stereo Mix only)
This function allows the playback sound from the computer
or iPad and the
inputs to be mixed and sent back to
the computer or iPad (loop back).
You can use this function to add narration to music played
back from the computer and record the mix or stream it from
the computer, for example.
1. Press .
2. Use to select
LOOP
BACK
, and press .
3. Use to select
On
, and
press
.
Mixing inputs
You can adjust the mix balance of input signals sent to the
computer or iPad. When using Multitrack mode, the individ-
ual inputs will be sent. When using Stereo Mix mode, the
mixed stereo signal will be sent.
1. Open the mixer on the Home
Screen. ( P.11)
2. Adjust the parameter settings.
Editing operations
Move cursor or change value: turn
Select parameter to change: press
The following settings can be made when using the as an audio interface. See the relevant pages for details about
operation.
Using USB functions
Audio interface settings
111
F8 Multi Track Field Recorder
Parameter Setting range Explanation
Fader Mute, 48.0 – +12.0 dB Adjusts the level of the input signal.
Panning L100 – Center – R100
Adjusts the left-right stereo position of
the input signal.
HINT
You can turn
to move the cursor, and also adjust the settings
of the MAIN OUT 1/2 and SUB OUT 1/2 tracks.
You can also change L/R track setting values by moving the cur-
sor to the L/R track and pressing .
When a fader or pan knob is selected, press and hold to
reset it to its default value. If already set to its default value,
selecting a fader mutes the track.
Appendices
Specications
137
F8 Multi Track Field Recorder
Recording media Dual SD card slots support 16MB–2GB SD cards, 4GB–32GB SDHC cards and 64GB–512GB SDXC cards
Inputs
INPUT 1–8 Connectors XLR/TRS combo jacks (XLR: 2 hot, TRS: TIP hot)
XLR inputs (MIC)
Input gain +10 – +75 dB
Input impedance 3.3 kΩ
Maximum input level +14 dBu (at 0 dBFS, limiter ON)
Phantom power +24/+48V 10mA maximum for each channel
TRS inputs (LINE)
Input gain 10 – +55 dB
Input impedance 28 kΩ
Maximum input level +34 dBu (at 0 dBFS, limiter ON)
Equivalent input
noise
127 dBu or less (A-weighted, +75dB input gain, 150Ω input)
Frequency
characteristics
10 Hz – 80 kHz +0.5dB/1dB (192kHz sampling rate)
A/D dynamic range 120 dB typ (60dBFS input, A-weighted)
Crosstalk 90 dB or less (between adjacent channels, 1kHz)
MIC IN ZOOM mic capsule input (use disables Inputs 1/2)
SLATE MIC Built-in mic for voice memos can be assigned to tracks freely
Outputs
MAIN OUT 1/2
Connectors TA-3 connectors, balanced output (2: hot)
Output impedance 150 Ω or less
Reference output level 10 dBV (Normal Output Level), 40 dBV (Mic Output Level), 1 kHz, 600Ω load
Maximum output level +10 dBV (Normal Output Level), 20 dBV (Mic Output Level), 1 kHz, 600Ω load
SUB OUT 1/2
Connector 3.5mm stereo mini unbalanced output jack
Output impedance 100 Ω or less
Reference output level 10 dBV (Normal Output Level), 40 dBV (Mic Output Level), 1 kHz, 10kΩ load
Maximum output level +10 dBV (Normal Output Level), 20 dBV (Mic Output Level), 1 kHz, 10kΩ load
HEADPHONE
Connector 1/4" unbalanced stereo output jack
Output impedance 15 Ω or less
Maximum output level 100mW + 100mW (32Ω load)
D/A dynamic range 106 dB typ (60dBFS input, A-weighted)
Specifications
137

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