635576
48
Verklein
Vergroot
Pagina terug
1/52
Pagina verder
2
Model
Serial No.
Purchase Date
SPECIAL MESSAGE SECTION (U.S.A.)
This product utilizes batteries or an external power
supply (adapter). DO NOT connect this product to
any power supply or adapter other than one
described in the manual, on the name plate, or
specifically recommended by Yamaha.
This product should be used only with the compo-
nents supplied or; a cart, rack, or stand that is
recommended by Yamaha. If a cart, etc., is used,
please observe all safety markings and instruc-
tions that accompany the accessory product.
SPECIFICATIONS SUBJECT TO CHANGE:
The information contained in this manual is be-
lieved to be correct at the time of printing. How-
ever, Yamaha reserves the right to change or
modify any of the specifications without notice or
obligation to update existing units.
This product, either alone or in combination with
an amplifier and headphones or speaker/s, may be
capable of producing sound levels that could
cause permanent hearing loss. DO NOT operate
for long periods of time at a high volume level or
at a level that is uncomfortable. If you experience
any hearing loss or ringing in the ears, you should
consult an audiologist. IMPORTANT: The louder
the sound, the shorter the time period before
damage occurs.
NOTICE:
Service charges incurred due to lack of knowledge
relating to how a function or effect works (when
the unit is operating as designed) are not covered
by the manufacturer’s warranty, and are therefore
the owners responsibility. Please study this
manual carefully and consult your dealer before
requesting service.
ENVIRONMENTAL ISSUES:
Yamaha strives to produce products that are both
user safe and environmentally friendly. We sin-
cerely believe that our products and the produc-
tion methods used to produce them, meet these
goals. In keeping with both the letter and the spirit
of the law, we want you to be aware of the follow-
ing:
Battery Notice:
This product MAY contain a small non-recharge-
able battery which (if applicable) is soldered in
place. The average life span of this type of battery
is approximately five years. When replacement
becomes necessary, contact a qualified service
representative to perform the replacement.
This product may also use “household” type bat-
teries. Some of these may be rechargeable. Make
sure that the battery being charged is a recharge-
able type and that the charger is intended for the
battery being charged.
When installing batteries, do not mix old batteries
with new, or with batteries of a different type.
Batteries MUST be installed correctly. Mismatches
or incorrect installation may result in overheating
and battery case rupture.
Warning:
Do not attempt to disassemble, or incinerate any
battery. Keep all batteries away from children.
Dispose of used batteries promptly and as regu-
lated by the laws in your area. Note: Check with
any retailer of household type batteries in your
area for battery disposal information.
Disposal Notice:
Should this product become damaged beyond
repair, or for some reason its useful life is consid-
ered to be at an end, please observe all local,
state, and federal regulations that relate to the
disposal of products that contain lead, batteries,
plastics, etc. If your dealer is unable to assist you,
please contact Yamaha directly.
NAME PLATE LOCATION:
The name plate is located on the bottom of the
product. The model number, serial number, power
requirements, etc., are located on this plate. You
should record the model number, serial number,
and the date of purchase in the spaces provided
below and retain this manual as a permanent
record of your purchase.
92-BP
PLEASE KEEP THIS MANUAL
3
Do not expose the instrument to excessive dust or vibrations, or extreme
cold or heat (such as in direct sunlight, near a heater, or in a car during the
day) to prevent the possibility of panel disfiguration or damage to the
internal components.
Do not use the instrument near other electrical products such as televi-
sions, radios, or speakers, since this might cause interference which can
affect proper operation of the other products.
Do not place the instrument in an unstable position where it might acci-
dentally fall over.
Before moving the instrument, remove all connected adaptor and other cables.
• When cleaning the instrument, use a soft, dry cloth. Do not use paint
thinners, solvents, cleaning fluids, or chemical-impregnated wiping cloths.
Also, do not place vinyl, plastic or rubber objects on the instrument, since
this might discolor the panel or keyboard.
Do not rest your weight on, or place heavy objects on the instrument, and
do not use excessive force on the buttons, switches or connectors.
Use only the stand/rack specified for the instrument. When attaching the
stand or rack, use the provided screws only. Failure to do so could cause
damage to the internal components or result in the instrument falling over.
Do not operate the instrument for a long period of time at a high or uncom-
fortable volume level, since this can cause permanent hearing loss. If you
experience any hearing loss or ringing in the ears, consult a physician.
Yamaha cannot be held responsible for damage caused by improper use or modi-
fications to the instrument, or data that is lost or destroyed.
Always turn the power off when the instrument is not in use.
Make sure to discard used batteries according to local regulations.
PRECAUTIONS
PLEASE READ CAREFULLY BEFORE PROCEEDING
* Please keep these precautions in a safe place for future reference.
Do not open the instrument or attempt to disassemble the internal parts
or modify them in any way. The instrument contains no user-serviceable
parts. If it should appear to be malfunctioning, discontinue use immedi-
ately and have it inspected by qualified Yamaha service personnel.
Do not expose the instrument to rain, use it near water or in damp or wet
conditions, or place containers on it containing liquids which might spill
into any openings.
If the AC adaptor cord or plug becomes frayed or damaged, or if there is
a sudden loss of sound during use of the instrument, or if any unusual
smells or smoke should appear to be caused by it, immediately turn off
the power switch, disconnect the adaptor plug from the outlet, and have
the instrument inspected by qualified Yamaha service personnel.
• Use the specified adaptor (PA-3B or an equivalent recommended by
Yamaha) only. Using the wrong adaptor can result in damage to the in-
strument or overheating.
Before cleaning the instrument, always remove the electric plug from the
outlet. Never insert or remove an electric plug with wet hands.
Check the electric plug periodically and remove any dirt or dust which
may have accumulated on it.
CAUTION
Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the
instrument or other property. These precautions include, but are not limited to, the following:
Do not place the AC adaptor cord near heat sources such as heaters or
radiators, and do not excessively bend or otherwise damage the cord,
place heavy objects on it, or place it in a position where anyone could
walk on, trip over, or roll anything over it.
When removing the electric plug from the instrument or an outlet, always
hold the plug itself and not the cord.
• Do not connect the instrument to an electrical outlet using a multiple-
connector. Doing so can result in lower sound quality, or possibly cause
overheating in the outlet.
Unplug the AC power adaptor when not using the instrument, or during
electrical storms.
Always make sure all batteries are inserted in conformity with the +/-
polarity markings. Failure to do so might result in overheating, fire, or
battery fluid leakage.
Always replace all batteries at the same time. Do not use new batteries
together with old ones. Also, do not mix battery types, such as alkaline
batteries with manganese batteries, or batteries from different makers, or
different types of batteries from the same maker, since this can cause
overheating, fire, or battery fluid leakage.
Do not dispose of batteries in fire.
Do not attempt to recharge batteries that are not intended to be charged.
If the instrument is not to be in use for a long time, remove the batteries
from it, in order to prevent possible fluid leakage from the battery.
Keep batteries away from children.
Before connecting the instrument to other electronic components, turn off
the power for all components. Before turning the power on or off for all
components, set all volume levels to minimum.
(4)-2
WARNING
Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock,
short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following:
* The illustrations and LCD screens as shown in this owner’s manual are for in-
structional purposes only, and may be different from the ones on your instru-
ment.
4
Congratulations on your purchase of
the Yamaha PSR-195/PSR-79 PortaTone!
You now own a portable keyboard that combines advanced functions, great
sound and exceptional ease-of-use in a highly compact package. Its outstanding
features also make it a remarkably expressive and versatile instrument.
Read this Owner’s Manual carefully while playing your new PortaTone in order
to take full advantage of its various features.
PANEL CONTROLS AND TERMINALS 6
Front Panel ...................................... 6
Rear Panel........................................ 8
SETTING UP 9
POWER REQUIREMENTS ............................ 9
Using an AC Power Adaptor ............ 9
Using Batteries ................................. 9
TURNING ON THE POWER ........................ 9
ACCESSORY JACKS .................................. 10
MUSIC STAND......................................... 10
GETTING STARTED —
PLAYING THE DEMO SONGS 11
PANEL DISPLAY INDICATIONS 12
PORTABLE GRAND 13
USING THE METRONOME ....................... 13
Setting the Metronome Time
Signature ....................................... 14
Adjusting the Metronome Volume . 14
SELECTING AND PLAYING VOICES —
THE VOICE MODE 15
SELECTING AND PLAYING A VOICE ......... 15
Percussion Voice Chart
(voices 90 and 100). ...................... 17
TRANSPOSE AND TUNING ...................... 18
Transpose ...................................... 18
Tuning ........................................... 19
SELECTING AND PLAYING SONGS —
THE SONG MODE 20
SELECTING AND PLAYING A SONG ......... 20
CHANGING THE TEMPO ......................... 21
About the Beat Display .................. 22
ADJUSTING THE SONG VOLUME ............ 23
SONG CONTROLS .................................. 24
A/B REPEAT.............................................. 24
MELODY GUIDE ....................................... 26
VOICE CHANGE ........................................ 27
SELECTING AND PLAYING STYLES —
THE STYLE MODE 28
SELECTING AND PLAYING A STYLE.......... 28
STYLE CONTROLS ................................... 30
USING THE AUTO ACCOMPANIMENT
FEATURES ............................................. 31
CHANGING THE TEMPO ......................... 31
STYLE SECTIONS (MAIN A, MAIN B) AND
FILL-INS ................................................ 32
ADJUSTING THE ACCOMPANIMENT
VOLUME .............................................. 32
USING AUTO ACCOMPANIMENT —
MULTI FINGERING ................................ 33
Single Finger Chords ..................... 33
Fingered Chords ............................ 33
WHAT IS A CHORD? ................................ 34
WRITING CHORD NAMES ....................... 35
The Intervals of the Scale ............... 35
Other Chords ................................ 35
ONE TOUCH SETTING (OTS) ................... 36
CHORD GUIDE .......................................... 37
Smart ............................................ 37
Dictionary...................................... 39
MULTI PADS ............................................. 40
MIDI 41
About MIDI ................................... 41
How Can MIDI be Used? ............... 41
TROUBLESHOOTING...................................... 42
INDEX ............................................................ 43
VOICE LIST ..................................................... 44
MULTI PAD LIST.............................................. 46
SPECIFICATIONS ............................................ 47
MIDI IMPLEMENTATION CHART ..................... 48
Contents
5
Portable Grand
Yamaha Education Suite
The PortaTone also has a Portable Grand function for realistic piano performance. Pressing the
PORTABLE GRAND button instantly calls up the stunningly authentic “Stereo Sampling Piano” voice
and configures the entire PortaTone for optimum piano play. Special Piano styles — with piano-only
accompaniment — are also provided.
The PSR-195/PSR-79 is a sophisticated yet easy-to-use keyboard with the follow-
ing features and functions:
Main Features
The PortaTone features the new Yamaha Education Suite — a set of learning tools that utilize the latest
technology to make studying and practicing music more fun and fulfilling than ever before!
The Yamaha Education Suite includes:
Powerful Melody Guide functions in the Song mode — Waiting and Minus One — that let you
easily learn the 100 songs and even show you what notes to play!
• Waiting pauses song playback (like a patient teacher!), so you can practice at your own pace.
• Minus One mutes only the melody part, letting you play the part yourself. The expert
backing parts encourage you to play your best and make it easy to “feel” the song!
Chord Guide functions in the Style mode — Smart and Dictionary — that make it exceptionally
easy to learn chords and chord relationships.
• Smart lets you easily play harmonically “correct” chord progressions for whatever key you
specify. It’s great for learning — and performing!
• Dictionary is a built-in “chord encyclopedia” that teaches you how to play specific chords.
You type in the chord name, and the PortaTone shows you which notes to play!
page 26-27, 34-35, 37-39
page 13
Other powerful features include:
• Exceptionally realistic and dynamic sounds with
100 voices, utilizing digital recordings of actual
instruments.
• 100 dynamic auto accompaniment Styles, each
with different Intro, Main A and B, and Ending
sections. All styles (except for the Piano styles) also
have their own four Fill-in patterns.
Large custom LCD gives you easy, at-a-glance confirma-
tion of all important settings, as well as chord and note
indications.
• 100 songs, for your listening enjoyment — or for
use with the sophisticated learning tools of the
Yamaha Education Suite.
Convenient control over accompaniment Styles —
including Tempo and independent Accompaniment
Volume.
• One Touch Setting (OTS), for automatically calling
up an appropriate voice for playing with the selected
Style.
• MIDI terminals for interfacing with other MIDI
devices. The PSR-195 also has a Sustain switch jack.
• Built-in, high-quality stereo amplifier/speaker
system.
6
Panel Controls and Terminals
Front Panel
PSR-195
PSR-79
PORTABLE
GRAND
METRONOME
MASTER VOLUME
MULTI PAD
x20BANKS
MAX
MIN
OVERALL
STAND BY
ON
ROOT
CHORD TYPE
VOICE
METRONOME VOL
SONG VOL
ACMP VOL
TUNING
TRANSPOSE
MULTI PAD
TEMPO
OVERALL
SMART
DICTIONARY
OFF
STYLE
SONG
rit.
ON/OFF
ACMP
START
SYNC-
STOP
START/
ENDING
INTRO/
GUIDEOTS
CHORD
MAIN A MAIN B
AUTO FILL
R
-195
SITAR
BANJO
UKULELE
VIBRAPHONE
MARIMBA
STEEL DRUMS
TRUMPET
TROMBONE
MUTE TRPET
BRASS SECT
ALTO SAX
TENOR SAX
CLARINET
FLUTE
PAN FLUTE
SYNTH BASS
SY STRINGS
SY BRASS1~2
RISING
SLOW STRS
THICK LEAD
SIMPLE LEAD
THICK SAW
x 100
N
G
Wars Main Title
h
ole New World
F
AVORITE
C
HRISTMAS
C
HILDREN
WOOD BASS
FINGER BASS
DIST GUITAR
E GUITAR
O
SLAP BASS
MUTE BASS
VIOLIN
CELLO
T
A
D
PIANO
Y
-TONK
C
HORD
O
1~4
HARMONY
SPLIT
ECHO
DUAL
DRUM KIT
35
36
38
37
39
40
41
42
43
FRENCH HORN44
45
46
47
48
49
55
56
57~58
59
60
50
51
52
53
SIMPLE SAW54
25
26
27
28
29
30
33
HARP34
32
STRINGS31
61~70
71~80
81~90
91~99
100
8BEAT POP
8BT UPTEMPO
8BT STANDARD
8BT MEDIUM
8BT BALLAD
FOLK ROCK
POP ROCK
EPIC BALLAD
16BT SHUFFLE
16BT BALLAD
PIANO BALLAD
16BEAT POP
FUSION BALLAD
TECHNO
EUROBEAT
DANCE POP
EURO HOUSE
DISCO TROP
7OS DISCO
8BT ROCK BLD
HIP HOP
HARD ROCK
6/8 BALLAD
SLOW ROCK
16BT ROCK BLD
ROCK SHUFFLE
16BEAT ROCK
US ROCK
SOUL
6/8 HVY ROCK
R&B
GOSPE
L
SOUL B
A
4/4 BLU
E
FUNK
6/8 GOS
P
ROCK &
TWIST
BOOGIE
8BT CO
U
2/4 COU
N
CNTRY
B
BLUEG
R
COWBO
Y
CNTRY
S
CAJUN
CNTRY
W
TEJANO
MARIAC
SWING
B B BA
L
B B SWI
N
JAZZ Q
U
COOL J
A
DIXIELA
N
JAZZ B
A
JAZZ W
A
FUSION
JAZZ
1
2
3
6
7
4
5
8
11
12
9
10
13
15
16
14
17
20
19
18
21
24
23
22
26
25
29
28
27
31
30
34
33
32
36
35
37
39
38
42
41
40
44
43
45
47
BANDA48
46
50
CUMBIA51
49
54
53
55
57
56
58
59
60
52
POPS
DANCE/DISCO
SOUL/ROCK
AMERIC
A
O
NICA
H ORG 1~2
A
N 1~4
RGAN
O
RGAN
R
DION
G
UITAR
UITAR
G
UITAR
G
UITAR
/
BASS
WIND SYNTHESIZER
STRINGS/MALLET
1
00
x 100
STYLE
DEMO START
1
2
3
4
5
6
7
8
9
0
x 100
N
G
P
IANO
GUIDE
MELODY
CHANGE
VOICE
b
OFF
MINUS ONE
WAITING
SONG
a
ACMP
EFD
CD
C
D
D
E
E
F
FG
G
G
(9)
m6
7sus4
mM7
M7m77
sus4
dim
aug
m
M
7 5
m7 5
TEMPO
GrandPno
001
116
A
B
H I J K L M N Q
G
O P
D
E
F
C
1
2
3
4
5
6
7
8
9
0
SMART
DICTIONARY
OFF
GUIDEOTS
CHORD
MAIN A MAIN B
AUTO FILL
METRONOME VOL
SONG VOL
ACMP VOL
TUNING
TRANSPOSE
MULTI PAD
TEMPO
OVERALL
ON/OFF
ACMP
START
SYNC-
STOP
START/
rit.
ENDING
INTRO/
VOICE
STYLE
SONG
C
DCD
7sus4
9
dim
mM7
m6
M7
sus4
aug
M
m
7
m7
7 5
m7 5
ACMP
FEDC
BA
CHORD TYPE
ROOT
47
48
49
50
SYNTHESIZER
TENOR SAX
CLARINET
FLUTE
PAN FLUTE
42
43
44
45
46
TROMBONE
MUTE TRPET
BRASS SECT
ALTO SAX
FRENCH HORN
55
51
52
53
54
SYNTH BASS
THICK LEAD
SIMPLE LEAD
THICK SAW
SIMPLE SAW
ND
R
INGS / MALLET
S
ITAR
B
ANJO
U
KULELE
V
IBRAPHONE
M
ARIMBA
S
TEEL DRUMS
T
RUMPET
V
IOLIN
C
ELLO
H
ARP
S
TRINGS
56
57~58
59
60
61~70
SY STRINGS
SY BRASS 1~2
RISING
SLOW STRS
HARMONY
71~80
81~90
91~93
94~99
100
SPLIT
ECHO
DUAL
DRUM KIT
SUSTAIN
1
2
POPS
x 100
STYLE
8BEAT POP
8BT UPTEMPO
3
6
7
4
5
8BT STANDARD
8BT MEDIUM
8BT BALLAD
FOLKROCK
POP ROCK
8
11
12
9
10
EPIC BALLAD
16BT SHUFFLE
16BT BALLAD
PIANO BALLAD
16BEAT POP
13
15
16
14
DANCE / DISCO
FUSION BALLAD
TECHNO
EUROBEAT
DANCE POP
17
20
19
18
EURO HOUSE
DISCO TROP
7OS DISCO
HIP HOP
21
23
22
SOUL / ROCK
8BT ROCK BLD
6/8 BALLAD
16BT ROCK BLD
24
26
25
29
28
27
31
30
34
33
32
36
35
37
39
38
42
41
40
44
43
45
AMERIC
A
HARD R
O
SLOW R
O
ROCK S
H
16BEAT
R
US ROC
K
SOUL
6/8 HVY
R
R&B
GOSPEL
SOUL B
A
4/4 BLU
E
FUNK
6/8 GOS
P
ROCK &
R
TWIST
BOOGIE
8BT COU
2/4 COU
N
CNTRY B
A
BLUEGR
A
COWBO
Y
CNTRY S
H
STAND BY
ON
MASTER
VOLUME
MAXMIN
DEMO START
OVERALL
MULTI PAD
20BANKSX
VOICE
CHANGE
MELODY GUIDE
SONG
WAITING
MINUS
ONE
OFF
PORTABLE GRAND
METRONOME
a
b
TEMPO
GrandPno
001
116
A
B
H I J K L M N
Q
G
O
P
D
E
F
C
7
A Power switch (STAND BY/ON)
B MASTER VOLUME dial
This determines the overall volume of the
PortaTone.
C OVERALL, DEMO START buttons
(s, t, +, -)
These are for selecting the various “overall”
functions and setting their values. (See page
23.) They are also used to play the Demo
songs. (See page 11.)
D SONG button
This selects the Song mode. (See page 20.)
E VOICE button
This selects the Voice mode. (See page 15.)
F STYLE button
This selects the Style mode. (See page 28.)
G Numeric keypad, +/- buttons
These are for selecting songs, voices, and styles.
(See page 16.) They are also used for entering
certain values, such as the time signature for the
Metronome (page 14), and the key signature for
the Smart Chord function (page 38).
H ACMP ON/OFF button
When the Style mode is selected, this turns the
auto accompaniment on and off. (See page
31.) This button has no function in the Song
mode.
I SYNC-START, Pause (❙❙) button
When the Style mode is selected, this turns the
Sync-Start function on and off. (See page 29.)
When the Song mode is selected, this alter-
nately pauses and starts song playback. (See
page 24.)
J START/STOP (>/) button
When the Style mode is selected, this alternately
starts and stops the auto accompaniment. (See
page 29.) When the Song mode is selected, this
alternately starts and stops song playback. (See
page 24.)
K INTRO/ENDING, button
When the Style mode is selected, this is used to
control the Intro and Ending functions. (See
pages 29, 30.) When the Song mode is se-
lected, this is used to control the A/B Repeat
function. (See page 24.)
L MAIN A/B (AUTO FILL), Fast Forward
(f)/Rewind (r) buttons
When the Style mode is selected, these are used
to change auto accompaniment sections and
control the Auto Fill function. (See page 32.)
When the Song mode is selected, these are used
to respectively fast forward and rewind during
song playback. When Song playback is
stopped, they can be used to advance or reverse
to specific measure numbers in the song. (See
page 24.)
M OTS, VOICE CHANGE button
When the Style mode is selected, this is used to
turn the One Touch Setting (OTS) function on
and off. (See page 36.) When the Song mode
is selected, this is used to turn the Voice Change
function on and off. (See page 27.)
N CHORD GUIDE, MELODY GUIDE button
When the Style mode is selected, this is used to
control the Chord Guide functions. (See page
37.) When the Song mode is selected, this is
used to control the Melody Guide function.
(See page 26.)
O PORTABLE GRAND button
This instantly changes to the Voice mode and
calls up the Grand Piano voice. (See page 13.)
P METRONOME button
This turns the metronome on and off. (See
page 13.)
Q MULTI PAD buttons
These are used to automatically play pre-pro-
grammed musical phrases. (See page 40.)
Panel Controls and Terminals
8
R DC IN 10-12V jack
This is for connection to a PA-3B AC power
adaptor. (See page 9.)
S PHONES/AUX OUT jack
This is for connection to a set of stereo head-
phones or to an external amplifier/speaker
system. (See page 10.)
Rear Panel
T SUSTAIN jack (PSR-195 only)
This is for connection to an optional FC4 or FC5
Footswitch. (See page 10.)
MIDI IN, OUT terminals
These are for connection to other MIDI instru-
ments and devices. (See pages 10, 41.)
Panel Controls and Terminals
PSR-195
PSR-79
SUSTAIN
IN OUT
MIDI
PHONES/
AUX OUT
DC IN 10-12V
T S R
IN OUT
MIDI
PHONES/
AUX OUT
DC IN 10-12V
S R
9
This section contains information about setting up your PortaTone for playing.
Make sure to read this section carefully before using the instrument.
Setting Up
Power Requirements
Although the PSR-195/79 will run either from an
optional AC adaptor or batteries, Yamaha
recommends use of an AC adaptor whenever
possible. An AC adaptor is more environmen-
tally friendly than batteries and does not deplete
resources.
Using an AC Power Adaptor
To connect your PortaTone to a wall socket, you
will need the optionally available Yamaha PA-3B
Power Adaptor. Use of other AC adaptors could
result in damage to the instrument, so be sure
to ask for the right kind. Plug the adaptor into a
convenient wall outlet and its connector into
the DC IN 10-12V jack on the back of your
PortaTone.
WARNING :
• Use ONLY a Yamaha PA-3B AC Power Adaptor (or other
adaptor specifically recommended by Yamaha) to power your
instrument from the AC mains. The use of other adaptors may
result in irreparable damage to both the adaptor and the PSR-
195/79.
• Unplug the AC Power Adaptor when not using the PSR-195/
79, or during electrical storms.
Using Batteries
Inserting Batteries
Turn the instrument upside-down and remove
the battery compartment lid. Insert six 1.5-volt
size “D” (SUM-1, R-20 or equivalent) batteries
as shown in the illustration, making sure that
the positive and negative terminals are properly
aligned, and replace the lid.
When the Batteries Run Down
When the batteries run low and the battery
voltage drops below a certain level, the
PortaTone may not sound or function properly.
As soon as this happens, replace them with a
complete set of six new batteries.
CAUTION :
• Never mix old and new batteries or different types of
batteries (e.g., alkaline and manganese).
• To prevent possible damage from battery leakage, remove
the batteries from the instrument if it is not to be used for a
long time.
STAND BY
ON
BATTERIES 1.5V
x
6
PSR-195
CAUTION :
• Even when the switch is in the “STAND BY” position,
electricity is still flowing to the instrument at the minimum
level. When you are not using the PSR-195/79 for a long time,
make sure you unplug the AC power adaptor from the wall AC
outlet, and/or remove the batteries from the instrument.
Turning On the Power
With the AC power adaptor connected or with
batteries installed, simply press the STAND BY
switch until it locks in the ON position. When
the instrument is not in use, be sure to turn the
power off. (Press the switch again so that it
pops up.)
10
NOTE:
Even though the PSR-79 does not have a SUSTAIN jack,
certain voices have a natural sustain added to the sound.
NOTE:
• Make sure that the footswitch plug is properly connected to
the SUSTAIN jack before turning on the power.
• Do not press the footswitch while turning the power on.
Doing this changes the recognized polarity of the footswitch,
resulting in reversed footswitch operation.
Using the MIDI Terminals
The PortaTone also features MIDI terminals,
allowing you to interface the PortaTone with
other MIDI instruments and devices. (For more
information, see page 41.)
Music Stand
Insert the bottom edge of the included music
stand into the slot located at the top rear of the
PortaTone control panel.
Setting Up
SUSTAIN
IN OUT
MIDI
MIDI instrument
Using a Sustain Footswitch (PSR-195 only)
This feature on the PSR-195 lets you use an
optional footswitch (Yamaha FC4 or FC5) to
sustain the sound of the keyboard voice. This is
used in the same way as a damper pedal on an
acoustic piano — press and hold down the
footswitch as you play the keyboard to sustain
the sound.
Accessory Jacks
Using Headphones
For private practicing and playing without
disturbing others, connect a set of stereo head-
phones to the rear panel PHONES/AUX OUT
jack. Sound from the built-in speaker system is
automatically cut off when you insert a head-
phone plug into this jack.
Connecting a Keyboard Amplifier or Stereo
System
Though the PortaTone is equipped with a built-
in speaker system, you can also play it through
an external amplifier/speaker system. First,
make sure the PortaTone and any external
devices are turned off, then connect one end of
a stereo audio cable to the LINE IN or AUX IN
jack(s) of the other device and the other end to
the rear panel PHONES/AUX OUT jack on the
PortaTone.
CAUTION :
• To prevent damage to the speakers, set the volume of the
external devices at the minimum setting before connecting
them. Failure to observe these cautions may result in electric
shock or equipment damage.
midi implementation chart
[Portable Keyboard] Date: 27-JAN-1998
Model: PSR-195/PSR-79
MIDI Implementation Chart
Version: 1.0
Function Transmitted Recognized Remarks
Basic Default 1~7, 10 1~7, 10
Channel Changed X X
Default 3 3
Mode Messages X X
Altered ************** X
Note 0~127 0~127
Number : True voice ************** 0~127
Velocity Note ON O 9nH, v=1~127 O 9nH, v=1~127
Note OFF X 9nH, v=0 X 9nH, v=0 or 8nH
After key’s X X
Touch Ch’s X X
Pitch Bender X X
Control Change 0, 32 O *1 O *1 Bank Select MSB, LSB
1 X X Modulation Depth
6, 38 X X Data Entry MSB, LSB
7 O O Volume
10 O O Pan
11 X X Expression
64 O O Sustain
66 X X Sostenuto
84 O O Portamento Controllers
91 X X Reverb Depth
96 X X RPN Inc
97 X X RPN Dec
100, 101 X X RPN LSB, MSB
120 X X All Sound Off
121 X X Reset All Controllers
Program O *2 O *2
Change : True # ************** *2
System Exclusive O *3 O *3
System : Song Position X X
: Song Select X X
Common : Tune X X
System : Clock X X
Real Time : Commands X X
Aux : Local ON/OFF X X
: All Notes OFF X X
Messages: Active Sense O O
: Reset X X
Mode 1: OMNI ON, POLY Mode 2 : OMNI ON, MONO O: Yes
Mode 3: OMNI OFF, POLY Mode 4 : OMNI OFF, MONO X : No
48
48

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