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FORMANT SHAPING /

FM SYNTHESIS TONE GENERATOR

Formant Shaping Synthesis:The Evolution of FM

New synthesis technology — FS Synthesis

(Formant shaping / FM synthesis) — creates

sound with characteristics and flexibility

similar to the human voice for extraordinary

sonic depth and expressive control.

Upward compatible with voices from the

“classic” FM synthesizers and tone genera-

tors, such as the Yamaha DX and TX series.

Formant Sequences — “Fseqs” — produce

other-worldly vocal phrases, rhythm loops,

and more.

Assignable control knobs for extended

real-time sonic control as well as easy

programming.

A huge selection of 1408 preset voices,

including the best from the original DX and

TX series.

Block Diagram

Tone Generation System Tone Generators Formant Shaping / FM Synthesis

Multi-Timbres 4 Parts (16 MIDI Channel Multi-Timbre)

Polyphony 32 notes (DVA)

DEMO Songs 15

Number of Voices Performance

Preset 384 (128 x 3 banks), Internal 128

Voice

Preset 1408 (128 x 11 banks), Internal 128 / 64 (Internal Fseq)

Fseq (Formant Sequence)

Preset 90, Internal 6 (max)

Components Performance

4 Parts (4 Voices), Fseq (Formant Sequence),

Voice Controller (Source / Destination Assignable Matrix)

Effects

Reverb 16 types, Variation 28 types,

Insertion 40 types, Equalizer

Voice

16 Operators (Voiced x 8, Unvoiced x 8), 88 Algorithms, LFO1,

LFO2, Dynamic Filter, Pitch EG

Controls POWER Switch

Main Volume x 1

Sound Control Knob x 4

(Absolute / Relative)

Mode x 6 (PLAY, EDIT [PERFORM], EDIT [EFFECT], EDIT [VOICE], UTIL, SEARCH)

Data x 9 (MUTE/SOLO, ENTER, EXIT, PART / , CURSOR / , VALUE / )

Knob Select x 2 (ATTACK, RELEASE, FORMANT, FM / KN1-4 )

Display LCD (Backlit)

LED Mode x 6 Green, Knob Select x 2 Red

Terminals Front panel Phones

Rear panel Output L(MONO), R

Individual Out L, R

MIDI IN/OUT/THRU

Dimensions 480(W) x 235(D) x 44(H) mm

Weight 2.6Kg

Power Consumption USA 120V (60Hz) 12.0 Watts

Europe 240V (50Hz) 12.0 Watts

Included Accessories Owner's Manual x 1, Data List x 1, AC Power Cord x 1

Descriptions and photographs in this brochure are for information purposes only,

and specifications are subject to change without notice.

Specifications

SPECIAL MESSAGE SECTION

This product utilizes batteries or an external power supply (adapter). DO

NOT connect this product to any power supply or adapter other than one

described in the manual, on the name plate, or specifically

recommended by Yamaha.

WARNING:

Do not place this product in a position where anyone could walk on, trip

over ,or roll anything over power or connecting cords of any kind. The use

of an extension cord is not recommended! IF you must use an extension

cord, the minimum wire size for a 25' cord (or less ) is 18 AWG. NOTE:

The smaller the AWG number ,the larger the current handling capacity.

For longer extension cords, consult a local electrician.

This product should be used only with the components supplied or; a

cart, rack, or stand that is recommended by Yamaha. If a cart, etc., is

used, please observe all safety markings and instructions that

accompany the accessory product.

SPECIFICATIONS SUBJECT TO CHANGE:

The information contained in this manual is believed to be correct at the

time of printing. However, Yamaha reserves the right to change or modify

any of the specifications without notice or obligation to update existing

units.

This product, either alone or in combination with an amplifier and

headphones or speaker/s, may be capable of producing sound levels

that could cause permanent hearing loss. DO NOT operate for long

periods of time at a high volume level or at a level that is uncomfortable.

If you experience any hearing loss or ringing in the ears, you should

consult an audiologist.

IMPORTANT: The louder the sound, the shorter the time period before

damage occurs.

Some Yamaha products may have benches and / or accessory mounting

fixtures that are either supplied with the product or as optional

accessories. Some of these items are designed to be dealer assembled

or installed. Please make sure that benches are stable and any optional

fixtures (where applicable) are well secured BEFORE using.

Benches supplied by Yamaha are designed for seating only. No other

uses are recommended.

NOTICE:

Service charges incurred due to a lack of knowledge relating to how a

function or effect works (when the unit is operating as designed) are not

covered by the manufacturer’s warranty, and are therefore the owners

responsibility. Please study this manual carefully and consult your dealer

before requesting service.

ENVIRONMENTAL ISSUES:

Yamaha strives to produce products that are both user safe and

environmentally friendly. We sincerely believe that our products and the

production methods used to produce them, meet these goals. In keeping

with both the letter and the spirit of the law, we want you to be aware of the

following:

Battery Notice:

This product MAY contain a small non-rechargeable battery which (if

applicable) is soldered in place. The average life span of this type of

battery is approximately five years. When replacement becomes

necessary, contact a qualified service representative to perform the

replacement.

This product may also use "household" type batteries. Some of these may

be rechargeable. Make sure that the battery being charged is a

rechargeable type and that the charger is intended for the battery being

charged.

When installing batteries, do not mix batteries with new, or with batteries

of a different type. Batteries MUST be installed correctly. Mismatches or

incorrect installation may result in overheating and battery case rupture.

Warning:

Do not attempt to disassemble, or incinerate any battery. Keep all

batteries away from children. Dispose of used batteries promptly and as

regulated by the laws in your area. Note: Check with any retailer of

household type batteries in your area for battery disposal information.

Disposal Notice:

Should this product become damaged beyond repair, or for some reason

its useful life is considered to be at an end, please observe all local, state,

and federal regulations that relate to the disposal of products that contain

lead, batteries, plastics, etc. If your dealer is unable to assist you, please

contact Yamaha directly.

NAME PLATE LOCATION:

The name plate is located on the bottom of the product. The model

number, serial number, power requirements, etc., are located on this plate.

You should record the model number, serial number, and the date of

purchase in the spaces provided below and retain this manual as a

permanent record of your purchase.

Model

Serial No.

Purchase Date

92-BP

PLEASE KEEP THIS MANUAL

Intro 12/4/98 11:08 AM Page 3

PRECAUTIONS

PLEASE READ CAREFULLY BEFORE PROCEEDING

* Please keep these precautions in a safe place for future reference.

• Do not open the instrument or attempt to disassemble the internal parts or

modify them in any way. The instrument contains no user-serviceable parts. If

it should appear to be malfunctioning, discontinue use immediately and have

it inspected by qualified Yamaha service personnel.

• Do not expose the instrument to rain, use it near water or in damp or wet

conditions, or place containers on it containing liquids which might spill into

any openings.

• If the AC adaptor cord or plug becomes frayed or damaged, or if there is a

sudden loss of sound during use of the instrument, or if any unusual smells

or smoke should appear to be caused by it, immediately turn off the power

switch, disconnect the adaptor plug from the outlet, and have the instrument

inspected by qualified Yamaha service personnel.

• Use the specified adaptor (PA-3B or equivalent recommended by Yamaha)

only. Using the wrong adaptor can result in damage to the instrument or

overheating.

• Before cleaning the instrument, always remove the electric plug from the

outlet. Never insert or remove an electric plug with wet hands.

• Check the electric plug periodically and remove any dirt or dust which may

have accumulated on it.

CAUTION

Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the

instrument or other property. These precautions include, but are not limited to, the following:

• Do not place the AC adaptor cord near heat sources such as heaters or

radiators, and do not excessively bend or otherwise damage the cord, place

heavy objects on it, or place it in a position where anyone could walk on, trip

over, or roll anything over it.

• When removing the electric plug from the instrument or an outlet, always hold

the plug itself and not the cord.

• Do not connect the instrument to an electrical outlet using a multiple-

connector. Doing so can result in lower sound quality, or possibly cause

overheating in the outlet.

• Unplug the AC power adaptor when not using the instrument, or during

electrical storms.

• Before connecting the instrument to other electronic components, turn off the

power for all components. Before turning the power on or off for all

components, set all volume levels to minimum.

• Do not expose the instrument to excessive dust or vibrations, or extreme cold

or heat (such as in direct sunlight, near a heater, or in a car during the day) to

prevent the possibility of panel disfiguration or damage to the internal

components.

• Do not use the instrument near other electrical products such as televisions,

radios, or speakers, since this might cause interference which can affect

proper operation of the other products.

• Do not place the instrument in an unstable position where it might

accidentally fall over.

• Before moving the instrument, remove all connected adaptor and other cables.

• When cleaning the instrument, use a soft, dry cloth. Do not use paint thinners,

solvents, cleaning fluids, or chemical-impregnated wiping cloths. Also, do not

place vinyl, plastic or rubber objects on the instrument, since this might

discolor the panel or keyboard.

• Do not rest your weight on, or place heavy objects on the instrument, and do

not use excessive force on the buttons, switches or connectors.

• Use only the stand/rack specified for the instrument. When attaching the stand

or rack, use the provided screws only. Failure to do so could cause damage to

the internal components or result in the instrument falling over.

• Do not operate the instrument for a long period of time at a high or

uncomfortable volume level, since this can cause permanent hearing loss. If

you experience any hearing loss or ringing in the ears, consult a physician.

■REPLACING THE BACKUP BATTERY

• This instrument contains a non rechargeable internal backup battery which

permits internal data to remain stored even when the power is off. When the

backup battery needs replacing, the message “Battery Low” will display in the

LCD. When this happens, immediately back up your data (using an external

device such as the floppy disk-based Yamaha MIDI Data Filer MDF3), then

have qualified Yamaha service personnel replace the backup battery.

• Do not attempt to replace the backup battery yourself, in order to prevent the

possible serious hazards. Always have qualified Yamaha service personnel

replace the backup battery.

• Never place the backup battery in a location that a child can reach, since a

child might accidentally swallow the battery. If this should happen, consult a

physician immediately.

■SAVING USER DATA

• Save all data to an external device such as the Yamaha MIDI Data Filer MDF3,

in order to help prevent the loss of important data due to a malfunction or user

operating error.

Yamaha cannot be held responsible for damage caused by improper use or

modifications to the instrument, or data that is lost or destroyed.

Always turn the power off when the instrument is not in use.

WARNING

Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock,

short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following:

(3)-3

Intro 12/4/98 11:08 AM Page 4

About This Manual

Congratulations on your purchase of the CS2x Control Synthesizer! And

thank you for choosing Yamaha.

The CS2x introduces a completely new dimension to the enormously

popular CS1x, providing more great sounds, additional SOUND

CONTROL knobs for broader real-time sound sculpting capabilities, plus

other handy features which provide for greater overall operational

convenience and performance flexibility.

This owner’s manual is your personal “hands on” guide to getting the

most from your CS2x — so be sure to keep it in a safe and accessible

place for quick and easy reference whenever you may need it! It is

divided into the following sections:

Getting Started

This section includes everything you need to get to know the CS2x inside and out.

It is divided into four parts: Welcome To The World Of CS2x Control Synthesis,

Setting Up The CS2x, Getting To Know The CS2x, CS2x Quick Tour.

Feature Reference

This section provides descriptions of CS2x features and explanations of operations.

It is in essence a dictionary which you can refer to any time you need to know the

specifics about any given feature. It is organized into the following sections:

Performance Mode, Multi Play Mode, Utility Mode, Store Mode and Factory

Settings.

Appendix

This section provides information related to the digital effects, MIDI, error messages,

troubleshooting and more.

A separate CS2x Control Synthesizer “Data List” book provides tables,

lists and other information related to Preset Performances, normal and

drum voices, MIDI Data Format and more.

Naming Conventions

For maximum ease of understanding, two basic conventions are used

throughout this manual regarding the names of CS2x features, as follows:

• The names of specific buttons located on the panel are placed inside

brackets, e.g. [ARPEGGIO] button, [PERFORMANCE] button, [USER]

button, etc.

• The names of other panel features and terminals are printed in all-caps

just as they appear on the panel, e.g. PITCH wheel, TO HOST terminal,

EFFECT REV SEND parameter, etc.

CONTENTS

Getting Started .................................... 6

Welcome To The World Of CS2x Control Synthesis .......... 6

Main Features .......................................................................... 7

Top Panel ................................................................................ 8

Rear Panel.............................................................................. 10

Setting Up The CS2x........................................................ 11

Basic Connections ................................................................ 11

Powering Up! ........................................................................ 14

Playing The Demo Songs ...................................................... 14

Getting To Know The CS2x .............................................. 15

CS2x Tone Generation .......................................................... 15

Normal Voices And Drum Voices .......................................... 18

Layers .................................................................................... 18

Knob Parameters.................................................................... 19

Panel Edit Parameters ............................................................ 20

Operating Modes .................................................................. 21

CS2x Quick Tour.............................................................. 23

Performance Mode ................................................................ 23

Performance Selection .................................................... 23

Performance Mode Select ........................................ 23

Performance Bank Select .......................................... 23

Performance Number Select .................................... 23

Performance Play ............................................................ 25

Octave Shift Function .............................................. 25

PITCH And MODULATION Wheels ........................ 25

Scenes And SCENE CONTROL Function .................. 25

Performance Editing And Store ........................................ 26

SOUND CONTROL Knobs ...................................... 26

The Arpeggiator ........................................................ 27

Panel Edit Matrix ...................................................... 29

User Performance Store ............................................ 30

Multi Play Mode.................................................................... 31

Sequencer Setup ...................................................... 31

Multi Play Mode Select ............................................ 31

Part Assign ................................................................ 32

Part Parameter Edit .................................................... 32

XG Operation .................................................... 33

Multi Play In Performance Mode .......................................... 33

Using The CS2x With XGworks ...................................... 34

Feature Reference .............................. 40

Performance Mode .......................................................... 40

Common Edit 1 .................................................................... 43

Common Edit 2 .................................................................... 45

Layer Edit 1............................................................................ 47

Layer Edit 2............................................................................ 50

Layer Edit 3............................................................................ 52

Layer Edit 4............................................................................ 54

Multi Play Mode.............................................................. 57

Utility Mode .................................................................... 61

Store Mode...................................................................... 66

Factory Settings .............................................................. 69

Appendix ............................................ 70

Digital Effects .................................................................. 70

About MIDI .................................................................... 72

Specifications .................................................................. 76

Troubleshooting .............................................................. 77

Error Messages ................................................................ 78

Index .............................................................................. 79

The illustrations and LCD screens as shown in this owner's manual

are for instructional purposes only, and may be different from the

ones on your instrument.

The company names and product names in this owner's manual are

the trademarks or registered trademarks of their respective

companies.

cCS2x_Basic 12/10/98 5:25 PM Page 5

Getting Started

Welcome To The World Of CS2x

Control Synthesis

Whether you’re a beginner and the CS2x is your very first professional synth, or you’re a seasoned professional making a living

entertaining the masses — or whether you style yourself as anything in between — you’re sure to find the CS2x to be one of the finest

electronic musical instruments you’ll ever own. It’s certainly one of the most

fun.

It can be said that the CS2x is a sort of

analog-style digital synth

. It takes the best of traditional analog — such as simplicity of use, natural

“hands on” interactivity, broad dimensions of sound, an Arpeggiator, and a wealth of real-time control features — and unites it with the

best of modern digital — such as stable pitch, a full 64 notes of polyphony, one-touch setting reconfigurations, a generous 16 MB of

Wave ROM plus lots of storage memory, comprehensive MIDI features, and much, much more.

Another great thing about the CS2x is that there are no pages and pages of hard-to-get-at hidden functions. Literally everything you need

is laid out right before your eyes. And simply a press of a button — or twist of a knob — away. Since all complicated concepts and

frustration factors are eliminated right from the start, the CS2x is quick and easy to learn to operate.

And if you should ever need to use the CS2x as a multitimbral tone generator, you’ll find it the ideal MIDI system component since it’s

designed to accommodate XG and General MIDI System Level 1 (GM) formats with ease. It also lets you set up your own configuration

of multiple timbres using a unique “4-Layer plus 12-Part” system that lets you keep your Performance timbre intact. There’s even a stereo

mini plug input which lets you “mix” the stereo or mono audio signals of an external component such as a sampler or submixer with

the CS2x’s audio output.

All things considered, the CS2x is sweet and simple — but incredibly powerful. Capable of holding its own in literally any music

situation, it’s an exciting world of modern music that you’ll be proud to be a part of.

CONTROL

SYNTHESIZER

Getting Started

GM System Level 1

“GM System Level 1” is a standard specification that defines the arrangement of voices in a tone generator and its MIDI

functionality, ensuring that data can be played back with substantially the same sounds on any GM-compatible tone generator,

regardless of its manufacturer or model. Tone generators and song data that meet the “GM System Level 1” bear this GM logo.

“XG” is a tone generator format that expands the voice arrangement of the “GM System Level 1” specification to meet the ever-

increasing demands of today’s computer peripheral environment, providing richer expressive power while maintaining upward

compatibility of data. “XG” greatly expands “GM System Level 1” by defining the ways in which voices are expanded or edited

and the structure and type of effects.

When commercially available song data bearing the XG logo is played back on a tone generator which bears the XG logo, you

will enjoy a full musical experience that includes unlimited expansion voices and effect functions.

cCS2x_Basic 12/10/98 5:25 PM Page 6

Getting Started

Main Features

The CS2x is designed for maximum real-time control during performance. This makes it the ideal

choice for Dance DJs, Rhythm And Rhyme MCs, Drum & Bass and Techno musicians — and

anyone else whose music thrives on a cutting edge synth sound. It’s also an ideal multitimbral

“module” fit for any type of MIDI system. Following is a list of the CS2x’s main features.

● 16 MB Wave ROM With AWM2 Voices

AWM2 (Advanced Wave Memory 2) voices are comprised of actual digital recordings, or

samples, of real musical instrument and other sounds. Voices available for use include 586

normal voices and 20 drum voices (kits) for GM and XG format applications in Multi Play mode,

plus much more.

● 256 Preset And 256 User Performances

A “Performance” is a complete configuration of a

Layer

(up to 4 voices either stacked or playing

in sophisticated keyboard and velocity splits) plus digital effects selections, Arpeggiator and

many other parameter settings. Performance mode — the chief operating mode for real-time play

— has 256 great-sounding Preset Performances plus 256 User Performances for storing your

own.

● 8 Real-time Sound Control Knobs And “Scenes”

The SOUND CONTROL knobs give you direct access to key parameters of the currently selected

Performance as you play. Each Performance has two Scene memories, each of which provides

instant recall of specific SOUND CONTROL knob positions. You can use the MODULATION

wheel or a connected Foot Controller to “morph” between the sound of each Scene during

performance.

● Arpeggiator With 40 Patterns

The Arpeggiator lets you select from 40 types of arpeggiated chord patterns and 10 timing

subdivisions. Included are Up, Down and Up/Down patterns across one or more octaves, plus

various special patterns including Techno, House, Random, Echo&Pan and more. All Arpeggiator

settings are stored as part of each Performance. The Arpeggiator’s tempo can be controlled by an

external MIDI clock, and the Arpeggiator data can be output via MIDI.

● 3 Programmable Digital Effects Units

The three independent DSP digital effects units — Reverb (12 types), Chorus (14 types) and

Variation (62 types) — can all be used simultaneously.

● Easy Connection To And Use With A Computer

A built-in TO HOST terminal plus HOST SELECT switch permits direct connection to an IBM

PC/AT or Apple Macintosh computer without the need for any peripheral interface hardware.

Multi Play mode allows for multitimbral play of up to 16 different Parts (across 16 MIDI

channels, when using an external sequencer) with 64 notes of available polyphony.

cCS2x_Basic 12/10/98 5:25 PM Page 7

Getting Started

1 VOLUME knob

This knob controls the CS2x’s overall audio volume level output from the

PHONES and OUTPUT jacks. Turn it between left-most (minimum) and

right-most (maximum) positions to set the proper listening level whether

using headphones or amplified speakers.

2 SOUND CONTROL knobs

The eight SOUND CONTROL knobs are used for real-time control and

edit of various tone generator parameters. Turning a knob to the left or

right will offset its specified parameter values accordingly (left for

negative values, right for positive values). Each knob has a detented

center stop position which represents the original value of the parameter.

(page 19.)

3 [SCENE] buttons

Each of the CS2x’s 512 Performances has two “Scene” memories in which

are stored the specific positions of the eight SOUND CONTROL knobs,

giving you the capability of slight or even radical sound reshaping at the

press of a [SCENE] button. Simultaneously pressing both [SCENE] buttons

activates the SCENE CONTROL function, which lets you use the

MODULATION wheel or a connected Foot Controller to “sound morph”

between the two Scenes. (page 25.)

4 [ARPEGGIO] button

Pressing this button turns the Arpeggiator on and off. When the

Arpeggiator is on, you can create automatic arpeggiated chords as you

play. You can designate arpeggio type, tempo and timing subdivision

using the panel edit functions. An ARPEGGIATOR SPLIT function lets you

split the keyboard at C3 so the chords you play to the left of the split point

will create arpeggiated chords and everything from the split point and

above will play as normal. An ARPEGGIATOR HOLD function will cause

arpeggiated chords to continue playing even after you release the keys.

(page 27.)

5 [SHIFT] button

This button has three functions. (1) Holding [SHIFT] and pressing

OCTAVE [-]/[+] transposes the octave of a Performance or voice up or

down (page 25). (2) Holding [SHIFT] and pressing [ARPEGGIO] turns the

ARPEGGIATOR HOLD function on and off (page 27). (3) Holding [SHIFT]

and pressing ARPEGGIATOR TYPE [UP/DOWN] (in Performance Edit

mode when the Arpeggiator Type screen is displayed) turns the

ARPEGGIATOR SPLIT function on and off (page 27).

6 PART/LAYER/OCTAVE [-]/[+]

buttons

These two buttons have three functions. (1) In Performance mode you can

use them to select one of the four Layer voices (page 29). (2) In Multi Play

mode you can use them to select one of the 16 Parts (page 32). (3) When

used in conjunction with the [SHIFT] button you can use them to

transpose the octave of the Performance or voice up or down (page 25).

7 [PRESET] and [USER]

Performance buttons

Pressing one of these buttons lets you access a Preset or User

Performance bank in Performance Play mode. Each time you press

[PRESET] or [USER] toggles between P1 and P2 or U1 and U2 banks,

respectively. Each bank contains 128 Performances, making a total of 512

available. (page 23.)

8 PROGRAM [-]/[+] buttons

Each time you press one of these buttons lets you step up ([+]) or down

([-]) through each consecutive Performance (in Performance mode) or

voice (in Multi Play mode). Holding either switch lets you continuously

“scroll” through the list of programs.

9 LCD

The backlit LCD screen displays various types of information to indicate

the current operating status of the CS2x, depending on which mode or

particular function is selected.

Top Panel

PHONES

L/MONO

OUTPUT

DC IN

FOOT

VOLUME

FOOT

CONTROLLER

FOOT

SWITCH

INPUT TO HOST

HOST SELECT

IN OUT

MIDI

THRU

ATTA CK

DECAY

RELEASE DATAASSIGN

ASSIGN 2

RESONANCE

CUTOFFCUTOFF LPFHPF

VOLUME

SCENE

MW FC

MODULATION

PITCH

ARPEGGIO

PRESET

PROGRAM

USER

PERFORMANCE

PRESET USER ARPEGGIATOR

MULTI

STORE

UTILITY

PART LAYER

HOLD

SHIFT

OCTAV E

–

VWX

MNO

PQR STU

JKL

SPACE

YES

ENTER

GHI

QUICK PC

DEF

ABC

–

CONTROL SYNTHESIZER

PERFORMANCE

MULTI

DEMO

STORE

UTILITY

MASTER

TUNE

KBD

TRANS

VEL

CURVE

VEL

FIX

SYSTEM

P BEND

RANGE

TYPE

ARPEGGIATOR

TEMPO

PMOD

SUB

DIVIDE

PERFORM

LEVEL

FMOD

CUTOFF

REV

TYPE

CHO

TYPE

VARI

TYPE

VARI

PARAM

PERFORM

NAME

VARI

DATA

ASSIGN1

PARAM

PORTA

SWITCH

TIME

EFFECT

VARI

CUTOFF

FMOD

COMMON

ASSIGN

CTRL

BULK

DUMP

LOCAL

MIDI

DEVICE

RCV

TRANS

BANK

PROGRAM

ATK

TIME

ATK

TIME

DCY

TIME

DCY

TIME

FEG

AEG

SUS

LEVEL

SUS

LEVEL

VOLUME

PAN

REL

TIME

REL

TIME

AMOD PMOD

INIT

LEVEL

ATK

TIME

REV

SEND

EFFECT

CHO

SEND

VARI

SEND

ATK

LEVEL

FMOD

LFO

PEG

DCY

TIME

WAVE

FILTER

CUTOFF

REZ

SPEED

REL

TIME

REL

LEVEL

PHASE

INIT

POLY

MONO

ASSIGN

DATAPARAMDEPTHOFFSET

VEL

LIMIT

HIGH

LIMIT

HIGH

LIMIT

LOW

LIMIT

LOW

NOTE

TUNE

NOTE

SFT

DETUNE

LAYER

STANDBY

–

ENTER

cCS2x_Basic 2/3/99 2:00 PM Page 8

Getting Started

) NUMERIC KEYPAD

The NUMERIC KEYPAD is used in conjunction with the [ENTER/YES] and

[-/NO/QUICK PC] buttons and has several functions. In Performance

mode or Multi Play mode you can use it to select a specific Performance

or voice program number (page 24) as well as for selecting a program

number when the QUICK PROGRAM CHANGE function is active (page

41). In Edit mode you can use it to input positive or negative numeric data

values (page 42) or to select characters when naming a User Performance

(page 45).

! [-/NO/QUICK PC] button

This button has three functions. (1) As a [-] button you can use it to enter

negative data values in Edit mode (page 42). (2) As a [NO] button you can

use it to cancel a store operation if you change your mind (page 66). (3)

As a [QUICK PC] button you can use it to activate the QUICK PROGRAM

CHANGE function (page 41).

@ [ENTER/YES] button

This button is used as an [ENTER] button in conjunction with the

NUMERIC KEYPAD in order to enter a specific program number in Play

mode (page 24) or data value in Edit mode (page 42). It is used as a [YES]

button to confirm store operations (page 66).

# EDIT PARAMETER ROTARY

switch

In Performance mode this six-position switch lets you select one of the

two COMMON or four LAYER menus of parameters (page 41). In Multi

Play mode only the bottom menu of parameters are available, regardless

of the current position of the switch (page 57).

$ Parameter Value [UP/DOWN]

buttons

Used for accessing and editing specific panel parameters and settings,

each of these ten buttons corresponds to a parameter name printed on the

panel above or below a given [UP/DOWN] button. Press it once to enter

Edit mode and display the parameter screen in the LCD. Press the [▲]

area to increase and the [▼] area to decrease values. Holding down

either area will continuously scroll through available settings. In

Performance Edit mode, the position of the EDIT PARAMETER ROTARY

switch determines which COMMON or LAYER parameter is available for

each button. In Multi Part Edit mode, only the parameters printed directly

above the buttons are available. In Utility mode, only the parameters

printed directly below the buttons are available.

% [PERFORMANCE] button

Pressing this button activates Performance mode, which lets you select

any of the Preset or User Performances, use the SOUND CONTROL

knobs and SCENE functions, as well as activate the Arpeggiator and

COMMON and LAYER edit parameters. Press [PERFORMANCE] to enter

Performance mode from another mode, or to exit Edit mode and redisplay

the Performance Program Select screen after performing a panel edit

operation. (page 23.)

^ [MULTI] button

Pressing this button activates Multi Play mode, which lets you select and

play any of the 586 XG voices, as well as designate up to 16 Parts for

multitimbral play (when using an external sequencer). Parameters which

can be edited in Multi Play Edit mode are printed in a row directly above

the Parameter Value [UP/DOWN] buttons. (page 31.)

DEMO function

Pressing [PERFORMANCE] and [MULTI] simultaneously activates

the factory-programmed demonstration songs (page 14).

& [UTILITY] button

Pressing this button activates Utility mode, which lets you access those

“system” parameters that affect the CS2x as a whole, including MASTER

TUNE, MIDI TRANSMIT and RECEIVE CHANNEL numbers, keyboard

LOCAL on/off setting, etc., as printed directly below each Parameter

Value [UP/DOWN] button (page 61).

* [STORE] button

This button is used when performing User Performance, Scene and Multi

Store operations (page 66).

( PITCH wheel

This controller lets you bend the pitch up or down as you play. It is spring-

loaded to automatically return to center position when you let go of it. In

Performance mode you can determine the extent of pitch change using

the PITCH BEND RANGE edit function (page 45).

º MODULATION wheel

This controller lets you apply or set a designated amount of vibrato or

tremolo as you play. You can also set it to affect filter cutoff, filter

modulation, and pitch modulation (page 46) as well as other controllable

parameters (page 64). When the SCENE CONTROL function is active it

can be used to “morph” the sound in real-time between the two Scenes.

¡ Keyboard

The 61-key touch-sensitive keyboard features Initial Touch (velocity)

control.

cCS2x_Basic 2/3/99 2:00 PM Page 9

Getting Started

1 MIDI terminals

The MIDI terminals let you connect external MIDI devices such as a

sampler, drum machine, sequencer, or computer using MIDI cables.

MIDI IN is for input of MIDI note and other performance-related data, as

well as bulk data dumps from another CS2x or MIDI data storage device.

MIDI OUT is for output of MIDI note and other performance-related data,

as well as for bulk data dumps to another CS2x or MIDI data storage

device. MIDI THRU is for “daisy chain” connection of multiple MIDI

instruments, as the MIDI data received at MIDI IN is passed along

unaffected to MIDI THRU. (NOTE: Set HOST SELECT to “MIDI” when

using the MIDI terminals.)

2 HOST SELECT switch

This switch lets you designate the type of host computer, either PC1, PC2,

Mac, or MIDI (page 13). (NOTE: When a host computer is not connected,

set HOST SELECT to “MIDI” for normal MIDI transmission and reception.)

3 TO HOST terminal

This terminal lets you connect the CS2x directly to a host computer which

does not have a MIDI interface (page 13).

4 INPUT jack

This jack lets you connect an external audio source (such as a sampler,

CD player, etc.) directly to the CS2x using either a stereo or mono mini

plug. The incoming audio signals are combined and output at the CS2x's

OUTPUT terminals, thus eliminating the need for an external mixer. To

control the relative balance of the signals, use the external device's

output volume control and the CS2x's panel edit PERFORM LEVEL

parameter (Performance mode; page 44) or VOLUME parameter (Multi

Play mode, page 59).

5 FOOTSWITCH jack

By connecting an optional Yamaha FC4 or FC5 footswitch to this jack you

can control hold on/off, portamento on/off and other parameters,

determined by the ASSIGN CTRL NO (Assign Control Change Number)

setting in Utility mode (page 64).

6 FOOT CONTROLLER jack

By connecting an optional Yamaha FC7 or FC9 foot controller to this jack

you can control filter modulation, filter cutoff, and the Variation effect

(page 12), as well as the Control Change Number (page 64). You can also

use it for “sound morphing” between Scenes when the SCENE CONTROL

function is active (page 25).

7 FOOT VOLUME jack

By connecting an optional Yamaha FC7 or FC9 foot controller to this jack

you can regulate overall volume by foot.

8 STANDBY/ON switch

This switch is for turning the power of the CS2x on and off (page 14).

9 DC IN terminal

This terminal is for connection of the supplied Yamaha PA-3B Power

Adaptor. (CAUTION: Do not attempt to use an AC adaptor other than the

Yamaha PA-3B or equivalent, since the use of an incompatible adaptor

may cause irreparable damage to the CS2x, and may even pose a serious

shock hazard.)

) OUTPUT jacks

The stereo OUTPUT jacks let you connect the CS2x to an external stereo

amplifier/speaker system. When using a mono system, use the L/MONO

jack. (page 11.)

! PHONES jack

This jack lets you connect a set of stereo headphones for private listening

(page 11).

Rear Panel

PHONES

L/MONO

OUTPUT

FOOT

VOLUME

FOOT

CONTROLLER

FOOT

SWITCH

ASSIGNABLE

INPUT

TO HOST

HOST SELECT

PC-

2 PC-1

MIDI Mac

INOUT

MIDI

THRU

STANDBY

cCS2x_Basic 2/3/99 2:00 PM Page 10

Feature Reference

Utility Mode

You can also use the NUMERIC KEYPAD (0 ~ 9) and [ENTER] or the

ASSIGN 1/DATA knob to change the data value.

As you press other Parameter Value [UP/DOWN] buttons, the

corresponding parameters will appear in the LCD. Set all other

parameters to your preference.

To exit Utility mode press [PERFORMANCE] or [MULTI] to return to

Performance or Multi Play mode, respectively.

It is not necessary to store changes made in the Utility mode as the

CS2x will remember any changes you make.

● Description of Each Utility

Function

SYSTEM

This determines the tuning and other keyboard-related

settings for the CS2x tone generator. There are four

parameters: MASTER TUNE, KBD TRANS (Keyboard

Transpose), VEL CURVE (Velocity Curve) and VEL FIX

(Velocity Fix).

■ MASTER TUNE

This tunes the CS2x’s tone generator. The basic pitch is 440

Hz at note A3. Master tuning can be adjusted in 1 cent

increments and decrements.

Settings

MasterTune: -102 to 0 (A3=440 Hz) to +102

A value of 100 cents is equal to one semitone.

PERFORMANCE

MULTI

DEMO

STORE

UTILITY

MASTER

TUNE

KBD

TRANS

BANK

PROGRAM

Entering Utility Mode

Press [UTILITY] to enter Utility mode. A [▲] mark will appear

below the word “UTILITY” in the LCD to indicate Utility mode

is engaged.

When you enter Utility mode the LCD will display the screen

previously selected when you last exited Utility mode. The first time

you press the [UTILITY] button after turning the power on, however,

the LCD will display the SYSTEM MASTER TUNE screen.

● Procedure

1. Select the parameter.

Press the Parameter Value [UP/DOWN] button

corresponding to the parameter you want to edit once to

select the parameter. The name of the parameter and current

setting will display in the LCD.

2. Set the value.

Press [UP/DOWN] again to set the value. Holding the

Parameter Value [UP/DOWN] button changes the value

continuously. Holding [UP/DOWN] scrolls through the

settings. The [UP] button increases the value and the

[DOWN] button decreases the value.

PERFORMANCE

MULTI

DEMO

STORE

UTILITY

MASTER

TUNE

KBD

TRANS

BANK

PROGRAM

PERFORMANCE MULTI

DEMO

STORE UTILITY

Parameter Name

SYSTEM SETTINGS

MASTER TUNE

KBD TRANS

VEL CURVE

VEL FIX

MIDI SETTINGS

TRANS CH

RCV CH

DEVICE NO

LOCAL

BULK DUMP

CS2x CS2x

MIDI

ASSIGN CONTROL

CHANGER NUMBER

Utility Mode

In Utility mode you can set the CS2x system, MIDI and special assignment parameters.

cCS2x_Ref 12/10/98 5:12 PM Page 61

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