744786

Sigma fp Handleiding

160
Verklein
Vergroot
Pagina terug
1/160
Pagina verder
C43EN2078
E
ENGLISH
FW Ver.2
USER’S MANUAL
2
Thank you for purchasing the SIGMA fp.
Please read this manual carefully so that you will learn how to use the
product correctly. Be sure to read the SAFETY PRECAUTIONS on page
7 before using your camera.
Please keep this instruction booklet handy for future reference. Doing so
will allow you to understand and take advantage of the camera’s unique
features at any time.
The warranty of this product is one year from the date of purchase.
Warranty terms and warranty card are on a separate sheet, attached.
Please refer to these materials for details.
NOTES ON COPYRIGHT
This camera is intended only for personal use and should never be used in
a way that infringes upon or contravenes international or domestic copyright
laws and regulations. In addition, although it is intended purely for personal
use, some restrictions may be applied to the photographing of
demonstrations, performances, shows, exhibitions, or commercial
properties, etc. Copyright or other legal rights should not be contravened.
The SD, SDHC, and SDXC logos are trademarks of the SD-3C, LLC.
DNG and CinemaDNG are either trademarks or registered trademarks of
Adobe Systems Incorporated in the United States and/or other countries.
HDMI, High-Definition Multimedia Interface, and HDMI Logo are
trademarks or registered trademarks of HDMI Licensing Administrator,
Inc. in the United States and other countries.
All other company or product names used in documents are trademarks
or registered trademarks of their respective holders.
Element font designed by Ricoh CO., Ltd. is used for the display of the
menu window of this camera.
3
Disposal of Electric and Electronic Equipment in Private Households
Disposal of used Electrical & Electronic Equipment (Applicable in the European
Union and other European countries with separate collection systems)
This symbol indicates that this product shall not be treated as household waste.
Instead it shall be collected separately for the recycling of electrical and electronic
equipment. If the new products are purchased, this product might be handed over to
the distributor or the collection system of waste electrical and electronic equipment
eventually. By ensuring this product is disposed of correctly, you will help prevent
potential negative consequences for the environment and human health, which could
otherwise be caused by inappropriate waste handling of this product or components of
this product. If this product is disposed illegally, it might cause a possibility of penalties.
For more detailed information about recycling of this product, please contact your local
city office, your household waste disposal service or the shop where you have
purchased the product.
PACKAGE CONTENTS / ACCESSORIES
Please make sure that following standard accessories are included with
your camera. If any of them is missing, contact the retailer from which you
purchased your camera immediately.
1. Camera Body
2. Body Cap (on the camera)
3. Hot Shoe Unit HU-11
4. Strap Holder (two)
5. Strap
6. Li-ion Battery BP-51
7. AC Adapter UAC-11
8. USB Cable (A-C) SUC-11
9. Instruction Manual (this book)
10. Limited Warranty
11. Warranty Sticker
No memory card is included with this camera. Please purchase this
separately.
4
TABLE OF CONTENTS
PACKAGE CONTENTS / ACCESSORIES ............................................. 3
TABLE OF CONTENTS ......................................................................... 4
SAFETY PRECAUTIONS ...................................................................... 7
HANDLING PRECAUTIONS ............................................................... 10
SD MEMORY CARDS (OPTIONAL)................................................. 11
ABOUT THE LENSES ..................................................................... 12
ELECTRONIC SHUTTER ................................................................ 13
DESCRIPTION OF THE PARTS .......................................................... 14
MONITOR DISPLAY DURING SHOOTING ......................................... 16
PREPARATION ..................................................................... 18
ATTACHING THE CARRY STRAP ................................................... 18
ABOUT HOT SHOE UNIT HU-11 ..................................................... 19
TO CHARGE THE BATTERY ........................................................... 20
MOUNTING AND REMOVING THE LENS ....................................... 23
SETTING THE LANGUAGE ............................................................. 24
SETTING THE TIME AND DATE ...................................................... 25
CHECKING THE BATTERY STATUS ............................................... 27
ABOUT TOUCH OPERATIONS ....................................................... 27
ABOUT CINE/STILL SWITCH .......................................................... 28
CAMERA SET-UP MENU ................................................................ 28
LIST OF MENU FUNCTIONS .......................................................... 31
QUICK SET MENU ............................................................................. 36
CHANGING THE DISPLAY MODE ...................................................... 39
TO INSERT THE CARD ................................................................... 41
FORMATTING THE CARD .............................................................. 42
HOW TO PRESS THE SHUTTER BUTTON .................................... 42
QUICK PREVIEW ............................................................................ 42
DOING THE SHOOTING ...................................................... 43
TAKING A PICTURE ........................................................................ 43
SHOOTING A MOVIE ...................................................................... 43
SELECTING THE EXPOSURE MODE ................................................ 45
5
FOCUSING ........................................................................................ 51
HOW TO USE AUTOFOCUS .......................................................... 51
FOCUS MODE SETTING................................................................ 52
FOCUS FRAME SETTING .............................................................. 54
FOCUSING USING MANUAL FOCUS ............................................ 56
OTHER FOCUS SETTINGS ........................................................... 56
DRIVE MODE..................................................................................... 63
STABILIZATION ................................................................................. 66
ISO SENSITIVITY SETTING .............................................................. 68
ISO SENSITIVITY EXPANSION ...................................................... 68
ISO AUTO SETTINGS .................................................................... 70
IMAGE FILE SETTING ....................................................................... 71
MOVIE RECORD SETTING ............................................................... 74
BIT RATE AND COMPATIBLE MEDIA ............................................. 76
DC CROP (SUPER35) MODE ............................................................ 77
DIRECTOR'S VIEWFINDER ............................................................... 81
AUDIO RECORD SETTING................................................................ 84
EXPOSURE COMPENSATION .......................................................... 85
METERING MODE ............................................................................. 85
AEL BUTTON ..................................................................................... 86
WHITE BALANCE SETTING (WB) ..................................................... 87
COLOR MODE ................................................................................... 91
TONE CONTROL ............................................................................... 93
FILL LIGHT......................................................................................... 94
LENS OPTICS COMPENSATION ....................................................... 95
BRACKETING .................................................................................... 97
HDR (HIGH DYNAMIC RANGE) ........................................................102
CUSTOM MODE ...............................................................................103
LOCK FUNCTION .............................................................................105
USING THE EXTERNAL FLASH .......................................................105
FLASH MODE SETTING ...............................................................106
FLASH EXPOSURE COMPENSATION ..........................................107
CHANGING OTHER SETTINGS .......................................................107
COLOR SPACE .............................................................................107
6
LENS FUNCTION SETTINGS ....................................................... 108
HALF-PRESSED AEL .................................................................... 110
REVIEWING AND DELETING IMAGES ............................. 111
VIEWING ONE IMAGE AT A TIME ................................................. 111
MAGNIFYING IMAGES (STILL IMAGES ONLY) ............................ 112
VIEWING NINE IMAGES AT A TIME (CONTACT SHEET VIEW) .... 113
VIEWING IMAGE INFORMATION.................................................. 113
DELETING FILES ............................................................................. 116
DELETING A FILE WITH DELETE BUTTON .................................. 116
DELETE FILES FROM THE DELETE MENU ................................. 117
PLAYING BACK A MOVIE ................................................................. 118
OTHER REVIEWING FEATURES ..................................................... 120
FILTERING OPTIONS FOR DISPLAY ............................................ 120
LOCK ............................................................................................ 120
MARKING IMAGES ....................................................................... 122
ROTATING IMAGES ...................................................................... 123
SLIDESHOW ................................................................................. 125
DNG DEVELOPMENT ................................................................... 126
CINEMAGRAPH ............................................................................ 127
EXPOSURE WARNING ................................................................. 131
IMAGE ROTATION ........................................................................ 132
AEL BUTTON SETTINGS .............................................................. 132
SETTING FROM THE [SYSTEM] MENU ........................................... 133
TRANSFERRING IMAGES TO A COMPUTER .................................. 146
USING THIS PRODUCT AS A WEB CAMERA .................................. 147
REFERENCE ...................................................................... 148
OPTIONAL ACCESSORIES .............................................................. 148
USING A HOME POWER SUPPLY (SOLD SEPARATELY) ............ 149
MAINTENANCE ................................................................................ 151
TROUBLESHOOTING ...................................................................... 152
SPECIFICATIONS............................................................................. 155
7
SAFETY PRECAUTIONS
To avoid causing damage or injury, please read this instruction manual
carefully, before using the camera.
Please take special note of the
following two cautionary symbols.
Warning !!
Using the product and disregarding this warning sign
may cause serious injury or other dangerous results.
Caution !!
Using the product disregarding this caution sign may
cause injury or damage.
This symbol denotes a warning or point, where caution is required.
This Symbol contains information regarding the actions that must be
avoided.
WARNING
(
BATTERY
)
8
WARNING
(
BATTERY CHARGER AND AC ADAPTER
)
- 40°C temperature range only.
-
WARNING
(
CAMERA
)
9
CAUTION
(
BATTERY CHARGER AND AC ADAPTER
)
CAUTION
(
CAMERA
)
10
immediately.
If the liquid enter
immediately for 15 minutes, and seek medical assistance.
HANDLING PRECAUTIONS
Please read this section before using the camera.
Study and familiarize yourself with the functions of your camera before
using it. No compensation or guarantee is provided for unsatisfactory
pictures or loss of profit, etc.
Carry spare batteries when you use the camera in a cold environment,
on a field trip, or when taking many pictures at one time.
ENVIRONMENT
Your camera is a precision instrument. Do not drop it or subject it to
physical shock.
This camera benefits from a dust and splash proof construction. Although
this construction enables the lens to be used under light rain, it is not the
same as being water proof. Please pay attention to prevent a large
amount of water from splashing on the camera, especially when using it
by a waterside. It is often impractical to repair the internal mechanism
and electric components if damaged by water.
Do not leave the camera in a dusty, hot, or highly humid environment for
a long period of time.
If the camera is moved from a cold place to a warm room, water droplets
may appear on the camera. Please keep the camera in a bag until it is
acclimatized to the ambient room temperature.
11
The camera will work within a temperature range between 0˚C/32˚F and
+40˚C/104˚F and humidity less than 85% (no condensation). However, in
cold temperatures below 0˚C, the power performance of the battery is
reduced. Please carry a spare battery in these circumstances, and keep
the batteries warm.
Static electricity or magnetic fields may affect the operation of the camera.
If such exposure occurs, please remove the battery from the camera and
re-insert it, to reset the camera’s microprocessors.
DURING PROLONGED USE
Although there are cases where the surface of camera gets hot, this is
not a malfunction.
If you use the camera for an extended period of time, the camera may get
hot and the warning mark (
) will be displayed. If the camera gets too
heat, a warning message will be displayed and the camera will turn off
automatically.
If the camera turns off, please leave it switched off for more than ten
minutes to lower its temperature.
Image quality may lower when the camera gets hot. If the warning mark
(
) is displayed, we recommend turning off the camera and wait until
the temperature of the camera becomes lower.
When you use a USB storage device, such as an SSD card, to shoot a
movie, the USB storage may become hot and movie recording may stop.
SD MEMORY CARDS (OPTIONAL)
This product supports the following memory cards that comply with the SD
standards.
SD, SDHC, and SDXC memory cards
In this instruction manual, these memory cards are referred to as the
‘Card’ or ‘SD card’.
This product is compatible with SDHC and SDXC memory cards based
on the UHS-I or UHS-II standards.
12
For movie shooting, an SD card may not be available depending on the
bit rate. For details on compatible media, refer to "BIT RATE AND
COMPATIBLE MEDIA" (P.76).
SD cards have a write protection switch, which prevents the card from
being accidentally written to or formatted. Moving the switch to the
‘LOCK’ position prevents accidental erasure of files.
Do not leave the card in direct sunlight or near a heating device.
Avoid storing cards in environments of high temperature and humidity or
where static electricity or electromagnetic fields may be generated.
For proper usage of the card, please refer to their instruction manuals.
The “Delete” feature of the Camera and PC may not delete the data in the
memory card completely. Some data might still remain. If you wish to
remove all data from card securely, please use third party software.
ABOUT THE LENSES
This camera uses the L-Mount. Your camera can use interchangeable
lenses for L-Mount.
This camera has a 35mm full-frame image sensor. In order to take full
advantage of the capability of the image sensor, it is recommended that
L-Mount lenses are used for full size format. You can use lenses for
APS-C format in DC Crop mode, which limits the recording area of the
image sensor for APS-C size.
Sigma MC-21 Mount Converter (optional) allows you to use Sigma SA
mount interchangeable lenses or Sigma interchangeable lenses for
Canon EF mount.
Depending on the release date of the lens, updating the lens firmware
may be required. It may also be necessary to update the camera
firmware. Please check our website for the latest information about the
corresponding lens.
https://www.sigma-global.com/en/download/
13
ELECTRONIC SHUTTER
This product is not equipped with a mechanical shutter mechanism. It
provides an electronic shutter that electronically controls the image sensor
to adjust the exposure time.
The electronic shutter enables the high-speed shutter speed and
high-speed continuous shooting with no noise or vibration. However, the
electronic shutter has disadvantages, so be sure to note the following
points.
Uneven exposure can easily occur under a flickering light source such as
a fluorescent light, so use the slower shutter speed.
The flash tuning speed is set to 1/30 sec. or less (1/15 sec. or less when
the image quality is set to DNG and DNG + JPEG and the memory bit
count is 14 bits). When shooting with the flash using manual exposure,
set the shutter speed to 1/30 sec. or less (1/15 sec. or less).
When shooting a fast-moving subject, distortion may occur.
14
DESCRIPTION OF THE PARTS
1
2
3
4
5
6
7
8
9
10
14
15
16
17
18
7
19
20
21
22
23
24
4
11
12
4
13
7
25
26
27
28
29
30
31
32
33
34
35
36
37
15
1
Lens Signal Contacts
20
LCD Monitor / Touch Panel
2
Microphone (Right)
21
Microphone / Cable Release
Terminal
3
Front Dial
22
(View) Button
4
Position Index for Tripod Socket
23
Busy Lamp
5
Lens Mount Index /
Lens Lock Pin
24
(Display) Button
6
Lens Lock Button
25
REC Button
7
Tripod / Strap Holder Sockets
26
REC Lamp
8
Battery / SD Card Cover
27
Shutter Button
9
DC Connector Cover
28
AEL Button
10
Battery / SD Card Cover Latch
29
(Quick Set) Button
11
Microphone (Left)
30
Tone Control Button
12
Lens Mount
31
Rear Dial
13
Image Sensor / Dust Protector
32
(OK) Button
14
Heatsink
33
Color Mode Button
15
Power Switch
34
(Menu) Button
16
CINE / STILL Switch
35
(Shooting Mode) /
(Delete) Button
17
USB Terminal (Type C USB 3.0)
/ Charge lamp
36
Strap Holders
18
Focal Plane Mark
37
Hot Shoe Unit HU-11
19
HDMI Terminal (Type D (Version
1.4)) / HU-11 Contacts
CAUTION
Be careful not to touch the dust protector (image sensor protective
glass)(13).
16
ABOUT REAR DIAL (31)
The Rear Dial also serves as a direction button. In this instruction manual,
each position is shown as
, , , or .
(Up button)
(FOCUS button)
(Left button)
(Right button)
b
utton
(Down button)
(
button)
The up and down operations are indicated by , the left and right
operations by
, and the up, down, left, and right operations by .
MONITOR DISPLAY DURING SHOOTING
In STILL mode
In CINE mode (CINE style)
17
In CINE mode (STILL-like style)
1
Battery Level Indicator
27
Tone Control *
2
ISO Sensitivity
28
Color Mode / (Toning Effect)
3
DC Crop Mode *
29
Locked State Indicator *
4
Image Size
30
Interval timer *
5
Aspect Ratio
31
Focus Indicator
6
Image Quality
32
Exposure Mode
7
Number of shots remaining
33
Custom Mode *
8
Memory Media
34
Shutter Speed
9
White Balance
35
F Number / T Number
10
Camera Shake Warning
36
Exposure Compensation Value /
Exposure Meter
11
AE Lock / AF Lock *
37
Metering Mode
12
Date / Time *
38
Number of shots remaining before
memory buffer full
13
Drive Mode
39
Resolution
14
Face / Eye Detection AF *
40
Frame Rate
15
Focus Limiter *
41
Format / Bit Depth / Compression
16
Focus Mode
42
Max Record Time
17
Exposure BKT *
43
Audiometer
18
Electronic Stabilization *
44
Time Code
19
Auto Bracketing / HDR *
45
Focus / REC Indicator
20
Electronic Level *
46
Recording
21
Histogram / Waveform *
47
Camera
ID,
Reel
Number-Ta ke
Number
22
Flash Mode *
48
Focus Distance *
23
Flash Exposure Compensation
value *
49
Focal Length *
24
Focusing Frame
50
Center Mark *
25
Color Shading Correction *
51
Shutter Angle / Shutter Speed
26
Fill Light *
* Displayed only during setting.
18
This icon is displayed while image processing is being performed in the
camera just after shooting. While this icon is displayed, it may not be
possible to operate the camera.
This icon indicates that the camera is still shooting with a slow shutter
speed.
PREPARATION
ATTACHING THE CARRY STRAP
Using a coin, attach the supplied strap
holders securely to the tripod/strap holder
sockets on both sides of the camera.
Undo both ends of the supplied strap
and attach it to the right and left strap
holders as shown.
WARNING
Before taking a picture, make sure
the strap holders are firmly
screwed into the sockets. If either
or both of the strap holders come
loose, the camera may fall during
use. If either of them do come
loose, firmly tighten it using a coin
or similar object.
19
ABOUT HOT SHOE UNIT HU-11
When using the flash, attach the hot shoe
unit HU-11, which is supplied with this
product, to the camera.
1
If the strap holder is attached to the left
side of the camera, remove it using a coin
or similar object.
2
Remove the contact cover and place it in
the contact cover holder on HU-11.
3
Remove the contact protection cap on
HU-11 and attach HU-11 securely to the
camera by turning the locking ring.
Use the EF-630 SIGMA Electronic Flash
(FOR SIGMA) or EF-140S SA-STTL
(P.148) with your camera.
The strap holders removed from the camera can be
attached to the strap holder sockets on HU-11.
WARNING
Before taking a picture, make sure the strap holders are firmly screwed
into the sockets. If either or both of the strap holders come loose, the
camera may fall during use. If either of them do come loose, firmly tighten
it using a coin or similar object.
20
HDMI CABLE LOCK
HU-11 comes with an HDMI cable lock that
prevents the HDMI cable from being
disconnected when shooting images.
Connect the HDMI cable to the HDMI
terminal on your camera and secure the
cable using the cable locking screw.
TO CHARGE THE BATTERY
Insert the supplied lithium-ion rechargeable battery, BP-51 battery pack,
(hereafter, battery) into the camera. Connect the supplied UAC-11 A C
adapter to charge the battery. Charge the battery before using the camera
for the first time.
1
Make sure that the power switch is set to
OFF. Rotate the battery/SD card cover
latch to open the cover.
2
Insert the battery until it locks into place.
3
Close the battery compartment cover and
lock the cover by turning the battery/SD
card cover latch.
21
4
Open the terminal cover and connect the
camera to the AC adapter using the USB
cable provided with the camera.
Make sure that the cable is connected in
the correct orientation.
5
Insert the AC adapter into the power outlet.
When charging is in progress, the charge lamp will
light up yellow-green.
It takes about 240 minutes to recharge the battery.
The time required to recharge the battery depends on
the ambient temperature and the status of the
recharge level.
6
When the charge lamp goes out, charging is completed.
If the charge lamp flashes
The battery temperature is too high or too low. We recommend charging
in a location where the ambient temperature is between 10°C and 30°C.
Wipe the battery contacts with a clean, dry cloth.
CAUTION
The battery cannot be charged when the camera is turned on. Be sure to
turn off your camera before charging.
If the number of images that can be taken on a single charge is
significantly reduced, the battery is reaching the end of its lifespan.
Replace it with a new one.
22
The battery can be charged with BC-71 battery charger (optional).
(P.149)
The supplied AC adapter is provided for charging the battery. To operate
the camera on 100 VAC, please purchase the SAC-7P AC adapter set
(optional). (P.149)
CHARGING THE BATTERY THROUGH THE COMPUTER
Connect the camera to a computer using the supplied USB cable.
The battery cannot be charged when the camera is turned on. Be sure to
turn off your camera before charging.
Be sure to connect the USB cable to the USB socket on your computer.
Do not connect it to the USB socket of a monitor, keyboard, or USB hub.
If the computer enters Sleep mode during charging, charging may be
stopped.
The time required to charge varies depending on the performance of the
computer.
TO REMOVE THE BATTERY
Slide the battery compartment cover latch
and remove the battery.
WARNING
Do not remove the battery or memory card while the Busy Lamp is on or
flashing. Otherwise, the written data will be lost. This could also damage
the camera and/or memory card.
23
MOUNTING AND REMOVING THE LENS
1
Turn the power switch to OFF.
2
Remove the lens’s rear cap and the
camera’s body cap.
3
Align the lens mount index on the camera
with the index on the lens. Insert the lens
into the mount of the camera and rotate
the lens clockwise until it clicks into the
locked position.
CAUTION
To ensure the lens fits correctly, do not press the lens lock button while
attaching the lens. Make sure that the lens is locked in place.
To remove the lens, press the lens lock
button and turn the lens counter-clockwise
until it stops. Gently remove the lens from
the camera body.
CAUTION
On the mount surface of the lens, there are a number of electrical contacts.
Scratches or dirt may cause the camera to malfunction.
24
SETTING THE LANGUAGE
The default language displayed on the LCD monitor is English. The
language can be changed using [Language / 言語] in the Set-up menu.
For when the camera used for the first time
When the camera is switched on for the first time, select a language on the
display. Press
buttons and confirm the language by pressing the
button.
After selecting a language, input the date and time on the display. For the
details of settings, refer to the instructions in “
SETTING THE TIME AND
DATE” on the page 25 of the instruction manual, from the section number
5
onward.
1
Turn the camera on.
2
Press the
button on the back of
the camera to display the Camera Set-up
Menu. (See P. 29)
3
Select [ SYSTEM
(
5
)
] by rotating the
Front Dial.
4
Use the buttons to select [Language/
言語].
5
Press the or button to open the
language set-up page.
6
Use the buttons to select the desired
language.
7
Press the button to apply the setting or
the
button to return to the language
set-up page without making any changes.
25
Selectable languages
English
English (Default)
Русский
Russian
日本語
Japanese
Nederlands
Dutch
Deutsch
German
Polski
Polish
Français
French
Português
Portuguese
Español
Spanish
Dansk
Danish
Italiano
Italian
Svenska
Swedish
简体中文
Simplified Chinese
Norsk
Norwegian
繁體中文
Traditional Chinese
Suomi
Finnish
한국어
Korean
SETTING THE TIME AND DATE
Please set the camera’s internal clock,
before using the camera for the first time
or after extended periods of disuse.
1
Turn the camera on.
2
Press the button on the back of the
camera to display the Camera Set-up
Menu. (See P. 29)
3
Select [ SYSTEM
(
5
)
] by rotating the
Front Dial.
4
Use the buttons to select [Date/Time].
5
Press the or button to open the
date/time set-up page.
6
Press the button or the button again
to set the Date / Time.
26
7
Press the button to select an item and change it by pressing the
button.
8
Press the
button to apply the setting or the button to return to the
date/ time set-up page without making any changes.
CAUTION
The camera’s internal clock is powered by a capacitor that receives its
charge from camera’s battery. If the camera is without battery for an
extended period of time, such as after prolonged storage, the internal
clock will need to be reset.
TO CHANGE THE ORDER OF THE DATE
The date can be displayed in one of three formats: M/D/Y (month/day/ year),
D/M/Y (day/month/year), or Y/M/D (year/month/day).
1
Use
the
buttons
to
select
[Date
Format],
and press the
or the button to open
the sub menu.
2
Use
the
buttons
to
select
your
preferred
format, and press the
button or the
button to confirm.
TO SWITCH 24 HOUR AND 12 HOUR (AM/PM) DISPLAY
1
Use
the
buttons
to
select
[Time
Format],
and press the
button or the button to
open the sub menu.
2
Use
the
buttons
to
select
your
preferred
format and press the
button or the
button to confirm.
27
CHECKING THE BATTERY S TAT US
The battery icon, which shows the capacity of the battery, is shown on the
left corner on the color LCD panel. Please take notice of the battery status
before and when in use.
The power of the battery is insufficient, replace or recharge
the battery immediately.
(Red)
The power of the battery is empty; the camera will no longer
work. Replace or recharge the battery immediately.
Camera is operating on household power or an external
battery.
ABOUT TOUCH OPERATIONS
You can operate some of the functions on the touch panel.
The touch operations are described below:
Tap
Touch lightly with your finger and then raise your finger.
Double tap
Tap twice in succession.
Drag
Touch and then move your finger while still touching.
Flick
Touch and move your finger rapidly while still touching.
Pinch Out
Touch with two fingers and then move fingers further apart.
Pinch In
Touch with two fingers and then move fingers closer
together.
Operations in the touch panel can be disabled.
[
SYSTEM ] → [Touch Operation] → [Off]
CAUTION
Even if the Touch Operation is set to [Off], touch operations take effect
on the following operations that are performed only on the touch panel.
Unlocking operations
Editing of cinemagraphs
28
ABOUT CINE/STILL SWITCH
This camera can shoot still images and movies. Depending on the position
of the CINE/STILL switch, the camera can be used as a camera dedicated
for shooting both still images and movies.
To shoot still images, select STILL (STILL mode). To
shoot movies, select CINE (CINE mode).
CAMERA SET-UP MENU
This section describes the various settings in the Camera Set-up menu.
You can set detailed functions and basic camera settings from the Camera
Set-up menu screen.
Available menu items in the Set-up menu vary depending on the position
of the CINE/STILL switch.
The "STILL" icon is displayed for still-
image dedicated items, still-image dedicated
options, and items containing still-image
dedicated options.
The "CINE" icon is displayed for movie-
dedicated items, movie-dedicated options,
and items containing movie-dedicated
options.
In this manual, "(STILL)" is provided for still-dedicated items or options,
and "(CINE)" for the movie-dedicated items or options.
There are items that can be set separately for "STILL" and "CINE" even
though they are the same. (In this manual, items that are able to be
independently set are indicated by "(CINE/STILL)".) Select your desired
mode by using the CINE/STILL switch before setting detailed functions
and basic camera settings.
29
TO DISPLAY THE SET-UP MENU
Press the
button on the back of the camera.
Press the
button again to close the Set-up menu.
Move to another page
Each time the Front Dial is rotated, the
screen moves to the next tab.
(When the tab area is selected, it is
possible to change the setting menu by
pressing the
buttons as well.)
While in the Set-up Menu:
Use the buttons or the Rear Dial to
select the desired item.
Press the
or
button to open a
sub-menu.
Depending on the item, a menu screen, a
confirmation dialog or second-level items
may be displayed.
While in the sub-menus:
Use the buttons or the Rear Dial to
select the desired option.
Press the
or
button to apply the
setting.
(
Press
the
or
button
to
close
sub-
menus without changes being applied.)
The second-level items may be further
divided into pages. Use the
buttons
or the Front Dial to move to other tabs. To
exit the tab, press the
button.
Tab area
30
The Camera Set-up menu is divided into three groups.
/ SHOOT
(CAPTURE
SETTINGS)
(Blue Tab)
Set the shooting function. If the
button is pressed during the shooting
mode, the [
SHOOT] menu opens when
the CINE/STILL switch is set to the
[STILL] position, and the [
SHOOT]
menu opens when the CINE/STILL switch
is set to the [CINE] position.
PLAY (PLAYBACK) (Red Tab)
Set the playback function. If the
button is pressed during playback mode,
the [
PLAY] menu opens.
SYSTEM (CAMERA SETTINGS)
(Yellow Tab)
Set the basic status of the camera. Press
the
button to open the Camera
Set-up menu, and turn the Front Dial or
the Rear Dial to move to the [
SYSTEM]
menu.
TIP
Depending on the camera settings, some menu items and setting options
cannot be selected. They will be grayed out.
If you press the
or
button on the item or option that is grayed out in
[[
/ SHOOT], a list of causes that cannot be set will be displayed.
Review the camera settings by referring to the displayed contents.
31
LIST OF MENU FUNCTIONS
For more information about each menu item, refer to the appropriate pages.
* C = CINE mode, S = STILL mode
/ SHOOT
(
1
)
Menu Item
Second-level Menu Item
C
S
Page
Exposure Settings
Shooting Mode
○
45
Shutter Speed
○
47,48
Shutter Angle
○
-
47,48
Shutter Mode
○
-
45
Aperture
○
46,48
Exposure Compensation
○
85
ISO Sensitivity Settings
ISO Sensitivity
○
68
ISO Sensitivity Step
○
68
ISO Sensitivity Expansion
○
68
ISO Auto Settings
○
○
70
AE Metering Mode
-
○
85
Drive Mode
-
- ○
63
Bracketing
Exposure
- ○
97,98
Focus
- ○
97,99
White Balance
- ○
97,100
Color Mode
- ○
97,101
Fill Light
- ○
97,102
HDR
-
○
102
/ SHOOT
(
2
)
Menu Item
Second-level Menu Item
C
S
Page
DC Crop Mode
-
○
77
Image Quality
-
- ○
71
Image Size
-
- ○
72
Aspect Ratio
-
- ○
73
Record Settings
Format
○
-
74
Bit Depth (CinemaDNG)
○
-
74
Compression (MOV)
○
-
75
32
Menu Item
Second-level Menu Item
C
S
Page
Record Settings
Resolution
○
-
75
Frame Rate
○
-
75
Audio Record
-
○
-
84
/ SHOOT
(
3
)
Menu Item
Second-level Menu Item
C
S
Page
White Balance
-
○
87
Color Settings
Color Mode
- ○
91
Color Space
- ○
107
Color Mode
-
○
-
91
Tone Control
-
○
93
Fill Light
-
- ○
94
Lens Optics Compensation
Distortion
○
95
Lateral
Chromatic
Aberration
○
95
Diffraction
○
95
Vignetting
○
95
Color Shading
○
95
/ SHOOT
(
4
)
Menu Item
Second-level Menu Item
C
S
Page
Focus
Focus Mode
○
○
52
Focus Area
○
○
54
AF + MF
○
56
Pre-AF
- ○
57
Constant AF
○
-
57
Face / Eye Detection AF
○
57
Focus Limiter
○
58
AF during Image
Magnification
○ 60
AF Magnification
○
59
Prioritize Focus / Release
- ○
60
33
Menu Item
Second-level Menu Item
C
S
Page
Focus
MF Magnification
○
61
MF Display
○
○
62
Focus Peaking
○
62
Stabilization
Lens Optical Stabilization
○
66
Electronic Stabilization
○
○
67
Lens Function Settings
Focus Mode
○
○
52
Focus Limiter
○
58
Optical Stabilization
○
66
AFL Button Settings
○
108
Flash
Flash Exposure
Compensation
-
○
107
Red-eye
-
○
106
Rear Curtain Sync.
-
○
106
Slow Sync.
-
○
106
AF Assist Light
-
○
106
/ SHOOT
(
5
)
Menu Item
Second-level Menu Item
C
S
Page
Shutter blackout
-
- ○
108
Quick Preview
-
- ○
42
Outer Frame
-
- ○
74
Frame Guide
-
○
-
109
Director's Viewfinder
-
○
-
81
Preview Exposure in M
Mode
- - ○
49
Brightness Level Monitor
-
○
○
49
Zebra Pattern
-
○
50
/ SHOOT
(
6
)
Menu Item
Second-level Menu Item
C
S
Page
Dial Exposure Operation
-
○
-
48
Switch Dial Functions
-
○
109
Dial Rotation
-
○
109
34
Menu Item
Second-level Menu Item
C
S
Page
REC Button Settings
-
- ○
110
Shutter Button Settings
-
○
-
110
AEL Button Settings
-
○
86
Half-pressed AEL
-
- ○
110
Half-pressed AF-ON
-
○
110
P L AY
(
1
)
Menu Item
Second-level Menu Item
C
S
Page
Filtering Options for
Display
- ○ 120
Lock
-
○
120
Mark
-
○
122
Rotate
-
○
123
Delete
-
○
116
Slideshow
-
○
125
P L AY
(
2
)
Menu Item
Second-level Menu Item
C
S
Page
DNG Development
-
○
126
Cinemagraph
-
○
127
Exposure Warning
-
○
131
Image Rotation
-
○
132
AEL Button Settings
-
○
132
SYSTEM
(
1
)
Menu Item
Second-level Menu Item
C
S
Page
Memory Media Format
-
○
42,133
Memory Media
-
○
133
File Name / Number
-
○
○
133
Copyright Information
-
○
135
Time Code
-
○
-
137
35
SYSTEM
(
2
)
Menu Item
Second-level Menu Item
C
S
Page
Shooting Style
-
○
-
43
Custom Mode Setting
-
○
103
Custom QS
-
○
○
37
Mode Settings
-
○
○
139
Operation in LOCK Mode
-
○
105
Touch Operation
-
○
27
SYSTEM
(
3
)
Menu Item
Second-level Menu Item
C
S
Page
Electronic Sounds
-
○
141
Adjust Electronic Level
-
○
142
Pixel Refresh
-
○
142
LCD Settings
-
○
142
Power Save
LCD Off
○
143
Auto Power Off
○
143
ECO Mode
○
143
SYSTEM
(
4
)
Menu Item
Second-level Menu Item
C
S
Page
HDMI Output
-
○
○
143
USB Mode
-
○
144
Cable Release Settings
-
○
○
145
SYSTEM
(
5
)
Menu Item
Second-level Menu Item
C
S
Page
Date / Time
-
○
25
Language /
言語
-
○
24
Information
-
○
145
Firmware Update
-
○
146
Reset Settings
-
○
146
36
QUICK SET MENU
The following most frequently used menu items can be easily set by
pressing the QS button.
In STILL mode
AE Metering Mode
( P. 85)
Drive Mode
( P. 63)
ISO Sensitivity
( P. 68)
White Balance
( P. 87)
Image Quality
( P. 71)
Fill Light
( P. 94)
Image Size
( P. 72)
Aspect Ratio
( P. 73)
Option list display of the selected items
In CINE mode (CINE style)
Frame Rate
( P. 75)
Time Code
( P. 137)
Format
( P. 74)
Shutter Angle
( P. 47)( P. 4 8 )
Aperture
( P. 46)( P. 4 8 )
White Balance
( P. 87)
ISO Sensitivity
( P. 68)
Color Mode
( P. 91)
In CINE mode (STILL-like style)
AE Metering Mode
( P. 85)
Drive Mode
( P. 63)
ISO Sensitivity
( P. 68)
White Balance
( P. 87)
Format
( P. 74)
Fill Light
( P. 94)
Resolution
( P. 75)
Frame Rate
( P. 75)
37
For example, to change the image quality to DNG
1
Press the QS button to display the Quick
Set Menu.
2
Press the
buttons to select the item
related to image quality (
).
3
Rotate the Front Dial or the Rear Dial to display [DNG].
4
Press the
button or half-press the shutter button to return to the
shooting mode.
TIP
It may be possible to make more detailed settings depending on items or
options. In such a case, "
Further Options" is displayed. Press the
AEL button to configure the desired settings as needed.
CAUTION
Items that you cannot set are grayed out, and the options cannot be
changed by rotating the dials.
You can change the items to be allocated to the QS menu.
[ SYSTEM ] → [Custom QS]
1
Press the
buttons on the [Custom
QS] screen to select the position you want
to reallocate, and press the
button to
apply the setting.
2
From the list at the bottom of the screen,
select the items you want to allocate by
pressing the
buttons, and press the
button to confirm your selection.
3
When you have finished setting the allocation, press the
button to
close the [Custom QS] screen.
38
The items that can be allocated to the QS menu are:
* C = CINE mode, S = STILL mode
Menu Item
C
S
Menu Item
C
S
Shooting Mode
○
○
Color Mode
○
○
Shutter Speed /
Shutter Angle *1
○
*3 -
Color Effect Amount
○ ○
Aperture
○
*3
-
Tone Control
○
○
Exposure
Compensation
○ ○
Fill Light
- ○
ISO Sensitivity
○ ○
Color Shading
Correction
○ ○
AE Metering Mode
○
○
Focus Mode
○
○
Drive Mode
○
*4
○
Focus Area
○
○
Exposure BKT
Amount
○
*4 ○
Pre-AF /
Constant AF *2
○ ○
Focus BKT Amount
○
*4
○
Focus Limiter
○
○
White Balance BKT
Amount
○
*4 ○
Focus Peaking
○ ○
Color Mode BKT
○
*4
○
Optical Stabilization
○
○
Fill Light BKT Amount
○
*4
○
Electronic Stabilization
○
○
HDR ○ ○
Flash Exposure
Compensation
○
*4 ○
DC Crop Mode
○
○
Red-eye
○
*4
○
Image Quality /
Format *2
○ ○
Rear Curtain Sync.
○
*4 ○
Image Size /
Resolution
*
2
○ ○
Slow Sync.
○
*4 ○
Aspect Ratio /
Frame Rate
*
2
○ ○
Time Code
○ -
Audio Record
○
-
LOCK
○
○
White Balance
○
○
LCD Brightness
○
○
*1
Changes depending on the setting of the shutter mode (see page 45).
*2
Changes depending on the setting of the CINE/STILL mode (see page
28).
*3
Cannot be set when the Shooting Style is set to [STILL-like].
*4
This is a function for still images. When the Shooting Style is set to
[STILL-like], it can only be allocated, even in CINE mode.
39
CHANGING THE D I S P L AY MODE
LCD Monitor Display can be changed by pressing the button.
In STILL mode
→
→
Custom 1
Custom 2
Custom 3
In CINE mode (CINE style)
→
→
Custom 1
Custom 2
Custom 3
In CINE mode (STILL-like style)
→
→
Custom 1
Custom 2
Custom 3
Refer to MONITOR DISPLAY DURING SHOOTING on page 16 for the
meaning of each icon.
You can customize the information you want to view (refer to page 139).
The size of icons and text can be changed (refer to page 139).
40
(PLAYBACK MODE)
→
→
→
Display Icons
(Display date and
time) (P.
111)
Display Icons
(Display Image
Info
*1)
(P.111)
1/3 Display Image
Info Screen
(Display
Image
Info*1)
( P.114
)
Hide Icons
2/3 Display Image
Info Screen
(Lens
Optics Compensation
)
( P.
114)
3/3 Display Image
Info Screen
(
Copyright Information
screen
) (P.114)
*1
When playing back cinemagraphs, the exposure compensation value
and playback speed during editing are displayed.
41
TO INSERT THE CARD
1
Make sure that the power switch is set to
OFF. Rotate the battery/SD card cover
latch to open the cover.
2
Insert the card as per the instructions.
Insert the card until it clicks.
3
Close the battery compartment cover and
lock the cover by turning the battery/SD
card cover latch.
TO REMOVE THE CARD
Push the card in until it clicks and then pull
it out straight.
WARNING!!
While the Busy Lamp is on or flashing, do not take out the battery or the
card. By doing so, it may result in data loss. This could also cause
damage to the camera and/or memory card.
TIP
If the camera is turned off while the Busy Lamp is on or flashing, the
camera will remain on until it has finished accessing the card.
42
FORMATTING THE CARD
Be sure to format the cards in the camera before use. If your camera is
unable to take pictures because of a card error, format the card.
[
SYSTEM ] → [Memory Media Format] → [SD Card]
In [SD Card Format] screen, press the
buttons, select [Yes], and then
press the
button.
To cancel, select [No] and press the
button.
WARNING
Formatting erases all files, including locked files.
HOW TO PRESS THE SHUTTER BUTTON
When you lightly press the shutter button down until it stops, the camera is
placed in the shooting mode, and the focusing mechanism is activated
(half-press). When you press the shutter button further, the shutter is
released (hold-down).
QUICK PREVIEW
You can change the duration of the Quick Preview images that are
displayed after they are captured.
[
SHOOT] → [Quick Preview]
Off
No preview is displayed.
2 sec. (default)
5 sec.
10 sec.
CAUTION
It will not be possible to zoom in to the preview image, or change to
another image while the Quick Preview is up.
43
DOING THE SHOOTING
TAKING A PICTURE
The general procedure to follow to take a picture is as follows.
Set the CINE/STILL switch to [STILL].
Configure image settings such as the image quality and image size.
( P. 71)
Set the ISO sensitivity. (P.68)
Determine the exposure. (P.45)
Focus the camera. (P.51)
Hold-down the shutter button to take a picture.
For information about other settings, refer to the appropriate pages.
SHOOTING A MOVIE
The general procedure to shoot a movie is as follows.
Set the CINE/STILL switch to "CINE".
Determine the shooting style.
You can select the setting method and the monitor display for shooting to
suit the style of camera you are used to.
[
SYSTEM ] → [Shooting Style]
CINE
Provides the setting method and the monitor display
based on the cinema camera style.
STILL-like
Provides the setting method and the monitor display
based on the still camera style.
Configure movie record settings such as the record format, resolution,
and frame rate. (P.74)
44
Set the ISO sensitivity. (P.68)
Determine the exposure. (P.45)
Focus the camera. (P.51)
Press the shutter button or REC button to start shooting.
During movie shooting...
CINE
REC lamp: Lights, Recording indicator:
●
REC
STILL-like
REC lamp: Lights, Recording indicator:
●
(red)
Press the REC button again to stop shooting.
When movie shooting stops...
CINE
REC lamp: Turned off, Recording indicator:
●
STBY
STILL-like
REC lamp: Turned off, Recording indicator: Turned off
For information about other settings, refer to the appropriate pages.
CAUTION
The REC button does not activate AF mode. When Constant AF (P.57) is
set to [Off], half-press the shutter button to activate AF mode.
The maximum length of time a movie can be recorded using a single
shooting operation is two hours even if there is sufficient free space on
the media for a longer period.
TIP
You can shoot a movie using the REC button even in STILL mode.
Set the REC Button Settings to [REC].
[
SHOOT] → [REC Button Settings] → [REC]
A movie is recorded based on the setting described in [Record Settings]
(P.74) of the Set-up menu.
You can take a picture using the release button even when in CINE
mode.
Set the Shutter Button Settings to [Shutter].
[
SHOOT] → [Shutter Button Settings] → [Shutter]
45
In terms of image quality, still images are recorded in the JPEG (FINE)
format.
The image sizes of still images vary depending on the resolution setting
in [Record Settings] (P. 74).
Resolution
UHD
3840x2160
FHD
1920x1080
SELECTING THE EXPOSURE MODE
The features and the operation methods of the four different exposure
modes of the camera are explained below.
P
Program AE
S
Shutter Speed Priority AE*
A
Aperture Priority AE
M
Manual Exposure
*If [Shutter Mode] in [
SHOOT] is set to [Angle], [Shutter Angle
Priority AE] is displayed when the camera is in CINE style.
CAUTION
The explanations in this section are based on the assumption that
[Switch Dial Functions] in [
/ SHOOT] menu is in its default setting.
If the actual operating procedure differs from the description in this
section, refer to [SWITCH DIAL FUNCTIONS] on page 109.
SELECTING THE EXPOSURE MODE
1
Press the button.
2
Select the desired exposure mode by using the Front and Rear Dials, or by
pressing the
buttons.
3
Press the
button or half-press the shutter button to apply the setting.
The exposure mode can also be set by selecting [ / SHOOT] →
[Exposure Settings] → [Shooting Mode].
46
P PROGRAM AE
Use this mode for casual shooting. In the Program AE mode, the camera
automatically selects an appropriate combination of shutter speed and
aperture values based on the brightness of the subject.
CAUTION
If the mark is shown, it may cause the camera to shake because
the shutter speed reduces. Increase the ISO sensitivity (see page 68) or
use a tripod.
If the subject is too bright or dark, both shutter speed and aperture value
indicators flash. Decrease the ISO sensitivity (see page 68).
PROGRAM SHIFT
*
P
(STILL)
You can change the combination of shutter speed and aperture value
selected by the camera while retaining the same exposure level. Adjust the
shutter speed and aperture value using the Front Dial.
A APERTURE PRIORITY AE
Set the desired aperture. In Aperture Priority AE mode, the camera
determines the appropriate shutter speed based on the brightness of the
subject.
Rotate the Front dial to set the desired aperture.
CAUTION
If the mark is shown, it may cause the camera to shake because
the shutter speed reduces. Increase the ISO sensitivity (see page 68) or
use a tripod.
If the subject is too bright or dark, the shutter speed indicator flashes.
Adjust the aperture until it stops flashing.
In CINE mode (CINE style)
To set the aperture, open the Quick Set menu or select [ SHOOT] →
[Exposure Settings].
To switch to P Mode, in the Quick Set menu, press the
button while
selecting the aperture, and in the [
SHOOT] menu, set the aperture value
to [Auto].
47
S SHUTTER SPEED (SHUTTER ANGLE) PRIORITY AE
Set the desired shutter speed (shutter angle). The camera automatically
determines the aperture value based on the brightness of the subject.
Set the desired shutter speed by rotating the Front Dial.
CAUTION
If the subject is too bright or dark, the aperture value indicator flashes.
Adjust the shutter speed until it stops flashing.
In CINE mode (CINE style)
To set the shutter angle (speed), open the Quick Set menu or select
[
SHOOT] → [Exposure Settings].
To switch to P Mode, in the Quick Set menu, press the button while
selecting the shutter angle, and in the [
SHOOT] menu, set the shutter
angle (speed) to [Auto].
M MANUAL EXPOSURE
Set both the shutter speed (angle) and aperture value.
Set the aperture value using the Front Dial. Then, set the shutter angle
(speed) using the Rear Dial so that the numeric value of the exposure
meter is set to "0.0".
The exposure meter can display an exposure error of up to ± 5 stops from
the correct exposure in 1/ 3 steps. If the exposure error is more than
three stops, the exposure meter will flash.
When the ISO Sensitivity (P.68) is set to [ISO Auto]:
Images are taken using Auto Exposure in which the camera automatically
sets the ISO sensitivity according to the brightness of the subject.
CAUTION
If the subject is too bright or too dark, the ISO indicator flashes. Adjust the
shutter speed (angle) or aperture until the indicator stops flashing.
48
In CINE mode (CINE style)
To set the shutter angle (speed) and aperture, open the Quick Set menu
or select [
SHOOT] → [Exposure Settings].
In the Quick Set menu, to switch to S Mode, press the button while
selecting the aperture. To switch to A mode, press the
button while
selecting the shutter angle.
In the [ SHOOT] menu, to switch to S mode, set the aperture value to
[Auto]. To switch to A mode, set the shutter angle (speed) to [Auto].
TIP
WHEN YOU ARE USING AN L-MOUNT LENS WITH AN APERTURE
RING:
In Aperture Priority AE or Manual Exposure mode, you can set the aperture
value using the aperture ring of the lens. If you want to select an aperture
value using the camera menu or dial, set the aperture ring to position A.
ABOUT THE SHUTTER ANGLE (CINE/CINE STYLE)
For the cinema camera, the shutter angle (angle) is generally used as the
unit of exposure time in the shutter. For example, "360°" means that an
exposure time of 100% is applied for each frame, and "180°" means that an
exposure time of 50% is applied for each frame.
DIAL OPERATION IN CINE MODE (CINE STYLE)
In general use, an exposure operation carried out by dialing is prohibited in
CINE mode (CINE style), however, it can be permitted as needed.
[
SHOOT] → [Dial Exposure Operation] → [On]
49
LCD DISPLAY MONITOR IN M MODE
(STILL)
When the exposure mode is set to M, the actual exposure is applied to the
screen. If it is difficult to confirm the focus or composition, you can switch
the screen brightness to the desired mode.
[
SHOOT] → [Preview Exposure in M Mode]
Off
Brightness of the LCD Display is automatically
adjusted for better visibility.
On (Default)
The selected exposure value is reflected in the LCD
Display.
When ELECTRONIC FLASH EF-630 (FOR SIGMA) is used with the
camera, the brightness of the LCD Display is automatically adjusted for
better visibility even when the function is [On].
BRIGHTNESS LEVEL MONITOR
(CINE/STILL)
The brightness level can be selected from two types of brightness level
views as a means to judge the exposure when shooting.
[
/ SHOOT] → [Brightness Level Monitor]
Histogram
For details on the histogram, refer to page 116.
Waveform
The horizontal axis indicates the horizontal position
of the screen, and the vertical axis indicates the
brightness level (bottom: 0, top: 255). Unlike the
histogram, you can easily grasp the status of the
brightness value at a given location.
Whether to display the brightness level monitor can be selected from
[Brightness Level Monitor] in Display Mode Settings (P.139).
In CINE mode (CINE style), both the histogram and waveform can be
selected from two sizes (Standard and Wide).
50
ZEBRA PATTERN
Parts that may be overexposed are shown
in zebra patterns.
[
/ SHOOT] → [Zebra Pattern] → [Zebra Display]
Highlight
Displays the higher brightness value range in zebra
patterns using the arbitrary brightness value as a
standard.
Exposure Level
Displays the arbitrary percentage range in zebra
patterns using the arbitrary br
ightness value as a
standard.
HIGHLIGHT DISPLAY SETTING OPTIONS:
Highlight Level
70 to 100% (Brightness value: Approx.178 to 255)
Color
White, Black, Red, Yellow, Blue, Green
EXPOSURE LEVEL DISPLAY SETTING OPTIONS:
Exposure Level
0 to 100% (Brightness value: Approx.0 to 255)
Range
±5 to 30%
Color
White, Black, Red, Yellow, Blue, Green
Whether to display the Zebra Pattern can be selected from [Zebra
Pattern] in Display Mode Settings (P.139).
51
BULB SETTING
(STILL)
The shutter remains open when the shutter button is pressed all the way
down.
1
Set the Exposure Mode to the M position.
2
Rotate the Rear dial until BULB is displayed.
3
Rotate the Front dial to select the desired aperture value.
4
Depress the shutter button fully to take the picture.
CAUTION
It is not possible to use Bulb photography for more than 300 seconds.
The shutter will automatically close about 300 seconds after the shutter
button was pressed.
A long exposure may increase noise.
FOCUSING
HOW TO USE AUTOFOCUS
1
Set the focus mode selector switch (if
present on the lens) to AF mode.
2
Set the camera’s focus mode to
( P. 52). (Set to
in CINE mode.)
52
3
Place the photograph subject in the
multi-point distance measurement area
frame, and half-press the shutter button.
The focus frame at the focused position is displayed in green, the focus
indicator lights up, and the focus sound beeps. (No focus sound beeps in
CINE mode.)
If the subject is out of focus, the multi-point distance measurement area
frame and the focus indicator flash.
CAUTION
In CINE mode (CINE style), the multi-point distance measurement area
frame and focus frame are displayed only when the shutter button is
being half-pressed.
FOCUS MODE SETTING
The focus mode can be selected depending on the subject.
Press the FOCUS button, and select the desired focus mode using the
Front/Rear dial or the
buttons.
You can also select [
/ SHOOT] → [Focus] → [Focus Mode] to set
Focus mode.
You can also select [
/ SHOOT] → [Lens Function Settings] →
[Focus Mode] to set Focus mode.
After the setting is completed, press the
button or half-press the shutter
button to apply the setting.
53
Single AF
(Default)
(STILL)
Available for a still subject.
When the subject comes into focus, the focus point is
fixed while the shutter button is being half-
pressed. You
can change the composition of the shoot while the focus
point remains fixed (Focus Lock shooting*).
The exposure is locked at the value when the shutter
button is half-pressed.
When Continuous Drive Mode is selected, continuous
shooting is conducted at the focus position of the first
frame.
Continuous
AF
(STILL)
Available for a moving subject.
While the shutter button is half-
pressed, the autofocus
continues to function. When it comes into focus, the
Focus Indicator opens, but the focus is not locked.
The exposure is set when the shutter button is
released.
When Continuous Drive Mode is selecte
d, auto focus
drive and shooting are continued repeatedly.
The focusing accuracy may reduce depending on the
conditions of the subject.
The electronic beeping sound does not sound.
Manual
Focus
Manually focus the camera.
Turn the focusing ring on the le
ns until you get a clear
sharp image.
* You can also perform Focus Lock shooting using the AEL button that is
assigned to the focus lock function (page 86).
54
FOCUS FRAME SETTING
You can change the focus frame size or position as well as the operation
method.
Press the
button, and select the desired option using the Front/Rear dial
or the
buttons.
You can also select [
/ SHOOT] → [Focus] → [Focus Area] to set the
target.
After the setting is completed, press the
button or half-press the shutter
button to apply the setting.
Multi Auto Focus Points (Default)
Single (1-point selection)
Tracking
MULTI AUTO FOCUS POINTS
Uses up to 49 focus frames for focusing. This function is available when the
subject is in the center.
The range of the distance measurement
area can be changed by pressing the AEL
button and turning the Front/Rear dial (the
size of the multi-point distance measurement
area frame is changed).
When the range of the distance measurement
area is narrowed, you can use the
buttons to move the position of the multi-
point distance measurement area frame.
You can also perform a touch operation (tap or drag) to move the position
of the multi-point distance measurement area frame.
55
SINGLE (1-POINT SELECTION)
Focus with the focus frame at the desired position. This function is available
when the subject position is determined.
49 points select mode Free move mode
Focusing point moving area
Each time the AEL button is pressed, the mode switches between [49
points select mode] and [Free move mode].
When [49 points select mode] is selected, choose the desired focus
frame by pressing the
buttons.
When [Free move mode] is selected, move the focusing point as you like
by pressing the
buttons (focusing points can be moved inside the
focusing point moving area).
To change the size of the Focus Frame (L, M, S), rotate the Front or the
Rear Dial.
You can move the focus frame by tapping or dragging it.
TRACKING
(STILL)
The camera automatically tracks focus-
locked subject.
Tracking can be set in AF-C mode only.
1
Adjust the subject to the focus frame, and
half-press the shutter button.
2
When the camera has focused on the subject, the frame color changes to
green. If the subject has moved, the focusing point to which it has moved
appears.
56
If tracking is interrupted, the focus frame returns to the initial position.
CAUTION
Tracking may not operate properly under certain conditions such as
when:
● the movement of the subject is too rapid
● the subject is too small or too large
● the brightness of the scene changes
● the scene is dark.
FOCUSING USING MANUAL FOCUS
1
Set the focus mode selector switch (if one is on the lens) to MF.
Set the camera’s Focus mode to MF (Manual Focus) if the lens does not
have a Focus mode selector switch (see P.52).
2
Turn the focusing ring on the lens to obtain a clear, sharp image.
OTHER FOCUS SETTINGS
AF+MF
You can manually make fine focus adjustments after focusing with the auto
focus function.
[
/ SHOOT] → [Focus] → [AF+MF] → [On]
Half-press the shutter button. After it focuses, turn the focus ring to adjust
the focus while half-pressing the shutter button.
57
CAUTION
If a lens with manual fine-adjustment enabled is attached via the mount
converter MC-21, it is always possible to make fine adjustments even if the
camera is set to [Off].
PRE-AF
(STILL)
AF mode is activated before the shutter button is half-pressed.
[
SHOOT] → [Focus] → [Pre-AF] → [On]
CONSTANT AF
(CINE)
AF mode is activated before movie recording, and it continues to operate
even when a movie is being recorded.
[
SHOOT] → [Focus] → [Constant AF] → [On]
FACE / EYE DETECTION AF
Preferentially focuses the face or eye of a person.
Press the
button and then press the button. Each time you press
the AEL button, you can switch between Face Only and Face/Eye
Detection AF.
Otherwise, to set this mode, select [
/ SHOOT] → [Focus] → [Face /
Eye Detection AF].
Off (Default)
Sets to the normal AF mode.
Face Only
When a face is detected, it is focused on
preferentially.
Face / Eye Auto
When a face is detected, it is focused on
preferentially, and when an eye is detected,
it is focused on.
58
When a face and an eye are detected, the
orange detection frame is displayed.
When the detected face and eye are
focused after the shutter button is
half-pressed, the detection frame changes
to green.
The mode is changed to "Evaluative" that focuses on the detected face.
If multiple people's faces are detected, the detection frame is displayed
for the face that appears to be the nearest.
CAUTION
[Face / Eye Detection AF] is not available in MF mode.
The face/eye detection may fail in the following cases:
● A part of the face is covered by sunglasses, a hat, bangs, etc.
● The scene is dark or backlit.
● The subject is out of focus.
● The subject is moving quickly.
If face detection fails, the face is focused on using the selected focus
frame.
FOCUS LIMITER
Limits the focus operating range to accelerate the AF speed.
[
/ SHOOT] → [Focus] → [Focus Limiter]
or [
/ SHOOT] → [Lens Function Settings] → [Focus Limiter]
Off (Default)
Does not limit the operating range.
On
Near Side
The focus operates only on the near side from
almost at the center.
Far Side
The focus operates only on the far side from
almost at the center.
59
If [Near Side] is selected, the
icon is displayed. If [Far
Side] is selected, the
icon is displayed.
CAUTION
This setting is only available for compatible lenses. For details, please
refer to the lens manual.
AF MAGNIFICATION
Specify the magnification method in AF mode.
[
/ SHOOT] → [Focus] → [AF Magnification]
Image
Magnification
Select the image magnification range.
Auto Magnification
Sets whether or not to automatically magnify an
image when focusing.
Duration of Auto
Magnification
Specify the magnification period.
Image Magnification
Full Screen
Magnifies an image on the full screen.
PIP
Magnifies an image in the range of 25% in the
center of the screen.
Auto Magnification
Off
Does not perform auto magnification.
On
Performs auto magnification.
Duration of Auto Magnification
1 sec.
2 sec.
5 sec.
In AF mode, an image is magnified, centering around the focus frame
that was focused.
During image magnification, the magnification (4x/8x) can be changed
using the Front/Rear dial.
60
AF DURING IMAGE MAGNIFICATION
AF shooting is possible during image
magnification. You can focus on a fine part.
[
/ SHOOT]
→
[Focus]
→
[AF
during
Image Magnification] → [On]
Setting it to [On] displays the "+" mark in
the center of the magnified image.
Press the
button to magnify the image, adjust the subject to the "+"
mark, and half-press the shutter button. When the subject is focused, the
"+" mark changes to green. Then, release the shutter.
TIP
The shutter is released with the image magnified, so determine the
composition and focus frame position before shooting.
PRIORITIZE FOCUS / RELEASE
(STILL)
You can change the operation that starts when the shutter button is held
down in each AF mode.
To set this option, select [
SHOOT] → [Focus] → [Prioritize Focus /
Release] → [
Priority] or [ Priority].
Release
Releases the shutter even if the subject is out of
focus.
Focus
(Default)
Does not release the shutter until the subject is
focused.
In, when Drive mode is set to [Continuous], continuous shooting
is carried out at the first frame's focus position even if either setting is
selected.
61
MF MAGNIFICATION
Specify the magnification method in MF mode.
[
/ SHOOT]
→
[Focus] → [MF Magnification]
Image
Magnification
Select the image magnification range.
Auto Magnification
Sets whether or not to automatically magnify an
image when the focus ring is turned.
Duration of Auto
Magnification
Specify the magnification period.
Image Magnification
Full Screen
Magnifies an image on the full screen.
PIP
Magnifies an image in the range of 25% in the
center of the screen.
Auto Magnification
Off
Does not perform auto magnification.
On
Performs auto magnification.
Duration of Auto Magnification
1 sec.
2 sec.
5 sec.
An image is magnified, centering around the displayed focus frame.
During image magnification, the magnification (4x/8x) can be changed
using the Front/Rear dial.
IMAGE MAGNIFICATION USING THE OK BUTTON
Pressing the
button enables image magnification. The Image
Magnification function is available when you want to pre-check the focus
point, when [Auto Magnification] is set to [Off], or when the lens does not
support Auto Magnification.
To return to the normal display, press the
button again.
In MF mode, if you half-press the shutter button; Image Magnification is
released temporarily.
62
The Image Magnification function can be assigned to the AEL button.
Also, you can double-tap the touch panel to enable Image Magnification
in the same way as when using the
button.
MF DISPLAY
(CINE/STILL)
This function displays the scale bar that is useful for focusing in MF mode.
[
/ SHOOT] → [Focus] → [MF Display]
Off
Does not display the scale bar.
Scale Bar
-
Displays the scale bar on which the far side is on
the left and the near side is on the right.
Scale Bar
-
Displays the scale bar on which the near side is
on the left and the far side is on the right.
Shooting Distance
Select the unit of shooting distance.
M (meter), FEET (feet)
CAUTION
This setting is only available for compatible lenses.
FOCUS PEAKING
Emphasizes the outline of the focused part on the subject in the display.
This function is useful for focusing. For peaking, you can select easy-to-see
colors depending on the subject.
[
/ SHOOT]
→
[Focus] → [Focus Peaking]
Off (Default)
OFF
Black
BK
Yellow
YE
White
WH
Red
R
63
CAUTION
[Focus Peaking] cannot be used with [Zebra Pattern] (P.50). If both are
set to [On], [Zebra Pattern] is given priority.
DRIVE MODE
(STILL)
Select the operation at the time the shutter is released, for
example, self-timer or continuous shooting.
To set the operation, open the Quick Set menu or select
[
SHOOT] → [Drive Mode].
Single Capture (Default)
Self Timer 2 sec.
Continuous (High Speed)
Self Timer 10 sec.
Continuous (Medium Speed)
Interval Timer
Continuous (Low Speed)
SINGLE CAPTURE
When you press the shutter button, only one image is captured.
CONTINUOUS
When you keep the shutter button fully depressed, the camera continuously
captures images.
The number in the bottom right of the LCD monitor
indicates how much buffer is left. It is the maximum number
of frames for continuous shooting. (If the maximum number
of frames for continuous shooting exceeds nine frames,
the display will not change from 9) When the number
becomes "0", the shutter cannot be released.
64
CAUTION
The following functions or settings cannot be used in combination.
HDR, Focus BKT, Fill Light BKT, Electronic Stabilization, Fill Light,
ISO sensitivity settings added with the [Composite Low ISO Expansion],
Flash photography
The maximum number of frames and speed of continuous shooting are
as follows: (The upper rows show the maximum number of frames, the
lower rows show the maximum shooting speed in continuous mode
(frames per second)).
Image Size
Continuous
(High Speed)
12
12
24
18
Continuous
(Medium Speed)
12
12
24
5
Continuous
(Low Speed)
12
12
24
3
SELF TIMER
Self Timer 2 sec
The shutter will be released 2 seconds after the shutter button is fully
depressed.
Self Timer 10 sec
The shutter will be released 10 seconds after the shutter button is fully
depressed.
After composing the picture, press the shutter button “half-way” and adjust
the focusing. Then, press the shutter button the rest of the way and the
self-timer will activate. During the self-timer operation you will hear an
electronic beeping sound. The beeping sound will be much faster during the
last two seconds, before the shutter is released.
When
[ SYSTEM]
→
[Electronic Sounds]
→
[Timer Volume] menu
is set to [0], the electronic sound will not beep even if the self-timer is
operated.
65
If you want to cancel the self-timer operation, please turn off the camera.
INTERVAL TIMER
It is possible to take pictures automatically at selected intervals.
1
Select [Interval timer] and press the
button to display the Interval Timer
setting screen. (When the
button is pressed after selecting [Interval
timer], the picture is taken with previously used settings.)
To set from the Quick Set Menu, select [
], and press the AEL button to
display the Interval Timer setting screen. (When the
button is pressed or
the shutter button is pressed halfway after selecting [
], the picture is
taken with previously used settings.)
2
Set the desired interval and number of
exposures by using the
buttons.
(Interval can be set from 1 seconds to 60
minutes. The number of exposures can be
set between 2~99 times, or unlimited (∞).)
3
Press the
button to apply the setting, and press the
button to go
back to shooting mode.
4
Press the shutter button to start the interval timer shooting.
During the interval timer shooting, the next exposure interval begins and
the numbers of remaining exposures will be displayed.
When the focus mode is set to AF, the AF will be locked at the first frame.
From the second frame, pictures will be taken with the same focus
position as the first frame.
If the selected interval is short, the camera may start to take the next
image before the display returns to the shooting mode.
66
Exposure value is measured at each interval shooting. If you wish to take
pictures with the same exposure value, set the Exposure Mode to Manual
Exposure or fix the exposure value by pressing the AEL Button before
shooting.
To terminate the interval timer shooting, press the Shutter button.
WARNING
The following functions or settings cannot be used in combination.
Bracketing,
HDR,
Electronic Stabilization,
Fill Light,
Flash photography,
ISO sensitivity settings added with the [Composite Low ISO Expansion]
The interval timer shooting will be terminated automatically if the battery
is empty. We recommend using the AC adapter “SAC-7P” (sold
separately) (P.149).
Once you set the Interval Timer, the camera will continuously hold that
Interval Timer. To dismiss the Interval Timer, switch to another modes in
[Drive Mode].
Depending on the settings, it takes time process the image. It may make
the actual interval time longer than the selected time.
STABILIZATION
Configure settings for the Stabilization function.
Select [
/ SHOOT]
→
[Stabilization]
→
[Lens Optical Stabilization]
or [Electronic Stabilization], and specify [On] or [Off].
LENS OPTICAL STABILIZATION
This function allows you to turn the lens with the stabilization function
installed on or off. When the Stabilization switch (OS switch, etc.) is
provided on the lens side, operate the switch on the lens side.
67
You can also select [
/ SHOOT]
→
[Lens Function Settings] →
[Optical Stabilization] to set this function.
ELECTRONIC STABILIZATION
(CINE/STILL)
For still image shooting, this function combines multiple images and
generates an image with reduced camera shake.
For movie shooting, this function generates a video with reduced camera
shake while combining multiple frames before and after the target.
CAUTION
[Electronic Stabilization] cannot be simultaneously used with [Lens
Optical Stabilization].
In STILL mode, an image is recorded at a narrow angle of view of
approximately 2.5%.
The range of shutter speeds able to be selected (shutter’s working range)
is limited from 1/4000 sec to 1/4 sec.
The range of ISO sensitivity able to be selected is limited from ISO 100 to
6400.
The following functions or settings cannot be used in combination.
Drive Mode: Continuous, Interval Timer, Bracketing, HDR, Fill Light,
ISO sensitivity settings added with the [Composite Low ISO Expansion],
Flash photography, Image Quality: DNG, DNG+JPEG,
Format: CinemaDNG
In CINE mode, the [MOV] setting is limited as shown below.
119.88
fps
100
fps
59.94
fps
50
fps
29.97
fps
25
fps
23.98
fps
×
×
〇
〇
〇
〇
〇
〇: Available ×: Unavailable
68
ISO SENSITIVITY SETTING
You can set the ISO sensitivity for shooting.
To set the ISO sensitivity, open the Quick Set menu or select [
/
SHOOT]
→
[ISO Sensitivity Settings]
→
[ISO Sensitivity].
ISO Auto (ISO Auto)
(Default)
The sensitivity is automatically set depending on
the brightness. (100 to 6400)
ISO 100 to 25600
The sensitivity is fixed to each value.
You can change the ISO sensitivity setting step.
[
/ SHOOT]
→
[ISO Sensitivity Settings]
→
[ISO Sensitivity Step]
1 EV
1/3 EV (Default)
ISO SENSITIVITY EXPANSION
This function allows you to expand the ISO sensitivity setting range.
[
/ SHOOT]
→
[ISO Sensitivity Settings]
→
[ISO Sensitivity
Expansion]
Composite Low ISO Expansion
High ISO Expansion
When each of them is set to [On], expanded sensitivity is added. (Added
sensitivity settings are underlined.)
69
COMPOSITE LOW ISO EXPANSION
(STILL)
This function allows you to take multiple images at one time, produce the
same status as the automatic synthesis or low sensitivity shooting, and
shoot photographs with rich gradation and noises reduced.
ISO 6 - 80
An image equivalent to each level of sensitivity
is obtained.
ISO 6, 12, 25, 50
(for 1 EV step)
CAUTION
Image misalignment may occur when the subject is moving rapidly or
when the shutter speed is slow.
This function cannot be set to the lower limit of [ISO Auto].
Between ISO 6 and ISO 80, the selectable range of shutter speeds and
the operating range change depending on the ISO sensitivity setting.
Image misalignment may occur when the subject is moving rapidly or
when the shutter speed is slow.
Drive Mode: Continuous, Interval Timer, Bracketing, HDR, Fill Light,
Electronic Stabilization, Flash photography
HIGH ISO EXPANSION
This function allows you to expand the ISO sensitivity in the high sensitivity
side.
The following sensitivities are added.
ISO 32000 - 102400
ISO 51200, 102400
(for 1 EV step)
CAUTION
This function enables shooting in dark environments, however, noises
are likely to occur, which may reduce the resolution.
70
ISO AUTO SETTINGS
(CINE/STILL)
Specify the lowest or highest limit of the ISO sensitivity in the ISO Auto
mode as well as the lowest limit of the shutter speed (maximum shutter
angle) in P and A mode.
[
/ SHOOT]
→
[ISO Sensitivity Settings]
→
[Auto Settings]
ISO Lowest Limit
100 to 20000 (High ISO Expansion: Max.80000)
ISO Highest Limit
125 to 25600 (High ISO Expansion: Max.102400)
Shutter Speed Slowest Limit
Auto (Faster)
Set to a faster shutter speed than the
standard by two levels.
Auto (Fast)
Set to a faster shutter speed than the
standard by one level.
Auto
(Standard) (Default)
Set to approximately one second of the
focal length of the lens.
Auto (Slow)
Set to a slower shutter speed than the
standard by one level.
Auto (Slower)
Set to a slower shutter speed than the
standard by two levels.
1/8000 sec. to one sec.
Set to each shutter speed.
The items and options above are changed to the following options when
CINE mode (CINE style/angle) is selected.
Maximum Shutter Angle
Auto (Narrower)
Set to a narrower shutter angle than the
standard by two levels.
Auto (Narrow)
Set to a narrower shutter angle than the
standard by one level.
Auto
(Standard) (Default)
Basically, set the shutter angle to 180°.
Auto (Wide)
Set to a wider shutter angle than the
standard by one level.
Auto (Wider)
Set to a wider shutter angle than the
standard by two levels.
1.1° to 360° *
Set to each shutter angle.
71
*
In
CINE
mode,
the
available
shutter
speed
(shutter
angle)
varies
depending
on the frame rate setting.
IMAGE FILE SETTING
(STILL)
Set the image quality, image size, and aspect ratio of still images.
IMAGE QUALITY SETTING
Set the format of record images or the image quality of
JPEG images.
Quick Set menu, or [
SHOOT] → [Image Quality]
DNG+JPEG
DNG (RAW) + FINE(JPEG) simultaneous
DNG
DNG (RAW)
FINE (Default)
JPEG
・
High quality image
NORMAL
JPEG
・
Standard quality image
BASIC
JPEG
・
File size priority
CAUTION
DNG + JPEG and DNG cannot be used in combination with the following
function.
HDR, Electronic Stabilization
72
You can specify the memory bit count of DNG images.
To set the value, select [DNG+JPEG] or select [DNG] → [DNG Quality].
Bit Depth
12 bit
14 bit (default)
Setting to [14
bit] provides a rich gradation; however, continuous shooting
speed becomes slow.
TIP
DNG (RAW format) is a record format based on the material properties.
Development process by SIGMA Photo Pro, etc. is required. SIGMA
Photo Pro can be downloaded free of charge from our website. Sigma
recommends that you always update SIGMA Photo Pro.
https://www.sigma-global.com/en/download/
If necessary, you can create JPEG images from DNG images with the
camera. Refer to "DNG Development" (page 126).
DNG is the RAW image data that is developed by Adobe Systems
Incorporated.
IMAGE SIZE SETTING
Set the number of record pixels (image size) of an image.
Quick Set menu, or [
SHOOT] → [Image Size]
HIGH (Default)
24M 6,000 x 4,000 (When it is set as 3:2)
MED
12M
4,240 x 2,832 (When it is set as 3:2)
LOW
6M
3,008 x 2,000 (When it is set as 3:2)
When the image quality is set to DNG+JPEG, both the DNG and JPEG
files are recorded with the specified image size.
73
CAUTION
The selectable image sizes are limited depending on the image quality
setting.
Image Quality
14 bit
12 bit
14 bit
12 bit
Image Size
〇
〇
〇
〇
〇
〇
〇
×
×
×
×
〇
〇
〇
△
〇
△
〇
〇
〇
〇
〇: Available ×: Unavailable △: Available, however, the bit depth is
changed to 12 bits.
ASPECT RATIO SETTING
Set the aspect ratio of an image.
Quick Set menu, or [
SHOOT] → [Aspect Ratio]
21:9
Aspect Ratio similar to those of wide screens used in
cinema.
16:9
Aspect Ratio the same as those of high vision TVs.
3:2
Aspect Ratio the same as those of 35mm film cameras.
A Series (
√
2:1)
The aspect ratio is the same as the general A series
paper size.
4:3
Aspect Ratio the same as those of traditional TVs and
PC screens.
7:6
Aspect Ratio is the same as those of 6x7 film cameras.
1:1
Aspect Ratio is the same as those of 6x6 film cameras.
The image of each aspect ratio is cut and created from an image of the
basic aspect ratio, "3:2", of this product.
TIP
A DNG image can be changed to another aspect ratio using SIGMA
Photo Pro or the DNG Development function of the camera.
74
When shooting with aspect ratio other than 3:2, the frame is normally
displayed in black. By making it semi-transparent, it is possible to use it as a
sports finder which allows users to check the surrounding areas of the
image.
[
SHOOT] → [Outer Frame]
Black (Default)
Semi-transparent
MOVIE RECORD SETTING
(CINE)
Set the record format, resolution, or frame rate of a movie.
RECORD FORMAT
Set the record format and quality of a movie.
Quick Set menu, or [
SHOOT] → [Record Settings] →
[Format].
CinemaDNG
RAW-format file in movie Development process is
required.
MOV (Default)
File format available for editing images.
If CinemaDNG is selected, [Bit Depth] is displayed in [Record Settings].
Select the desired memory bit count.
8 bit
10 bit
12 bit
CAUTION
Data recorded with CinemaDNG consists of multi-still DNG data
(extension: .DNG) and a single audio file (extension: .WAV). For details,
refer
to
"SETTING
FROM
THE
[SYSTEM]
MENU"
-
"File
Name
/
Number"
(P.133).
75
CinemaDNG cannot be used in combination with the following function.
HDR, Electronic Stabilization, Director's Viewfinder
If MOV is selected, [Compression] is displayed in [Record Settings].
Select the desired compression format.
ALL-I
(All-Intra)
Data is compressed in frame units. The file size is
enlarged, however, image degradation does not occur
during editing.
GOP
(Default)
Compression format with the file size prioritized.
Available for longer periods of shooting.
RESOLUTION
Set the resolution (size) of a movie.
Quick Set menu, or [
SHOOT] → [Record Settings] →
[Resolution]
UHD (Default)
3840 x 2160
FHD
1920 x 1080
FRAME RATE
Set the frame rate (the number of frames per second).
Quick Set menu, or [
SHOOT] → [Record Settings] → [Frame Rate]
23.98 fps
(Default)
25 fps
50 fps
100 fps
29.97 fps
59.94 fps
119.88 fps
CAUTION
The selectable frame rates are limited depending on the resolution
setting.
76
BIT RATE AND COMPATIBLE MEDIA
The below table shows the correspondence between the movie bit rate and
compatible media depending on a combination of video record settings.
〇: Available ×: Unavailable
CAUTION
Operation is not guaranteed for all media.
CinemaDNG
Resolution Bit depth
Frame rate
(fps)
Bit rate
(Mbps)
Compatible media
SSD
SD UHS-II
UHD
12bit
29.97
2980
〇
×
25
2500
〇
×
23.98
2400
〇 ×
10bit
29.97
2500
〇
×
25
2090
〇
×
23.98
2000
〇
×
8bit
29.97
2000
〇 ×
25
1670
〇 〇
23.98
1600
〇
〇
FHD
12bit
100
2530
〇
×
59.94
1530
〇 〇
50
1270
〇
〇
29.97
760
〇
〇
25
640
〇
〇
23.98
610
〇 〇
10bit
119.88
2530
〇
×
100
2100
〇
×
59.94
1280
〇
〇
50
1060
〇 〇
29.97
640
〇 〇
25
530
〇
〇
23.98
510
〇
〇
8bit
119.88
2050
〇 ×
100
1710
〇
×
59.94
1020
〇
〇
50
850
〇
〇
29.97
510
〇 〇
25
430
〇
〇
23.98
410
〇
〇
77
Operations of CinemaDNG recording have been checked for the
following storage media.
SSD
Samsung T5 1TB, 2TB
SD Card
SanDisk Extreme PRO UHS-II 64GB, 128GB
Panasonic SDZA series 64GB, 128GB
Please check our website for the latest information about compatible
media.
MOV
Compression
Resolution
Frame rate
(fps)
Bit rate
(Mbps)
Compatible media
SSD
SD
ALL-I
UHD
29.97
440
〇
〇
25
440
〇
〇
23.98
440
〇
〇
FHD
119.88
440
〇
〇
100
440
〇 〇
59.94
240
〇 〇
50
240
〇 〇
29.97
140
〇 〇
25
140
〇
〇
23.98
140
〇
〇
GOP
UHD
29.97
120
〇
〇
25
120
〇
〇
23.98
120
〇
〇
FHD
119.88
100
〇 〇
100
100
〇 〇
59.94
70
〇
〇
50
70
〇
〇
29.97
60
〇
〇
25
60
〇
〇
23.98
60
〇
〇
For ALL-I recording, SSDs and SD cards with a writing speed of 60 MB/s
or more are recommended.
DC CROP (SUPER35) MODE
With the APS-C format lens attached, this product provides DC Crop mode
to automatically switch the record range of the image sensor. You can also
manually select On/Off of DC Crop mode.
78
CAUTION
You cannot select On/Off of DC Crop mode depending on the lens.
Image circle of full size
lens
Image circle of APS-C
size lens
Ful
l size image range
APS
-C size image range
To set the value, select [
/ SHOOT]
→
[DC Crop Mode*].
* "DC Crop (Super 35) Mode" is displayed in CINE mode.
Off
Records the full size image range.
On
Records the APS-C size image range.
Auto
(Default)
The image range is switched depending on the attached
lens.
The DC Crop mode icon is displayed in DC Crop mode.
When a full size lens is mounted and DC Crop mode [On]
is selected, the peripheral areas in the image will be cut
off and the angle of view shifts 1.5 times to the telephoto
end, when it is compared to the mode [Off].
In STILL mode, the image size in DC Crop mode is set as shown below.
HIGH (Default)
9.8M 3,840 x 2,560 (When it is set as 3:2)
MED
5M
2,736 x 1,824 (When it is set as 3:2)
LOW
2.5M 1,920 x 1,280 (When it is set as 3:2)
In CINE mode, the resolution (UHD/FHD) remains unchanged even when
DC Crop mode is selected.
CAUTION
When an APS-C size lens is mounted and DC Crop mode [Off] is
selected, there will be vignetting in the image and the resolution might not
be sufficient due to the larger sensor size.
79
Combination of Image Quality・Image Size・Aspect Ratio results in
approximate file size (MB) per image as follows.
(The file sizes change depending on subjects.)
DC Crop Mode [Off]
Image Size
[ ]
Aspect
Ratio
Image Size
Image Quality
(14bit)
(12bit)
21:9
15M (6000×2576)
52.1
46.3
11.1
6
4.5
16:9
20M (6000×3376)
55.6
49.7
14.6
7.8
5.9
3:2
24M (6000×4000)
58.3
52.4
17.2
9.2
6.9
A
Size
(
√
2:1)
23M (5664×4000)
57.3
51.4
16.3
8.7
6.6
4:3
21M (5344×4000)
56.4
50.5
15.4
8.2
6.2
7:6
20M (4960×4000)
54.5
48.6
13.4
7.2
5.4
1:1
16M (4000×4000)
52.5
46.7
11.5
6.2
4.7
Image Size
[ ]
Aspect
Ratio
Image Size
Image Quality
(14bit)
(12bit)
21:9
7.7M (4240×1824)
-
-
5.6
3
2.3
16:9
10M (4240×2392)
-
-
7.3
3.9
3
3:2
12M (4240×2832)
-
-
8.7
4.7
3.5
A
Size
(
√
2:1)
11M (4000×2832)
-
-
8.2
4.4
3.3
4:3
11M (3776×2832)
-
-
7.7
4.2
3.1
7:6
10M (3520×2832)
-
-
6.8
3.7
2.8
1:1
8M (2832×2832)
-
-
5.8
3.1
2.4
Image Size
[ ]
Aspect
Ratio
Image Size
Image Quality
(14bit)
(12bit)
21:9
3.9M (3008×1288)
-
11.7
2.8
1.6
1.2
16:9
5.1M (3008×1688)
-
12.6
3.7
2
1.5
3:2
6M (3008×2000)
-
13.2
4.4
2.4
1.8
A
Size
(
√
2:1)
5.7M (2832×2000)
-
13
4.1
2.2
1.7
4:3
5.3M (2672×2000)
-
12.7
3.9
2.1
1.6
7:6
5M (2480×2000)
-
12.3
3.4
1.9
1.4
1:1
4M (2000×2000)
-
11.8
2.9
1.6
1.2
80
DC Crop Mode [On]
Image Size
[ ]
Aspect
Ratio
Image Size
Image Quality
(14bit)
(12bit)
21:9
6.3M (3840×1648)
22.2
19.7
4.6
2.5
1.9
16:9
8.3M (3840×2160)
23.6
21.1
6
3.2
2.5
3:2
9.8M (3840×2560)
24.7
22.2
7.1
3.8
2.9
A
Size
(
√
2:1)
9.3M (3616×2560)
24.3
21.8
6.7
3.6
2.7
4:3
8.7M (3408×2560)
23.9
21.4
6.3
3.4
2.6
7:6
8.2M (3184×2560)
23.1
20.6
5.6
3
2.3
1:1
6.6M (2560×2560)
22.3
19.9
4.8
2.6
2
Image Size
[ ]
Aspect
Ratio
Image Size
Image Quality
(14bit)
(12bit)
21:9
3.2M (2736×1168)
-
-
2.4
1.3
1
16:9
4.2M (2736×1536)
-
-
3.1
1.7
1.3
3:2
5M (2736×1824)
-
-
3.6
2
1.5
A
Size
(
√
2:1)
4.7M (2560×1824)
-
-
3.4
1.9
1.4
4:3
4.4M (2416×1824)
-
-
3.2
1.8
1.3
7:6
4.1M (2272×1824)
-
-
2.8
1.5
1.2
1:1
3.3M (1824×1824)
-
-
2.5
1.3
1
Image Size
[ ]
Aspect
Ratio
Image Size
Image Quality
(14bit)
(12bit)
21:9
1.6M (1920×824)
-
5.1
1.2
0.7
0.5
16:9
2.1M (1920×1080)
-
5.4
1.6
0.9
0.7
3:2
2.5M (1920×1280)
-
5.7
1.8
1
0.8
A
Size
(
√
2:1)
2.3M (1808×1280)
-
5.6
1.7
1
0.7
4:3
2.2M (1712×1280)
-
5.5
1.6
0.9
0.7
7:6
2M (1584×1280)
-
5.3
1.4
0.8
0.6
1:1
1.6M (1280×1280)
-
5.1
1.2
0.7
0.5
81
DIRECTOR'S VIEWFINDER
(CINE)
This function simulates how an angle of
view is changed depending on the setting
information of the registered cinema
camera and the focal length of the
attached lens.
The pre-setting for using an anamorphic
lens is also registered in this viewfinder.
You can desqueeze a video squeezed
with an anamorphic lens to display it.
A movie is recorded based on the setting described in [Record Settings]
(P.74) of the Set-up menu.
CAUTION
The following functions or settings cannot be used in combination.
Frame Rate: 119.88 fps / 100 fps, Format: CinemaDNG
This setting is not available in STILL-like style.
No sound is recorded.
The focus frame is fixed to the center of [Single] and the M size.
The time code, frame guide, and grid line are not displayed.
The Image Magnification function is not available.
To set this function, select [
SHOOT]
→
[Director's Viewfinder]
→
[On].
1
Specify [Brand], [Model], and [Settings] as simulation conditions.
2
Set [Surround View].
Off
The long side of a frame is fitted to the screen.
Black
The area outside the frame range is masked in black
without fitting to the screen.
Semi-transparent
The area outside the frame range becomes
semi-transparent without fitting to the screen, so you
can check the area outside the frame range.
82
The below table shows the correspondence between the registered
cameras and setting information.
Brand
Model
Settings
Brand
Model
Settings
ARRI
ARRICAM /
ARRIFLEX
ANSI S35 4-Perf.
ANSI S35 3-Perf.
ARRI
ALEXA 65 4K UHD
ALEXA LF
/
ALEXA
Mini LF
LF 16:9
LF 16:9 (x1.25)
LF 16:9 (x1.3)
LF 16:9 (x1.5)
LF 16:9 (x1.65)
LF 16:9 (x1.8)
LF 16:9 (x2)
LF 2.39:1
ALEXA XT
16:9 DNxHD
16:9 ProRes HD
16:9 ProRes 2K
16:9 ProRes 3.2K
4:3 ProRes 2K (x2)
4:3 ARRIRAW
Cropped(x2)
4:3 ARRIRAW Full (x2)
Open Gate ARRIRAW
ALEXA SXT
16:9 ProRes HD/2K
16:9
ProRes
3.2K/4K
UHD
16:9 ARRIRAW 2.8K
16:9 ARRIRAW 3.2K
4:3 2.8K (x2)
6:5 ProRes (x2)
6:5 ARRIRAW (x2)
Open Gate 3.4K
Open Gate 4K Cine
SONY
VENICE
3.8K 16:9
4K 17:9
4K 4:3 (x2)
4K 4:3 (x1.8)
4K 4:3 (x1.5)
4K 4:3 (x1.3)
4K 4:3 (x1.25)
4K 6:5 (x2)
4K 6:5 (x1.8)
4K 6:5 (x1.5)
4K 6:5 (x1.3)
4K 6:5 (x1.25)
5.7K 16:9
6K 17:9
6K 1.85:1
6K 2.39:1
ALEXA Mini
ProRes S16 HD
ProRes HD
ProRes HD Ana.(x2)
ProRes 2K
ProRes
2.39:1
2K
Ana.(x2)
ProRes 4:3 2.8K
ProRes 3.2K
ProRes 4K UHD
ARRIRAW
16:9
HD
Ana.(x2)
ARRIRAW
2.39:1
2K
Ana.
ARRIRAW 2.8K
ARRIRAW 4:3 2.8K(x2)
ARRIRAW
Open
Gate
3.4K
RED
MONSTRO
8K
7K FF
6K FF
4K FF
HELIUM 8K
8K FF
8K 6:5 (x2.0)
AMIRA
MPEG-2 HD
ProRes S16 HD
ProRes HD
ProRes 2K
ProRes 3.2K
ProRes 4K UHD
ARRIRAW 2.8K
DRAGON 6K
6K FF
EPIC MX 5K
5K FF
GEMINI 5K
5K Full Height 1.7:1
5K Full Height 6:5
5K FF
83
After using this function, select [Director's Viewfinder] → [Off].
CAUTION
Only when playback is done on this product, the simulation conditions
specified at the time of shooting and the surround view information are
applied, enabling you to check the effect.
DC Crop mode is released; therefore, the part around the screen may
become dark or lead to a resolution failure.
You can take a picture using the release button even when in Director's
Viewfinder mode. (The setting of the recorded still image is the same as
that of the still image recorded in CINE mode (P.45).) Still images are
recorded with various effects of the Director's Viewfinder.
P L AY B ACK
The playback method is the same as that of a regular movie or still image.
For details on how to play a video, refer to "PLAYING BACK A MOVIE"
( P. 118).
The image recorded in Director's Viewfinder mode is
marked by the setting icon.
A video is recorded without sound, so no sound is reproduced.
The time code, number of pixels, and aspect ratio are not displayed.
[Save As JPEG] is only available to cut out a photo from a video.
No changes can be made to the simulation conditions for recording and
the surround view setting.
84
AUDIO RECORD SETTING
(CINE)
Configure settings for sounds that are recorded simultaneously in a movie.
To set this option, select [
SHOOT] → [Audio Record].
Off
No sounds are recorded for movie shooting.
On (Default)
Sounds are also recorded for movie shooting.
Gain Adjustment
This function allows you to make a level adjustment while checking the
currently input sound using the audiometer.
[
SHOOT] → [Audio Record] → [On] → [Gain Adjustment]
Auto
(Default) The camera adjusts the optimal level.
Manual
Ch.1 / 2 Sync.
Off
Allows you to adjust Ch.1 a
nd Ch.2
independently.
On
Applies the Ch.1 setting to Ch.2.
Ch.1
Adjustment Amount
Adjusts Ch.1.
Ch.2
Adjustment Amount
Adjusts Ch.2.
Ch.1: Microphone (L), Ch.2: Right microphone (R)
Select the desired option, and use the
button to adjust the level.
The level can be adjusted between +6dB and -36dB in 3dB-pitch
increments.
Wind Noise Canceller
Reduces wind noises.
[
SHOOT] → [Audio Record] → [On] → [Wind Noise Canceller]
Off (Default)
Turns the noise reduction function off.
On
Turns the noise reduction function on.
85
EXPOSURE COMPENSATION
If you want to intentionally overexpose or underexpose the picture, use this
function.
Select [
/ SHOOT]
→
[Exposure Compensation] or use the Rear dial
to set the compensation value.
Exposure compensation can be set in 1/3 stop increments from +5.0 to
-5.0 stops
(When shooting a movie, ±3 EV is applied.).
CAUTION
The exposure compensation will not disable automatically. After taking the
picture, set the compensation value to ±
0.0
by rotating the Rear Dial.
The exposure compensation function cannot be used with Manual
Operation mode except when [ISO Auto] is selected.
METERING MODE
The camera has three advanced metering modes.
To set the mode, open the Quick Set menu (except when
the camera is in CINE mode (CINE style)) or select
[
/ SHOOT] → [AE Metering Mode].
Evaluative
Metering
(Default)
Spot Metering
Center Weighted Average Metering
Evaluative Metering
The camera divides its screen into 256 and measures the brightness of the
scene by independently measuring each segment of the focusing screen
and analyzing the correct exposure for the main subject in any lighting
situation.
Center Weighted Average Metering
The camera will measure the average brightness of the entire scene with
additional emphasis on the center area. It will determine the most suitable
exposure with respect to lighting conditions.
86
Spot Metering
The camera will measure the brightness only inside of the selected focusing
point on the color LCD monitor. This mode is suitable when you wish to set
exposure for a portion of the scene.
AEL BUTTON
The AEL button is available to do the shooting with the
specified exposure in Auto mode.
The AEL button can be assigned to the following functions
in addition to the normal AE lock function.
To set this option, select [
/ SHOOT] → [AEL Button Settings].
AEL
(Default)
The camera will fix and memorize the exposure value whilst
the AEL
button is depressed. Until the AEL button is pressed
again, images are taken with the same exposure.
AEL
(Pressed)
The exposure is fixed only while the AEL button is being
pressed.
AFL
Press the AEL button to lock the focus. Images will be taken
with the same focusing point until the button is pressed again.
AFL
(Pressed)
The focus is locked only while the AEL button is being
pressed.
AF-ON
The Autofocus activates when the AEL button is being
pressed.
AEL+AFL
Press the AEL button to lock both AE and Focus
simultaneously. Until the AEL
button is pressed again, images
are taken with the same exposure and focusing point.
AEL+AFL
(Pressed)
Both AE and Focus are locked simultaneously only while the
AEL button is being pressed.
LV
Magnification
The operation becomes the same as when the
button is
pressed during shooting. For more information, refer to
[IMAGE MAGNIFICATION USING THE OK BUTTON] ( P. 61).
87
WHITE BALANCE SETTING (WB)
In general use, the white balance is adjusted automatically;
however, if the desired colors are not obtained, you can
configure a setting from the preset white balance.
To set this option, open the Quick Set menu or select [
/ SHOOT] →
[White Balance].
Mode
COLOR TEMP.
DESCRIPTION
Auto
(Default)
-
Adjusted automatically. Use your camera
in this mode for regular photography
Auto
(Lighting
Source
Priority)
-
Select this setting to allow the camera to
automatically det
ermine the appropriate
white balance while valuing the color and
atmosphere of the light source.
Daylight
Approx.5400 K
Sunny outdoor location
Shade
Approx.8000K
Shaded area in sunny outdoor location
Overcast
Approx.6500K
Cloudy outdoor location
Incandescent
Approx.3000K
Under lighting of incandescent light bulb
Fluorescent
Approx.4100K
Under white fluorescent lamp
Flash
Approx.7000K
When compatible flash is used
Color
Temperature
-
Select this setting to adjust the white
balance by set
ting the color temperature
to a numerical value.
1～3
Custom
1 to 3
-
Select this setting to determine the white
balance based on the image taken.
(Page 89)
ADJUSTING WHITE BALANCE
Each White Balance can be adjusted.
1
After choosing White Balance, press the
button to display the White
Balance Adjustment screen.
88
To set White Balance from Quick Set Menu, select preferred White Balance,
and press the AEL button to display the White Balance Adjustment screen.
2
Press the
buttons to adjust.
B stands for Blue, A for Amber, M for
Magenta, and G for Green. The image
will be adjusted with colors in the
movement direction.
In each direction, adjustments can be
made for up to eight steps.
3
Press the
button to apply the setting. To go back without changing the
setting, press the
button.
To reset, press the MODE button.
The adjustment value is displayed to the right of the White
Balance Icon.
SETTING THE VALUE OF COLOR TEMPERATURE
White
Balance
can
be
adjusted
by
setting
the
color
temperature
in
numerical value.
1
Select [Color Temperature ] and
press
the
button
to
display
the
Color
Temperature
setting screen. (After
selecting [Color Temperature
] and
pressing the
button, images can be
taken at the value set previously.)
To set from the Quick Set Menu, select [
], and press the AEL button to
display the Color Temperature setting screen. (After selecting [
] and
pressing the
button or the shutter button “half-way”, images can be
taken at the value set previously.)
2
Press the buttons to set the value.
89
3
To confirm, press the
button. To return without making any changes,
press the
button.
White Balance can also be adjusted when setting the color
temperature.
Press the
button to display the White Balance Adjustment screen on the
Color Temperature Setting screen.
Follow the instruction
2
and onwards in [ADJUSTING WHITE BALANCE]
in the previous page.
TIP
Light source can be reddish or bluish, the color of light described as
absolute temperature (K: Kelvin) is called “Color Temperature”. The lower
the color temperature is, the more reddish the color of light turns out, and
the higher, the more blueish. Please refer P.87 for the approximate color
temperature of the light source.
SETTING A CUSTOM WHITE BALANCE
Select this setting to determine the white balance based on the image
taken.
Up to three Custom White Balances can be registered (Custom 1 to 3).
1
Select [Custom 1], [Custom 2], or [Custom 3] and press the
button to
display the Custom White Balance Setting screen. (When the
button is
pressed after selecting [Custom], the previous white balance setting will be
set.)
When a custom white balance is set in the Quick Set menu, select one of
[
1 to 3] and press the AEL button to display the Custom White Balance
Setting screen. (By pressing the
button or half-pressing the shutter
button after selecting [
1 to 3], the previous setting will be applied.)
2
Under the lighting conditions that will be used for the final photograph,
frame a white colored object, such as a sheet of white paper or a white wall,
so that it fills the frame in the center of the color LCD monitor. Then use the
Manual focus function to adjust the focus point (the focus point does not
have to be perfectly in position).
90
3
Press the AEL button and import the custom white balance image.
If a valid white balance settings was captured, the message "White
balance image captured successfully" will appear on the color LCD
monitor to indicate that the white balance image was captured successfully.
If the capture was not successful, "Failed. Please retry the custom WB
capture." will be displayed on the color LCD monitor. Press the AEL button
to capture a white balance image once again.
To dismiss the capture, press the button.
ADDING A NOTE TO CUSTOM WHITE BALANCE
A note can be added to a Custom White
Balance. The note is reflected in the
“White Balance” sub menu and is useful
when needing to use previously registered
custom white balance.
It is possible to enter up to 48 single-byte characters and symbols.
1
On the Custom White Balance Capture screen, pressing the button
displays the Note Input screen.
2
Input the texts. For the procedure to input texts, please refer to [ENTERING
INFORMATION] of [COPYRIGHT INFORMATION] ( P. 136).
When deleting a note attached to a Custom White Balance, delete all the
text from the Note input screen.
CAUTION
The note attached to the Custom White Balance is not recorded in the
image information data.
91
COLOR MODE
It is possible to select the desired Color mode depending on the shooting
conditions. In addition to the above settings, Monochrome photography or
movie can be selected.
To set the mode, press the [COLOR] button, or select [
SHOOT] →
[Color Settings] → [Color Mode] (in CINE mode, select [
SHOOT] →
[Color Mode]).
STD.
Standard (Default)
Standard color mode for various situations.
VIVID
Vivid
Saturation and contrast are enhanced for making
pictures appear vivid.
NTR.
Neutral
Subdued saturation and contrast makes images
natural.
PORT.
Portrait
This color mode makes skin tone soft. It is ideal for
portraits.
LAND
Landscape
This mode makes blue and green more vivid and
emphasizes pictures.
CINE
Cinema
This mode reduces saturation and emphasizes
shadows to recreate an image like in a cinema.
T&O
Teal and Orange
Highlights orange colors such as a flesh color and
turquoise of a complementary color to emphasize
images.
Sun R.
Sunset Red
This mode emphasizes red color rendering, and
expresses the scenes, such as sunsets, more
impressively.
For G.
Forest Green
This mode emphasizes green color rendering, and
expresses greens, such as plants, more impressively.
Fov B.
FOV Classic Blue
This mode recreates impressive blue sky, with the
expression of rich blue tone.
Fov Y.
FOV Classic Yellow
This mode recreates an impressive and rich color
tone with the emphasis on yellow-like color.
MONO.
Monochrome
It is possible to take Monochrome pictures.
OFF.
Off
Suitable for shooting that assumes development
processing will be carried out. Images that are
almost identical to the output from the image sensor
can be obtained.
Use the
buttons to select the desired color mode, and use the
buttons to adjust the intensity of effect (up to ±5 in 1-step increments).
92
The selected color setting icon is displayed.
(When [OFF] is selected, the icon is not displayed.)
TIP
In SIGMA Photo Pro, Monochrome mode is designed for
DNG data capture using MONO. Sigma Photo Pro can
convert Monochrome DNG images into color. (JPEG data
cannot be returned to a color image.)
CAUTION
In MONO. (Monochrome) mode, if an option other than [B/W] (B&W) is
selected for [Toning Effect] in [COLOR MODE DETAILED SETTING]
(next section), you can adjust the effect.
When developing DNG data with an Adobe Systems application, the
color mode settings may not be reflected depending on the version of the
application. Please check the up-to-date information.
If [OFF] (Off) is selected, images may appear dark. However, do not
apply exposure compensation; instead, adjust the brightness when
performing development processing.
[OFF] (Off) cannot be set in combination with the following functions or
settings.
Color mode detailed setting, Fill Light, Fill Light BKT, HDR,
Tone Control
COLOR MODE DETAILED SETTING
With each color mode, image parameters (Contrast, Sharpness, and
Saturation) can be adjusted to create preferred images.
Contrast
Contrast can be increased by moving the cursor to + side, or decreased,
preserving image detail, by moving the cursor to - side.
Sharpness
It is possible to make the pictures appear sharper, by moving the cursor to +
side, or softer by moving the cursor to – side.
Saturation (Except Monochrome)
It is possible to increase saturation thus making pictures appear vivid, if the
cursor is moved to + side. Moving the cursor to – side, decreases saturation
and makes images less vivid.
93
Toning Effect (Only with Monochrome)
Monochrome images can be finished with preferred color tones.
B/W
B&W (Default)
R
Red
WARM
Warm Tone
SEPIA
Sepia
G
Green
BG
Blue Green
B
Blue
COLD
Cold Tone
BP
Blue Purple
P
Purple
1
Press the AEL button while the Color Mode Setting screen is being
displayed, and open the Color Mode Detailed Setting screen.
Pressing the button temporarily stops the currently displayed
screen, enabling you to make adjustments while checking a still image.
To restart, press the
button again.
2
Use the buttons to select the target
parameter, and using the
or button
to apply the setting.
3
Use the
button to set the adjustment
value (up to ±1.0 in 0.2-step increments),
and use the
button to apply the setting.
The icon of the currently adjusted parameter is displayed
next to the color mode icon.
TIP
For DNG data, you can change the color mode or adjust a parameter
using SIGMA Photo Pro.
For CinemaDNG data, the color mode is applied only when images are
viewed on the camera.
TONE CONTROL
This function allows you to optimize a tone curve even in a scene with a
high contrast, providing an image in natural tone.
94
Tone Control: Off
Tone Control: Strong
To set the Tone Control, press the TONE button or select [ / SHOOT]
→ [Tone Control].
Off
Off
Disables the effect.
Auto (Mild)
(Default)
Mild effect can be achieved.
Auto (Strong)
Strong effect can be achieved.
MANUAL
Manual
Individually adjusts highlight or shadow.
(Up to ±5 in 1-step increments)
Pressing the AEL button temporarily stops the currently displayed screen,
enabling you to make adjustments while checking a still image. To restart,
press the AEL button again.
MANUAL ADJUSTMENT
After selecting [Manual], use the
buttons to select highlight or shadow, and
use the
buttons to adjust the intensity.
CAUTION
The following functions or settings cannot be used in combination.
Color Mode: [OFF]
Fill Light
(STILL)
This function allows you to adjust the brightness so that dark parts become
lighter, without changing the exposure of light parts in an image.
95
To set this option, open the Quick Set menu or select [
SHOOT] → [Fill
Light]. (Up to ±5 in 0.2-step increments)
TO CONFIRM THE EFFECT...
Press the AEL button while the Fill Light Setting screen is being displayed,
and open the preview screen (still screen). To release the preview screen,
press the AEL button again.
CAUTION
The following functions or settings cannot be used in combination.
HDR, Drive Mode: Continuous, Interval Timer, Electronic Stabilization,
Bracketing
(Except
Fill
Light
BK T. )
,
Color
Mode:
[OFF],
Flash
photography,
ISO sensitivity settings added with the [Composite Low ISO Expansion]
LENS OPTICS COMPENSATION
Specify whether or not to compensate for the following lens aberration.
Distortion (Off/Auto)
Diffraction (Off/Auto)
Lateral Chromatic Aberration
(Off/Auto)
Vignetting (Off/Auto)
Color Shading
To set this option, select [
/ SHOOT]
→
[Lens Optics Compensation].
CAUTION
In general use, set to "Auto" (default).
Compensation cannot be set to [Off] depending on the lens.
COLOR SHADING CORRECTION
This function allows you to compensate for color shading (phenomenon in
which parts around the screen are colored).
When you are using an L-mount lens:
Color shading is compensated for automatically. If necessary, you can
make fine adjustments manually.
1
Select
[ / SHOOT]
→
[Lens
Optics
Compensation]
→
[Color
Shading]
→ [Auto], and press the
button.
96
2
Press the AEL button to open the preview screen (still screen).
3
Use the
buttons to select [Red] or [Blue], and use the
or
button to
apply the setting.
4
Use the
button to set the adjustment value (up to ±1.0 in 0.2-step
increments), and use the
button to apply the setting.
CAUTION
The adjusted value is reset when the lens is changed.
When you are using a lens other than the L-mount lens:
You can compensate for the color shading of the lens that is attached by
using a mount adapter manufactured by another company.
1
Select
[ / SHOOT]
→
[Lens
Optics
Compensation]
→
[Color
Shading],
select the desired column from [#1 to #10], and press the
button.
2
On the Compensation Capture screen, fill a monotonous screen without a
color tone such as white or gray on the entire screen, and press the AEL
button.
3
When compensation succeeds, the Compensation screen is displayed. If
fine adjustment is required, press the
button, and make fine adjustment
following step 3 and subsequent steps in the previous item.
ENTERING LENS INFORMATION
4
When compensation is completed, press the
button to move to the lens
information entry screen.
5
Enter information on the [Focal Length / Aperture Input] screen. When
entering other information, open the [Note] screen. For details about how to
enter a memo, refer to "ENTERING INFORMATION" of [COPYRIGHT
INFORMATION] ( P. 136).
97
To erase a memo, delete all characters on the Enter Memo screen.
TO RESET COMPENSATION...
1
Select
[ / SHOOT]
→
[Lens
Optics
Compensation]
→
[Color
Shading],
select
the
column
to
reset,
and
press
the
MODE
button
on
the
Compensation
Capture screen.
2
Select [Yes], and press the
button to apply the setting. (This erases the
compensation value and lens information.)
CAUTION
When [CinemaDNG] is selected as the format of CINE mode, Color
Shading Correction is not available.
BRACKETING
(STILL)
This function allows you to perform shooting while automatically bracketing
the setting value in the following five items.
Exposure
White Balance
Fill Light
Focus
Color Mode
CAUTION
For white balance BKT, Fill Light BKT, and color mode BKT, image
processing is performed for the specified number of pages based on the
one-time shooting data, so the writing time becomes longer than it is for
regular shooting.
Bracketing is not automatically canceled. When shooting is completed,
select [Off] from each bracketing item.
The following functions or settings cannot be used in combination.
Drive Mode: Interval Timer, Electronic Stabilization,
Fill Light (Excluding Fill Light BKT), HDR
ISO sensitivity settings added with the [Composite Low ISO Expansion]
Exposure BKT and focus BKT cannot be used with the flash shooting.
98
1
Select [ SHOOT] → [Bracketing], and select the target item.
2
Press the
button to select [On], and press the
button to open the
Further Options screen. (If you press the
button while [On] is selected,
shooting is performed with the previous setting value.)
3
Select the option you want to change on the Further Options screen. Then,
press the
button or the
button to open the sub menu.
EXPOSURE BKT
By setting the exposure judged as appropriate by the camera, it is possible
to continuously take pictures with the exposure bracketed.
Bracketing
Number
Number of shots (three or five)
Bracketing
Amount
Up to ±3 steps in 1/3-step increments
Bracketing
Order
0
→
-
→
+
(Default)
appropriate exposure
→
under exposure
→
over exposure
-
→
0
→
+
under exposure
→
appropriate exposure
→
over exposure
+
→
0
→
-
over exposure
→
appropriate exposure
→
under exposure
4
Use the
buttons to select a desired value, and press the
button or the
button to apply the setting.
5
When the setting is completed, the setting icon and
compensation value are displayed.
The operations in each Drive Mode are shown below.
Single Capture
An image is taken one frame at a time.
Continuous
Frames will be taken continuously by pressing and
holding the shutter button.
Self Timer
Continuous shooting begins after the specified timer
period expires.
99
When the exposure mode is set to M, only the shutter speed will be
changed. (When [ISO Auto] is selected, ISO varies.
Exposure BKT can be combined with exposure compensation.
Bracketing is performed based on the compensation value specified in
Exposure Compensation.
You can check the shooting frame using the bar indicator of the icon.
Example: When five frames are taken
First frame
Second frame
Third frame
Fourth frame
Fifth frame
FOCUS BKT
This function allows you to continuously take photographs with the focus
position bracketed based on the focus position.
Bracketing
Number
The
number
of
pictures
to
be
taken (3,
5,
7,
9,
11,
13,
or
15)
Bracketing
Amount
Up to ±10 levels in one-step increments
Bracketing
Order
0
→
-
→
+
(Default)
Focal point
→
Front focus
→
Rear focus
0
→
+
Focal point
→
Rear focus
0
→
-
Focal point
→
Front focus
The focus shift per step varies depending on the lens.
4
Use the
buttons to select a desired value, and press the
button or the
button to apply the setting.
5
Half-press the shutter button to return to the shooting mode.
(The setting icon and bracketing amount are displayed.)
The operations in each Drive Mode are shown below.
Single Capture
After focusing, hold down the shutter button;
continuous shooting starts.
Self Timer
After focusing, hold down the shutter button; the timer
is activated. When the specified timer period expires,
continuous shooting starts.
100
Continuous shooting cannot be simultaneously used with other functions.
WHITE BALANCE BKT
In a single shooting, several images with
different white balances can be recorded.
Bracketing Axis
(Blue ↔ Amber)
(Magenta ↔ Green)
Bracketing Number
The number of shots to be recorded (three or five)
Bracketing Amount
In 2-step increments up to ±16 EV
4
Use the
buttons to select a desired value, and press the
button or the
button to apply the setting.
5
Half-press the shutter button to return to the shooting mode.
(The white balance icon, bias direction, and bracketing
amount appear.)
ADJUSTING WHITE BALANCE
The standard value of the white balance can be finely adjusted.
1
On the White Balance Bracket Setting screen, press the AEL
button to
display the White Balance Adjustment screen.
2
Press the
buttons to adjust. If the current setting is used without
changing the value, press the
button. The adjustment is canceled
and the screen returns to the previous screen.
3
To confirm, press the
button. After finalizing, pressing the
button
again returns the screen to the White Balance BKT Setting screen.
101
COLOR MODE BKT
In a single shooting, several images with
different color modes can be recorded.
Currently-set Color Mode. (This setting can be
changed using the same procedure.)
BKT1 to BKT5
Up to five Color Modes to be saved in a bracket can
be selected.
4
Select from BKT1 to BKT5 by using the
buttons and press the
button.
5
From the list at the bottom of the screen, select the Color Mode to be
allocated by using the
buttons and press the
button to confirm your
selection.
To cancel the color mode you allocated, select [ - ] (no
allocation) from the list.
6
Half-press the shutter button to return to the shooting mode.
(The setting icon and the number of recorded images are
displayed.)
COLOR MODE DETAILED SETTING
You can set detailed settings for each color mode.
1
When the target color mode is selected from the list at the bottom of the
screen, press the AEL button to move to the Color menu screen.
2
Set the intensity of effect or detailed information following the item in [Color
Mode] (P.91).
3
To return to the color mode BKT screen, press the
button once or
twice.
102
Fill Light BKT
This function allows you to continuously take photographs with the Fill Light
effect increased or reduced based on an image with no Fill Light effect
applied.
Bracketing Number
Number of shots (three or five)
Bracketing Amount
In 0.2-step increments up to ±5 EV
4
Use the
buttons to select a desired value, and press the
button or the
button to apply the setting.
5
Half-press the shutter button to return to the shooting mode.
(The setting icon and bracketing amount are displayed.)
CAUTION
The following functions or settings cannot be used in combination.
Color Mode: [OFF]
HDR (High Dynamic Range)
With HDR, you can shoot pictures or movies rich in gradation with reduced
overexposed areas and blocked up shadows.
For still image shooting, three images of standard, underexposure, and
overexposure are continuously shot at one time, and they are combined
automatically.
For movie shooting, this system shoots images of different exposure
values at double the speed of the specified frame rate, and creates a
video while repeating a combination of two images.
In the [
/ SHOOT] menu, select your desired range of exposures from
[HDR].
Off
Auto
±1.0
±2.0
±3.0
[Auto] is the setting in which the camera automatically determines a
range of exposures.
103
In CINE mode, only On / Off can be set.
When the setting is completed, the setting icon is displayed.
CAUTION
HDR will not be canceled automatically. After taking pictures or recording
movies, be sure to turn the HDR back to [Off].
In STILL mode, an image is recorded at a narrow angle of view of
approximately 5%.
For still image shooting, an image misalignment may occur when the
subject is moving rapidly or when the shutter speed is slow.
For movie shooting, an image misalignment may occur when the subject
is moving rapidly or when zooming or focus movement occurs.
For movie shooting, the selectable range of shutter speeds and the
working range become narrow.
The following functions or settings cannot be used in combination.
Drive Mode:
Continuous, Interval Timer,
Bracketing,
Color Mode:
[OFF]
Electronic Stabilization, Fill Light, Flash photography,
ISO sensitivity settings added with the [Composite Low ISO Expansion],
ISO sensitivity settings added in [High ISO Expansion],
Image Quality: DNG, DNG+JPEG, Format: CinemaDNG
This function cannot be used when CINE mode format is [MOV] and in
the following settings.
119.88fps
100fps
59.94fps
50fps
29.97fps
25fps
23.98fps
UHD
×
×
×
×
×
×
×
FHD
×
×
×
×
〇
〇
〇
〇: Available ×: Unavailable
CUSTOM MODE
Registering your preferred settings allows you to recall these settings easily
by the Mode button. (Up to three patterns can be registered.)
You can register all items in the [
/ SHOOT]
menu (blue tab) and
settings of the Focus Frame.
104
SAVE THE CUSTOM MODE SETTING
1
Set the above settings to your desired combination.
2
Select [ SYSTEM] → [Custom Mode Setting], and press the
buttons to select C1, C2, or C3. Then, press the
button. A confirmation
dialog will appear.
3
Select [Yes] with the
buttons and press the
button to apply the
setting.
To cancel, select [No] and press the
button.
CAUTION
When the new setting is saved, the previous stored setting will be
overwritten.
LOAD THE CUSTOM MODE SETTING
Press the Mode button and set to C1, C2 or C3.
If you press the AEL button on the Mode Change screen, you can
temporarily change the exposure mode.
The exposure mode can also be set by selecting
[ / SHOOT]
→
[Exposure Settings] → [Shooting Mode].
If the setting is changed in custom mode, the ● mark is
shown.
Return to original registered setting by doing the following.
Turn the camera off (this includes the camera turning off automatically
with the Auto Power Off function)
Press the Mode button and set to another position.
105
LOCK FUNCTION
This product provides the lock function that locks button operations and
allows the user to concentrate on shooting without being bothered by
erroneous button operations.
The lock on/off function must be assigned to the Quick Set menu. Assign
[LOCK] in Custom QS (P.37).
LOCK
To lock, select [ ] in the Quick Set menu, and press the AEL button.
While the lock function is active, the
icon is displayed at the
bottom of the screen.
UNLOCK
Slide from the left to the right on the touch panel.
Alternatively, press the QS button, and then press the AEL button.
You can also specify a button you want to enable operation for even while
the lock function is active. Select [
SYSTEM ] → [Operation in LOCK
Mode] to specify the target operation.
+REC button
The shutter button and REC button are available.
+REC button
The shutter button, REC button, and Front/Rear dial
are available.
USING THE EXTERNAL FLASH
Optional Sigma Electronic Flash EF-630 (FOR SIGMA) with the S-TTL
system allows you to use features such as Auto Flash with this camera. The
Electronic Flash EF-630 (FOR SIGMA) lets you do even more, such as use
Multi Flash and other advanced features.
CAUTION
When using the flash, attach the hot shoe unit HU-11, which is supplied
with this product, to the camera (P.19).
This product does not support the FP flash function and Designated slave
flash.
106
The following functions or settings cannot be used in combination.
Drive Mode:
Continuous, Interval Timer,
Electronic Stabilization,
ISO sensitivity settings added with the [Composite Low ISO Expansion],
HDR, Exposure BKT, Focus BKT
The flash tuning speed is set to 1/30 sec. or less (1/15 sec. or less when
the image quality is set to DNG and DNG + JPEG and the memory bit
count is 14 bits). When shooting with the flash using manual exposure,
set the shutter speed to 1/30 sec. or less (1/15 sec. or less).
FLASH MODE SETTING
Some items of the external flash can be set from the camera side.
To set the flash mode, select [
SHOOT] → [Flash].
RED-EYE REDUCTION FLASH (Red-eye)
When taking a picture with a flash, sometimes the person’s eyes reflects the
flash light and the "red-eye" phenomenon will appear in the picture. In order
to avoid this effect, the light flashes for about one second before the picture
is taken to reduce the effect of red-eye.
Depending on the lighting and subject conditions, the Red-eye Reduction
flash may not completely eliminate the red-eye in all cases.
REAR CURTAIN SYNCHRONIZATION (Rear Curtain Sync.)
When
you
use
rear
curtain
synchronization,
the
flash
will
fire
just
before
the
rear
curtain begins to close and the subject will be exposed to ambient light from
the time the shutter opens until the flash fires. As a result traces of the subject
will be recorded behind the subject. This gives a more natural effect.
SLOW SYNCHRO MODE (Slow Sync.)
When using the flash with P/A mode, the shutter speed value, which will
reduce camera shake, is set automatically. The slow synchro mode
changes the shutter speed by up to 30 seconds depending on the lighting
conditions. This mode is suitable for shooting portraits and nightscapes.
AF ASSIST LIGHT (AF Assist Light)
When the AF Assist Light prevents appropriate shooting, disable it by
setting [AF Assist Light] to [Off].
107
CAUTION
The Flash Mode cannot be set if a flash is not attached to the camera, or
the flash is turned off.
FLASH EXPOSURE COMPENS AT I ON
It is possible to compensate the flash output level without changing the
background’s exposure.
To set the Flash Exposure Compensation, select [
SHOOT] → [Flash] →
[Flash Exposure Compensation].
Select the desired compensation value by using the
buttons.
Exposure compensation can be set in 1/3 stop
increments from +3.0 to -3.0 stops.
When the setting is completed, the setting icon and
compensation value are displayed.
CAUTION
The flash exposure compensation can not be set if the flashgun is not
attached to the camera, or the flashgun is turned off.
The flash exposure compensation will not disable automatically. After
taking
the
picture,
set
the
compensation
value
to
±0.0
by
above
procedure.
CHANGING OTHER SETTINGS
This section describes other settings that can be configured in the items of
[
/ SHOOT].
COLOR SPACE
(STILL)
It is possible to select sRGB, which is a common color space or Adobe RGB,
which is mainly used for commercial printing, and other industrial purposes.
108
[
SHOOT] → [Color Settings] → [Color Space].
sRGB (Default)
AdobeRGB
When reviewing images recorded in Adobe RGB, their
Folder numbering / File numbering will be underlined.
CAUTION
Please set the color space to sRGB for regular usage. Use the image set
to Adobe RGB under the environment compatible with Adobe RGB.
LENS FUNCTION SETTINGS
The lens function items are compiled in [Lens Function Settings] of
[
/ SHOOT].
Focus Mode
(Refer to P.52.)
Optical Stabilization
(Refer to P.66.)
Focus Limiter
(Refer to P.58.)
AFL Button Settings
AFL Button Settings
You can customize the AFL button functions of the lens equipped with the
AFL button.
AFL (Pressed)
(Default)
If you press the AFL button while AF mode is active,
AF mode stops.
AF-ON
If you press the AFL button, AF mode is activated.
SHUTTER BLACKOUT
(STILL)
Set whether or not to display a black image on the screen when the shutter
button is pressed.
Off
On (Default)
109
FRAME GUIDE
(CINE)
This function displays a frame of a different ratio on the LCD monitor.
Display Format
Select the frame display format.
White Line (Default)
Shows a frame using a white line.
Semi-transparent
Darkly masks an area outside a frame in Semi-
Transparent mode.
Frame of available ratios (On/Off)
1.33:1
1.85:1
2.39:1
Multiple frames can be displayed
simultaneously.
SWITCH DIAL FUNCTIONS
This function allows you to reassign the Front/Rear dial when shooting.
Select the target exposure mode, and
press the
buttons to change the
function. Then, press the
button to
apply the setting.
To return to the default, press the MODE
button to reset, and press the
button
to apply the setting.
DIAL ROTATION
This function allows you to reverse the dial operation direction when
shooting.
110
Select the target item. Then, press the
buttons to select [Original] or
[Reverse], and press the
button to apply the setting.
REC BUTTON SETTINGS
(STILL)
You can prevent the REC button from being activated in STILL mode.
Off (Default)
REC
SHUTTER BUTTON SETTINGS
(CINE)
You can change the function of the shutter button in the CINE mode.
Off
Shutter
REC (Default)
HALF-PRESSED AEL
(STILL)
Select whether or not to fix the exposure when the shutter button is
half-pressed.
Off
The exposure will be determined when depressing the
shutter button.
On
The exposure will be locked when the shutter button is
pressed ”half-way”.
Only
(Default)
Only when Autofocus Mode is set to , the exposure
is fixed when the button is half-pressed.
HALF-PRESSED AF-ON
It is possible to select whether or not to operate AF mode when the shutter
button is half-pressed.
Off
On (Default)
111
REVIEWING AND DELETING
IMAGES
VIEWING ONE IMAGE AT A TIME
Press the
button to display an image on the LCD monitor.
For a movie file, the first frame is displayed.
A cinemagraph is looped for playback.
Display Date and Time (still image)
Display Image Info (still image)
1
2
3
4
5
6
7
1
2
3
4
5
6
7
8
9
10
8
11
12
13
14
1
Battery Level Indicator
8
File number / Total files recorded
2
Number of Pixels
9
Date
3
Image Size
10
Time
4
Aspect Ratio
11
Shutter Speed
5
Image Quality
12
F Number
6
Folder numbering - File numbering
13
Exposure Compensation Value
7
Memory Media
14
ISO Sensitivity
DURING SINGLE-IMAGE PLAYBACK:
Rotate the Rear Dial to display the previous or next images.
Display the previous or next image by pressing the
buttons or flicking
(dragging) right or left.
Press the
button to change the display mode (P.39).
112
TIP
To scroll through images more quickly, press and hold the
buttons.
Images will advance automatically until the button is released.
The first and last recorded images on the card are linked. Pressing the
button while the first image is displayed brings up the last recorded image
on the card. Pressing the
button while the last image is displayed
brings up the first recorded image on the card.
If there are no images on a memory medium, the error message "No files
on memory media." will be displayed.
When reviewing images, if the
button is pressed or the shutter button
is pressed halfway, the camera will be changed back to the shooting
mode.
CAUTION
This camera may not be able to display images captured by other
cameras, or images captured by this camera that have been renamed or
moved from the DCIM folder on the card.
MAGNIFYING IMAGES (STILL IMAGES ONLY)
During single-image playback, rotate the Front dial clockwise, or pinch out
on the touch panel.
Each time the dial is turned, the magnification increases.
1x→1.25x→1.6x→2.0x→2.5x→3.15x→4.0x→5.0x→6.3x→8.0x→10.0x
Each time you press the
button or double-tap the image on the touch
panel, the magnification is toggled between zoomed-in view (10x) and
original ratio.
WHILE IN ZOOMED-IN VIEW:
Rotate the Front dial counterclockwise or pinch in on the touch panel to
reduce an image.
To move the playback part, press the
buttons or flick (drag) on the
touch panel.
Rotate the Rear Dial to display the previous or next images.
113
TIP
Images are magnified based on the position of the focus point during
shooting.
VIEWING NINE IMAGES AT A TIME
(CONTACT SHEET VIEW)
Images can be viewed in a "contact
sheet" of nine thumbnail images.
While reviewing an image, rotate the
Front Dial counter-clockwise.
WHILE IN CONTACT SHEET VIEW:
Press the
buttons to select other thumbnail images.
When you rotate the Front Dial clockwise, the selected thumbnail image
is played back.
When you tap any thumbnail on the touch panel, that image is played
back.
Rotate the Rear Dial or flick (drag) the page on the touch panel to display
the previous or next page.
TIP
The first and last pages are linked. The first page is displayed after the
last page.
VIEWING IMAGE INFORMAT ION
You can view detailed information for shooting.
Press the
button several times while playing back a single image.
114
The Image Information screen has three pages. To switch pages, press
the
buttons or flick (drag) up and down on the touch panel.
1/3
2/3
3/3
1
Same as single-image playback
[Display Date and Time].
8
Histogram (Brightness)
2
Lock / Mark *
9
Histogram (Red)
3
In-camera DNG Development
10
Histogram (Green)
4
Focusing Frame
11
Histogram (Brue)
5
Filtering Options for Display *
12
Lens Optics Compensation
6
File Size
13
Focal Length / Camera name
7
Shooting Information
14
Copyright Information
* If these features are set, the icon will be displayed.
When Color mode is set to [OFF], the icon is not displayed.
115
For movies, the recorded time appears below File Size.
For cinemagraphs, the playback time and playback speed appear below
File Size.
IN IMAGE INFORMATION VIEW:
Rotate the Rear Dial to display the previous or next images.
Display the previous or next image by pressing the
buttons or flicking
(dragging) right or left.
Press the
button to change the display mode (P.39).
For movies, when you press the
button or tap
icon on the touch
panel, the Single-Image Playback screen appears and a movie is played
back.
MAGNIFYING IMAGES IN IMAGE INFORMATION SCREEN
(STILL IMAGES ONLY)
To enlarge an image and view the detailed
histogram in a specific area, rotate the
Front dial clockwise or pinch out on the
touch panel while image information is
being displayed.
Each time you press the
button or
double-tap the image on the touch panel,
the magnification is toggled between
zoomed-in view (10x) and original ratio.
For more information on the histogram, see the next section.
While magnifying the image in the Image Info Screen:
To move the playback part, press the
buttons or flick (drag) on the
touch panel. Rotate the Front Dial clockwise to increase magnification.
Rotate the Front Dial counterclockwise to reduce magnification.
Rotate the Rear Dial to display the previous or next pages.
CAUTION
In zoomed-in view, you cannot move to any other page to display image
information.
116
HISTOGRAM
The histogram is a graphic representation of the distribution of brightness in
a picture. The horizontal axis shows the tone values from black (left)
through gray to white (right). The vertical axis corresponds to the number of
pixels at each brightness level. Accessing correct image exposure can be
achieved by examining a histogram of the image.
Underexposure
Correct exposure
Overexposure
To display a histogram in the image information view, the brightness
(totalized value of RGB), R (red), G (green), and B (blue) are displayed
simultaneously at each level. (The histogram displayed in the shooting
mode is the brightness only.)
You can also use the histogram to determine if zoomed-in sections of an
image are over or under exposed.
DELETING FILES
DELETING A FILE WITH DELETE BUTTON
(Delete)
button
allows
you
to
delete
only
the
file
currently
being
displayed.
1
Select
the
file
you
want
to
delete
and
press
the
button.
(The
confirmation
message, "Delete this file?" appears.)
2
Select
[Yes]
with
the
buttons
and
press
the
button
to
apply
the
setting.
To cancel, select [No] and press the
button.
117
CAUTION
If
the
file
is
already
locked,
the
confirmation
message,
"This
file
is
locked." appears. The file is prevented from being deleted. If you want to
delete the file, unlock it. (Refer to pages 120 to 122.)
Images recorded in DNG+JPG will be deleted along with DNG and JPEG
images.
DELETE FILES FROM THE DELETE MENU
You can delete a single file or multiple files.
1
Choose your desired option by selecting [ PL AY] → [Delete].
Select Files
Select multiple files to delete. Use the buttons to
display the file to delete, and the
buttons to display
icon. Repeat the process to select files to delete.
Current File
Delete the currently selected file only.
All Marked
Delete all marked images on the card.
(See P.122-123 for information on marking images.)
All
Delete all files on the card.
2
Press the
or
button to confirm your selection. A confirmation dialog
will appear.
3
Select [Yes] by using the
buttons and press the
button to apply the
setting. If you want to cancel to apply the setting, select [No] by using the
buttons and press the
button.
WARNING
Locked files are not deleted. (See P.120-122 for information on locking
files.)
When [Select Files], [All Marked] or [All] is done, it may take time to
finish them depending on the number of files in the card.
118
PLAYING BACK A MOVIE
When you press the
button or tap the
icon on the touch panel while a movie
file is being displayed, a movie is played
back.
Operation guide
Playback lapse time
Total recording time
00:14:57
08:46:23
CAUTION
It may take a long time to start playback depending on the card you are
using, or playback may be interrupted.
DURING MOVIE PLAYBACK
Button/Dial
Operation
Pause
Fast-forward playback
Fast-backward playback
Front/Rear dial
Fast-backward playback ↔ Fast-forward playback
The playback speed increases each time the
button is pressed or the
Front/Rear
dial
is
turned
clockwise.
(The
playback
speed
decreases
each
time
the
button is pressed or the Front/Rear dial is turned counterclockwise.)
PLAYBACK SPEED
X1→X1.2→X1.5→X2→X4→X8→X16→X32→X64→X128→X256→X512
In X1 to X2, a movie is played back with sound.
The speed in backward playback is X1.2 to X512 (sounds are not played
back).
DURING PAUSE MODE
Button/Dial
Operation
Playback
Frame-by-frame playback
Reverse frame-by-frame playback
Front/Rear dial
Reverse frame-by-frame playback ↔ Frame-by-frame
playback
119
To show or hide the operation guide, press the
button during movie
playback or Pause mode.
VOLUME ADJUSTMENT
To display the volume setting guide, press the
button
while a movie is being displayed. Use the
to adjust the
volume, and use the
button to apply the setting.
CUTTING OUT A PHOTO FROM A MOVIE
You can create a photo of the desired frame from a movie file.
1
Play back a movie, and temporarily stop it in the target frame.
If you failed to stop in the desired frame, use the
button or the
Front/Rear dial in Pause mode to perform frame-by-frame playback.
2
Press the
button to select [Save As DNG] or [Save As JPEG].
[Save As DNG] is only available when [Format] is set to [CinemaDNG].
3
Select [Yes], and press the
button to apply the setting.
The file size varies depending on the setting of [Resolution] of the movie
file.
UHD
3840 x 2160
FHD
1920 x 1080
[Image Quality] of a file saved with [Saved as JPEG] is set to [FINE].
[DNG Quality] of a file saved with [Saved as DNG] varies depending on
the setting of [Bit Depth] of a movie file.
The file number of the created file is assigned to the next number of the
last still file in the media, and saved in a sub folder under the DCIM folder.
120
OTHER REVIEWING FEATURES
FILTERING OPTIONS FOR DISPLAY
You can filter the file types to play back.
To set this option, select [
PLAY] → [Filtering Options
for Display].
Display All (Default)
OFF
Movie Clips Only
Still Images Only
Cinemagraph Files Only
LOCK
Locking protects files from being accidentally deleted.
WARNING
Formatting a card erases locked files. Review card contents carefully
before formatting.
TIP
Locked files have a "read-only" status when viewed on a computer.
TO LOCK A SINGLE FILE
1
Display the target file, and select [ P LAY] → [Lock].
2
Select [Lock] from the sub menu.
3
Press the
button or
button.
121
A key icon will appear in the file indicating that the
file is locked.
TIP
If the file is already locked, the menu item changes to [Unlock].
To unlock a locked file, select the locked file and follow the same steps as
above.
The AEL button can be set as a shortcut button for locking files (see page
132).
TO LOCK MULTIPLE FILES
1
Choose your desired option by selecting [ PL AY] → [Lock].
Select Files
Select
multiple
files
to
lock.
Use
the
buttons
to
display
the file to lock, and use the
buttons to display
icon. Repeat the process to select files to lock.
Lock
Locks all marked files on the card. (Refer to pages 122 to
123 for information on marking images.)
Lock All
Locks all files on the card.
2
A confirmation dialog will appear when you press the
button.
3
Select [Yes] with the
buttons and press the
button to apply the
setting.
To cancel, select [No] and press the
button.
A key icon will appear in all locked files.
CAUTION
The process of [Select Files], [ Lock] or [ Unlock] may take time
depending on the number of files in the card.
122
TIP
To unlock multiple files, select [Unlock All] or [ Unlock] in the Lock
Menu.
MARKING IMAGES
Marking images is a convenient way to identify favorite images, select
images to be displayed as a slideshow, or select images to be deleted.
TIP
Images marked on the camera remain marked when viewed in SIGMA
Photo Pro.
TO MARK A SINGLE IMAGE
1
Display the images you want to mark and select [ PL AY] → [Mark].
2
Select [Mark] from sub menu.
3
Press the button or button.
A mark will appear in the marked image.
TIP
If the image is already marked, the menu item changes to [Unmark].
To unmark a marked image, select it and follow the same steps as above.
The AEL button can be used as a shortcut key for marking image (see
page 132).
123
TO MARK MULTIPLE IMAGES
1
Choose your desired option by selecting [ PL AY] → [Mark].
Select Files
Select multiple files to mark. Use the
buttons to
display the file to mark and use the
buttons to
display
icon. Repeat this until you have specified
files you want to mark.
Mark All
Mark all images on the card.
2
A confirmation dialog will appear when you press the
button.
3
Select [Yes] with the
buttons and press the
button to apply the
setting.
To cancel, select [No] and press the
button.
A key icon
will appear in all marked images.
CAUTION
The process of [Select Files], [Mark All] or [Unmark All] may take time
depending on the number of files in the card.
TIP
Select [Unmark All] from the Mark Menu to unmark all marked images
on the card.
ROTATING IMAGES
(STILL)
You can rotate the direction in which images are displayed.
TO ROTATE A SINGLE IMAGE
1
Display the image you want to rotate and select [ PL AY] → [Rotate].
124
2
Choose the desired rotation direction from sub menu.
Rotate
Rotates the image 90 degrees clockwise.
Rotate
Rotates the image 90 degrees counterclockwise.
CAUTION
You cannot select the Rotate menu if [Image Rotation] in [ PLAY] is
set to [Off].
TIP
To rotate an image 180 degrees, rotate it twice in the same direction.
To get an image back into its original orientation, rotate it in the opposite
direction.
The AEL button can be used as a shortcut key for rotating images (see
page 132).
Images rotated on the camera will be displayed in their rotated orientation
in SIGMA Photo Pro.
TO ROTATE MULTIPLEN IMAGES
1
Select [ P LAY] → [Rotate] → [Select Files].
2
Use the
buttons to display the file you want to rotate. Press the
button to rotate it clockwise. Press the
button to rotate it counter-
clockwise. Repeat this until you have specified all of the files you want to
rotate.
3
A confirmation dialog will appear when you press the
button.
4
Select [Yes] with the
buttons and press the
button to apply the
setting.
To cancel, select [No] and press the
button.
125
SLIDESHOW
The Slideshow feature allows you to show all images on the card or
selected images in an automatic playback mode.
1
Select [ P LAY]
→
[Slideshow] and then choose [All Files], [Locked
Files], or [Marked Files].
2
Press the
or
button to start Slideshow.
To stop in the middle of the slideshow, press the
button.
A movie or cinemagraph is played back once, and the display moves to
the next file.
If the playback view filter (P.120) is combined, a slide show can be
provided using only the specified types of files.
CAUTION
When [Marked Files] is selected, it may take time to start the Slideshow
depending on the number of images to be displayed.
CHANGING SLIDESHOW SETTINGS
Select [ P LAY] → [Slideshow] → [Slideshow Settings] and set options
for slideshows.
Duration
2 sec.
5 sec.
10 sec.
Set the length of time that each image in a
slideshow is displayed.
Repeat
No
Yes
Set whether the slideshow loops continuously
or stops at the last image.
126
DNG DEVELOPMENT
Without using a PC, it is possible for the camera to develop JPEG images
from images recorded in DNG.
1
Exposure Compensation ( P. 85)
2
White Balance (P.87)
3
Image Quality (P.71)
4
Image Size (P.72)
5
Aspect Ratio (P.73)
6
Color Mode ( P.91)
7
Color Space (P. 107)
8
Tone Control ( P. 93)
9
Fill Light (P. 94)
10
Lens Optics Compensation ( P. 95)
11
Icon to start image development
12
Description of selected icon
1
Display the DNG image you want to develop and select [ PL AY] → [DNG
Development].
Select A File
Display an image you want to develop with the
buttons and press the
button to confirm your
selection.
It is possible to process [Select A File] even when
an image is displayed in Step
1
.
Current File
It displays the image selected in Step
1
.
After selecting the image, the message "Now Processing ..." will appear
until the DNG development settings screen appears.
2
In the DNG development setting screen, press the
buttons to select an
item you want to change, and press the
button to confirm your selection.
The details settings are possible depending on items or options. Press
the AEL button to display the Further Options screen. For details, refer to
the related sections in this instruction manual.
127
3
While checking the image, use Front or Rear Dial or
buttons to change
the adjustment value (or option). Then, press the
to accept your change.
4
Repeat Step
2
and
3
in case there are multiple items to change.
5
After finalizing the setting, select
(the Process RAW Development icon)
and press the
button.
6
Select [Yes] with the
buttons and press the
button to apply the
setting.
To cancel, select [No] and press the
button.
At the time of playback, the
mark is displayed for the
JPEG file created from DNG data.
The File Number of the JPEG image developed from RAW data will
become the next number following the final recorded file in the memory
card.
CAUTION
If there is insufficient space on the card, a warning message is displayed,
and DNG development cannot be performed.
It is recommended that SIGMA Photo Pro is used for further detailed
adjustment.
CINEMAGRAPH
You can create a "cinemagraph" in which only a part of an image is moving,
from the exposed movie file.
A cinemagraph image cannot be created from the movie file recorded in
[Director's Viewfinder].
128
CINEMAGRAPH EDIT SCREEN
1
Selecting Start Frame
2
Selecting End Frame
3
Selecting Still Image Frame
4
Masking Area
5
Playback Speed
6
Bounce
7
Exposure Compensation
8
Color Mode (Can be set only when
the CinemaDNG)
9
Cinemagraph Writing Icon
10
Selected item
1
Select [ P LAY] → [Cinemagraph] → [New].
2
Select a movie you want to create as a cinemagraph, and press the
button. The
display
changes to the cinemagraph edit screen.
3
Specify the starting frame. (Use the
button
to
select
,
and
press
the
button.
Press the
button to play back a movie,
temporarily stop the movie in the frame
you want to start, and press the
button.)
1. Time Code
2. Period of cut-out range
4
Specify the ending frame. (Use the
button to select , and press
the
button. In the same way, temporarily stop the movie to end in the
target frame, and press the
button.)
The time length of a movie that can be cut out from a movie varies
depending on the frame rate of the original movie.
If the ending frame is set to a frame beyond the cutout enabled time
frame, the starting frame is automatically shifted to make an adjustment.
129
5
Specify a still image frame. (Use the
button to select , and press
the
button. In the same way, temporarily stop the movie to be still image
in the target frame, and press the
button.)
If you press the AEL button during Pause mode, the movie returns to the
starting frame.
If you press the AEL button during playback, the movie returns to the
starting frame, and stops temporarily.
A still image frame can also be specified outside the starting or ending
frame if it is included in the same file.
6
Specify the range to move an image in the
specified still image frame. Use the
button to select
, and press the
button. Trace the range to move an image
with your finger on the touch panel to
unmask it (brush work).
BRUSH WORK
Most of brush work is performed on the touch panel.
To perform brush work, you can double-tap or pinch out to enlarge the
target image. Dragging it with two fingers during zoom-in allows you to
move the displayed area.
Touching returns the work.
Touching redoes the returned work.
Touching masks the part traced with your finger.
Touching unmasks the part traced with your finger.
You can use the AEL button to check the effect while working.
You can use the button to switch the display/non-display of the guide
at the top.
Touching
shifts
to
the
[Brush
Options]
screen. While viewing the preview screen
on the right, drag [Size], [Hardness], or
[Mask Color] to make adjustments.
130
7
When the brush work is completed, press the button. Configure the
following settings as needed.
Playback Speed
0.25x to 4.0x (The selectable playback
speed varies depending on the frame
rate of the original movie.)
Bounce
[Off] : Not done.
[On] : Done.
Exposure
Compensation
Max. ±1EV levels in 0.3EV-step
increments
Color Mode
Refer to P.91.
8
Select (Cinemagraph Writing Icon), and press the button. Select
[Yes], and press the
button to apply the setting.
The cinemagraph format is created with MOV ALL-I regardless of the
format of the original movie.
The resolution of cinemagraph is the same as that of the original movie.
The frame rate of cinemagraph is set to 23.98, 25, or 29.97 fps
depending on the frame rate of the original movie.
The file number (extension: MOV) of the created cinemagraph is
assigned to the next number of the last still image file in the media, and
saved in a sub folder under the DCIM folder.
It takes a long time to write the file. Write processing can be interrupted
as needed. While the message "Now Processing..." is displayed, press
the
button.
For data of which the playback time is less than one second, the same
image is recorded repeatedly. Consequently, data that is one second or
longer is created.
Even if editing work is interrupted, you can restart from where you left
off last time.
Once a movie file is edited, an editing file with the editing status recorded is
created, so it can be re-edited after a work interruption or Cinemagraph
writing.
1
Select [ P LAY] → [Cinemagraph]→[Edit].
131
2
The editing files are previewed. Select a file you want to restart editing, and
press the
button.
Each editing file is identified by the file number, "Cinemagraph XXX".
(The number is assigned in the range of 000 to 999.)
TIP
Such a movie file can be edited as many times as you like unless the
original movie file is removed from the media.
When creating a cinemagraph of another version from the same movie
file, begin with [New] and then proceed with the subsequent procedure. It
is convenient to begin with [Edit] when you want to make a minor change
(to change the viewing speed).
DELETING AN EDITED FILE
Delete an unnecessary edited file.
1
Select [ P LAY] → [Cinemagraph] → [Delete Edit File].
2
Delete the editing file using the same procedure described in [Select Files]
in [DELETE FILES FROM THE DELETE MENU] (P.117).
The original movie file is not deleted.
EXPOSURE WARNING
This function displays a red warning for a highlighted part in which a
halation occurs on an image due to an overexposure.
Select [
PLAY] → [Exposure Warning], and set to [On].
[Exposure Warning] is not displayed on the [Quick Preview] screen.
TIP
The AEL button can be assigned to a shortcut key to set [Exposure
Warning] to [On] or [Off] (P.132).
132
IMAGE ROTATION
This function allows you to change the orientation of an image shot at a
vertical position or an image rotated to a vertical position.
To set this option, select [
PLAY] → [Image Rotation].
Off
Displays an image at the horizontal position.
On (Default)
Displays an image at the vertical position.
AEL BUTTON SETTINGS
The playback menu function can be allocated to the AEL button. Allocating
frequently used functions allows you to perform operations easily using one
action.
To set this option, select [
PLAY] → [AEL Button Settings].
None
Does not function during playback.
Lock
Lock the currently selected image by pressing the
AEL button. If the current image is already locked,
the image will be unlocked.
Mark
Mark the currently selected image by pressing the
AEL button. If the current image is already marked,
the image will be unmarked.
Rotate
Each time the AEL button is pressed, rotate the
currently selected image 90 degrees to the right
(clockwise).
Rotate
Each time the AEL button is pressed, rotate the
currently selected image 90 degrees to the left
(counterclockwise).
Exposure
Warning
Each time the AEL button is pressed, toggle the
exposure warning on or off.
Image
Magnification
Each time the AEL button is pressed, toggle between
zoomed-in view (10x) and original ratio.
View Filtering
Options (Default)
Each time the AEL button is pressed, view filters can
be toggled between on and off.
133
SETTING FROM THE [SYSTEM] MENU
This section describes settings that can be configured in the items of
[
SYSTEM].
MEMORY MEDIA FORMAT
Refer to "Card Format" (P.42). (To initialize the USB storage, perform
the same procedure as [USB Storage].)
MEMORY MEDIA
When two memory media are set, select the recording or playback target
from this item.
SD Card
USB Storage
A data writing failure may occur depending on the USB storage (SSD) you
are using. If this happens, changing Write mode may resolve such a failure.
While the USB storage remains connected, select [USB Storage] → [Write
Mode], and change the mode from [Standard] to [Custom].
If [Custom] is set, the icon is displayed in orange.
FILE NAME / NUMBER
(CINE/STILL)
The recorded data is assigned to the dedicated file name and file number
for both still images and movies.
(STILL)
Still image data (JPEG, DNG)
Folder
Sub folder
File Name / Number
DCIM
100SIGMA
⁞
999SIGMA
SDIM0001
⁞
SDIM9999
134
A file number is followed by the .jpg extension for JPEG data or the .dng
extension for DNG data.
File Name
For the first four characters of the file name, you can select "SDIM" or
"FP00".
SDIM**** (Default)
FP00****
When [Adobe RGB] is selected in [ SHOOT] → [Color Settings] →
[Color Space], "SDIM" of the file name is set to "_SDI", and "FP00" to
"_FP0".
File Numbering
The file numbering can be changed.
Continuous
(Default)
Sequential numbers are assigned. If memory media
are changed, numbers will be passed on.
Auto Reset
Once a memory medium is changed or initialized,
numbers are reset.
CAUTION
When the folder number or file number reaches "999-9999", even if the
card or storage has sufficient space, the message [Unable to allocate
file number for still images…] is displayed, and it will not be possible to
take any more pictures. In such a case, replace the current card or
storage with a new one.
(CINE)
Movie data (MOV)
Folder
File Name / Number
CINEMA
A001_001_20190725.MOV
⁞
A001_999_20190725.MOV
Movie data (CinemaDNG)
Folder
Sub folder
File Name / Number
CINEMA
A001_001
⁞
A001_999
A001_001_20190725.WAV
A001_001_20190725_000001.DNG
A001_001_20190725_000002.DNG
⁞
135
CinemaDNG consists of all still DNG data (extension: .DNG) in a sub
folder and a single audio file (extension: .WAV). To transfer a file, move
the entire sub folder that contains the file.
Camera ID
"A" (default) to "Z" are assigned to the camera ID.
Reel Number
"001" (default) to "999" are assigned to the reel number.
CAUTION
When the reel number reaches "999", even if the card or storage has
sufficient space, the message [Unable to allocate file number for
movie clips…] is displayed, and it will not be possible to take any more
pictures. In such a case, change the camera ID or reel number.
COPYRIGHT INFORMATION
When shooting you can record [Photographer] information, [Copyright]
information, and memo in the Exif data.
Each item can be entered using up to 48 single-byte alphanumeric
characters and symbols.
1
On the Copyright Information screen, select [Photographer], [Copyright
Owner], or [Note], and follow the steps for [ENTERING INFORMATION]
(P.136) to enter a text.
2
When text entry is completed, select [On] in [Attach Copyright
Information]. (Copyright information is recorded in each image from
subsequent shooting.)
TIP
The recorded information can be viewed on the image information screen
3/3 (P.114).
You can review the recorded information in the Image Information
Window of SIGMA Photo Pro and by EXIF-compatible software.
136
CAUTION
Make sure that [Attach Copyright Information] is set to [Off] if the
camera is being used by another photographer. It is recommended that
the information in each entry item is deleted in such cases.
We assume no responsibility whatsoever for any difficulties and/or
damages resulting from the usage of copyright information.
ENTERING INFORMATION
Entered information area
It is possible to move the cursor in the
area using the front/rear dials.
Keyboard area
M
ove the cursor in this area
using the
buttons.
1
Select the desired character in the Keyboard area, and press the
button to enter it.
Switch the keyboard to alphabet.
When the alphabet is displayed, it is possible to select
capital and lowercase letters.
Switch the keyboard to symbols.
Insert a 1 character space.
2
Select and
to finalize the entered information. It will then
go back to the previous screen.
The button will cancel the characters entered, and it goes back to
the previous screen.
Deleting characters
Using the front/rear dials, place the cursor after the letters you wish to
delete and press the
button.
137
TIME CODE
(CINE)
For movie shooting, the time code is recorded automatically. Set the time
code to be recorded.
The time code can also be set from the Quick Set menu in CINE mode
(CINE style).
Whether or not to display the time code on the LCD monitor for shooting
can be specified from [TC / Duration] in Display Mode (P.139).
CAUTION
This product does not provide the function that synchronizes with an
external device.
Time Code
Set the starting time of the time code.
00 : 00 : 00 : 00
Hour : minute : second : frame
To reset, press the button.
When the frame rate is set to 23.98 fps, the frame can be specified only
using a multiple of four. For other frame rates, the frame can be specified
between 0 and 29.
When Count mode is set to [DF] (Drop Frame), the colon, ":", between
second and frame is changed to a semicolon, "; ".
RUN Mode
Select the method to count the time code.
REC RUN
Counts only the movie recording time.
FREE RUN
(Default)
Counts the total time, including the time in which a
movie is unrecorded (including the power-off period).
Count Mode
Select the method to count the time code.
DF
(Drop Frame)
Corrects
an error caused due to a drop frame to
record a movie.
NDF
(Default)
(Non-drop Frame)
Does not correct an error caused due to a drop frame
to record a movie.
138
External Input (Off / On)
When connecting the time code generator (Timecode Systems UltraSync
ONE, etc.), set it to [On].
Connect the generator to the external microphone terminal. When the
generator is connected correctly, the
icon is displayed in the time
code display field, and the time code set to the generator is displayed. If
the generator is not connected or any connection error occurs, the
icon flashes red.
Be sure to match the frame rate specified in the movie record setting with
the frame rate of the generator. For details, refer to the instruction manual
of the generator.
CAUTION
When [External Input] is set to [On], sounds cannot be recorded.
HDMI Output (Off / On)
Specify whether or not to output the time code to a device connected using
the HDMI cable.
SHOOTING STYLE
(CINE)
Refer to page 43.
CUSTOM MODE SETTING
Refer to page 103
CUSTOM QS
(CINE/STILL)
Refer to page 37.
139
DISPLAY MODE SETTINGS
(CINE/STILL)
Size of icon displayed during shooting can be changed, and useful
functions to enhance photography can be added.
The CINE mode (STILL-like style) and STILL mode provide the common
settings.
To display options, set the mode (Custom 1 to 4) to customize to [On], and
press the
button.
Set the modes that you do not want to display to [Off].
Font Size
Select the character or icon size.
Normal
Large
Display Info
You can choose the amount of photography information displayed.
Off
Minimal
Standard
In any setting, icons related to warnings are displayed.
Lens Info
(CINE)
You can display the information on the lens attached to your camera.
Off
Focus *
Focal Length
Focal Length + Focus *
* You can select the unit of the shooting distance. Press the
button to
select the target on the [Focus Distance Scale] screen.
M (Meters)
FEET
Date / Time
You can display the date and time.
Off
Time
Date
Date + Time
140
TC / Duration
(CINE)
Displays the TC (time code) or recording time.
Off
Duration
TC
TC + Duration
Grid Lines
Grid lines that are useful for determining composition can be displayed.
Off
-
4 (Black)
-
4 (White)
-
9 (Black)
-
9 (White)
-
16 (Black)
-
16 (White)
Frame Guide (Off / On)
(CINE)
Refer to page 109.
Center Mark (Off / On)
(CINE)
You can display the center mark that identifies the center of the screen.
Electronic Level (Off / On)
An electronic level that is useful for determining composition can be
displayed.
ELECTRONIC LEVEL
Camera’s horizontal direction and vertical direction are displayed.
Vertical direction guide
Horizontal direction guide
When the camera is horizontal or vertical, the guide becomes green.
When shooting vertically, the display changes to one for vertical shooting.
141
WARNING
Electronic level usually has error about ±1°. The more it is tilted, the
larger the error becomes, and in such case it does not work properly.
When the camera is facing down, the Electronic level does not work
properly.
Brightness Level Monitor (Off / On)
Refer to page 49.
Zebra Pattern (Off / On)
Refer to page 50.
Audiometer (Off / On)
(CINE)
Refer to page 84.
OPERATION IN LOCK MODE
Refer to page 105.
TOUCH OPERATION
Refer to page 27.
ELECTRONIC SOUNDS
Set whether or not to use electronic beeping sounds, and adjust their
volumes
Shutter Volume
AF Volume
REC Volume
Timer Volume
Select the desired option. To reduce the volume, press the
button, and to
increase it, press the
button. Then, press the
button to apply the
setting.
142
It is possible to set the volume from 0 to 5 in six increments.
Setting 0 results in no sound.
The default setting is 3.
ADJUST ELECTRONIC LEVEL
Electronic level’s tilt can be adjusted.
Place the camera on a flat, level surface and press the
button.
(The new adjustment value is recorded.)
To reset, press the
button. A confirmation dialog will appear.
Select
[Yes]
and
press
the
button
to
apply
the
setting.
(The
adjustment
value returns to the factory default.)
PIXEL REFRESH
If a bright point is recorded in an image, use pixel refresh.
This optimizes shooting elements and image processing.
Close the cap, select [Yes], and press the
button to apply the setting.
LCD SETTINGS
You can adjust the brightness and hue of the LCD monitor.
Brightness (LCD Brightness)
Press the
button to adjust to the brightness to the appropriate value,
and press the
button to apply the setting.
When
is selected, the monitor is automatically adjusted to an
appropriate brightness according to the exposure data.
Hue (LCD Hue)
Adjust [Red] and [Blue] values while looking at the chart at the bottom of
the screen.
Normally set it to ±0.
143
POWER SAVE
LCD Off
The backlight of the LCD monitor is automatically turned off if no operations
take place for a certain period of time. Because power is turned on, all
buttons are operable. Half-pressing the shutter button starts shooting.
Auto Power Off
The camera is automatically turned off when no operations are performed
while the LCD is inactive. During Auto Power Off, buttons do not work.
Half-pressing the shutter button releases the auto power-off mode.
LCD Off Option
Auto Power Off Option
Off
1 min. (Default)
Off
5 min. (Default)
10 sec.
5 min.
30 sec.
10 min.
30 sec.
10 min.
1 min.
It is not possible to set [LCD Off] for a longer time than [Auto Power Off].
ECO MODE
The LCD monitor is darkened to reduce battery use when the camera has
not been operated for eight seconds.
Off (Default)
On
HDMI OUTPUT
(STILL)
When monitoring a video on the TV or display unit connected using an
HDMI cable (sold separately), select whether or not to output icon
information with the video.
With Info
Without Info
Prepare the commercially-available HDMI cable with the HDMI terminal
(Type D (Ver. 1.4)) attached.
(CINE)
To set [HDMI Output] in CINE mode, first select [Monitoring Output] or
[Recorded Image Output] depending on the purpose. Then, press the
buttons to select the option.
144
Monitoring Output
When monitoring a video on the TV or display unit connected using an
HDMI cable (sold separately), select whether or not to output icon
information with the video.
Information Display
On
Off
Recorded Image Output (HDMI Recorded Image Output)
When recording a video on an external recorder connected using an HDMI
cable (sold separately), configure the image output setting from this item.
Output Format
Set the output signal format of a movie.
RAW
4:2:2 8bit (Default)
Resolution
Set the resolution (size) of a movie.
DCI 4K
4096 x 2160
This is only selectable when [Output Format
] is
set to [RAW]. (The frame rate is fixed to 24 fps.)
UHD (Default)
3840 x 2160
FHD
1920 x 1080
Frame Rate
Set the frame rate (the number of frames per second).
23.98 fps
29.97 fps
59.94 fps
119.88 fps
25 fps
50 fps
100 fps
CAUTION
Check that the frame rate matches the frame rate setting of the external
recorder.
USB MODE
Set the communication method when a USB cable is connected.
145
Select When
Connecting
(Default)
This function is selectable when this product is
connected to a device. Press the
buttons to
select the target, and press the
button to
apply the setting.
Mass Storage
Set this option to transfer images on an SD card
to a computer.
Video Class (UVC)
Set this option to use this product as a Web
camera.
Camera Control
Set this option to operate the camera using
software compatible with the computer.
CAUTION
USB mode cannot be changed while the camera is connected to your
computer. Be sure to set the [USB mode] you require before connecting
it to your computer.
CABLE RELEASE SETTINGS
(CINE/STILL)
Set operations to use the cable release switch CR-41 (sold separately).
Shutter
Provides the same operations as the shutter button of the camera.
REC
Provides the same operations as the REC button of the camera.
DATE / TIME
Refer to page 25.
Language /
言語
Refer to page 24.
INFORMATION
1st page
You can confirm the model name, serial number, firmware version,
continuous operation time (from the power-on time to the present time), and
sensor temperature.
146
2nd page
You can confirm the authentication mark.
Other authentication marks are displayed at the bottom of the camera, on
gift boxes, and in this instruction manual.
FIRMWARE UPDATE
For details on the firmware update status and update method, refer to our
website.
https://www.sigma-global.com/en/download/
RESET SETTINGS
Restores camera settings to the default.
1
Select the desired reset method from [Reset Settings].
Reset Capture Settings
Resets all the items in [ / SHOOT].
Reset Play Settings
Resets all the items in [ PL AY].
Reset System Settings
Resets
all
the
items
in
[ SYSTEM ],
excluding
[Date
/
Time] and [Language
/
言語
].
Reset All
Resets all the items, excluding [Date / Time].
2
Select [Yes] and press the
button to apply the setting.
To cancel, select [No] and press the
button to apply the setting.
TRANSFERRING IMAGES TO A COMPUTER
The images recorded on a memory card in the camera can be transferred to
a computer.
Connect the camera to a computer using the supplied USB cable.
147
When
[Select When Connecting]
(default)
is
selected
for
[USB
Mode]
in
[ SYSTEM],
the Select USB Mode screen appears
when the camera is connected to a
computer. Select [Mass Storage]. (Refer
t o P. 144.)
Using SIGMA Photo Pro, you can transfer the images. For details, refer
to the SIGMA Photo Pro help.
The camera is recognized as a removal disc (device) by the computer.
Therefore, the images can be transferred in a familiar way without using
SIGMA Photo Pro.
WARNING
If the computer enters Sleep mode during processing, the currently
transferred data may be damaged. Configure a setting to prevent the
computer from entering Sleep mode.
Please use only the dedicated USB cable that is supplied with this
product. Using another cable may cause a failure.
The Auto Power Off function does not work while the USB cable is being
connected.
USING THIS PRODUCT AS A WEB CAMERA
This product can be used as a Web camera.
1
Set the CINE/STILL switch to "CINE".
2
Connect the camera to the computer using the dedicated USB cable
supplied with this product, and set [USB mode] to [Video Class (UVC)].
(Refer to P.144.)
For information on the camera or microphone setting, refer to Help or
other references of the software you are using.
To use this product for an extended period of time, it is recommended
that you use the AC adapter set (SAC-7P) (sold separately) (P.149).
148
CAUTION
The following buttons are not available.
REC Button, Shutter Button, AEL Button,
Button,
Button,
Button
The QS menu can be used, however, unavailable items in the menu are
grayed out. In addition, there are some items for which detailed settings
are not available.
The Image Magnification function is not available.
REFERENCE
This section provides the optional accessories and the camera
specifications.
OPTIONAL ACCESSORIES
ELECTRONIC FLASH EF-630 (FOR SIGMA)
Auto zoom flash with abundant light and STTL Automatic Exposure with the
maximum guide number 63/m (207/ft) (ISO100). EF-630 (FOR SIGMA)
allows you to use many advanced flash techniques such as “STTL system
Auto Flash” or Multi Flash etc.
ELECTRONIC FLASH EF-140S SA-STTL (sold SEPARATELY)
This
compact
design
flashgun
has
a
maximum
Guide
Number
of
14
(ISO100/m).
The TTL exposure is controlled by the automatic S-TTL system. This flash unit
uses two “AAA” type Ni-MH batteries allowing it to have a compact design.
LCD VIEWFINDER LVF-11
This is a fp-dedicated viewfinder that magnifies LCD monitor by 2.5x This
function cuts off outside light, so you can easily check the focus or
composition even while outdoors. (With base plate BPL-11 attached)
HAND GRIP HG-11
This is an easy-to-handle compact grip that is easy to hold when a small
lens is attached. This is considered so that the design matches fp.
149
HG-21 HAND GRIP
This is a large grip that provides greater operability and that allows the user
to hold it securely even when a telephotographic lens such as 135mm F1.8
DG HSM is attached.
BASE GRIP BG-11
When it is attached to the camera’s tripod socket on the bottom surface of
the camera, it allows handgrip-style shooting.
AC ADAPTER SAC-7P
This is a dedicated-AC adapter set that can operate the camera using the
domestic power supply. (DC Connecter CN-21 is included with this
camera.) For details, refer to page 149.
BATTERY CHARGER BC-71
This is a charger that is dedicated for the fp lithium ion charger, "battery
pack BP-51". Charging is possible without the camera.
CABLE RELEASE SWITCH CR-41
This switch allows you to release the shutter or start REC mode when it is
connected to the microphone/cable release terminal of the camera. This
switch also provides a microphone jack, so it can be used together with a
microphone. (Cable length: Approximately 1m)
DC CONNECTOR CN-21
This is an adapter used to connect the camera to a battery manufactured by
another company. (This is the same as that supplied with the AC adapter
set SAC-7P. )
USING A HOME POWER SUPPLY (sold separately)
You can power the camera from a wall
outlet using the AC adapter set SAC-7P
(sold separately).
1
Connect the AC cable to the AC adapter.
150
2
Open the Battery Cover, and open the DC
connector cover as shown in the
illustration.
Do not pull too hard on the DC connector
cover as it may come away from camera
body.
3
Insert the DC connector as shown in the
illustration until it is locks into place.
4
Close the Battery Cover carefully so as not
to pinch the DC connector code.
5
Connect the plug of the AC adapter and
jack of the DC connector.
WARNING
When the access lamp is lit, take extreme care to prevent the jack from
becoming disconnected. Otherwise, the camera will turn off and the
written data will be lost.
When you have finished using the
camera, please turn off the camera and
disconnect the plug from the wall socket.
After taking the DC connector off from the
camera body, close the DC connector
cover as shown in the illustration.
151
MAINTENANCE
Do not use chemicals or other cleaning agents such as thinners or
benzene for cleaning the camera and lens. Use a clean, soft cloth and
blower to clean the camera and lens. Lens cleaners can be used for
removing fingerprints.
Use a blower to remove dust and dirt from the color LCD monitor. To
remove fingerprints or other stains from the LCD monitor, wipe the
surface gently with a soft, clean cloth. Do not apply excessive force, as
this could damage the LCD monitor.
CLEANING THE DUST PROTECTOR
Blow away any dust on the dust protector (image sensor protection glass)
using a blower. If there are any fingerprints on the glass of the dust
protector, first blow away any dust using a blower, then gently wipe it using
a soft, clean cloth. If any stubborn stains or dust remains, contact our
service station for cleaning services.
WARNING
Do not use an aerosol compressed air cleaner. Liquid squirts depending
on the injection angle, which may damage the dust protector.
Please do not use the blower with a brush. If a brush is attached, it may
scratch the dust protector.
HOW TO STORE THE CAMERA
If you intend to store the camera for a long time, remove the battery.
To avoid growth of fungus, store the camera and lens in a dry, cool and
ventilated place, with a drying agent such as silica gel. Keep your
equipment away from chemicals.
152
NOTE ON THE TFT COLOR LCD MONITOR
A few pixels may always be lit or may never light on the LCD monitor.
This is not a failure or malfunction. Images recorded with the camera will
not be affected.
Because of the normal physical characteristics of the liquid crystal, the
reaction of the display may become slow at low temperatures. At high
temperatures, the display may become dark, but it will return to normal at
room temperature.
TROUBLESHOOTING
If you have a problem with your camera or cannot take good pictures,
consult the list below as you check the camera before requesting repairs.
Nothing is displayed on the color LCD monitor.
Battery is exhausted.
► Replace the battery. (P.20 - 22)
Camera is in LCD Off mode ( P.143).
► Press the shutter button “half-way” or any other button.
The shutter does not release.
The camera is busy writing to the card.
► Please wait until the card busy light goes off.
Card is full.
► Insert a new card or delete unwanted images. (P.116 - 117)
Autofocus does not operate.
The AF/M switch on the lens body is set to M.
► Set the AF/M switch on the lens to AF. (P. 52)
153
Lens is not properly mounted to the camera body.
► Mount the lens to the camera body correctly. (P.23)
When the [Half-pressed AF-ON] is set as [Off].
► Please select [On] in the [Half-pressed AF-ON] setting. (P. 110)
The lens being used is not compatible with auto focusing.
► Check whether or not the lens is compatible on our website. (P. 12)
The camera has turned off automatically.
Auto Power Off is activated.
► The Auto Power Off function is set in order to conserve battery power.
If it is inconvenient, please set the Auto Power Off to “Off”. (P.143)
Cannot shoot or store images.
Card is full
► Insert a new card or delete unwanted images. (P.116 - 117)
Battery is exhausted.
► Replace the battery. (P.20 - 22)
The write protection switch is in the ‘LOCK’ position.
► Please unlock the write protection switch on the card. (P.11)
Image data on the card is corrupted.
► If important data remains in the card after transferring it to your PC,
please format the card. (P.42)
Difficulty seeing the images on the color LCD monitor.
Dust or dirt has adhered to the color LCD monitor.
► Clean the color LCD monitor with a blower or eyeglass cloth. (P.151)
The color LCD monitor is worn out.
► Please consult the retailer from which you purchased the camera or
contact the nearest Sigma Service Center.
154
Pictures are coming out blurred
AF may not be activated when the shutter was pressed.
► Press the shutter button “half-way” and press it after the focusing point
is illuminated in green. (P.51)
The AF/M switch on the lens body is set to M.
► Set the AF/M switch on the lens to AF. (P. 51)
Camera shake is occurred.
► Increase the ISO sensitivity or use a tripod. ( P. 68)
White or colored dots and haze appear on a part of the image.
Due to the camera facing a strong light source, ghosting and flare appear
on the image.
► Strong light source may cause ghosting and flare. Changing the
composition or aperture and additionally attaching the lens hood will
help minimize the extraneous light from diagonal directions.
Cannot delete images.
Images may be locked.
► Unlock the images. (P.120 - 122)
The write protection switch is in the ‘LOCK’ position.
► Please unlock the write protection switch on the card. (P.11)
Incorrect date and time is shown.
Date and time setting may be incorrect.
► Enter the correct date and time in the Set-up Menu. (P.25)
Error Code appears.
It is not possible to continue shooting due to an internal error.
► Please contact your nearest authorized SIGMA subsidiary / distributor.
http://www.sigma-global.com/en/about/world-network/
155
SPECIFICATIONS
Type
Type
Interchangeable-lens Digital Camera
Memory Media
SD / SDHC / SDXC memory card (UHS-II
supported) / Portable SSD (USB 3.0
connection, USB bus power supported)
Lens Mount
L-Mount
Image
Sensor
Type
35 mm full size (35.9 mm x 23.9 mm)
Back-illuminated CMOS sensor
Camera effective
pixels / Total pixels
Approx. 24.6MP (6,072 x 4,056) /
Approx. 25.3MP (6,104 x 4,142)
Aspect Ratio
3:2
Color Filter System
RGB primary color filter
Still Image File
Format
Lossless compression RAW (DNG)
12 /14 bit,
JPEG (Exif2.3)
RAW (DNG) + JPEG: Simultaneous
recording is possible.
Image Aspect Ratio
[21:9] / [16:9] / [3:2] / [A Series (
√
2:1)] /
[4:3] / [7:6] / [1:1]
Recording Pixels (at 3:2 / JPEG)
( ): In DC Crop Mode
HIGH 6,000 x 4,000 (3,840 x 2,560)
MED 4,240 x 2,832 (2,736 x 1,824)
LOW 3,008 x 2,000 (1,920 x 1,280)
Image Quality Mode (JPEG)
FINE, NORMAL, BASIC
Crop
Equivalent to approx.1.5 times the focal
length of the lens (for 35 mm cameras)
Color Space
sRGB / Adobe RGB
Movie
Recording
Format
Camera
Internal
Record
Movie Format
CinemaDNG (8bit / 10bit/ 12bit) /
MOV : H.264 (ALL-I / GOP)
Audio Format
Linear PCM (2ch 48 kHz/16-bit)
Recording Pixels /
Frame Rate
3,840 x 2,160 (UHD 4K) /
23.98p, 25p, 29.97p
1,920 x 1,080 (FHD) /
23.98p,
25p,
29.97p,
59.94p,
100p,
119.88p
Continuous Shooting
Enable Time
Up to 2 hours
Cinema DNG
Memory Media
Limitation
SD card: UHS-II UHD 8bit 25 fps or less,
FHD 12bit 60 fps or less
Portable SSD: UHD 12bit 30 fps or less,
FHD 12bit 100 fps or less,
FHD 10bit / 8bit 120 fps or less
156
Movie
Recording
Format
HDMI
External
Output
Movie Format
HDMI throughout:
External recorder record: Atomos Ninja
Inferno, blackmagic Video Assist 4K
supported
HDMI RAW output:
External recorder record: Atomos Ninja V,
blackmagic Video Assist 12G supported
Audio Format
Linear PCM (2ch 48 kHz/16-bit)
Recording Pixels /
Frame Rate
4096 x 2160 (DCI 4K) / 12bit RAW 24fps
3840 x 2160 (UHD 4K) /
4:2:2 8bit 29.97p /
25p / 23.98p
1920 x 1080 (FHD) / 4:2:2 8bit 119.88p /
100p / 59.94p / 50p / 29.97p / 25p / 23.98p
Focus
AF Format,
Focus Mode
Contrast detection system, Single AF,
Continuous AF (with moving object
prediction function)
Manual Focus
AF Measurement
Distance Detection
Range,
AF Mode
-5EV to 18EV (F1.4 : ISO100) / Multi Auto
Focus Points, 49-point Selection mode,
Free Movement mode, Face / Eye
Detection AF mode, Tracking AF mode
AF Custom Setting
Zooming of measurement distance range
(point) (3 levels: Large, Medium, Small)
AF Lock
Half-press the shutter button, or press the
AEL button (setting change required).
Other
Focus Functions
AF+MF, MF Assist, MF Guide, Focus
Peaking, Release Focus Function, AF-ON,
Pre-AF, AF during Image Magnification
Exposure
Control
Metering System
Evaluative, Spot, Center Weighted Average
Metering Range
-5 to 18EV (50 mm F1.4: ISO100)
Still Image Shooting
Mode
(P) Program AE (Program shift enabled),
(S) Shutter Priority AE, (A) Aperture Priority
AE, (M) Manual
Movie Shooting
Mode
(P) Program AE, (S) Shutter Priority AE, (A)
Aperture Priority AE, (M) Manual
ISO Sensitivity
(Recommended
exposure value)
ISO 100-25600, Expanded sensitivity ISO
6, 12, 25, 50, 51200, 102400
Exposure
Compensation
±5EV (1/3-step increments)
(When shooting a movie, ±3 EV is applied.)
157
Exposure
Control
AE Lock
Half-press the shutter button, or press the
AEL button.
Exposure Bracket
3-frame/5-frame stage exposure
±3EV (1/3 Step, Standard →
Underexposure → Overexposure)
(Sequence changeable)
Image Stabilization System
Electronic system
White Balance
12 types (Auto, Auto (Lighting Source
Priority), Daylight, Shade, Overcast,
Incandescent, Fluorescent, Flash, Color
Temperature, Custom 1, Custom 2,
Custom 3)
Shutter
Type
Electronic shutter
Shutter Speed
30 to 1/8,000 sec., Bulb up to 300 sec.
Drive Mode
Single capture,
continuous shooting
(High speed: Approx. 18 frames/sec.),
(Medium speed: Approx. 5 frames/sec.),
(Low speed: Approx. 3 frames/sec.),
Self-timer (2/10 sec.),
Interval timer
Monitor
Format/Field Rate
TFT color LCD, Aspect ratio: 3:2.
3.15 type, Approx. 2,100,000 dots /
Approx. 100%
Touch Panel
Electrostatic capacitance system
External
Flash
Light Emission
Mode
S-TTL automatic light control, Manual,
Wireless flash, Multi-emission
Flash Mode
Red-eye effect reduction, Rear curtain
synchronization, Slow synchronization
Flash Exposure
Compensation
Max. ±3EV in 1/3EV-step increments
Flash Tuning Speed
Max. 1/30 sec.
(1/15 sec. or less when the image quality is
set to DNG and DNG + JPEG and the
memory bit count is 14 bits)
External Flash
Support
Available when the Hot Shoe Unit HU-11
(supplied with this product) is mounted.
(S-TTL, Wireless support, X contact)
158
Color Mode
13 types (Standard, Vivid, Neutral, Portrait,
Landscape, Cinema, Teal and Orange,
Sunset Red, Forest Green, FOV Classic
Blue, FOV Classic Yellow, Monochrome,
Off)
Other
Functions
CINE Mode
Still image shooting during movie shooting,
HDR Shooting
STILL Mode
FillLight function, HDR Shooting
During Movie
Playback
Cinemagraph/still image cut-out
During Still Image
Playback
In-camera DNG Development
Built-in Microphone, Speaker
Stereo microphone, Monaural speaker
Display Language
English / Japanese / German / French /
Spanish / Italian / Simplified Chinese /
Traditional Chinese / Korean / Russian /
Dutch / Polish / Portuguese / Danish /
Swedish / Norwegian / Finnish
Interface
USB
USB 3.1, GEN1, Type-C
HDMI Terminal
Type D (Ver. 1.4)
Release Terminal
Also used as an external microphone
terminal.
Time Code
Also used as an external microphone
terminal.
External
Microphone
Ø3.5 mm stereo mini jack
(Plug-in power support)
Headphone terminal
None
Flash-synchro
Terminal
Dedicated terminal (with hot shoe unit
HU-11 (supplied with this product)
mounted)
Dust-proof drip-proof specification
Provided
Power
Power
Li-ion Battery BP-51
Chargeable by USB power feeding. (At
camera power-off)
Number of still
image shots
remaining
Approx. 280 images
At 23°C, based on CIPA test standard)
Continuous
Shooting Enable
Time
Approx. 70 min.
159
External
Dimensions
Weight
Outer Diameter
112.6 x 69.9 x 45.3 mm
Weight
422 g (including battery and SD card)
370 g (Camera body only)
Operating
Environment
Available
Temperature
0 to +40°C
Available Humidity
Max. 85% (No dew condensation)
* The specifications are subject to change without prior notice.
AC Adapter UAC-11
Input: 100V to 240V 50/60Hz 0.25A
Output: 5.0V
1.8A
Li-ion Battery BP-51
Lithium-ion rechargeable battery
Voltage: 7.2V Cell Capacity: 1200 mAh
SIGMA CORPORATION OF AMERICA
15
Fleetwood
Court,
Ronkonkoma,
NY
11779,
U.S.A.
TEL: 631 585 1144
This device complies with Part 15 of the FCC Rules. Operation is subject to the
following two conditions: (1) This device may not cause harmful interference, and
(2) this device must accept any interference received, including interference that
may cause undesired operation.
For customers in the U.S.A.
Federal Communications Commission (FCC) Radio Frequency Interference Statement
This equipment has been tested and found to comply with the limits for class B
digital devices, pursuant to Part 15 of the FCC Rules. These limits are designed to
provide reasonable protection against harmful interference in a residential
installation. This equipment generates, uses and can radiate radio frequency
energy and, if not installed and used in accordance with the instructions, may
cause harmful interference to radio communications. However, there is no
guarantee that interference will not occur in a particular installation. If this
equipment does cause harmful interference to radio or television reception, which
can be determined by turning the equipment off and on, the user is encouraged to
try to correct the interference by one or more of the following measures:
Reorient or relocate the receiving antenna.
Increase the separation between the equipment and receiver.
Connect the equipment into an outlet on a circuit different from that to which the
receiver is connected.
Consult the dealer or an experienced radio/TV technician for help.
Use of interface cable is required to comply with class B limits in Subpart B of Part
15 of FCC Rules.
Any changes or modifications to this equipment not specified in this manual may
void your warranty.
For customers in the Canada
This Class B digital apparatus complies with Canadian ICES-003.
Cet
appareil
numérique
de
la
classe
B
est
conforme
à
la
norme
NMB-003
du
Canada.
This mark shows that the construction of the product is double-insulated.
Cette marque indique que la construction du produit a une double isolation.
The CE Mark is a Directive conformity mark of the European Community
(EC).
SIGMA (Deutschland) GmbH
Carl Zeiss Str. 10/2, D 63322 Roedermark, Germany
Sales: 06074
/
865 16 0 Service: 06074
/
865 16 65 Support: 06074
/
865 16 88
E-Mail: info@sigma-foto.de
SIGMA CORPORATION
2-4-16 Kurigi, Asao-ku, Kawasaki-shi, Kanagawa 215-8530 Japan
Phone : 044-989-7430 Fax : 044-989-7451
fp
FOR HOME OR OFFICE USE
Tested To Comply
With FCC Standards
… 160

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