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DSLR-A100 2-681-187-12 (1)

2-681-187-12 (1)

Before your

operation

Using the shooting

functions

Using the viewing

functions

Using the menu

Using your computer

Printing images

Troubleshooting

Others

Index

100

DSLR-A100

Digital Single Lens Reﬂex Camera

User’s Guide/

Troubleshooting

Printed in Malaysia

Printed on 100% recycled paper using VOC

(Volatile Organic Compound)-free vegetableoil based ink.

Additional information on this product and

answers to frequently asked questions can be

found at our Customer Support Website.

“Read This First” (separate volume)

Explains the set-up and basic operations for shooting/

playback with your camera.

Operating Instructions

Before operating the unit, please read this manual and “Read This First”

(separate volume) thoroughly, and retain it for future reference.

Owner’s Record

The model and serial numbers are located on the bottom.

Record the serial number in the space provided below.

Refer to these numbers whenever you call upon your Sony

dealer regarding this product.

Model No. DSLR-A100

Serial No. ___________________________

To reduce fire or shock hazard, do

not expose the unit to rain or

moisture.

WARNING

For Customers in the U.S.A.

This symbol is intended to

alert the user to the presence

of uninsulated “dangerous

voltage” within the product's

enclosure that may be of

sufficient magnitude to

constitute a risk of electric

shock to persons.

This symbol is intended to

alert the user to the presence

of important operating and

maintenance (servicing)

instructions in the literature

accompanying the appliance.

IMPORTANT SAFEGUARDS

For your protection, please read these safety

instructions completely before operating

the appliance, and keep this manual for

future reference.

Carefully observe all warnings, precautions

and instructions on the appliance, or the one

described in the operating instructions and

adhere to them.

Power Sources

This set should be operated only from the type of

power source indicated on the marking label. If

you are not sure of the type of electrical power

supplied to your home, consult your dealer or

local power company. For those sets designed to

operate from battery power, or other sources, refer

to the operating instructions.

Polarization

This set may be equipped with a polarized ac

power cord plug (a plug having one blade wider

than the other).

This plug will fit into the power outlet only one

way. This is a safety feature. If you are unable to

insert the plug fully into the outlet, try reversing

the plug. If the plug should still fail to fit, contact

your electrician to have a suitable outlet installed.

Do not defeat the safety purpose of the polarized

plug by forcing it in.

Overloading

Do not overload wall outlets, extension cords or

convenience receptacles beyond their capacity,

since this can result in fire or electric shock.

Object and Liquid Entry

Never push objects of any kind into the set

through openings as they may touch dangerous

voltage points or short out parts that could result

in a fire or electric shock. Never spill liquid of any

kind on the set.

Attachments

Do not use attachments not recommended by the

manufacturer, as they may cause hazards.

Cleaning

Unplug the set from the wall outlet before

cleaning or polishing it. Do not use liquid cleaners

or aerosol cleaners. Use a cloth lightly dampened

with water for cleaning the exterior of the set.

Water and Moisture

Do not use power-line operated sets near water –

for example, near a bathtub, washbowl, kitchen

sink, or laundry tub, in a wet basement, or near a

swimming pool, etc.

Power-Cord Protection

Route the power cord so that it is not likely to be

walked on or pinched by items placed upon or

against them, paying particular attention to the

plugs, receptacles, and the point where the cord

exits from the appliance.

Accessories

Do not place the set on an unstable cart, stand,

tripod, bracket, or table. The set may fall, causing

serious injury to a child or an adult, and serious

damage to the set. Use only a cart, stand, tripod,

bracket, or table recommended by the

manufacturer.

Ventilation

The slots and openings in the cabinet are provided

for necessary ventilation. To ensure reliable

operation of the set, and to protect it from

overheating, these slots and openings must never

be blocked or covered.

– Never cover the slots and openings with a cloth

or other materials.

– Never block the slots and openings by placing

the set on a bed, sofa, rug, or other similar

surface.

– Never place the set in a confined space, such as

a bookcase, or built-in cabinet, unless proper

ventilation is provided.

– Do not place the set near or over a radiator or

heat register, or where it is exposed to direct

sunlight.

Use

Installation

Lightning

For added protection for this set during a lightning

storm, or when it is left unattended and unused for

long periods of time, unplug it from the wall

outlet and disconnect the antenna or cable system.

This will prevent damage to the set due to

lightning and power-line surges.

Damage Requiring Service

Unplug the set from the wall outlet and refer

servicing to qualified service personnel under the

following conditions:

– When the power cord or plug is damaged or

frayed.

– If liquid has been spilled or objects have fallen

into the set.

– If the set has been exposed to rain or water.

– If the set has been subject to excessive shock by

being dropped, or the cabinet has been

damaged.

– If the set does not operate normally when

following the operating instructions. Adjust

only those controls that are specified in the

operating instructions. Improper adjustment of

other controls may result in damage and will

often require extensive work by a qualified

technician to restore the set to normal operation.

– When the set exhibits a distinct change in

performance – this indicates a need for service.

Servicing

Do not attempt to service the set yourself as

opening or removing covers may expose you to

dangerous voltage or other hazards.

Refer all servicing to qualified service personnel.

Replacement parts

When replacement parts are required, be sure the

service technician has used replacement parts

specified by the manufacturer that have the same

characteristics as the original parts.

Unauthorized substitutions may result in fire,

electric shock, or other hazards.

Safety Check

Upon completion of any service or repairs to the

set, ask the service technician to perform routine

safety checks (as specified by the manufacturer)

to determine that the set is in safe operating

condition.

Service

Read this first

Replace the battery with the specified type

only. Otherwise, fire or injury may result.

RECYCLING LITHIUM-ION BATTERIES

Lithium-Ion batteries are

recyclable.

You can help preserve our

environment by returning your

used rechargeable batteries to

the collection and recycling

location nearest you.

For more information regarding recycling of

rechargeable batteries, call toll free

1-800-822-8837, or visit http://www.rbrc.org/

Caution: Do not handle damaged or leaking

Lithium-Ion batteries.

If you have any questions about this product, you

may call:

Sony Customer Information Services Center

1-800-222-SONY (7669)

The number below is for the FCC related matters

only.

Regulatory Information

CAUTION

You are cautioned that any changes or

modifications not expressly approved in this

manual could void your authority to operate this

equipment.

Note:

This equipment has been tested and found to

comply with the limits for a Class B digital

device, pursuant to Part 15 of the FCC Rules.

These limits are designed to provide reasonable

protection against harmful interference in a

residential installation. This equipment generates,

uses, and can radiate radio frequency energy and,

if not installed and used in accordance with the

instructions, may cause harmful interference to

radio communications. However, there is no

guarantee that interference will not occur in a

particular installation. If this equipment does

cause harmful interference to radio or television

reception, which can be determined by turning the

equipment off and on, the user is encouraged to

try to correct the interference by one or more of

the following measures:

– Reorient or relocate the receiving antenna.

– Increase the separation between the

equipment and receiver.

– Connect the equipment into an outlet on a

circuit different from that to which the

receiver is connected.

– Consult the dealer or an experienced radio/TV

technician for help.

CAUTION

For Customers in the U.S.A. and

Canada

For Customers in the U.S.A.

Declaration of Conformity

Trade Name: SONY

Model No.: DSLR-A100

Responsible Party: Sony Electronics Inc.

Address: 16530 Via Esprillo,

San Diego, CA 92127 U.S.A.

Telephone No.: 858-942-2230

This device complies with Part 15 of the FCC

Rules. Operation is subject to the following

two conditions: (1) This device may not cause

harmful interference, and (2) this device must

accept any interference received, including

interference that may cause undesired

operation.

The supplied interface cable must be used with the

equipment in order to comply with the limits for a

digital device pursuant to Subpart B of Part 15 of

FCC Rules.

For the Customers in the U.S.A. and

Canada

THIS DEVICE COMPLIES WITH PART 15 OF

THE FCC RULES. OPERATION IS SUBJECT

TO THE FOLLOWING TWO CONDITIONS:

(1) THIS DEVICE MAY NOT CAUSE

HARMFUL INTERFERENCE, AND (2) THIS

DEVICE MUST ACCEPT ANY

INTERFERENCE RECEIVED, INCLUDING

INTERFERENCE THAT MAY CAUSE

UNDESIRED OPERATION.

THIS CLASS B DIGITAL APPARATUS

COMPLIES WITH CANADIAN ICES-003.

This product has been tested and found compliant

with the limits set out in the EMC Directive for

using connection cables shorter than 3 meters (9.8

feet).

Attention

The electromagnetic fields at the specific

frequencies may influence the picture and sound

of this unit.

Notice

If static electricity or electromagnetism causes

data transfer to discontinue midway (fail), restart

the application or disconnect and connect the

communication cable (USB, etc.) again.

Disposal of Old Electrical & Electronic

Equipment (Applicable in the

European Union and other European

countries with separate collection

systems)

This symbol on the product or on its packaging

indicates that this product shall not be treated as

household waste. Instead it shall be handed over

to the applicable collection point for the recycling

of electrical and electronic equipment. By

ensuring this product is disposed of correctly, you

will help prevent potential negative consequences

for the environment and human health, which

could otherwise be caused by inappropriate waste

handling of this product. The recycling of

materials will help to conserve natural resources.

For more detailed information about recycling of

this product, please contact your local Civic

Office, your household waste disposal service or

the shop where you purchased the product.

A moulded plug complying with BS 1363 is fitted

to this equipment for your safety and convenience.

Should the fuse in the plug supplied need to be

replaced, a fuse of the same rating as the supplied

one and approved by ASTA or BSI to BS 1362,

(i.e., marked with an or mark) must be

used.

If the plug supplied with this equipment has a

detachable fuse cover, be sure to attach the fuse

cover after you change the fuse. Never use the

plug without the fuse cover. If you should lose the

fuse cover, please contact your nearest Sony

service station.

Memory Stick Duo Adaptor for

CF slot

For Customers in Europe

Notice for customers in the

United Kingdom

Notes on using your camera

Types of “Memory Stick” that can be

used (not supplied)

There are two types of “Memory Stick”.

“Memory Stick”: you cannot use a

“Memory Stick” with your camera.

“Memory Stick Duo”: Inserting a

“Memory Stick Duo” into a Memory

Stick Duo Adaptor for CF slot

(supplied).

• When using a “Memory Stick Duo” with the

write-protect switch, set the switch to the

recording position.

• For details on “Memory Stick”, see page 139.

Notes on the battery pack

• Charge the NP-FM55H (supplied) battery pack

before using the camera for the first time.

(tstep 1 in “Read This First”)

• The battery pack can be charged even if it is not

completely discharged. Also, even if the battery

pack is not fully charged, you can use the

partially charged capacity of the battery pack as

is.

• If you do not intend to use the battery pack for a

long time, use up the existing charge and

remove it from your camera, then store it in a

cool, dry place. This is to maintain the battery

pack functions (page 142).

• For details on the battery pack, see page 142.

No compensation for contents of the

recording

The contents of the recording cannot be

compensated for if recording or playback is not

possible due to a malfunction of your camera or

recording media, etc.

Back up recommendation

To avoid the potential risk of data loss, always

copy (back up) data to other medium.

Notes on recording/playback

• This camera is neither dust-proof, nor splash-

proof, nor water-proof. Read “Precautions”

(page 147) before operating the camera.

• Before you record one-time events, make a trial

recording to make sure that the camera is

working correctly.

• Be careful not to get the camera wet. Water

entering the inside of the camera may cause

malfunctions which in some cases may not be

repairable.

• Do not look at the sun or a strong light through a

removed lens or the viewfinder. This may cause

irrecoverable damage to your eyes. Or it may

cause a malfunction of your camera.

• Do not use the camera near a location that

generates strong radio waves or emits radiation.

The camera may not be able to record or play

back properly.

• Using the camera in sandy or dusty locations

may cause malfunctions.

• If moisture condensation occurs, remove it

before using the camera (page 147).

• Do not shake or strike the camera. In addition to

malfunctions and an inability to record images,

this may render the recording medium unusable,

or cause image data breakdown, damage or loss.

• Clean the flash surface before use. The heat of

flash emission may cause dirt on the flash

surface to become discolored or to stick to the

flash surface, resulting in insufficient light

emission.

• Keep the camera, supplied accessories, etc., out

of the reach of children. The battery pack, the

shoe cap, etc., may be swallowed. If such a

problem occurs, consult a doctor immediately.

Notes on the LCD monitor and lens

• The LCD monitor is manufactured using

extremely high-precision technology so over

99.99% of the pixels are operational for

effective use. However, there may be some tiny

black points and/or bright points (white, red,

blue or green in color) that constantly appear on

the LCD monitor. These points are normal in the

manufacturing process and do not affect the

images in any way.

• Do not expose the camera to direct sunlight. If

sunlight is focused on a nearby object, it may

cause a fire. When you must place the camera

under direct sunlight, attach the lens cap.

• Images may trail across on the LCD monitor in

a cold location. This is not a malfunction. When

turning on the camera in a cold location, the

LCD monitor may become temporarily dark.

When the camera warms up, the monitor will

function normally.

• Do not press against the LCD monitor. The

monitor may be discolored and that may cause a

malfunction.

On focal length

The picture angle of this camera is narrower than

that of a 35 mm-format film camera. You can find

the approximate equivalent of the focal length of a

35 mm-format film camera, and shoot with the

same picture angle, by increasing the focal length

of your lens by half.

For example, by using a 50 mm lens, you can get

the approximate equivalent of a 75 mm lens of a

35 mm-format film camera.

On image data compatibility

• This camera conforms with DCF (Design rule

for Camera File system) universal standard

established by JEITA (Japan Electronics and

Information Technology Industries

Association).

• Playback of images recorded with your camera

on other equipment and playback of images

recorded or edited with other equipment on your

camera are not guaranteed.

Warning on copyright

Television programs, films, videotapes, and other

materials may be copyrighted. Unauthorized

recording of such materials may be contrary to the

provisions of the copyright laws.

The pictures used in this manual

The photographs used as examples of pictures in

this manual are reproduced images, and are not

actual images shot using this camera.

Black, white, red, blue

and green points

Table of contents

Notes on using your camera .....................................................................7

Basic techniques for better images .........................................................13

Focus – Focusing on a subject successfully................................................... 13

Exposure – Adjusting the light intensity .......................................................... 16

Color – On the effects of lighting..................................................................... 17

Quality – On “image quality” and “image size” ............................................... 17

Identifying parts.......................................................................................19

Indicators on the monitor.........................................................................22

Switching the recording information display ............................................26

Number of images ...................................................................................27

The number of images that can be recorded when using the battery pack

................................................................................................................29

Operation workflow..................................................................................30

Using the mode dial.................................................................................31

Scene Selection............................................................................................... 32

Shooting with Program auto ............................................................................ 33

Shooting with aperture priority mode .............................................................. 34

Shooting with shutter speed priority mode...................................................... 36

Shooting with manual exposure mode ............................................................ 37

Using the function dial .............................................................................42

How to use the function dial............................................................................ 43

Setting ISO/Zone Matching ............................................................................. 44

Adjusting the white balance............................................................................ 46

D-Range Optimizer.......................................................................................... 49

Selecting the color/DEC mode ........................................................................ 49

Focus mode..................................................................................................... 51

Flash................................................................................................................ 54

Metering mode ................................................................................................ 58

Using the (Drive) button ...............................................................60

How to use the (Drive) button............................................................. 60

Shooting continuously ..................................................................................... 61

Using the self-timer ......................................................................................... 62

Shooting three images with the exposure shifted – Exposure Bracket........... 62

White balance bracket shooting...................................................................... 64

Before your operation

Using the shooting functions

Adjusting the exposure ...................................................................... 65

Locking the exposure (AE lock) ......................................................... 67

Slow Sync (Shooting the dark background with flash)....................... 69

Depth-of-field preview ............................................................................. 70

Focusing manually .................................................................................. 71

Switching the playback screen................................................................ 72

Displaying the histogram......................................................................... 74

Rotating an image................................................................................... 76

Enlarging images .................................................................................... 77

Viewing images on a TV screen ............................................................. 78

Using menu items ................................................................................... 80

Menu list.................................................................................................. 82

Recording menu 1 ............................................................................. 83

Image size

Quality

Inst.Playback

Noise reductn

Eye-Start AF

Recording menu 2 ............................................................................. 86

Red eye

Flash control

Flash default

Bracket order

Reset

Playback menu 1 ............................................................................... 88

Delete

Format

Protect

Index format

Playback menu 2 ............................................................................... 91

Slide show

DPOF set

Using the viewing functions

Using the menu

Custom menu 1..................................................................................93

Priority setup

FocusHoldButt.

AEL button

Ctrl dial set

Exp. comp. set

AF illuminator

Custom menu 2..................................................................................96

Shutter lock

AF area setup

Monitor Disp.

Rec. display

Play. display

Setup menu 1 .....................................................................................98

LCDbrightness

Transfer mode

Video output

Audio signals

Language

Date/Time set

Setup menu 2 ...................................................................................100

File # memory

Folder name

Select folder

Setup menu 3 ...................................................................................102

LCD backlight

Power save

MenuSec.Memory

Delete conf.

Clean CCD

Reset default

Enjoying your Windows computer .........................................................105

Copying images to your computer.........................................................107

Viewing image files stored on a computer with your camera ................113

Installing the software (supplied)...........................................................114

Using the software (supplied)................................................................115

Using your Macintosh computer............................................................120

Using your computer

How to print images .............................................................................. 122

Printing images directly using a PictBridge compliant printer ............... 123

Troubleshooting..................................................................................... 127

Warning messages ............................................................................... 137

On the “Memory Stick”.......................................................................... 139

On the CF card/Microdrive.................................................................... 141

On the battery pack .............................................................................. 142

On the battery charger.......................................................................... 143

Optional accessories ............................................................................ 144

Precautions........................................................................................... 147

Specifications........................................................................................ 149

Reset default......................................................................................... 151

Printing images

Troubleshooting

Others

Index 155

Basic techniques for better images

When you look into the viewfinder, or you press the shutter button halfway down, the camera

adjusts the focus automatically (Auto Focus). Make it a habit to press the shutter button only

halfway down to confirm that the subject is visually in focus.

If the image looks blurred even after focusing, it may be because of camera shake. t See

“Hints for preventing blur” (as follows).

Focus Focusing on a subject successfully

Press the shutter

button fully down

straight away.

Press the shutter

button halfway

down.

AE/AF lock

, z

Then press the

shutter button

fully down.

Focus Exposure Color Quality

This section describes the basics so you can

enjoy your camera. It tells you how to use

various camera functions such as the mode

dial (page 31), the function dial (page 42), the

menus (page 80), and so on.

When the subject is outside the focus frame (Focus-lock)

Normally, in auto focus mode, place the subject within the focus

frame and take the picture. If the subject is off-center and

outside the focus frame, the background within the focus frame

will be in focus and the subject will be out of focus. To prevent

this, use the focus-lock function by following the steps below.

• The focus-lock function is also effective when shooting subjects with which autofocus is less effective

(page 15).

1Place the subject within the focus frame and press the shutter button halfway down.

• The z indicator lights up in the viewfinder. A local focus frame is illuminated briefly to indicate the

point of focus.

Hints for preventing blur

Hold the camera steady, keeping your arms at your side and support the lens with the

palm of your left hand. Step out with one foot to stabilize your upper body, leaning

against a wall or putting your elbow on a table will also provide support. Using a tripod,

or using the Super SteadyShot function is also recommended.

In a dark location, using the flash allows you to take a bright picture even of a subject in

dim light and it also helps to prevent camera shake.

If you want to make the most of the ambient light, or if the subject is out of flash range,

you can increase the shutter speed to reduce the camera shake without firing the flash by

increasing the ISO. (However, this tends to make the image grainy or subject to noise.)

2Keep the shutter button halfway down, and put the subject back in the original position to re-

compose the shot.

3Press the shutter button fully down to take the picture.

• The focus-lock function will lock the exposure as well (when multi segment metering is selected

(page 58)).

• Releasing the shutter button after shooting will disengage the focus-lock. If you keep the shutter button

halfway down after shooting, you can continue shooting with the same focal point.

• If the z indicator does not light up in the viewfinder (the subject is in motion), you cannot use the focus-

lock function by pressing the shutter button halfway down. (See pages 53 and 71.)

Subjects that may require special focusing:

Using the auto focus, it is hard to focus on the following subjects. In such cases, use the focus lock shooting

feature or manual focus (page 71).

– A subject that is low in contrast, such as blue sky or a white wall.

– Two subjects at different distances overlapping in the focus frame.

– A subject that is composed of repeating patterns, such as the facade of a building.

– A subject that is very bright or glittering, such as the sun, the body of an automobile, or the surface of

water.

To measure the exact distance to the subject

The horizontal line in the illustration shows the location of the CCD* plane.

When you measure the exact distance between the camera and the subject,

refer to the position of the horizontal line.

* The CCD is the part of the camera that acts as the film.

You can create various images by adjusting the shutter speed and aperture. Exposure is the

amount of light that the camera will receive when you release the shutter.

Exposure Adjusting the light intensity

Overexposure

= too much light

Whitish image

The exposure is automatically set to the

proper value in the auto adjustment mode.

However, you can adjust it manually using

the functions below.

Manual exposure:

Allows you to adjust the shutter speed and

aperture value manually. t page 37

Metering Mode:

Allows you to change the part of the

subject to be measured to determine the

exposure. t page 58

Exposure compensation:

Allows you to adjust the exposure that has

been determined by the camera.

t page 65

Correct exposure

Underexposure

= too little light

Darker image

Shutter speed = Length of time the camera

receives light

Aperture = Size of the opening allowing light to pass

through

Image sensor = Part that records the image

Exposure:

The apparent color of the subject is affected by the lighting conditions.

Example: The color of an image affected by light sources

The color tones are adjusted automatically in the auto white balance mode.

However, you can adjust color tones manually with the white balance mode (page 46).

A digital image is made up of a collection of small dots called pixels.

If it contains a large number of pixels, the picture becomes large, it takes up more memory,

and the image is displayed in fine detail. “Image size” is shown by the number of pixels.

Although you cannot see the differences on the screen of the camera, the fine detail and data

processing time differ when the image is printed or displayed on a computer screen.

Description of the pixels and the image size

Color On the effects of lighting

Weather/lighting Daylight Cloudy Fluorescent Incandescent

Characteristics of

light

White (standard) Bluish Blue-tinged Reddish

Quality On “image quality” and “image size”

1Image size: L:10M

3,872 pixels × 2,592 pixels = 10,036,224 pixels

2Image size: S:2.5M

1,920 pixels × 1,280 pixels = 2,457,600 pixels

Pixels

Selecting the image size for use

The default settings are marked with .

* The images recorded using the camera are the same 3:2 ratio as used photograph printing paper or

postcards, etc.

** This is a size larger than A3 size. You can print images with a margin around the A3 size image.

Selecting the image quality (compression ratio) in combination (page 83)

You can select the compression ratio when digital images are saved. When you select a high

compression ratio, the image lacks the fineness of detail, but has a smaller file size.

Pixel Many pixels (Fine

image quality and

large file size)

Example: Printing in

up to A3/A3+** size

Few pixels (Rough

image quality but

small file size)

Example: For creating

web pages

Image size*Usage guidelines No. of

images

Printing

L:10M Larger

Smaller

For storing important images or printing A3/

A3+** size or fine A4 size images.

Less

Fine

Rough

M:5.6M For printing in A4 size or high density

images in A5 size

S:2.5M For recording a large number of images

For creating web pages

Before your operation

Identifying parts

* Do not directly touch these parts.

See the pages in parentheses for details of

operation.

AMode dial (31)

B (Drive) button (60)

CShutter button (t step 5 in “Read This

First”)

DControl dial (33, 94)

ESelf-timer lamp (62)

FLens contacts*

GMirror*

HLens mount

IDepth-of-field preview button (70)

JBuilt-in flash* (t step 5 in “Read This

First”)

KFn (Function) button (43)

LFunction dial (42)

MHook for shoulder strap (21)

NLens release button (t step 2 in “Read

This First”)

OFocus mode switch (71)

PDC-IN terminal (144)

AViewfinder (t step 5 in “Read This

First”)

BEyepiece sensors (97)

CPOWER switch (t step 3 in “Read This

First”)

DMENU button (80)

E (Display) button (26, 72)

F (Delete) button (t step 6 in “Read

This First”)

G (Playback) button (t step 6 in

“Read This First”)

HLCD monitor (22, 26)

IController (v/V/b/B) (t step 3 in

“Read This First”)

For viewing: v: (Histogram) button

(74)

V: (Rotate) button (76)

JCenter button (t step 3 in “Read This

First”)/Spot-AF button (51)

KREMOTE (Remote-control) jack (144)

LAccessory shoe (145)

MDiopter-adjustment dial (t step 5 in

“Read This First”)

NFor shooting: +/– (Exposure) button (37,

65)

For viewing: (Reduce) button (72,

77)

OFor shooting: AEL (AE lock) button

(39, 67)

For viewing: (Enlarge) button (77)

PAccess lamp (t step 4 in “Read This

First”)

Q (Super SteadyShot) switch (t

step 5 in “Read This First”)

RCF card cover (t step 4 in “Read This

First”)

SVIDEO/USB jack (78, 108)

TCF card insertion slot (t step 4 in

“Read This First”)

UCF card eject lever (t step 4 in “Read

This First”)

ATripod receptacle

• Use a tripod with a screw length of less than

5.5 mm (7/32 inch). You will be unable to

firmly secure the camera to tripods having

screws longer than 5.5 mm (7/32 inch), and

may damage the camera.

BBattery cover open lever (t step 1 in

“Read This First”)

CLock lever (t step 1 in “Read This

First”)

DBattery insertion slot (t step 1 in

“Read This First”)

EBattery cover (t step 1 in “Read This

First”)

Before your operation

Attaching the shoulder strap

This camera has two hooks to attach the

shoulder strap. Attach the end of the strap

with the remote commander clip on the grip

side of the camera. Attach the other end of

the strap on the other side of the camera.

When threading the strap through the

holder ring, hold the tip of the strap with

your finger, as shown below, and slide the

holder ring rather than the tip of the strap

into position to secure the strap.

If the holder ring comes off the strap, put it

back on the strap from the notched side.

Remote commander clip

Holder Ring

Notched side

Indicators on the monitor

See the pages in parentheses for details of

operation.

Viewfinder

LCD monitor (Recording information

display)

• The illustration above is for the full display in

the horizontal position (page 26).

Display Indication

Wide focus frames (51)

Local focus frames (51)

Spot AF frames (51)

Spot-metering area (51)

Display Indication

Flash-compensation (57)

Flashing: The flash is being

charged

Lit: The flash has been

charged (t step 5 in “Read

This First”)

WL Wireless flash (54)

High-speed sync (145)

AEL AE lock (67)

z Focus (t step 5 in “Read

This First”)

125 Shutter speed (36)

5.6 Aperture (34)

Ev scale (38, 63, 68)

9Frames-remaining counter

(61)

Camera-shake warning (t

step 5 in “Read This First”)

Super SteadyShot scale (t

step 5 in “Read This First”)

Display Indication

P A S M

Mode dial (31)

125 Shutter speed (36)

F5.6 Aperture (34)

Display Indication

Flash mode (54)

Exposure-compensation

(65)/Metered Manual (38)

Flash-compensation (57)

Ev scale (38, 63, 68)

ISO AUTO

ZONE

ISO sensitivity (44)/Zone

Matching (45)

Before your operation

Operation guide

The next operation may be indicated on the

lower portion of the LCD monitor.

Display Indication

Color mode (49)

+1 Contrast (50)

+1 Saturation (50)

+1 Sharpness (50)

D-range optimizer (49)

Metering (58)

AF area (51)

AF mode (53)

RP Release priority (93)

Drive mode (60)

Image size (83)

FINE STD

RAW RAW+

Image quality (83)

Display Indication

AE lock (67)

Battery remaining (t step

1 in “Read This First”)

AWB +1

5500K M1

White balance (Auto,

Preset, Color temperature,

CC filter, Custom) (46)

0039 Remaining number of

recordable images (27)

Display Indication

Controller bB

Controller vV

Controller vVbB

zCenter of the controller

Control dial

Returns with MENU

Returns with (77)

Switches folder frame and

image frame in file browser

(72)

LCD monitor (single-image playback) LCD monitor (Histogram display)

Display Indication

L:10M

M:5.6M

S:2.5M

Image size (83)

FINE STD

RAW RAW+

Image quality (83)

Battery remaining (t step

1 in “Read This First”)

10:30

2006.01.01

Date of recording

Protect (89)

3DPOF set (91)

100-0003 Folder - file number (112)

[0003/0007] Frame number/total number

of images

Display Indication

Playback image (74)

Histogram (74)

L:10M

M:5.6M

S:2.5M

Image size (83)

D-range optimizer (49)

FINE STD

RAW RAW+

Image quality (83)

35mm Focal length (8)

1/125 Shutter speed (36)

–0.3 Ev scale (65)

F3.5 Aperture (34)

Flash-compensation (57)

P A S M

Mode dial (31)

Metering mode (58)

AWB +1

5500K M1

White balance (Auto,

Preset, Color temperature,

CC filter, Custom) (46)

ISO100 ISO sensitivity (ISO) (44)

Super SteadyShot (t step

5 in “Read This First”)

100MSDCF-

0002

Folder - file number (112)

Battery remaining (t step

1 in “Read This First”)

2006.01.01 Date of recording

Protect (89)

Before your operation

3DPOF set (91)

[0002/0009] File number/total number

of images

Display Indication

Switching the recording information display

When recording, the LCD monitor on the back of the camera displays various recording

information.

Press the (Display) button to switch between the detailed display and the enlarged display

that has less information in larger letters. You can choose to turn off the display to minimize

battery consumption.

When you rotate the camera to a vertical position, the display automatically rotates to adjust to

the camera position.

Horizontal position

Vertical position

• The instructions in this operating instructions are based on the detailed display in the horizontal position.

(The upper-left illustration.)

• You can choose to keep the display from rotating in the vertical position (page 97).

• For the screen displayed in playback mode, see page 72.

(Display) button

Detailed display Enlarged display

No display

(Display) button

Detailed display Enlarged display

No display

Before your operation

Number of images

The tables show the approximate number of images that can be recorded on a recording

medium formatted with this camera. The values may vary depending on the shooting

conditions.

The number of images

“Memory Stick Duo”

Image size: L:10M (Units: Images)

Image size: M:5.6M (Units: Images)

Image size: S:2.5M (Units: Images)

Capacity

Size 64MB 128MB 256MB 512MB 1GB 2GB

Standard 22 46 85 174 358 735

Fine 14 29 54 112 229 471

RAW & JPEG 2 5 10 23 48 100

RAW 3 7 14 30 62 128

Capacity

Size 64MB 128MB 256MB 512MB 1GB 2GB

Standard 39 80 145 296 606 1245

Fine 25 52 95 194 397 815

Capacity

Size 64MB 128MB 256MB 512MB 1GB 2GB

Standard 78 158 287 586 1196 2454

Fine 53 108 197 402 822 1687

CF card

Image size: L:10M (Units: Images)

Image size: M:5.6M (Units: Images)

Image size: S:2.5M (Units: Images)

Capacity

Size 256MB 512MB 1GB 2GB 4GB

Standard 93 188 377 755 1508

Fine 59 120 242 485 968

RAW & JPEG 12 25 51 103 207

RAW 15 32 65 132 265

Capacity

Size 256MB 512MB 1GB 2GB 4GB

Standard 159 319 640 1279 2553

Fine 104 208 419 838 1673

Capacity

Size 256MB 512MB 1GB 2GB 4GB

Standard 315 630 1262 2523 5034

Fine 216 433 867 1734 3460

Before your operation

The number of images that can be recorded

when using the battery pack

The table shows the approximate number of

images that can be recorded when you use

the camera with the battery pack (supplied)

at full capacity and at an ambient

temperature of 25°C (77°F). The numbers

of images that can be recorded take into

account changing the recording medium as

necessary.

Note that the actual numbers may be less

than those indicated depending on the

conditions of use.

• Shooting in the following situations:

– [Quality] is set to [Fine].

– [AF mode] is set to [Automatic AF].

– Shooting once every 30 seconds.

– The flash strobes once every two times.

– The power turns on and off once every ten

times.

• The measurement method is based on the CIPA

standard.

(CIPA: Camera & Imaging Products

Association)

• The number of shooting images does not

change, regardless of image size.

• The battery capacity decreases as the number of

uses increases and also over time (page 142).

• The number of images that can be recorded is

decreased under the following conditions:

– The surrounding temperature is low.

– The flash is used frequently.

– The camera has been turned on and off many

times.

– [AF mode] is set to [Continuous AF].

– The battery power is low.

• When using a Microdrive, the number of images

recordable may differ.

Recording medium No. of images

“Memory Stick Duo” Approx. 750

CF card Approx. 750

Operation workflow

The chart below shows the workflow for the following operations - preparation, shooting, and

playback. Perform the following confirmation and setup process, if necessary.

Preparation

•Prepare the battery pack (t step 1 in “Read This First”)

•Attaching a lens (t step 2 in “Read This First”)

•Set the clock (t step 3 in “Read This First”, page 99)

•Insert a recording medium (t step 4 in “Read This First”)

Confirmation before shooting

•Check the recording mode (page 31)

•Adjusting the diopter (t step 5 in “Read This First”)

•Switching the recording information display (page 26)

•Selecting the image size (page 83)

•Using the flash (t step 5 in “Read This First”)

Setup for shooting

•Using the function dial (page 42)

(ISO/Zone Matching, White Balance, D-Range Optimizer, Color Mode, Metering

mode, Focus mode, Flash)

•Using the (Drive) button (page 60)

(Single frame advance, continuous advance, self-timer, bracket, white balance bracket)

•Adjusting the exposure (page 65)

•Locking the exposure (page 67)

•Focusing manually (page 71)

Shooting

•Holding the camera (t step 5 in “Read This First”, page 14)

•Look into the viewfinder (t step 5 in “Read This First”)

•When using a zoom lens, turn the zoom ring (t step 5 in “Read This First”)

•Check the focus (t step 5 in “Read This First”)

•Check the approximate sharpness of the subject image (page 70)

•Check that the flash has been charged before you use it (t step 5 in “Read This

First”)

•Press the shutter button to take a picture (t step 5 in “Read This First”)

Confirmation of image shot

•Viewing images (t step 6 in “Read This First”)

•Deleting images (t step 6 in “Read This First”)

•Switching the playback screen (page 72)

•Displaying the histogram (page 74)

•Rotating an image (page 76)

•Enlarging images (page 77)

•Viewing images on a TV screen (page 78)

Using the shooting functions

Using the mode dial

Set the mode dial to the desired function.

In this Operating Instructions, the available mode dial setting is shown as follows.

Recording modes

Auto adjustment mode

Allows easy shooting with the settings adjusted automatically, depending entirely

on the camera. t step 5 in “Read This First”

: Scene Selection mode

Allows you to shoot with preset settings according to the scene (page 32).

P: Program auto mode

Allows you to shoot with the exposure adjusted automatically (both the shutter

speed and the aperture value). The other settings can be adjusted, and your setting

values can be saved (page 33).

A: Aperture priority mode

Allows you to shoot after adjusting the aperture value manually (page 34).

S: Shutter speed priority mode

Allows you to shoot after adjusting the shutter speed manually (page 36).

M: Manual exposure mode

Allows you to shoot after adjusting the exposure manually (both the shutter speed

and the aperture value) (page 37).

Mode dial

Unavailable Available

You can shoot with the following preset settings according to the scene.

• You can change any of the settings except [Color/DEC] (page 49).

Portrait

Landscape

Macro

Sports action

Sunset

Scene Selection P A S M

Shoots with backgrounds blur away, and the subject is sharpened.

• To blur the background more, using the telephoto position of the lens is more

effective.

• It is recommended that you use the flash when the subject is backlit. Also, when

you do not use the flash, it is recommended that you use the lens hood to prevent

unnecessary light from seeping into the lens.

Shoots scenery with vivid and sharp colors.

• It is recommended that you push down the flash not to fire the flash.

• The shutter speed becomes slower when the subject is dark. If appears in

the viewfinder, be careful about camera shake or use a tripod. The Super

SteadyShot function is also effective.

Shoots close subjects such as flowers, insects.

You can achieve clear and sharp focus.

• When shooting with the built-in flash within the range of 1 m (39 3/8 inches),

shadows may appear on the lower part of the image. Do not use with the built-in

flash.

• The minimum recording distance is not changed even if you select Macro. To

shoot a larger image, using a macro lens is recommended.

Shoots moving subjects outdoors or in bright places.

• The AF mode is set to (Continuous AF) (page 53). The camera continues to

focus while the shutter button is pressed and held halfway down.

• The drive mode is set to Continuous (page 61). The camera shoots the image

continuously while the shutter button is pressed.

• Do not use the flash if the subject is out of the flash range (Push the built-in flash

back down). Flash range t step 5 in “Read This First”

Shoots the red of the sunset beautifully.

Using the shooting functions

Night view/portrait

• The shutter speed is slower, so using a tripod is recommended. The Super SteadyShot function is also

effective. (t step 5 in “Read This First”)

In program auto mode, the camera automatically adjusts the shutter speed and the aperture

according to the brightness of the subject just as in the auto adjustment mode (mode dial:

AUTO).

Program Shift

You can temporarily change the aperture value and shutter speed combination that was

adjusted by the camera.

There are two methods for the program shift function.

PS shift: You can choose the desired shutter speed. The aperture value is adjusted

automatically. This setting is the default setting.

PA shift: You can choose the desired aperture value. The shutter speed is adjusted

automatically.

• You can switch the PS shift and the PA shift with [Ctrl dial set] in the Custom menu (page 94).

1Set the mode dial to P.

2Look into the viewfinder or press the shutter button halfway down until the shutter speed and

aperture value are displayed on the LCD monitor.

Night portrait

Shoots portraits in dark places.

Pull up the flash to use it.

• The shutter speed is up to 2 seconds.

• Take care that the subject does not move to prevent the image from blurring.

Night view

Shoots night scenes at a distance without losing the dark atmosphere of

the surroundings.

Do not use the flash (Push the flash back down).

• The picture may not be taken properly when shooting a wholly dark night scene.

Shooting with Program auto P A S M

Shutter button

Control dial

Mode dial

3Select the aperture value or the shutter speed using the control dial when the shutter speed and

the aperture value are displayed.

• When the shutter speed and the aperture value are displayed, you no longer have to keep pressing the

shutter button.

• When the shutter speed and the aperture value disappear seconds later, the adjusted values also disappear.

• When the flash is pulled up, you cannot select the program shift (even if you turn the control dial, the

program shift is not turned on). When the program shift is turned on, pulling up the flash cancels the

program shift.

You can adjust the amount of light that passes through the lens. If you open the aperture (a

smaller F-number), the amount of light allowed into the lens increases and the in-focus range

becomes narrower. Only the main subject is then in focus. When the aperture is closed (a

larger F-number), the amount of light decreases and the in-focus range becomes wider. The

whole image is sharpened.

The shutter speed is automatically adjusted to obtain correct exposure according to the

brightness of the subject.

Shooting with aperture priority mode P A S M

PS shift (The default setting) PA shift

Open the aperture Close the aperture

Mode dial

Control dial

Using the shooting functions

1Set the mode dial to A.

2Select an aperture value using the control dial.

• The aperture range depends on the lens.

• The aperture value is adjusted in 1/3 Ev increments.

• Before shooting, you can do a quick check on the image blur with the depth-of-field preview function

(page 70).

• If the proper exposure is not obtained after making the settings, the shutter speed on the LCD monitor and

in the viewfinder flashes when the shutter button is pressed halfway down. You can shoot at this point, but

adjusting again is recommended.

• When the flash is pulled up, the flash fires regardless of the amount of ambient light (page 54).

• When using the flash, if you close the aperture (a larger F-number), the flash light does not reach a distant

subject. Opening the aperture (a smaller F-number) is recommended.

• If you close the aperture (a larger F-number), the amount of light passing through the lens is decreased

and the shutter speed becomes slower. Using a tripod is recommended.

zShooting techniques

The depth of field is the in-focus range. Opening the aperture makes the depth of field shallower (the in-

focus range becomes narrower) and closing the aperture makes the depth of field wider (the in-focus

range becomes wider).

Adjust the aperture to suit your purpose, either to sharpen the specific area of image, or to focus on the

entire image.

Open the aperture

The subject is sharpened with

its background blurred.

Close the aperture

Over a wide range, both

nearby and faraway subjects

are brought into focus.

You can adjust the shutter speed manually. If you shoot a moving subject at a higher shutter

speed, it appears as if frozen on the image. At a lower shutter speed, the subject appears as if it

flowing.

Aperture value is automatically adjusted to attain correct exposure according to the brightness

of the subject.

1Set the mode dial to S.

2Select a shutter speed using the control dial.

• You can adjust the shutter speed between 30 and 1/4000 second. You can adjust it between 30 and 1/

125 second (with the Super SteadyShot function activated) or 30 and 1/160 second (with the Super

SteadyShot function deactivated) when using the flash.

• The shutter speed is adjusted in 1/3 Ev increments.

• If the proper exposure is not obtained after making the settings, the aperture value on the LCD monitor

and in the viewfinder flashes when the shutter button is pressed halfway down. You can shoot at this point,

but adjusting again is recommended.

• When the flash is pulled up, the flash fires regardless of the amount of ambient light (page 54).

• When using the flash, if you close the aperture (a larger F-number) by making the shutter speed slower,

the flash light does not reach a distant subject. If you want to use the slower shutter speed, the Slow Sync

shooting is recommended (page 69).

• When the shutter speed is one second or more, the noise reduction will be done after shooting (page 85).

• The (Camera-shake warning) indicator does not appear in the shutter speed priority mode.

Shooting with shutter speed priority

mode

P A S M

High shutter speed Slow shutter speed

Control dial

Mode dial

Using the shooting functions

Manual exposure

You can manually adjust the shutter speed and aperture values.

This mode is useful when you maintain the setting of the shutter speed and the aperture value

or when you use an exposure meter.

1Set the mode dial to M.

2Select a shutter speed using the control dial.

• “BULB” (Bulb shooting) is indicated next to “30” (page 40).

3Press and hold the +/– (Exposure) button and turn the control dial to select the aperture.

zShooting techniques

When shooting a moving person, car, or spindrift, etc., using the high shutter speed,

you can express moment that is beyond what the human eye can see.

When shooting a subject such as the flow of a river at a slower shutter speed, you can

create an image that captures the subject’s flowing movement. In such cases, use of a

tripod is recommended to prevent camera shake.

Shooting with manual exposure mode P A S M

Mode dial

Control dial

+/– (Exposure) button

• In the manual exposure mode, even when [ISO] (page 44) is set to [AUTO], it is fixed to ISO 100.

• You can assign the function of the control dial with [Ctrl dial set] in the Custom menu (page 94).

• The (Camera-shake warning) indicator does not appear in the manual exposure mode.

• When the flash is pulled up, the flash fires regardless of the amount of ambient light (page 54).

zEv scale

The Ev scale on the LCD monitor and in the viewfinder indicates the difference between the standard

exposure (0.0Ev) determined by the camera meter and the set exposure determined by the shutter speed, and

the aperture specified by the photographer. (Metered Manual)

: stands for Metered Manual.

Standard exposure 1.0Ev over exposure 2.0Ev or more over

exposure

The set exposure specified by

the photographer is the same

as the exposure determined by

the meter.

The set exposure specified by

the photographer is 1.0Ev

more (+) than the standard

exposure determined by the

meter.

The b B arrow appears at the

end of the scale if the set

exposure is over 2.0Ev more

(+) or less (-) than the standard

exposure. The arrow starts

flashing if the difference

becomes greater.

Using the shooting functions

zHow to use the AEL button in manual mode

While you press and hold the AEL (AE Lock) button, the exposure determined by the meter is locked as the

standard exposure (0.0Ev). Changing the composition on the LCD monitor and in the viewfinder while

holding the AEL button causes the exposure within the spot metering circle to continually shift to match the

movements and the display indicates the difference between the standard exposure determined by the meter

and the exposure within the spot metering circle.

The following illustrations show a case where the set exposure specified by the photographer is 1.0Ev more

than the locked standard exposure determined by the meter. When the composition is changed in the

viewfinder, the exposure within the spot metering circle is 0.7Ev more than the set exposure, thereby

making it 1.7Ev more than the standard exposure determined by the meter.

Manual shift

You can change the shutter speed and aperture value combination without changing the

exposure in manual mode.

1Set the mode dial to M.

2Select a shutter speed and aperture value (page 37).

3Press and hold the AEL (AE lock) button and turn the control dial to select the desired shutter

speed and aperture value combination.

The exposure specified

by the photographer

The exposure within the

spot metering circle

when you recompose

your shot.

Spot metering circle

Mode dial

Control dial

AEL (AE lock) button

BULB (long exposure) shooting

As long as the shutter button is pressed, the shutter remains open. You can shoot trails of light,

such as fireworks. Attach a tripod to the camera when using the bulb shooting function.

1Set the mode dial to M.

2Turn the control dial to the left until [BULB] is indicated.

3Press and hold the +/– (Exposure) button and turn the control dial to select the aperture.

4Attach the eyepiece cover (page 41).

5Press and hold the shutter button for the duration of the shooting.

• You can shoot in bulb exposure mode up to about four hours using a fully charged battery pack.

• After shooting, the noise reduction will be done for the same amount of time that the shutter was open.

When the message “Processing...” appears, you cannot do any further shooting. To cancel this function,

see page 85.

• The Super SteadyShot function is automatically turned off.

• The higher the ISO sensitivity, or the longer the exposure time, the more outstanding the noise on the

monitor.

• To reduce camera-shake, connecting the Remote Commander (not supplied) is recommended (page 144).

Mode dial

Control dial

+/– (Exposure) button

Shutter button

Using the shooting functions

To attach the eyepiece cover

When the shutter is released without the use of the viewfinder, as in bulb exposure or shooting with the

self-timer, attach the eyepiece cover to prevent light from entering through the viewfinder and affecting

the exposure.

1Carefully slide the eyecup off by pushing on each side of the eyecup.

2Slide the eyepiece cover over the viewfinder. The cover is normally attached to the shoulder

strap.

• When attaching the eyepiece cover, the eyepiece sensors located below the viewfinder may be activated

depending on the situation, and the focus may be adjusted or the LCD monitor may continue to flash.

Setting [Eye-Start AF] to [Off] prevents this problem (page 85).

Using the function dial

Set the function dial to the desired function. You can set the focus frame, AF mode, metering

mode, flash compensation, color mode, etc.

ISO: Setting ISO/Zone Matching (page 44)

WB: Adjusting the white balance (page 46)

D-R: D-Range Optimizer (page 49)

DEC: Selecting the color/DEC mode (page 49)

:Focus mode (page 51)

:Flash (page 54)

:Metering mode (page 58)

Function dial

Using the shooting functions

1Set the function dial to the desired position.

2Press the Fn button so that the function screen appears.

3Select the desired setting or value with v/V/b/B on the controller.

• You can substitute the control dial for b/B of the controller.

• For details on the setting method, see the corresponding explanation.

4Press the center button of the controller to complete the operation.

The settings you select are set.

How to use the function dial

Function dial

Controller

Fn button

Center button/Spot AF

button

You can adjust the ISO sensitivity and switch the Zone Matching setup.

ISO is a unit of measurement of sensitivity to light. The larger the number, the higher the

sensitivity.

1Display the ISO/Zone Matching screen with the function dial and the Fn button (page 43).

2Select the desired value with v/V/b/B on the controller, then press the center of the controller.

• [Hi200] and [Lo80] options are used for Zone Matching (page 45).

( : The default setting)

• When [ISO] is set to [AUTO], the ISO sensitivity is automatically adjusted between ISO 100 and ISO

800, however, if the mode dial is set to M, it is fixed at ISO 100.

• The built-in flash range (the range within which the correct exposure is provided) depends on the aperture

value and ISO sensitivity. Refer to the following table to determine the shooting distance.

Setting ISO/Zone Matching ISO WB D-R DEC

ISO

AUTO Automatically adjusts the ISO sensitivity.

100 Select a large number when shooting in dark locations or

shooting a subject moving at high speed, or select a small

number to obtain high image quality.

200

400

800

1600

Aperture ISO setting

100 200 400 / AUTO 800 1600

F2.8 1 – 4.3 m

(39 3/8 – 169

3/8 inches)

1 – 6 m

(39 3/8 – 236

1/4 inches)

1.4 – 8.6 m (55

1/8 – 338

5/8 inches)

2 – 12 m

(78 3/4 – 472

1/2 inches)

2.8 – 17 m

(110

1/4 – 669

3/8 inches)

F4.0 1 – 3 m

(39 3/8 – 118

1/8 inches)

1 – 4.3 m

(39 3/8 – 169

3/8 inches)

1 – 6 m

(39 3/8 – 236

1/4 inches)

1.4 – 8.6 m

(55 1/8 – 338

5/8 inches)

2 – 12 m

(78 3/4 – 472

1/2 inches)

F5.6 1 – 2.1 m

(39 3/8 – 82

3/4 inches)

1 – 3 m

(39 3/8 – 118

1/8 inches)

1 – 4.3 m

(39 3/8 – 169

3/8 inches)

1 – 6 m

(39 3/8 – 236

1/4 inches)

1.4 – 8.6 m

(55 1/8 – 338

5/8 inches)

Using the shooting functions

You can keep the image from becoming overexposed or underexposed when shooting a high-

keyed or low-keyed subject.

This function is also available for a RAW file.

1Display the ISO/Zone Matching screen with the function dial and the Fn button (page 43).

2Select [Lo80] or [Hi200] with v/V/b/B on the controller, then press the center of the controller.

• [AUTO], [100], [200], [400], [800] and [1600] options are used for ISO sensitivity (page 44).

• The ISO sensitivity is set to the equivalent of ISO 80 in [Lo80], and of ISO 200 in [Hi200].

• When zone matching is used, the contrast setting in the color mode is deactivated.

• Refer to the following table to determine the flash range.

Zone Matching

Lo80 This keeps the image from becoming underexposed. Use in

low-key (predominantly dark) scenes is recommended, as the

image tends to become whitish.

Hi200 This keeps the image from becoming overexposed. Use in

high-key (predominantly light) scenes is recommended, as

the image tends to have heightened noise level.

Aperture Zone Matching

Lo80 Hi200

F2.8 1 – 3.8 m (39 3/8 – 149 5/8 inches) 1 – 6 m (39 3/8 – 236 1/4 inches)

F4.0 1 – 2.7 m (39 3/8 – 106 3/8 inches) 1 – 4.3 m (39 3/8 – 169 3/8 inches)

F5.6 1 – 1.9 m (39 3/8 – 74 7/8 inches) 1 – 3 m (39 3/8 – 118 1/8 inches)

Normally, the camera automatically adjusts the color tones. However, you can also adjust

them according to the lighting conditions.

1Display the White-balance mode screen with the function dial and the Fn button (page 43).

2Select the desired white balance mode with v/V on the controller.

3To select [AWB], press the center of the controller.

To select anything other than [AWB], go to each procedure.

*K: stands for “Kelvin” (unit of color temperature)

Select an option to suit a specific light source. Use this function if you cannot get your desired

color in [AWB].

1Display the White-balance mode screen with the function dial and the Fn button (page 43).

2Display the Preset white balance screen with v/V on the controller, then press B.

3Select the desired light source with b/B on the controller or the control dial, then make fine

adjustments with v/V on the controller, if necessary.

• You can adjust the white balance between +3 and -3 (in Fluorescent, between +4 and -2).

• Adjusting toward + increases the color temperature and the image turns reddish. Adjusting toward -

decreases the color temperature and the image turns paler.

• 1 step is equivalent to approximately 10 mired*.

* Mired: a unit to indicate the color conversion quality in color temperature filters.

Adjusting the white balance ISO WB D-R DEC

AWB (Auto white balance) Adjusts the white balance automatically.

(Preset white balance) Adjusts the white balance to a specific light source (see

below).

K* (Color temperature) Adjusts color temperature. The CC (Color Compensating)

filter is also adjusted (page 47).

(Custom white balance) Memorizes the basic white color (page 48).

Preset white balance

Using the shooting functions

4Press the center of the controller.

( : The default setting)

• For details on the white balance t page 17

• If the ambient light consists of sodium-vapor lamps or mercury-vapor lamps alone, an accurate white

balance cannot be acquired due to the properties of the light source. Use of the flash is recommended to

overpower the ambient light.

You can set the white balance using a color temperature.

Based on using the set color temperature as the standard, the color can be compensated from G

(Green) to M (Magenta) just like using a CC (Color Compensation) filter for photography.

• When setting the color temperature measured by the color meter, test shooting is recommended before the

actual photo is taken.

1Display the White-balance mode screen with the function dial and the Fn button (page 43).

2Display the Color temperature screen with V on the controller, then press B.

3Set the color temperature with v/V/b/B on the controller.

• Select the digit (thousand’s or hundred’s place) of the color temperature with b/B, then set the value

of the selected digit with v/V.

• The color temperature can be selected between 2500K and 9900K.

4Select the setup area of the CC filter with B, then set the CC filter with v/V, if necessary.

(Daylight) Adjusts for outdoors, sunlit subjects.

(Shade) Adjusts for shady conditions on a clear day.

(Cloudy) Adjusts for a cloudy sky.

(Tungsten) Adjusts for places where the lighting conditions change

quickly, such as at a party hall, or under bright lighting, such

as at photography studios.

(Fluorescent) Adjusts for fluorescent lighting.

(Flash) Adjusts for flash condition.

Color temperature

• Pressing v compensates toward M (Magenta), and pressing V toward G (Green). This compensation

can adjust among nine steps in each direction.

• The increment on the scale is equivalent to approximately 5CC.

5Press the center of the controller.

• If you change the color temperature after adjusting the CC filter, the actual CC filter value reflects the

new color temperature.

In a scene where the ambient light consists of multiple types of light source, use of custom

white balance is recommended in order to accurately reproduce the whiteness.

1Display the White-balance mode screen with the function dial and the Fn button (page 43).

2Display the Custom white balance screen with v/V on the controller, then press B.

3Select [ SET] with B on the controller, then press the center of the controller.

The message “Use spot metering area. Press shutter to calibrate.” appears on the LCD monitor.

4Hold the camera so that the white area fully covers the spot-metering circle and press the shutter

button down. The shutter clicks and the calibrated values (Color temperature and CC) are

displayed.

• The focus does not have to be confirmed.

5Press the center of the controller.

The monitor returns to the recording information screen with the memorized custom white

balance setting retained.

To call the custom white balance setting

In step 2 above, select [ ] with b/B, then press the center of the controller.

• The custom white balance setting registered in this operation is effective until a new setting is registered.

(The setting is retained after the power is turned off.)

• If the flash is used when the shutter button is pressed, a custom white balance is registered with the flash

light taken into account. Take pictures with the flash in later shootings.

• The message “Custom WB error.” indicates that the value is beyond the expected range. (When the flash

is used on a subject in close proximity or a subject with a bright color is in the frame.) The value is

registered and the indicator turns yellow on the recording information display on the LCD monitor.

You can shoot at this point, but it is recommended that you set the white balance again to get a more

correct white balance value.

Custom white balance

Using the shooting functions

The camera analyzes the shooting conditions and automatically corrects the image to improve

the image quality.

1Display the D-Range Optimizer screen with the function dial and the Fn button (page 43).

2Select the desired mode with b/B on the controller, then press the center of the controller.

( : The default setting)

• There is no effect in the following cases.

– Center weighted metering

– Spot metering

– The mode dial is set to M.

– [Quality] is set to [RAW] or [RAW & JPEG].

• When using AE lock, the camera automatically corrects the locked image.

• When in Continuous advance mode, the correction is fixed onto the first image, the same correction is

used for the second or later images.

The color mode has combinations of color tone, white balance, contrast, saturation, and

sharpness that are best for various shooting conditions and purposes. This function is useful if

you want to use the effects of scene selection when the mode dial is set to P, A, S, or M.

Within the color mode, the contrast, saturation, and sharpness can be further calibrated to your

liking.

1Display the Color/DEC screen with the function dial and the Fn button (page 43).

2Select the desired color mode with b/B on the controller.

D-Range Optimizer ISO WB D-R DEC

OFF (Off) Does not correct brightness or contrast.

(Standard) Adjusts the brightness and contrast of the whole screen.

(Advanced) Optimizes the contrast and the color reproduction of the

recorded image by area.

Selecting the color/DEC mode ISO WB D-R DEC

3When adjusting the contrast, saturation, or sharpness, move to the screen used for adjustments

with V, select the desired item with v/V, then adjust the value with b/B.

4Press the center of the controller.

( : The default setting)

*Uses the sRGB color space (see below).

• Selecting auto white balance (page 46) produces a more effective color tone. Use auto white balance

especially in Sunset mode.

zAbout sRGB color space and Adobe RGB color space

sRGB color space

This is the standard color space of the digital camera and suitable for almost all normal conditions. As it is

the color space that accommodates the properties of the average monitor, sRGB is also suited for handling

images for use in web pages.

(Standard)* Reproduces various scenes with rich gradation and beautiful

color.

(Vivid)* Reproduces memorable scenery such as blue sky, sunsets,

spring greenery, and autumn leaves with deep and vivid

colors.

(Portrait)* Accentuates the subject and softly reproduces skin tones.

(Landscape)* Reproduces the scenery with vivid and sharp colors.

(Sunset)* Beautifully reproduces the red of the sunset.

(Night view)* Reproduces the light area vividly and the dark area crisply.

(B&W) For monochrome images.

(Adobe RGB) Uses the Adobe RGB color space. An ICC profile will not be

embedded in the image.

(Contrast) Adjusts the contrast in five steps, from -2 to +2. The higher the

value, the stronger the contrast, resulting in a well-modulated,

clear image. The lower the value, the weaker the contrast,

resulting in fewer instances of white out or black out.

• When setting the zone matching, only the contrast setting is

temporarily reset to 0 and cannot be changed.

(Saturation) Adjusts the color saturation in five steps, from -2 to +2. The

higher the value, the stronger the saturation, resulting in a vivid,

clear image. A lower value results in an understated image.

• If the color mode is set to (B&W), the saturation cannot be

adjusted.

(Sharpness) Adjusts the sharpness of the image in five steps, from -2 to +2.

The higher the value, the sharper the outline, resulting in a vivid,

clear image. The lower the value, the softer the outline.

Using the shooting functions

Adobe RGB color space

Adobe RGB color space has a wide range of color reproduction, compared to sRGB. If the main purpose is

to print out the image, especially when a large part of the subject is vivid green or red, Adobe RGB is more

effective than other sRGB color modes.

• The file name of the image starts with “_DSC” (page 112).

zAbout color matching in Adobe RGB

To display or print the image, use software that supports color management, such as “Picture Motion

Browser” (supplied).

To display, edit, modify, or print an image captured in Adobe RGB mode, use an application such as

“Picture Motion Browser”, that supports color management and DCF2.0 option color space. Software

without color management functions, may not display or print Adobe RGB images with faithful colors. To

print the image with faithful colors, the printer needs to be DCF2.0 option color space compliant.

You can set the AF area and the AF mode.

• When shooting in auto focus mode, be sure to set the focus mode switch to AF.

You can change the focus method. Change the method when it is difficult to get the proper

focus.

1Display the focus mode screen with the function dial and the Fn button (page 43).

2Display the AF area screen with v on the controller.

3Select the desired mode with b/B on the controller, then press the center of the controller.

Focus mode ISO WB D-R DEC

AF area

( : The default setting)

(Wide AF area) The camera determines which of the nine local focus frames is

used in focusing within the wide focus frame.

• When you press the shutter button halfway down, the frame

used in focusing is illuminated briefly.

• You can switch to spot focus frame if the desired frame is not

used in focusing. Press the spot AF button at the center of the

controller to focus the center of the screen, and press the shutter

button all the way down without releasing the spot AF button on

the controller to take a picture.

(Spot AF area) The camera uses the spot focus frame exclusively.

• When you look into the viewfinder, the spot focus frame is

illuminated briefly.

(Focus area selection) Choose a local focus frame from the nine frames.

Press the corresponding one of the controller, and the local focus

frame in the specified direction is used in focusing. (Eight

directions are available.) Press the spot AF button at the center to

use the spot focus frame in focusing.

• When you look into the viewfinder, the selected focus frame is

illuminated briefly.

• After shooting, frame selection is still available. Be sure not to

press the controller unless it is necessary.

Wide focus frame

Spot focus frame

Local focus frame

Spot focus frame

Using the shooting functions

• While the controller or the spot AF button is held down, the focus stays locked. If the controller or the

Spot AF button is kept down after shooting, you can continue shooting with the same focus.

• When multi-segment metering is used, the exposure is locked at the same time as the focus is locked.

• In wide AF area mode, you can press the controller to focus. To shoot with that focus, press the shutter

button without releasing the controller. The direction of the controller you press does not affect the frame

used in focusing.

• In spot AF area mode, you can focus by pressing either the controller or the spot AF button. If you press

any direction key of the controller, the spot focus frame is always activated. To shoot with that focus, press

the shutter button without releasing the controller or the spot AF button.

• The local focus frame may not be illuminated when continuous shooting is performed or when the shutter

button is pressed all the way down without pause.

Selects the auto focus operation mode.

1Display the focus mode screen with the function dial and the Fn button (page 43).

2Display the AF mode screen with V on the controller.

3Select the desired mode with b/B on the controller, then press the center of the controller.

( : The default setting)

AF mode

(Single-shot AF) In this AF mode, the focus is locked when you press the

shutter button halfway down. This mode is used when

shooting a motionless subject.

(Direct Manual Focus) In this AF mode, you can manually fine-tune the focus after

using the autofocus function. This mode is used when an

unwanted subject comes into focus in macro recording, etc.

(Automatic AF) This AF mode automatically switches between single-shot

AF and continuous AF, depending on the subject’s motion. If

the subject is in motion, the camera continues to focus while

the shutter button is pressed and held halfway down. If the

subject is motionless, the focus is locked when the shutter

button is pressed and held halfway down. This is a general

purpose AF mode suitable for portraits, group pictures,

snapshots, landscapes, etc.

To make a fine adjustment in (Direct Manual Focus)

1Select (Direct Manual Focus) in AF mode.

2Press the shutter button halfway down to lock the focus.

3Turn the focusing ring to fine-tune the focus while pressing the shutter button halfway down.

4Press the shutter button fully down.

• Once you release your finger from the shutter button, the focus lock operation starts again from the

beginning when you press the shutter button halfway down.

Sets up the flash mode and the flash compensation.

If the built-in flash is pulled up, the flash automatically fires when the surroundings are dark

(the default setting). You can intentionally change the flash mode.

1Display the flash mode screen with the function dial and the Fn button (page 43).

2Display the Flash mode screen with v on the controller.

3Select the desired mode with b/B on the controller, then press the center of the controller.

(Continuous AF) In this AF mode, the camera continues to focus while the

shutter button is pressed and held halfway down. This mode

is used when the subject is in motion.

• If the wide AF area is selected, the focus frame switches to

match the position of the subject. The frame in focus turns red

and starts flashing.

• The buzzer will not sound when the subject is in focus.

Flash ISO WB D-R DEC

Flash mode

Shutter button

Focusing ring

Using the shooting functions

• The flash indicator is displayed only when the flash is pulled up.

( : The default setting)

To perform wireless flash shooting

1Attach the external flash to the camera (page 145) and turn on the camera and the external flash.

2Select (Wireless).

3Remove the external flash from the camera and pull up the built-in flash on the camera.

“WL” appears in the viewfinder and on the LCD monitor.

4Determine the position of the camera and the external flash.

5Make sure the built-in flash and the external flash are fully charged.

• The built-in flash is fully charged when appears in the viewfinder.

• The external flash is fully charged when appears on the back of the external flash and the red lamp

flashes on the front of the flash.

(Autoflash) Fires if it is dark or against light.

• This is not selectable when the mode dial is set to A, S, or M.

(Fill-flash) Fires whenever the built-in flash is pulled up.

(Rear sync.) Ordinarily, the flash is fired right after the shutter has been

released, then objects illuminated by other light sources are

captured. This causes certain subjects, such as trailing light,

to appear unnatural when the slower shutter speed is used.

In rear sync mode, the objects illuminated by other light

sources are captured first, then the flash is fired. You can

capture a flowing light or the trail of a moving subject in a

more realistic way when shooting a moving subject using a

slower shutter speed with the flash.

(Wireless) Using the built-in flash or an external flash (not supplied)

mounted on the camera may make certain pictures appear too

flat. In such a case, an off-camera flash in a proper position

can create more contrast, resulting in a more three-

dimensional picture.

Generally, this type of shooting requires the camera and an

off-camera flash to be connected with a cable. This camera

can do this without a cable because it uses the flash light

instead of the cable to transmit the signal. This is called

wireless flash shooting. The exposure is automatically

adjusted to the optimal exposure.

• Wireless flash shooting requires the flash HVL-F56AM or

HVL-F36AM (not supplied).

6Press the AEL (AE Lock) button on the camera to test fire the flash.

• If the flash does not fire, change the camera, external flash, or subject position.

7Check both flashes again to make sure they are fully charged. Press the shutter button to take a

picture.

• Turn off the wireless flash mode after wireless flash shooting. (You can either deactivate the camera and

the external flash separately, or you can attach the external flash to the camera and select a different flash

mode, as shown on page 54). If the built-in flash is used while the wireless flash mode is still active,

inaccurate flash exposures will result.

• You can select the wireless setting on the camera and the external flash separately. See page 54 to set the

camera. To set the external flash, refer to the operating instructions supplied with it.

If the operation and the function of the AEL (AE Lock) button has been changed

When using the wireless flash, it is recommended that you set [AEL button] (page 93) to [AE hold] or [

AE hold] in the Custom menu.

If you select a setting that is retained after the button has been released ([AE toggle]/[ AE toggle]) the

camera is in slow sync recording mode while “AEL” appears in the viewfinder and on the LCD monitor.

Every test fire will cause the slow sync recording mode to switch on and off.

About the position of the camera and the flash

This camera uses the flash light of its built-in flash to send a signal to the off-camera flash to fire. Take note

of the following points to ensure proper transmission of the signal.

• Wireless flash shooting should be performed in a dark environment such as indoors, etc.

• Place the external flash in the grey area as illustrated below.

A: The distance between the camera and the subject

B: The distance between the external flash and the subject

Do not place the external flash directly behind the subject.

Using the shooting functions

Specifications with wireless flashes at ISO 100

• The camera’s flash sync speed is 1/125 second with the Super SteadyShot function on and 1/160 second

with the Super SteadyShot function off.

• Double the maximum distance when using the camera sensitivity at ISO 400. The maximum distance is

5 m (16.4 ft.).

zAbout the wireless flash channels

As soon as the wireless flash is selected, the channel information of the external flash is transferred to the

camera. Change the channel of the external flash when another photographer is using a wireless flash

nearby and his/her built-in flash light triggers firing of your flash.

To change the channel of the external flash, refer to the operating instructions supplied with it.

When shooting with the flash, you can adjust the amount of flash light alone, without

changing the exposure compensation. You can change the exposure of a subject which is

within the flash range, while leaving the exposure of the background, which is out of the flash

range, as it is.

1Display the Flash mode screen with the function dial and the Fn button (page 43).

2Select the Flash compensation with V.

3Select the desired value with b/B on the controller, then press the center of the controller.

Camera-to-

subject

distance

Flash-to-subject distance B

HVL-F56AM

Flash-to-subject distance B

HVL-F36AM

Shutter Speed All shutter

speeds

Up to sync

speed 1/250 1/1000 Up to sync

speed 1/250 1/1000

Aperture

F2.8

1.4 – 5 m

(55 1/8 –

196 7/8 inches)

1 – 5 m

(39 3/8 –

196 7/8 inches)

1 – 5 m

(39 3/8 –

196 7/8 inches)

1 – 2.5 m

(39 3/8 –

98 1/2 inches)

1 – 5 m

(39 3/8 –

196 7/8 inches)

1 – 4 m

(39 3/8 –

157 1/2 inches)

1 – 2 m

(39 3/8 –

78 3/4 inches)

F4.0

1 – 5 m

(39 3/8 –

196 7/8 inches)

1 – 5 m

(39 3/8 –

196 7/8 inches)

1 – 3.5 m

(39 3/8 –

137 7/8 inches)

1 – 1.7 m

(39 3/8 –

67 inches)

1 – 5 m

(39 3/8 –

196 7/8 inches)

1 – 3 m

(39 3/8 –

118 1/8 inches)

1 – 1.5 m

(39 3/8 –

59 1/8 inches)

F5.6

1 – 5 m

(39 3/8 –

196 7/8 inches)

1 – 5 m

(39 3/8 –

196 7/8 inches)

1 – 2.5 m

(39 3/8 –

98 1/2 inches)

1 – 1.2 m

(39 3/8 –

47 1/4 inches)

1 – 5 m

(39 3/8 –

196 7/8 inches)

1 – 2 m

(39 3/8 –

78 3/4 inches)

–

Flash compensation

( : The default setting)

• You can set the degree of compensation in 1/3 increments.

• When the built-in flash is pulled up, the set flash compensation value is displayed below the Ev scale on

the LCD monitor.

• When you press the shutter button halfway down, appears in the viewfinder.

• When performing flash compensation with the built-in flash, the positive effect may not be visible due to

the limited amount of flash light, if the subject is at or around the maximum distance for the flash. If the

subject is very close, the negative effect may not be visible.

zExposure compensation and Flash compensation

Exposure compensation changes the shutter speed, aperture, and ISO sensitivity (when [AUTO] is selected)

to perform the compensation. If the flash is used, the amount of flash light is also changed.

On the other hand, Flash compensation only changes the amount of flash light, thereby controlling the

relative effect of the flash light on the whole picture. For instance, if you want to reduce the flash light, you

can set the flash compensation on the slightly negative side and at the same time set the exposure

compensation on the positive side to adjust the brightness of the entire picture.

• You can keep the amount of flash light from changing with the exposure compensation (page 95).

You can select a metering mode (a method whereby the camera measures the brightness of a

subject) from the following three methods.

1Display the Metering mode screen with the function dial and the Fn button (page 43).

2Select the desired mode with b/B on the controller, then press the center of the controller.

( : The default setting)

to +2.0 EV Toward +: Makes the flash level higher.

0 EV The amount of flash light that the camera adjusts

automatically.

to –2.0 EV Toward –: Makes the flash level lower.

Metering mode ISO WB D-R DEC

(MultiSegment) This divides the whole screen into 40 segments to measure

light (40-segment honeycomb pattern metering).

(Center weighted) While emphasizing the central area of the screen, this mode

measures the average brightness of the entire screen. If you

shoot directly into the sun light or the subject is not in the

center of the image, you must use exposure compensation

(page 65).

Using the shooting functions

(Spot) This mode measures light only in the spot metering circle in

the center of the frame. This is suitable for shooting a subject

with strong contrast or measuring the light of a specific area

of the screen. If the area to be measured is not in the center of

the screen, use AE lock to take the picture (page 67).

zMulti-segment metering (40-segment honeycomb pattern metering)

This camera divides the screen into 40 segments to measure light; 39

honeycomb shaped metering elements and one metering element that covers

the surrounding area. These elements work in sync with autofocus, allowing

the camera to accurately measure the position and brightness of the subject no

matter where it is on the screen in order to determine the exposure. This

metering method enables the camera to measure light in a way most similar to

that of the human eye, which is ideal for general shooting, including shooting

into direct sunlight.

• In multi-segment metering (40-segment honeycomb pattern metering), if the focus is locked by

pressing and holding the shutter button halfway down, the exposure (the shutter speed and the aperture)

is locked simultaneously (only when autofocus is used and the AF mode is set to either (Single-

shot AF) or (Automatic AF)).

Spot metering area

Position of the subject.

Using the (Drive) button

You can use continuous shooting, self-timer, bracket, white balance bracket with the

(Drive) button.

1Press the (Drive) button.

2Select the desired mode with b/B on the

controller.

• You can substitute the control dial for b/B of the controller.

3Select the desired mode with v/V on the

controller.

• This setup is not required in single-frame or continuous

advance.

4Press the center button of the controller to complete the operation.

• If you press the button or press the shutter button halfway down, the setting is completed.

How to use the (Drive) button

(Drive) button

Controller

Center button

Using the shooting functions

For details on the operation

page 60

( : The default setting)

When you press and hold the shutter button, the camera records the images continuously at a

maximum of three images per second*.

* Our measurement conditions: [Image size] is set to [L:10M], [Quality] is set to [Fine], manual focus, and

the shutter speed is 1/250 second or faster.

• The number of frames that can be shot continuously is indicated in the viewfinder, and when shooting

continuously, this number decreases.

After the images have been recorded on the recording medium, the number returns to the original number,

depending on the camera memory buffer.

• When the built-in flash is fired, images are shot after the flash has been charged.

• When [AF mode] is set to (Continuous AF) or (Automatic AF), the focus is set separately on

each image. When set to (Single-shot AF), the focus is fixed on the first image.

• The last image is displayed in instant playback.

• The number of continuous shooting images obtainable has an upper limit.

The maximum number of continuous shots

* When [Image size] is set to [M:5.6M] or [S:2.5M], the shooting speed is slightly slower when shooting

the fourth and following images.

• These numbers depend on the writing speed of a recording medium, the shooting condition, etc. So, use

the table only as a guide.

Single-frame advance

• Also used as the cancel button for other drive modes.

Continuous advance (see below)

Self-timer (page 62)

Continuous bracket (page 62)

Single bracket (page 63)

White balance bracket (page 64)

Shooting continuously

Fine/Standard No limit* (Until the

recording medium is full)

RAW & JPEG 3 images

RAW 6 images

For details on the operation

page 60

After you press the shutter button, the shutter will be released either about ten seconds or two

seconds later. The 10-second self-timer is convenient when the photographer appears in a

photo and the 2-second self-timer is convenient to reduce the camera-shake because the mirror

is pulled up beforehand.

Check that the focus is confirmed on the subject, then press the shutter button.

( : The default setting)

• When using the 10-second self-timer, the self-timer lamp located on the front side flashes and lights up

right before the shutter is released. The self-timer indicator located on the LCD monitor is highlighted.

The countdown sound also starts.

• To cancel the activated 10-second self-timer, press the (Drive) button. The self-timer is canceled

when the power is turned off. You can also cancel it when the shooting is completed. You cannot cancel

the 2-second self-timer in the middle.

• When there is bright lighting, a reflector or something similar behind the camera, and you press the shutter

button without looking into the viewfinder, use the eyepiece cover attached on the shoulder strap to

prevent unnecessary lighting from seeping through the viewfinder and affecting the exposure (page 41).

An accurate exposure setting is required for some shooting. In such cases, a photographer

continuously shoots some images with the exposure shifted, aside from the correct exposure

image. The camera shoots three images with the exposure shifted automatically.

( : The default setting)

Using the self-timer

(10s self-timer) After you press the shutter button, the shutter will be released

about 10 seconds later.

(2s self-timer) After you press the shutter button, the shutter will be released

about 2 seconds later.

Shooting three images with the exposure shifted – Exposure Bracket

Continuous bracket

(Bracket:0.3Ev cont.) Shoots images continuously with the exposure value shifted

by plus or minus 0.3 step. Press and hold the shutter button

until the recording stops.

(Bracket:0.7Ev cont.) Shoots images continuously with the exposure value shifted

by plus or minus 0.7 step. Press and hold the shutter button

until the recording stops.

Correct – direction + direction

Using the shooting functions

For details on the operation

page 60

( : The default setting)

• When using the flash, press the shutter button frame by frame regardless of the setting.

• The image is shot in the order of 0 (correct), - (under), and + (over). The order can be changed in [Bracket

order] in the Recording menu (page 87).

• The base exposure is set at the first frame in the bracket. The base exposure moves if exposure

compensation is used.

• Normally, the focal point changes in every shooting. The focal point is fixed only in continuous bracket

shooting when AF mode is set to [Single-shot AF] or [Automatic AF] with an still subject.

• When the flash is not used, ambient bracket shooting is performed and the shutter speed and aperture are

changed to accommodate bracket shooting. When the flash is used, flash bracket shooting is performed

and the flash light is changed.

• In ambient bracket shooting, the shutter speed and aperture change in program auto mode, the shutter

speed changes in aperture priority mode, and aperture changes in shutter speed priority mode. Normally,

the shutter speed changes in manual mode. You can change the aperture by pressing and holding the AEL

(AE Lock) button while taking a picture.

Ambient light: Any light other than the flash light that shines on the scene for an extended period of time,

such as natural light, a light bulb, or a fluorescent light.

The Ev scale in bracket shooting

When bracket shooting is selected, the Ev scale is changed

• In ambient bracket shooting, the Ev scale appears in the viewfinder, too, but it does not appear in flash

bracket shooting.

• When the bracket shooting starts, the indexes that indicate already recorded images start to disappear one

by one.

Single bracket

(Bracket:0.3Ev single) Shoots images frame by frame with the exposure value

shifted by plus or minus 0.3 step. Press the shutter button

frame by frame.

(Bracket:0.7Ev single) Shoots images frame by frame with the exposure value

shifted by plus or minus 0.7 step. Press the shutter button

frame by frame.

Ambient bracket

0.3 steps

Exposure compensation 0

Ambient bracket

0.3 steps

Exposure compensation

1.0

Flash bracket

0.7 steps

Flash compensation -1.0

LCD

monitor

Shown in the top row. Shown in the top row. Shown in the bottom row.

Viewfinder

For details on the operation

page 60

• When Single bracket is selected, if the shutter button is pressed halfway down and released, “br 1” appears

for the ambient light bracket and “Fbr 1” appears for the flash bracket in the viewfinder. When bracket

shooting starts, it indicates what number the next frame is, for instance, “br 2”, “br 3”.

Based on the selected white balance, and color temperature/CC filter, three pictures are taken

while automatically shifting the color temperature. One shot records three frames of an image

in the order of “an image with normal white balance”, “- side (an image with paler colors)”,

and “+ side (an image with reddish colors.)”

( : The default setting)

*Mired: a unit to indicate the color conversion quality in color temperature filters.

• Only the image recorded last is displayed in instant playback (page 84).

White balance bracket shooting

(Bracket: WB (L)) Shifts the white balance by 10 mired* when taking a picture.

(Bracket: WB (H)) Shifts the white balance by 20 mired* when taking a picture.

Using the shooting functions

Adjusting the exposure

You can manually shift the exposure value determined by the camera. Use this mode when you

do not get the proper exposure, for instance, the subject and its background have high contrast

(light and dark).

Press the +/– (Exposure) button and turn the control dial to adjust the exposure.

Toward +: Brightens an image.

0:The exposure is determined automatically by

the camera.

Toward –: Darkens an image.

Toward – Toward +

The compensation level is displayed in the Ev scale on the LCD monitor and in the viewfinder.

• For details on the exposure t page 16

• The exposure is compensated by 1/3 of a step between ±2.0EV.

• You can check the result of the exposure compensation using the histogram display (page 74).

+/– (Exposure) button

Control dial

zShooting techniques

While shooting images, the camera automatically determines the exposure. When shooting a whitish

overall image such as a backlit subject or a snowy scene, the camera judges that the subject is bright and

may set a darker exposure for the image. In such cases, adjustment of the exposure in the + plus direction

is effective.

When shooting a darker overall image, the camera judges that the subject is dark and may set a brighter

exposure for the image. In such cases, adjustment of the exposure in the – minus direction is effective.

You can try to adjust the exposure to suit your taste.

Adjust in the + direction

Adjust in the – direction

Using the shooting functions

Locking the exposure (AE lock)

You can fix the exposure before deciding on the composition when taking a picture. This is

effective when the metering object and focusing object are different, or when you want to

shoot continuously while keeping the same exposure value.

1Target the subject for which you want to meter the exposure.

• Adjust the focus (you do not need to lock the focus.)

2Press the AEL (AE lock) button.

• “AEL”* lights up in the viewfinder and on the LCD monitor to indicate that the exposure is locked.

* AEL: Stands for Auto Exposure Lock

3While pressing the AEL (AE lock) button, recompose the image, if necessary, and press the

shutter button to take the picture.

• If the AEL (AE lock) button is kept down after a shot, you can continue to shoot with the same exposure

value. The setting is canceled when the button is released.

• When the flash is fired in a mode other than shutter speed priority mode or manual mode, slow sync

control is activated and AE Lock is performed (page 69).

• You can set the camera to keep the exposure value after releasing the AEL (AE lock) button (page 93).

• Regardless of the type of metering mode selected, you can set the camera to temporarily fix the exposure

using the spot metering (Spot AEL) by pressing the AEL (AE lock) button (page 93).

About the Ev scale when the AEL (AE lock) button is pressed

When you lock the exposure by pressing the AEL (AE lock) button, the locked exposure value

is set as the standard (0). After recomposing, the Ev scale displays the metered light level

within the spot metering circle. This tells you the difference in brightness among the segments

of the screen.

• If the light level within the spot metering circle exceeds 2.0Ev more/less than the standard value, gG

appears at the end of the Ev scale. The gG starts flashing if the difference becomes any greater.

AEL (AE lock) button

Shutter button

Example: When the composition is determined in the scene below and the AEL (AE lock)

button is pressed

The indicator displays are as follows when the AEL (AE lock) button is pressed.

AEL (AE lock) button is

pressed

Recompose on 1 while

holding the AEL (AE lock)

button down

Recompose on 2 while

holding the AEL (AE lock)

button down

Turn the camera on 1 and

the light level of 1 is

displayed. The locked

exposure (0) stays the same.

The light level of 1 is 1.3Ev

less than the locked exposure

(varies according to the

recomposition of the shot)

The locked exposure is equal

to the light level within the

spot metering circle

Turn the camera on 1 and

the light level of 1 is

displayed. The locked

exposure (0) stays the same.

The light level of 1 is 1.0Ev

less than the locked exposure

(varies according to the

recomposition of the shot)

2 Bright area

Spot metering circle

1 Slightly darker area

Multi-segment/Center metering

The locked exposure

The light level within the spot

metering circle is 0.3Ev less

than the locked exposure

(varies according to the

recomposition of the shot)

Turn the camera on 2 and

the light level of 2 is

displayed. The arrow

indicates 2 will white out.

Spot metering

Using the shooting functions

Slow Sync (Shooting the dark background

with flash)

When you shoot a portrait outdoors at night with a dark background, a normal use of flash will

capture a clear image of the subject, but the background is out of flash range and will be too

dark. In such a case, slow sync shooting (shooting with the flash and a slow shutter speed)

allows you to capture a clear image of both the subject and the background.

1Pull up the built-in flash.

2Shoot with the AEL (AE lock) button pressed.

“AEL” in the viewfinder and on the LCD monitor lights up to indicate the exposure is locked.

• Use of a tripod is recommended because of the slower shutter speed.

• When the flash is not used, you can fix the exposure by pressing the AEL (AE lock) button (page 67).

• In shutter speed priority mode or manual mode, slow sync shooting is not available using the AEL (AE

lock) button.

• You can set the camera to keep the slow sync mode after the AEL (AE lock) button is released (page 93).

AEL (AE lock) button

Flash

Depth-of-field preview

The viewfinder shows an image captured with the widest aperture. The change in aperture

affects the sharpness of the subject image, creating a discrepancy between the sharpness seen

in the viewfinder and in the actual picture. The preview function enables you to see the image

with the aperture used in the actual shooting, allowing you to check the approximate sharpness

of the subject image before the actual shooting.

Press the depth-of-field preview button after the subject is in focus.

While the button is held down, the aperture is narrowed to match the aperture value displayed in the

viewfinder.

• About aperture and blurred images, t aperture priority mode (page 34)

• The image in the viewfinder will be darker because the aperture is narrowed (aperture value is greater.)

• The aperture value can be changed during preview.

• When the focus is not fixed and the preview button is pressed, you cannot take a picture. To take a picture,

press the depth-of-field preview button with z lit in the viewfinder.

• With a lens equipped with a focus hold button, you can set the camera to perform the preview function

using the focus hold button (page 93).

Depth-of-field preview

button

Using the shooting functions

Focusing manually

When it is difficult to get the proper focus in auto focus mode, you can adjust the focus

manually.

1Set the focus mode switch to MF*.

* MF: stands for Manual Focus.

2Turn the focusing ring of the lens to achieve a sharp focus.

• In the case of a subject that can be focused in auto focus mode, the z indicator lights up in the viewfinder

when the focus is confirmed. When the wide focus frame is used, the center frame is used, and when the

local focus frame is used, the frame that is selected with the controller is used.

• To obtain steady exposure in manual focus mode, the camera uses the distance information to determine

the exposure. To improve the precision of the distance information, the camera resets the focal length to

(infinity) when the POWER switch is set to ON.

Focus mode switch

Focusing ring

Using the viewing functions

Switching the playback screen

During playback, each time you press the (Display) button, the screen changes between

the index screen and the single-image screen.

In index mode (File browser)

To select the folder

1Press (Reduce) to highlight the folder name.

2Select the desired folder with b/B on the controller.

3Press (Reduce) to move to the images area and select the desired image with v/V/b/B on the

controller.

In each folder, six frames of image are displayed on

the LCD monitor (File browser index). You can move

frames around with v/V/b/B on the controller. This is

useful when you want to scan the images to find the

one you want.

• You can display all the images other than by the folder. The

images can be displayed four images at a time, nine images

at a time, or 16 images at a time (page 90).

(Reduce) button

(Playback) button

(Display) button

Controller

Single-image screen

(with recording data)

Single-image screen

(without recording

data)

Index screen

The folder containing the

images now displayed

First three digits of the folder

name (Folder number)

Using the viewing functions

To delete all the images in the folder

You can delete all the images in the folder when the file browser index screen is displayed.

1Select the folder you want to delete with b/B on the controller.

2Press the (Delete) button.

The message “Delete folder and its contents?” appears.

3Select “Yes” with b, then press the center of the controller.

The selected folder is deleted.

• You can continue to delete folders.

• You can set the confirmation screen to [Yes], as previously selected in the Setup menu (page 103).

• When you want to delete selected images, see page 88.

• It may take a long time to delete a lot of images. It is recommended that you delete images on a computer

or format the recording medium using the camera.

• Once you have deleted an image, you cannot restore it.

• Protected images cannot be deleted.

• If you delete the recording folder currently selected with [Select folder], select a recording folder again

with [Select folder] in the Setup menu (page 101).

Displaying the histogram

The histogram and recording data of the displayed image can be displayed.

Press v on the controller to display the histogram in single-image playback. Press v on the

controller again to return to single-image playback.

• You can select images with b/B.

• You can enlarge images with the (Enlarge) button.

(Enlarge) button

Controller

When the image has a high-key or low-key portion, that portion is

illuminated on the histogram display (Luminance limit warning).

Using the viewing functions

zAbout Histogram

A histogram is the luminance distribution that shows how many

pixels of a particular brightness exist in the picture. The

histogram display of this camera shows the brightness on the

horizontal axis (left side is black, right side is white) and the

number of pixels on the vertical axis. The exposure

compensation will change the histogram accordingly. Below is

an example.

For details on pixels t page 17.

Both ends of the histogram consist only of data of 100% black or white*. Therefore, when the data is

transferred to a PC later in order to compensate it, it is impossible to restore the area that has been

blacked/whitened out. Checking the histogram allows you to know the status of the image beforehand.

* To be exact, a color image is expressed with RGB. Thus, the white is equal to R255, G255, B255, and

the black is equal to R0, G0, B0.

Dark Light

Number of pixels

Use the exposure

compensation on

the positive side.

Shooting with the

exposure

compensation on the

positive side brightens

the whole picture,

making the entire

histogram shift to the

bright side (right side).

If the exposure

compensation is used

on the negative side,

the histogram will

shift to the other side.

Rotating an image

You can rotate a playback image.

1Display the image you want to rotate in single-image playback.

2Each time you press V on the controller, the image is rotated as illustrated above.

• Once you rotate the image, the image rotation information is retained, even if you display other images or

turn off the power. The image is played back in the rotated position next time.

• When you copy rotated images to a computer, “Picture Motion Browser” (supplied) can display the

rotated images correctly. However, the images may not be rotated depending on the software.

• You can rotate an image when using a write-protected recording medium, however, the image will not be

rotated on the next playback.

Controller

Using the viewing functions

Enlarging images

An image can be enlarged for closer examination.

1Press the (Enlarge) button in single-image (or index) playback mode.

The center of the image is enlarged.

• You can scale up or down with the (Enlarge) button or the (Reduce) button.

2Select the portion you want to enlarge with v/V/b/B on the controller.

• You can select the image with the control dial.

• Each time you press the center of the controller, the screen changes between the enlarged screen and

the whole screen.

3Press the (Playback) button so that enlarged playback is canceled and the screen returns to

single-image (or index) playback mode.

The scaling range is as follows. (The scale is not displayed)

• Pressing the (Display) button clears the indications on the screen during enlarged playback.

Image size Scaling range

L:10M Approx. ×1.1 – ×12

M:5.6M Approx. ×1.1 – ×9

S:2.5M Approx. ×1.1 – ×6

(Enlarge) button

(Reduce) button

(Playback) button

(Display) button

Controller

The portion to be

enlarged if the center

button is pressed

The map of the enlarged portion

Viewing images on a TV screen

You can view images on a TV screen by

connecting the camera to a TV.

Turn off both your camera and the TV

before connecting the camera and the TV.

1Connect the camera to the TV.

2Turn on the TV and set the TV/

video input switch to “video.”

• For details, see the operating instructions

supplied with the TV.

3Turn on the camera, and press

(Playback).

Images shot with the camera appear on

the TV screen.

Press b/B on the controller to select the

desired image.

• When using your camera abroad, it may be

necessary to switch the video signal output

to match that of your TV system (page 98).

• When you display the images recorded in

Adobe RGB mode on the camera or sRGB

devices, such as on TVs/LCD monitors that are

not compatible with Adobe RGB (DCF2.0/

Exif2.21), the images are displayed by lower

intensity level.

• The LCD monitor on the rear of the camera does

not turned on.

• The image quality displayed on a TV screen is a

little deteriorated comparing to images

displayed on a PC monitor.

1To video input jack

Video cable

2To the VIDEO

jack

Controller

button

Using the viewing functions

On TV color systems

If you want to view images on a TV screen,

you need a TV with a video input jack and

the video cable. The color system of the TV

must match that of your digital still camera.

Check the following lists for the TV color

system of the country or region where the

camera is used.

NTSC system

Bahama Islands, Bolivia, Canada, Central

America, Chile, Colombia, Ecuador,

Jamaica, Japan, Korea, Mexico, Peru,

Surinam, Taiwan, the Philippines, the

U.S.A., Venezuela, etc.

PAL system

Australia, Austria, Belgium, China, Czech

Republic, Denmark, Finland, Germany,

Holland, Hong Kong, Hungary, Italy,

Kuwait, Malaysia, New Zealand, Norway,

Poland, Portugal, Singapore, Slovak

Republic, Spain, Sweden, Switzerland,

Thailand, United Kingdom, etc.

PAL-M system

Brazil

PAL-N system

Argentina, Paraguay, Uruguay

SECAM system

Bulgaria, France, Guiana, Iran, Iraq,

Monaco, Russia, Ukraine, etc.

Using the menu

Using menu items

1Turn on the power.

2Press MENU to display the menu.

3Select the desired menu with b/B on the

controller, then press the center of the

controller.

Recording menu Custom menu

Playback menu Setup menu

• When the desired menu is already displayed (the menu icon is

displayed on the extreme left), skip this step.

4Select the page with b/B on the controller.

5Select the desired item with v/V on the

controller.

Center of the controller

MENU button Controller

Menu now

selected

Menus not

selected

Using the menu

6Display the options with B on the controller.

• To return to the menu options, press b.

7Select the desired option v/V on the controller,

then press the center of the controller.

8Press MENU to turn off the menu.

• The menu is also turned off if you press the shutter button halfway down.

• When setting the menu, you can substitute the control dial for b/B on the controller.

• During operation, if you press MENU, the setup is canceled and the camera returns to the recording (or

playback) mode.

• When you display a menu, you can display the previously selected menu first (page 102).

For details on the operation

page 80

Menu list

Recording menu (pages 83 to 87)

Playback menu (pages 88 to 92)

Custom menu (pages 93 to 97)

Setup menu (pages 98 to 104)

Image size

Quality

Inst.Playback

Noise reductn

Eye-Start AF

Red eye

Flash control

Flash default

Bracket order

Reset

Delete

Format

Protect

Index format

Slide show

DPOF set

•Date imprint

•Index print

•Cancel print

Priority setup

FocusHoldButt.

AEL button

Ctrl dial set

Exp. comp. set

AF illuminator

Shutter lock

AF area setup

Monitor Disp.

Rec. display

Play. display

123

LCDbrightness

Transfer mode

Video output

Audio signals

Language

Date/Time set

File # memory

•Reset

Folder name

Select folder

•New folder

LCD backlight

Power save

MenuSec.Memory

Delete conf.

Clean CCD

Reset default

For details on the operation

page 80

Recording menu

Recording menu 1

Recording menu

The default settings are marked with .

For details, see page17.

• For details on the number of images that can be taken when the image size is changed, see page 27.

• When [Quality] is set to [RAW] or [RAW & JPEG], image size is fixed to [L:10M].

The image compression rate determines the image quality. As the file size (page 17) of the

uncompressed image will be larger, it is common for a digital camera to compress the

recorded image.

• For details on the image quality t page 17

• For details on the number of images that can be taken when the image quality is changed, see page 27.

Image size

L:10M 3872 × 2592 pixels

M:5.6M 2896 × 1936 pixels

S:2.5M 1920 × 1280 pixels

Quality

RAW (RAW) File format: RAW (raw data)

A RAW file is the raw material to be processed on the

computer for professional purposes. The file can be opened

with the “Image Data Converter SR” provided on the CD-

ROM (supplied) (page 119).

• The image size is fixed to [L:10M]. The image size is not

displayed on the LCD monitor.

RAW & JPEG (RAW+) File format: RAW (raw data) + JPEG

When the shutter button is pressed, a RAW image and a JPEG

image are created at the same time. This is suitable when you

need two image files, a JPEG for viewing, and a RAW for

editing. The size of the JPEG image is fixed to [L:10M] and

the image quality is fixed to [Fine].

Fine (FINE) File format: JPEG

The image is compressed in the JPEG format when recorded.

The higher the compression rate, the smaller the file size.

This will allow more files to be recorded in one recording

medium, but the image quality will be lower.

Once the image quality is lowered, it cannot be restored on a

computer afterwards. If you plan to process or edit the image

file later, consider the image quality carefully when selecting

the setting.

Standard (STD)

For details on the operation

page 80

zAbout RAW files

The digital camera receives the image of the subject captured by the CCD (Charge-Coupled Device), which

acts as the film for a normal camera. The RAW format file is the raw data recorded on the CCD yet to go

through any kind of digital processing. A RAW file is different from a more common file format such as

JPEG in that it is the raw material to be processed for professional purposes. You need the “Image Data

Converter SR” software included on the CD-ROM (supplied) in order to open a RAW file recorded on this

camera. With this software, a RAW file can be opened and converted to a common format, such as JPEG or

TIFF, and its white balance, color saturation, contrast, etc., can be readjusted.

• Recording a RAW format image entails the following limitations.

– The image size is fixed to the largest size (L:10M)

– The RAW file cannot be printed using a DPOF (print) designated printer or a PictBridge compliant

printer.

– Unlike a JPEG image, a RAW image does not go through any basic image processing, so its colors

cannot be accurately reproduced in playback mode or on an instant playback screen. If the data is

correctly recorded, accurate colors can be reproduced on a computer.

After an image is recorded, you can display it on the LCD monitor for two, five, or 10

seconds. You can also delete it during instant playback.

To delete the image during instant playback

Press (Delete), then select [Yes] on the confirmation screen with b on the controller, then press the

center of the controller.

• During instant playback, you can switch the recording information on and off (page 72), choose to display

the histogram (page 74), or enlarge the image (page 77). If a local focus frame is selected when an image

is enlarged, the image is enlarged centering around the selected frame.

• Instant playback of continuous shooting, continuous bracket, and white balance bracket shows only the

image recorded last. If you delete the image following the process above, only the displayed image is

deleted.

• In instant playback, the image will not be displayed in the vertical position even if you set [Play. display]

to [Auto rotate] (page 97).

Inst.Playback

10 sec. Displays the image on the LCD monitor for 10 seconds.

5 sec. Displays the image on the LCD monitor for five seconds.

2 sec. Displays the image on the LCD monitor for two seconds.

Off Does not display the image.

Recording menu

For details on the operation

page 80

Long exposure makes noise conspicuous. When the shutter speed is one second or slower,

noise reduction is activated to reduce the grainy noise that is common in long exposures.

• Noise reduction is not performed on continuous shooting or continuous bracketing regardless of this

setting.

The focus is confirmed when you look into the viewfinder, and the shutter speed and aperture

are adjusted automatically.

Noise reductn

On When a long exposure of one second or longer takes place,

the noise reduction process is performed for the duration that

the shutter was open. While the noise reduction is being

performed, the message “Processing...” appears on the LCD

monitor. You cannot take the next picture until the process is

over.

Off This mode does not perform noise reduction. This is suitable

when timing of shooting takes precedence. However, this

makes the noise more conspicuous. It is recommended that

you activate the noise reduction if you use long exposure.

Eye-Start AF

On Automatically adjusts the focus.

• This mode uses up the battery charge faster than [Off].

Off Does not adjust the focus.

For details on the operation

page 80

Recording menu 2

The default settings are marked with .

Reduces the red-eye phenomenon by providing low-flash light a few times before shooting

when using the flash.

• Red-Eye reduction is available only with the built-in flash. (When using an external flash (not supplied),

the red-eye phenomenon rarely occurs.)

You can select the flash control mode to set the amount of flash light.

ADI: stands for “Advanced Distance Integration”

P-TTL: stands for “Pre-flash, Through the lens”

• When the distance between the subject and the external flash (not supplied) cannot be determined,

(wireless flash shooting using an external flash (not supplied), shooting with an off-camera flash using a

cable, shooting with a macro twin flash or ring light, etc.) the camera automatically selects Pre-flash TTL

mode.

• Select [Pre-flash TTL] in the following cases, as the camera cannot obtain accurate distance information

with ADI flash.

– A wide panel is attached to the HVL-F36AM flash.

– A diffuser is attached to the surface of the flash.

– A filter with an exposure factor, such as an ND filter, is used.

– A close-up lens is used.

• ADI flash is only available in combination with the lens that is provided with a distance encoder. To

determine the lens is equipped with a distance encoder, refer to the operating instructions supplied with

the lens.

When the mode dial is set to AUTO, P, or Scene Selection, the flash mode is set to autoflash

(default setting) automatically. When the flash is pulled up, if you want to make sure the flash

fires without fail, you can set it to Fill-flash. In either case, you can change the flash mode

with the function dial and the Fn button.

Red eye

On Reduces the red-eye phenomenon.

Off Does not use Red-Eye Reduction.

Flash control

ADI flash A pre-flash is fired right before shooting, and the camera sets

the amount of flash light by measuring the amount of

reflected light from the pre-flash and the associated distance

information.

Pre-flash TTL A pre-flash is fired right before shooting, and the camera sets

the amount of flash light by measuring only the amount of

reflected light from the pre-flash. The distance information is

not used in the calculation.

Flash default

Recording menu

For details on the operation

page 80

The order in bracket shooting (page 62) can be selected. The order is common to both ambient

light bracket and flash light bracket.

• This does not apply to white balance bracket.

You can reset the main functions of the recording mode.

1Select [Enter] in [ Reset].

The message “Reset recording mode?” appears on the LCD monitor.

2Select [Yes] with b on the controller, then press the center of the controller.

The main functions of the recording mode are reset.

• For details on the items to be reset, see “Reset default” (page 151).

Autoflash When the mode dial is set to AUTO, P, or Scene Selection,

and the flash is pulled up, the flash fires automatically only

when the flash is necessary.

Fill-flash When the mode dial is set to AUTO, P, or Scene Selection,

and the flash is pulled up, the flash fires every time.

Bracket order

0 t – t + Use 0Ev in shooting the first picture which presents the best

shooting opportunity.

Example: 0Ev t –0.3Ev t +0.3Ev

– t 0 t +Ordered from low to high exposure.

Example: –0.7Ev t 0Ev t +0.7Ev

Reset

For details on the operation

page 80

Playback menu 1

Playback menu

The default settings are marked with .

You can delete unnecessary images.

• Once you have deleted an image, you cannot restore it.

• Protected images cannot be deleted.

• Use the (Delete) button to quickly delete images frame by frame (t step 6 in “Read This First”).

• You can delete all the images in the folder collectively (page 73).

To delete selected images

1Select [MarkedImages] in [Delete].

2Select the image you want to delete with b/B on the controller, then press v.

A mark appears on the selected image.

• To cancel a selection, press V.

3To delete other images, repeat step 2.

4Press the center of the controller.

The message “Delete marked images?” appears.

5Select [Yes] with b on the controller, then press the center of the controller.

The selected images are deleted, and the screen returns to the menu screen.

To delete all images

1Select [All images] in [Delete].

The message “Delete all images on card?” appears.

2Select [Yes] with b on the controller, then press the center of the controller.

All the images are deleted, and the screen returns to the menu screen.

• It may take a long time to delete a lot of images by selecting [All images]. It is recommended that you

delete images on a computer or format the recording medium using the camera.

Delete

MarkedImages Deletes only the selected images.

Follow the procedure below.

All images Deletes all the images on the recording medium.

Follow the procedure below.

Playback menu

For details on the operation

page 80

Formats the recording medium.

• Note that formatting irrevocably erases all data on a recording medium, including protected images.

1Select [Enter] in [Format].

The message “All data will be deleted. Format?” appears.

2Select [Yes] with b on the controller, then press the center of the controller.

The format is completed.

• During the format, the access lamp lights up. Do not eject the recording medium while the lamp is lit.

• Formatting may take several minutes depending on the recording medium.

• Format the recording medium using the camera. If you format it on a computer, the recording medium

may not be usable with the camera, depending on the format type used.

Protects images against accidental erasure.

To protect selected images

1Select [MarkedImages] in [ Protect].

2Select the image you want to protect with b/B on the controller, then press v.

A mark appears on the selected image.

• To cancel a selection, press V.

3To protect other images, repeat step 2.

4Press the center of the controller.

The image is protected, and the screen returns to the menu screen.

Format

Protect

MarkedImages Protects only the selected images.

Follow the procedure below.

All images Protects all the images on the recording medium.

Cancel all Cancels the protection of all the images on the recording

medium.

For details on the operation

page 80

You can select the index screen format from the following settings.

Index format

16 image Displays 16 images on the screen.

9 image Displays nine images on the screen.

4 image Displays four images on the screen.

File browser Displays six images on the screen from folder to folder.

9 images 4 images File browser

16 images

For details on the operation

page 80

Playback menu

Playback menu 2

The default settings are marked with .

Plays back recorded images in order with a 5-second interval (Slide show).

Select [Enter] in [Slide show].

The slide show starts.

To end the slide show, press V on the controller or MENU.

• During a slide show, you can display the previous/next image with b/B.

• You can pause/play back the slide show with the center of the controller.

• You can switch the recording data on/off with the (Display) button.

Using the camera, you can specify the images and the number of images to print before you

print images at a shop or with your printer.

• You cannot mark RAW data files.

• To print an image recorded in Adobe RGB with faithful color, the printer needs to be DCF2.0 option color

space compliant.

• You can specify any number up to 9.

To mark selected images

1Select [MarkedImages] in [ DPOF set].

2Select the image you want to mark with b/B on the controller, then select the number of sheets

with v/V (increases with v and decreases with V).

A (DPOF set) mark appears on the selected image, and the number of sheets is selected.

• To cancel a selection, press V repeatedly to remove the (DPOF set) mark.

3To mark other images, repeat step 2.

4Press the center of the controller.

A (DPOF set) mark appears on the selected image, and the screen returns to the menu screen.

Slide show

DPOF set

MarkedImages Prints only the selected images.

Follow the procedure below.

All on card Prints all the images in the recording medium.

Follow the procedure below.

For details on the operation

page 80

To mark all the images

1Select [All on card] in [ DPOF set].

2Select the number of sheets with v/V on the controller (increases with v and decreases with V).

You cannot separately set the number of images.

3Press the center of the controller.

A (DPOF set) mark appears on all the images, and the screen returns to the menu screen.

• When a DPOF-marked image is played back, and its number are inserted onto the image.

• If you insert a recording medium that contains DPOF-marked images specified with other cameras into

this camera, then specify images to which to attach a DPOF-mark, the DPOF specifications made with

other cameras are canceled.

You can impose the date onto images when printing images. The position of the date (inside or

outside the image, character size, etc.) depends on your printer.

• Normally, only the date is inserted, however, imposed items may be different depending on the printer.

This function may not be provided, depending on the printer.

You can create an index print of all the images in the folder (Index print). This camera can

specify an index print, as well as frame by frame printing.

• The number of images to print on a sheet and the format depend on the printer. RAW images do not print

in index print.

• The images you shot after setting the index print are not included in the index print. It is recommended

that you create the index print just before printing it.

You can clear the (DPOF) marks. When you do so, the index print is also canceled. Since

the (DPOF) marks are left on after printing, it is recommended that you just clear the

marks.

1Select [Enter] in [Cancel print].

The message “Cancel all?” appears.

2Select [Yes] with b on the controller, then press the center of the controller.

The (DPOF) marks of all the images are cleared.

Date imprint

On Imposes the date.

Off Does not impose the date.

Index print

On Specifies an index print.

Off Does not specify an index print.

Cancel print

For details on the operation

page 80

Custom menu

Custom menu 1

Custom menu

The default settings are marked with .

Select a setting for shutter release.

* RP: Stands for Release Priority.

• When [Release] is selected, “RP” appears on the recording information display. It is recommended that

you shoot after confirming the focus in the viewfinder.

If you use a lens equipped with a focus hold button, you can change the function of the button

to preview a shot.

The function and the mode of operation of the AEL (AE Lock) button can be changed.

The AEL (AE Lock) button has two functions; an “AEL” function that locks the exposure

value (shutter speed and aperture) in any metering mode, and a “ (Spot) AEL” function that

temporarily performs spot metering and locks the acquired exposure value. The AEL button

has two modes of operation; “hold” that functions only when the button is held down, and

“toggle” that switches between activation and deactivation each time the button is pressed. Of

these, the following combinations are available.

Priority setup

AF The shutter cannot be released when the focus is not

confirmed.

Release (RP*) The shutter can be released even when the focus is not

confirmed. Select this setting if the shooting opportunity

takes precedence.

FocusHoldButt.

Focus hold Use the button as the focus hold button.

D.O.F.preview Use the focus hold button as the depth-of-field preview

button.

AEL button

AE hold While the button is held down, the exposure value in the

selected metering mode is locked.

Press the shutter button to take a picture while keeping the

AEL (AE Lock) button pressed down. This is suitable when

the exposure needs to be maintained at the same level.

AE toggle Press the button once and release it, and the exposure value in

the selected metering mode stays locked. Press the button

again, and the lock is released.

There is no need to hold the AEL (AE Lock) button down

when the shutter button is pressed. This is suitable when the

exposure needs to be maintained at the same level.

For details on the operation

page 80

• While the exposure value is locked, “AEL” appears on the LCD monitor and in the viewfinder. Be sure to

remember to release the lock when “AE toggle” is selected.

• Except for the shutter speed priority mode and the manual mode, slow sync is selected and AE lock is

performed when the flash is used (page 69).

• The “hold” and “toggle” settings affect the manual shift (page 39) in the manual mode.

You can change the function of the control dial in manual and program shift mode.

AE hold While the button is held down, the camera temporarily

performs spot metering regardless of the metering mode

previously selected and locks the acquired exposure value.

Press the shutter button to take a picture while keeping the

AEL (AE Lock) button pressed down. This is suitable if you

normally use multi-segment or center weighted metering but

need to temporarily use spot metering because of the type of

subject.

AE toggle Press the button once and release it, and the camera

temporarily performs spot metering regardless of the

metering mode previously selected and locks the acquired

exposure value. Press the button again, and the lock is

released.

There is no need to hold the AEL (AE Lock) button down

when the shutter button is pressed. This is suitable if you

normally use multi-segment or center weighted metering but

need to temporarily use spot metering because of the type of

subject.

Ctrl dial set

Shutter speed Manual Mode Control dial: Shutter speed

+/– (Exposure) button + Control dial: Aperture

Program Shift PS shift (The control dial changes the shutter

speed.)

Aperture Manual Mode Control dial: Aperture

+/– (Exposure) button + Control dial: Shutter

speed

Program Shift PA shift (The control dial changes the aperture.)

Custom menu

For details on the operation

page 80

In the default setting, if exposure compensation is selected when the flash is used, shutter

speed, aperture, ISO sensitivity (only in AUTO mode), and amount of flash light all change in

order to perform exposure compensation (page 65). By fixing the amount of flash light, you

can limit the effect of exposure compensation to the background that is illuminated only by

ambient light (light other than the flash.)

• With the flash compensation, you can limit the compensation to flash light range by fixing the exposure of

ambient light range that the flash light does not reach (page 57).

Values that change: amount of flash light

Values that do not change: shutter speed, aperture, ISO

When you press the shutter button halfway down using the flash under dark lighting, the flash

light may be fired. This is AF fill light to help easily focus a subject in auto focus mode. You

can set the AF illuminator to on or off.

• When AF illuminator is set to [Off], the AF illuminator of an external flash (not supplied) is not triggered.

Exp. comp. set

Ambient&flash Exposure compensation is performed on both the ambient

light range (the background that the flash light does not

reach) and the flash light range.

• Values that change: shutter speed, aperture, ISO (only in AUTO

mode), amount of flash light

• Values that do not change: none

Ambient only The exposure compensation is limited to the ambient light

range (the background), while the exposure of the flash light

range is fixed.

• Values that change: shutter speed, aperture, ISO (only in AUTO

mode)

• Values that do not change: amount of flash light

AF illuminator

On Fills the AF illuminator.

Off Does not fill the AF illuminator.

For details on the operation

page 80

Custom menu 2

The default settings are marked with .

You can set the shutter lock to keep the shutter from releasing when no recording medium is

inserted in the camera.

You can set the shutter lock to keep the shutter from releasing when no lens is mounted on the

camera. When attaching the camera to an astronomical telescope, for example, select [Off: no

lens] so the shutter can be released.

When the shutter button is pressed halfway down, the local focus frame in focus is briefly

illuminated in red. You can change the duration of illumination or turn off the illumination.

• When [Display off] is selected, the local focus frame is illuminated only when the controller or the spot

AF button is pressed.

Shutter lock

On: no card The shutter cannot be released when no recording medium is

inserted in the camera.

Off: no card The shutter can be released when no recording medium is

inserted in the camera.

Shutter lock

On: no lens The shutter cannot be released when no lens is mounted on

the camera.

Off: no lens The shutter can be released when no lens is mounted on the

camera.

AF area setup

0.6s. display The local focus frame is illuminated for 0.6 seconds.

0.3s. display The local focus frame is illuminated for 0.3 seconds.

Display off No illumination.

Custom menu

For details on the operation

page 80

The eyepiece sensors located right below the viewfinder determines whether the photographer

is looking into the viewfinder or not. The LCD monitor can be set to turn off automatically

when you are looking into the viewfinder.

• Regardless of the setting in this menu, the recording information display automatically turns off after a set

duration (five seconds in the default setting (page 102)).

You can set the recording information display to rotate automatically when the camera is in a

vertical position.

The image orientation can be recorded with the image which allows images recorded in a

vertical position to be automatically displayed in the vertical position.

• When [Auto rotate] is selected, an image loaded on a computer will be displayed in the vertical position

with “Picture Motion Browser”/“Image Data Converter SR” (supplied). The image may not be displayed

in a vertical position, depending on the software employed.

• To rotate the displayed image manually, see page 76.

Monitor Disp.

Automatic The LCD monitor turns off automatically when you look into

the viewfinder.

Manual The LCD monitor stays on when you look into the

viewfinder.

Rec. display

Auto rotate The display rotates automatically to a vertical position when

the camera is in a vertical position.

Horizontal The display does not rotate when the camera is in a vertical

position.

Play. display

Auto rotate The image orientation is recorded with the image.

Man. rotate The image orientation is not recorded with the image.

For details on the operation

page 80

Setup menu 1

Setup menu

The default settings are marked with .

You can adjust the brightness of the LCD monitor.

1Select [Enter] in [LCDbrightness].

2Adjust the brightness with b/B on the controller or with the control dial, then press the center of

the controller.

Selects the USB mode to be used when connecting the camera to a computer, etc., using a

USB cable.

Sets the video signal output according to the TV color system of the connected video

equipment. Different countries and regions use different TV color systems. If you want to

view images on a TV screen, check page 79 for the TV color system of the country or region

where the camera is used.

LCDbrightness

Transfer mode

Mass Storage Used for copying images to the computer. The camera is

recognized as a USB mass storage device.

PTP Prints the images with a PictBridge compliant printer or

copies images to PTP (Picture Transfer Protocol) compliant

devices.

• For details on printing with a PictBridge compliant printer, see

page 123.

Video output

NTSC Sets the video output signal to NTSC mode (e.g., for the USA,

Japan).

PAL Sets the video output signal to PAL mode (e.g., for Europe).

Setup menu

For details on the operation

page 80

Selects the sound produced when the shutter is locked, during self-timer countdown, etc.

Select the language to be used to display the menu items, warning, and messages.

1Select [ Language], then press B on the controller.

2Select the desired language with v/V on the controller, then press the center of the controller.

Sets the date and time.

Select [Enter] in [Date/Time set]. Then, perform the procedure explained in “Set the clock”

(t step 3 in “Read This First”).

Audio signals

On Turns on the sound.

Off Turns off the sound.

Language

Date/Time set

100

For details on the operation

page 80

Setup menu 2

The default settings are marked with .

Selects the method used to assign file numbers to images.

Resets the file number. The number returns to “0001”. When the recording folder contains a

file, a number one higher than the largest number is assigned.

Select [Enter] in [Reset].

The default standard form folder (100MSDCF, etc.) can be changed to a date form folder to

classify the folders by date for storage and playback.

• The folders and images saved in the standard form folder will retain their names.

• If the [Date form] is selected, the folder name will be displayed as follows.

A: Folder number

B: Y (the last digit) / MM / DD

File # memory

On Assigns numbers to files in sequence even if the recording

folder or the recording medium is changed, or all of the

images are deleted.

Off Starts from 0001 each time the folder is changed or each time

a recording date changes when using a date form folder.

When the recording folder contains a file, a number one

higher than the largest number is assigned.

Reset

Folder name

Std. form Selects the standard form folder.

Date form Selects the date form folder. A new folder will be created

automatically every time a recording date changes.

Example:

101

Setup menu

For details on the operation

page 80

When a standard form folder is selected and there are two or more folders, you can select the

recording folder to be used to record images.

1Select [Select folder], then press B on the controller.

2Select the desired folder with v/V on the controller, then press the center of the controller.

• You cannot select the folder when you are setting [Date form].

Creates a folder in a recording medium for recording images.

A new folder is created with a number incremented one higher than the largest number

currently used, and the folder becomes the current recording folder.

Select folder

New folder

102

For details on the operation

page 80

Setup menu 3

The default settings are marked with .

During shooting, the recording information display appears on the LCD monitor. You can

change the displayed time of the display.

• The display appears again if you press the shutter button halfway down or perform some other operation.

If you do not operate the camera for given period of time, the camera turns to power saving

mode and almost completely shuts down (Power Save). t step 3 in “Read This First”

You can set the time to turn the camera to the power save mode.

• Pressing the shutter button returns the camera to the recording mode.

In the default setting, when you press the MENU button, the 1 or 1 menu screen is

displayed first. You can change this setting to display the previously selected menu screen

first.

LCD backlight

1 min. Displays for one minute.

30 sec. Displays for 30 seconds.

10 sec. Displays for 10 seconds.

5 sec. Displays for five seconds.

Power save

30 min. The camera turns to power save mode after 30 minutes.

10 min. The camera turns to power save mode after 10 minutes.

5 min. The camera turns to power save mode after five minutes.

3 min. The camera turns to power save mode after three minutes.

1 min. The camera turns to power save mode after one minute.

MenuSec.Memory

Off Displays the 1 or 1 menu screen first.

On Displays the previously selected menu screen first.

103

Setup menu

For details on the operation

page 80

Before deleting images or folders, a confirmation screen, such as “Delete this image?”,

appears. Normally, [No] is selected by default, but you can set this default option so that [Yes]

is selected.

• This setting applies to both deleting images and folders.

If dust or debris enters the camera and lands on the CCD (the part that acts as the film), it may

appear on the photo image, depending on the shooting environment. If there is dust on the

CCD, use a commercially available blower brush and clean the CCD following the steps

below. You can easily brush the dust away using only the blower brush and the anti-dust

function.

•Cleaning can be performed only when the battery level is . Low battery power

during cleaning can cause damage to the shutter. The cleaning should be

completed quickly.

1Confirm that the battery is fully charged.

• The use of an AC Adaptor/charger (not supplied) is recommended.

2Select [Clean CCD], then select [Enter].

The message “After cleaning the CCD, turn camera off. Continue?” appears.

3Select [Yes] with b on the controller, and press the center of the controller.

• After the CCD vibrates for a short time, the mirror in front is lifted.

4Detach the lens.

5Use the blower brush to clean the CCD surface and the surrounding area.

• Do not touch the CCD with the tip of the brush. Complete the cleaning quickly.

• Hold the camera’s face downward to prevent the dust from resettling in the camera.

• Do not use a spray blower because it may scatter vapor inside the camera body.

Delete conf.

“Yes” [Yes] is selected by default.

“No” [No] is selected by default.

Clean CCD

104

For details on the operation

page 80

•When cleaning the CCD, do not put the tip of a blower brush into the cavity

beyond the lens mount. You do not need to put the blower brush close to the

CCD.

6Attach the lens and set the POWER switch to OFF.

• The camera starts beeping if the battery pack becomes low during cleaning. Stop the cleaning immediately

and set the POWER switch to OFF.

zTo keep dust from entering the camera

While it is impossible to completely shut out dust, the following reminders should help lower the possibility.

• Choose a location with little dust to change the lens, and complete the operation quickly.

• Do not leave the camera without a lens or the body cap.

• When attaching the body cap, remove all the dust from the cap before placing it on the camera.

You can reset the main functions of the camera.

1Select [Enter] in [Reset default].

The message “Reset default?” appears.

2Select [Yes] with b on the controller, then press the center of the controller.

The main functions are reset.

• For details on the items to be reset, see “Reset default” (page 151).

Reset default

105

Using your computer

Enjoying your Windows computer

For details on using a Macintosh computer,

refer to “Using your Macintosh computer”

(page 120).

This section describes the English version

screen contents.

Connecting the camera with your computer (page 107)

Preparing the camera and the computer, and connecting the

camera and your computer

Copying images to your computer (page 108)

Viewing images on your computer

Enjoying images using the α100 Application Software (page 114)

•Viewing images saved on your computer

•Viewing photos organized by date

•Editing images

Printing images

106

The following environment is

recommended for a computer connected to

the camera.

Recommended environment for

copying images

OS (pre-installed): Microsoft Windows

2000 Professional, Windows Millennium

Edition, Windows XP Home Edition or

Windows XP Professional

• Operation is not assured in an environment

based on an upgrade of the operating

systems described above or in a multi-boot

environment.

USB jack: Provided as standard

Recommended environment for using

“Picture Motion Browser”

OS (pre-installed): Microsoft Windows

2000 Professional, Windows Millennium

Edition, Windows XP Home Edition or

Windows XP Professional

CPU/Memory: Pentium III 500 MHz or

faster, 128 MB of RAM or more

(Recommended: Pentium III 800 MHz or

faster and 256 MB of RAM or more)

Software: DirectX 9.0c or later

Hard Disk: Disk space required for

installation—200 MB or more

Display:

800 × 600 dots or more, High Color (16-bit

color) or more

• This software is compatible with DirectX

technology. “DirectX” must be installed for use.

Recommended environment for using

“Image Data Converter SR Ver.1.1”

OS (pre-installed): Microsoft Windows

2000 Professional, Windows XP Home

Edition, or Windows XP Professional

CPU: MMX Pentium III 1 GHz or faster is

recommended

Memory: 256 MB or more (512 MB or more

is recommended.)

Virtual memory: 700 MB or more

Display: 1024 × 768 dots or more, High

Color (16-bit color) or more

Notes on connecting your camera to a

computer

• Operations are not guaranteed for all the

recommended computer environments

mentioned above.

• If you connect two or more USB devices to a

single computer at the same time, some devices,

including your camera, may not operate,

depending on the types of USB devices you are

using.

• Operations are not guaranteed when using a

USB hub.

• Connecting your camera using a USB interface

that is compatible with Hi-Speed USB (USB 2.0

compliant) allows advanced transfer (high speed

transfer) as this camera is compatible with Hi-

Speed USB (USB 2.0 compliant).

• Check that [Transfer mode] in the Setup

menu is set to [Mass Storage]. If it is set to

[PTP], the camera is not recognized.

• When your computer resumes from a suspend or

sleep mode, communication between your

camera and your computer may not recover at

the same time.

Recommended computer

environment

107

Using your computer

Copying images to your computer

This section describes the process using a

Windows computer as an example.

You can copy images from the camera to

your computer as follows.

For directly inserting the recording

medium in a computer

Remove the recording medium from the

camera and insert it in the computer and

copy the images.

For connecting the camera with the

recording medium inserted to a

computer using the USB connection

Follow Stages 1 through 4 on pages 107 to

111 to copy images.

• Check that [Transfer mode] in the Setup

menu is set to [Mass Storage] (page 98).

1Insert a recording medium with

recorded images into the camera.

2Insert the sufficiently charged

battery pack in the camera, or

connect the camera to a wall

outlet (wall socket) with the AC

Adaptor/charger (not supplied).

• When you copy images to your computer

using insufficient battery pack, copying may

fail or image data may become corrupted if

the battery pack shut down too soon.

3Turn on the camera and the

computer.

Stage 1: Preparing the camera

and the computer

108

• With Windows XP, the AutoPlay wizard

appears on the desktop.

• For Windows 2000/Me, follow the procedure

explained in “Stage 3-B: Copying images to a

Computer” on page 109.

• For Windows XP, when the wizard screen does

not appear automatically, follow the procedure

explained in “Stage 3-B: Copying images to a

Computer” on page 109.

This section describes an example of

copying images to a “My Documents”

folder.

If the screen does not appear, press the

shutter button on the camera halfway down.

1After making a USB connection in

Stage 2, click [Copy pictures to a

folder on my computer using

Microsoft Scanner and Camera

Wizard] t [OK] as the wizard

screen appears automatically on

the desktop.

The “Scanner and Camera Wizard”

screen appears.

2Click [Next].

The images saved on the recording

medium of the camera appear.

• When the software (supplied) has been

installed, the [Import Images] screen may be

displayed (page 115). In that case, you can

also import images using “Picture Motion

Browser”.

Stage 2: Connecting the camera

and your computer

Stage 3-A: Copying images to a

computer

USB cable

1To a U S B j a ck

2To the USB jack

109

Using your computer

3Click the check box of unwanted

images to remove the checkmark

so they are not copied, then click

[Next].

The “Picture Name and Destination”

screen appears.

4Select a name and destination for

the images, then click [Next].

Image copying starts. When the copying

is completed, the “Other Options”

screen appears.

• This section describes an example of

copying images to the “My Documents”

folder.

5Click the radio button next to

[Nothing. I'm finished working

with these pictures] to select it,

then click [Next].

The “Completing the Scanner and

Camera Wizard” screen appears.

6Click [Finish].

The wizard screen closes.

• To continue copying other images,

disconnect the USB cable (page 111). Then

follow the procedure explained in “Stage 2:

Connecting the camera and your computer”

on page 108.

• RAW images cannot be displayed by this

method. Select [Open folder to view files] in

step 1, then open the [DCIM] folder following

the process described in Stage 3-B, below and

copy the images.

• For Windows XP, follow the procedure

explained in “Stage 3-A: Copying images to a

computer” on page 108.

This section describes an example of

copying images to the “My Documents”

folder.

If the screen does not appear, press the

shutter button on the camera halfway down.

Stage 3-B: Copying images to a

Computer

110

1Double-click [My Computer] t

[Removable Disk] t [DCIM].

2Double-click the folder where the

image files you want to copy are

stored.

Then, right-click an image file to

display the menu and click

[Copy].

• On the storage destination of the image

files, see page 112.

3Double-click the [My Documents]

folder. Then, right-click on the

“My Documents” window to

display the menu and click

[Paste].

The image files are copied to the “My

Documents” folder.

• When an image with the same file name

exists in the copy destination folder, the

overwrite confirmation message appears.

When you overwrite an existing image with

a new one, the original file data is deleted.

To copy an image file to the computer

without overwriting, change the file name to

a different name and then copy the image

file. However, note that if you change the

file name (page 113), you may not be able to

play back that image with your camera.

111

Using your computer

This section describes the procedure for

viewing copied images in the “My

Documents” folder.

1Click [Start] t [My Documents].

The contents of the “My Documents”

folder are displayed.

• If you are not using Windows XP, double-

click [My Documents] on the desktop.

2Double-click the desired image

file.

The image is displayed.

Perform the procedures listed below

beforehand when:

• Disconnecting the USB cable

• Removing a recording medium

• Turning off the camera

xFor Windows 2000/Me/XP

1Double-click on the tasktray.

2Click (USB Mass Storage Device) t

[Stop].

3Confirm the device on the confirmation

window, then click [OK].

4Click [OK].

The device is disconnected.

• Step 4 is unnecessary for Windows XP.

Stage 4: Viewing images on

your computer

To delete the USB connection

Double-click here

112

The image files recorded with your camera

are grouped as folders on the recording

medium.

Example: viewing folders on Windows XP

AFolders containing image data recorded

using this camera. (The first three digits

show the folder number.)

BYou can create a folder by date form (page

100).

• You cannot record/play back any images to the

“MISC” folder.

• If you delete folder except the latest folder in

file browser index screen, the folder number

becomes an unused number.

• Image files are named as follows. ssss (file

number) stands for any number within the range

from 0001 to 9999. The numerical portions of

the name of a RAW data file and its

corresponding JPEG image file are the same.

– JPEG files: DSC0ssss.JPG

– JPEG files (Adobe RGB):

_DSCssss.JPG

– RAW data file (other than Adobe RGB):

DSC0ssss.ARW

– RAW data file (Adobe RGB):

_DSCssss.ARW

• The extension may not be displayed depending

on the computer.

• For more information about folders, see pages

100, 101.

Image file storage destinations

and file names

113

Using your computer

Viewing image files stored on a computer with

your camera

This section describes the process using a

Windows computer as an example.

When an image file copied to a computer

no longer remains on a recording medium,

you can view that image again on the

camera by copying the image file on the

computer to a recording medium.

• Step 1 is not necessary if the file name set with

your camera has not been changed.

• You may be unable to play back some images

depending on the image size.

• When an image file has been processed by a

computer or when the image file was recorded

using a model other than that of your camera,

playback on your camera is not guaranteed.

• When there is no folder, first create a folder with

your camera (page 101) and then copy the image

file.

1Right-click the image file, then

click [Rename]. Change the file

name to “DSC0ssss.”

Enter a number from 0001 to 9999 for

ssss.

• If the overwrite confirmation message

appears, enter a different number.

• An extension may be displayed depending

on the computer settings. The extension for

images is JPG. Do not change the extension.

2Copy the image file to the

recording medium folder in the

following order.

1Right-click the image file, then click

[Copy].

2Double-click [Removable Disk] or

[Sony MemoryStick] in [My

Computer].

3Right-click the [sssMSDCF] folder

in the [DCIM] folder, then click [Paste].

•sss stands for any number within the

range from 100 to 999.

114

Installing the software (supplied)

You can install the software (supplied)

using the following procedure.

• In Windows 2000/XP, log on as Administrator.

• “Picture Motion Browser” and “Image Data

Converter SR Ver. 1.1” are installed at the same

time.

1Turn on your computer, and insert

the CD-ROM (supplied) into the

CD-ROM drive.

The installation menu screen appears.

• If it does not appear, double-click (My

Computer) t (SONYPICTUTIL).

2Click [Install].

The “Choose Setup Language” screen

appears.

3Select the desired language, then

click [Next].

The “License Agreement” screen

appears.

Read the agreement carefully. If you

accept the terms of the agreement, click

the radio button next to [I accept the

terms of the license agreement] and then

click [Next].

4Follow the instructions on the

screen to complete the

installation.

“Image Data Converter SR Ver.1.1” is

also installed.

• When the restarting confirmation message

appears, restart the computer following the

instructions on the screen.

• DirectX is also installed depending on your

computer environment.

• In Windows Me, “Image Data Converter SR

Ver. 1.1” is not installed.

5Remove the CD-ROM after the

installation is complete.

After you install the software, a shortcut

icon for the customers registration website

is created on the desktop.

Once you register on the website, you can

get secure and useful customer support.

http://www.sony.net/registration/di/

115

Using your computer

Using the software (supplied)

You can use images from the camera more

than ever by taking advantage of the

software.

This section summarizes the “Picture

Motion Browser” and “Image Data

Converter SR Ver. 1.1” and gives basic

instructions.

With the “Picture Motion Browser” you

can:

• Import images shot with the camera and display

them on the monitor.

• Organize images on the computer on a calendar

by shooting date to view them.

• Retouch, print, and send images as e-mail

attachments, change the shooting date, and

more.

• For details, refer to the Help.

To access the Help, click [Start] t [All

Programs] (in Windows 2000/Me,

[Programs]) t [Sony Picture Utility] t

[Help] t [Picture Motion Browser].

Starting the “Picture Motion Browser”

Double-click the (Picture Motion

Browser) icon on the desktop.

Or, from the Start menu: Click [Start] t

[All Programs] (in Windows 2000/Me,

[Programs]) t [Sony Picture Utility] t

[Picture Motion Browser].

Exiting the “Picture Motion Browser”

Click button in the top right corner of

the screen.

Follow these steps to import and view

images from the camera.

Importing images

1Make sure “Media Check Tool”* is

running.

* “Media Check Tool” is a program that

automatically detects and imports images

when a recording medium is inserted or

when the camera is connected.

Look for a (Media Check Tool) icon

in the taskbar.

• If there is no icon: Click [Start] t [All

Programs] (in Windows 2000/Me,

[Programs]) t [Sony Picture Utility] t

[Tools] t [Media Check Tool].

2Connect the camera to your

computer with the USB cable.

After the camera is automatically

detected, the [Import Images] screen is

displayed.

• If you will insert a recording medium

directly into a computer, first refer to page

107.

• In Windows XP, if the AutoPlay Wizard

appears, close it.

“Picture Motion Browser”

overview

Starting and exiting the “Picture

Motion Browser”

Basic instructions

116

3Import the images.

To start importing images, click the

[Import] button.

By default, images are imported into a

folder created in “My Pictures” that is

named with the date of importing.

• For instructions on changing the “Folder to

be imported”, refer to page 118.

Viewing images

1Checking imported images

When importing is complete, the

“Picture Motion Browser” starts.

Thumbnails of the imported images are

displayed.

• The “My Pictures” folder is set as the

default folder in “Viewed folders”.

• You can double-click a thumbnail to display

the image by itself.

2Viewing images in “Viewed

folders” arranged by shooting

date on a calendar

1Click the [Calendar] tab.

Years when images were shot are listed.

2Click the year.

Images shot that year are displayed,

arranged on the calendar by shooting

date.

3To display images by month, click the

desired month.

Thumbnails of images shot that month

are displayed.

4To display images by time, click the

desired date.

Thumbnails of images shot that day are

displayed, arranged by hour.

Year display screen

Month display screen

117

Using your computer

Hour display screen

• To list images from a particular year or

month, click that period on the left of the

screen.

3Displaying individual images

On the hour display screen, double-click

a thumbnail to display the image by

itself in a separate window.

• You can edit displayed images by clicking

the toolbar button.

Displaying images in full-screen

mode

To display a slide show of current images in

full-screen mode, click the button.

• To play or pause the slide show, click the

button on the lower left of the screen.

• To stop the slide show, click the button on

the lower left of the screen.

118

Preparing images stored on the

computer for viewing

To view them, register the folder that

contains the images as one of the “Viewed

folders”.

1Click on the main screen, or

choose [Register Folders to View]

from the [File] menu.

The settings screen for “Viewed

folders” registration is displayed.

2Specify the folder with images for

importing to register the folder as

one of the “Viewed folders”.

3Click [OK].

The image information is registered in

the database.

• Images in any subfolders of “Viewed folders”

are also registered.

Changing the “Folder to be imported”

To change the “Folder to be imported”,

access the “Import Settings” screen.

1Choose [Import Settings] t

[Location for Imported Images]

from the [File] menu.

The “Location for Imported Images”

screen is displayed.

2Choose the “Folder to be

imported”.

• You can specify the “Folder to be imported”

from folders registered as “Viewed folders.”

Updating image registration

information

To update image information, choose

[Update Database] from the [Tools] menu.

• Updating the database may take a while.

• If you rename image files or folders in “Viewed

folders”, they cannot be displayed with this

software. In this case, update the database.

To uninstall the “Picture Motion

Browser”

1Click [Start] t [Control Panel] (For

Windows 2000/Me: [Start] t [Settings]

t [Control Panel]), then double-click

[Add/Remove Programs].

2Select [Sony Picture Utility], then click

[Remove] (For Windows 2000/Me:

[Change/Remove]) to execute the

uninstallation.

Other functions

119

Using your computer

Using “Image Data Converter SR Ver. 1.1”

stored on the CD-ROM (supplied), you can

edit images recorded in RAW mode with

various corrections, such as tone curve, and

sharpness. Also, you can save the images in

a general-purpose file format.

• If you save the ARW format data as the RAW

format, the data is converted to the SR2 format.

• For details, refer to the Help.

To start up

Click the shortcut of “Image Data

Converter SR Ver. 1.1” on the desktop.

When starting up from the Start menu, click

[Start] t [All Programs] (For Windows

2000: [Program]) t [Sony Picture Utility]

t [Image Data Converter SR].

To exit

Click the button on the upper-right of

the screen.

Overview of “Image Data

Converter SR Ver.1.1”

Starting up or exiting “Image

Data Converter SR Ver. 1.1”

Technical Support

Additional information on this product

and answers to frequently asked

questions can be found at the Sony

Customer Support Website.

http://www.sony.net/

120

Using your Macintosh computer

You can copy images to your computer or

edit a RAW data file using “Image Data

Converter SR Ver.1.1”.

• “Picture Motion Browser” is not compatible

with Macintosh computers.

The following environment is

recommended for a computer connected to

the camera.

Recommended environment for

copying images

OS (pre-installed): Mac OS X (v10.1.3 or

later)

USB jack: Provided as standard

Recommended environment for using

“Image Data Converter SR Ver.1.1”

OS (pre-installed): Mac OS X (v10.3-10.4)

CPU: iMac, eMac, iBook, PowerBook, Power

Mac G4/G5 series, Mac mini

Memory: 256 MB or more (512 MB or more

is recommended.)

Display: 1024 × 768 dots or more,

32,000 colors or more

Notes on connecting your camera to a

computer

• Operations are not guaranteed for all the

recommended computer environments

mentioned above.

• If you connect two or more USB devices to a

single computer at the same time, some devices,

including your camera, may not operate

depending on the types of USB devices you are

using.

• Operations are not guaranteed when using a

USB hub.

• Connecting your camera using a USB interface

that is compatible with Hi-Speed USB (USB 2.0

compliant) allows advanced transfer (high speed

transfer) as this camera is compatible with Hi-

Speed USB (USB 2.0 compliant).

• Check that [Transfer mode] in the Setup

menu is set to [Mass Storage]. If it is set to

[PTP], the camera is not recognized.

• When your computer resumes from the suspend

or sleep mode, communication between your

camera and your computer may not recover at

the same time.

1Prepare the camera and a

Macintosh computer.

Perform the same procedure as that

described in “Stage 1: Preparing the

camera and the computer” on page 107.

2Connect the USB cable.

Perform the same procedure as that

described in “Stage 2: Connecting the

camera and your computer” on page

108.

3Copy image files to the Macintosh

computer.

1Double-click the newly recognized icon

t [DCIM] t the folder where the

images you want to copy are stored.

2Drag and drop the image files to the

hard disk icon.

The image files are copied to the hard

disk.

• For details on the storage location of the

images and file names, see page 112.

Recommended computer

environment Copying and viewing images on

a computer

121

Using your computer

4View images on the computer.

Double-click the hard disk icon t the

desired image file in the folder

containing the copied files to open that

image file.

Perform the procedures listed below

beforehand when:

• Disconnecting the USB cable

• Removing a recording medium

• Turning off the camera

Drag and drop the drive icon or the

icon of the recording medium to the

“Trash” icon.

The camera is disconnected from the

computer.

You can edit images recorded in RAW

mode with various corrections, such as tone

curve, sharpness. Also, you can save the

images as a general-purpose file format.

• Log on as Administrator for installation.

1Turn on your Macintosh computer, and

insert the CD-ROM (supplied) into the

CD-ROM drive.

2Double-click the CD-ROM icon.

3Copy the [IDCSR_INST.pkg] file in the

[MAC] folder to the hard disk icon.

4Double-click the [IDCSR_INST.pkg] file

in the copy-to folder.

Follow the instructions on the screen to

complete the installation.

• When the restarting confirmation message

appears, restart the computer following the

instructions on the screen.

• If you save the ARW format data as the RAW

format, the data is converted to the SR2 format.

Double-click [Image Data Converter SR] in

the [Application] folder.

To delete the USB connection

Installing “Image Data Converter

SR Ver.1.1”

Starting up “Image Data Converter

SR Ver.1.1”

Technical Support

Additional information on this product

and answers to frequently asked

questions can be found at the Sony

Customer Support Website.

http://www.sony.net/

122

Printing images

How to print images

Printing directly using a PictBridge compliant printer (page 123)

You can print images by connecting the camera directly to a

PictBridge compliant printer.

Printing directly using a “Memory Stick Duo”/CF card/Microdrive compliant printer

You can print images with a “Memory Stick Duo”/CF card/

Microdrive compliant printer.

For details, see the operating instructions supplied with the printer.

Printing using a computer

You can copy images to a computer using the supplied “Picture

Motion Browser” software and print the images.

Printing at a shop

You can take a recording medium containing images shot with your

camera to a photo printing service shop. You can make a (DPOF

set) mark on images that you want to print out in advance.

123

Printing images

Printing images directly using a PictBridge

compliant printer

Even if you do not have a computer, you

can print images shot using your camera by

connecting the camera directly to a

PictBridge compliant printer.

• “PictBridge” is based on the CIPA standard.

(CIPA: Camera & Imaging Products

Association)

In single-image mode

You can print a single image on a printing

sheet.

In index mode

You can print several images at a reduced

size on a printing sheet.

• An index print function may not be provided

depending on the printer.

• The quantity of images that can be printed as an

index image differ depending on the printer.

• You cannot print RAW data files.

Prepare the camera to connect it to the

printer with the USB cable.

• It is recommended to use the AC Adaptor/

charger (not supplied) to prevent the power from

turning off partway through printing.

1Press MENU to display the menu.

2 Select [ ] (Setup) with b/B on

the controller, then press the

center of the controller (page 80).

3Select [Transfer mode] with v/V,

then press B.

4Select [PTP] with V, then press

the center of the controller.

The USB mode is set to [PTP].

5Turn the camera off and insert the

recording medium that the

images have been recorded.

Stage 1: Preparing the camera

Controller

button

124

1Connect the camera to the

printer.

2Turn on your camera and the

printer.

The following screen appears.

• If the screen does not appear, press the

shutter button on the camera halfway down.

1Select the image to print with b/B

on the controller.

• When you want to print only one image, go

to step 4.

2Select the number of sheets with

v/V on the controller.

• The number increases up to 20 with v and

decreases with V.

• You can select the number of sheets for all

the images at the same time (page 125).

3Repeat steps 1 and 2 if you want

to print other images.

• If you display other images, the total

number of sheets is indicated in the “Total”

field.

• You can switch between the single-image

display and the index display with the

(Display) button.

• You can enlarge the image with the

(Enlarge) button.

Stage 2: Connecting the camera

to the printer

1To t he

USB jack

2To t h e US B

jack

USB cable

Stage 3: Printing

125

Printing images

4Press the center of the controller.

The print confirmation screen appears.

5Press the center of the controller

again.

The image is printed.

6After the message “Printing

finished.” appears, press the

center of the controller.

To cancel the print

During printing, pressing the center of the

controller cancels the print. Remove the

USB cable or turn off the camera. When

you want to print again, follow the

procedure above.

To set up using the print menu

After you connect the camera to a printer,

pressing the MENU button opens the

following print menu. To operate the print

menu, see page 80.

1 (Page 1)

[Batch print]

• You can specify the number of prints up to 20.

[Index print]

• For an index print, the number of images on one

sheet, or the print format used depends on your

printer.

All images Prints all the images in the

recording medium in equal

quantities.

Reset Clears all the print settings.

Start Prints all the images in the

recording medium as an index

print. The print confirmation

screen appears. Pressing the

center of the controller starts

the printing operation.

126

2 (Page 2)

[Paper size]

[Layout]

[Print quality]

[Data print]

3 (Page 3)

[DPOF Print]

Printer setup

9×13cm/3.5"×5"

Hagaki card

13×18cm/5"×7"

A4/8.5"×11"

2"×3" card

10×15cm

4"×6"

8"×10"

Letter

Printer setup

Borderless

1 image/sheet

2 image/sheet

4 image/sheet

Printer setup

Fine

Printer setup

Off

Date

File name

Date & name

Start Prints the DPOF-marked

images that were specified in

the Playback menu,

regardless of the image

currently displayed. The print

confirmation screen appears.

Pressing the center of the

controller starts the printing

operation.

127

Troubleshooting

If you experience trouble with your camera, try the following solutions. Check the items on

pages 127 to 136. Consult your Sony dealer or local authorized Sony service facility.

The battery pack cannot be installed.

•As you insert the battery pack, use the tip of the battery pack to push the lock lever (t step 1

in “Read This First”).

•Install the battery pack correctly (t step 1 in “Read This First”).

The battery remaining indicator is incorrect, or sufficient battery remaining

indicator is displayed but the power runs out too quickly.

•This phenomenon occurs when you use the camera in an extremely hot or cold location

(page 142).

•The battery pack is discharged. Install the charged battery pack (t step 1 in “Read This

First”).

•The battery pack is dead (page 142). Replace it with new one.

The battery pack runs down too quickly.

•Charge it sufficiently (t step 1 in “Read This First”).

•You are using the camera in an extremely cold location (page 142).

•The battery terminal is dirty. Clean the battery terminal with a cotton swab, etc., and charge

the battery pack.

•The battery pack is dead (page 142). Replace it with new one.

Cannot turn on the camera.

•Install the battery pack correctly (t step 1 in “Read This First”).

•The battery pack is discharged. Install charged battery pack (t step 1 in “Read This First”).

•The battery pack is dead (page 142). Replace it with new one.

The power turns off suddenly.

•If you do not operate the camera for given period of time, the camera turns to power saving

mode and nearly shuts down. To cancel the power save, operate the camera, such as pressing

the shutter button halfway down (t step 3 in “Read This First”).

•The battery pack is discharged. Install charged battery pack (t step 1 in “Read This First”).

Battery pack and power

128

Nothing is displayed on the LCD monitor when the power is turned on.

•In the default setting, the LCD monitor will turn off if no operation is registered for more than

five seconds to minimize the battery consumption. You can change the time setting

(page 102).

•The LCD monitor is set to off. Press the (Display) button to turn the LCD monitor on

(page 26).

•Something, such as a hand, has activated the eyepiece sensors when it passed near the sensors.

If the sensors below the viewfinder are activated, the camera turns off the LCD monitor

assuming the photographer is using the viewfinder. You can deactivate this function (page 97).

•An exposure longer than one second, such as a bulb exposure, is being performed. Nothing is

displayed on the LCD monitor during the exposure.

The image is not clear in the viewfinder.

•Adjust the diopter scale properly using the diopter-adjustment dial (t step 5 in “Read This

First”).

Your camera cannot record images.

•Check the free capacity of the recording medium (page 27). If it is full, do one of the

following:

–Delete unnecessary images (t step 6 in “Read This First”).

–Change the recording medium.

•You are using the “Memory Stick Duo” with the write-protect switch, and the switch is set to

the LOCK position. Set the switch to the recording position (page 139).

•You cannot record images while charging the built-in flash.

The shutter does not release.

•The shutter cannot be released when the subject is out of focus. (The shutter lock can be

deactivated (page 93).)

•The shutter cannot be released when the camera is attached to another device, such as an

astronomical telescope, etc. (The shutter lock can be deactivated in this situation (page 96).)

•The shutter cannot be released with “----” flashing at the lower-right corner on the LCD

monitor and “E” flashing in the viewfinder. This indication means a recording medium is not

inserted in the camera. Insert a recording medium to take a picture (t step 4 in “Read This

First”).

•The shutter cannot be released with “--” lit at the upper-right corner on the LCD monitor. This

indication means the lens is not attached properly. Attach the lens properly (t step 2 in

“Read This First”).

Recording takes a long time.

•The noise reduction function is activated (page 85). This is not a malfunction.

•You are shooting in RAW mode (page 83). Since the RAW data file is large, the RAW mode

shooting may take time.

Shooting images

129

Troubleshooting

The image is out of focus.

•The subject is too close. Check the minimum focal distance of the lens.

•You are shooting in manual focus mode, set the focus mode switch to AF (page 71).

•You try to shoot a subject that may require special focusing (page 15). Use the focus-lock or

manual focus function (page 71).

The flash does not work.

•The built-in flash is closed. Pull it up.

•The flash mode is set to [Autoflash]. If you want to make sure the flash fires without fail, set

the flash mode to [Fill-flash] (page 54).

Fuzzy specks appear in images shot using the flash.

•Dust in the air reflected the flash light and appeared in the image. This is not a malfunction.

A picture taken with the flash is too dark.

•If the subject is beyond the flash range (the distance that the flash can reach), the pictures will

be dark because the flash light does not reach the subject. If the ISO is changed, the flash

range also changes with it (page 44).

The bottom of a picture taken with the flash is too dark.

•The picture was taken with the lens hood on. Remove the lens hood when the built-in flash is

used. With some lenses, the bottom of the picture may become dark even without the lens

hood (t step 5 in “Read This First”).

The flash takes too long to recharge.

•The flash has been fired in succession in a short period. When the flash has been fired in

succession, the recharging process may take longer than usual to avoid overheating of the

camera.

The date and time are recorded incorrectly.

•Set the correct date and time (page 99, t step 3 in “Read This First”).

The aperture value and/or shutter speed flash when you press the shutter

button halfway down.

•Since the subject is too bright or too dark, it is beyond the available range. Adjust the setting

again.

The image is too dark.

•You are shooting a subject with a light source behind the subject. Select the metering mode

(page 58) or adjust the exposure (pages 37, 65).

•The brightness of the screen is too low. Adjust the brightness of the LCD monitor (page 98).

130

The image is too bright.

•You are shooting a spotlighted subject in a dark location such as on a stage. Adjust the

exposure (pages 37, 65).

•The brightness of the screen is too bright. Adjust the brightness of the LCD monitor

(page 98).

Excessive light appears in the image.

•The picture was taken under a strong light source, and excessive light has entered the lens.

Attach a lens hood.

The corners of the picture are too dark.

•If any filter or hood is used, take it off and try shooting again. Depending on the thickness of

the filter and improper attachment of the hood, the filter or the hood may partially appear in

the image. The optical properties of some lenses may cause the periphery of the image to

appear too dark (insufficient light).

The eyes of the subject come out red.

•Activate the red eye reduction function (page 86).

•Get close to the subject, and shoot the subject within the flash range using the flash (t step 5

in “Read This First”).

•Light the room and shoot the subject.

Dots appear and remain on the screen.

•This is not a malfunction. These dots are not recorded (page 8).

The image is blurred.

•The picture was taken in a dark location without the flash, resulting in camera-shake. The use

of the Super SteadyShot function or a tripod is recommended. The flash can be used in this

situation (page 14, t step 5 in “Read This First”).

•The picture of the subject was taken at a very short distance, such as in macro shooting. The

Super SteadyShot function may not be fully effective when the subject is very near. In such a

case, turn off the Super SteadyShot function and consider using a tripod (page 14, t step 5 in

“Read This First”).

•The subject was moving quickly. Select a higher shutter speed or a higher ISO sensitivity (the

higher the ISO sensitivity, the noisier the image).

The Ev scale b B is flashing in the viewfinder.

•The subject is too bright or too dark for the metering range of the camera.

131

Troubleshooting

An error is displayed when setting the custom white balance.

•The custom white balance was performed at too short a distance using the flash. Or the

custom white balance was set with a vivid-colored subject. Be sure to put some distance

between the camera and the subject when firing the flash. Choose a white subject when setting

the custom white balance (page 48).

Refer to “Computers” (page 132) in conjunction with the following items.

Your camera cannot play back images.

•Press the (Playback) button to turn to playback mode (t step 6 in “Read This First”).

•The folder/file name has been changed on your computer (page 113).

•When an image file has been processed by a computer or when the image file was recorded

using a model other than that of your camera, playback on your camera is not guaranteed.

•The camera is in USB mode. Delete the USB connection (page 111).

The image does not appear on the TV screen.

•Check [Video output] to see if the video output signal of your camera is set to the color system

of your TV (page 98).

•Check whether the connection is correct (page 78).

•If a USB cable is connected to the camera, disconnect the USB cable (page 111).

Your camera cannot delete an image.

•Cancel the protection (page 89).

•You are using the “Memory Stick Duo” with the write-protect switch, and the switch is set to

the LOCK position. Set the switch to the recording position (page 139).

You have deleted an image by mistake.

•Once you have deleted an image, you cannot restore it. We recommend that you protect

images (page 89), or use the “Memory Stick Duo” with the write-protect switch and set the

switch to the LOCK position (page 139) to prevent accidental erasure.

You cannot display a (DPOF set) mark.

•You cannot display (DPOF set) marks on RAW data files.

You cannot delete the folder in file browser index screen.

•Once the folder in the recording medium was displayed on a Windows computer, you may not

be able to delete the folder. Delete the folder on a computer.

Viewing images

Deleting/Editing images

132

You do not know if the OS of your computer is compatible with the camera.

•Check “Recommended computer environment” on page 106 for Windows, and page 120 for

Macintosh.

Your computer does not recognize your camera.

•Turn on the camera (t step 3 in “Read This First”).

•When the battery level is low, install the charged battery pack (t step 1 in “Read This

First”), or use the AC Adaptor/charger (not supplied) (page 144).

•Use the USB cable (supplied) (page 108).

•Disconnect the USB cable, and connect it again firmly.

•Set [Transfer mode] to [Mass Storage] (page 98).

•Disconnect all equipment other than the camera, the keyboard and the mouse from the USB

jacks of your computer.

•Connect the camera directly to your computer without passing through a USB hub or other

device (page 108).

You cannot copy images.

•Make the USB connection by properly connecting the camera with your computer (page 108).

•Follow the designated copy procedure for your OS (pages 108, 120).

•When you shoot images with a recording medium formatted by a computer, you may not be

able to copy the images to a computer. Shoot using a recording medium formatted by your

camera (page 89).

After making a USB connection, “Picture Motion Browser” does not start

automatically.

•Start “Media Check Tool” (page 115).

•Make the USB connection after the computer is turned on (page 107).

The image cannot be played back on a computer.

•If you are using “Picture Motion Browser”, refer to the Help.

•Consult the computer or software manufacturer.

You cannot print an image.

•Check the printer settings.

Images once copied to a computer cannot be viewed on the camera.

•Copy them to a folder recognized by the camera, such as “100MSDCF” (page 112).

•Operate correctly (page 113).

Computers

133

Troubleshooting

Images are not displayed correctly.

•Make sure the folder of the images is registered in “Viewed folders”. If the images are not

displayed even if the folder is registered in “Viewed folders”, update the database (page 118).

You cannot find images imported.

•Look in the “My Pictures” folder.

•If you have changed the default settings, refer to “Changing the “Folder to be imported”” on

page 118 and check what folder is used for importing.

You want to change the “Folder to be imported”.

•Access the “Import Settings” screen to change “Folder to be imported”. You can specify a

different folder after using “Picture Motion Browser” to register it in “Viewed folders”

(page 118).

All imported images are displayed on the calendar with the date January 1.

•The date has not been set on the camera. Set the date on the camera (page 99, t step 3 in

“Read This First”).

Cannot insert a “Memory Stick Duo”.

•Use the Memory Stick Duo Adaptor for CF slot, then insert it (t step 4 in “Read This First”).

Cannot record on a “Memory Stick Duo”.

•You are using the “Memory Stick Duo” with the write-protect switch, and the switch is set to

the LOCK position. Set the switch to the recording position (page 139).

•The “Memory Stick Duo” is full. Delete unnecessary images (page 88, t step 6 in “Read

This First”).

Cannot format a “Memory Stick Duo”.

•You are using the “Memory Stick Duo” with the write-protect switch, and the switch is set to

the LOCK position. Set the switch to the recording position (page 139).

You have formatted a “Memory Stick Duo” by mistake.

•All the data on the “Memory Stick Duo” is deleted by formatting. You cannot restore it. We

recommend that you set the write-protect switch on the “Memory Stick Duo” to the LOCK

position to prevent accidental erasure (page 139).

Picture Motion Browser

“Memory Stick Duo”

134

“Memory Stick PRO Duo” is not recognized by a computer with a “Memory

Stick” slot.

•If “Memory Stick PRO Duo” is not supported, connect the camera to the computer (pages 107

to 108). The computer recognizes the “Memory Stick PRO Duo”.

Cannot insert a CF card/Microdrive.

•Insert it in the correct direction (t step 4 in “Read This First”).

Cannot record on a CF card/Microdrive.

•The CF card/Microdrive is full. Delete unnecessary images (page 88, t step 6 in “Read This

First”).

•An unusable CF card is inserted (t step 4 in “Read This First”).

•You are using the recording medium with the write-protect switch, and the switch is set to the

LOCK position. Set the switch to the recording position.

The Microdrive is heated.

•You are using the Microdrive for a long time. This is not a malfunction.

You have formatted a CF card/Microdrive by mistake.

•All the data on the CF card/Microdrive is deleted by formatting. You cannot restore it.

Also see “PictBridge compliant printer” (as follows) in conjunction with the following items.

The color of the image is strange.

•When you print the images recorded in Adobe RGB mode using sRGB printers that are not

compatible with Adobe RGB (DCF2.0/Exif2.21), the images are printed at a lower intensity

level (page 50).

A connection cannot be established.

•The camera cannot be connected directly to a printer that is not compliant with the PictBridge

standard. Consult the printer manufacturer as to whether the printer is compliant with

PictBridge or not.

•Check that the printer is turned on and can be connected to the camera.

•When a recording medium, such as a “Memory Stick Duo”, CF card, is not inserted to the

camera the camera cannot connect to the printer. After you insert a recording medium,

connect the printer again.

•Set [Transfer mode] to [PTP] (page 98).

CF card/Microdrive

Printing

PictBridge compliant printer

135

Troubleshooting

•Disconnect and connect the USB cable again. If an error message is indicated on the printer,

refer to the operating instructions supplied with the printer.

Cannot print images.

•Check that the camera and the printer are properly connected using the USB cable.

•Turn on the printer. For further information, refer to the operating instructions supplied with

the printer.

•RAW data files cannot be printed.

•Images shot using cameras other than this camera or images modified with a computer may

not be printed.

Cannot insert the date or print images in the index mode.

•The printer does not provide these functions. Consult the printer manufacturer as to whether

the printer provides these functions or not.

•The date may not be inserted in the index mode depending on the printer. Consult the printer

manufacturer.

“---- -- --” is printed on the date-inserted part of the image.

•Images that do not have the recording data cannot be printed with the date inserted. Set [Data

print] to [Off] and print the image again (page 126).

Cannot select the print size.

•Consult the printer manufacturer as to whether the printer can provide the desired size.

Cannot print the image at the size selected.

•Disconnect the USB cable and reconnect it whenever you change the paper size after the

printer has been connected to the camera.

•The print setting of the camera differs from that of the printer. Change the setting of either the

camera (page 126) or the printer.

Cannot operate the camera after canceling printing.

•Wait for a while as the printer is carrying out the cancellation. It may take some time

depending on the printer.

136

Your camera does not work.

•Use the type of battery pack you can use with this camera (page 142).

•The battery level is low (The indicator appears). Charge the battery pack (t step 1 in

“Read This First”).

The lens gets fogged.

•Moisture condensation has occurred. Turn off the camera and leave it for about an hour before

using it (page 147).

The message “Set date and time?” appears when you turn on the camera.

•The camera has been left unused for sometime with a low battery or no battery pack. Change

the battery pack and set the date again (t step 3 in “Read This First”). If the date setting is

lost every time the battery pack is changed, consult your Sony dealer or local authorized Sony

service facility.

The number of recordable images does not decrease or decreases two at a

time.

•This is because the compression rate and the image size after compression change depending

on the image when you shoot with a JPEG image (page 83).

The setting is reset without the resetting operation.

•The battery pack was removed when the POWER switch was set to ON. When removing the

battery pack, make sure the POWER switch is set to OFF and the access lamp is not

illuminated (t step 1 in “Read This First”).

The camera does not work properly.

•Turn off the camera. Remove the battery pack and insert it again. If an AC Adaptor/charger

(not supplied) is used, disconnect the power cord. If the camera is hot, allow it to cool down

before trying this corrective procedure.

The five bars of the Super SteadyShot scale flash.

•The Super SteadyShot function does not work. You can continue to shoot but the Super

SteadyShot function will not work. Turn the camera off and on. If the Super SteadyShot scale

continues to flash, consult your Sony dealer or local authorized Sony service facility.

“--E-” is indicated on the lower-right corner of the LCD monitor.

•Remove the recording medium, and insert it again. If this procedure does not turn off the

indication, format the recording medium.

Others

137

Troubleshooting

Warning messages

If the following messages appear, follow

the instructions.

Incompatible battery.

Use correct model.

•An incompatible battery pack is being

used.

Battery exhausted.

•The battery pack is discharged. Charge

the battery pack.

Set date and time?

•Set the date and time. If the message

appears frequently, the internal backup

battery is used up. Replace the battery

(pages 136, 148).

Unable to use card.

Format?

•The recording medium was formatted

on a computer and the file format was

modified, or the recording medium was

formatted on another device.

Select [Yes], then format the recording

medium. You can use the recording

medium again, however, all previous

data in the recording medium is erased.

It may take a some time to complete the

format.

If the message still appears, change the

recording medium.

Card locked.

•The write-protect switch of the

recording medium, such as a “Memory

Stick Duo” is set to the LOCK position.

Card error.

•An incompatible recording medium is

inserted.

Processing...

•When the shutter speed is one second or

higher, or the camera is in bulb shooting

mode, noise reduction will be done for

the same amount of time that the shutter

was open. You cannot do any further

shooting during this reduction. You can

also deactivate noise reduction.

No card.Custom shutter lock on.

•[Shutter lock] is set to [On: no card]. Set

it to [Off: no card] or insert a recording

medium.

No lens attached.

•[Shutter lock] is set to [On: no lens]. Set

it to [Off: no lens] or attach a lens.

When attaching the camera to an

astronomical telescope or something

similar, set it to [Off: no lens] in the

Custom menu.

Power insufficient.

Operation canceled.

•You tried to perform [Clean CCD] when

the battery level is insufficient. Charge

the battery pack or use the AC Adaptor/

charger (not supplied).

Unable to display.

•Images recorded with other cameras or

images modified with a computer may

not be able to be displayed.

No images.

•There is no image in the recording

media.

No images selected.

•You tried to delete images without

specifying which images you want to

delete.

138

Image protected.

•You tried to delete protected images.

Release the protection.

Unable to print.

•You tried to mark RAW images with a

DPOF set mark.

Initializing

USB connection.

•A USB connection has been

established. Do not disconnect the USB

cable.

USB connection error

•A USB connection cannot be

established. Disconnect the USB cable

and connect it again.

Error. Check printer.

•There is a problem with the printer, such

as a paper out condition.

Printing canceled.

•The print job was canceled. Disconnect

the USB cable or turn the camera off.

Camera overheating.

Allow it to cool.

•The camera has become hot because

you have been shooting continuously.

Turn the power off. Cool the camera and

wait until the camera is ready to shoot

again.

System error.

CAMERA ERROR CODE=ssss (s

is a number or letter of the alphabet)

•Turn the power off, remove the battery

pack, then re-insert it. If the message

appears frequently, consult your Sony

dealer or local authorized Sony service

facility.

139

Others

On the “Memory Stick”

A “Memory Stick” is a compact, portable

IC recording medium. The types of

“Memory Stick” that can be used with this

camera are listed in the table below.

However, proper operation cannot be

guaranteed for all “Memory Stick”

functions.

*1 “Memory Stick Duo”, “MagicGate Memory

Stick Duo” and “Memory Stick PRO Duo” are

equipped with MagicGate functions.

MagicGate is copyright protection technology

that uses encryption technology. Data

recording/playback that requires MagicGate

functions cannot be performed with this

camera.

*2 Supports high-speed data transfer using a

parallel interface.

• A “Memory Stick Duo” formatted with a

computer is not guaranteed to operate with this

camera.

• Data read/write speeds differ depending on the

combination of the “Memory Stick Duo” and

the equipment used.

Notes on using a “Memory Stick Duo”

(not supplied)

• You cannot record, edit or delete images if you

slide the write-protect switch to LOCK with a

fine-tipped object.

Some “Memory Stick Duo” cards do not

have a write-protect switch. On “Memory

Stick Duo” with this switch, the position

and shape may vary depending on the

“Memory Stick Duo”.

• Do not remove the “Memory Stick Duo” while

reading or writing data.

• Data may be corrupted in the following cases:

– When the “Memory Stick Duo” is removed or

the camera is turned off during a read or write

operation

– When the “Memory Stick Duo” is used in

locations subject to static electricity or

electrical noise

• We recommend backing up important data.

• Do not press down hard when you write down

on the memo area.

• Do not attach a label on the “Memory Stick

Duo” itself nor on a Memory Stick Duo

Adaptor.

• When you carry or store the “Memory Stick

Duo”, put it in the case supplied with it.

• Do not touch the terminal section of the

“Memory Stick Duo” with your hand or a metal

object.

• Do not strike, bend or drop the “Memory Stick

Duo”.

• Do not disassemble or modify the “Memory

Stick Duo”.

• Do not expose the “Memory Stick Duo” to

water.

• Do not leave the “Memory Stick Duo” within

the reach of small children. They might

accidentally swallow it.

“Memory Stick” type Recording/

Playback

Memory Stick

(without MagicGate) —

Memory Stick

(with MagicGate) —

Memory Stick Duo

(without MagicGate) a

Memory Stick Duo

(with MagicGate) a*1*2

MagicGate Memory Stick —

MagicGate Memory Stick

Duo a*1

Memory Stick PRO —

Memory Stick PRO Duo a*1*2

Te r m i n a l

Write-protect

switch

Memo area

140

• Do not use or store the “Memory Stick Duo”

under the following conditions:

– High temperature locations such as the hot

interior of a car parked in direct sunlight

– Locations exposed to direct sunlight

– Humid locations or locations with corrosive

substances present

Notes on using the Memory Stick Duo

Adaptor for CF slot (supplied)

• When inserting a “Memory Stick Duo” into a

Memory Stick Duo Adaptor for CF slot, make

sure the “Memory Stick Duo” is inserted facing

in the correct direction, then insert it all the way

in. Incorrect insertion may result in a

malfunction.

• When using a “Memory Stick Duo” inserted

into a Memory Stick Duo Adaptor for CF slot

with a compliant device, make sure that the

Memory Stick Duo Adaptor for CF slot is

inserted facing the correct direction. Note that

improper use may damage the equipment.

• Do not insert a Memory Stick Duo Adaptor for

CF slot into a compliant device without a

“Memory Stick Duo” attached. Doing so may

result in malfunction of the unit.

• When you insert a Memory Stick Duo Adaptor

for CF slot into a CompactFlash - PC card

adaptor and connect it to a PC card slot of a

computer, proper operation is not guaranteed.

• The supplied Memory Stick Duo Adaptor for

CF slot is only for use with this camera. You can

use it with other devices, however, proper

operation is not guaranteed.

• When removing a “Memory Stick Duo” from

the Memory Stick Duo Adaptor for CF slot,

push the “Memory Stick Duo” once. If you yank

the “Memory Stick Duo” out without pushing in

first, a malfunction may be caused.

Note on using “Memory Stick PRO

Duo” (not supplied)

“Memory Stick PRO Duo” with a capacity up to

4 GB have been confirmed to operate properly

with this camera.

141

Others

On the CF card/Microdrive

• Be sure to format the recording medium using

this camera when you use it for the first time.

• Data may be damaged in the following cases:

– Removing the recording medium while

reading or writing data.

– If you store the recording medium near

strongly-magnetized material.

• The recording medium may be hot just after it

has been used. Be careful when you handle it.

• Do not remove the label or attach a new label

over the label.

• When you carry or store the recording medium,

put it in the case supplied with it.

• Do not expose the recording medium to water.

• Do not press on the label strongly.

• Do not touch the terminal section of the

recording medium with your hand or a metal

object.

Notes on use of the Microdrive

A Microdrive is a compact and lightweight hard

disk drive that complies with CompactFlash Type

II.

• The Microdrive is a compact hard disk drive.

Since the Microdrive is a rotating disk, the

Microdrive is not strong enough to resist

vibration and shock compared to a “Memory

Stick,” which uses flash memory.

Be sure not to transmit vibration or shock to the

Microdrive during playback or shooting.

• Note that the use of the Microdrive under 5°C

(41°F) may bring performance degradation.

Operating temperature range when using the

Microdrive: 5 to 40°C (41 to 104°F)

• Note that the Microdrive cannot be used under

low atmospheric pressure (above 3 000 meters

above sea-level).

• Do not write on the label.

142

On the battery pack

Use only an NP-FM55H battery pack. Note

that the NP-FM50 and NP-FM30 cannot be

used.

On charging the battery pack

We recommend charging the battery pack in an

ambient temperature of between 10 to 30°C (50 to

86°F). You may not be able to efficiently charge

the battery pack outside of this temperature range.

Effective use of the battery pack

• Battery performance decreases in low

temperature surroundings. So, the time that the

battery pack can be used is shorter in cold

places. We recommend the following to ensure

longer battery pack use:

– Put the battery pack in a pocket close to your

body to warm it up, and insert it in your

camera immediately before you start

shooting.

• The battery pack will run out quickly if you use

the flash frequently.

• We recommend having spare battery packs

handy, and making trial shots before taking the

actual shots.

• Do not expose the battery pack to water. The

battery pack is not water-resistant.

• Do not leave the battery pack in extremely hot

places, such as in a car or under direct sunlight.

On the remaining battery indicator

When using the camera with the battery pack, the

remaining time in minutes is not indicated.

How to store the battery pack

If the battery pack is not to be used for a long

time, fully charge it and then fully use it up once a

year on your camera before storing the battery

pack in a dry, cool place. Repeat this charging and

using up once a year to maintain the battery pack’s

function.

On battery life

• The battery life is limited. Battery capacity

decreases little by little as you use it more and

more, and as time passes. If the battery

operating time seems shortened considerably, a

probable cause is that the battery pack has

reached the end of its life. Buy a new battery

pack.

• The battery life varies according to how it is

stored and the operating conditions and

environment in which each battery pack is used.

143

Others

On the battery charger

x On the battery charger

• Do not charge any battery pack other than the

NP-FM series battery pack in the battery charger

(supplied) with your camera. Batteries other

than the specified kind may leak, overheat, or

explode if you attempt to charge them, posing a

risk of injury from electrocution and burns.

• Remove the charged battery pack from the

battery charger. If you leave the charged battery

pack in the charger, battery life may be

decreased.

• When the CHARGE lamp flashes, this may

indicate a battery error or that a battery pack

other than the specified type have been inserted.

Check that the battery pack is the specified type.

If the battery pack is the specified type, remove

the battery pack, replace it with new one or

another one and check if the battery charger

operates correctly. If the battery charger

operates correctly, a battery error may have

occurred.

• If the battery charger is dirty, charging may not

be performed successfully. Clean the battery

charger with dry cloth, etc.

144

Optional accessories

This section introduces how to connect and operate popular accessories for this camera.

For details, refer to the operating instructions of each of the accessories.

AC-VQ900AM AC Adaptor/charger

When a household power outlet (AC power) is available, using an AC Adaptor/charger

eliminates the possibility of running out of battery.

To connect the adaptor, set the POWER switch of the camera to OFF, flip open the cover, and

insert the plug of the AC Adaptor/charger into the DC-IN terminal.

• When disconnecting the AC Adaptor/charger from the camera, turn the power off beforehand.

• You cannot use any AC adaptor other than the AC-VQ900AM.

RM-S1AM Remote Commander

This Remote Commander allows you to release the shutter without touching the camera. This

keeps the camera from shaking. In addition, you can keep the shutter button down during bulb

exposure (page 40).

To attach the Remote Commander, flip open the cover of the REMOTE (remote-control) jack

and insert the plug of the Remote Commander.

• As shown in the illustration above, flip the cover open from the right side and turn it counterclockwise.

After use, turn it clockwise to replace the cover.

145

Others

With the Remote Commander clip attached to the shoulder strap, you can catch the cord to

secure it.

HVL-F56AM/HVL-F36AM Flash

A powerful flash can cover a longer distance than the built-in flash can, enabling flash

shooting that produces beautiful images.

When using the flash (not supplied), remove the accessory shoe cap and slide the flash onto

the camera. The removed cap can be placed on the eyepiece cover.

High Speed Sync (HSS) Shooting

You can perform high speed sync shooting with a HVL-F56AM or a HVL-F36AM.

With a flash HVL-F56AM or HVL-F36AM mounted on the camera and “HSS” appearing on

the LCD window of the flash, the limitation on the flash sync speed* is canceled, enabling you

to perform flash shooting across every shutter speed available with this camera (30 ~

1/4000 second). This means you have a wider option of aperture values. Even with the flash,

Flash HVL-F56AM

Accessory shoe

cap

146

you can widen the aperture to blur the background and accentuate the subject, producing a

perfect portrait picture.

In addition, when using the flash with the aperture open in aperture priority mode or manual

exposure mode, you can attain a proper exposure using the high speed flash even on a scene

with a very bright background, which would normally cause overexposure.

* This camera’s flash sync speed is 1/125 second with the Super SteadyShot on and 1/160 second with the

Super SteadyShot off. The shutter speed will not be faster in other flash shooting than high speed sync.

• In high speed sync mode (when the shutter speed is faster than the flash sync speed noted above), “H”

appears in the viewfinder and on the LCD monitor.

• In high speed sync mode, the flash range is shorter than in normal flash shooting. Before taking a picture,

make sure the subject is within the range of distance displayed on the flash window.

• High speed sync mode is not available when the two-second self-timer or [Rear sync.] is selected.

• If a flash meter or a color meter is used, high speed sync mode is not available because the proper

exposure cannot be attained. Either deactivate the high speed sync mode (“HSS” does not appear on the

LCD window of the flash) or select a shutter speed slower than the flash sync speed.

FDA-A1AM Angle Finder/FDA-M1AM Magnifier

When using the Angle Finder or Magnifier, remove the eyecup.

• The eyepiece sensors located below the viewfinder may be activated. Setting [Eye-Start AF] to [Off] is

recommended (page 85).

147

Others

Precautions

x Do not use/store the camera in the

following places

• In an extremely hot, dry or humid place

In places such as in a car parked in the sun, the

camera body may become deformed and this

may cause a malfunction.

• Under direct sunlight or near a heater

The camera body may become discolored or

deformed, and this may cause a malfunction.

• In a location subject to rocking vibration

• Near strong magnetic place

• In sandy or dusty places

Be careful not to let sand or dust get into the

camera. This may cause the camera to

malfunction, and in some cases this malfunction

cannot be repaired.

x On carrying

Be sure to attach the lens cap or body cap when

not using the camera. When attaching the body

cap, remove all the dust from the cap before

placing it on the camera.

x On cleaning

Cleaning the LCD monitor

Wipe the screen surface with an LCD cleaning kit

(not supplied) to remove fingerprints, dust, etc.

Cleaning the lens

• When cleaning the lens surface, remove dust

using a blower brush. In case of dust that sticks

to the surface, wipe it off with a soft cloth or

tissue paper slightly moistened with lens

cleaning solution. Wipe in a spiral pattern from

the center to the outside. Do not spray lens

cleaning solution directly onto the lens surface.

• Do not touch the inside of the camera, such as

the shutter curtain, lens contacts, or the mirror.

Since dust on the mirror or around the mirror

may affect the auto focus system, blow away

dust using a blower. If dust lands on the CCD, it

may appear on the photo image. Turn the

camera to the cleaning mode (page 103), then

clean it using a blower. Do not use a spray

blower to clean the inside of the camera. Using

this may cause a malfunction.

• Do not use a cleaning solution containing

organic solvents, such as thinner, or benzine.

Cleaning the camera surface

Clean the camera surface with a soft cloth slightly

moistened with water, then wipe the surface with

a dry cloth. Do not use the following as they may

damage the finish or the casing.

• Chemical products such as thinner, benzine,

alcohol, disposable cloths, insect repellent,

sunscreen or insecticide, etc.

• Do not touch the camera with the above on your

hand.

• Do not leave the camera in contact with rubber

or vinyl for a long time.

x On operating temperatures

Your camera is designed for use under the

temperatures between 0 and 40°C (32 and 104°F)

(When using a Microdrive: 5 and 40°C (41 and

104°F)). Shooting in extremely cold or hot places

that exceed this range is not recommended.

x On moisture condensation

If the camera is brought directly from a cold to a

warm location, moisture may condense inside or

outside the camera. This moisture condensation

may cause a malfunction of the camera.

Moisture condensation occurs easily

when:

• The camera is brought from a cold location such

as a ski slope into a warmly heated room.

• The camera is taken from an air-conditioned

room or car interior to the hot outdoors, etc.

How to prevent moisture condensation

When bringing the camera from a cold place to a

warm place, seal the camera in a plastic bag and

allow it to adapt to conditions at the new location

over about an hour.

If moisture condensation occurs

Turn off the camera and wait about an hour for the

moisture to evaporate. Note that if you attempt to

shoot with moisture remaining inside the lens, you

will be unable to record clear images.

148

x On the internal rechargeable

battery

This camera has an internal rechargeable battery

for maintaining the date and time and other

settings regardless of whether the power is on or

off.

This rechargeable battery is continually charged

as long as you are using the camera. However, if

you use the camera for only short periods, it

discharges gradually, and if you do not use the

camera at all for about 8 month it becomes

completely discharged. In this case, be sure to

charge this rechargeable battery before using the

camera.

However, even if this rechargeable battery is not

charged, you can still use the camera as long as

you do not record the date and time.

Charging method of the internal

rechargeable battery

Insert a charged battery pack in the camera, or

connect the camera to a wall outlet (wall socket)

using the AC Adaptor/charger (not supplied), and

leave the camera for 24 hours or more with the

power off.

Charging method of the NP-FM55H

battery pack

t step 1 in “Read This First”

149

Others

Specifications

Camera

[System]

Camera Type Digital Single Lens Reflex

Camera with built-in flash and

interchangeable lenses

Lens All of Sony Lens

[CCD]

Total pixel number of camera

Approx. 10 800 000 pixels

Effective pixel number of camera

Approx. 10 200 000 pixels

Image sensor 23.6×15.8 mm (APS-C format)

Interlace scan Primary Color

[Super SteadyShot]

System CCD-Shift mechanism

Super SteadyShot Compensation capability

Approximately 2 EV to 3.5 EV

decrease in shutter speed

(varies according to shooting

conditions and lens used)

[Anti-Dust]

System Charge protection coating on

Low-Pass Filter and CCD-Shift

mechanism

[Viewfinder]

Type Fixed eye-level system with

roof mirror type pentaprism

Focusing Screen Spherical Acute Matte

Field of View 0.95

Magnification 0.83 × with 50 mm lens at

infinity, –1 m–1

Eye Relief Approximately 20 mm from the

eyepiece, 16 mm from the

eyepiece frame at –1 diopter

(–1m–1)

Dioptor Adjustment

–2.5 to +1.0 m–1

[Auto Focus System]

System TTL phase-detection system,

CCD line sensors (9 points, 8

lines with center cross-hair

sensor)

Sensitivity Range

0 EV to 18 EV (at ISO 100

equivalent)

[Exposure]

Metering Cell 40-segment honeycomb-pattern

SPC

Metering Range +1 EV to +20 EV (+4 EV to

+20 EV with Spot metering),

(at ISO 100 with F1.4 lens)

[Shutter]

Type Electronically-controlled,

vertical-traverse, focal-plane

type

Speed range 1/4000 second to 30 seconds,

bulb

Flash Sync Speed

1/160 second (with Super

SteadyShot off),

1/125 second (with Super

SteadyShot on)

[Built-In-Flash]

Flash G.No. GN 12 (in meters at ISO 100)

Recycling Time Approx. 3 seconds

[Recording media]

CompactFlash card(TypeI,II),

Microdrive, “Memory Stick

Duo” (with Memory Stick Duo

Adaptor for CF Slot)

[LCD monitor]

LCD panel 6.2 cm (2.5 type) TFT drive

Total number of dots

230 000 (960×240) dots

[Power, general]

Used battery pack

Rechargeable battery pack

NP-FM55H

[Others]

PictBridge Compatible

Exif Print Compatible

PRINT Image Matching III

Compatible

Dimensions 133.1 × 94.7 × 71.3 mm

(5 1/4 × 3 3/4 × 2 7/8 inches)

(W/H/D, excluding protrusions)

Mass Approx.545 g (1 lb 3.2 oz)

(without batteries, recording

medium and body accessories)

150

Operating temperature

0 to +40°C (+32 to +104°F)

(When using the Microdrive:

+5 to +40°C (41 to +104°F))

Exif Exif Ver. 2.21

USB communication

Hi-Speed USB (USB 2.0

compliant)

BC-VM10 Battery charger

Input rating 100 V to 240 V AC, 50/60 Hz

Output rating 8.4 V DC, 750 mA

Operating temperature range

0 to +40°C (32 to +104°F)

Storage temperature range

-20 to +60°C (-4 to +140°F)

Maximum dimensions

Approx. 70 × 25 × 95 mm

(2 7/8 × 1× 3 3/4 inches) (W/H/

Mass Approx. 90 g (3.2 oz)

Rechargeable battery pack NP-FM55H

Used battery Lithium-ion battery

Maximum voltage

DC 8.4 V

Nominal voltage DC 7.2 V

Capacity 11.5 Wh (1 600 mAh)

Maximum dimensions

Approx. 38.2 × 20.5 × 55.6 mm

(1 9/16 × 13/16 × 2 1/4 inches)

(W/H/D)

Mass Approx. 78 g (2.8 oz)

Design and specifications are subject to change

without notice.

151

Others

Reset default

z: reset

a: not reset

*t Pages on the “Read This First”

Using the dial or button

A: AUTO shooting (page 31)

B: Scene Selection (page 32)

C: Reset of recording function (page 87)

D: Reset default (page 104)

1) “Continuous” when in Sports action mode.

2) “AF-C” when in Sports action mode, “AF-S” when in Macro mode.

3) “A setting that the camera recommends” when in AUTO or Scene Selection.

4) “Autoflash” or “Fill-flash”. (“Rear sync.” or “Wireless” is canceled.)

Items Reset to A B C D Page

Super SteadyShot — aaaa

14*

Adjusting the diopter — aaaa

17*

Recording display Detailed display aaaz

Exposure mode — — — aa

ISO/Zone Matching AUTO zzzz44

White balance AWB (Auto white balance) zzzz46

Preset white balance Daylight ±0 — — zz46

Color temperature/CC filter 5500K, CC filter ±0 — — zz47

Custom white balance Daylight ±0 — — az48

D-Range Optimizer Standard zzzz49

Color mode/Contrast/

Saturation/Sharpness

Standard/±0/±0/±0 z3) z3) zz49

AF area Wide AF area zazz

AF mode

(AF-S/DMF/AF-A/AF-C)

AF-A zz2) zz53

Flash mode Autoflash z4) z4) z4) z4) 54

Flash compensation ±0.0 zzzz57

Metering mode Multi segment (40-segment

honeycomb pattern metering)

zzzz58

Drive mode Single-image advance zz1) zz60

Exposure compensation ±0.0 zzzz65

Focus mode (MF/AF) — aaaa

Playback display Single-image screen (with

recording data)

aaaz

152

Recording menu

A: AUTO shooting (page 31)

B: Scene Selection (page 32)

C: Reset of recording function (page 87)

D: Reset default (page 104)

Playback menu

A: AUTO shooting (page 31)

B: Scene Selection (page 32)

C: Reset of recording function (page 87)

D: Reset default (page 104)

Items Reset to A B C D Page

Image size L:10M aaaz

Quality Fine aaaz

Inst.Playback 2 sec. aaaz

Noise reductn On aaaz

Eye-Start AF On aaaz

Red eye Off aaaz

Flash control ADI flash zaaz

Flash default Autoflash aaaz

Bracket order 0 t – t + aaaz

Items Reset to A B C D Page

Index format File browser aaaz

DPOF set — aaaa91

Date imprint Off aaaz

Index print — ————92

153

Others

Custom menu

A: AUTO shooting (page 31)

B: Scene Selection (page 32)

C: Reset of recording function (page 87)

D: Reset default (page 104)

Items Reset to A B C D Page

Priority setup AF zzaz93

FocusHoldButt. Focus hold aaaz

AEL button AE hold aaaz

Ctrl dial set Shutter speed aaaz

Exp. comp. set Ambient&flash aaaz

AF illuminator On aaaz

Shutter lock Off: no card aaaz

Shutter lock On: no lens aaaz

AF area setup 0.3s. display aaaz

Monitor Disp. Automatic aaaz

Rec. display Auto rotate aaaz

Play. display Auto rotate aaaz

154

Setup menu

A: AUTO shooting (page 31)

B: Scene Selection (page 32)

C: Reset of recording function (page 87)

D: Reset default (page 104)

Items Reset to A B C D Page

LCD brightness Standard aaaz

Transfer mode Mass Storage aaaz

Video output — aaaa98

Audio signals On aaaz

Date/Time set — aaaa99

File # memory On aaaz

100

Folder name Std. form aaaz

100

Select folder — aaaa

101

LCD backlight 5 sec. aaaz

102

Power save 3 min. aaaz

102

MenuSec.Memory Off aaaz

102

Delete conf. “No” aaaz

103

155

Index

Numerics

40-segment honeycomb pattern

metering.........................59

AC Adaptor/charger............144

Access lamp

t step 4 in “Read This

First”

Accessory shoe cap.............145

ADI flash ..............................86

Adjusting exposure ...............65

Adjusting the diopter

t step 5 in “Read This

First”

Adobe RGB ..........................50

AE lock .................................67

AEL button ...........................93

AF area..................................51

AF area setup ........................96

AF illuminator ......................95

AF lock

t step 5 in “Read This

First”

AF mode ...............................53

Ambient bracket....................63

Aperture ................................16

Aperture priority ...................34

Attaching a lens

t step 2 in “Read This

First”

Audio signals ........................99

Auto adjustment mode

t step 5 in “Read This

First”

Auto Focus............................13

Autoflash ..............................55

Automatic AF .......................53

B&W.....................................50

Battery charger

t step 1 in “Read This

First”

Battery pack

Charging

t step 1 in “Read This

First”

Insert/Remove

t step 1 in “Read This

First”

Remaining indicator

t step 1 in “Read This

First”

Blur....................................... 14

Bracket order........................ 87

BULB shooting .................... 40

Camera-shake warning

t step 5 in “Read This

First”

CC filter................................ 47

CD-ROM.................... 115, 121

Center weighted ................... 58

Charging battery pack

t step 1 in “Read This

First”

Clean CCD ......................... 103

Cleaning ............................. 147

Cloudy .................................. 47

Color..................................... 17

Color temperature ................ 47

Color/DEC ........................... 49

Compression ratio .......... 18, 83

Computer............................ 105

Copying images .. 107, 120

Macintosh.................... 120

Recommended

environment ........ 106, 120

Software .............. 114, 115

Viewing image files stored

on a computer with your

camera......................... 113

Windows ..................... 105

Connecting

Computer.....................108

Printer .......................... 124

TV .................................78

Continuous AF......................54

Continuous bracket ...............62

Continuous shooting .............61

Contrast.................................50

Copying images to your

computer..............107, 120

Ctrl dial set ...........................94

Custom menu 1.....................93

Custom menu 2.....................96

Custom white balance...........48

Date imprint..........................92

Date/Time set........................99

t step 3 in “Read This

First”

Daylight ................................47

DC-IN terminal...................144

Delete....................................88

t step 6 in “Read This

First”

Delete conf..........................103

Depth-of-field preview .........70

Direct Manual Focus ............53

DirectX ...............................106

DPOF set ..............................91

D-Range Optimizer ..............49

Drive mode ...........................60

Effective pixels ...................149

Enlarge..................................77

Ev scale.....................38, 63, 67

Exposure ...............................16

Exposure Bracket..................62

Extension ....................112, 113

External flash................55, 145

156

Eyecup .................................. 41

Eyepiece cover......................41

Eye-Start AF.........................85

File # memory ....................100

File browser ..........................72

File name ............................112

File storage destination.......112

Fill-flash ...............................55

Fine .......................................83

Flash .....................................47

Flash compensation ..............57

Flash control .........................86

Flash mode .....................54, 86

t step 5 in “Read This

First”

Flash range .....................44, 57

Fluorescent ...........................47

F-number ..............................34

Focus.....................................13

Focus mode...........................51

FocusHoldButt......................93

Focus-lock ............................14

Folder name ........................100

Format...................................89

Hi200 ....................................45

High Speed Sync shooting .145

Histogram display.................74

Holding the camera

t step 5 in “Read This

First”

Identifying parts ...................19

Image Data Converter SR

.............................119, 121

Image file storage destinations

and file names .............112

Image quality ................. 17, 83

Image size ............................ 17

Index format......................... 90

Index print.................... 92, 123

Index screen ......................... 72

Indicator ...............see “Screen”

Inst.Playback........................ 84

Install ......................... 114, 121

Internal rechargeable battery

.................................... 148

ISO ....................................... 44

JPEG .................................... 83

JPG..................................... 112

Landscape (Color/DEC) ...... 50

Landscape (Scene Selection)

...................................... 32

Language.............................. 99

t step 3 in “Read This

First”

LCDbrightness ..................... 98

Lo80 ..................................... 45

Local focus frame ................ 52

Locking exposure................. 67

Long exposure shooting....... 40

Luminance limit warning..... 74

Macintosh computer .......... 120

Recommended

environment ................ 120

Macro ................................... 32

Manual exposure.................. 37

Manual focus........................ 71

Manual shift ......................... 39

Mass Storage........................ 98

“Memory Stick Duo” ......... 139

Menu..................................... 80

Custom menu 1 ............. 93

Custom menu 2 ............. 96

Playback menu 1 ........... 88

Playback menu 2 ........... 91

Recording menu 1 ......... 83

Recording menu 2 ......... 86

Setup menu 1................. 98

Setup menu 2............... 100

Setup menu 3............... 102

MenuSec.Memory .............. 102

Metering mode .....................58

Moisture condensation .......147

Monitor Disp. ....................... 97

MultiSegment ....................... 58

New folder.......................... 101

Night portrait ........................ 33

Night view (Color/DEC) ...... 50

Night view (Scene Selection)

....................................... 33

Noise reduction .................... 85

Number of images ................ 27

OS............................... 106, 120

Overexposure........................ 16

PC ................... see “Computer”

PictBridge........................... 123

Picture Motion Browser .....114

Pixel...................................... 17

Play. display .........................97

Playback menu 1 .................. 88

Playback menu 2 .................. 91

Portrait (Color/DEC) ............ 50

Portrait (Scene Selection)..... 32

157

Index

Power cord

t step 1 in “Read This

First”

Power save ..........................102

t step 3 in “Read This

First”

Precautions..........................147

Pre-flash TTL........................86

Preset white balance .............46

Pressing halfway down .........13

t step 5 in “Read This

First”

Print ....................................122

Index mode ..................123

Single-image mode......123

Printing directly ..................123

Priority setup.........................93

Program auto shooting..........31

Program Shift........................33

Protect...................................89

RAW .....................................84

Rear sync. .............................55

Recording information display

...........................22, 26, 97

Recording medium

Insert/Remove

t step 4 in “Read This

First”

Number of images .........27

Recording menu 1.................83

Recording menu 2.................86

Red eye .................................86

Release..................................93

Remote Commander ...........144

Reset .....................................87

Reset default .......................104

Rotate....................................76

Saturation..............................50

Scene Selection .................... 32

Screen

Changing the display .... 26

Indicator ........................ 22

Select folder ....................... 101

Self-timer ............................. 62

Set the clock

t step 3 in “Read This

First”

Setup menu 1........................ 98

Setup menu 2...................... 100

Setup menu 3...................... 102

Shade.................................... 47

Sharpness ............................. 50

Shooting image

t step 5 in “Read This

First”

Shoulder strap ...................... 21

Shutter lock .......................... 96

Shutter speed ........................ 16

Shutter speed priority ........... 36

Single bracket....................... 63

Single-image mode printing

.................................... 123

Single-shot AF ..................... 53

Slide show ............................ 91

Slow Sync............................. 69

Software ..................... 114, 115

Specifications ..................... 149

Sports action......................... 32

Spot ...................................... 59

Spot focus frame .................. 52

sRGB .................................... 50

Standard (Color/DEC).......... 50

Standard (Image quality)...... 83

Sunset (Color/DEC) ............. 50

Sunset (Scene Selection) ...... 32

Super SteadyShot scale

t step 5 in “Read This

First”

Transfer mode .......................98

Troubleshooting..................127

Tungsten ...............................47

TV.........................................78

Underexposure......................16

USB cable ...................108, 124

Using your camera abroad

t step 1 in “Read This

First”

Video output .........................98

Viewing image......................72

t step 6 in “Read This

First”

Vivid .....................................50

Warning messages ..............137

White balance .......................46

White balance bracket ..........64

Wide focus frame..................52

Windows computer .............105

Recommended

environment.................106

Wireless flash........................55

Write-protect switch ...........139

Zone Matching......................45

Zoom

t step 5 in “Read This

First”

158

Trademarks

• is a trademark of Sony Corporation.

• “Memory Stick”, , “Memory Stick PRO”,

, “Memory Stick Duo”,

, “Memory Stick PRO

Duo”, , “MagicGate”,

and are trademarks of Sony

Corporation.

• Microsoft, Windows, and DirectX are either

registered trademarks or trademarks of

Microsoft Corporation in the United States and/

or other countries.

• Macintosh, Mac OS, iMac, iBook, PowerBook,

Power Mac, and eMac are trademarks or

registered trademarks of Apple Computer, Inc.

• Intel, MMX, and Pentium are trademarks or

registered trademarks of Intel Corporation.

• CompactFlash is a trademark of SanDisk

Corporation.

• Microdrive is a registered trademark of Hitachi

Global Storage Technologies in the United

States and/or other countries.

• Adobe is a registered trademark or a trademark

of Adobe Systems Incorporated in the United

States and/or other countries.

• D-Range Optimizer Advanced uses technology

provided by Apical Limited.

• In addition, system and product names used in

this manual are, in general, trademarks or

registered trademarks of their respective

developers or manufacturers. However, the ™ or

® marks are not used in all cases in this manual.

159

Sony DSLR-A100KB Handleiding

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