Handleiding Yamaha MOTIF-RACK XS (pagina 45 van 118) (Engels)

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Controlling from an External MIDI Keyboard

MOTIF-RACK XS Owner’s Manual

Basic Structure

Voice

MultiUtility

Reference

The Controls &

Connectors

Setting Up

Listening to

the Sound

Connections

Using a Computer

Quick Guide

Appendix

For example, in the instructions below, we'll control panning with

an external assignable controller after connecting the external

controller to the MOTIF-RACK XS.

Set the “Ctrl Set 1 Src” parameter to “Assign 1” in

the VOICE COMMON Control display, then conﬁrm

the Control Number for “Assign1.”

The Control Number is displayed in parentheses following

“Assign 1.

”

n For the source parameters, refer to “Ctrl Set 1 – 6 Src (Controller Set

1 – 6 Source)” on page 71.

n You can change the Control Number corresponding to the source

controller (see right).

On the external controller device connected to the

MOTIF-RACK XS, make sure that the “Assign 1”

setting matches the Control Number generated by

operating the relevant controller.

For details on how to do this, refer to the owner’s manual of

your particular device.

Set the “Ctrl Set 1 Dest” parameter to “E-Pan”

(Element Pan).

n For details on the available Destination parameter settings, refer to

the Control List in the separate Data List booklet.

Set the depth of control by changing the “Ctrl Set 1

Depth” parameter setting.

Repeat Steps 1 and 3 above to assign the remaining

Control Sets 2 through 6.

Play the sound of the MOTIF-RACK XS and try out

the corresponding controller.

n You can control the functions speciﬁed as destination of “Assign 1”

and “Assign 2” by operating Knobs 3 and 4 respectively as well as

the external controllers.

n When at least one of the “LFO Set 1 – 3 Element Sw” parameters is

set to “off” and the Element related parameters are assigned to any

of the “Ctrl Set 1 – 6 Dest” parameters, an exclamation mark (“!”) is

shown at the beginning of the value for “Ctrl Set 1 – 6 Src,” “Ctrl Set

1 – 6 Dest” and “Ctrl Set 1 – 6 Depth.” This indicates that the function

speciﬁed as destination is not applied to all the Elements.

n The Controller Set edited in the Voice Edit mode is available when the

corresponding Voice is selected in the Multi mode.

n Make sure to match the MIDI channel between the MOTIF-RACK XS and

external controller.

In the Voice mode, set the transmit channel of the external controller to the

same one as the Basic Receive channel (set in the Utility mode) of the

MOTIF-RACK XS, and vice versa. In the Multi mode, likewise, set the

transmit channel of the external controller to the same one as the Receive

channel for the Part you want to control of the MOTIF-RACK XS, and vice

versa.

Assigning Control numbers

Each external controller has a pre-assigned Control Change

number. When operating the external controller, each Control

Change message assigned to each controller is transmitted to

the MOTIF-RACK XS, and the Destination (function)

corresponding to the Control Number is performed. The Control

Number assignments on the MOTIF-RACK XS can be made

from the Utility Controller window (page 101).

n The Control Numbers for Aftertouch, Pitch Bend, and Modulation Wheel

are not changed.

n Depending on the Control Change number settings of the “Ctrl Set 1 – 6

Src” parameter, the conventional functions of the Control Change

messages may be disabled.

Source and Destination

The term “source” refers to the hardware controller and

“destination” refers to the parameter or function being controlled.

An extensive variety of destination parameters are available, far

more than those listed in the previous page. For a complete list of

destination parameters, see the separate Data List.

Control Number

Using one source to control several destinations

For example, set the Src (Source) parameter of Control Set 1 to

“ModWheel” (Modulation Wheel) and the Dest (Destination)

parameter to “E-LFO PMD” (Element LFO Pitch Modulation

Depth). Then set the Src (Source) parameter of Control Set 2 also

to MW, but set the Dest parameter to “E-Pan” (Element Pan). In

this example, when you move the Modulation Wheel upward, the

amount of Pitch Modulation increases accordingly, and the

Element is panned from left to right. In this way, you can have the

sound change in several different ways, simply by adjusting a

single controller.

Using several sources to control one destination

For example, set the Src (Source) parameter of Control Set 1 to

“ModWheel” (Modulation Wheel) and the Dest (Destination)

parameter to “E-LFO PMD” (Element LFO Pitch Modulation

Depth). Then set the Src (Source) parameter of Control Set 2 to

“Ribbon” (Ribbon Controller) and set the Dest parameter also to

“E-LFO PMD.” Now, Pitch Modulation is assigned to both the

Modulation Wheel and Ribbon Controller. This can be useful in

live performance situations, letting you use any one of several

controllers depending on which is convenient at the time. In this

way, you can have several different controllers affect the same

aspect of the sound.

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