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Thank you very much for purchasing the ZOOM .

Please read this manual carefully to learn about all the functions of the

so that you

will be able to use it fully for a long time.

Keep this manual in a convenient place for reference when necessary.

OPERATION MANUAL

Copying or reproduction of this document in whole or in part without permission is prohibited.

Contents

Usage and Safety Precautions ..................................2

Introduction ..............................................................3

Part Names ...............................................................4

Turning the Power ON ..............................................6

Display Information ...................................................7

Terms Used in This Manual .......................................7

Using Patches ...........................................................8

Adjusting Effects.....................................................10

Adjusting the Master Level and Tempo...................14

Saving and Swapping Patches ................................15

Changing Various Settings ......................................16

Using the Tuner .......................................................20

Using Rhythms .......................................................22

Using the Looper ....................................................24

Using the Expression Pedal (

only) ........26

Updating the Firmware ...........................................28

Troubleshooting ......................................................30

Speciﬁcations .........................................................31

Usage and Safety Precautions

SAFETY PRECAUTIONS

In this manual, symbols are used to highlight warnings and cautions

that you must read to prevent accidents. The meanings of these

symbols are as follows:

Warning

Something that could cause serious injury or death.

Caution

Something that could cause injury or damage to the

equipment.

Other symbols

Required (mandatory) actions.

Prohibited actions.

Warning

Operation using an AC adapter

Use only a ZOOM AD-16 AC adapter with this unit.

Do not use do anything that could exceed the ratings of outlets and other

electrical wiring equipment. Before using the equipment in a foreign country

or other region where the electrical voltage differs from that indicated on

the AC adapter, always consult with a shop that carries ZOOM products

beforehand and use the appropriate AC adapter.

Operation using batteries

Use 4 conventional 1.5-volt AA batteries (alkaline or nickel-metal hydride).

Read battery warning labels carefully.

Always close the battery compartment cover when using the unit.

Alterations

Never open the case or attempt to modify the product.

Caution

Product handling

Do not drop, bump or apply excessive force to the unit.

Be careful not to allow foreign objects or liquids to enter the unit.

Operating environment

Do not use in extremely high or low temperatures.

Do not use near heaters, stoves and other heat sources.

Do not use in very high humidity or near splashing water.

Do not use in places with excessive vibrations.

Do not use in places with excessive dust or sand.

AC adapter handling

When disconnecting the AC adapter from an outlet, always pull the body of

the adapter itself.

During lightning storms or when not using the unit for a long time,

disconnect the power plug from the AC outlet.

Battery handling

Install the batteries with the correct +/- orientation.

Use a speciﬁed battery type. Do not mix new and old batteries or different

brands or types at the same time. When not using the unit for an extended

period of time, remove the batteries from the unit.

If a battery leak should occur, wipe the battery compartment and the battery

terminals carefully to remove all battery residue.

Connecting cables with input and output jacks

Always turn the power OFF for all equipment before connecting any cables.

Always disconnect all connection cables and the AC adapter before moving

the unit.

Volume

Do not use the product at a loud volume for a long time.

Usage Precautions

Interference with other electrical equipment

In consideration of safety, the

has been designed to

minimize the emission of electromagnetic radiation from the device and to

minimize external electromagnetic interference. However, equipment that

is very susceptible to interference or that emits powerful electromagnetic

waves could result in interference if placed nearby. If this occurs, place the

and the other device farther apart. With any type of

electronic device that uses digital control, including the

electromagnetic interference could cause malfunction, corrupt or destroy data

and result in other unexpected trouble. Always use caution.

Cleaning

Use a soft cloth to clean the panels of the unit if they become dirty. If

necessary, use a damp cloth that has been wrung out well. Never use abrasive

cleansers, wax or solvents, including alcohol, benzene and paint thinner.

Malfunction

If the unit becomes broken or malfunctions, immediately disconnect the AC

adapter, turn the power OFF and disconnect other cables. Contact the store

where you bought the unit or ZOOM service with the following information:

product model, serial number and speciﬁc symptoms of failure or malfunction,

along with your name, address and telephone number.

Copyrights

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documentation are the property of their respective owners.

Note: All trademarks and registered trademarks mentioned in this manual are

for identiﬁcation purposes only and are not intended to infringe on the

copyrights of their respective owners.

Introduction

Five simultaneous effects

You can select and arrange the order of up to ﬁve effects as you like and use them simultaneously. Use the

cursor keys and view the effects being used on the LCD anytime.

Variety of rhythm patterns

Realistic sounds are provided with updated rhythm patterns and tones.

Looper

The looper can be synchronized with rhythms and record phrases of up to 30 seconds.

Realistic ampliﬁer modeling

We have included realistic ampliﬁer modeling sounds from our . We have recreated the low-end thickness,

pitch clarity and loudness, which are elements that contribute to a natural playing feel, with incredible accuracy.

The models range from famous historical amps to recent popular ones and cover a great variety of bass sounds.

Long battery operation time

20 hours of continuous operation is possible using alkaline batteries (when the LCD backlight is off).

* A printed list of effect parameters is not included with the .

Please download a copy from the ZOOM website.

http://www.zoom.co.jp/

Part Names

O Top Panel

RHYTHM/LOOPER key

MENU key

Display

HOME key

Parameter knob

ENTER key

Foot switches

Cursor keys (up, down, left, right)

Expression pedal

( only)

Rear Panel O

Bass amplifier

Headphones

Portable audio

player, etc.

ZOOM AC

adapter (AD-16)

Computer

Bass guitar

INPUT jack

Pedal switch

( only)

OUTPUT jackAUX IN jack

USB

connector

DC9V

AC adapter jack

NOTE

Signals input through t

the AUX IN jack are

sent directly to the

OUTPUT jack without

passing through the

built-in effects.

Turning the Power ON

Lower the ampliﬁer's volume all the way.

When using batteries O

Insert batteries into the battery compartment.

Plug a guitar cable into the INPUT jack.

(Doing so turns the unit on.)

When using an adapter O

Connect an AD-16 adapter.

Turn the ampliﬁer's power on and raise its

volume.

NOTE

USB bus power operation is possible.t

eco mode

If the eco mode setting is ON and it is left unused for

10 hours, it turns off automatically. (See page 16.)

Display Information

HOME Screen O

Bank name Patch number

Patch names

Status icon (

P18)

Add effects (

P12)

Reorder effects (

P13)

Delete effects (

P12)

Remaining power display

Patch settings (

P9)

Effect

This shows that the patch

contents have been changed.

This shows that the patch

contents have been saved.

HINT

Press t to return to the HOME screen from any other screen.

Effects that are OFF appear gray.t

Terms Used in This Manual

Patch

The ON/OFF status and the parameter settings of each effect are stored as "patches".

Use patches to recall and save effects. The

can store 100 patches.

Bank

A set of 10 patches is called a "bank".

The

has 10 banks labeled A–J.

Using Patches

To change the patch

Use and .

HINT

For details about using the preselect function to t

change directly to patches that are not next in

order, see page 19.

Press and hold t

or to change patches

continuously.

To change the bank

Use and

To change settings for individual

patches

Turn on the HOME

screen.

Select PATCH SETTINGS.

Press .

The PATCH SETTINGS

screen appears.

Press .

The patch editing screen

appears.

Turn .

Open the page you want.

only

To adjust the patch level (LVL) O

Turn .

Select LEVEL.

Press .

Turn

Set between 0 and 120.

To change the patch name O

(NAME)

Turn .

Move the cursor.

Press .

Conﬁrm the character to change.

Turn .

Change the character.

HINT

Yo u c a n u s e t and to change the type of

character/symbol.

Adjusting Effects

To select an effect

Turn on the HOME

screen.

Select the effect.

Press .

Show the top screen of the

selected effect.

HINT

The virtual knobs are shown with the current t

parameter values.

To turn an effect ON or OFF

Press or .

Effect OFFEffect ON

Virtual knob

Graphic for selected effect

To select an effect type

Use and .

Effect processing capacity M

The allows

you to combine ﬁve effects

as you like. However, if you

combine effect types that

require great amounts of

processing power (amp models, for example),

the available processing capacity might not be

enough. If this occurs, "PROCESSING LIMIT"

will appear, and the effect will be bypassed.

You can avoid this by changing some of the

effect types.

To select from a category O

Press and hold or

The categories appear.

Turn .

Select the category.

Press .

NOTE

The t includes a PEDAL effects category.

To scroll through the effects shown

When using multiple effects, scroll to switch the

effect shown.

Use and

To adjust parameters

Press .

The editing screen appears.

Turn .

Select the parameter to

adjust.

Press .

Conﬁrm the parameter to

adjust.

Turn .

Adjust the parameter value.

HINT

When shipped from the factory, the auto save t

function is active. As soon as a parameter is adjusted

this change is automatically saved. (See page 18.)

Adjusting Effects

To add an effect

Turn on the HOME

screen.

Select ADD EFFECT.

Press .

Open the category

selection screen.

Turn .

Select the category.

Press .

Open the added effect

placement screen.

Turn .

Select where to add the

effect.

Press .

Add the effect.

Turn to end.

Select EXIT.

Press .

HINT

On the effect screen, you can also press and t

hold or to add an effect.

To remove an effect

Turn on the HOME

screen.

Select DELETE EFFECT.

Press .

Open the effect deletion

screen.

Turn .

Select the effect to delete.

Press .

Open the conﬁrmation

screen.

Press .

Delete the effect.

Turn to end.

Select EXIT.

Press .

To change the order of effects

Turn on the HOME

screen.

Select EFFECT CHAIN.

Press .

Open the EFFECT CHAIN

screen.

Turn .

Select the effect to move.

Press .

Conﬁrm the effect to move.

Turn .

Select the new position for

the effect.

Press .

Conﬁrm the new position.

Press to end.

Adjusting the Master Level and Tempo

To adjust the master level

Press on the

HOME screen.

Open the MENU screen.

Turn .

Select MASTER LVL.

Press .

Turn

Set between 0 and 120.

Press to end.

To adjust the master tempo (BPM)

Press on the

HOME screen.

Open the MENU screen.

Turn .

Select BPM.

Press .

Turn

Set between 40 and 250.

NOTE

This tempo setting is shared by all effects, rhythms t

and the looper.

Press to end.

Saving and Swapping Patches

To save the current patch

Press on the

HOME screen.

Open the MENU screen.

Turn .

Select SAVE.

Press .

Open the patch SAVE

screen.

Turn .

Select where to save the patch.

Press .

Open the conﬁrmation

screen.

Turn .

Select "YES" to execute.

Select "NO" to cancel.

Press .

To swap the current patch

Press on the

HOME screen.

Open the MENU screen.

Turn

Select SWAP.

Press .

Open the patch SWAP

screen.

Turn .

Select the other patch to swap.

Press .

Open the conﬁrmation

screen.

Turn .

Select "YES" to execute.

Select "NO" to cancel.

Press .

NOTE

Patches cannot be swapped t

if the current patch has not

been saved.

Changing Various Settings

Press on the

HOME screen.

Open the MENU screen.

Turn .

Select SETTINGS.

Press .

Open the SETTINGS

screen.

To select the battery type

Turn on the

SETTINGS screen.

Select BATTERY.

Press .

Turn .

Select ALKALI (alkaline) or Ni-MH (nickel-metal

hydride).

To set the eco mode

Turn on the

SETTINGS screen.

Select eco.

Press

Turn

Select ON or OFF.

HINT

ON: eco mode is active. If left unused for 10 t

hours, the power turns off automatically.

OFF: eco mode is not active.t

To adjust the backlight time

Turn on the

SETTINGS screen.

Select LCD LIGHT.

Press .

Turn

Select OFF, ON, 15sec or 30sec.

To adjust the display contrast

Turn on the

SETTINGS screen.

Select LCD CNTRST.

Press .

Turn

Set between 1 and 13.

Changing Various Settings

To set the auto save function

Turn on the

SETTINGS screen.

Select AUTO SAVE.

Press .

Turn

Select ON or OFF.

When AUTO SAVE is ON O

Patch changes will be saved automatically.

This shows that the

patch has been changed.

This shows that the

patch has been saved.

When AUTO SAVE is OFF O

Patch changes will not be saved until they are

saved manually.

If a patch has been

changed, a conﬁrmation

screen will appear when

you try to open another

patch.

Turn .

Select "YES" to save.

Select "NO" to not save.

Press .

NOTE

If you select "NO", the patch setting changes will t

not be saved and the other patch will open.

Turn .

Select where to save the

patch.

Press .

Open the conﬁrmation

screen.

Turn .

Select "YES" to save.

Select "NO" to cancel.

Press .

The patch changes are saved.

HINT

You can also save from the MENU screen.t

See "To save the current patch". (See page 15.)t

NOTE

If a patch has not been saved, patches cannot be t

swapped. (See page 15.)

To use the preselect function

Turn on the

SETTINGS screen.

Select PRESELECT.

Press .

Turn

Select ON or OFF.

HINT

ON: The preselect function is active. You can t

select the next patch before changing to it.

OFF: The preselect function is inactive.t

When PRESELECT is ON O

On the HOME screen,

use

and .

Select the next patch.

Press and at

the same time.

Change to the selected

patch.

To activate the tuner

On the HOME screen

or an effect screen,

press

and at

the same time.

Open the tuner screen.

To tune the bass guitar

You can play each open string and tune it.

CHROMATIC TUNER O

(Flat) (Correct pitch) (Sharp)

The name of the nearest note and the pitch

accuracy are shown.

BASS TUNER O

(Flat) (Correct pitch) (Sharp)

Using the Tuner

Press or to end.

To change tuner settings

On the tuner screen,

press

Open the TUNER settings

screen.

Turn .

Select the item to set.

Press .

Conﬁrm the item to set.

Turn .

Change the setting.

Press to end.

Setting items M

OUTPUT

Select BYPASS or MUTE.

Standard pitch (CALIBRATION)

The standard pitch for middle A can be set from

435-445 Hz.

Tuner types (TYPE)

Select CHROMA (chromatic) or BASS. See the

table below for more about the bass tuner.

Drop tuning (FLAT)

Set to × 0, × 1, × 2 or × 3.

NOTE

Drop tuning is not possible when the TYPE is t

set to CHROMA.

Tuner types

Display Meaning

String number/Note name

LB 4 3 2 1 HC

BASS Standard tuning for bass guitars, including those with 5 or 6 strings B E A D G C

HINT

”LB” is the low B string and ”HC” is the high C t

string.

Using Rhythms

To activate a rhythm

On the HOME screen or

an effect screen, press

Open the RHYTHM screen.

HINT

On the RHYTHM screen, press t to switch

to the LOOPER screen.

To set the pattern, tempo and

volume

On the RHYTHM

screen, turn

Select the item to set.

Press .

Conﬁrm the item to set.

Turn .

Change the setting.

Setting items M

PATTERN

Select the rhythm pattern. For more about

rhythm patterns. (See page 23.)

Tempo (BPM)

The setting range is 40-250.

NOTE

This tempo setting is used by every effect, t

rhythms and the looper.

Volume (LVL)

The setting range is 0-100.

To start rhythm playback

On the RHYTHM

screen, press

To stop the rhythm

On the RHYTHM screen, press .

No.

PatternName

TimSig

1 GUIDE 4/4

2 8Beats1 4/4

3 8Beats2 4/4

4 8Beats3 4/4

5 16Beats1 4/4

6 16Beats2 4/4

7 16Beats3 4/4

8 Rock1 4/4

9 Rock2 4/4

10 Rock3 4/4

11 ROCKABLY 4/4

12 R'n'R 4/4

13 HardRock 4/4

14 HeavyMtl 4/4

15 MtlCore 4/4

16 Punk 4/4

17 FastPunk 4/4

18 Emo 4/4

19 TomTomBt 4/4

20 Funk1 4/4

21 Funk2 4/4

22 FunkRock 4/4

23 JazzFunk 4/4

No.

PatternName

TimSig

24 R&B1 4/4

25 R&B2 4/4

26 70s Soul 4/4

27 90s Soul 4/4

28 Motown 4/4

29 HipHop 4/4

30 Disco 4/4

31 Pop 4/4

32 PopRock 4/4

33 IndiePop 4/4

34 EuroPop 4/4

35 NewWave 4/4

36 OneDrop 4/4

37 Steppers 4/4

38 Rockers 4/4

39 Ska 4/4

40 2nd Line 4/4

41 Country 4/4

42 Shufﬂe1 4/4

43 Shufﬂe2 4/4

44 Blues1 4/4

45 Blues2 4/4

46 Jazz1 4/4

No.

PatternName

TimSig

47 Jazz2 4/4

48 Fusion 4/4

49 Swing1 4/4

50 Swing2 4/4

51 Bossa1 4/4

52 Bossa2 4/4

53 Samba1 4/4

54 Samba2 4/4

55 Breaks1 4/4

56 Breaks2 4/4

57 Breaks3 4/4

58 12/8 Grv 12/8

59 Waltz 3/4

60 JzWaltz1 3/4

61 JzWaltz2 3/4

62 CtWaltz1 3/4

63 CtWaltz2 3/4

64 5/4 Grv 5/4

65 Metro3 3/4

66 Metro4 4/4

67 Metro5 5/4

68 Metro

HINT

On the RHYTHM screen, you can press t to

return to the HOME screen while the rhythm

continues playing.

Rhythm patterns

Using the Looper

To activate the looper

On the HOME screen or

an effect screen, press

Open the LOOPER screen.

HINT

On the LOOPER screen, press t to switch

to the RHYTHM screen.

To set the recording time, tempo

and volume

On the LOOPER

screen, turn

Select the item to set.

Press .

Conﬁrm the item to set.

Turn .

Change the setting.

Setting items M

Recording time (TIME)

Set to MANUAL or in a range from × 1 to

× 64.

NOTE

The looper can record up to 30 seconds.t

If the setting (number of quarter notes) would t

not fall in this range, it will automatically be

adjusted.

Changing the recording time will erase the t

currently recorded loop.

Tempo (BPM)

The setting range is 40-250.

NOTE

Changing the tempo will erase the currently t

recorded loop.

This tempo setting is used by every effect, t

rhythms and the looper.

Volume (LVL)

The setting range is 0-100.

To record and play back a phrase

On the LOOPER

screen, press

Start recording.

After the recording time

elapses, playback will start.

When TIME is set to MANUAL O

Loop playback start when you press or the

maximum recording time (30 seconds) is reached.

NOTE

During rhythm playback, recording will start after a t

pre-count.

To overdub a recorded loop

During loop playback,

press

Press

to end.

To stop loop playback

On the LOOPER

screen, press

To erase the loop

Stop loop playback and

press and hold

the LOOPER screen.

HINT

On the LOOPER screen, you can press t to

return to the HOME screen while recording a loop

or playing it back.

Using the Expression Pedal ( only)

If a PEDAL category effect has been added,

settings will be made automatically to allow

control of expression pedal parameters.

To change the pedal settings

Turn on the HOME

screen.

Select PATCH SETTINGS.

Press .

Open the PATCH SETTINGS

screen.

Press .

Open the patch editing

screen.

Turn .

Open the PEDAL setting

screen.

To set the controlled parameter O

and range

Tu rn on the PEDAL

setting screen.

Select the item to set.

Press .

Conﬁrm the item to set.

Turn .

Change the setting.

Setting items M

Controlled parameter

Minimum value (pedal up)

This differs according to the effects type.

Maximum value (pedal down)

This differs according to the effects type.

HINT

NO ASSIGN: No function is assigned to the expression t

pedal.

AUTO ASSIGN: When using a PEDAL category t

effect, a parameter will be assigned to the pedal

automatically.

If multiple PEDAL category effects are used, their

corresponding parameters will all be assigned to

the expression pedal.

INPUT VOL: Controls the input level.t

OUTPUT VOL: Controls the output level. (Does t

not affect the volume of the rhythm or looper.)

The pedal switch can be used to turn ON/OFF t

effects that are assigned to the expression

pedal. (The ON/OFF setting made by the pedal

switch is not saved.)

To calibrate its sensitivity

While pressing , turn

the unit on. (See page 6.)

Operate the pedal as

the instructions show

and press

each

time.

"Complete!" appears when calibration is ﬁnished.

NOTE

If "Error!" appears, restart calibration from the t

beginning.

To adjust the torque

Insert the hex key into the torque adjustment

screw on the side of the pedal.

Turn it clockwise to tighten the pedal, and turn it

counterclockwise to loosen the pedal.

Loosen

Tighten

NOTE

Be careful when loosening the screw. Loosening t

it too much could cause it to come off inside the

unit.

Updating the Firmware

Download the latest ﬁrmware from the ZOOM

website.

http://www.zoom.co.jp/

To view the ﬁrmware versions

Press on the HOME screen.

Open the MENU screen.

Turn .

Select VERSION.

Press .

The ﬁrmware version is

shown.

Press to end.

To update the ﬁrmware

Conﬁrm that the power is off.

While pressing both

and

, connect the

unit to a computer using a

USB cable.

The FIRMWARE UPDATE screen appears.

Launch the ﬁrmware update application on

your computer, and execute the update.

When it finishes updating, ”Complete!” appears

on the display.

Disconnect the USB cable.

HINT

Updating the ﬁrmware will not erase saved patches.t

NOTE

Do not disconnect the USB cable while the firmware t

is being updated.

To restore the to

its factory default settings

While pressing ,

turn the power ON.

(See page 6.)

The All INITIALIZE screen

appears.

Turn .

Select "YES" to execute.

Select "NO" to cancel.

Press .

NOTE

Be careful because this will restore all defaults to t

their factory settings. Be sure that you want to do

this.

Troubleshooting

The unit will not turn ON

If operating on battery power, connect a cable t

to the INPUT jack.

No sound or very low volume

Check the connections (t

P5).

Adjust the levels of the effects being used t

(

P11).

Adjust the master level (t

P14).

When adjusting the volume with an expression t

pedal, make sure that a suitable volume setting

has been set with the pedal.

Confirm that the TUNER OUTPUT is not set to t

"MUTE" (

P20).

There is a lot of noise

Check shielded cables for defects.t

Use only a genuine ZOOM AC adapter (t

P6).

An effect is not working

If the effect processing capacity is exceeded, t

”PROCESSING LIMIT” appears on the effect

graphic. In this case, the effect is bypassed

(

P10).

Batteries lose their charge quickly

Confirm that you are not using manganese t

batteries. A lkaline batteries should provide

about 20 hours of continuous operation.

Check the battery setting.t

Set the type of battery being used to enable the

remaining charge to be shown more accurately

(

P16).

Due to the characteristics of the batteries, they t

might be used more quickly in cold.

The expression pedal is not working

well

Check the expression pedal settings (t

P26).

Adjust the expression pedal (t

P27).

Speciﬁcations

Effect types

75 types

80 types

Number of simultaneous effects

Number of user banks/patches

10 patches x 10 banks

Sampling frequency 44.1kHz

A/D conversion 24-bit with 128x oversampling

D/A conversion 24-bit with 128x oversampling

Signal processing 32-bit ﬂoating point & 32-bit ﬁxed point

Display LCD

Input INPUT Standard monaural phone jack

Rated input level: -20dBm

Input impedance (Line): 470k Ω

AUX IN Stereo mini jack

Rated input level: -10dBm

Input impedance (Line): 1k Ω

Output OUTPUT Standard stereo phone jack

Maximum output level:

Line + 2dBm

(with output load impedance of 10 kΩ or more)

Headphones 17mW + 17mW (into 32 Ω load)

S/N (equivalent input noise) 119dB

Noise ﬂoor (residual noise) -97dBm

Power AC adapter DC9V (center minus plug), 500 mA (ZOOM AD-16)

20 hours of continuous operation using 4 alkaline AA batteries (with LCD

backlight off)

USB Firmware update

Dimensions

154.8mm(D) x 146.0mm(W) x 43.0mm (H)

154.8mm(D) x 237.0mm(W) x 50.0mm (H)

Weight

380g (Not including batteries)

640g (Not including batteries)

*0dBm = 0.775Vrms

ZOOM CORPORATION

4-4-3 Kanda-surugadai, Chiyoda-ku, Tokyo 101-0062, Japan

http://www.zoom.co.jp

Z2I-1995-01

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Connect the equipment to an outlet on a circuit different from that to which the receiver is connected.

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FCC regulation warning (for U.S.A.)

This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant

to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful

interference in a residential installation. This equipment generates, uses, and can radiate radio frequency

energy and, if not installed and used in accordance with the instructions, may cause harmful interference

to radio communications. However, there is no guarantee that interference will not occur in a particular

installation. If this equipment does cause harmful interference to radio or television reception, which can be

determined by turning the equipment off and on, the user is encouraged to try to correct the interference by

one or more of the following measures:

Disposal of Old Electrical & Electronic Equipment

(Applicable in European countries with separate collection systems)

This symbol on the product or on its packaging indicates that this product shall not be treated as household

waste. Instead it shall be handed over to the applicable collection point for the recycling of electrical and

electronic equipment. By ensuring this product is disposed of correctly, you will help prevent potential

negative consequences for the environment and human health, which could otherwise be caused by

inappropriate waste handling of this product. The recycling of materials will help to conserve natural

resources. For more detailed information about recycling of this product, please contact your local city

ofﬁce, your household waste disposal service or the shop where you purchased the product.

Declaration of Conformity:

This product complies with the requirements of

EMC Directive 2004/108/EC and

ErP Directive 2009/125/EC and

RoHS Directive 2011/65/EU

For EU Countries

Manufacturer names and product names mentioned in this patch list are trademarks or registered trademarks of their respective owners and

do not indicate any affiliation with ZOOM CORPORATION.

All product and artist names are intended only to illustrate sonic characteristics that were used as reference in the development of this product.

Professional Settings

DemoStu HammNate Watts

Tweak Freak

Professional Settings

BANK / PATCHCATEGORY BANK / PATCHCATEGORYPATCH NAME COMMENT PATCH NAME COMMENT

CleanDistortionFilter/Synth

Clean

Legendary Tone

This warm distorted bass sound is perfect for UK rock style music.

Cut through even a loud orchestra with this rock slap setting.

This envelope filter sounds uses M-Filter and DuoPhase.

When you want to record a clean sound that is a little fat, this sound that uses HRT3500 is the one.

This distortion sound is good for playing with a pick.

This clean sound with a prominent echo can be used during quiet sections of songs.

This synth bass sound shows its power in the low range.

This aggressive bass sound with a distinct edge even works well with slapping.

Big heavy rock tone with added distortion in the style of King Crimson's John Wetton.

With a smooth attack like a fretless bass, this setting is great for playing melodies.

Recreates the tone and attack of a classic solid-state amp and cabinet.

A combination of classic rock bass heads and cabinets give you the power and tone to hold down the bottom no matter how hard you are rocking.

Starting with a clean solid-state sound, this patch adds an octave below. Great for soloing or laying down phat bass lines.

Uses the Defret and G-Krueger for a recreation of Jaco's tone on “A Remark You Made.”

This funky synth sound is based on the intro from George Duke’s “Reach For It.”

A slight early reflection delay on top of an ultra-clean tone make this an ideal patch for music using tapping techniques.

A clean setting with a subtle chorus and reverb perfect for chordal playing.

A subtle delay for solo bass playing with an added reverb.

The StereoDly added to a sweet harmonics setting for an out-of-this-world sound.

In the style of Robert Fripp’s “Frippertronics,” this patch will let you create long and surreal soundscapes.

This auto-wah sound, which uses BaAutoWah, is great for playing funky bass lines.

This is an extremely distorted fuzz sound and uses Ba Metal.

This setting, which uses the Plate reverb effect, is great for solo bass.

The Mark B and Ba Ensmbl effects are used to create this thick chorus sound.

This uses the Flip Top and Vibrato effects for a sound with a strong sense of modulation.

This patch uses Ag Amp and SlowATTCK to create a sound with a nice slow attack. This is perfect for playing chords.

This delay sound uses the G-Krueger and Delay effects to repeat the original sound with little alteration. This is a perfect delay sound for playing solos with a mysterious feeling.

This setting uses Ba Octave to increase the thickness of the low frequencies.

This uses the acoustic and Ba Chorus effects for a clear modulation sound.

This synth bass sound uses StdSyn and is good for funky phrases.

This setting is based on the sound of line recording.

The fleshy sound of fingerpicking is the image behind this setting.

This clean sound uses a compressor setting that is good for playing with multiple fingers, including three-finger, four-finger and sweep.

This gospel bass sound uses the SMR effect.

This clean sound for fast playing uses HRT3500 and is good for recording.

This is a bass sound with a quick attack. Since the middle frequencies are also brought out significantly, the outlines of the tones are not lost, making this patch great for fast playing.

Smooth and strong fingerpicking is the inspiration for this patch.

This lo-fi sound uses the AC Bs Pre with bold equalization.

A slightly compressed rock tone on the verge of distortion that will enhance playing with a pick.

With its low range brought to the front, this bold sound is perfect for dub reggae.

A tribute to James Jamerson. SVT and Ba Boost with heavy low end like Mr. Jamerson.

Using G-Krueger, this is a clean sound for recording technical solos.

Ideal for playing harmonics, for example, this setting makes use of the rear pickup of a jazz bass.

Good for playing chords, this sound maintains the distinctness of the notes.

This setting evokes the sound of Jaco Pastorius and is ideal for playing chords using natural harmonics.

This setting makes the most of repeated rhythmic playing using the nails of the right hand.

Use this floating sound to maximize the chord feeling and crisp staccato of tapping.

While being a clean sound, this lyrical patch also suits bold fast play.

This dub sound is crafted with reverb and has great depth. Lowering the tone on the bass itself might add interest.

Was thinking of Victor Wooten's “Show of Hands” record.

This is a sound in the style of Chris Squire from Yes. It re-creates the rapidly sawing tremolo sound that he used in “Starship Trooper.”

A tribute to Anthony Jackson on the O'Jays hit song, “For the Love of Money.”

This patch is effective at making the most of the tails of long notes when, for example, playing whole notes with bright round strings.

ModReverb gives this setting a nice modulation.

SlowATTCK, OptComp, Delay, and ModReverb make a very somber sound. GREAT for ballads.

This Marcus Miller style tone uses 160 Comp and SMR.

This setting uses Mark B and is designed to record metal-style slapping. Mixing this with the direct sound when recording is ideal.

This setting allows the melody to be heard effectively when using only slap pull-offs.

160 Comp and Phaser FULL sound to cut through ANYTHING.

Enjoy ethereal slap playing with this setting that uses a short delay.

This distortion sound keeps notes distinct and is designed for quick playing and bassists who have fast right hands.

This sticky distorted bass sound in the style of Jack Bruce sounds like the rough distortion of a humbucker pickup.

Ba Dist 1 and Ba Boost make this a fun sound to have!! Harmonics and Melodies really come alive.

This boomy sound uses the Heaven and Limiter effects.

D.I Plus and Bass BB combine to make this rough distorted sound.

Strong, in-your-face Muff. The Ag Amp made it BIG sounding.

This setting for recording rapid solo playing uses D.I Plus and DI5.

This solo sound designed for fast playing and tapping will let you play your heart out during bass solos.

Add color to songs with this phaser sound.

A tribute to the band Muse and their song “Stockholm Syndrome.”

This auto-wah sound uses BaAutoWah for great expressiveness.

The bottom is emphasized in this filter sound that seems to talk.

The Ba Octave effect is used for an octave filter sound.

A tribute to Alphonso Johnson. Limiter gives it that punch and the Exciter gives an edge 70's Fusion.

A combination of SVT and M-Filter effects creates this sound that evokes the atmosphere of a Moog synthesizer with its rich low frequencies.

This patch was made to fall between the sound of a synth bass and an envelope filter effect.

This synth bass sound is extreme. It's perfect for phrases with long notes using sustain.

This keyboard bass setting evokes the 1970s, but has a modern touch.

This synth bass tone has a talking feel.

This synth bass sound is effective when sustaining long heavy low notes.

Slight compression and ParticleR give a synthy pad sound when played legato.

This synthesizer pad sound can be used with chord playing.

Defret with Ba Pitch set an octave below and Vibrato make this extremely funky and unique sound.

This setting, which uses FilterDly with ModReverb, is inspired by the image of a sunken ruin at the bottom of the ocean.

SeqFLTR, ReverseDL and other effects combine for an electronica sound. This one is perfect for playing harmonics and chords.

With a 5th added, I was hearing the 70's fusion of George Duke/Frank Zappa.

This synth bass sound uses BitCrush for a tone inspired by dubstep and similar genres.

This long delay sound uses modulation that generates feelings of comfort.

SVT amp with StdSyn and SeqFLTR. Big Fuzz and Synth sound.

ReverseDL, HD Hall and Ba Boost for spacy new age bass.

This setting is good for modern slap playing techniques. It uses M Comp and Mark B effects.

This orthodox bass sound is warm and relaxed, making it perfect for accompanying singing, for example.

With a fat sound, this setting is ideal for earthy rock played by fingerpicking.

AC Bs Pre and Flip Top for 1960's Motown sound.

This traditional slap sound is in the style of Louis Johnson.

Powerfully boosting the midrange, this distorted bass sound is in the style of Tim Bogert.

The emphasis on the low frequencies is like old-fashioned reggae bass.

80's Pop Tone. Not too “chorus” driven, but just enough rate from Ba Ensmbl.

This simulates the sound of a fretless bass. A sense of vibration and width are realized by combining multiple effects.

D Comp, Vibrato and Z-Syn A tribute to Bootsy Collins.

UK Groove

SLAP

Fonk

REC FAT CL

ruff

CLEAN&ECHO

FAT Syn

AttackBass

Fracture

FRETLESS

SolidState

RockSteady

LowOctave

A-Remark

Reach4It!

HammOnTap

Chordal

SoloDlaVrb

SpaceMan

FrippOut

NW AUTO

NW FUZZ

NW VERB

NW ENS

NW VIB

NW SATK

NW DLY

NW DBL

NW CHOR

NW SYN

Studio

Fat Man

TC CLEAN

The Gospel

REC CLEAN

Solid Bass

Big Willie

Low Fi

PickHeavy

ReggaeBASS

Cappn Hook

REC SOLO_C

FUSION CH

CHORD

HARMONICS

CUTTING

TAPPING

CLEAN SOLO

DUB BASS

Orpheum

TREMO

Mean Green

CHO&REV

Ice

Listen Up

Tight

REC SLAP

PULL MELO

ChokePHASE

SLAPBACK

HYBRID DIS

JB Dis

ExtraExtra

KingSal

boozer

Aggression

REC SOLO_D

DIS SOLO

PHASER

aMUSE me

AUTO-FUNK

Talkin'

kick it

Energy

G-Boogie

Star Bass

SYNBASS

BassickSyn

Boogie

SFX SYNTH

Synthy

chill

Ice Cold

Drowned

Warp

JustNasty

Krush

Copycat

Murda Fuzz

Genesis

MillerTime

WARM TONE

EarthyRock

Remote

1981

TM FUZZ

Smoke

Magic

jackko

SpaceFONK