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Yamaha CLP-265GP Handleiding

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IMPORTANT
—Check your power supply—
Make sure that your local AC
mains voltage matches the
voltage specified on the name
plate on the bottom panel. In
some areas a voltage selector
may be provided on the bottom
panel of the main keyboard unit
near the power cord. Make sure
that the voltage selector is set for
the voltage in your area. The
voltage selector is set at 240V
when the unit is initially shipped.
To change the setting use a
"minus" screwdriver to rotate the
selector dial so that the correct
voltage appears next to the
pointer on the panel.
For information on assembling
the keyboard stand, refer to the
instructions at the end of this
manual.
WICHTIG
—Überprüfen Sie Ihren
Netzanschluss—
Vergewissern Sie sich, dass die
Spannung in Ihrem örtlichen
Stromnetz mit der Spannung
übereinstimmt, die auf dem
Typenschild auf der Unterseite
des Instruments angegeben ist. In
bestimmten Regionen ist auf der
Unterseite des Keyboards in der
Nähe des Netzkabels ein
Spannungswähler angebracht.
Vergewissern Sie sich, dass der
Spannungswähler auf die
Spannung Ihres lokalen
Stromnetzes eingestellt ist. Dieser
Spannungswähler ist bei
Auslieferung auf 240 V
eingestellt. Sie können die
Einstellung mit einem
Schlitzschraubenzieher ändern.
Drehen Sie dazu den
Wählschalter, bis der Pfeil auf
dem Instrument auf die richtige
Spannung zeigt.
Weitere Informationen über die
Montage des Keyboard-Ständers
erhalten Sie in den Anweisungen
am Ende dieses Handbuchs.
IMPORTANT
—Contrôler la source
d'alimentation—
Vérifiez que la tension spécifiée
sur le panneau inférieur
correspond à la tension du
secteur. Dans certaines régions,
l'instrument peut être équipé d'un
sélecteur de tension situé sur le
panneau inférieur du clavier à
proximité du cordon
d'alimentation.
Vérifiez que ce sélecteur est bien
réglé en fonction de la tension
secteur de votre région. Le
sélecteur de tension est réglé sur
240 V au départ d'usine. Pour
modifier ce réglage, utilisez un
tournevis à lame plate pour
tourner le sélecteur afin de mettre
l'indication correspondant à la
tension de votre région vis à vis
du repère triangulaire situé sur le
panneau.
Pour obtenir des informations sur
l'assemblage du support du
clavier, reportez-vous aux
instructions à la fin de ce manuel.
IMPORTANTE
—Verifique la alimentación de
corriente—
Asegúrese de que tensión de
alimentación de CA de su área
corresponde con la tensión
especificada en la placa de
características del panel inferior.
En algunas zonas puede haberse
incorporado un selector de
tensión en el panel inferior de la
unidad del teclado principal,
cerca del cable de alimentación.
Asegúrese de que el selector de
tensión esté ajustado a la tensión
de su área. El selector de tensión
se ajusta a 240V cuando la
unidad sale de fábrica. Para
cambiar el ajuste, emplee un
destornillador de cabeza "recta"
para girar el selector de modo
que aparezca la tensión correcta
al lado del indicador del panel.
Para información sobre el
montaje del soporte del teclado,
consulte las instrucciones al final
de este manual.
CLP-265GP
MODE D’EMPLOI
BEDIENUNGSANLEITUNG
MANUAL DE INSTRUCCIONES
OWNER'S MANUAL
Before using the Clavinova, be sure to read “PRECAUTIONS” on pages 6-7.
Achten Sie darauf, vor Einsatz des Clavinova die “VORSICHTSMASSNAHMEN” auf Seite 6-7 durchzulesen.
Avant d'utiliser le Clavinova, lire attentivement la section «PRECAUTIONS D'USAGE» aux pages 6- 7.
Antes de utilizar el Clavinova, lea las “PRECAUCIONES” que debe tener en cuenta en las páginas 6 - 7.
ENGLISHDEUTSCHFRANÇAISESPAÑOL
Introduction
92-469 1 (bottom)
SPECIAL MESSAGE SECTION
PRODUCT SAFETY MARKINGS: Yamaha electronic
products may have either labels similar to the graphics
shown below or molded/stamped facsimiles of these
graphics on the enclosure. The explanation of these
graphics appears on this page. Please observe all cautions
indicated on this page and those indicated in the safety
instruction section.
See bottom of Keyboard enclosure for graphic symbol markings.
The exclamation point within the
equilateral triangle is intended to alert
the user to the presence of important
operating and maintenance (servic-
ing) instructions in the literature
accompanying the product.
The lightning flash with arrowhead
symbol, within the equilateral trian-
gle, is intended to alert the user to the
presence of uninsulated “dangerous
voltage” within the product’s enclo-
sure that may be of sufficient magni-
tude to constitute a risk of electrical
shock.
IMPORTANT NOTICE: All Yamaha electronic products
are tested and approved by an independent safety testing
laboratory in order that you may be sure that when it is
properly installed and used in its normal and customary
manner, all foreseeable risks have been eliminated. DO
NOT modify this unit or commission others to do so
unless specifically authorized by Yamaha. Product perfor-
mance and/or safety standards may be diminished.
Claims filed under the expressed warranty may be denied
if the unit is/has been modified. Implied warranties may
also be affected.
SPECIFICATIONS SUBJECT TO CHANGE: The
information contained in this manual is believed to be
correct at the time of printing. However, Yamaha reserves
the right to change or modify any of the specifications
without notice or obligation to update existing units.
ENVIRONMENTAL ISSUES: Yamaha strives to pro-
duce products that are both user safe and environmentally
friendly. We sincerely believe that our products and the
production methods used to produce them, meet these
goals. In keeping with both the letter and the spirit of the
law, we want you to be aware of the following:
Battery Notice: This product MAY contain a small non-
rechargable battery which (if applicable) is soldered in
place. The average life span of this type of battery is
approximately five years. When replacement becomes
necessary, contact a qualified service representative to
perform the replacement.
Warning: Do not attempt to recharge, disassemble, or
incinerate this type of battery. Keep all batteries away
from children. Dispose of used batteries promptly and as
regulated by applicable laws. Note: In some areas, the
servicer is required by law to return the defective parts.
However, you do have the option of having the servicer
dispose of these parts for you.
Disposal Notice: Should this product become damaged
beyond repair, or for some reason its useful life is consid-
ered to be at an end, please observe all local, state, and
federal regulations that relate to the disposal of products
that contain lead, batteries, plastics, etc.
NOTICE: Service charges incurred due to lack of knowl-
edge relating to how a function or effect works (when the
unit is operating as designed) are not covered by the man-
ufacturer’s warranty, and are therefore the owners respon-
sibility. Please study this manual carefully and consult
your dealer before requesting service.
NAME PLATE LOCATION: The graphic below indi-
cates the location of the name plate. The model number,
serial number, power requirements, etc., are located on
this plate. You should record the model number, serial
number, and the date of purchase in the spaces provided
below and retain this manual as a permanent record of
your purchase.
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK.
DO NOT REMOVE COVER (OR BACK).
NO USER-SERVICEABLE PARTS INSIDE.
REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
CLP-265GP
Model
Serial No.
Purchase Date
CLP-265GP Owner’s Manual
ENGLISH
3
Thank you for purchasing the Yamaha Clavinova! We recommend that you read this manual carefully so that you can
fully take advantage of the advanced and convenient functions of the Clavinova.
We also recommend that you keep this manual in a safe and handy place for future reference.
About this Owner’s Manual
This manual consists of three main sections: “Introduction,” “Reference” and “Appendix.”
Introduction (page 2):
Please read this section first.
Reference (page 14):
This section explains how to make detailed settings for the Clavinova’s various functions.
Appendix (page 59):
This section introduces reference material.
*The model CLP-265GP will be referred to as the CLP/Clavinova in this owner’s manual.
*The illustrations and LED displays shown in this owner’s manual are for instructional purposes only and may appear somewhat dif-
ferent from those on your instrument.
*Copying of commercially available software or music data for purposes other than your personal use is strictly prohibited.
Trademarks:
•Apple and Macintosh are trademarks of Apple Computer, Inc.
•Windows is a registered trademark of Microsoft® Corporation.
•SmartMedia is a trademark of Toshiba Corporation.
•All other trademarks are the property of their respective holders.
Accessories
• “50 Greats for the Piano” (Music Book)
• Owner’s Manual
This manual contains complete instructions for operating your Clavinova.
• Accessory CD-ROM for Windows
• Accessory CD-ROM for Windows Installation Guide
• Bench
A bench may be included or optional, depending on your locale.
Tuning
Unlike an acoustic piano, the Clavinova does not need to be tuned. It always stays perfectly in tune.
Transporting
If you move to another location, you can transport the Clavinova along with your other belongings. You can move the
unit as it is (assembled) or you can disassemble the unit.
Tr ansport the keyboard horizontally. Do not lean it up against a wall or stand it up on its side. Do not subject the
instrument to excessive vibration or shock.
COPYRIGHT NOTICE
This product incorporates and bundles computer programs and contents in which Yamaha owns copyrights or with respect to
which it has license to use others’ copyrights. Such copyrighted materials include, without limitation, all computer software and
MIDI files, etc. Any unauthorized use of such programs and contents outside of personal use is not permitted under relevant laws.
Any violation of copyright has legal consequences. DON’T MAKE, DISTRIBUTE OR USE ILLEGAL COPIES.
CLP-265GP Owner’s Manual
ENGLISH
4
Table of Contents
Introduction
About this Owner’s Manual ............................... 3
Accessories ......................................................... 3
Application Index ............................................... 5
Panel Controls and Terminals............................ 8
Before Using the Clavinova ............................. 10
Key Cover....................................................................10
Music Rest...................................................................10
Music Braces ...............................................................10
Lid................................................................................11
Turning the Power On ...............................................12
Setting the Volume.....................................................13
Using Headphones .....................................................13
Reference
Listening to the Demonstration Tunes............ 15
Listening to 50 Piano Preset Songs ................. 16
Practicing a One-Hand Part Using 50 Preset Songs
(Part Cancel Function)...............................................18
A-B Repeat for 50 Preset Songs .................................19
Selecting & Playing Voices............................... 20
Selecting Voices ..........................................................20
Using the Pedals..........................................................21
Adding Variations to the Sound – [BRILLIANCE]/
[REVERB]/[EFFECT] ................................................22
Touch Sensitivity – [TOUCH] ..................................24
Transposition – [TRANSPOSE] ................................25
Combining Two Voices (Dual mode).......................26
Using the Metronome ................................................27
Recording Your Performance .......................... 28
Recording a performance quickly..............................28
Re-recording a previously recorded song..................30
Recording to RIGHT/LEFT .......................................31
Changing the Initial Settings
(Data recorded at the beginning of a song) ..............33
Playing Back Songs .......................................... 34
Playing Back User Songs on the Instrument.............35
Detailed Settings – [FUNCTION]...................... 36
Basic Procedure in Function Mode...........................37
About Each Function ................................................. 39
F1. Fine Tuning of the Pitch............................... 39
F2. Selecting a Scale............................................. 40
F3. Dual Mode Functions ...................................41
F4. Other Functions ............................................ 42
F5. Metronome Volume ..................................... 42
F6. Song Part Cancel Volume.............................42
F7. MIDI Functions ............................................43
F8. Backup Functions..........................................45
F8.5 Character Code ...........................................45
Connections ..................................................... 46
Connectors .................................................................46
Connecting a Personal Computer.............................48
Data Backup ..................................................... 49
Message List ..................................................... 50
Troubleshooting............................................... 51
Options............................................................. 51
Keyboard Stand Assembly ............................... 52
Preset Voice List ............................................... 55
Demo Song List ................................................ 56
Index................................................................. 57
Appendix
Factory Setting List .......................................... 60
MIDI Data Format ............................................ 61
MIDI Implementation Chart ............................ 65
Specifications ................................................... 66
CLP-265GP Owner’s Manual
ENGLISH
5
Application Index
Use this index to find reference pages that may be helpful for your particular application and situation.
Listening
Listening to demo songs with different voices.................................................. “Listening to the Demonstration Tunes” on page 15
Listening to songs from “50 Greats for the Piano” ................................................. “Listening to 50 Piano Preset Songs” on page 16
Listening to my recorded performance............................................................................................“Playing Back Songs” on page 34
Playing
Using the three performance control pedals ........................................................................................ “Using the Pedals” on page 21
Playing an accompaniment that matches pitch...........................................................“Transposition – [TRANSPOSE]” on page 25
Selecting a touch sensitivity type.................................................................................... “Touch Sensitivity – [TOUCH]” on page 24
Fine tuning the pitch of the entire instrument when you play the Clavinova along with other instruments or CD music
..................................................................................................................................................... “Fine tuning of the pitch” on page 39
Changing voices
Viewing the list of voices ........................................................................................................................“Preset Voice List” on page 55
Combining two voices ......................................................................................... “Combining Two Voices (Dual mode)” on page 26
Making the sound more brilliant or mellower ...................................................................................... “[BRILLIANCE]” on page 22
Simulating a concert hall ................................................................................................................................ “[REVERB]” on page 22
Adding spread or swell to the sound............................................................................................................... “[EFFECT]” on page 23
Practicing
Muting the right- or left-hand part....... “Practicing a One-Hand Part Using 50 Preset Songs (Part Cancel Function)” on page 18
Practicing a specified phrase repeatedly ........................................................................“A-B Repeat for 50 Preset Songs” on page 19
Practicing with an accurate and steady tempo ............................................................................“Using the Metronome” on page 27
Practicing using your recorded song................................................................................ “Recording Your Performance” on page 28
Recording
Recording your performance............................................................................................ “Recording Your Performance” on page 28
Settings
Adjusting the Clavinova settings ..............................................................................“Detailed Settings – [FUNCTION]” on page 36
Connecting the Clavinova to other devices
What is MIDI?...............................................................................................................................................“About MIDI” on page 47
Making detailed settings for MIDI ....................................................................................................... “MIDI Functions” on page 43
Recording your performance.........................................................................“AUX OUT [L] [R] (LEVEL FIXED) jacks” on page 46
Raising the volume.........................................................................................“AUX OUT [L] [R] (LEVEL FIXED) jacks” on page 46
Outputting other instruments’ sound from the Clavinova .................................................“AUX IN [L/L+R] [R] jacks” on page 47
Connecting a computer .............................................................................................“Connecting a Personal Computer” on page 48
Assembling
Assembling and disassembling the Clavinova ...................................................................... “Keyboard Stand Assembly” on page 52
CLP-265GP Owner’s Manual
ENGLISH
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PRECAUTIONS
PLEASE READ CAREFULLY BEFORE PROCEEDING
* Please keep this manual in a safe place for future reference.
WARNING
Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical
shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following:
• Only use the voltage specified as correct for the instrument. The required
voltage is printed on the name plate of the instrument.
• Check the electric plug periodically and remove any dirt or dust which may have
accumulated on it.
• Use only the supplied power cord/plug.
• Do not place the power cord near heat sources such as heaters or radiators, and
do not excessively bend or otherwise damage the cord, place heavy objects on
it, or place it in a position where anyone could walk on, trip over, or roll anything
over it.
• Do not open the instrument or attempt to disassemble the internal parts or
modify them in any way. The instrument contains no user-serviceable parts. If it
should appear to be malfunctioning, discontinue use immediately and have it
inspected by qualified Yamaha service personnel.
• Do not expose the instrument to rain, use it near water or in damp or wet
conditions, or place containers on it containing liquids which might spill into
any openings.
• Never insert or remove an electric plug with wet hands.
• Do not put burning items, such as candles, on the unit.
A burning item may fall over and cause a fire.
• If the power cord or plug becomes frayed or damaged, or if there is a sudden
loss of sound during use of the instrument, or if any unusual smells or smoke
should appear to be caused by it, immediately turn off the power switch,
disconnect the electric plug from the outlet, and have the instrument inspected
by qualified Yamaha service personnel.
CAUTION
Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage
to the instrument or other property. These precautions include, but are not limited to, the following:
• When removing the electric plug from the instrument or an outlet, always hold
the plug itself and not the cord. Pulling by the cord can damage it.
• Remove the electric plug from the outlet when the instrument is not to be used
for extended periods of time, or during electrical storms.
• Do not connect the instrument to an electrical outlet using a multiple-connector.
Doing so can result in lower sound quality, or possibly cause overheating in the
outlet.
• Read carefully the attached documentation explaining the assembly process.
Failure to assemble the instrument in the proper sequence might result in
damage to the instrument or even injury.
• Do not expose the instrument to excessive dust or vibrations, or extreme cold or
heat (such as in direct sunlight, near a heater, or in a car during the day) to
prevent the possibility of panel disfiguration or damage to the internal
components.
• Do not use the instrument in the vicinity of a TV, radio, stereo equipment,
mobile phone, or other electric devices. Otherwise, the instrument, TV, or radio
may generate noise.
• Do not place the instrument in an unstable position where it might accidentally
fall over.
• Before moving the instrument, remove all connected cables.
• When setting up the product, make sure that the AC outlet you are using is
easily accessible. If some trouble or malfunction occurs, immediately turn off
the power switch and disconnect the plug from the outlet. Even when the power
switch is turned off, electricity is still flowing to the product at the minimum
level. When you are not using the product for a long time, make sure to unplug
the power cord from the wall AC outlet.
Power supply/Power cord
Do not open
Water warning
Fire warning
If you notice any abnormality
Power supply/Power cord
Assembly
Location
CLP-265GP Owner’s Manual
ENGLISH
7
• Before connecting the instrument to other electronic components, turn off the
power for all components. Before turning the power on or off for all
components, set all volume levels to minimum. Also, be sure to set the volumes
of all components at their minimum levels and gradually raise the volume
controls while playing the instrument to set the desired listening level.
• In the case of a model with a polished finish, gently remove dust and dirt with a
soft cloth. Do not wipe too hard since small particles of dirt can scratch the
instrument's finish.
• When cleaning the instrument, use a soft, dry or slightly damp cloth. Do not use
paint thinners, solvents, cleaning fluids, or chemical-impregnated wiping
cloths.
•Take care that the key cover does not pinch your fingers, and do not insert a
finger or hand in any gaps on the key cover or instrument.
• Never insert or drop paper, metallic, or other objects into the gaps on the key
cover, panel or keyboard. If this happens, turn off the power immediately and
unplug the power cord from the AC outlet. Then have the instrument inspected
by qualified Yamaha service personnel.
• Do not place vinyl, plastic or rubber objects on the instrument, since this might
discolor the panel or keyboard.
• In the case of a model with a polished finish, bumping the surface of the
instrument with metal, porcelain, or other hard objects can cause the finish to
crack or peel. Use caution.
• Do not rest your weight on, or place heavy objects on the instrument, and do not
use excessive force on the buttons, switches or connectors.
• Do not use the instrument/device or headphones for a long period of time at a
high or uncomfortable volume level, since this can cause permanent hearing
loss. If you experience any hearing loss or ringing in the ears, consult a
physician.
• Do not place the bench in an unstable position where it might accidentally fall
over.
• Do not play carelessly with or stand on the bench. Using it as a tool or step-
ladder or for any other purpose might result in accident or injury.
• Only one person should sit on the bench at a time, in order to prevent the
possibility of accident or injury.
• If the bench screws become loose due to extensive long-term use, tighten them
periodically using the included tool.
Saving and backing up your data
• The panel settings and certain other types of data will be lost if the power is
turned off before they have been saved. Be sure to save (back up) data you want
to keep to the internal Flash Memory before turning off the power (page 45).
Keep in mind that this data is for temporary backup purposes and may be
inadvertently lost due to malfunction or incorrect operation. Make sure to save
all your important data to computer for permanent safekeeping (page 49).
Yamaha cannot be held responsible for damage caused by improper use or modifications to the instrument, or data that is lost or destroyed.
Always turn the power off when the instrument is not in use.
Connections
Maintenance
Handling caution
Using the bench (If included)
Saving data
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Panel Controls and Terminals
CLP-265GP
Owner’s Manual
ENGLISH
8
Panel Controls and Terminals
The Yamaha Clavinova CLP-265GP digital piano provides natural, expressive grand piano sound and playability, and fea-
tures Yamaha’s original “AWM Stereo Sampling ” tone-generation technology for rich, musical voices.
The CLP-265GP Grand Piano 1 and 2 voices feature samples painstakingly recorded from a full concert grand piano. The
CLP-265GP also utilizes a “GH3 (Graded Hammer 3)” Keyboard that varies the key weight according to the key range.
Moreover, this specially crafted keyboard lets you use techniques only possible on grand pianos, such as playing the same
note successively and having the sounds blend smoothly even without use of the damper pedal, or playing the same key
quickly and having perfect articulation without the sound cutting off unnaturally. With these features, the CLP-265GP
comes much closer to the sound of a true acoustic piano.
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Panel Controls and Terminals
CLP-265GP Owner’s Manual
ENGLISH
9
1 [POWER] switch........................... page 12
2 [MASTER VOLUME] slider ........... page 13
Adjust the volume level using this slider.
3 [DEMO] button............................ page 15
Demonstration playback is available for each voice.
4 [TRANSPOSE] button................... page 25
You can shift the pitch of the entire keyboard up or
down so that the pitch will match that of another
instrument or singer, while you play the same,
unshifted keys.
5 [REC] button ................................ page 28
For recording your keyboard performance.
6 [RIGHT], [LEFT] buttons .......pages 18, 31
For turning the left- and right-hand parts on or off as
required so you can practice the corresponding part
(the part that is turned off) on the keyboard.
7 [PLAY/PAUSE], [STOP] buttons
..............................................pages 16, 35
For playing back the preset songs, your recorded
material or commercially available music data, etc.
8 [SONG SELECT] button ........pages 16, 35
For selecting a song to play back or edit.
9 [TEMPO/FUNCTION#] button
..............................................pages 27, 37
For changing the song tempo (speed) and selecting
other useful functions (pages 36-55).
) [METRONOME] button.........pages 27, 42
For using the metronome.
! Display ......................................... page 12
CAUTION
Do not turn off the power to the instrument while
flashing dashes appear in the display (indicating the
operation is in process). Doing so may damage the
data.
@ [–/NO], [+/YES] buttons
For setting values or performing file operations.
Pressing both buttons simultaneously for certain
value settings (Transpose, Tempo, etc.) restores the
default value.
# Voice group buttons.................... page 20
For selecting voices from 14 internal sounds includ-
ing Grand Piano 1 and 2. You can also combine two
voices and use them together.
$ [BRILLIANCE], [REVERB], [EFFECT]
buttons ........................................ page 22
For adjusting the brightness of the sound and adding
reverb and chorus effects to the sound.
% [TOUCH] button ..........................page 24
For fine-tuning the touch response.
^ AUX OUT [L] [R] (LEVEL FIXED) jacks
.....................................................page 46
For outputting the sound of the Clavinova to an
external audio system, or connecting it to another
device (cassette tape recorder, etc.) to record your
performance.
& AUX IN [L/L+R] [R] jacks ..............page 47
For connecting an external tone generator, allowing
you to play the sound of that device via the Clavi-
nova’s internal sound system and speakers.
* USB [TO HOST] terminal .............page 47
For connecting the instrument to your computer,
allowing you to transfer MIDI data between the
Clavinova and the computer.
( MIDI [IN] [OUT] [THRU] terminals
.....................................................page 47
For connecting external MIDI devices, allowing the
use of various MIDI functions.
º [PHONES] jacks
.....................................................page 13
For connecting a set of standard stereo headphones,
allowing private practice.
¡ PEDALS.........................................page 21
For producing a range of expressive effects similar to
those produced by the pedals on an acoustic piano.
The left pedal can also be assigned to a variety of
functions.
Before Using the Clavinova
CLP-265GP Owner’s Manual
ENGLISH
10
Before Using the Clavinova
Key Cover
To open the key cover:
Lift the cover slightly, then push and slide it open.
To close the key cover:
Slide the cover toward you and gently lower the cover over
the keys.
Music Rest
To raise the music rest:
1. Pull the music rest up and toward yourself as far as it will go.
2. Flip down the two metal supports at the left and right on the rear
of the music rest.
3. Lower the music rest so that it rests on the metal supports.
To lower the music rest:
1. Pull the music rest toward yourself as far as it will go.
2. Raise the two metal supports (at the rear of the music rest).
3. Gently lower the music rest backward until it is all the way down.
CAUTION
Do not try to use the music rest in a half-raised position. When low-
ering the music rest, do not release your hands from the music rest
until it is all the way down.
Music Braces
These braces are for holding the pages of music books in place.
CAUTION
Hold the cover with both hands when opening or closing it. Do not release it until it is fully opened or closed. Be care-
ful to avoid catching fingers (yours or others, especially children’s) between the cover and main unit.
CAUTION
Do not place objects such as a piece of metal or paper on top of the key cover. Small objects placed on the key cover
may fall inside the unit when the cover is opened and may be nearly impossible to remove. This could cause electric
shock, short circuit, fire or other serious damage to the instrument.
CAUTION
Be careful to avoid catching your fingers
when opening or closing the cover.
To open To close
Before Using the Clavinova
CLP-265GP
Owner’s Manual
ENGLISH
11
Lid
To open the lid:
1.
Raise and hold the right side of the lid (viewed from the keyboard
end of the instrument).
2.
Raise the lid stay and carefully lower the lid so that the end of the
stay fits into the recess in the lid.
To close the lid:
1.
Hold the lid stay and carefully raise the lid.
2.
Hold the lid in its raised position and lower the lid stay.
3.
Carefully lower the lid.
CAUTION
Make sure that the end of the stay fits securely in the lid recess. If the stay is not properly seated in the recess, the lid may
fall, causing damage or injury.
CAUTION
Be careful that you or others do not bump the stay while the lid is raised. The stay may be bumped out of the lid recess
causing the lid to fall.
CAUTION
Be careful to avoid catching fingers (yours or others, especially children's) when raising or lowering the lid.
1
2
1
3
2
CLP265GPE_1-4.fm Page 11 Monday, November 20, 2006 4:56 PM
Before Using the Clavinova
CLP-265GP Owner’s Manual
ENGLISH
12
Tur ning the Power On
1.Connect the power cord.
Insert the plugs at the ends of the cord, one into the AC INLET on the Clavinova, and the other into a standard AC
outlet.
In some areas, a plug adaptor may be provided to match the pin configuration of the AC wall outlets in your area.
CAUTION
Make sure your CLP-265GP is rated for the AC voltage supplied in the area in which it is to be used (voltage rating appears on
the name plate on the bottom panel). In some areas, a voltage selector may be provided on the bottom panel of the main
keyboard unit near the power cord. Make sure that the voltage selector is set for the voltage in your area. Connecting the unit
to the wrong AC supply can cause serious damage to the internal circuitry and may even pose a shock hazard!
Use only the AC power cord supplied with the CLP-265GP. If the supplied cord is lost or damaged and needs to be replaced,
contact your Yamaha dealer. The use of an inappropriate replacement can pose a fire and shock hazard!
The type of AC power cord provided with the CLP-265GP may be different depending on the country in which it is pur-
chased. (In some areas a plug adaptor may be provided to match the pin configuration of the AC wall outlets in your area.)
Do NOT modify the plug provided with the CLP-265GP. If the plug will not fit the outlet, have a proper outlet installed by a
qualified electrician.
2.Turn the power on.
Press the [POWER] switch.
•The display located in the center of the front panel and the power indicator located below the left end of the keyboard lights up.
When you’re ready to turn off the power, press the [POWER] switch again.
•The display and the power indicator turn off.
NOTE
Power indicator
If you close the key cover without turning the power off, the power indicator remains lit, indicating that the power is
still on.
1-2
(The shape of plug differs
depending on locale.)
1-1
(bottom surface)
Display
Normally indicates tempo.
[POWER]
Before Using the Clavinova
CLP-265GP Owner’s Manual
ENGLISH
13
Setting the Volume
Initially set the [MASTER VOLUME] slider about halfway between the “MIN” and “MAX” settings. Then, when you start
playing, re-adjust the [MASTER VOLUME] slider to the most comfortable listening level.
CAUTION
Do not use the Clavinova at a high volume level for a long period of time, or your hearing may be damaged.
Using Headphones
Connect a pair of headphones to one of the [PHONES]
jacks.
Two [PHONES] jacks are provided.
You can connect two sets of standard stereo head-
phones. (If you are using only one pair of headphones,
you can plug them into either jack.)
Using the Headphone Hanger
A headphone hanger is included in the CLP-265GP
package so that you can hang the headphones on the
Clavinova. Install the headphone hanger using included
two screws (4 × 10mm) as shown in the figure.
CAUTION
Do not hang anything other than the headphones on
the hanger. Otherwise, the Clavinova or the hanger
may be damaged.
TERMINOLOGY
MASTER VOLUME:
The volume level of the entire keyboard sound
NOTE
You can also adjust the [PHONES] output level and the AUX IN input level using the [MASTER VOLUME]
slider.
MASTER VOLUME
MIN MAX
The level decreases. The level increases.
CLP-265GP Owner’s Manual
ENGLISH
14
Reference
Listening to the Demonstration Tunes ............................ 15
Listening to 50 Piano Preset Songs................................... 16
Practicing a One-Hand Part Using 50 Preset Songs (Part
Cancel Function)................................................................... 18
A-B Repeat for 50 Preset Songs ............................................ 19
Selecting & Playing Voices ................................................ 20
Selecting Voices ..................................................................... 20
Using the Pedals .................................................................... 21
Adding Variations to the Sound – [BRILLIANCE]/
[REVERB]/[EFFECT]........................................................... 22
Touch Sensitivity – [TOUCH].............................................. 24
Tr ansposition – [TRANSPOSE]........................................... 25
Combining Two Voices (Dual mode)................................... 26
Using the Metronome........................................................... 27
Recording Your Performance ........................................... 28
Recording a performance quickly ........................................ 28
Re-recording a previously recorded song ............................ 30
Recording to RIGHT/LEFT .................................................. 31
Changing the Initial Settings (Data recorded at the beginning
of a song) ............................................................................... 33
Playing Back Songs ........................................................... 34
Playing Back User Songs on the Instrument ....................... 35
Detailed Settings – [FUNCTION] ................................... 36
Basic Procedure in Function Mode...................................... 37
About Each Function ............................................................ 39
F1. Fine Tuning of the Pitch ................................................. 39
F2. Selecting a Scale............................................................... 40
F3. Dual Mode Functions ..................................................... 41
F4. Other Functions .............................................................. 42
F5. Metronome Volume ........................................................ 42
F6. Song Part Cancel Volume ............................................... 42
F7. MIDI Functions .............................................................. 43
F8. Backup Functions............................................................ 45
F8.5 Character Code ............................................................. 45
Connections ...................................................................... 46
Connectors ............................................................................ 46
Connecting a Personal Computer ........................................ 48
Data Backup ...................................................................... 49
Message List....................................................................... 50
Troubleshooting ................................................................ 51
Options.............................................................................. 51
Keyboard Stand Assembly ................................................ 52
Preset Voice List................................................................. 55
Demo Song List................................................................. 56
Index .................................................................................. 57
This section explains how to make detailed settings for the
Clavinova’s various functions.
Listening to the Demonstration Tunes
CLP-265GP Owner’s Manual
ENGLISH
15
Listening to the Demonstration Tunes
Demonstration tunes are provided that effectively demonstrate each of the CLP-265GP’s voices.
1. Turn the power on.
(In case the power is not turned ON) Press the [POWER] switch.
When the power is turned ON, one of the voice button LEDs will light.
Initially set the [MASTER VOLUME] slider about half way between the “MIN”
and “MAX” settings. Then, when you start playing, re-adjust the [MASTER
VOLUME]
slider to the most comfortable listening level.
2. Engage Demo mode.
Press the [DEMO] button to engage Demo mode. The voice button indicators
will flash in sequence.
3. Play a Voice demo.
Press one of the voice buttons to start playback of all songs starting from the
corresponding voice demo tune — featuring the voice normally selected by that
voice button. (If you press the SONG [PLAY/PAUSE] button instead of a voice
button, the GRAND PIANO 1 demo tune will begin playback.)
4. Stop the Voice demo and exit from Demo mode.
Press the [DEMO] or SONG [STOP] button.
MAX
MIN
MASTER V
O
LUME
DE
M
O
ON
TRANSPOSE
LEFT RIGHT
S
O
NG SELE
C
T
PLAY
/
PAU SESTOP
REC
SONG
SYNC START
METR
O
N
O
ME
+
/
YES
—
/
N
O
ON
/
OFF
TEMP
O
/
FUNCTI
O
N#
TEMP
O
/
O
THER VA LUE
USER
PRESET
BRILLIAN
C
E
BRIGHT
N
O
RMAL
MELL
O
W
REVERB
HALL 1
R
OO
M
HALL 2
STAGE
EFFECT
PHASER
CH
O
RUS
TREM
O
L
O
R
O
TA R Y
SP
TOUCH
HARD
MEDIUM
S
O
FT
TEMP
O
FUN
C
TI
O
N#
STR INGS
2
VIBRA
-
PH
O
NE
HARPSI
-
CH
O
RD 2
HARPSI
-
CH
O
RD 1
CH
O
IR GUITAR
E.PIAN
O
2
E.PIAN
O
1
GRAND
PI AN O 1
CHURCH
ORGAN 1
CHURCH
ORGAN 2
GRAND
PIA N
O
2
JAZZ
O
RGAN
STR INGS
1
V
O
ICE
CLP
-
265GP
3
4
1
24
Procedure
NOTE
For a list of the demo songs,
see page 56.
NOTE
MIDI reception is not possible in
Demo Song mode.
Demo song data is not trans-
mitted via the MIDI terminals.
NOTE
Demo mode cannot be
engaged during User song
recording (page 28).
TERMINOLOGY
Mode:
A mode is a status under which
you can execute a certain func-
tion. In Demo mode, you can
play back demonstration tunes.
NOTE
You cannot adjust the tempo
of demo songs.
You cannot use the part cancel
function (page 18) or the song
A-B repeat function (page 19)
in Demo mode.
Listening to 50 Piano Preset Songs
CLP-265GP Owner’s Manual
ENGLISH
16
Listening to 50 Piano Preset Songs
The Clavinova provides performance data of 50 piano songs. You can simply listen to these songs
(page 16) or use them for practice (page 18). You can also refer to the included “50 Greats for the
Piano” that contains scores for 50 piano preset songs.
1. Engage Preset Song mode.
Press the [SONG SELECT] button a few times until the “PRESET” indicator
lights.
2. Play any of the 50 preset songs.
2-1 Press the [–/NO], [+/YES] buttons to select the number
of the tune you want to play (the number will appear
on the LED display).
1 – 50: Select a preset song number and play only
the song.
ALL: Play all preset songs in sequence.
rnd: Play all preset songs continuously in random order.
2-2 Press the
SONG [PLAY/PAUSE] button to start playback.
Adjust the Volume
Use the [MASTER VOLUME] control to adjust the volume.
Adjust the tempo
You can use the [TEMPO/FUNCTION# ▼
▲]
buttons to adjust the playback tempo
as required. The default tempo can be
recalled by simultaneously pressing the
[▼] and [▲] buttons.
3. Stop playback.
Playback will stop automatically when the selected preset song has finished. To
stop the song during playback (or continuous playback), press the SONG
[STOP]
button. You can also pause playback by pressing the SONG [PLAY/
PAUSE]
button.
•To play back another song continuously, see procedure 2 above.
MAX
MIN
MASTER V
O
LUME
DE
M
O
ON
TRANSPOSE
LEFT RIGHT
S
O
NG SELE
C
T
PLAY
/
PAU SESTOP
REC
SONG
SYNC START
METR
O
N
O
ME
+
/
YES
—
/
N
O
ON
/
OFF
TEMP
O
/
FUNCTI
O
N#
TEMP
O
/
O
THER VA LUE
USER
PRESET
BRILLIAN
C
E
BRIGHT
N
O
RMAL
MELL
O
W
REVERB
HALL 1
R
OO
M
HALL 2
STAGE
EFFECT
PHASER
CH
O
RUS
TREM
O
L
O
R
O
TA R Y
SP
TOUCH
HARD
MEDIUM
S
O
FT
TEMP
O
FUN
C
TI
O
N#
VIBRA
-
PH
O
NE
E.PIAN
O
2
E.PIAN
O
1
GRAND
PI AN O 1
GRAND
PIA N
O
2
V
O
ICE
CLP
-
265GP
STR INGS
2
HARPSI
-
CH
O
RD 2
HARPSI
-
CH
O
RD 1
CH
O
IR GUITAR
CHURCH
ORGAN 1
CHURCH
ORGAN 2
JAZZ
O
RGAN
STR INGS
1
4
-2
223
-1
1
Procedure
NOTE
Preset Song mode cannot be
engaged while the unit is in
Demo Song mode (page 15) or
during song playback
(page 35), User song recording
(page 28).
TERMINOLOGY
Song:
On the CLP-265GP, perfor-
mance data is called a “Song.”
This includes demonstration
tunes and piano preset tunes.
NOTE
You can play the keyboard
along with the preset song. You
can change the voice playing
on the keyboard.
NOTE
You can adjust the Brilliance
control (page 22) and Reverb
type (page 22) that is applied
to the voice you play on the
keyboard and for the preset
song playback. You can change
the Effect type (page 23) and
Touch sensitivity (page 24) for
the keyboard voice.
NOTE
The default tempo “0” is auto-
matically selected whenever a
new preset song is selected, or
when playback of a new preset
song begins during “ALL” or
“rnd” playback.
NOTE
When you select a different
song (or a different song is
selected during chained play-
back), appropriate reverb and
effect types will be selected
accordingly.
song number
This produces a relative tempo
variation, with a range from “–50”
through “0” to “50” at maximum;
the range will differ depending on
the selected song.
Listening to 50 Piano Preset Songs
CLP-265GP Owner’s Manual
ENGLISH
17
4. Exit from Preset Song mode.
Press the [SONG SELECT] button to exit Preset Song mode. The indicator turns
off, and the unit returns to normal play mode.
How to use the practice functions
You can turn the left- and right-hand parts on or off as required so you can practice the
corresponding part (part cancel function) and continuously repeat a specified phrase
within a song (song A-B repeat function). For more information, see pages 18–19.
Listening to 50 Piano Preset Songs
CLP-265GP Owner’s Manual
ENGLISH
18
Practicing a One-Hand Part Using 50 Preset Songs
(Part Cancel Function)
The 50 preset songs have separate left- and right-hand parts on individual parts. You can turn the
left- and right-hand parts on or off as required so you can practice the corresponding part (the part
that is turned off) on the keyboard. The right-hand part is played by [RIGHT] and the left-hand part
is played by [LEFT].
1. Turn off the playback part you wish to practice.
After you select a song to practice, press the [RIGHT] or [LEFT] button to turn
off the corresponding part.
When you first select a song, both [RIGHT] and [LEFT] indicators light up, indi-
cating that you can play back both parts. When you press one of the buttons to
turn off playback, the corresponding button indicator turns off and the corre-
sponding part playback is muted.
•Pressing the buttons repeatedly toggles playback between on and off.
2. Start playback and playing.
Press the SONG [PLAY/PAUSE] button to start playback. Play the part you just
turned off.
Starting playback automatically as you start playing the keyboard
(Sync Start)
When the Sync Start function is engaged, playback of the selected preset song
will begin automatically as soon as you start playing on the keyboard.
To engage the Sync Start function, simultaneously hold down the SONG [STOP]
and press the [PLAY/PAUSE] button.
(Repeat the previous operation to disengage the Sync Start function.)
Playback will then start as soon as you begin playing on the keyboard.
Left Pedal Play/Pause
The left pedal can be assigned to play and pause preset song playback via the
“Left Pedal Mode” function described on page 42.
3. Stop playback.
When playback is complete, it automatically stops and the Clavinova locates the
top of the song. If you wish to stop playback in the middle of a song, press the
SONG [STOP] button. You can also pause playback by pressing the SONG
[PLAY/PAUSE] button.
MAX
MIN
MASTER V
O
LUME
DE
M
O
ON
TRANSPOSE
LEFT RIGHT
S
O
NG SELE
C
T
PLAY
/
PAU SESTOP
REC
SONG
SYNC START
METR
O
N
O
ME
+
/
YES
—
/
N
O
ON
/
OFF
TEMP
O
/
FUNCTI
O
N#
TEMP
O
/
O
THER VA LUE
USER
PRESET
BRILLIAN
C
E
BRIGHT
N
O
RMAL
MELL
O
W
REVERB
HALL 1
R
OO
M
HALL 2
STAGE
EFFECT
PHASER
CH
O
RUS
TREM
O
L
O
R
O
TA R Y
SP
TOUCH
HARD
MEDIUM
S
O
FT
TEMP
O
FUN
C
TI
O
N#
VIBRA
-
PH
O
NE
E.PIAN
O
2
E.PIAN
O
1
GRAND
PI AN O 1
GRAND
PIA N
O
2
V
O
ICE
CLP
-
265GP
STR INGS
2
HARPSI
-
CH
O
RD 2
HARPSI
-
CH
O
RD 1
CH
O
IR GUITAR
CHURCH
ORGAN 1
CHURCH
ORGAN 2
JAZZ
O
RGAN
STR INGS
1
1
23
NOTE
Appropriate channels in the
song will automatically be
assigned to [RIGHT] and
[LEFT]. Therefore, [RIGHT] may
be assigned to a part other
than channel 1, or [LEFT] to a
part other than channel 2.
NOTE
The Preset Song Part Cancel
function cannot be used during
“ALL” or “rnd” (page 16) play-
back.
NOTE
The parts can be turned on or
off even during playback.
NOTE
The “Song Part Cancel Volume”
function described on page 42
can be used to set the can-
celed part so that it plays at a
volume from “0” (no sound) to
“20”. The normal setting is
“5”.
Procedure
NOTE
Both parts are automatically
turned ON whenever a new
song is selected.
Listening to 50 Piano Preset Songs
CLP-265GP Owner’s Manual
ENGLISH
19
A-B Repeat for 50 Preset Songs
The A-B Repeat function can be used to continuously repeat a specified phrase within a preset song.
Combined with the Part Cancel function described below, this provides an excellent way to practice
difficult phrases.
1. Specify the beginning (A) and the end (B) of the
phrase, and start practicing.
Select and play a preset song, then press the [TEMPO/
FUNCTION#]
button at the beginning of the phrase
you want to repeat.
This sets the “A” point ( will appear on the dis-
play).
To specify the end (B) of the phrase, press the [TEMPO/
FUNCTION#]
button a second time at the end of the
phrase.
This sets the “B” point ( will appear on the dis-
play).
At this point, repeat playback will begin between the
specified A and B points.
2. Stop playback.
Press the SONG [STOP] button to stop playback while retaining the specified A
and B points. A-B repeat playback will resume if you press the SONG [PLAY/
PAUSE]
button.
To cancel the A and B points, press the [TEMPO/FUNCTION#] button once.
MAX
MIN
MASTER V
O
LUME
DE
M
O
ON
TRANSPOSE
LEFT RIGHT
S
O
NG SELE
C
T
PLAY
/
PAU SESTOP
REC
SONG
SYNC START
METR
O
N
O
ME
+
/
YES
—
/
N
O
ON
/
OFF
TEMP
O
/
FUNCTI
O
N#
TEMP
O
/
O
THER VA LUE
USER
PRESET
BRILLIAN
C
E
BRIGHT
N
O
RMAL
MELL
O
W
REVERB
HALL 1
R
OO
M
HALL 2
STAGE
EFFECT
PHASER
CH
O
RUS
TREM
O
L
O
R
O
TA R Y
SP
TOUCH
HARD
MEDIUM
S
O
FT
TEMP
O
FUN
C
TI
O
N#
VIBRA
-
PH
O
NE
E.PIAN
O
2
E.PIAN
O
1
GRAND
PI AN O 1
GRAND
PIA N
O
2
V
O
ICE
CLP
-
265GP
STR INGS
2
HARPSI
-
CH
O
RD 2
HARPSI
-
CH
O
RD 1
CH
O
IR GUITAR
CHURCH
ORGAN 1
CHURCH
ORGAN 2
JAZZ
O
RGAN
STR INGS
1
12
Procedure
NOTE
The A-B Repeat function can-
not be used during “ALL” or
“rnd” (page 16) playback.
NOTE
• To set the “A” point at the
very beginning of the song,
press the [TEMPO/FUNC-
TION#] button before start-
ing playback.
• You can have the B point
automatically be set to the
song’s end, by setting the A
point and letting the song
play to the end.
NOTE
An automatic lead-in (to help
guide you into the phrase)
starts at the A point of the
song.
NOTE
The A and B points are auto-
matically canceled when a new
song is selected.
Selecting & Playing Voices
CLP-265GP Owner’s Manual
ENGLISH
20
Selecting & Playing Voices
Selecting Voices
Select the desired voice by pressing one of the Voice buttons.
Then, when you start playing, re-adjust the [MASTER VOLUME] slider for the most
comfortable listening level.
MAX
MIN
MASTER V
O
LUME
DE
M
O
ON
TRANSPOSE
LEFT RIGHT
S
O
NG SELE
C
T
PLAY
/
PAU SESTOP
REC
SONG
SYNC START
METR
O
N
O
ME
+
/
YES
—
/
N
O
ON
/
OFF
TEMP
O
/
FUNCTI
O
N#
TEMP
O
/
O
THER VA LUE
USER
PRESET
BRILLIAN
C
E
BRIGHT
N
O
RMAL
MELL
O
W
REVERB
HALL 1
R
OO
M
HALL 2
STAGE
EFFECT
PHASER
CH
O
RUS
TREM
O
L
O
R
O
TA R Y
SP
TOUCH
HARD
MEDIUM
S
O
FT
TEMP
O
FUN
C
TI
O
N#
VIBRA
-
PH
O
NE
E.PIAN
O
2
E.PIAN
O
1
GRAND
PI AN O 1
GRAND
PIA N
O
2
V
O
ICE
CLP
-
265GP
STR INGS
2
HARPSI
-
CH
O
RD 2
HARPSI
-
CH
O
RD 1
CH
O
IR GUITAR
CHURCH
ORGAN 1
CHURCH
ORGAN 2
JAZZ
O
RGAN
STR INGS
1
Voice buttons
Procedure
NOTE
To learn characteristics of the
voices, listen to demo songs
for each voice (page 15). Refer
to “Preset Voice List” on
page 55 for more information
on the characteristics of each
preset voice.
TERMINOLOGY
Voice:
On the Clavinova, a voice
means a “tone” or “tonal
color.”
NOTE
You can control the loudness of
a voice by adjusting the force
with which you strike the keys,
although different playing
styles (touch sensitivities)
have little or no effect with
certain musical instruments.
Refer to “Preset Voice List” on
page 55.
Selecting & Playing Voices
CLP-265GP Owner’s Manual
ENGLISH
21
Using the Pedals
The Clavinova has three foot pedals that produce a range
of expressive effects similar to those produced by the
pedals on an acoustic piano.
Damper (Right) Pedal
The damper pedal functions in the same way as a
damper pedal on an acoustic piano. When the damper
pedal is pressed, notes sustain longer. Releasing the pedal
immediately stops (damps) any sustained notes.
A “half-pedal” effect lets you use the damper pedal to
create partial sustain effects, depending on how far down
you press the pedal.
Sostenuto (Center) Pedal
If you play a note or chord on the keyboard and press the
sostenuto pedal while the note(s) are held, those notes
will sustain as long as you hold the pedal (as if the
damper pedal had been pressed) but all subsequently
played notes will not be sustained. This makes it possible
to sustain a chord, for example, while other notes are
played “staccato.”
Soft (Left) Pedal
The soft pedal reduces the volume and slightly changes the timbre of notes played while
the pedal is pressed. The soft pedal will not affect notes that are already playing when it
is pressed.
NOTE
If the damper pedal doesn’t
work, make sure that the pedal
cord is properly plugged into
the main unit (page 53).
When you press the damper
pedal here, the notes you
play before you release the
pedal have a longer sustain.
NOTE
Organ, string and choir voices
will continue to sound for as
long as the sostenuto pedal is
depressed.
When you press the soste-
nuto pedal here while holding
the note, the note will sustain
as long as you hold the
p
edal.
NOTE
The left pedal can be assigned
to song play/pause operation
via the “Left Pedal Mode”
described on page 42.
Selecting & Playing Voices
CLP-265GP Owner’s Manual
ENGLISH
22
Adding Variations to the Sound – [BRILLIANCE]/
[REVERB]/[EFFECT]
[BRILLIANCE]
This control can be used to change the tonality or “timbre” of the sound output.
BRIGHT: Bright tone
NORMAL: Standard tone
MELLOW: Soft and mellow tone
To select a brilliance type, press the [BRILLIANCE] button a few times until the indica-
tor corresponding to the desired type lights (the indicator lights in sequence each time
you press the [BRILLIANCE] button). Brilliance can be selected among five types. When
two adjacent indicators are lit, the type that is between the two indicated types is
selected. For example, when both NORMAL and MELLOW are lit, the brilliance set-
ting between NORMAL and MELLOW is selected. This parameter affects the entire
sound of the instrument.
[REVERB]
This control enables you to select various digital reverb effects that would add extra
depth and expression to the sound to create a realistic acoustic ambience.
OFF: When no reverb effect is selected, no REVERB indicator is lit.
ROOM: This setting adds a continuous reverb effect to the sound, similar to the
acoustic reverberation you would hear in a room.
HALL 1: For a “bigger” reverb sound, use the HALL 1 setting. This effect simulates
the natural reverberation of a small-size concert hall.
HALL 2: For a truly spacious reverb sound, use the HALL 2 setting. This effect simu-
lates the natural reverberation of a large concert hall.
STAGE: Simulates the reverb of a stage environment.
MAX
MIN
MASTER V
O
LUME
DE
M
O
ON
TRANSPOSE
LEFT RIGHT
S
O
NG SELE
C
T
PLAY
/
PAU SESTOP
REC
SONG
SYNC START
METR
O
N
O
ME
+
/
YES
—
/
N
O
ON
/
OFF
TEMP
O
/
FUNCTI
O
N#
TEMP
O
/
O
THER VA LUE
USER
PRESET
BRILLIAN
C
E
BRIGHT
N
O
RMAL
MELL
O
W
REVERB
HALL 1
R
OO
M
HALL 2
STAGE
EFFECT
PHASER
CH
O
RUS
TREM
O
L
O
R
O
TA R Y
SP
TOUCH
HARD
MEDIUM
S
O
FT
TEMP
O
FUN
C
TI
O
N#
VIBRA
-
PH
O
NE
E.PIAN
O
2
E.PIAN
O
1
GRAND
PI AN O 1
GRAND
PIA N
O
2
V
O
ICE
CLP
-
265GP
STR INGS
2
HARPSI
-
CH
O
RD 2
HARPSI
-
CH
O
RD 1
CH
O
IR GUITAR
CHURCH
ORGAN 1
CHURCH
ORGAN 2
JAZZ
O
RGAN
STR INGS
1
[–/NO] [+/YES]
buttons
[REVERB]
button
[BRILLIANCE]
button
[EFFECT]
button
TERMINOLOGY
Normal setting:
The “Normal setting” refers to
the default setting (factory
setting) obtained when you
first turn on the power to the
Clavinova.
NOTE
Normal setting = NORMAL
NOTE
When the BRILLIANCE is set to
BRIGHT, the overall sound will
be slightly louder. If the MAS-
TER VOLUME is set at a high
level the sound may become
distorted. If so, lower the MAS-
TER VOLUME level.
Procedure
NOTE
The default reverb type
(including OFF) and depth set-
tings are different for each
voice.
Selecting & Playing Voices
CLP-265GP Owner’s Manual
ENGLISH
23
Pressing the [REVERB] button repeatedly toggles the reverb on and off.
The indicators light in sequence each time the [REVERB] button is pressed. No effect is
produced when all indicators are off.
Adjusting Reverb Depth
Adjust the reverb depth for the selected voice by using the [–/NO] [+/YES] buttons
while holding the [REVERB] button. The depth range is from 0 through 20. The current
depth setting appears on the LED display while the [REVERB] button is held.
[EFFECT]
The [EFFECT] button allows you to select an effect to give your sound greater depth and
animation.
OFF: When no effect is selected, no EFFECT indicator is lit.
CHORUS: A shimmering, broadening effect
PHASER: Adds a sweeping effect to the sound.
TREMOLO: Tremolo effect
ROTARY SP:Adds the vibrato effect of a rotary speaker.
To select an effect type, press the [EFFECT] button a few times until the indicator corre-
sponding to the desired type lights (the indicators light in sequence each time you press
the [EFFECT] button). No effect is produced when all indicators are off.
Adjusting Effect Depth
You can adjust the effect depth for the selected voice by using the [–/NO] and [+/YES]
buttons while holding the [EFFECT] button.
The depth range is from 0 through 20. The current depth setting appears on the LED
display while the [EFFECT] button is held.
Procedure
NOTE
Releasing the [REVERB] button
changes the reverb type.
If you are changing the reverb
depth by holding the [REVERB]
button, pressing the [REVERB]
button will not change the
reverb type.
NOTE
Depth 0: no effect
Depth 20: maximum reverb depth
NOTE
Default depth settings are dif-
ferent for each voice.
NOTE
The default effect type (includ-
ing OFF) and depth settings are
different for each voice.
Procedure
NOTE
Releasing the [EFFECT] button
changes the effect type.
If you are changing the depth
settings by holding the
[EFFECT] button, pressing the
[EFFECT] button will not
change the effect type.
NOTE
Depth 0: no effect
Depth 20: maximum effect depth
NOTE
Default depth settings are dif-
ferent for each voice.
Selecting & Playing Voices
CLP-265GP Owner’s Manual
ENGLISH
24
Touch Sensitivity – [TOUCH]
You can select four different types of keyboard touch sensitivity — HARD, MEDIUM, SOFT or FIXED
— to match different playing styles and preferences.
HARD: Requires that the keys be played quite hard to produce maximum loud-
ness.
MEDIUM: Produces a fairly “standard” keyboard response.
SOFT: Allows maximum loudness to be produced with relatively light key pres-
sure.
FIXED: All notes are produced at the same volume no matter how hard the key-
board is played. (No indicators are lit.) The fixed volume can be changed.
To select a touch sensitivity type press the [TOUCH] button a few times until the indica-
tor corresponding to the desired type lights (the indicators light in sequence each time
the [TOUCH] button is pressed). No indicator is lit when “FIXED” is selected.
Changing the volume when FIXED is selected
When you select FIXED, you can set the volume for notes
played in FIXED mode by using the [–/NO] and [+/YES] but-
tons while you hold the [TOUCH] button. The current vol-
ume level appears on the display. The volume range is from 1
through 127. The default setting is 64.
NOTE
This setting does not change
the weight of the keyboard.
NOTE
Normal setting = MEDIUM
NOTE
The touch sensitivity type will
become the common setting
for all voices. However, the
touch sensitivity settings may
have little or no effect with
certain voices that are not nor-
mally responsive to keyboard
dynamics. (Refer to the “Preset
Voice List” on page 55.)
MAX
MIN
MASTER V
O
LUME
DE
M
O
ON
TRANSPOSE
LEFT RIGHT
S
O
NG SELE
C
T
PLAY
/
PAU SESTOP
REC
SONG
SYNC START
METR
O
N
O
ME
+
/
YES
—
/
N
O
ON
/
OFF
TEMP
O
/
FUNCTI
O
N#
TEMP
O
/
O
THER VA LUE
USER
PRESET
BRILLIAN
C
E
BRIGHT
N
O
RMAL
MELL
O
W
REVERB
HALL 1
R
OO
M
HALL 2
STAGE
EFFECT
PHASER
CH
O
RUS
TREM
O
L
O
R
O
TA R Y
SP
TOUCH
HARD
MEDIUM
S
O
FT
TEMP
O
FUN
C
TI
O
N#
VIBRA
-
PH
O
NE
E.PIAN
O
2
E.PIAN
O
1
GRAND
PI AN O 1
GRAND
PIA N
O
2
V
O
ICE
CLP
-
265GP
STR INGS
2
HARPSI
-
CH
O
RD 2
HARPSI
-
CH
O
RD 1
CH
O
IR GUITAR
CHURCH
ORGAN 1
CHURCH
ORGAN 2
JAZZ
O
RGAN
STR INGS
1
[–/NO] [+/YES] buttons
[TOUCH] button
Procedure
NOTE
1: minimum volume
127: maximum volume
NOTE
The touch volume set in FIXED
mode will become the common
setting for all voices.
NOTE
Releasing the [TOUCH] button
changes the touch type.
If you are changing the volume
by holding the [TOUCH] button,
pressing the [TOUCH] button
will not change the touch sensi-
tivity type. (FIXED mode will
remain selected.)
volume range
Selecting & Playing Voices
CLP-265GP Owner’s Manual
ENGLISH
25
Transposition – [TRANSPOSE]
The Clavinova’s Transpose function makes it possible to shift the pitch of the entire keyboard up or
down in semitone intervals to facilitate playing in difficult key signatures, and to let you easily
match the pitch of the keyboard to the range of a singer or other instruments. For example, if you
set the transposition amount to “5,” playing key C produces pitch F. In this way, you can play a
song as though it were in C major, and the Clavinova will transpose it to the key of F.
Use the [–/NO] and [+/YES] button while holding the
[TRANSPOSE]
button to transpose down or up as required.
The amount of transposition appears on the LED display
while the [TRANSPOSE] button is held. The default transpose
setting is “0”.
The [TRANSPOSE] button indicator remains lit when a transpose setting other than
“0” is selected. Every time the [TRANSPOSE] button is pressed after that switches the
transpose function ON or OFF.
MAX
MIN
MASTER V
O
LUME
DE
M
O
ON
TRANSPOSE
LEFT RIGHT
S
O
NG SELE
C
T
PLAY
/
PAU SESTOP
REC
SONG
SYNC START
METR
O
N
O
ME
+
/
YES
—
/
N
O
ON
/
OFF
TEMP
O
/
FUNCTI
O
N#
TEMP
O
/
O
THER VA LUE
USER
PRESET
BRILLIAN
C
E
BRIGHT
N
O
RMAL
MELL
O
W
REVERB
HALL 1
R
OO
M
HALL 2
STAGE
EFFECT
PHASER
CH
O
RUS
TREM
O
L
O
R
O
TA R Y
SP
TOUCH
HARD
MEDIUM
S
O
FT
TEMP
O
FUN
C
TI
O
N#
VIBRA
-
PH
O
NE
E.PIAN
O
2
E.PIAN
O
1
GRAND
PI AN O 1
GRAND
PIA N
O
2
V
O
ICE
CLP
-
265GP
STR INGS
2
HARPSI
-
CH
O
RD 2
HARPSI
-
CH
O
RD 1
CH
O
IR GUITAR
CHURCH
ORGAN 1
CHURCH
ORGAN 2
JAZZ
O
RGAN
STR INGS
1
[–/NO] [+/YES] buttons[TRANSPOSE] button
Procedure
TERMINOLOGY
Transpose:
Changing the key signature of a
song. On the Clavinova, trans-
posing shifts the pitch of the
entire keyboard.
NOTE
The transposition range:
–12: –12 semitones
(down one octave)
0: normal pitch
12: 12 semitones
(up one octave)
transposition
Selecting & Playing Voices
CLP-265GP Owner’s Manual
ENGLISH
26
Combining Two Voices (Dual mode)
You can play two voices simultaneously across the entire range of the keyboard. In this way, you
can simulate a melody duet or combine two similar voices to create a thicker sound.
1. Engage Dual mode.
Press two voice buttons at the same time (or press one voice button while hold-
ing another). The voice indicators of both selected voices will light when Dual
mode is active.
•According to the voice numbering
priority shown in the diagram on
the right, the lower value voice
number will be designated as Voice
1 (the other voice will be desig-
nated as Voice 2).
The CLP-265GP Function mode provides access to a number of other Dual
mode functions, such as volume balance setting or octave setting (page 41). (If
you do not set Dual mode functions, the appropriate setting will be set in each
voice by default.)
2. Exit Dual mode and return to normal play mode.
To return to the normal single-voice play mode, press any single voice button.
MAX
MIN
MASTER V
O
LUME
DE
M
O
ON
TRANSPOSE
LEFT RIGHT
S
O
NG SELE
C
T
PLAY
/
PAU SESTOP
REC
SONG
SYNC START
METR
O
N
O
ME
+
/
YES
—
/
N
O
ON
/
OFF
TEMP
O
/
FUNCTI
O
N#
TEMP
O
/
O
THER VA LUE
USER
PRESET
BRILLIAN
C
E
BRIGHT
N
O
RMAL
MELL
O
W
REVERB
HALL 1
R
OO
M
HALL 2
STAGE
EFFECT
PHASER
CH
O
RUS
TREM
O
L
O
R
O
TA R Y
SP
TOUCH
HARD
MEDIUM
S
O
FT
TEMP
O
FUN
C
TI
O
N#
VIBRA
-
PH
O
NE
E.PIAN
O
2
E.PIAN
O
1
GRAND
PI AN O 1
GRAND
PIA N
O
2
V
O
ICE
CLP
-
265GP
STR INGS
2
HARPSI
-
CH
O
RD 2
HARPSI
-
CH
O
RD 1
CH
O
IR GUITAR
CHURCH
ORGAN 1
CHURCH
ORGAN 2
JAZZ
O
RGAN
STR INGS
1
12
Procedure
NOTE
[REVERB] in Dual Mode
The reverb type assigned to
Voice 1 will take priority over
the other. (If the reverb is set
to OFF, Voice 2 reverb type will
be in effect.)
NOTE
[EFFECT] in Dual Mode
Depending on the conditions,
one effect type may take prior-
ity over the other. Depth will
be decided according to the
depth default value of the
voice combination. However,
using function F3 (page 41)
you can adjust the depth value
for each voice to your liking.
STRINGS
2
STRINGS
1
VIBRA
-
PH
O
NE
HARPSI
-
CH
O
RD 2
HARPSI
-
CH
O
RD 1
CH
O
IR GUITAR
E.PIAN
O
2
E.PIAN
O
1
GRAND
PIA NO 1
CHURCH
ORGAN 1
CHURCH
ORGAN 2
GRAND
PIAN
O
2
JAZZ
O
RGAN
V
O
ICE
12
12 13 14
34567
891011
Voice numbering priority
Selecting & Playing Voices
CLP-265GP Owner’s Manual
ENGLISH
27
Using the Metronome
The Clavinova features a built-in metronome (a device that keeps an accurate tempo) that is conve-
nient for practicing.
1. Start the metronome.
The metronome sound is turned on by pressing
the METRONOME [ON/OFF] button.
Adjusting the tempo
The tempo of the metronome and user song recorder playback (the recorder is
described in the next section) can be set from 32 to 280 beats per minute by
using the [TEMPO/FUNCTION# ▼, ▲] buttons (when the [TEMPO/FUNC-
TION# ▼, ▲]
button’s [TEMPO] indicator is lit).
Adjusting the time signature
The time signature (beat) of the metronome can be
set by using the [–/NO] and [+/YES] buttons while
holding the METRONOME [ON/OFF] button. You
can set the beat from 0 to 15. The current setting
appears on the LED display while you are holding
the METRONOME [ON/OFF] button.
2. Stop the metronome.
Turn off the metronome by pressing the METRONOME [ON/OFF] button.
MAX
MIN
MASTER V
O
LUME
DE
M
O
ON
TRANSPOSE
LEFT RIGHT
S
O
NG SELE
C
T
PLAY
/
PAU SESTOP
REC
SONG
SYNC START
METR
O
N
O
ME
+
/
YES
—
/
N
O
ON
/
OFF
TEMP
O
/
FUNCTI
O
N#
TEMP
O
/
O
THER VA LUE
USER
PRESET
BRILLIAN
C
E
BRIGHT
N
O
RMAL
MELL
O
W
REVERB
HALL 1
R
OO
M
HALL 2
STAGE
EFFECT
PHASER
CH
O
RUS
TREM
O
L
O
R
O
TA R Y
SP
TOUCH
HARD
MEDIUM
S
O
FT
TEMP
O
FUN
C
TI
O
N#
VIBRA
-
PH
O
NE
E.PIAN
O
2
E.PIAN
O
1
GRAND
PI AN O 1
GRAND
PIA N
O
2
V
O
ICE
CLP
-
265GP
STR INGS
2
HARPSI
-
CH
O
RD 2
HARPSI
-
CH
O
RD 1
CH
O
IR GUITAR
CHURCH
ORGAN 1
CHURCH
ORGAN 2
JAZZ
O
RGAN
STR INGS
1
1
2
[–/NO] [+/YES] buttons
[TEMPO/FUNCTION# ▲▼] buttons
Procedure
The beat indicator flashes
at the current tempo.
NOTE
If the [TEMPO/FUNCTION#]
button’s [FUNCTION#] indicator
is lit, press the [TEMPO/FUNC-
TION#] button to light the
[TEMPO] indicator.
NOTE
The volume of the metronome
can be adjusted via the Metro-
nome Volume function in Func-
tion mode (page 42).
beat
Recording Your Performance
CLP-265GP Owner’s Manual
ENGLISH
28
Recording Your Performance
The ability to record and play back what you’ve played on the CLP-
265GP keyboard can be an effective practice aid. You can, for example,
record just the left-hand part, and then practice the right-hand part
while playing back the recorded left-hand part. Or, since you can
record up to two parts separately, you could record the left- and right-
hand parts separately, or record both parts of a duet and hear how they
sound when played back. The two-part Song Recorder on the CLP-
265GP allows the recording of up to three User songs (U01-U03) to the
instrument.
Recording a performance quickly
This convenient and simple recording method lets you quickly record
your performance without specifying the recording parts—useful, for
example, in recording solo piano pieces.
In this way, the performance is automatically recorded to right part.
CAUTION
To avoid erasing previously recorded song(s):
If the song contains data, the part indicator lights up green when you select a song.
Note that recording new data on this part will erase the existing data.
1. Make all the initial settings.
Before you begin to record, select the voice you want to record (or voices if you
will be using Dual mode). Make any other desired settings (reverb, effect, etc.)
as well. You might also want to set the volume.
You can also adjust the playback volume using the [MASTER VOLUME] slider.
NOTE
You can record your perfor-
mance (audio data) to a cas-
sette tape recorder or other
recording device via the AUX
OUT jack (page 46).
TERMINOLOGY
Recording vs. Saving:
The format of performance data recorded on a cassette tape differs from that of data recorded on the
Clavinova. A cassette tape records audio signals. The Clavinova “saves” information regarding note
timing, voices, and a tempo value, but not audio signals. When you play back recorded songs, the
Clavinova produces sound based on the saved information. Therefore, recording on the Clavinova
may be more accurately called “saving information.” However, this book often uses the word “record-
ing” because it seems to make more sense.
NOTE
When the unit is in Demo Song
mode, Record mode cannot be
engaged.
MAX
MIN
MASTER V
O
LUME
DE
M
O
ON
TRANSPOSE
LEFT RIGHT
S
O
NG SELE
C
T
PLAY
/
PAU SESTOP
REC
SONG
SYNC START
METR
O
N
O
ME
+
/
YES
—
/
N
O
ON
/
OFF
TEMP
O
/
FUNCTI
O
N#
TEMP
O
/
O
THER VA LUE
USER
PRESET
BRILLIAN
C
E
BRIGHT
N
O
RMAL
MELL
O
W
REVERB
HALL 1
R
OO
M
HALL 2
STAGE
EFFECT
PHASER
CH
O
RUS
TREM
O
L
O
R
O
TA R Y
SP
TOUCH
HARD
MEDIUM
S
O
FT
TEMP
O
FUN
C
TI
O
N#
VIBRA
-
PH
O
NE
E.PIAN
O
2
E.PIAN
O
1
GRAND
PI AN O 1
GRAND
PIA N
O
2
V
O
ICE
CLP
-
265GP
STR INGS
2
HARPSI
-
CH
O
RD 2
HARPSI
-
CH
O
RD 1
CH
O
IR GUITAR
CHURCH
ORGAN 1
CHURCH
ORGAN 2
JAZZ
O
RGAN
STR INGS
1
2 4
43 5
Procedure
Recording Your Performance
CLP-265GP Owner’s Manual
ENGLISH
29
2. Engage Record Ready mode.
Press the [REC] button to engage Record Ready mode. This automatically selects
an empty song for recording and makes the RIGHT part active. If an empty
song does not exist, Song U01 will be selected. Recording does not actually start
yet.
The amount of memory available for recording will be shown on the LED dis-
play in approximate kilobytes. The SONG [PLAY/PAUSE] indicator will flash at
the current METRONOME tempo setting.
You can turn on the metronome in this step, and adjust the tempo by using the
[TEMPO/FUNCTION# ▼, ▲] buttons. (Range: 32-280)
Record Ready mode can be disengaged before recording by pressing the [REC]
button again.
3. Start recording.
Recording will begin automatically as soon as you play a note on the keyboard
or press the SONG [PLAY/PAUSE] button. The current measure’s number will
appear on the display while recording.
4. Stop recording.
Press either [REC] or SONG [STOP] button to stop recording. When recording is
stopped, dashes appear in the display in succession to indicate that the recorded
data is being saved to the instrument automatically. After the data is saved, the
song name (U01-U03) appears in the display. The recorded part’s indicator will
glow green to indicate that it now contains data. (Record mode is disengaged
automatically.)
CAUTION
Do not turn off the power of the instrument when dashes appear in the display in suc-
cession. Doing so may delete all song data in the instrument, including external songs
(page 34).
5. Play back the recorded performance.
Press the SONG [PLAY/PAUSE] button to play back the recorded performance.
To stop playback in the middle of a song, press the SONG [STOP] button.
NOTE
The amount of memory avail-
able for recording:
This value in kilobytes (a unit
used of measurement for data)
indicates how much space
remains available for recording
on the Clavinova. You can
record up to a maximum of
about 11,000 notes on the
CLP-265GP depending on pedal
usage and other factors.
NOTE
If you have selected the LEFT
part previously in the same
song, the LEFT part will auto-
matically be made active when
pressing the [REC] button in
step 2.
NOTE
If the metronome was on when
you started recording, you’ll be
able to keep time with the met-
ronome while recording, but
the metronome sound will not
be recorded.
NOTE
For more recording informa-
tion, see page 32.
NOTE
The left pedal can be assigned
to start recording via the “Left
Pedal Mode” function described
on page 42.
NOTE
The record part indicator will
begin to flash when the
recorder memory is almost full.
If the memory becomes full
during recording, “Full” will
appear on the display and
recording will stop automati-
cally. (All recorded data up to
that point will be retained.)
NOTE
Pressing the SONG [PLAY/
PAUSE] button to start record-
ing, then pressing the SONG
[STOP] button to stop record-
ing will erase all previously-
recorded data on the selected
part.
Recording Your Performance
CLP-265GP Owner’s Manual
ENGLISH
30
Re-recording a previously recorded song
This section explains how to record again in case your performance was not satisfactory.
1. Select a voice or voices (and other settings) for
recording, if necessary.
Repeat Step 1 on page 28 if you wish to change the previous settings.
2. Re-engage Record Ready mode.
Press the [REC] button, again.
The selected part’s indicator lights in red.
Follow the procedure from Step 3 in “Recording a performance quickly” on
page 29 to re-record.
Procedure
NOTE
If you want to change the
tempo, time signature, reverb
type, or effect type when re-
recording a part or when
recording to another part, do
so after you engage Record
Ready mode.
NOTE
You cannot re-record in the
middle of a song.
Recording Your Performance
CLP-265GP Owner’s Manual
ENGLISH
31
Recording to RIGHT/LEFT
This lets you record the right and left parts separately. Since you can record the left part while play-
ing back the right, this is useful for recording both parts of a duet.
1. Make all the initial settings.
Same as step 1 in “Recording a performance quickly” on page 28.
2. Select a song to record.
Press the [SONG SELECT] button to light “USER” indicator on, then press the
[–/NO][+/YES] buttons to select a song for recording.
CAUTION
To avoid erasing previously recorded song(s):
If the song contains data, the part indicator lights up green when you select a song.
Note that recording new data on this part will erase the existing data.
3. Engage Record Ready mode.
Press the [REC] button and press the [RIGHT]/[LEFT] button to engage Record
Ready mode. Recording does not actually start yet.
The amount of memory available for recording will be shown on the LED dis-
play in approximate kilobytes. The SONG [PLAY/PAUSE] indicator will flash at
the current METRONOME tempo setting.
Record Ready mode can be disengaged before recording by pressing the [REC]
button again.
4. Start and stop recording.
Same as step 3-5 in “Recording a performance quickly” on page 29.
NOTE
Part button indications
Off: Contains no data
On (green): Contains data
On (red): Part is enabled for
recording
NOTE
The amount of memory avail-
able for recording:
This value in kilobytes (a unit
used of measurement for data)
indicates how much space
remains available for recording
on the Clavinova. You can
record up to a maximum of
about 11,000 notes on the
CLP-265GP depending on pedal
usage and other factors.
NOTE
If the metronome was on when
you started recording, you’ll be
able to keep time with the met-
ronome while recording, but
the metronome sound will not
be recorded.
NOTE
If you want to change the
tempo, time signature, reverb
type, or effect type when rere-
cording a part or when record-
ing to another part, do so after
entering Record Ready mode.
NOTE
If you don’t want to hear the
previously recorded part while
you record (for example, when
you want to record a song dif-
ferent from what you recorded
on the previous part), press
the playback part button
before pressing the [REC] but-
ton so that its indicator is
turned off.
NOTE
For more information on
recording, see page 32.
Procedure
Recording Your Performance
CLP-265GP Owner’s Manual
ENGLISH
32
The user song recorder records the following data:
Data in addition to the notes and voices you play is recorded.
This data includes “Individual Parts” and “Entire Song.” See below.
Individual Parts
•Notes played
•Voice selection
•Pedal (Damper/Soft/Sostenuto)
• [REVERB] depth
• [EFFECT] depth
•Dual mode voices
•Dual balance (F3)
•Dual detune (F3)
•Dual octave shift (F3)
Entire Song
•Tempo
•Time signature (beat)
• [REVERB] type (including OFF)
• [EFFECT] type (including OFF)
Recording Your Performance
CLP-265GP Owner’s Manual
ENGLISH
33
Changing the Initial Settings (Data recorded at the
beginning of a song)
The initial settings (data recorded at the beginning of a song) can be changed after the recording.
For example, after recording, you can change the voice to create a different ambience or adjust the
song tempo to your taste.
You can change the following initial settings.
Individual Parts
•Voice selection
• [REVERB] depth
• [EFFECT] depth
•Dual mode voices
• Damper/soft pedal depth
Entire Song
•Tempo
• [REVERB] type (including OFF)
• [EFFECT] type (including OFF)
1. Engage Record mode and select a part to change the initial settings.
The indicator glows red. (Data shared by two parts can be changed via either part.)
2. Change the settings via the panel controls.
For example, if you wish to change the recorded voice from [E. PIANO 1] to
[E. PIANO 2], press the [E. PIANO 2] button. When you wish to change the damper/
soft pedal depth, press and hold the pedal.
Be careful not to press the SONG [PLAY/PAUSE] button or a key on the keyboard,
either of which will start recording and erase all previously-recorded data on the
selected part.
3. Press the [REC] button to exit Record mode.
Be careful not to press the SONG [PLAY/PAUSE] button or a key on the keyboard,
either of which will start recording and erase all previously-recorded data on the
selected part.
NOTE
You can cancel changes made
to the initial settings by select-
ing a different part after Step
2, then exiting Record mode by
pressing the [REC] button.
(Changes made to the data
shared by two parts are also
canceled.)
Playing Back Songs
CLP-265GP Owner’s Manual
ENGLISH
34
Playing Back Songs
You can play back songs recorded using the Record function (pages 28–33) or commercially avail-
able songs. You can also play the keyboard along with the playback.
• 50 Piano Preset Songs.........................................................................page 16
50 Piano Preset Songs in the instrument.
•User songs in the instrument............................................................. page 35
User songs which you recorded to the instrument by using the record function
(page 28).
• External songs in the instrument ...................................................... page 35
Songs transferred from a computer (including commercially available songs and
songs which have been edited on a computer). Songs can be transferred (saved) to
the instrument by using the included Musicsoft Downloader software. The songs are
saved to an area of the internal memory separate from the area for recorded User
songs. Up to 255 songs can be played back on this instrument (numbers 001-255).
NOTE
You cannot select songs in
Demo Song mode (page 15).
NOTE
When playing back songs con-
taining various voices or parts
(such as XG or GM songs), the
voices may not sound correct
or as intended on the original.
You may be able to remedy this
and make the playback sound
more natural or appropriate by
changing the Song Channel
Selection setting (page 42) to
“1&2,” so that only channels 1
and 2 will play back.
NOTE
If the song cannot be selected
or loaded, you may need to
change the Character Code
setting (page 45).
NOTE
Song data is not transmitted
via the MIDI connections. How-
ever, channels 3-16 of non-
protected External songs will
be transmitted via the MIDI
connections depending on the
Song Channel Selection setting
(page 42).
NOTE
Appropriate channels in the
song will automatically be
assigned to [RIGHT] and
[LEFT]. Therefore, [RIGHT] may
be assigned to a part other
than channel 1, or [LEFT] to a
part other than channel 2.
NOTE
If the metronome is being used
during playback, the metro-
nome will automatically stop
when playback is stopped.
NOTE
If the REVERB type is changed
via the panel controls during
playback, both the playback
and keyboard reverb effects
will be changed.
NOTE
If the EFFECT type is changed
via the panel controls during
playback, the playback effect
may be switched off in some
cases.
Sequence formats that can be played on the CLP-265GP
• SMF (Standard MIDI File) Formats 0 and 1
The SMF format is one of the most common and widely compatible sequence formats used
for storing sequence data. There are two variations: Format 0 and Format 1. A large number
of MIDI devices are compatible with SMF Format 0, and most commercially available MIDI
sequence data is provided in SMF Format 0. The SMF format for sequence files allows you to
exchange song data between different sequencers.
Playing Back Songs
CLP-265GP Owner’s Manual
ENGLISH
35
Playing Back User Songs on the Instrument
1. Select the desired song.
Press the [SONG SELECT] button (the USER indicator lights). Then press the
[–/NO] [+/YES] buttons to select a song. The User songs are displayed as “Uxx*”
and External songs in the instrument are displayed as “xxx*.”
*The “U” indication in the User song name means “User.” The letters “xx” represent the song num-
ber.
2. Start playback.
Press the SONG [PLAY/PAUSE] button.
The current measure number appears on the display during playback.
•You can play the keyboard while the Clavinova is playing back a song. You
can also play the notes in a voice different from the playback voice by select-
ing a voice from the panel.
Adjust the volume
Use the [MASTER VOLUME] slider to adjust the volume.
Adjust the tempo
You can use the
[TEMPO/FUNCTION# ▼, ▲] buttons to adjust the playback
tempo as required before or during playback. The default tempo (the song’s
original tempo) is set when you press the
[▼] and [▲] buttons simultaneously.
3. Stop playback.
When playback is complete, the Clavinova automatically stops and locates the
top of the song. To stop playback in the middle of a song, press the
SONG
[STOP]
button. You can also pause playback by pressing the SONG [PLAY/
PAUSE]
button.
MAX
MIN
MASTER V
O
LUME
DE
M
O
ON
TRANSPOSE
LEFT RIGHT
S
O
NG SELE
C
T
PLAY
/
PAU SESTOP
REC
SONG
SYNC START
METR
O
N
O
ME
+
/
YES
—
/
N
O
ON
/
OFF
TEMP
O
/
FUNCTI
O
N#
TEMP
O
/
O
THER VA LUE
USER
PRESET
BRILLIAN
C
E
BRIGHT
N
O
RMAL
MELL
O
W
REVERB
HALL 1
R
OO
M
HALL 2
STAGE
EFFECT
PHASER
CH
O
RUS
TREM
O
L
O
R
O
TA R Y
SP
TOUCH
HARD
MEDIUM
S
O
FT
TEMP
O
FUN
C
TI
O
N#
VIBRA
-
PH
O
NE
E.PIAN
O
2
E.PIAN
O
1
GRAND
PI AN O 1
GRAND
PIA N
O
2
V
O
ICE
CLP
-
265GP
STR INGS
2
HARPSI
-
CH
O
RD 2
HARPSI
-
CH
O
RD 1
CH
O
IR GUITAR
CHURCH
ORGAN 1
CHURCH
ORGAN 2
JAZZ
O
RGAN
STR INGS
1
213 1
Procedure
NOTE
User song playback cannot be
started when the recorder con-
tains no data.
NOTE
You can also enjoy playing
duets with yourself by record-
ing one part of a duet or a song
for two pianos, then playing
the other part while the
recorded part plays back.
NOTE
If you have External songs in
the instrument, you can use
the repeat function.
ALL: Play all External songs in
sequence.
rnd: Play all External songs con-
tinuously in random order.
Detailed Settings – [FUNCTION]
CLP-265GP Owner’s Manual
ENGLISH
36
Detailed Settings – [FUNCTION]
You can set various parameters to make the best use of Clavinova functions, such as fine tuning the pitch or selecting a
scale, etc.
The following parameters are available.
The CLP-265GP has eight main functions.
Some of these main functions consist of a set of sub-modes.
Parameter List
Function Sub-Mode Function # Reference page
Fine tuning of the pitch
—F139
Selecting a scale
Scale F2.1 40
Base Note F2.2 40
Dual mode functions
Dual Balance F3.1 41
Dual Detune F3.2 41
Voice 1 Octave Shift F3.3 41
Voice 2 Octave Shift F3.4 41
Voice 1 Effect Depth F3.5 41
Voice 2 Effect Depth F3.6 41
Reset F3.7 41
Other Functions
Left Pedal Mode F4.1 42
Soft Pedal Effect Depth F4.2 42
Song Channel Selection F4.3 42
Metronome volume
—F542
Song Part Cancel Volume
— F6 42
MIDI Functions
MIDI Transmit Channel Selection F7.1 43
MIDI Receive Channel Selection F7.2 43
Local Control ON/OFF F7.3 43
Program Change ON/OFF F7.4 44
Control Change ON/OFF F7.5 44
Panel/Status Transmit F7.6 44
Initial Setup Send F7.7 44
Backup Functions
Voice F8.1 45
MIDI F8.2 45
Tuning F8.3 45
Others F8.4 45
Character Code
— F8.5 45
Detailed Settings – [FUNCTION]
CLP-265GP Owner’s Manual
ENGLISH
37
Basic Procedure in Function Mode
Follow the steps below to use the functions.
(If you become lost while using a function, return to this page and read the basic procedure.)
1. Engage the Function mode.
Press the [TEMPO/FUNCTION#] button so that its [FUNCTION#] indicator
lights.
will appear on the display. (The indication of “ ” varies depending on
the status of the unit and usage.)
2. Select a function.
Use the [TEMPO/FUNCTION# ▼, ▲] buttons to select the desired function
from F1–F8.
3. Use the [–/NO] [+/YES] buttons.
If the function does not include sub-modes, start setting the parameters.
If the function includes sub-modes, press the [+/YES] button once to enter the
respective sub-mode.
4. Operate the desired function using the following
two buttons.
1 [TEMPO/FUNCTION# ▼, ▲]
Selects the desired function/sub-mode.
2 [–/NO] or
[+/YES]
After you select the desired function or sub-mode, set the ON/OFF, select
the type, or change the value, accordingly.
Depending on the setting, the default setting (which is used when you first
turn on the power to the Clavinova) is recalled by pressing the [–/NO] and
[+/YES] buttons simultaneously.
MAX
MIN
MASTER V
O
LUME
DE
M
O
ON
TRANSPOSE
LEFT RIGHT
S
O
NG SELE
C
T
PLAY
/
PAU SESTOP
REC
SONG
SYNC START
METR
O
N
O
ME
+
/
YES
—
/
N
O
ON
/
OFF
TEMP
O
/
FUNCTI
O
N#
TEMP
O
/
O
THER VA LUE
USER
PRESET
BRILLIAN
C
E
BRIGHT
N
O
RMAL
MELL
O
W
REVERB
HALL 1
R
OO
M
HALL 2
STAGE
EFFECT
PHASER
CH
O
RUS
TREM
O
L
O
R
O
TA R Y
SP
TOUCH
HARD
MEDIUM
S
O
FT
TEMP
O
FUN
C
TI
O
N#
VIBRA
-
PH
O
NE
E.PIAN
O
2
E.PIAN
O
1
GRAND
PI AN O 1
GRAND
PIA N
O
2
V
O
ICE
CLP
-
265GP
STR INGS
2
HARPSI
-
CH
O
RD 2
HARPSI
-
CH
O
RD 1
CH
O
IR GUITAR
CHURCH
ORGAN 1
CHURCH
ORGAN 2
JAZZ
O
RGAN
STR INGS
1
3
12 445
Procedure
NOTE
Functions cannot be selected
during Demo/Song Select
mode or when the user song
recorder is in operation.
NOTE
To cancel the function in Step
2, 3, or 4, press the [TEMPO/
FUNCTION# ▼, ▲] button any
time to exit Function mode.
TEMP
O
/
FUNCTI
O
N#
TEMP
O
FUN
C
TI
O
N#
NOTE
After you select the function,
the current setting will be dis-
played when the [–/NO] or [+/
YES] button is pressed for the
first time.
Detailed Settings – [FUNCTION]
CLP-265GP Owner’s Manual
ENGLISH
38
Operation Example 1 (F1. Fine tuning of the pitch)
Operation Example 2 (F3.1 “Dual Balance”)
5.
After using the function, exit the function mode.
To exit the Function mode, press the [TEMPO/FUNCTION#] button so that its
[TEMPO] indicator lights.
TEMP
O
/
FUNCTI
O
N#
TEMP
O
FUN
C
TI
O
N#
TEMP
O
/
FUNCTI
O
N#
TEMP
O
FUN
C
TI
O
N#
+
/
YES
—
/
N
O
Engage the Function mode. Select a desired function. Change the value.
LED indication LED indication
TEMP
O
/
FUNCTI
O
N
#
TEMP
O
FUN
C
TI
O
N#
TEMP
O
/
FUNCTI
O
N
#
TEMP
O
FUN
C
TI
O
N#
TEMP
O
/
FUNCTI
O
N
#
TEMP
O
FUN
C
TI
O
N#
+
/
YES
—
/
NO +
/
YES
Engage the respective
sub-mode.
Select a desired sub-mode.
LED indication LED indication
LED indication
Select a desired function.Engage the Function mode.
Change the value.
Detailed Settings – [FUNCTION]
CLP-265GP Owner’s Manual
ENGLISH
39
About Each Function
You can fine tune the pitch of the entire instru-
ment. This function is useful when you play
the Clavinova along with other instruments or
CD music.
1. Engage the Function mode and select .
2. Use the [–/NO] and [+/YES] buttons to lower
or raise the pitch of the A3 key in approxi-
mately 0.2 Hz increments.
..... .....
Te nths of a hertz are indicated on the LED display by
the appearance and position of one or two dots, as in
the following example:
•Each key has a note name; for example, the lowest
(farthest left) key on the keyboard corresponds to A-1,
and the highest (farthest right) key to C7.
During the procedure described above, the display indi-
cates a value in Hz < … >. After the proce-
dure, the display returns to the previous indication.
During the procedure described above, the display indi-
cates a value in Hz < … >. After the proce-
dure, the display returns to the previous indication.
F1. Fine Tuning of the Pitch
Display Value
440.0
Setting range:
440.2
427.0–453.0 (Hz)
440.4
Normal setting:
440.6
440.0 (Hz)
440.8
TERMINOLOGY
Hz (Hertz):
This unit of measurement refers to the frequency of a
sound and represents the number of times a sound wave
vibrates in a second.
NOTE
You can also use the keyboard to set the pitch (in any mode
other than Function mode).
To tune up (in about 0.2Hz steps): Hold the A-1 and B-1 keys
(two white keys at the left end) simultaneously and press
any key between C3 and B3.
To tune down (in about 0.2Hz steps): Hold the A-1 and A
-1
keys (a white and a black key at the left end) simulta-
neously and press any key between C3 and B3.
To restore standard pitch: Hold the A-1, A
-1 and B-1 (two
white keys and one black key at the left end) simulta-
neously and press any key between C3 and B3.
NOTE
You can also tune in about 1Hz steps (in any mode other
than Function mode).
To tune down or up, respectively, in approximately 1 Hz incre-
ments: Hold the A-1 and A
-1 keys (a white and a black key
at the left end) or A-1 and B-1 keys (two white keys at the
left end) simultaneously and press the [–/NO] or [+/YES]
button.
To restore standard pitch: Hold the A-1 and A
-1 keys (a
white and a black key at the left end) or A-1 and B-1 keys
(two white keys at the left end) simultaneously and press
the [–/NO] [+/YES] buttons simultaneously.
Detailed Settings – [FUNCTION]
CLP-265GP Owner’s Manual
ENGLISH
40
You can select various scales.
Equal Temperament is the most common con-
temporary piano tuning scale. However, his-
tory has known numerous other scales, many
of which serve as the basis for certain genres of
music. You can experience these tunings with
the Clavinova.
Equal Temperament
One octave is divided into twelve equal intervals. Cur-
rently the most popular piano tuning scale.
PureMajor/PureMinor
Based on natural overtones, three major chords using
these scales produce a beautiful, pure sound.
Pythagorean
This scale, designed by Pythagoras, a Greek philosopher,
is based on the interval of a perfect 5th.
The 3rd produces swells, but the 4th and 5th are beauti-
ful and suitable for some leads.
MeanTone
This scale is an improvement of the Pythagorean in that
the swell of the 3rd has been eliminated. The scale
became popular during the late 16th century through the
late 18th century, and was used by Handel.
Werckmeister/Kirnberger
These scales combine Mean Tone and Pythagorean in
different ways. With these scales, modulation changes the
impression and feel of the songs. They were often used in
the era of Bach and Beethoven. They are often used today
to reproduce the music of that era on harpsichords.
1. Engage the Function mode and select .
2. Press the [+/YES] button to engage the scale
function’s sub-mode, then use the [TEMPO/
FUNCTION# ▼, ▲] buttons to select the
desired sub-mode.
Press the [–/NO] and [+/YES] buttons to select
the number of the desired tuning.
Sub-mode
F2.1: Scale
Setting range: 1: Equal Temperament
2: Pure Major
3: Pure Minor
4: Pythagorean
5: Mean Tone
6: Werckmeister
7: Kirnberger
Normal setting: 1: Equal Temperament
F2.2: Base Note
If you select a scale other than Equal Temperament, you
need to specify the root. (You can specify the root note
with Equal Temperament selected, but it is not effective.
The base note setting is effective for tunings other than
the Equal Temperament tuning.)
Setting range:
Normal setting:
•Root indication example
F2. Selecting a Scale
(F
) (G) (A
)
followed by
a low bar if flat
followed by
a high bar if sharp
Detailed Settings – [FUNCTION]
CLP-265GP Owner’s Manual
ENGLISH
41
You can set various parameters for Dual mode
to optimize the settings for the songs you play,
such as adjusting the volume balance between
two voices.
Dual mode function settings are set individu-
ally for each voice combination.
1. Select the voices in Dual mode, then engage
the Function mode and select .
2. Press the [+/YES] button to engage the Dual
mode function’s sub-mode, then use the
[TEMPO/FUNCTION# ▼, ▲] buttons to select
the desired sub-mode. Press the [–/NO] [+/
YES] button to assign values.
Sub-mode
F3.1: Dual Balance
Setting range: 0 – 20 (A setting of “10” produces an
equal balance between the two Dual
mode voices. Settings below “10”
increase the volume of Voice 2 in
relation to Voice 1, and settings
above “10” increase the volume of
Vo ic e 1 in relation to Voice 2.)
Normal setting: Different for each voice combina-
tion.
You can set one voice as the main voice, and another
voice as a softer, mixed voice.
F3.2: Dual Detune
Setting range: -10 – 0 – 10 (With positive values,
the pitch of Voice 1 is raised and the
pitch of Voice 2 is lowered. With neg-
ative values, the pitch of Voice 1 is
lowered and the pitch of Voice 2 is
raised.)
Normal setting: Different for each voice combina-
tion.
Detune Voice 1 and Voice 2 for Dual mode to create a
thicker sound.
F3.3: Voice 1 Octave Shift
F3.4: Voice 2 Octave Shift
Setting range: –1, 0, 1
Normal setting: Different for each voice combina-
tion.
You can shift the pitch up and down in octave steps for
Vo ice 1 and Voice 2 independently. Depending on which
voices you combine in Dual mode, the combination may
sound better if one of the voices is shifted up or down an
octave.
F3.5: Voice 1 Effect Depth
F3.6: Voice 2 Effect Depth
Setting range: 0 – 20
Normal setting: Different for each voice combina-
tion.
These functions make it possible to individually set the
depth of the effect for Voices 1 and 2 for Dual mode.
(The effect depth settings cannot be changed unless the
[EFFECT] is ON. Function mode must be exited before
the [EFFECT] can be turned ON.)
•“Vo ice 1” and “Voice 2” are explained on page 26.
F3.7: Reset
This function resets all Dual mode functions to their
default values. Press the [+/YES] button to reset the val-
ues.
F3. Dual Mode Functions
NOTE
If Dual mode is not engaged, will appear instead of
and you will be unable to select Dual mode functions.
You can switch from Function mode to Dual mode.
NOTE
The available setting range is wider in the lower range (± 60
cents for A-1), and narrower in the higher range (± 5 cents
for C7). (100 cents equal one semitone.)
NOTE
SHORTCUT:
You can jump directly to the Dual mode functions by
pressing the [TEMPO/FUNCTION#] button while holding the
two Dual mode voice buttons.
To exit Function mode, you still need to press the [TEMPO/
FUNCTION#] button so that the TEMPO indicator lights up.
Detailed Settings – [FUNCTION]
CLP-265GP Owner’s Manual
ENGLISH
42
This section provides a variety of other func-
tions, including letting you assign the opera-
tion of the left pedal to one of several modes,
and allowing you to select specific song chan-
nels for playback.
1. Engage the Function mode and select .
2. Press the [+/YES] button to engage the other
functions’ sub-mode, then use the [TEMPO/
FUNCTION# ▼, ▲] buttons to select the
desired sub-mode.
Press the [–/NO] or [+/YES] button to select
the desired pedal function or assign the val-
ues.
Sub-mode
F4.1 Left Pedal Mode
Setting range:
1. Soft Pedal
The soft pedal reduces the volume and slightly
changes the timbre of notes played while the pedal is
pressed. The soft pedal will not affect notes that are
already playing.
2. Song Play/Pause
This mode allows you to start or pause song playback.
In this mode, the Left Pedal functions in the same
manner as the SONG [PLAY/PAUSE] button on the
panel.
F4.2 Soft Pedal Effect Depth
Setting range: 1 – 5
Normal setting: 3
This function sets the depth of the soft pedal effect.
F4.3 Song Channel Selection
Setting range: ALL, 1&2
Normal setting: ALL
The setting here only affects non-protected External
songs. You can specify which song channels will play
back on this instrument. When “ALL” is selected, chan-
nels 1-16 will be played back. When “1&2” is selected,
only channels 1 and 2 will be played back, while channels
3-16 will be transmitted via MIDI.
You can change the volume of the metronome
sound.
Use this function to adjust the metronome vol-
ume.
1. Engage the Function mode and select .
2. Use the [–/NO] and [+/YES] buttons to set the
metronome volume as required.
Setting range: 1 – 20
Normal setting: 10
This function sets the volume at which a “can-
celed” part is played during song playback.
Adjust the part volume to a comfortable level
and use the “canceled” part as a guide with
which to play along.
1. Engage the Function mode and select .
2. Use the [–/NO] and [+/YES] buttons to set the
volume as required.
Setting range: 0 – 20
Normal setting: 5
F4. Other Functions F5. Metronome Volume
NOTE
SHORTCUT:
You can jump directly to the metronome functions by
pressing the [TEMPO/FUNCTION#] button while holding the
METRONOME [ON/OFF] button.
To exit the Function mode, you still need to press the
[TEMPO/FUNCTION#] button so that the TEMPO indicator
lights up.
F6. Song Part Cancel Volume
NOTE
This function cannot be used for Demo songs.
Detailed Settings – [FUNCTION]
CLP-265GP Owner’s Manual
ENGLISH
43
You can make detailed adjustments to MIDI
settings.
For more information about MIDI, see the
“About MIDI” section (page 47).
1. Engage the Function mode and select .
2. Press the [+/YES] button to engage the MIDI
function’s sub-mode, then use the [TEMPO/
FUNCTION# ▼, ▲] buttons to select the
desired sub-mode.
Press the [–/NO] or [+/YES] button to set a
selected parameter.
Sub-mode
F7.1: MIDI Transmit Channel Selection
In any MIDI control setup, the MIDI channels of the
transmitting and receiving equipment must be matched
for proper data transfer.
This parameter enables you to specify the channel on
which the Clavinova transmits MIDI data.
Setting range: 1 – 16, OFF (not transmitted)
Normal setting: 1
F7.2: MIDI Receive Channel Selection
In any MIDI control setup, the MIDI channels of the
transmitting and receiving equipment must be matched
for proper data transfer. This parameter enables you to
specify the channel on which the Clavinova receives
MIDI data.
Setting range: ALL, 1&2, 1 – 16
Normal setting: ALL
F7.3: Local Control ON/OFF
“Local Control” refers to the fact that, normally, the
CLP-265GP keyboard controls its internal tone genera-
tor, allowing the internal voices to be played directly
from the keyboard. This situation is “Local Control On,”
since the internal tone generator is controlled locally by
its own keyboard.
Local control can be turned OFF, however, so that the
CLP-265GP keyboard does not play the internal voices,
but the appropriate MIDI information is still transmitted
via the MIDI OUT terminal when notes are played on
the keyboard. At the same time, the internal tone genera-
tor responds to MIDI information received via the MIDI
IN terminal.
Setting range: ON/OFF
Normal setting: ON
F7. MIDI Functions
All MIDI settings described below will affect the MIDI signal
in and out of the USB [TO HOST] connector.
NOTE
In Dual mode, Voice 1 data is transmitted on its specified
channel. In Dual mode, Voice 2 data is transmitted on the
next greater channel number relative to the specified chan-
nel. In either mode, no data is transmitted if the transmit
channel is set to “OFF.”
NOTE
Song data is not transmitted via the MIDI connections. How-
ever, channels 3-16 of non-protected External songs will be
transmitted via the MIDI connections depending on the
Song Channel Selection setting (page 42).
NOTE
ALL:
“Multi-timbre” Receive mode. This allows simultaneous
reception of different parts on all 16 MIDI channels, enabling
the Clavinova to play multi-channel song data received from
a music computer or sequencer.
1&2:
“1&2” Receive mode. This allows simultaneous reception on
channels 1 and 2 only, enabling the Clavinova to play 1 and
2 channel song data received from a music computer or
sequencer.
NOTE
Program change and other like channel messages received
will not affect the CLP-265GP’s panel settings or the notes
you play on the keyboard.
NOTE
No MIDI reception occurs when Demo mode is engaged.
Detailed Settings – [FUNCTION]
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44
F7.4: Program Change ON/OFF
Normally the CLP-265GP will respond to MIDI program
change numbers received from an external keyboard or
other MIDI device, causing the correspondingly-num-
bered voice to be selected on the corresponding channel
(the keyboard voice does not change). The CLP-265GP
will normally also send a MIDI program change number
whenever one of its voices is selected, causing the corre-
spondingly-numbered voice or program to be selected
on the external MIDI device if the device is set up to
receive and respond to MIDI program change numbers.
This function makes it possible to cancel program
change number reception and transmission so that
voices can be selected on the CLP-265GP without affect-
ing the external MIDI device.
Setting range: ON/OFF
Normal setting: ON
F7.5: Control Change ON/OFF
Normally the CLP-265GP will respond to MIDI control
change data received from an external MIDI device or
keyboard, causing the voice on the corresponding chan-
nel to be affected by pedal and other “control” settings
received from the controlling device (the keyboard voice
is not affected).
The CLP-265GP also transmits MIDI control change
information when the pedal or other appropriate con-
trols are operated.
This function makes it possible to cancel control change
data reception and transmission so that, for example, the
CLP-265GP’s pedal and other controls can be operated
without affecting an external MIDI device.
Setting range: ON/OFF
Normal setting: ON
F7.:
Panel/Status Transmit
This function causes all the current CLP-265GP panel
settings (selected voice, etc.) to be transmitted via the
MIDI OUT terminal.
Procedure
1. Set up the panel controls as desired.
2. Connect the Clavinova to a sequencer via MIDI, and
set up the sequencer so it can receive the setup data.
3. Engage the Function mode and select .
4. Press the [+/YES] button to transmit the panel/status
data.
will appear on the LED display when the data has
been successfully transmitted.
F7.7:
Initial Setup Send
This function lets you send the data of the panel settings
to a computer. By transmitting the panel settings and
recording them on the MIDI sequence recorder prior to
the actual performance data, the instrument will be
automatically restored to the same settings when the per-
formance is played back. You can also use this function to
change the settings of a connected tone generator to the
same settings as the instrument.
Procedure
1. Set up the panel controls as desired.
2. Connect the Clavinova to a sequencer via MIDI, and
set up the sequencer so it can receive the setup data.
3. Engage the Function mode and select .
4. Press the
[+/YES] button to transmit the panel/status
data.
will appear on the LED display when the data has
been successfully transmitted.
The following data can be sent.
•Voice selection
• [REVERB] type
• [REVERB] depth
• [EFFECT] type
• [EFFECT] depth
•Tuning (F1)
•Dual detune (F3.2)
NOTE
For information on program change numbers for each of the
CLP-265GP’s voices, refer to page 62 in the MIDI Data Format
section.
NOTE
For information on control changes that can be used with
the CLP-265GP, refer to the MIDI Data Format on page 61.
TERMINOLOGY
Setup Data:
Data that contains a set of panel settings for the Clavinova.
NOTE
See page 62 for a list of the “Panel Data Contents” transmitted by
this function.
NOTE
Receiving the transmitted data:
1. Connect the Clavinova via MIDI to the device to which
the setup data was transmitted previously.
2. Start sending the setup data from the device.
The Clavinova automatically receives the setup data, which
will be reflected in the panel settings.
(For the data to be accepted, the Clavinova that receives
the setup data should be the same model as the one that
transmitted the setup data to the sequencer.)
NOTE
For more information on transmitting and receiving setup
data via MIDI, refer to the owner’s manual for the connected
MIDI device.
Detailed Settings – [FUNCTION]
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45
However, the backup settings themselves, the contents of
the user song recorder memory, and character code set-
ting are always backed up.
You can turn the backup function on or off for
each function group (each of the following
sub-mode functions).
1. Engage the Function mode and select .
2. Press the [+/YES] button to engage the
backup function’s sub-mode, then use the
[TEMPO/FUNCTION# ▼, ▲] buttons to select
the desired sub-mode.
Press the [–/NO] or [+/YES] button to turn the
backup function on or off.
Sub-mode
F8.1: Voice
F8.2: MIDI
F8.3: Tuning
F8.4: Others
Setting range: ON/OFF
Normal setting: Vo ic e: OFF
MIDI – Others: ON
Description of sub-modes
F8.1: Voice
•Voice
•Dual (ON/OFF, Voice, and Dual Functions for each
voice combination)
•Reverb (ON/OFF, Type, and Depth for each voice)
• Effect (ON/OFF, Type, and Depth for each voice)
•Touch Sensitivity (including the FIXED volume)
•Metronome (Beat, Volume < settings>)
•Song Part Cancel Volume ( settings)
F8.2: MIDI
The MIDI functions ( settings)
(expect for the )
F8.3: Tuning
•Transpose
•Tuning ( settings)
• Scale (including base note) ( settings)
F8.4: Others
•Other functions ( settings)
• BRILLIANCE setting
Factory Preset Recall
All Dual mode, reverb, effect, touch sensitivity, tuning
settings, and the settings affected by the Backup Func-
tions can be restored to their original factory preset val-
ues by holding the C7 key (right-most key on the
keyboard) while turning the [POWER] switch ON. This
also erases all user song recorder data, and sets all backup
on/off settings (F8) to the normal settings. (The factory
setting list is found on page 60.)
CAUTION
Do not turn off the power of the instrument when “CLr”
appears in the display. Doing so may delete all song data
in the instrument, including external songs (page 34).
If the song cannot be loaded, you may need to change the
character code setting.
Setting range: En (English)/JA (Japanese)
Normal setting: En
F8. Backup Functions
TERMINOLOGY
Backup:
You can back up some settings, such as voice selection and
reverb type, so that they will not be lost when you turn off
the power to the Clavinova.
If the backup function is turned on, the settings at power
off are effective. If the backup function is turned off, the
settings in memory are erased when you turn off the power.
In this case, when you turn on the power to the unit, the
default settings (the initial settings) will be used. (The fac-
tory setting default list is found on page 60.)
F8.5 Character Code
Connections
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46
Connections
Connectors
CAUTION
Before connecting the Clavinova to other electronic components, turn off the power to all the components. Before turn-
ing the power on or off to all components, set all volume levels to minimum (0). Otherwise, electrical shock or damage to
the components may result.
1 AUX OUT [R] [L] Pin jacks (LEVEL FIXED)
You can connect these jacks to a stereo system to amplify the Clavinova or to a cas-
sette tape recorder to record your performance. Refer to the diagram below and use
audio cables to make the connections.
CAUTION
When the Clavinova’s AUX OUT jacks are connected to an external audio system, first turn on the
power to the Clavinova, then to the external audio system. Reverse this order when you turn the
power off.
1 2
3 4
NOTE
Use audio cables and adaptor
plugs with no resistance.
NOTE
The Clavinova’s [MASTER VOL-
UME] slider setting does not
affect the signal output from
the AUX OUT (LEVEL FIXED)
jacks.
NOTE
When the sound from the AUX
OUT jacks is routed to the AUX
IN jacks, the input sound will be
output from the speaker of the
CLP. The output sound may be
excessively loud and may cause
noise.
AUX OUT
(LEVEL FIXED)
R
L
When these are connected (with RCA pin plug; LEVEL FIXED), the sound
is output to the external device at a fixed level, regardless of the [MASTER
VOLUME] slider setting.
Clavinova
AUX OUT
RCA pin plug
audio cable
Stereo
AUX IN
RCA pin plug
Connections
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47
2 AUX IN [R] [L/L+R] jacks
The stereo outputs from another instrument can be connected to these jacks,
allowing the sound of an external instrument to be reproduced via the Clavinova’s
speakers. Refer to the diagram below and use audio cables to make the connec-
tions.
CAUTION
When the Clavinova’s AUX IN jacks are connected to an external device, first turn on the power to
the external device, then to the Clavinova. Reverse this order when you turn the power off.
3 USB [TO HOST] terminal
This terminal allows direct connection to a personal computer. Refer to “Connect-
ing a Personal Computer” on page 48 for more information.
4 MIDI [IN] [OUT] [THRU] terminals
Use MIDI cables to connect external MIDI devices to these connectors.
MIDI [IN]: Receives MIDI data.
MIDI [OUT]: Transmits MIDI data.
MIDI [THRU]: Transmits data received at the MIDI [IN] terminal as it is.
NOTE
The Clavinova’s [MASTER VOL-
UME] slider setting affect the
input signal from the AUX IN
jacks, but the [BRILLIANCE],
[REVERB], and [EFFECT] set-
tings do not.
NOTE
If you connect the Clavinova to
a monaural device, use only the
AUX IN [L/L+R] jack.
AUX IN
L/L+R
R
Clavinova
AUX OUT
phone plug
(standard)
Tone Generator
AUX IN
Plug shape depneds on the device.
audio cable
NOTE
There are two types of USB
connectors: A and B. The USB
jack on the Clavinova accepts a
B-type connector. Connect the
A-type connector of the USB
cable to the USB port on your
computer. Connect the B-type
connector to the USB jack on
the Clavinova.
NOTE
MIDI performance data and
commands are transferred in
the form of numeric values.
NOTE
Since MIDI data that can be
transmitted or received varies
depending on the type of MIDI
device, check the “MIDI Imple-
mentation Chart” to find out
what MIDI data and commands
your devices can transmit or
receive. The Clavinova’s MIDI
Implementation Chart appears
on page 65.
About MIDI
MIDI (Musical Instrument Digital Interface) is a standard format for data transmission/
reception. It enables the transfer of performance data and commands between MIDI devices
and personal computers. Using MIDI, you can control a connected MIDI device from the
Clavinova, or control the Clavinova from a connected MIDI device or computer.
Connections
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48
Connecting a Personal Computer
By connecting a computer to the Clavinova's USB [TO HOST] terminal, you can transfer data
between the instrument and the computer via MIDI. To do this, install the USB MIDI driver and
Musicsoft Downloader software from the included CD-ROM.
CAUTION
When connecting the Clavinova to a personal computer, first turn off the power to both the Clavi-
nova and the computer before connecting any cables. After making connections, turn on the
power to the computer first, then to the Clavinova.
CAUTION
If you are not using the connection between the Clavinova and your computer, you must discon-
nect the cable from the USB [TO HOST] terminal. The Clavinova may not operate correctly if a
cable is left connected.
Use a USB cable to connect the USB port on your computer to the USB [TO HOST]
terminal on the Clavinova.
TERMINOLOGY
Driver:
A driver is software that pro-
vides a data-transfer interface
between the computer’s oper-
ating system and a connected
hardware device. You need to
install a USB MIDI driver to con-
nect the computer and the
instrument.
NOTE
• The instrument will begin
transmission a short time
after the USB connection is
made.
• When using a USB cable to
connect the instrument to
your computer, make the
connection directly without
passing through a USB hub.
• For information on setting up
your sequence software,
refer to the owner’s manual
of the relevant software.
Precautions when using the USB [TO HOST] terminal
When connecting the computer to the USB [TO HOST] terminal, make sure to observe the
following points. Failing to do so risks freezing the computer and corrupting or even losing
the data. If the computer or the instrument freezes, turn the power to the instrument off or
restart the computer.
CAUTION
• Before connecting the computer to the USB [TO HOST] terminal, exit from any power-sav-
ing mode (such as suspended, sleep, standby) of the computer.
• Before turning on the power to the instrument, connect the computer to the USB [TO
HOST] terminal.
• Execute the following before turning the power to the instrument on/off or plugging/
unplugging the USB cable to/from the USB [TO HOST] terminal.
- Quit any open applications (such as Voice Editor, Multi Part Editor, and sequencer soft-
ware).
- Make sure that data is not being transmitted from the instrument. (Data is transmitted
only by playing notes on the keyboard or playing back a song.)
• While a USB device is connected to the instrument, you should wait for six seconds or
more between these operations: (1) when turning the power of the instrument off then on
again, or (2) when alternately connecting/disconnecting the USB cable.
Instrument
USB [TO HOST] terminal
USB cable
Computer
Data Backup
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49
Data Backup
For maximum data security Yamaha recommends that you save your important data to your com-
puter by using the included application Musicsoft Downloader (MSD). This provides a convenient
backup if the internal memory is damaged.
Data that can be saved
1. Panel settings and recorded User songs
Panel settings are the same data that can be backed up using the Backup Functions
(page 45). You can save the panel settings and recorded User songs as one file.
2. External songs received via computer.
1. Install the USB MIDI driver and the MSD from the
included Accessory CD-ROM to your computer
(Windows), then connect the computer and the
instrument.
For installation, see the separate Installation Guide.
For connection, see page 46.
2. Move the data to the computer.
By using the MSD, save the “CLP-xxx.BUP” file from “System Drive” under
“Electronic Musical Instruments” to the computer.
The “CLP-xxx.BUP” file contains the panel settings and recorded User songs.
Also, if you store the external songs in the instrument from the computer, move
the songs from “Flash Memory” under “Electronic Musical Instruments” to the
computer via the MSD.
For instruction on using the MSD, see the Help in the MSD.
To recall the settings and load the songs to the instrument, move the “CLP-
xxx.BUP” file and the External songs under the folders to which you saved the
files.
Procedure
NOTE
When MSD is started on a com-
puter connected to the instru-
ment, “con (computer
connection)” appears in the
display. When this indication
appears, you cannot operate
the instrument.
NOTE
The Musicsoft Downloader can-
not be used when the instru-
ment is in the following state:
• During Demo mode.
• During song playback.
• During Record mode.
NOTE
The panel settings and User
songs (CLP-xxx.BUP file)
remain in the instrument after
being saved to the computer.
Message List
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50
Message List
Message Comment
CLr Displayed after factory presets are recalled.
CAUTION
Do not turn off the power of the instrument when “CLr” appears in the display. Doing so may delete all song
data in the instrument, including external songs (page 34).
con Displayed when Musicsoft Downloader is started on a computer connected to the instrument.
When this message appears, you cannot operate the instrument.
E02 Displayed when the song data is damaged.
E04 Indicates that the song data is too large to be loaded.
End Displayed when the current operation is completed.
Err Displayed when the MIDI/USB cable is disconnected while starting Musicsoft Downloader on a computer con-
nected to the instrument.
FCL Indicates that internal memory has been cleaned up. Recorded songs and external songs which have been
loaded from a computer are cleared, because the power has been turned off before the song save or load
operations were completed.
CAUTION
Do not turn off the power of the instrument when “FCL” appears in the display. Doing so may cause the
instrument to malfunction.
Full Displayed when internal memory becomes full during song recording.
Displayed when the total amount of files has become too large.
Lod Displayed when a protected song is loading.
n y Confirms whether each operation is executed or not.
n
–
y
Reconfirms whether the overwriting, delete or format operation is executed or not.
Troubleshooting
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51
Troubleshooting
Options
BC-100 Bench
A comfortable bench styled to match your Yamaha Clavinova.
HPE-160 Stereo Headphones
High-performance lightweight dynamic headphones with extra-soft ear pads.
Problem Possible Cause and Solution
The Clavinova does not turn on. The Clavinova has not been plugged in properly. Securely insert the female plug into
the socket on the Clavinova, and the male plug into a proper AC outlet (page 12).
A click or pop is heard when the power is
turned on or off.
This is normal when electrical current is being applied to the instrument.
Noise is heard from the speakers or head-
phones.
The noise may be due to interference caused by the use of a mobile phone in close
proximity to the Clavinova. Turn off the mobile phone, or use it further away from the
Clavinova.
The overall volume is low, or no sound is
heard.
• The Master Volume is set too low; set it to an appropriate level using the [MASTER
VOLUME] control.
• Make sure a pair of headphones is not connected to the headphones jack.
• Make sure that Local Control (page 43) is ON.
The damper pedal has no effect, or the sound
continuously sustains even when the damper
pedal is not pressed.
The pedal cable/plug may not be properly connected. Make sure to securely insert the
pedal plug into the proper jack (page 53).
Keyboard Stand Assembly
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52
Keyboard Stand Assembly
CAUTION
• Be careful not to confuse parts, and be sure to
install all parts in the correct orientation. Please
assemble in accordance with the sequence given
below.
• Assembly should be carried out by at least two per-
sons.
• Be sure to use the correct screw size, as indicated
below. Use of incorrect screws can damage the
stand.
• Be sure to tighten all screws upon completing the
assembly of each unit.
•To disassemble, reverse the assembly sequence
given below.
1. Remove all parts from the box. Confirm
that all parts shown in the illustration are
included.
Main unit
How to position the main unit
Spread a large soft cloth, such as a blanket, on the floor.
Place the unit on the cloth with the key cover closed and
the keyboard side on the bottom and lean the unit
against the wall so that the unit will not fall or slip. Place
a soft cloth against the wall to protect the instrument and
the wall from scratches.
Have a Phillips-head (+) screwdriver ready.
Lean the unit against the
wall as shown at right.
Legs Pedal box 6 × 40 mm fixing screws
× 12
Cord holderAC power cord 6 × 20 mm fixing screws
× 4
CAUTION
• Be careful not to pinch your fingers.
Be sure to position the keyboard side on the bottom.
CAUTION
• Do not place the main unit
with the rear side facing
down.
CAUTION
• Do not lay the main unit
upside down on the floor.
CAUTION
• Do not position the main
unit so that its bottom is in
contact with floor.
Keyboard Stand Assembly
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53
2. Attach two front legs and a rear leg.
Refer to the diagram below to verify the orienta-
tion of the legs.
Install and tighten four 6 x 40 mm screws on each
leg, starting with one of the front legs.
3. Install the pedal box.
3-1Remove the twist tie that affixes the pedal cord to
the upper portion of the pedal box.
3-2Align the cord with the groove on the unit, and
attach the pedal box using four 6 x 20 mm screws.
3-3Insert the pedal cord plug into the pedal connec-
tor. Insert the plug so the arrow side faces front
(toward the keyboard).
If the plug will not go in easily, do not force it.
Double-check the orientation of the plug, then
try again.
3-4Attach the cord holder on the unit as shown in
the illustration below, then use the cord holder to
affix the pedal cord.
4. Raising the unit to the standing position.
Use the front legs as support to raise the unit.
Rear leg
Front leg Front leg
Twist tie
3-3
3-4
CAUTION
• Be careful not to pinch your fingers.
• When you raise the unit, do not hold the key
cover.
Keyboard Stand Assembly
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54
5. Connect the power cord.
Insert the AC power cord plug into the [AC
INLET].
6. Set the adjuster.
Rotate the adjuster until it comes in firm contact
with the floor surface.
After completing the assembly, please check the follow-
ing.
Voltage Selector
Before connecting the AC power cord, check the setting of
the voltage selector which is provided in some areas. To set
the selector for 110V, 127V, 220V or 240V main voltages, use
a “minus” screwdriver to rotate the selector dial so that the
correct voltage for your region appears next to the pointer on
the panel. The voltage selector is set at 240V when the unit is
initially shipped.
After the proper voltage has been selected, connect the AC
power cord to the [AC INLET] and an AC wall outlet. A plug
adaptor may be also provided in some areas to match the pin
configuration of the AC wall outlets in your area.
WARNING
An improper voltage setting can cause serious damage to
the Clavinova or result in improper operation.
240
127
110
220
For models that feature a
voltage selector:
Set the voltage selector to an
appropriate voltage.
Right leg on the bottom of the main unit, when
viewed from front
• Are there any parts left over?
Review the assembly procedure and correct any
errors.
• Is the Clavinova clear of doors and other mov-
able fixtures?
Move the Clavinova to an appropriate location.
• Does the Clavinova make a rattling noise when
you shake it?
Tighten all screws.
• Does the pedal box rattle or give way when you
step on the pedals?
Turn the adjuster so that it is set firmly against the
floor.
• Are the pedal and power cords inserted securely
into the sockets?
Check the connection.
• If the main unit creaks or is otherwise unsteady
when you play on the keyboard, refer to the
assembly diagrams and retighten all screws.
When moving the instrument after assembly, always hold the
bottom of the main unit.
CAUTION
• Do not hold the key cover or top portion.
Improper handling can result in damage to the
instrument or personal injury.
Top portion
Key cover
Preset Voice List
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55
Preset Voice List
Voice Name
Stereo
Sampling
Touch
Response
Dynamic
Sampling
*1
*1. Dynamic Sampling provides multiple velocity-switched samples to accurately simulate the timbral response of
an acoustic instrument.
Key-Off
Sampling
*2
*2. Contains a very subtle sample that is produced when the keys are released.
Voice Descriptions
GRANDPIANO 1
Recorded samples from a full concert grand piano. Perfect
for classical compositions as well as any other style that
requires acoustic piano.
GRANDPIANO 2
Spacious and clear piano with bright reverb. Good for popu-
lar music.
E.PIANO 1
An electronic piano sound created by FM synthesis. Good
for standard popular music.
E.PIANO 2
The sound of an electric piano using hammer-struck metallic
“tines”. Soft tone when played lightly, and an aggressive
tone when played hard.
HARPSICHORD 1
The definitive instrument for baroque music. Since harpsi-
chord uses plucked strings, there is no touch response.
There is, however, a characteristic additional sound when
the keys are released.
HARPSICHORD 2
Mixes the same voice an octave higher for a more brilliant
tone.
VIBRAPHONE
Vibraphone played with relatively soft mallets. The tone
becomes more metallic the harder you play.
CHURCH ORGAN 1
This is a typical pipe organ sound (8 feet + 4 feet + 2 feet).
Good for sacred music from the Baroque period.
CHURCH ORGAN 2
This is the organ’s full coupler sound often associated with
Bach’s “Toccata and Fugue”.
JAZZ ORGAN
The sound of a “tonewheel” type electric organ. Often heard
in jazz and rock idioms.
STRINGS 1
Stereo-sampled, large-scale strings ensemble with realistic
reverb. Try combining this voice with piano in the DUAL
mode.
STRINGS 2
Spacious strings ensemble with a slow attack. Try combining
this voice with a piano or electric piano in the DUAL mode.
CHOIR
A big, spacious choir voice. Perfect for creating rich harmo-
nies in slow pieces.
GUITAR
Warm and natural-sounding nylon guitar. Enjoy the quiet
ambience of nylon strings.
: Yes
: No
Demo Song List
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56
Demo Song List
The demonstration pieces listed above are short rearranged excerpts of the original compositions.
All other songs are original (©2005 Yamaha Corporation).
Voice Name Title Composer
GRAND PIANO1 “Eintritt” Waldszenen Op.82 R. Schumann
HARPSICHORD1 Gavotte J.S. Bach
HARPSICHORD2 Invention No.1
Index
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57
Index
Numerics
50 Greats for the Piano ...................................................16
50 Piano Preset Songs .....................................................16
A
A-B Repeat.......................................................................19
Adjust
Tempo (50 Piano Preset Songs) ...............................16
Tempo (Recorded Songs) .........................................35
Volume (50 Piano Preset Songs) ..............................16
Volume (Metronome) ..............................................42
ALL (LED display) ..........................................................16
Assembly....................................................................52–54
AUX IN ............................................................................47
AUX OUT........................................................................46
B
Backup (data) ..................................................................49
Backup Functions............................................................45
[BRILLIANCE] button ...................................................22
C
Center Pedal ....................................................................21
Character Code................................................................45
Combining Two Voices (Dual mode)............................26
Connecting a Personal Computer..................................48
Connections.....................................................................46
Computer...................................................................48
Connectors ......................................................................46
D
Damper Pedal ..................................................................21
[DEMO] button ..............................................................15
Demo Song List ...............................................................56
Detailed Settings (FUNCTION).....................................36
Display .............................................................................12
Dual mode .................................................................26, 41
E
[EFFECT] button............................................................22
Effects...............................................................................23
F
Factory Setting List .........................................................60
Fine Tuning of the Pitch.................................................39
FUNCTION ..............................................................39–45
Basic Procedure......................................................... 37
K
Key Cover ........................................................................10
L
[LEFT] button...........................................................18, 31
Left Pedal...................................................................21, 42
List
Demo Song ................................................................56
Factory Setting........................................................... 60
Functions...................................................................36
Preset Voice ...............................................................55
M
[MASTER VOLUME] slider ..........................................13
Message List.....................................................................50
METRONOME [ON/OFF] button..........................27, 42
Metronome Volume .......................................................42
MIDI [IN] [OUT] [THRU] ...........................................47
MIDI Data Format..........................................................61
MIDI Functions ..............................................................43
MIDI Implementation Chart .........................................65
Music Braces....................................................................10
Music Rest .......................................................................10
Index
CLP-265GP Owner’s Manual
ENGLISH
58
N
Normal setting.................................................................22
P
Part Cancel.......................................................................18
[PEDAL] jack...................................................................53
Pedals ...............................................................................21
PHONES..........................................................................13
Pitch ➝ Fine Tuning of the Pitch...................................39
PLAY/PAUSE (Demo) ....................................................15
[PLAY/PAUSE] button .............................................16, 35
Play/Pause playback
Demonstration Tunes ...............................................15
Recorded Songs .........................................................35
Playing Back Songs..........................................................34
[POWER] switch.............................................................12
Practicing a One-Hand Part Using 50 Preset Songs......18
Preset songs ➝ 50 Piano Preset Songs ...........................16
Preset Voice List ..............................................................55
R
[REC] button...................................................................28
Recording.........................................................................28
Initial Settings............................................................33
Repeat ........................................................................16, 19
Re-recording....................................................................32
[REVERB] button ...........................................................22
[RIGHT] button........................................................18, 31
Right Pedal.......................................................................21
RIGHT/LEFT (50 Piano Preset Songs) ..........................18
rnd (LED display)............................................................16
S
Scale..................................................................................40
Soft Pedal ...................................................................21, 42
Song Part Cancel Volume...............................................42
Song playback..................................................................34
[SONG SELECT] button ..........................................16, 35
Sostenuto Pedal ...............................................................21
Specifications...................................................................66
[STOP] button...........................................................16, 35
Sync Start .........................................................................18
T
TEMPO...................................................................... 16, 35
TEMPO (METRONOME) .............................................27
[TEMPO/FUNCTION#] button..............................27, 37
[TOUCH] button............................................................24
Touch Sensitivity.............................................................24
Transporting .....................................................................3
[TRANSPOSE] button....................................................25
Troubleshooting.............................................................. 51
Tuning ➝ Fine Tuning of the Pitch...............................39
U
USB [TO HOST] terminal .............................................47
V
VOICE ............................................................................. 20
Voice group buttons .......................................................20
CLP-265GP Owner’s Manual
59
Appendix
This section introduces reference material.
In diesem Abschnitt finden Sie Referenzmaterial.
Cette section présente le matériel de référence.
En esta sección se incluye material de referencia.
Factory Setting List
Liste der Vorgabeeinstellungen
Liste des réglages
Lista de ajustes de fábrica......................................... 60
MIDI Data Format
MIDI-Datenformat
Format des données MIDI
Formato de datos MIDI ........................................... 61
MIDI Implementation Chart
MIDI Implementierung stabelle
Feuille d’implantation MIDI
Gráfica de implementación MIDI........................... 65
Specifications
Te c hnische Daten
Caractéristiques techniques
Especificaciones........................................................ 66
CLP-265GP Owner’s Manual
60
Factory Setting List / Liste der Vorgabeeinstellungen /
Liste des réglages / Lista de ajustes de fábrica
Function
Default Backup Group
Voice GRAND PIANO 1 F8.1
Dual Mode OFF F8.1
Brilliance NORMAL F8.4
Reverb Type Preset for each voice
F8.1
Reverb Depth Preset for each voice
Effect Type Preset for each voice
Effect Depth Preset for each voice
Touch Sensitivity MEDIUM
Volume in the FIXED Mode 64
Metronome OFF —
Metronome Time Signature 0 (no accent) F8.1
Tempo 120 —
Transpose 0 F8.3
Function # Function Default Backup Group
F1 Tuning A3=440Hz
F8.3F2.1 Scale 1 (Equal Temperament)
F2.2 Base Note C
F3.1 Dual Balance Preset for each voice combination
F8.1
F3.2 Dual Detune Preset for each voice combination
F3.3, F3.4 Dual Octave Shift Preset for each voice combination
F3.5, F.3.6 Dual Effect Depth Preset for each voice combination
F4.1 Left Pedal Mode 1 (Soft Pedal)
F8.4F4.2 Soft Pedal Effect Depth 3
F4.3 Song Channel Selection ALL
F5 Metronome Volume 10
F8.1
F6 Song Part Cancel Volume 5
F7.1 MIDI Transmit Channel 1
F8.2
F7.2 MIDI Receive Channel ALL
F7.3 Local Control ON
F7.4 Program Change Send & Receive ON
F7.5 Control Change Send & Receive ON
F8 Backup Voice: OFF
MIDI – Others: ON
Always backed up
F8.5 Character Code En
CLP-265GP Owner’s Manual
61
MIDI Data Format / MIDI-Datenformat /
Format des données MIDI / Formato de datos MIDI
If you’re already very familiar with MIDI, or are using a computer to control your music hardware with computer-generated MIDI
messages, the data provided in this section can help you to control the CLP-265GP.
Falls Sie bereits mit MIDI vertraut sind oder einen Computer zur Erzeugung von MIDI-Steuermeldungen für die Instrumente verwenden,
können Sie sich zur Steuerung des CLP-265GP nach den im folgenden Abschnitt aufgeführten Spezifikationen richten.
Si vous êtes très familier avec l’interface MIDI ou si vous utilisez un ordinateur pour commander votre matériel de musique au moyen de
messages MIDI générés par ordinateur, les données suivantes vous seront utiles et vous aideront à commander le CLP-265GP.
SI usted está ya familiarizado con MIDI, o si emplea una computadora para controlar sus aparatos musicales con mensajes MIDI
generados por computadora, los datos proporcionados en esta sección le ayudarán a controlar la CLP-265GP.
1. NOTE ON/OFF
Data format: [9nH] -> [kk] -> [vv]
9nH = Note ON/OFF event (n = channel number)
kk = Note number (Transmit: 09H ~ 78H = A-2 ~ C8 /
Receive: 00H ~ 7FH = C-2 ~ G8)*
vv = Velocity (Key ON = 01H ~ 7FH, Key OFF = 00H)
Data format: [8nH] -> [kk] -> [vv] (reception only)
8nH = Note OFF event (n = channel number)
kk = Note number: 00H ~ 7FH = C-2 ~ G8
vv = Velocity
* If received value exceeds the supported range for the
selected voice, the note is adjusted by the necessary num-
ber of octaves.
2. CONTROL CHANGE
Data format: [BnH] -> [cc] -> [vv]
BnH = Control change (n = channel number)
cc = Control number
vv = Data Range
(1) Bank Select
ccH Parameter Data Range (vvH)
00H Bank Select MSB 00H: Normal
20H Bank Select LSB 00H...7FH
Bank selection processing does not occur until receipt of
next Program Change message.
(2) Modulation (reception only)
ccH Parameter Data Range (vvH)
01H Modulation 00H-7FH
(3) Main Volume (reception only)
ccH Parameter Data Range (vvH)
07H Volume MSB 00H...7FH
(4) Panpot (reception only)
ccH Parameter Data Range (vvH)
0AH Panpot 00H-7FH
(5) Expression
ccH Parameter Data Range (vvH)
0BH Expression MSB 00H...7FH
(6) Damper
ccH Parameter Data Range (vvH)
40H Damper MSB 00H...7FH
(7) Sostenuto
ccH Parameter Data Range (vvH)
42H Sostenuto 00H-3FH:off, 40H-7FH:on
(8) Soft Pedal
ccH Parameter Data Range (vvH)
43H Soft Pedal 00H-3FH:off, 40H-7FH:on
(9) Effect1 Depth (Reverb Send Level)
ccH Parameter Data Range (vvH)
5BH Effect1 Depth 00H...7FH
Adjusts the reverb send level.
(10) Effect4 Depth (Variation Effect Send Level)
ccH Parameter Data Range (vvH)
5EH Effect4 Depth 00H...7FH
(11) RPN
ccH Parameter Data Range (vvH)
65H RPN MSB Coarse Tune 02H,
Fine Tune 01H,
64H RPN LSB Pitch Bend Range 00H
06H Data Entry MSB
38H Data Entry LSB
3. MODE MESSAGES
Data format: [BnH] -> [cc] -> [vv]
BnH = Control event (n = channel number)
cc = Control number
vv = Data Range
(1) All Sound Off
ccH Parameter Data Range (vvH)
78H All Sound Off 00H
Switches off all sound from the channel. Does not reset Note
On and Hold On conditions established by Channel Messages.
(2) Reset All Controllers
ccH Parameter Data Range (vvH)
79H Reset All Controllers 00H
Resets controllers as follows.
Controller Value
Expression 127 (max)
Damper Pedal 0 (off)
Sostenuto 0 (off)
Soft Pedal 0 (off)
(3) Local Control (reception only)
ccH Parameter Data Range (vvH)
7AH Local Control 00H (off), 7FH (on)
(4) All Notes Off
ccH Parameter Data Range (vvH)
7BH All Notes Off 00H
Switches OFF all the notes that are currently ON on the spec-
ified channel. Any notes being held by the damper or soste-
nuto pedal will continue to sound until the pedal is released.
(5) Omni Off (reception only)
ccH Parameter Data Range (vvH)
7CH Omni Off 00H
Same processing as for All Notes Off.
(6) Omni On (reception only)
ccH Parameter Data Range (vvH)
7DH Omni On 00H
Same processing as for All Notes Off.
(7) Mono (reception only)
ccH Parameter Data Range (vvH)
7EH Mono 00H
Same processing as for All Sound Off.
(8) Poly (reception only)
ccH Parameter Data Range (vvH)
7FH Poly 00H
Same processing as for All Sound Off.
• When control change reception is turned OFF in the Function
mode, control change data will not be transmitted or received.
• Local on/off, OMNI on/off are not transmitted. (The appropriate
note off number is supplied with “All Note Off” transmission).
CLP-265GP Owner’s Manual
62
• When a voice bank MSB/LSB is received, the number is
stored in the internal buffer regardless of the received order,
then the stored value is used to select the appropriate voice
when a program change message is received.
• The Multi-timbre and Poly modes are always active. No
change occurs when OMNI ON, OMNI OFF, MONO, or POLY
mode messages are received.
4. PROGRAM CHANGE
Data format: [CnH] -> [ppH]
CnH = Program event (n = channel number)
ppH = Program change number
P. C .#=Program Change number
• When program change reception is turned OFF in the Func-
tion mode, no program change data is transmitted or
received. Also, Bank MSB/LSB is not transmitted or received.
5. SYSTEM REALTIME MESSAGES
[rrH]
F8H: Timing clock
FAH: Start
FCH: Stop
FEH: Active sensing
• Caution: If an error occurs during MIDI reception, the Damper,
Sostenuto, and Soft effects for all channels are turned off and
an All Note Off occurs.
6. SYSTEM EXCLUSIVE MESSAGES
(Yamaha MIDI Format)
Panel Data Transmit
Data format: [F0H] -> [43H] -> [0nH] -> [7CH] -> ... -> [F7H]
F0H, 43H, 0nH, 7CH (n: channel number)
00H, LLH (data length)
43H, 4CH, 20H, 20H (CL)
43H, 4CH, 50H, 27H, 30H, 35H (CLP05)
3xH, 3yH
aaH, bbH: Device No. aa=LSB, bb=MSB
aa=5BH, bb=16H
[PANEL DATA]
[CHECK SUM (1byte)] = 0-(43H+4CH+20H+......+Data end)
F7H
• Panel Data Contents
•Panel data send requests cannot be received.
7. SYSTEM EXCLUSIVE MESSAGES
(Universal System Exclusive)
(1) Universal Realtime Message
Data format: [F0H] -> [7FH] -> [XnH] -> [04H] -> [01H] ->
[llH] -> [mmH] -> [F7H]
MIDI Master Volume
• Simultaneously changes the volume of all channels.
• When a MIDI master volume message is received, the volume
only has affect on the MIDI receive channel, not the panel
master volume.
F0H = Exclusive status
7FH = Universal Realtime
7FH = ID of target device
04H = Sub-ID #1=Device Control Message
01H = Sub-ID #2=Master Volume
llH = Volume LSB
mmH =
Volume MSB
F7H = End of Exclusive
or
F0H = Exclusive status
7FH = Universal Realtime
XnH = When n is received n=0~F, whichever is received.
X = don’t care
04H = Sub-ID #1=Device Control Message
01H = Sub-ID #2=Master Volume
llH = Volume LSB
mmH =
Volume MSB
F7H = End of Exclusive
CLP-265GP MSB LSB
P.C.#
GRANDPIANO 1 0 122 0
GRANDPIANO 2 0 112 0
E.PIANO 1 0 122 5
E.PIANO 2 0 122 4
HARPSICHORD 1 0 122 6
HARPSICHORD 2 0 123 6
VIBRAPHONE 0 122 11
CHURCH ORGAN 1 0 123 19
CHURCH ORGAN 2 0 122 19
JAZZ ORGAN 0 122 16
STRINGS 1 0 122 48
STRINGS 2 0 122 49
CHOIR 0 122 52
GUITAR 0 122 24
Data Transmission Reception
F8H
Transmitted every
96 clocks
Received as 96-clock tempo timing
when MIDI clock is set to External
FAH Recorder start
Recorder start
Not received when the MIDI clock is
set to Internal.
FCH Recorder stop
Recorder stop
Not received when the MIDI clock is
set to Internal.
FEH
Transmitted every
200 milliseconds
If a signal is not received via MIDI for
more than 400 milliseconds, the
same processing will take place for All
Sound Off, All Notes Off and Reset All
Controllers as when those signals are
received.
(1) 1'st Voice
(2) Dual On/Off
(3) Dual Voice
(4) Dual Balance
(5) Dual Detune
(6) Dual Voice1 Octave
(7) Dual Voice2 Octave
(8) Dual Voice1 Effect Depth
(9) Dual Voice2 Effect Depth
(10) —
(11) —
(12) —
(13) —
(14) —
(15) —
(16) —
(17) —
(18) —
(19) Reverb Type 1
(20) Reverb Type 2
(21) Reverb Depth 1
(22) Reverb Depth 2
(23) Effect Type 1
(24) Effect Type 2
(25) Effect Depth
(26) —
(27) Touch Sensitivity
(28) Fixed Data
(29) Left Pedal
(30) Soft Pedal Depth
(31) Absolute tempo low byte
(32) Absolute tempo high byte
(33) —
(34) —
(35) —
(36) Brilliance
CLP-265GP Owner’s Manual
63
(2) Universal Non-Realtime Message (GM On)
General MIDI Mode On
Data format: [F0H] -> [7EH] -> [XnH] -> [09H] -> [01H] ->
[F7H]
F0H = Exclusive status
7EH = Universal Non-Realtime
7FH = ID of target device
09H = Sub-ID #1=General MIDI Message
01H = Sub-ID #2=General MIDI On
F7H = End of Exclusive
or
F0H = Exclusive status
7EH = Universal Non-Realtime
XnH = When received, n=0~F.
X = don’t care
09H = Sub-ID #1=General MIDI Message
01H = Sub-ID #2=General MIDI On
F7H = End of Exclusive
When the General MIDI mode ON message is received, the
MIDI system will be reset to its default settings.
This message requires approximately 50ms to execute, so
sufficient time should be allowed before the next message is
sent.
8. SYSTEM EXCLUSIVE MESSAGES (XG Standard)
(1) XG Native Parameter Change
Data format: [F0H] -> [43H] -> [1nH] -> [4CH] -> [hhH] ->
[mmH] -> [llH] -> [ddH] -> [F7H]
F0H = Exclusive status
43H = YAMAHA ID
1nH = When received, n=0~F.
When transmitted, n=0.
4CH = Model ID of XG
hhH = Address High
mmH =
Address Mid
llH = Address Low
ddH = Data
|
F7H = End of Exclusive
Data size must match parameter size (2 or 4 bytes).
When the XG System On message is received, the MIDI sys-
tem will be reset to its default settings.
The message requires approximately 50ms to execute, so
sufficient time should be allowed before the next message is
sent.
(2) XG Native Bulk Data (reception only)
Data format: [F0H] -> [43H] -> [0nH] -> [4CH] -> [aaH] ->
[bbH] -> [hhH] -> [mmH] -> [llH] ->[ddH] ->...->
[ccH] -> [F7H]
F0H = Exclusive status
43H = YAMAHA ID
0nH = When received, n=0~F.
When transmitted, n=0.
4CH = Model ID of XG
aaH = ByteCount
bbH = ByteCount
hhH = Address High
mmH =
Address Mid
llH = Address Low
ddH = Data
| |
| |
ccH = Check sum
F7H = End of Exclusive
• Receipt of the XG SYSTEM ON message causes reinitializa-
tion of relevant parameters and Control Change values. Allow
sufficient time for processing to execute (about 50 msec)
before sending the CLP-265GP another message.
• XG Native Parameter Change message may contain two or
four bytes of parameter data (depending on the parameter
size).
•For information about the Address and Byte Count values,
refer to Table 1 below. Note that the table’s Total Size value
gives the size of a bulk block. Only the top address of the
block (00H, 00H, 00H) is valid as a bulk data address.
9. SYSTEM EXCLUSIVE MESSAGES
(Clavinova MIDI Format)
Data format:
[F0H] -> [43H] -> [73H] -> [01H] -> [nnH] -> [F7H]
F0H = Exclusive status
43H = Yamaha ID
73H = Clavinova ID
01H = Product ID (CLP common)
nnH = Substatus
nn Control
02H Internal MIDI clock
03H External MIDI clock
F7H = End of Exclusive
10.
SYSTEM EXCLUSIVE MESSAGES (Special Control)
Data format: [F0H] -> [43H] -> [73H] -> [66H] -> [11H] ->
[0nH] -> [ccH] -> [vvH] -> [F7H]
F0H = Exclusive status
43H = Yamaha ID
73H = Clavinova ID
7FH = Extended Product ID
xxH = Product ID 49H
11H = Special control
0nH = Control MIDI change (n=channel number)
cc = Control number
vv = Value
F7H = End of Exclusive
Control 0n ccH vvH
Metronome Always 00H 1BH 00H: No accent
01H-0FH: 1/4-15/4
7FH: off
Damper Level
ch: 00H-0FH 3DH (Sets the Damper Level
for each channel)
00H-7FH
Channel Detune
ch: 00H-0FH 43H (Sets the Detune value
for each channel)
00H-7FH
Voice Reserve
ch: 00H-0FH 45H 00H : Reserve off 7FH
: on*
*
When Volume, Expression is received for Reserve On, they
will be effective from the next Key On. Reserve Off is normal.
11. SYSTEM EXCLUSIVE MESSAGES (Others)
Data format:
[F0H] -> [43H] -> [1nH] -> [27H] -> [30H] -> [00H]
-> [00H] -> [mmH] -> [
ll
H] -> [ccH] -> [F7H]
Master Tuning (XG and last message priority) simultaneously
changes the pitch of all channels.
F0H = Exclusive Status
43H = Yamaha ID
1nH = When received, n=0~F.
When transmitted, n=0.
27H = Model ID of TG100
30H = Sub ID
00H =
00H =
mmH = Master Tune MSB
llH = Master Tune LSB
ccH = don’t care (under 7FH)
F7H = End of Exclusive
CLP-265GP Owner’s Manual
64
<Table 1>
MIDI Parameter Change table (SYSTEM)
Address (H) Size (H) Data (H) Parameter Description Default value (H)
00 00 00 4 020C - 05F4* MASTER TUNE -50 - +50[cent] 00 04 00 00
01 1st bit 3 - 0 ➝ bit 15 - 12 400
02 2nd bit 3 - 0 ➝ bit 11 - 8
03 3rd bit 3 - 0 ➝ bit 7 - 4
4th bit 3 - 0 ➝ bit 3 - 0
04 1 00 - 7F MASTER VOLUME 0 - 127 7F
05 1 — —
7E 00 XG SYSTEM ON 00=XG system ON
7F 00 RESET ALL PARAMETERS 00=ON (receive only)
TOTAL SIZE 07
*Values lower than 020CH select -50 cents. Values higher than 05F4H select +50 cents.
<Table 2>
MIDI Parameter Change table (EFFECT 1)
Refer to the “Effect MIDI Map” for a complete list of Reverb, Chorus and Variation type numbers.
Address (H) Size (H) Data (H) Parameter Description Default value (H)
02 01 00 2 00-7F REVERB TYPE MSB Refer to Effect MIDI Map 01 (=HALL1)
00-7F REVERB TYPE LSB 00 : basic type 00
02 01 40 2 00-7F VARIATION TYPE MSB Refer to Effect MIDI Map 00(=Effect off)
00-7F VARIATION TYPE LSB 00 : basic type 00
• “VARIATION” refers to the EFFECT on the panel.
<Table 3>
MIDI Parameter Change table (MULTI PART)
Address (H) Size (H) Data (H) Parameter Description Default value (H)
08 nn 11 1 00 - 7F DRY LEVEL 0 - 127 7F
nn = Part Number
• Effect MIDI Map
REVERB
MSB LSB
ROOM 02H 10H
HALL 1 01H 10H
HALL 2 01H 11H
STAGE 03H 10H
OFF 00H 00H
EFFECT
MSB LSB
CHORUS 42H 10H
PHASER 48H 10H
TREMOLO 46H 10H
ROTARY SP 47H 10H
OFF 00H 00H
CLP-265GP Owner’s Manual
65
MIDI Implementation Chart
TransmittedFunction... Recognized Remarks
Basic
Channel
Note
Number : True voice
Velocity
After
Touch
Pitch Bend
Control
Change
Prog
Change : True #
System Exclusive
Common : Song Pos.
: Song Sel.
: Tune
System : Clock
Real Time : Commands
: All Sound Off
Aux :
Reset
All
Cntrls
: Local ON/OFF
Mes- : All Notes OFF
sages: Active Sense
: Reset
Notes:
Mode
Default
Changed
Note ON
Note OFF
Key's
Ch's
0,32
1
7
10
11
6,38
64,66,67
84
91,94
96-97
100-101
1 - 16
˛
Ø 9nH,v=1-127
˛ 9nH,v=0
˛
˛
Ø
˛
*1
˛ *1
˛ *1
Ø
˛
*1
Ø
˛
*1
Ø
˛
*1
˛ *1
Ø
Ø
Ø
Ø
Ø
Ø
Ø
Ø
Ø
Ø
Ø
Ø
0 - 127
**************
˛
˛
˛
Ø
Ø
Ø
Ø
˛
Ø
Ø
˛
3
˛
**************
0 - 127
**************
Ø
Mode 1 : OMNI ON , POLY Mode 2 : OMNI ON ,MONO
Mode 3 : OMNI OFF, POLY Mode 4 : OMNI OFF,MONO
˛ *1 ˛ 0 - 24 semi
1 - 16
1 - 16
Ø 9nH,v=1-127
˛
9nH,v=0 or 8nH
˛
˛
˛
˛
˛
Ø
Ø
Ø (120,126,127)
Ø (121)
Ø (122)
Ø (123-125)
Ø
˛
3
˛
˛
0 - 127
0 - 127
Ø
Ø : Yes
˛ : No
Default
Messages
Altered
YAMAHA [ Clavinova ] Date :16-DEC-2004
Model CLP-265GP MIDI Implementation Chart
Version : 1.0
Bank Select
Modulation
Main Volume
Panpot
Expression
Data Entry
Portamento Control
Effect Depth
RPN Inc,Dec
RPN LSB,MSB
Ø 0 - 127
*1= These Control Change messages cannot be transmitted by panel
operations, but can be transmitted by song playback data.
CLP-265GP Owner’s Manual
66
Specifications / Technische Daten /
Caractéristiques techniques / Especificaciones
*Specifications and descriptions in this owner’s manual are for information purposes only. Yamaha Corp. reserves the right to change or modify
products or specifications at any time without prior notice. Since specifications, equipment or options may not be the same in every locale, please
check with your Yamaha dealer.
*Die technischen Daten und Beschreibungen in dieser Bedienungsanleitung dienen nur der Information. Yamaha Corp. behält sich das Recht vor,
Produkte oder deren technische Daten jederzeit ohne vorherige Ankündigung zu verändern oder zu modifizieren. Da die technischen Daten, das
Gerät selbst oder Sonderzubehör nicht in jedem Land gleich sind, setzen Sie sich im Zweifel bitte mit Ihrem Yamaha-Händler in Verbindung.
*Les caractéristiques techniques et les descriptions du mode d’emploi ne sont données que pour information. Yamaha Corp. se réserve le droit de
changer ou modifier les produits et leurs caractéristiques techniques à tout moment sans aucun avis. Du fait que les caractéristiques techniques, les
équipements et les options peuvent différer d’un pays à l’autre, adressez-vous au distributeur Yamaha le plus proche.
* Las especificaciones y descripciones de este manual del propietario tienen sólo el propósito de servir como información. Yamaha Corp. se reserva el
derecho a efectuar cambios o modificaciones en los productos o especificaciones en cualquier momento sin previo aviso. Puesto que las especifica-
ciones, equipos u opciones pueden no ser las mismas en todos los mercados, solicite información a su distribuidor Yamaha.
CLP-265GP
Keyboard GH3 keyboard 88 keys (A-1 – C7)
Sound Source AWM Stereo Sampling
Polyphony (Max.) 64
Voice Selection 14
Effect Reverb, Effect, Brilliance
Volume Master Volume
Controls
Dual, Metronome, Transpose,
Touch (Hard/Medium/Soft/Fixed), Functions
Recording/Playback 2-part recording/playback (three user songs), Tempo Adjustment, Sync Start
Pedal Damper (with half-pedal effect), Sostenuto, Soft
Demo Songs 14 voice Demo Songs, 50 preset Songs
Jacks/Connectors
MIDI (IN/OUT/THRU), PHONES × 2, AUX IN (L/L+R, R), AUX OUT (LEVEL FIXED)
(L, R), USB TO HOST
Memory Device
Internal Flash Memory (for saving User songs): 65 KB
(for saving External songs): 307 KB
Main Amplifiers 40W × 2
Speakers 16cm × 2 + 5cm x 2
Dimensions (W × D × H)
(Lid up)
1,434mm × 1,146mm × 931mm
[56 1/2" × 45 1/8" × 36 2/3"]
(1,434mm × 1,146mm × 1,400mm)
[56 1/2" × 45 1/8" × 55 1/8"]
Weight 97kg (213lbs., 14oz)
Accessories
Owner’s Manual, “50 greats for the Piano” (Music Book), Accessory CD-ROM for
Windows, Accessory CD-ROM for Windows Installation Guide,
Bench (included or optional depending on locale)
IMPORTANT SAFETY INSTRUCTIONS
INFORMATION RELATING TO PERSONAL INJURY, ELECTRICAL SHOCK,
AND FIRE HAZARD POSSIBILITIES HAS BEEN INCLUDED IN THIS LIST.
WARNING- When using any electrical or electronic product,
basic precautions should always be followed. These precautions
include, but are not limited to, the following:
1. Read all Safety Instructions, Installation Instructions, Spe-
cial Message Section items, and any Assembly Instructions
found in this manual BEFORE making any connections, includ-
ing connection to the main supply.
2. Main Power Supply Verification: Yamaha products are
manufactured specifically for the supply voltage in the area
where they are to be sold. If you should move, or if any doubt
exists about the supply voltage in your area, please contact your
dealer for supply voltage verification and (if applicable) instruc-
tions. The required supply voltage is printed on the name plate.
For name plate location, please refer to the graphic found in the
Special Message Section of this manual.
3. This product may be equipped with a polarized plug (one
blade wider than the other). If you are unable to insert the plug
into the outlet, turn the plug over and try again. If the problem
persists, contact an electrician to have the obsolete outlet
replaced. Do NOT defeat the safety purpose of the plug.
4. Some electronic products utilize external power supplies
or adapters. Do NOT connect this type of product to any power
supply or adapter other than one described in the owners manual,
on the name plate, or specifically recommended by Yamaha.
5. WARNING: Do not place this product or any other
objects on the power cord or place it in a position where anyone
could walk on, trip over, or roll anything over power or connect-
ing cords of any kind. The use of an extension cord is not recom-
mended! If you must use an extension cord, the minimum wire
size for a 25’ cord (or less) is 18 AWG. NOTE: The smaller the
AWG number, the larger the current handling capacity. For
longer extension cords, consult a local electrician.
6. Ventilation: Electronic products, unless specifically
designed for enclosed installations, should be placed in locations
that do not interfere with proper ventilation. If instructions for
enclosed installations are not provided, it must be assumed that
unobstructed ventilation is required.
7. Temperature considerations: Electronic products should
be installed in locations that do not significantly contribute to
their operating temperature. Placement of this product close to
heat sources such as; radiators, heat registers and other devices
that produce heat should be avoided.
8. This product was NOT designed for use in wet/damp loca-
tions and should not be used near water or exposed to rain.
Examples of wet/damp locations are; near a swimming pool,
spa, tub, sink, or wet basement.
9. This product should be used only with the components
supplied or; a cart, rack, or stand that is recommended by the
manufacturer. If a cart, rack, or stand is used, please observe all
safety markings and instructions that accompany the accessory
product.
10. The power supply cord (plug) should be disconnected
from the outlet when electronic products are to be left unused for
extended periods of time. Cords should also be disconnected
when there is a high probability of lightning and/or electrical
storm activity.
11. Care should be taken that objects do not fall and liquids are
not spilled into the enclosure through any openings that may exist.
12. Electrical/electronic products should be serviced by a
qualified service person when:
a. The power supply cord has been damaged; or
b. Objects have fallen, been inserted, or liquids have been
spilled into the enclosure through openings; or
c. The product has been exposed to rain: or
d. The product dose not operate, exhibits a marked change
in performance; or
e. The product has been dropped, or the enclosure of the
product has been damaged.
13. Do not attempt to service this product beyond that
described in the user-maintenance instructions. All other servic-
ing should be referred to qualified service personnel.
14. This product, either alone or in combination with an
amplifier and headphones or speaker/s, may be capable of pro-
ducing sound levels that could cause permanent hearing loss.
DO NOT operate for a long period of time at a high volume level
or at a level that is uncomfortable. If you experience any hearing
loss or ringing in the ears, you should consult an audiologist.
IMPORTANT: The louder the sound, the shorter the time period
before damage occurs.
15. Some Yamaha products may have benches and/or accessory
mounting fixtures that are either supplied as a part of the product
or as optional accessories. Some of these items are designed to be
dealer assembled or installed. Please make sure that benches are
stable and any optional fixtures (where applicable) are well
secured BEFORE using. Benches supplied by Yamaha are
designed for seating only. No other uses are recommended.
PLEASE KEEP THIS MANUAL
92-469-2
* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA. (class B)
(2 wires)
• This applies only to products distributed by Yamaha-Kemble Music
(U.K.) Ltd.
(polarity)
• This applies only to products distributed by Yamaha Canada Music
Ltd.
• Ceci ne s’applique qu’aux produits distribués par Yamaha Canada
Musique Ltée.
FCC INFORMATION (U.S.A.)
1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!
This product, when installed as indicated in the instruc-
tions contained in this manual, meets FCC require-
ments. Modifications not expressly approved by
Yamaha may void your authority, granted by the FCC, to
use the product.
2. IMPORTANT: When connecting this product to acces-
sories and/or another product use only high quality
shielded cables. Cable/s supplied with this product
MUST be used. Follow all installation instructions. Fail-
ure to follow instructions could void your FCC authori-
zation to use this product in the USA.
3. NOTE: This product has been tested and found to com-
ply with the requirements listed in FCC Regulations,
Part 15 for Class “B” digital devices. Compliance with
these requirements provides a reasonable level of
assurance that your use of this product in a residential
environment will not result in harmful interference with
other electronic devices. This equipment generates/
uses radio frequencies and, if not installed and used
according to the instructions found in the users manual,
may cause interference harmful to the operation of
other electronic devices. Compliance with FCC regula-
tions does not guarantee that interference will not occur
in all installations. If this product is found to be the
source of interference, which can be determined by
turning the unit “OFF” and “ON”, please try to eliminate
the problem by using one of the following measures:
Relocate either this product or the device that is being
affected by the interference.
Utilize power outlets that are on different branch (circuit
breaker or fuse) circuits or install AC line filter/s.
In the case of radio or TV interference, relocate/reorient
the antenna. If the antenna lead-in is 300 ohm ribbon
lead, change the lead-in to co-axial type cable.
If these corrective measures do not produce satisfac-
tory results, please contact the local retailer authorized
to distribute this type of product. If you can not locate
the appropriate retailer, please contact Yamaha Corpo-
ration of America, Electronic Service Division, 6600
Orangethorpe Ave, Buena Park, CA90620
The above statements apply ONLY to those products
distributed by Yamaha Corporation of America or its
subsidiaries.
IMPORTANT NOTICE FOR THE UNITED KINGDOM
Connecting the Plug and Cord
IMPORTANT. The wires in this mains lead are coloured in
accordance with the following code:
BLUE : NEUTRAL
BROWN : LIVE
As the colours of the wires in the mains lead of this appa-
ratus may not correspond with the coloured makings iden-
tifying the terminals in your plug proceed as follows:
The wire which is coloured BLUE must be connected to
the terminal which is marked with the letter N or coloured
BLACK.
The wire which is coloured BROWN must be connected to
the terminal which is marked with the letter L or coloured
RED.
Making sure that neither core is connected to the earth ter-
minal of the three pin plug.
CAUTION: TO PREVENT ELECTRIC SHOCK, MATCH
WIDE BLADE OF PLUG TO WIDE SLOT, FULLY INSERT.
ATTENTION: POUR ÉVITER LES CHOCS ÉLEC-
TRIQUES, INTRODUIRE LA LAME LA PLUS LARGE DE
LA FICHE DANS LA BORNE CORRESPONDANTE DE LA
PRISE ET POUSSER JUSQU’AU FOND.
* This applies only to products distributed by
YAMAHA CORPORATION OF AMERICA.
COMPLIANCE INFORMATION STATEMENT
(DECLARATION OF CONFORMITY PROCEDURE)
Responsible Party : Yamaha Corporation of America
Address : 6600 Orangethorpe Ave., Buena Park,
Calif. 90620
Telephone : 714-522-9011
Type of Equipment : Electronic Piano
Model Name : CLP-265GP
This device complies with Part 15 of the FCC Rules.
Operation is subject to the following conditions:
1) this device may not cause harmful interference, and
2) this device must accept any interference received including
interference that may cause undesired operation.
See user manual instructions if interference to radio reception
is suspected.
(FCC DoC)
MEMO
MEMO
For details of products, please contact your nearest Yamaha
representative or the authorized distributor listed below.
Pour plus de détails sur les produits, veuillez-vous adresser à Yamaha ou
au distributeur le plus proche de vous figurant dans la liste suivante.
Die Einzelheiten zu Produkten sind bei Ihrer unten aufgeführten
Niederlassung und bei Yamaha Vertragshändlern in den jeweiligen
Bestimmungsländern erhältlich.
Para detalles sobre productos, contacte su tienda Yamaha más cercana
o el distribuidor autorizado que se lista debajo.
CANADA
Yamaha Canada Music Ltd.
135 Milner Avenue, Scarborough, Ontario,
M1S 3R1, Canada
Tel: 416-298-1311
U.S.A.
Yamaha Corporation of America
6600 Orangethorpe Ave., Buena Park, Calif. 90620,
U.S.A.
Tel: 714-522-9011
MEXICO
Yamaha de México S.A. de C.V.
Calz. Javier Rojo Gómez #1149,
Col. Guadalupe del Moral
C.P. 09300, México, D.F., México
Tel: 55-5804-0600
BRAZIL
Yamaha Musical do Brasil Ltda.
Rua Joaquim Floriano, 913 - 4' andar, Itaim Bibi,
CEP 04534-013 Sao Paulo, SP. BRAZIL
Tel: 011-3704-1377
ARGENTINA
Yamaha Music Latin America, S.A.
Sucursal de Argentina
Viamonte 1145 Piso2-B 1053,
Buenos Aires, Argentina
Tel: 1-4371-7021
PANAMA AND OTHER LATIN
AMERICAN COUNTRIES/
CARIBBEAN COUNTRIES
Yamaha Music Latin America, S.A.
Torre Banco General, Piso 7, Urbanización Marbella,
Calle 47 y Aquilino de la Guardia,
Ciudad de Panamá, Panamá
Tel: +507-269-5311
THE UNITED KINGDOM
Yamaha-Kemble Music (U.K.) Ltd.
Sherbourne Drive, Tilbrook, Milton Keynes,
MK7 8BL, England
Tel: 01908-366700
IRELAND
Danfay Ltd.
61D, Sallynoggin Road, Dun Laoghaire, Co. Dublin
Tel: 01-2859177
GERMANY
Yamaha Music Central Europe GmbH
Siemensstraße 22-34, 25462 Rellingen, Germany
Tel: 04101-3030
SWITZERLAND/LIECHTENSTEIN
Yamaha Music Central Europe GmbH,
Branch Switzerland
Seefeldstrasse 94, 8008 Zürich, Switzerland
Tel: 01-383 3990
AUSTRIA
Yamaha Music Central Europe GmbH,
Branch Austria
Schleiergasse 20, A-1100 Wien, Austria
Tel: 01-60203900
CZECH REPUBLIC/SLOVAKIA/
HUNGARY/SLOVENIA
Yamaha Music Central Europe GmbH,
Branch Austria, CEE Department
Schleiergasse 20, A-1100 Wien, Austria
Tel: 01-602039025
POLAND
Yamaha Music Central Europe GmbH
Sp.z. o.o. Oddzial w Polsce
ul. 17 Stycznia 56, PL-02-146 Warszawa, Poland
Tel: 022-868-07-57
THE NETHERLANDS/
BELGIUM/LUXEMBOURG
Yamaha Music Central Europe GmbH,
Branch Benelux
Clarissenhof 5-b, 4133 AB Vianen, The Netherlands
Tel: 0347-358 040
FRANCE
Yamaha Musique France
BP 70-77312 Marne-la-Vallée Cedex 2, France
Tel: 01-64-61-4000
ITALY
Yamaha Musica Italia S.P.A.
Viale Italia 88, 20020 Lainate (Milano), Italy
Tel: 02-935-771
SPAIN/PORTUGAL
Yamaha-Hazen Música, S.A.
Ctra. de la Coruna km. 17, 200, 28230
Las Rozas (Madrid), Spain
Tel: 91-639-8888
GREECE
Philippos Nakas S.A. The Music House
147 Skiathou Street, 112-55 Athens, Greece
Tel: 01-228 2160
SWEDEN
Yamaha Scandinavia AB
J. A. Wettergrens Gata 1
Box 30053
S-400 43 Göteborg, Sweden
Tel: 031 89 34 00
DENMARK
YS Copenhagen Liaison Office
Generatorvej 6A
DK-2730 Herlev, Denmark
Tel: 44 92 49 00
FINLAND
F-Musiikki Oy
Kluuvikatu 6, P.O. Box 260,
SF-00101 Helsinki, Finland
Tel: 09 618511
NORWAY
Norsk filial av Yamaha Scandinavia AB
Grini Næringspark 1
N-1345 Østerås, Norway
Tel: 67 16 77 70
ICELAND
Skifan HF
Skeifan 17 P.O. Box 8120
IS-128 Reykjavik, Iceland
Tel: 525 5000
OTHER EUROPEAN COUNTRIES
Yamaha Music Central Europe GmbH
Siemensstraße 22-34, 25462 Rellingen, Germany
Tel: +49-4101-3030
Yamaha Corporation,
Asia-Pacific Music Marketing Group
Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650
Tel: +81-53-460-2312
TURKEY/CYPRUS
Yamaha Music Central Europe GmbH
Siemensstraße 22-34, 25462 Rellingen, Germany
Tel: 04101-3030
OTHER COUNTRIES
Yamaha Music Gulf FZE
LB21-128 Jebel Ali Freezone
P.O.Box 17328, Dubai, U.A.E.
Tel: +971-4-881-5868
THE PEOPLE’S REPUBLIC OF CHINA
Yamaha Music & Electronics (China) Co.,Ltd.
25/F., United Plaza, 1468 Nanjing Road (West),
Jingan, Shanghai, China
Tel: 021-6247-2211
HONG KONG
Tom Lee Music Co., Ltd.
11/F., Silvercord Tower 1, 30 Canton Road,
Tsimshatsui, Kowloon, Hong Kong
Tel: 2737-7688
INDONESIA
PT. Yamaha Music Indonesia (Distributor)
PT. Nusantik
Gedung Yamaha Music Center, Jalan Jend. Gatot
Subroto Kav. 4, Jakarta 12930, Indonesia
Tel: 21-520-2577
KOREA
Yamaha Music Korea Ltd.
Tong-Yang Securities Bldg. 16F 23-8 Yoido-dong,
Youngdungpo-ku, Seoul, Korea
Tel: 02-3770-0660
MALAYSIA
Yamaha Music Malaysia, Sdn., Bhd.
Lot 8, Jalan Perbandaran, 47301 Kelana Jaya,
Petaling Jaya, Selangor, Malaysia
Tel: 3-78030900
PHILIPPINES
Yupangco Music Corporation
339 Gil J. Puyat Avenue, P.O. Box 885 MCPO,
Makati, Metro Manila, Philippines
Tel: 819-7551
SINGAPORE
Yamaha Music Asia Pte., Ltd.
#03-11 A-Z Building
140 Paya Lebor Road, Singapore 409015
Tel: 747-4374
TAIWAN
Yamaha KHS Music Co., Ltd.
3F, #6, Sec.2, Nan Jing E. Rd. Taipei.
Taiwan 104, R.O.C.
Tel: 02-2511-8688
THAILAND
Siam Music Yamaha Co., Ltd.
891/1 Siam Motors Building, 15-16 floor
Rama 1 road, Wangmai, Pathumwan
Bangkok 10330, Thailand
Tel: 02-215-2626
OTHER ASIAN COUNTRIES
Yamaha Corporation,
Asia-Pacific Music Marketing Group
Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650
Tel: +81-53-460-2317
AUSTRALIA
Yamaha Music Australia Pty. Ltd.
Level 1, 99 Queensbridge Street, Southbank,
Victoria 3006, Australia
Tel: 3-9693-5111
NEW ZEALAND
Music Houses of N.Z. Ltd.
146/148 Captain Springs Road, Te Papapa,
Auckland, New Zealand
Tel: 9-634-0099
COUNTRIES AND TRUST
TERRITORIES IN PACIFIC OCEAN
Yamaha Corporation,
Asia-Pacific Music Marketing Group
Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650
Tel: +81-53-460-2312
NORTH AMERICA
CENTRAL & SOUTH AMERICA
EUROPE
AFRICA
MIDDLE EAST
ASIA
OCEANIA
HEAD OFFICE Yamaha Corporation, Pro Audio & Digital Musical Instrument Division
Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650
Tel: +81-53-460-3273
[CL] 38
U.R.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation
© 2006 Yamaha Corporation
WH31790 606MW???.?-01B0 Printed in Indonesia
Clavinova Web site
http://music.yamaha.com/homekeyboard
Yamaha Manual Library
http://www.yamaha.co.jp/manual/
… 64 …

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