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VoiceOne
Voice Pitch and Modeling Tool
UUSSEERRSS MMAANNUUAALL
a
IMPORTANT SAFETY INSTRUCTIONS
1 Read these instructions.
2 Keep these instructions.
3 Heed all warnings.
4 Follow all instructions.
5 Do not use this apparatus near water.
6 Clean only with dry cloth.
7 Do not block any ventilation openings.
Install in accordance with the
manufacturer's instructions.
8 Do not install near any heat sources such
as radiators, heat registers, stoves, or other
apparatus (including amplifiers) that
produce heat.
9 Do not defeat the safety purpose of the
polarized or grounding-type plug. A
polarized plug has two blades with one
wider than the other. A grounding type plug
has two blades and a third grounding
prong. The wide blade or the third prong
are provided for your safety. If the provided
plug does not fit into your outlet, consult an
electrician for replacement of the obsolete
outlet.
10 Protect the power cord from being walked
on or pinched particularly at plugs,
convenience receptacles, and the point
where they exit from the apparatus.
11 Only use attachments/accessories
specified by the manufacturer.
12 Unplug this apparatus during lightning
storms or when unused for long periods of
time.
13 Refer all servicing to qualified service
personnel. Servicing is required when the
apparatus has been damaged in any way,
such as power-supply cord or plug is
damaged, liquid has been spilled or objects
have fallen into the apparatus, the
apparatus has been exposed to rain or
moisture, does not operate normally, or has
been dropped.
This equipment should be installed near the
socket outlet and disconnection of the
device should be easily accessible.
Do not install in a confined space.
Do not open the unit - risk of electric shock
inside.
Caution:
You are cautioned that any change or
modifications not expressly approved in this
manual could void your authority to operate this
equipment.
Service
There are no user-serviceable parts inside.
All service must be performed by qualified
personnel.
Warning!
To reduce the risk of fire or electric shock,
do not expose this apparatus to rain or
moisture.
This apparatus must be earthed.
Use a three wire grounding type line cord
like the one supplied with the product.
Be advised that different operating voltages
require the use of different types of line
cord and attachment plugs.
Check the voltage in your area and use the
correct type. See table below:
Voltage Line plug according to standard
110-125V UL817 and CSA C22.2 no 42.
220-230V CEE 7 page VII, SR section
107-2-D1/IEC 83 page C4.
240V BS 1363 of 1984.
Specification for 13A fused
plugs and switched and
unswitched socket outlets.
The lightning flash with an arrowhead
symbol within an equilateral triangle, is
intended to alert the user to the
presence of uninsulated "dangerous voltage"
within the product's enclosure that may be of
sufficient magnitude to constitute a risk of
electric shock to persons.
The exclamation point within an
equilateral triangle is intended to alert
the user to the presence of important
operating and maintenance (servicing)
instructions in the literature accompanying the
product.
b
IMPORTANT SAFETY INSTRUCTIONS
Certificate Of Conformity
TC Electronic A/S, Sindalsvej 34, 8240
Risskov, Denmark, hereby declares on own
responsibility that following products:
VoiceOne
- Voice Pitch and Modeling Tool
- that is covered by this certificate and
marked with CE-label conforms with
following standards:
EN 60065 Safety requirements for mains
(IEC 60065) operated electronic and
related apparatus for household
and similar general use
EN 55103-1 Product family standard for
audio,video, audio-visual and
entertainment lighting control
apparatus for professional
use. Part 1: Emission.
EN 55103-2 Product family standard for
audio, video, audio-visual and
entertainment lighting control
apparatus for professional
use. Part 2: Immunity.
With reference to regulations in following
directives:
73/23/EEC, 89/336/EEC
Issued in Risskov, April 2002
Anders Fauerskov
Chief Executive Officer
EMC / EMI.
This equipment has been tested and found to
comply with the limits for a Class B Digital
device, pursuant to part 15 of the FCC rules.
These limits are designed to provide
reasonable protection against harmful
interference in residential installations. This
equipment generates, uses and can radiate
radio frequency energy and, if not installed and
used in accordance with the instructions, may
cause harmful interference to radio
communications. However, there is no
guarantee that interference will not occur in a
particular installation. If this equipment does
cause harmful interference to radio or television
reception, which can be determined by turning
the equipment off and on. The user is
encouraged to try to correct the interference by
one or more of the following measures:
Reorient or relocate the receiving antenna.
Increase the separation between the
equipment and receiver.
Connect the equipment into an outlet on a
circuit different from that to which the
receiver is connected.
Consult the dealer or an experienced
radio/TV technician for help.
For the customers in Canada:
This Class B digital apparatus complies with
Canadian ICES-003.
Cet appareil numérique de la classe B est
conforme à la norme NMB-003 du Canada.
3
TABLE OF CONTENTS
INTRODUCTION
Table of Contents . . . . . . . . . . . . . . . .3
Text Conventions . . . . . . . . . . . . . . . .3
Quick Start Guide . . . . . . . . . . . . . . . .4
Introduction . . . . . . . . . . . . . . . . . . . . .9
BASIC OPERATION
Front Panel . . . . . . . . . . . . . . . . . . . .10
Rear Panel . . . . . . . . . . . . . . . . . . . .12
Setups . . . . . . . . . . . . . . . . . . . . . . .13
Signal Flow . . . . . . . . . . . . . . . . . . . .14
Preset Handling
Preset Types . . . . . . . . . . . . . . . . . . .15
Recall . . . . . . . . . . . . . . . . . . . . . . . .15
Edit . . . . . . . . . . . . . . . . . . . . . . . . . .15
Store . . . . . . . . . . . . . . . . . . . . . . . . .15
Preset Backup via MIDI . . . . . . . . . . .15
VOICE MODELING EDIT PARAMETERS
Introduction . . . . . . . . . . . . . . . . . . . .16
VM Inflection . . . . . . . . . . . . . . . . . . .16
VM Vibrato . . . . . . . . . . . . . . . . . . . .16
VM Spectral . . . . . . . . . . . . . . . . . . .16
VM Breath . . . . . . . . . . . . . . . . . . . .16
VM Growl . . . . . . . . . . . . . . . . . . . . .16
VM Resonance . . . . . . . . . . . . . . . . .16
PITCH EFFECTS EDIT PARAMETERS
Introduction . . . . . . . . . . . . . . . . . . . .19
Pitch Correction Parameters . . . . . . .19
PureShift
(TM) Mode . . . . . . . . . . . . . .19
Pitch Shift Parameters . . . . . . . . . . .19
Pitch Shift Modes . . . . . . . . . . . . . . .19
I/O SETUP
I/O Setup . . . . . . . . . . . . . . . . . . . . . .22
Inputs and Input Gain . . . . . . . . . . . .22
Digital Clock, Dither, Status Bits . . . .22
Lo-Cut . . . . . . . . . . . . . . . . . . . . . . .22
Analog Input / Output Range . . . . . . .22
Latency . . . . . . . . . . . . . . . . . . . . . . .22
Bypass Modes . . . . . . . . . . . . . . . . .22
MIDI / UTILITY
MIDI Control Parameters . . . . . . . . . .23
Voice Modeling Self Controls . . . . . .23
VM Parameter Lock . . . . . . . . . . . . . 24
Bulk Dump . . . . . . . . . . . . . . . . . . . .24
Foot switch Control . . . . . . . . . . . . . .24
Sysex ID . . . . . . . . . . . . . . . . . . . . . .24
Program Bank . . . . . . . . . . . . . . . . . .24
Tuning Reference . . . . . . . . . . . . . . .24
Viewing Angle . . . . . . . . . . . . . . . . . .24
MIDI IMPLEMENTATION
Pitch Correction. . . . . . . . . . . . . . . . . 25
Pitch Shifting . . . . . . . . . . . . . . . . . . .26
Voice Modeling . . . . . . . . . . . . . . . . .27
Other Parameters . . . . . . . . . . . . . . .28
Non-Registered Parameter Numbers .29
ADDITIONAL INFORMATION
Technical Specifications . . . . . . . . . .30
Preset/Style/Applications Guide:
Preset List . . . . . . . . . . . . . . . . . . . .31
Voice Modeling Styles . . . . . . . . . . . .34
Pitch Correction Scale Definitions . . .39
Voice One Tips . . . . . . . . . . . . . . . . .40
TEXT CONVENTIONS
Names of front panel controls, display items
and keys are displayed in BOLD CAPITALS.
In function descriptions, front panel items
appear in PLAIN CAPITALS. Names of second
level edit parameters are in Bold Mixed Case
lettering. In function descriptions, they appear
in Plain Mixed Case. Abreviations of menu
items are in BOLD CAPITALS, and their
descriptions in Bold Mixed case. Alphabetical
listings of parameter values will be in plain
Italic. Special notes appear in Italic, plain or
Bold.
Rev 3.0 – SW – V 1.02English Version
Prod. No: E60501201
4
QUICK START BEFORE YOU BEGIN
Thank you for purchasing the TC-Helicon VoiceOne Vocal Pitch and Modeling Tool.We know
you want to get started right away. By reading this Quick Start guide you will be up and run-
ning in a matter of minutes. Please use this to get into the main functions of VoiceOne, but
do refer to the main manual for more detailed features and descriptions.
The TC-Helicon Team
www.tc-helicon.com
BEFORE YOU BEGIN
1) Check the contents of your VoiceOne carton. You should have received:
VoiceOne unit
Power cable appropriate to the power receptacles for you region
VoiceOne User Manual
This VoiceOne Quickstart Manual
VoiceOne Preset, Style and Application Pamphlet
TC-Electronic Catalog
Warranty Card
2) Observe basic safety precautions:
Operate from a regulated power receptacle.
Do not open the unit! There are no user serviceable parts inside.
Turn amplifiers and speakers down or off when patching in this equipment.
WHAT DOES VOICEONE DO?
VoiceOne is a special product for the human voice.
With this tool you now have the power to do:
Voice Modeling
(TM) Effects
- Inflection including FlexTime(TM)
- Vibrato
- Resonance (Warp)
- Growl
- Breath
- Spectral (Voice Optimized Equalizer)
Pitch Shifting and Correction to +/- 2 octaves, by reference to
scales, note mapping, fine tuned cent unit shifts, MIDI notes and
Pitch Bend
PureShift(TM) Full DSP Mode for Pitch Effects.
Foot switch control of select parameters.
Extensive MIDI control of effect parameters.
Let’s get started!
5
QUICK START SETUP - AUDIO AND MIDI
SETTING UP VOICEONE
Note: Do not turn the unit on until you make all of your setup connections.
1) Connect the power cable to the back of VoiceOne and plug it in to the power receptacle.
2) Connect your audio source - a) Connect the output from your mixer, preamp or other balanced
equipment to VoiceOne, using XLR analog cable to Channel 1, or b) an S/PDIF digital cable to
the DI jack. See the I/O SETUP section for Digital I/O information. VoiceOne defaults to analog
settings.
3) Connect your Audio Output - a) Connect the Balanced Analog Output from Channel 1 to your
mixer, recorder or monitor system using balanced XLR cable. b) You may also connect the
S/PDIF Out ‘DO’ to your S/PDIF digital equipment.
4) Connect your MIDI devices - a) Connect the MIDI Out from your controller or sequencer to the
MIDI In in VoiceOne. b) Connect the MIDI Thru to your other MIDI devices if you choose.
c) Connect the MIDI Out to your MIDI recorder or sound module.
5) Footswitch - You may connect a footswitch to control the bypass features. See the I/O SETUP
section for details.
6) Set the Input and Output Knobs to full counter-clockwise as a precaution for power-up.
7) Power up VoiceOne using the POWER key.
Rear Panel Diagram
2a 3a 2b 3b 4a 4b 4c 5
7 6 6
You’re now connected and powered up! You can now set the input gain of your signal to a
strong level without clipping (The leftmost meter labelled IN will light up red if there is an
overload). Use the Input knob to adjust this.
Now let’s take a look at the front panel controls...
FRONT PANEL NAVIGATION
6
Now that you know how the buttons are set up, you can experiment with browsing the pre-
sets. Use the DATA wheel to do this. Press the Voice Modeling and Pitch keys to toggle the
effects on and off. Turn the wheel to preset 99. This is the preset we will use to explore the
individual effects.
Let’s look at the effects and what they do...
FRONT PANEL NAVIGATION
PITCH and VOICE MODELING KEYS
A single click will activate/deacti-
vate the effect. Double clicking on
the key will enter the edit menu of
the effect algorithm. A lit key LED
indicates that the effect block is
active.
FUNCTION KEYS: I/O and MIDI/UTIL
A single click will enter the parame-
ters for editing.
RECALL KEY
Use the DATA wheel to scroll
through the presets, then press
RECALL to load the preset.
STORE
Press STORE once to save a preset.
Select a location using the DATA
wheel. Press ENTER to confirm this
operation. To edit the name, use the
ARROW keys to scroll through the
letter positions, and the DATA wheel
to select a character. Press ENTER
or STORE to finish.
DATA WHEEL
ARROW KEYS
ENTER KEY
BYPASS KEY
Bypasses all
functions, allow-
ing the original
input audio to
pass.
QUICK START FRONT PANEL CONTROLS
7
QUICK START VOICEMODELING EDIT PARAMETERS
VOICE MODELING (VM) STYLES AND
AMOUNTS
Here’s a good way to get started hearing all of
the Voice Modeling effects with your vocal.
Go to factory preset 99 - we’ll use this preset
to do our experiments.
Press the VM effect key so that it lights - the
effect is now active. Choose between
Inflection, Vibrato, Spectra, Breath, Growl
and Resonance.
Double click that same key to enter the edit
parameters.
Set the Amount to 50% - a midrange value.
Use the ARROW DOWN key to scroll to the
next parameter - the styles. Styles are like
miniature factory presets for the VM
categories. Refer to the Preset, Style and
Application guide for descriptions on the
effects applications, and the style functions.
INFLECTION EFFECTS
The inflection effect can alter the inflection of
your vocals in different ways. You can add
various types of "scooping" effects to the
onsets of a lead vocal for instance, but
inflection is also the place where you can find
the humanization tools that will help you give a
harmony line its own identity or create
extremely natural doubling effect. Inflection
provides tools such as portamento, pitch and
timing randomization (using our FlexTime
(TM)
algorithm) as well as up/down scoop models.
VIBRATO EFFECTS
Vibrato is a pitch and amplitude effect that
singers often use in their delivery of a piece of
music. It is a combination of various
characteristics of the voice being repeatedly
altered in a oscillating fashion. Every singer's
vibrato is unique. The Vibrato Styles are based
on real vocalists’ vibratos. We have analyzed a
large set of parameters from a voice database
and created various vibrato models. The
Vibrato setting names reflect the style of the
vocals from which they were extracted.
Experimentation is the key to finding a style
setting that best suits your application. You
might begin incorporating Vibrato into your
sound by setting the VIB Amt control to 50%.
This setting matches the depth level that we
analyzed in our modeling subjects. You can
then vary the effect from this middle range up
or down to suit your taste.
SPECTRAL EFFECTS
The Spectral styles reflect the natural
equalization equivalent to the native control a
singer has over his or her own voice, and apply
this equalization to the VM voice. These styles
may be used in conjunction with the
resonances, or purely as additional tonal control
over the VM voice.
BREATH EFFECTS
The Breath styles add breathiness to the vocal.
This varies from a whisper, all the way to a
rough, raspy sound, such as is found in hard
rock and ‘alternative’ rock music.
Some styles are sensitive to the dynamics of
the incoming vocal, meaning that they can be
‘played’ by varying the level of what is sung into
Voice One. This is also known as ‘self-control’.
GROWL EFFECTS
Growl in VoiceModeling mimics friction activity
between the larynx and epiglottis regions of the
vocal tract. This is a ‘character’ phenomenon
used in high energy rock, blues or old soul
music for example.
The Growl effect also models the changes in
the vocal tract shape that growling requires,
altering the vocal resonance characteristics.
Some styles are sensitive to the dynamics of
the incoming vocal, meaning that the effect can
be controlled by the volume of what is sung into
Voice One. This is also known as ‘self-control’.
RESONANCE EFFECTS
Resonance styles allow you to take the
harmonic content that forms the identity of the
incoming voice and change the content’s
positioning to yield a new character to the
sound. Some styles change the voice to a
heavier, darker chest resonance, while others
lighten the sound to more of a head and throat
resonance. Some styles also change the voice
in a more complex way that depends on the
input voice.
QUICK START PITCH EFFECTS EDIT PARAMETERS
PITCH CORRECTION
Again, we will use Factory preset #99 for our
experiments. Turn all of the VM effects off for
now by pressing their keys on the front panel.
Press the CORRECT key in preset #99 to turn
on the effect. We have set this up to correct to
a chromatic scale, with a default root of C.
Double Click the CORRECT key and use the
ARROW keys to find the COR Window or
correction window. Sing or play a vocal into
VoiceOne, and adjust this window with the
DATA wheel. You should also work with the
COR Attack and COR Amount parameters to
change the strictness and amount of correction.
Refer to the main PITCH CORRECTION and
PITCH CORRECTION SCALE DEFINITIONS
sections to investigate the other correction
scales, entering a custom scale, and correction
via MIDI control.
PITCH SHIFTING
Shift Amount/Mode
To understand how the shift amount is applied
in the various modes, it is a good idea to be
familiar with how VoiceOne shows the shift
offsets in the various modes. Please refer to
the PITCH SHIFT section for details.
In our Quickstart test preset (Factory #99) the
setting for SHI Mode is Chromatic. You can
then apply a static shift to the vocal by
changing the SHI Amount. This value is in
cents. 100 cents = one semitone. Experiment
with upshifts and downshifts. When finished,
press the SHIFT key to return to the top level
screen. Press the CORRECT button to disable
the Pitch Correction.
Now, let’s do an intelligent shift. We’re going to
use a major scale as our basis.
Remember, to hear the effect, the SHIFT key
must be pressed so that the LED lights.
Double-click the SHIFT key, and use the
ARROW keys to find the SHI Mode parameter.
Select Major 1 with the DATA wheel. With the
Arrow keys, scroll to the SHI Amount
parameter, and select the interval you want to
shift to. Try ‘3rd’ as an experiment. The scale is
in C major, since you haven’t changed the root
note in the Correction section. You should now
hear your input shifted to a diatonic 3rd above
C, depending on the notes you send in. If you
sing C, you should hear E.
There you have a basic hands on
demonstration on how some of the many
functions of VoiceOne are accessed. We
invite you to explore these features in depth
in the main Users Manual.
Have fun with VoiceOne!
Visit our website for technical support,
literature, information, presets, FAQs,
promotions and many other items related to
TC-Helicon Vocal Products.
www.tc-helicon.com
Thank You
The TC-Helicon Team
8
16
VOICEMODELING EDIT PARAMETERS
EDITING VOICE MODELING PARAMETERS
GENERAL INFORMATION
A single click will activate/deactivate the effect.
Double clicking on the key will enter the Edit
menu of the VM effect algorithm. Lit key LED
indicates active effect block. As all human
voices are unique in their character, every input
voice will be affected differently by VoiceOne.
The Style parameter in each category is a
collection of different Voice Modeling
algorithms. Each one has its own unique
application. You choose a style to work with,
and use the other parameters in the category to
manipulate the style further. Simple
descriptions are provided in the Preset/
/Style/Applications Guide further on in this
manual.
INFLECTION PARAMETERS
The inflection effect can alter the inflection of
your vocals in different ways. You can add
various types of "scooping" effects to the
onsets of a lead vocal for instance, but
inflection is also the place where you can find
the humanization tools that will help you give a
harmony line its own identity or create
extremely natural doubling effect. Inflection
provides tools such as portamento, pitch and
timing randomization (using our FlexTime
(TM)
algorithm) as well as up/down scoop models.
INF Amount
The depth of the inflection applied to the signal.
INF Style
A list of base Inflection types, each with unique
characteristics.
INF Retrig.
Selects how often the ‘scoop’ effect is applied.
Voice One listens for a silenced or unvoiced
duration that you specify. Based on the setting,
the inflection will be placed at the start of the
next note. This parameter has no effect if the
current style does not feature a scooping effect.
INF Length
Sets the rate of ‘scoop’ or ‘portamento’ toward
the original sung pitch. This parameter has no
effect if the current style does not feature a
scooping or a portamento effect.
INF PitRnd
Applies small variations or pitch randomization
to the pitch contour. At a value of 100% the
maximum randomization will be +/- 50 cents.
This parameter is used to give human-like
enhancements to the pitch, just like we hear in
real vocals. This is useful for creating natural
sounding doubling/harmony voices and MIDI
pitch-shifted melodies. You can try it on heavily
pitch-corrected vocals as well.
INF TimRnd / INF TimeDly
These two parameters control our proprietary
FlexTime
(TM) algorithm. FlexTime
(TM) allows you
to alter the timing of your vocal track by slowing
down or ‘catching up’ the rate at will (without
altering the pitch). TimRnd is a time
randomization parameter. It is very useful for
harmony and doubling since it decorrelates the
timing of the two voices and makes them sound
like two independent voices. TimRnd is scaled
by the Inflection amount. It is also expressed as
a percentage of the TimDly. For instance, if the
TimDly is set to 100ms, TimRnd is at 50% and
INF Amt is at 50%, the actual delay will be
randomized between 75 and 100ms. TimeDly
controls the delay of the processed voice
dynamically. It is not scaled by the Inflection
amount. You can manually control this
parameter by controlling it in real time via MIDI
(CC#45). Increasing the delay will slow down
the track (the faster you increase the delay, the
more it slows down) and decreasing it will make
the processed vocals speed up (and catch up
with the dry signal when the delay is back to 0).
TimBuf - Inflection Time Buffer - This
parameter can 'slip' your vocal track. When the
dry track is delayed, the buffer can run the
effected audio 'ahead' as well as 'behind' for the
ultimate doubler - not just a delay but a time
randomizer, using the dry signal as a pivot. An
increased TimBuf setting gives more range to
the TimRnd (Time Randomization) setting, but
decreases the range of the TimDly (Time
Delay).
Note: If you choose to use the TimBuf
parameter in a MIDI sequence, it is a good idea
to send the CC for the buffer first. Changing this
buffer during performance will introduce audio
clicks. Don't worry, because you can always
change the randomization amount and time
delay in real-time using the TimDly and TimRnd
parameters instead.
17
VOICEMODELING EDIT PARAMETERS
VIBRATO PARAMETERS
Vibrato is a pitch and amplitude effect that
singers often use in their delivery of a piece of
music. It is a combination of various
characteristics of the voice being repeatedly
altered in a oscillating fashion. Every singer's
vibrato is unique. The Vibrato Styles are based
on real vocalist's vibratos. We have analyzed a
large set of parameters from a voice database
and created various vibrato models. The
Vibrato setting names reflect the style of the
vocals from which they were extracted.
Experimentation is the key to finding a style
setting that best suits your application. You
might begin incorporating Vibrato into your
sound by setting the VIB Amt control to 50%.
This setting matches the depth level that we
analyzed in our modeling subjects. You can
then vary the effect from this middle range up
or down to suit your taste.
VIB Amount
The depth of vibrato applied to the signal.
VIB Style
A list of base Vibrato types, each with unique
characteristics.
VIB OnsTim - Vibrato Onset Time
Sets the delay before the onset of the Vibrato
effect.
VIB OnsRnd - Vibrato Onset Randomization
A parameter that randomizes the delay
parameter of the vibrato. The randomized
values fall between the VIB OnsTim setting and
the percentage of this set in VIB OndRnd. For
instance, if your Delay is set to 2000ms and
your Randomization is set to 50%, your
randomization of the delay will fall between
2000 and 1000ms. This contributes to a more
human-like feel, as vibrato entrances are not
always at an equal value.
VIB PerTim - Vibrato Period Time
Sets the period or speed of the vibrato.
VIB PerRnd - Vibrato Period Random
A randomization on top of the existing vibrato
period.
SPECTRAL PARAMETERS
The Spectral styles reflect the natural
equalization equivalent to the native control a
singer has over his or her own voice, and apply
this equalization to the VM voice. These styles
may be used in conjunction with the
resonances, or purely as additional tonal
control over the VM voice.
SPE Amount
The amount of Spectral EQ applied to the
signal.
SPE Style
A list of base Spectral EQ types, each with
unique characteristics.
18

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U ontvangt een email met instructies om u voor één of beide opties in te schrijven.


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Vul uw emailadres in en ontvang de handleiding van TC Helicon VoiceOne in de taal/talen: Engels als bijlage per email.

De handleiding is 0,63 mb groot.

 

U ontvangt de handleiding per email binnen enkele minuten. Als u geen email heeft ontvangen, dan heeft u waarschijnlijk een verkeerd emailadres ingevuld of is uw mailbox te vol. Daarnaast kan het zijn dat uw internetprovider een maximum heeft aan de grootte per email. Omdat hier een handleiding wordt meegestuurd, kan het voorkomen dat de email groter is dan toegestaan bij uw provider.

Stel vragen via chat aan uw handleiding

Stel uw vraag over deze PDF

Andere handleiding(en) van TC Helicon VoiceOne

TC Helicon VoiceOne Gebruiksaanwijzing - Deutsch - 43 pagina's


Uw handleiding is per email verstuurd. Controleer uw email

Als u niet binnen een kwartier uw email met handleiding ontvangen heeft, kan het zijn dat u een verkeerd emailadres heeft ingevuld of dat uw emailprovider een maximum grootte per email heeft ingesteld die kleiner is dan de grootte van de handleiding.

Er is een email naar u verstuurd om uw inschrijving definitief te maken.

Controleer uw email en volg de aanwijzingen op om uw inschrijving definitief te maken

U heeft geen emailadres opgegeven

Als u de handleiding per email wilt ontvangen, vul dan een geldig emailadres in.

Uw vraag is op deze pagina toegevoegd

Wilt u een email ontvangen bij een antwoord en/of nieuwe vragen? Vul dan hier uw emailadres in.



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