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Contents
1. Welcome ................................................................................. 1
Welcome! ...................................................................................................3
New features ............................................................................................4
Installation .................................................................................................8
2. Getting Started .................................................................. 11
Startup Assistant .................................................................................. 13
Creating a publication from a design template ........................ 15
Starting a new publication from scratch ..................................... 18
Opening existing publications ........................................................ 19
Object management overview ....................................................... 20
Updating and saving defaults ......................................................... 22
Saving your publication..................................................................... 24
3. Pages ..................................................................................... 25
Setting up a publication .................................................................... 27
Adding, removing, and rearranging pages ................................. 31
Understanding master pages .......................................................... 33
Using page numbering ...................................................................... 38
Navigating pages ................................................................................. 39
Viewing pages ....................................................................................... 40
Working with layers ............................................................................ 42
4. Assets for Creativity ......................................................... 45
Using assets ........................................................................................... 47
Browsing ................................................................................................. 50
Contents
5. Text ......................................................................................... 53
Understanding text frames .............................................................. 55
Baseline grid .......................................................................................... 63
Fitting text to frames .......................................................................... 65
Linking text frames ............................................................................. 67
Using artistic text ................................................................................. 70
Editing text on the page .................................................................... 72
Setting text properties ....................................................................... 74
Using fonts ............................................................................................. 75
Using text styles ................................................................................... 75
Wrapping text ....................................................................................... 78
Creating a bulleted or numbered list ............................................ 80
Inserting user details .......................................................................... 82
6. Tables, Charts, and Calendars ...................................... 85
Creating tables ..................................................................................... 87
Flowing tables ...................................................................................... 88
Using charts ........................................................................................... 91
Inserting a calendar ............................................................................ 96
7. Pictures ................................................................................. 97
Adding picture frames ....................................................................... 99
Adding pictures .................................................................................. 102
Cropping pictures .............................................................................. 105
Using Cutout Studio ......................................................................... 108
PhotoLab filters and retouching tools ........................................ 110
Contents
8. Effects and Styles ............................................................ 113
Applying effects ................................................................................. 115
Using the Shadow Tool .................................................................... 119
Using object styles............................................................................. 121
9. Colour, Fills, and Transparency .................................. 123
Applying solid fills ............................................................................. 125
Replacing colours .............................................................................. 127
Using colour schemes ...................................................................... 128
Gradient and bitmap fills ................................................................. 132
Working with transparency ............................................................ 137
Understanding blend modes ......................................................... 141
10. Publishing and Sharing ................................................ 143
Preflight check .................................................................................... 145
Interactive Print/PDF Preview ........................................................ 147
Printing basics ..................................................................................... 150
Publishing PDF files ........................................................................... 153
Publishing as eBooks ........................................................................ 156
11. Additional Information ................................................. 159
Contacting Serif .................................................................................. 161
Credits .................................................................................................... 162
12. Index .................................................................................... 165
Contents
Welcome
2 Welcome
Welcome 3
Welcome!
Welcome to PagePlus X8, the award-winning Desktop Publishing
(DTP) solution from Serif. PagePlus is the easiest way to get superior
publishing results, whether on your desktop or via professional printing.
It's simple for anyone to create, publish and share their designs as
outstanding printed documents, stunning PDFs, PDF slideshows,
tables/charts, modern eBooks or via web page.
To make life so much easier, PagePlus comes with an impressive
selection of design templates, creative content, and styles for you to use.
As a result, publishing to a professional standard is easily achievable for
experienced and inexperienced users alike! You'll also be able to reuse
existing content by importing PDF documents and word processing
documents. On the flipside, you'll be able to export drawn objects to all
the latest graphic file formats.
PagePlus X8 doesn't stop at superior publishing. Its range of design
studios makes PagePlus stand out from the crowd—Cutout Studio for
cutting pictures out from their backgrounds, LogoStudio for custom
logo design, and PhotoLab for powerful image adjustment and effect
combinations. You simply cannot afford to miss them!
Registration
Don't forget to register your new copy, using the Registration Wizard,
on the Help menu. That way, we can keep you informed of new
developments and future upgrades!
4 Welcome
New features
New features and enhancements introduced in PagePlus X8 give you
more professional-looking publications, more control, more style, more
design power, and new publishing capabilities!
Professional Text Handling
• Text alignment to a Baseline Grid (see p. 63)
Give newsletters, brochures, magazines, programmes, handouts and
other multi-column publications a clean, consistent, professional
finish by neatly aligning text across different columns, frames, and
pages, even when font sizes vary. Baseline Grid is available as a
setting for entire publications or individual frames.
• New text frame layout controls (see p. 60)
Give text in frames a neater look with column rules and fine tune
spacing, or padding. Apply a mirrored layout for facing pages
publications (that have different left and right pages). Uneven
columns and margins can simply switch from one side of the frame
to the other when moving between pages, without you having to
edit text or frame settings.
• Auto-Correct enhancements
Improvements include multi-word auto-correct, which can help
insert phrases when you start a sentence, and automatic detection of
lists, hyperlinks, and email addresses.
Digital Publishing and Design
• Place PDFs
In addition to full PDF editing it’s now also possible to simply place
supplied PDFs into your publications and designs as non-editable
Welcome 5
images, with an even higher level of import accuracy. Crop to trim
boxes, bleed boxes, and more.
• Improved EPUB digital publishing (see p. 156)
Take advantage of the power available to readers, computers, tablets
and other displays by publishing with new EPUB 3 compatibility.
Produce attractive designs with full layout, so publications like
textbooks, comics, info sheets, children’s books and sales sheets look
just as you want when displayed on modern gadgets. Also benefit
from new device-specific blank ePublications, themed templates,
plus other EPUB improvements including publishing profiles,
image size limits, and setting the first page as a cover.
• New and improved filter effects (see p. 115)
Add a new Trail effect, add ripple effects to reflections, apply a cut
off setting for feathering, a directional/gradient feather, and an
outline and contoured line texture for variable-intensity drop
shadows. Also now select from CMYK and scheme colours when
formatting shadows, glows and other effects, ideal for high quality
professional printing, single-colour print runs, or colour-scheming
publications.
• Document intent (see p. 28)
Choose from the outset whether you want your publication to
conform to highly accurate print and PDF standards or to more
closely match eReader and Web browser text rendering, and choose
between CMYK or RGB colour modes. You can still publish in any
format, but choosing the intent and colour space on set up gives you
more accurate design and output.
• Fresh theme layout and Pro templates
New Geo, Level, and Partition theme layouts provide sets of
matching publications that can be adapted for a broad range of
industries, clubs, charities and other end uses. New polished Pro
template packs similarly offer a range of publications, a way to look
highly contemporary and professional. Publications available to
6 Welcome
each theme include letterheads and stationery, marketing materials,
labels, and ePublications.
Advanced Control
• Style your tables and calendars (see p. 87)
Improved table and calendar styles can be applied from an attractive
gallery that pops down from the context toolbar. The Table
AutoFormat designer gets a little makeover too, so it's easier to
create and save your own table and calendar formats. Also access
those custom styles from the new gallery.
• Place objects with greater flexibility
Placement operations have been improved to include Place by
Centre, Place by Diameter and Place by Radius. When placing
multiple pictures (by importing files, scanning multiple photos, or
opening multi-page publications) you can select and place pictures
in the order you choose using a new pop-up window.
• New hyperlink styling options
Hyperlinks are easier to style with publication-wide settings now
incorporated into publication settings, and the ability to override
settings for each hyperlink.
• New fill and transparency controls
Easily edit fills and transparencies within updated, advanced Fill
and Transparency editors, and access these new controls from other
attribute dialogs, e.g. Character and Text Style settings.
Welcome 7
Workspace
• High DPI support
Windows display scaling is supported with automatic selection of
suitably sized, sharp-looking buttons, controls and menus, so for
very high-resolution displays, displays at a distance, or for those
with impaired vision, PagePlus X8 will look better than ever.
• Paragraph tab
Change paragraph settings without having to open a dialog—the
new Paragraph tab adds popular controls to your tabbed workspace
for greater efficiency.
Colours
• Replace colours and manage the publication palette (see p. 127)
Replace regular colours across entire publications in one go, as
easily as when updating colour schemes—ideal for quickly
refreshing imported PDFs that do not use scheme colours. Manage
your palette with new Clean and Update options, keeping it useful
and tidy as designs evolve.
• Colour picking from pictures
Load a picture directly into your Colour tab to grab colours without
having to place on your page, so you can maintain focus on your
design while picking co-ordinated colours.
• Colour tab saturation control
A new slider on the Colour tab adjusts saturation, making it
possible to easily select pastels, greys, and complementary tones.
• New Pantone® colour palettes
Stay fashionable, design with a competitive edge, and print with
confidence by choosing from 84 new, professionally-selected
colours from an updated Pantone® PLUS palette.
8 Welcome
Pictures
• New photo editing tools and effects (see p. 110)
Vibrance, Split Tone, Tilt Shift, and Clarity PhotoLab filters add
fantastic effects to enhance pictures, plus new tools offer selective
editing and photo repair. Now control vignette positioning and
sizing. Blend effects smoothly across an area using gradient masks,
and remove unwanted blemishes, clutter or imperfections with a
clone brush. Edit photos in your favourite program by launching
any installed photo editor from PagePlus X8's context toolbar.
• New scanning power
As manufacturers have been very slow to introduce 64-bit scanning
software, PagePlus has been updated to support 32-bit and any
newer 64-bit drivers, for both WIA and TWAIN driver types. Also
scan and place multiple images in one operation if your scanner
allows, without lifting the lid each time to swap pictures.
Installation
Installing PagePlus follows different procedures depending on whether
you are installing from disc or via download.
You can install your new version alongside previous versions and
use them independently.
32 or 64-bit PagePlus X8 installs to respective 32 or 64-bit
computers.
Welcome 9
Installation procedure (from disc)
• Insert your purchased disc into your disc drive.
• If AutoPlay is enabled on the drive, this automatically starts the
Setup Wizard. Follow the on-screen instructions for install.
-or-
• If AutoPlay is not enabled (or doesn't start the install
automatically), navigate to your program disc and double-click
autorun.exe.
Installation procedure (from download)
• From serif.com, when logged into your Serif account, follow the on-
screen instructions to download.
System Requirements
Minimum:
• Windows-based PC* with DVD drive and mouse
• Operating systems:
Microsoft Windows® XP SP3 (32 bit)
Windows® Vista (32 or 64 bit)
Windows® 7 (32 or 64 bit)
Windows® 8 (32 or 64 bit)
• 512MB RAM (Windows® XP)
1GB RAM (Windows® Vista and 32-bit Windows 7® and 8)
2GB RAM (For 64-bit Windows® 7 and 8)
• 510MB free hard disk space
10 Welcome
• 1024 x 768 monitor resolution (at 100% scaling)
1280 x 960 monitor resolution (at 125% scaling)
1536 x 1152 monitor resolution (at 150% scaling)
2048 x 1536 monitor resolution (at 200% scaling)
* Main processor must support SSE2 instructions.
Additional disk resources and memory are required when editing large
and/or complex publications.
Recommended
As above but:
• Dual-core processor technology
• 1.8GB free hard disk space
Optional:
• Windows-compatible printer
• TWAIN-compatible scanner and/or digital camera
• .NET 2.0 for text import filters (Word 2007/2010 + OpenOffice)
(installed by default)*
• Internet account and connection required for accessing online
resources
* On Windows 8, also requires an extra 1GB of free hard disk space.
Getting Started
12 Getting Started
Getting Started 13
Startup Assistant
Once PagePlus has been installed, you're ready to start.
• For Windows Vista/7: Setup adds a Serif PagePlus X8 item to the
All Programs submenu of the Windows Start menu. Use the
Windows Start button to pop up the Start menu, click on All
Programs and then click Serif PagePlus X8.
• For Windows 8: The Setup routine during install adds a Serif
PagePlus X8 entry to the desktop. Use the Windows Start button to
pop up the desktop, and then click the PagePlus icon.
On program launch, the Startup Assistant is displayed which offers
different routes into PagePlus:
14 Getting Started
The options are described as follows:
•
The default home page keeps you in touch with Serif
promotions and showcases articles (tutorials, etc.) You can also
view the PagePlus Overview and Quick Start video
• Open - to access PagePlus publications, PDF files, or BookPlus files;
also provides recent file history.
• Learn - for online video/written tutorials, help, tips & tricks, and
more—all via a learn feed that can be filtered by article Type. The
Product Help and your PagePlus X8 user guide are also provided.
• New Publication - creates a new publication from scratch, based on
a choice of page setups.
• Templates - creates a new publication based on one of many design
templates.
• News - for cross-product news, company news, articles, and
product announcements, using Serif's news feed.
Any time you access the Startup Assistant, the
Learn or News buttons indicate the number
of new articles to be viewed (if available). This
number will decrease as you read each article
in the Learn or News pane.
When new articles arrive, these will be
indicated the next time you open the Startup
Assistant.
Any new unread article arriving in the Learn
or News pane will display a "new" indicator in
its thumbnail.
Getting Started 15
Once you've clicked on a new article the
"new" indicator changes to a "read" indicator.
Don't forget to use the keyword Search box at
the top-right of the Startup Assistant. This is
an incredibly powerful tool for filtering
specific publication names, Learn articles,
page sizes, theme layout names, or news
articles.
Creating a publication from a design
template
PagePlus comes complete with a whole range of categorized design
templates which will speed you through the creation of all kinds of
publications for desktop or commercial printing!
Each template offers:
• Complementary design—Professionally designed layout with high-
visual impact.
• Schemes—choose a named colour scheme to apply a specific look
and feel.
Design templates come in two types—Theme Layouts, where you pick
your own pictures, or ready-to-go Pro Templates which are already
populated with pictures.
16 Getting Started
Theme layouts
offer a choice
of themes (e.g., Ribbon) on
which to base your
publication (Brochure,
Business Card, Flyer, Forms,
Letterheads, Newsletter,
ePublication, etc.); you'll get
picture placeholders instead
of actual pictures. Simply add
your own pictures to
placeholders and personalize
placeholder text, then
publish.
You can also choose which
page layouts you want to base
your new publication on.
Ready-to-go Pro templates
These are categorized
templates containing royalty-
free photos which can be
adopted to fast-track you to
your completed publication.
You just need to personalize
placeholder text, then
publish.
Getting Started 17
To create a publication from a design template:
1. Open PagePlus, or select Startup Assistant from the File menu.
2. Click Templates.
3. From the pane, select a Theme Layout or a design template from the
Pro Template Packs category. Select from the tree menu in the left-
hand pane.
- or -
Scroll down to choose a publication type from the same list, e.g.
Brochures, Business Cards, ePublications, etc.
4. Navigate the main window's categories and sub-categories using the
and buttons to expand and collapse, then click your chosen
thumbnail.
5. Examine the page sample(s) on the right. For theme layouts with
multiple pages (e.g., brochures), you can choose which pages you
wish to be part of your publication by checking the check box under
each page. For design templates, simply review the pages to be part
of your publication.
Theme Layouts
Pro Design Templates
18 Getting Started
6. Pick a colour scheme from the drop-down list at the top of the
dialog. The page thumbnails refresh to reflect the new page's
appearance.
7. Click OK. The pages are added to your new publication.
Starting a new publication from scratch
Although design templates can simplify your design choices, you can
just as easily start out from scratch with a new, blank publication.
Page sizes are available for a range of publications including business
cards, labels, and posters, with support for folded and ePublication
publication setup.
To start a new publication (via Startup Assistant):
1. Open PagePlus to display the Startup Assistant.
- or -
Select Startup Assistant from the File menu (during your session).
2. Select New Publication.
3. From the main pane, navigate the document categories by scrolling
(click the
icon to collapse categories if needed).
4. Click a thumbnail to create your new blank publication.
To create a publication using the default page type:
• During your PagePlus session, click
New Publication on the
Standard toolbar.
To create a custom publication:
1. From the Startup Assistant's New Publication pane, click Custom
Publication.
Getting Started 19
2. From the Publication Setup dialog, select a publication type, size,
and orientation.
3. Click OK.
Choosing an Intent from File>Publication Setup which will help
PagePlus more accurately represent how your publication will look
when published or printed. Choose between the two Print/PDF and
eBook/Web output types, preferably before you start creating
content. You can also choose a colour mode (RGB or CMYK) that
suits either on-screen viewing or printed output, respectively.
Opening existing publications
You can open a PagePlus publication from the Startup Assistant,
Standard toolbar, or via the File menu.
It is also possible to open PDF files as new publications, or Import PDF
files and existing PagePlus files into currently open publications. (See
PagePlus Help for these import options.)
To open an existing publication (via Startup Assistant):
1. Open PagePlus to display the initial Startup Assistant.
- or -
Select Startup Assistant from the File menu (during your session).
2. Select Open.
3. Several options are possible:
i. For recently opened publications, select a thumbnail from the
main pane.
ii. The publication opens in your workspace.
- or -
20 Getting Started
iii. For other PagePlus publications, PDF files, or BookPlus files,
select from the Browse My Computer pane.
iv. From the dialog, locate and select your file, then click Open.
To open existing publications (without Startup Assistant):
Click
Open on the Standard toolbar.
Object management overview
Action Tool/button/
command name
Toolbar/
Tab/key
Aligning
Align Objects
Align Top
Align Bottom
Align Left
Align Right
Horizontal Centre
Vertical Centre
Arrange toolbar
Align tab
Combining
Convert to>Curves
then Combine Curves
Tools menu then
Arrange menu
Copying
Copy
Standard toolbar
Cropping
Square Crop Tool
Attributes toolbar
Cutting
Cut
Standard toolbar
Getting Started 21
Deleting
Delete Key
Distributing
Space Evenly
Across
Space Evenly
Down
Align tab
Duplicating
- -
Flip
(horizontally
)
Flip horizontal
Arrange menu
Flip
(vertically)
Flip vertical
Arrange menu
Grouping
Group/
Ungroup
Under selected
objects
Joining
Join Outlines
Arrange toolbar
Locking/
Unlocking
-
Arrange menu>
Lock Objects
Arrange menu>
Unlock Objects
Moving
Pointer Tool
Tools toolbar
Ordering
Bring to Front
Send to Back
Forward One
Back One
Arrange toolbar
Pasting
Paste
Standard toolbar
22 Getting Started
Placing
Place Multiple
Context toolbar
Selecting
Pointer Tool
Lasso Tool
Tools toolbar
Replicating
-
Edit menu
Resizing
Pointer Tool
Tools toolbar
Rotating
Pointer Tool
Tools toolbar
Rotate Left
Rotate Right
Arrange toolbar
Updating and saving defaults
Object defaults are the stored property settings PagePlus applies to
newly created objects such as:
• lines and shapes (line and fill colour, shade, pattern, transparency,
etc.)
• frames (margins, columns, etc.)
• text (i.e., font, size, colour, alignment, etc.). Defaults are saved
separately for artistic, shape, frame and table text.
You can easily change the defaults for any type of object via the Update
Object Default command or the Text Style Palette dialog.
Default settings are always local—that is, any changed defaults apply to
the current publication and are automatically saved with it, so they're in
Getting Started 23
effect next time you open that publication. However, at any time you can
use the Save Defaults command to record the current defaults as global
settings that will be in effect for any new publication you subsequently
create.
To set local defaults for a particular type of object:
1. Create a single sample object and fine-tune its properties as
desired—or use an existing object that already has the right
properties. (For graphics, you can use a line, shape, or rectangle; all
share the same set of defaults.)
2. Select the object that's the basis for the new defaults and from the
Format menu, select Update Object Default.
Or, for line and fill colours, including line styles:
1. With no object selected, choose the required line and/or fill colours
from the Colour or Swatches tab. Use the Line tab to set a default
line weight, style, and corner shape.
2. Draw your object on the page, which will automatically adopt the
newly defined default colours and styles.
To view and change default text properties:
1. From the Format menu, select Text Style Palette.
2. Double-click Default Text, then from the expanded list of text
types, choose an option (e.g., Artistic Text).
3. Click Modify to view current settings for the selected text type.
4. Use the Text Style dialog to alter character, paragraph, or other
properties.
To save all current defaults as global settings:
1. From the Tools menu, select Save Default Settings.
2. From the dialog, check options to update specific defaults globally:
24 Getting Started
• Document and object defaults - saves current document settings
(page size, orientation) and object settings (context toolbar
settings).
• Text styles - saves current text styles in the Text Style Palette.
• Object styles - saves user-defined styles from Styles tab.
Click Save to confirm that you want new publications to use the checked
object's defaults globally.
Saving your publication
To save your work:
1. Click
Save on the Standard toolbar.
2. To save under a different name, choose Save As from the File
menu.
Unsaved publications have an asterisk after their name in the
PagePlus title bar, Publications toolbar, and Window menu.
Pages
26 Pages
Pages 27
Setting up a publication
A publication's page size, orientation and intent settings are
fundamental to your layout, and are defined when the new publication is
first created, either using a design template or as a new publication.
Properly setting up your publication size and intent at the outset reduces
the chance of encountering problems when publishing and printing.
To adjust size/orientation of the current publication:
1. Select
Publication Setup from the Pages context toolbar.
2. Ensure the Paper menu option is selected. The other option,
Margins, lets you define non-printable Margin, Row, Column, and
Bleed Guides as design aids.
3. For a Regular/Booklet Publication, you can select a pre-defined
paper size, printer-derived paper size, or enter custom values for
page Width and Height, as well as setting the orientation (Portrait
or Landscape). For booklets only, select a type from the Booklet
drop-down list, which page to start on (left/right), and if you
require Facing pages (including Dual master pages). PagePlus
automatically performs imposition.
4. For other publication types, you can select: Small Publications (for
example, business cards, labels, etc.), Large Publications (banners
or posters), or Folded Publications (cards).
• For Small publications, enable Paper and choose a pre-defined
option from the list, or for creating Labels, enable the radio
button and pick an Avery label code which matches your labels.
• For Large and Folded publications, choose a pre-defined option
from the list (use the preview).
5. Click OK to accept the new dimensions. The updated settings will
be applied to the current publication.
28 Pages
Once you've set up your publication, you can optionally include
repeated page elements on every page by creating master pages (p. 33).
Intent
Setting the intent for your publication determines how text is composed
and rendered, so should be decided at the start of your project.
Changing intent after you've finished designing can alter the appearance
of your publication and can affect text flow. You may need to adjust text
frame sizes and layouts.
1. In the Publication Setup dialog, click the Intent menu option.
2. Set the Destination to 'Print / PDF' or 'eBook / Web'.
PagePlus composes text for Print/PDF output by default, so you
should change it if publishing digitally as an eBook/web page, or
designing for dual-purpose print and digital publishing.
3. Set the Primary Colour Mode to RGB or CMYK.
This controls whether the publication uses a colour system that is
most suitable for viewing on-screen (RGB) or for printing (CMYK)
based on professional print inks.
If a preflight warning indicates an incorrect document intent, the
offered 'fix' will automatically change the intent in this dialog to
match the output to be published to.
If producing work professionally you may want to enable colour
management. The publication's primary colour mode is also set in
the Colour Management dialog.
Pages 29
Uniform and mixed page orientations
If you've changed your mind about the page orientation chosen at page
setup, you can change the page orientation uniformly across your
publication at any time.
To change all publication pages from portrait to landscape (or
vice versa):
• On the Pages context toolbar, click the down arrow on the
Publication Orientation button, then select Landscape
Publication (or Portrait Publication) from the flyout.
To change a page from portrait to landscape (or vice versa):
1. On the Pages tab, double-click to select a page.
2. Click
Change page orientation to swap between portrait and
landscape orientation.
30 Pages
- or -
From the Pages context toolbar, click the down arrow on the
Page orientation button, then select Landscape Page (or Portrait
Page) from the flyout.
You can repeat the procedure for any other selected page.
Hyperlink colours
Hyperlink colours, on-page colour, background colour, and your
background image can be set globally. Choose whether pages have
individual background properties or whether they adopt publication
settings. (See Setting page properties in PagePlus Help.)
By default, publications based on a template or those created from
scratch use schemed colours for their hyperlink and on-page colours.
These colours belong to the publication's current colour scheme but you
can swap to a different scheme or change the individual colours at any
time. See Using colour schemes on p. 128.
To set hyperlink, on-page and background colours:
1. Choose Colours from the Publication Setup dialog.
2. Click the down arrow for the hyperlink, on-page, or background
colour you want to change.
3. Select a different colour from the flyout, which shows numbered
scheme colours and other colours. Select More Colour to optionally
pick from a Colour Selector dialog.
4. Click OK.
To remove underline style from hyperlink text:
1. From the Publication Setup dialog, choose the Colours menu
option.
Pages 31
2. Uncheck Underlined adjacent to the relevant hyperlink colour.
To set a background image:
1. Choose Colours from the Publication Setup dialog and click
Background Image.
2. In the Background dialog, check Use Background Image and pick
an image:
3. Click OK.
Background colours or images are not applied to pages on creation.
To apply these publication settings, right-click the page, select Page
Properties and check Use publication settings. (See Setting page
properties in PagePlus Help.)
Uncheck Use Background Image to disable the image background
after use (but retaining the original image settings).
If you use an image background with transparent regions, the
Background colour is still active and will show through; otherwise
the picture will cover the background colour.
Adding, removing, and rearranging
pages
Use the
Pages tab
to add/delete standard or master pages, assign
master pages to standard pages, and rearrange standard pages using
drag-and-drop. You can also change page orientations.
To add a single page:
1. On the Pages tab, click once to select a page in the Pages window.
The thumbnail that's shown as "selected" is independent of the page
32 Pages
you're currently working on. To work on a particular page, double-
click its thumbnail.
2. Click
Add to add a page (or master page) before the one
selected in the window.
- or -
To add a new page at the end of the publication, deselect all pages by
clicking in the neutral region of the lower window, then click the
Add button.
To add master pages:
For master pages, the above procedure applies but you need to click
Master Pages to open its window first.
To delete a single page/master page:
1. On the Pages tab, select the page (or master page) to delete on the
appropriate window by clicking its thumbnail.
2. Click
Remove.
To rearrange pages:
• On the Pages tab, in the lower Pages window, drag a page
thumbnail over another page thumbnail in the page sequence. The
page is added after the hovered over page thumbnail.
Adding more template pages
Use the Assets tab's Asset Browser if you're looking to use some
additional template pages in your publication. See Browsing on p. 50.
You can drag-and-drop a page to replace (or add before/after) your
current page.
Pages 33
Understanding master pages
Master pages provide a flexible way to store background elements that
you'd like to appear on more than one page—for example a logo,
background, header/footer, or border design.
(A) Page, (B) Master Page
The key concept here is that a particular master page is typically shared
by multiple pages, as illustrated below. By placing a design element on a
master page and then assigning several pages to use that master page,
you ensure that all the pages incorporate that element. Of course, each
individual page can have its own "foreground" elements.
34 Pages
Master pages are available in every publication, but in a simple
publication you may not need to use any master pages—or you may
need only one master page. Facing pages and multiple master pages
prove valuable with longer, more complex publications.
If you're starting with a design template you may encounter one or
more master pages incorporated with the design.
Using the Pages tab or Page Manager, you can quickly add or delete
master pages; for example, you could set up different master pages for
"title" or "chapter divider" pages.
Assigning master pages
If you're only using one master page it is assigned to any newly created
page by default. However, if you're using multiple master pages you can
assign a different master page to a standard page, all, odd or even pages.
It's even possible to assign multiple master pages per page.
You'll need to create an additional master page first. See Adding,
removing, and rearranging pages on p. 31.
Each new page or master page consists of a single layer; a page with
a master page also shows the master page's Master Layer.
Pages 35
To assign a master page:
• From the expanded Master
Pages window in the Pages tab,
drag a master page onto a target
standard page in the lower
window.
Click Page Identifiers to
indicate the master pages
used on the currently
selected page(s). The master
page is represented as a letter
on the Page, e.g. A, B, C, etc.
Assigning multiple master pages
Just like a regular page, the master page can have its own set of layers
associated with it, completely unique from the regular page! For a single
master page assigned to a page, on the Layers tab, you'll see a master
layer (e.g., 'Master Layer 1 [A]') as a separate entry. However, you can
assign additional master pages to your page for more powerful page
design.
36 Pages
In the example above, a newly assigned master page B would add a new
master layer ('Master Layer 2 [B]') to the publication page's Layers tab.
For an introduction to the concept of layers, see Working with layers on
p. 42.
An additional master page needs to be created first. See Adding,
removing, and rearranging pages on p. 31.
To assign multiple master pages to a page:
• On the Pages tab, Ctrl-drag a master page thumbnail from the
Master Page window onto the chosen page's thumbnail in the Pages
window.
To jump to a master page from the selected publication page:
• Double-click on a Master Layer entry in the Layers tab.
The master page assigned to the master layer is displayed.
Facing pages and dual master pages
If you're using multi-page regular/booklet publications, you can assign
different master pages to the left and right publication pages (also called
Pages 37
spreads) if necessary—master pages are assigned per page and not per
spread. For example (see below), a left-hand "body text" page might use
the left-side component of one master page (A), while a right-hand page
could use the right side of a different master page (B).
Editing master page objects
If you're editing pages which use master pages, master page objects will
contribute to your page design. These objects can be edited quickly and
easily from the page by using a control bar under the selected object.
• Click
Edit on Master Page to jump to the master page and
edit the object there.
38 Pages
• Click Promote from Master Page to disconnect the object
from the master page and make it independently editable on the
publication page.
Using page numbering
Page number fields automatically display the current page number.
Typically, these fields are added automatically to the master page (so
they appear on every page) with the Header and Footers Wizard (Insert
menu), but you can insert a page number field anywhere in your master
page text.
You can change the style of page numbers, create mixed page number
formats, set starting page number(s), and control number continuation
across chapters and publication sections (all via Page Number Format
on the Format menu).
To insert a page number field:
1. Switch to the master page (if desired) by clicking
View Master
Pages on the Hintline.
2. With the Artistic Text Tool selected (Tools toolbar), click for an
insertion point to place the page number.
3. On the Insert menu, select Page Number from the Information
flyout.
You can also specify the First Page Number in the sequence (this will
appear on the first page of the publication). For example, Chapter Two
of a long publication might be in a separate file and begin numbering
with page 33.
Pages 39
To set the first page number:
1. Uncheck Continue from previous chapter. PagePlus keeps this
checked by default so that number continuation is maintained if
your publication is to be part of a book.
2. Enter a different First Page Number.
For simple publications, it's likely that the same page format is used (e.g.,
Arabic numerals throughout). However, for more complex publications,
different formats can be used for different page ranges, with each page
range belonging to its own publication section. See PagePlus Help.
Navigating pages
To switch between pages:
• On the Pages tab, double-click the page's thumbnail for the page (or
master page) you want to view.
To switch between current page and its master page:
• From the Hintline, click
Master Pages.
40 Pages
Viewing pages
Most of the PagePlus display is taken up by a page or "artwork" area and
a surrounding "pasteboard" area.
In PagePlus, the Page area (A) is where you add and position your text,
shapes, and pictures that you want to print. The Pasteboard area (B) is
where you generally keep any text, shapes, or pictures that are being
prepared or waiting to be positioned on the page area.
To move or copy an object between pages via the Pasteboard:
1. Drag the object from the source page onto the pasteboard (hold
down the Ctrl key to copy).
2. Use the page navigation buttons on the Hintline to jump to a target
page.
3. Drag (or Ctrl-drag to copy) the object from the pasteboard onto the
target page.
In Multi-page view, you can simply drag the copy from one page to
another.
Pages 41
PagePlus makes it easy to see exactly what you're working on—from a
wide view of multiple pages to a close-up view of a small region. For
example, you can use the scroll bars at the right and bottom of the main
window to move the page and pasteboard with respect to the main
window. If you're using a wheel mouse, you can scroll vertically by
rotating the wheel, or horizontally by Shift-scrolling.
Magnifying pages
For magnification options, the Hintline toolbar provides the:
Zoom to Current option to zoom to a selected object, or to the
page width if no objects are selected.
Zoom Tool to zoom into an area defined by a drawn marquee
selection.
Pan Tool for moving around the zoomed-in page area by
dragging.
Current Zoom option to display or change the level of
magnification. To change, click to select from a flyout or enter a
custom percentage value directly.
Zoom Out and Zoom In tools so you can inspect and/or
edit the page at different levels of detail. Alternatively, use the Zoom
slider to alter the zoom level instead these buttons.
The Hintline toolbar's
View Options drop-down list also offers
multi-page display/fitting options.
42 Pages
Working with layers
When you create a new publication from scratch or from some design
templates, the page(s) you create will initially consist of two layers—one
for the page (Layer 1) and one for the associated master page (see p. 33).
The layers can be seen within a hierarchical stack on the Layers tab.
One layer may be enough to accommodate the elements of a particular
layout, but you can create additional layers as needed for the page.
However, multiple layers are useful when you're working on a complex
design where it makes sense to separate one cluster of objects from
another. You can work on one layer at a time without worrying about
affecting elements on a different layer.
A useful feature of the Layers tab is that you can see objects under the
layer on which they were created. By expanding the layer by clicking
,
these objects are displayed—with a click, they can be selected on the
page.
Master Layer, Layer 1 and Layer
2 from bottom to top.
Cumulative layers as seen on
the page.
In order to create new objects on a particular layer, you'll need to select
the layer.
Pages 43
To select a particular layer:
• Click a layer name. The layer entry then possesses a dark blue
background.
To display master page layers:
• Double-click the master layer entry. The Layers tab now shows the
master page's layers. The master page is now shown in the
workspace.
For more information about master pages and assigning them to pages,
see Understanding master pages on p. 33.
Adding, removing, and rearranging layers
Once you've created a page, it's easy to add, delete, or move layers as
needed. Moving a layer by dragging will place its objects in the front or
back of those on other layers.
To add a new layer to the current page or master page:
1. In the Layers tab, click
Add Layer.
2. You'll be prompted to give the new layer a name and set its
properties. When you've made your selections, click OK.
The new layer is inserted above the currently selected layer. If a layer is
not selected, the new layer is placed at the top of the stack.
To delete a layer:
• In the Layers tab, select the layer's name and click
Delete
Selected Layers.
You can also move layers with associated objects. (See PagePlus Help for
more details.)
44 Pages
Layer names and properties
The Layers tab lets you rename layers and set a variety of properties for
one or more layers.
To rename the layer:
1. In the Layers tab, select the layer first, then click on its name.
2. At the insertion point, type a new name then either press the Return
key or click away from the tab.
To set layer properties:
• Display the Layers tab.
Select desired settings for the selected layer.
• Click the
Make Invisible icon to hide the layer and any
objects on it; click again to reveal the layer.
• Click the
Make Non-printable icon to exclude the layer in
page printouts; click again to include it.
• Click the
Make Locked icon to prevent objects on the layer
from being selected/edited; click again to allow editing.
You cannot select objects on a layer that is locked or not visible.
Double-click a layer or click Layer Properties to change selection
handle colour and extend settings to layers with the same name. See
Layers tab in PagePlus Help.
Assets for
Creativity
46 Assets for Creativity
Assets for Creativity 47
Using assets
An asset is a general term for any object or page element that can be
added to your page to enhance its appearance, increase efficiency, or
personalize your design. Assets range from graphics, logos, pictures,
picture frames, and backgrounds (as shown below), to more complex
page content and entire pages.
To use assets, PagePlus provides the Assets tab, powered by both an
Asset Browser (p. 50) and Asset Manager. The former browses your
assets, the latter lets you create and manage custom Asset Packs.
Theme Layout design templates come complete with their own
built-in assets, all themed to the publication's design. When you
start from a theme layout the Assets tab will be populated with
associated assets automatically!
48 Assets for Creativity
Using the Assets tab
The Assets tab is a powerful design
resource that exclusively hosts
your browsed assets, ready for
adding to your publication page.
Assets can be placed into the
following categories.
• My Designs: Stores custom
assets dragged from the page.
• Graphics: Stores professional
clipart from Asset Packs.
• Pictures: Stores added
pictures from your hard disk
(or from Asset Pack, if
containing pictures).
• Picture Frames: Stores
picture frames from Asset
Packs.
• Page Content: Stores page
content (pre-assembled from
various page objects) from
Asset Packs.
• Backgrounds: Stores
backgrounds from Asset
Packs.
• Pages: Stores complete ready-
to-go pages from Asset Packs.
Assets for Creativity 49
The tab also lets you create custom designs for reuse globally or just in
your publication. You'll be able to:
• Store your own designs to the tab's My Designs category for global
use.
• Store your own designs to any other tab's category for current
publication use.
• Create custom picture frames from drawn shapes.
• Create custom page backgrounds from pictures or filled page
objects.
• Create custom page content (combinations of assets).
Although initially empty, the tab can be populated with assets of your
choice by using an Asset Browser.
The Asset Browser
The Asset Browser lets you browse by asset category and Asset Pack
(Pack Files), as well as search (by tag) for assets. Once displayed, the
asset can be selected for inclusion in the Assets tab. See Browsing (p. 50)
for more information.
The Asset Manager
Use the Asset Manager to create your own Asset Packs by using assets
from other Asset Packs and/or by importing pictures, graphics, or
backgrounds. You can tag assets and then save or export your custom
asset pack. See Creating custom Asset Packs in PagePlus Help.
50 Assets for Creativity
Browsing
The Asset Browser offers a whole range of professional ready-to-go
designs that you can use directly in your publication. These designs are
provided in categorized Asset Packs installed with PagePlus. You can
browse these packs and preview their contents, before adding assets to
your workspace.
There are two ways to browse assets—by category or by Asset Pack. You
can also use the search controls at the top-right of the dialog to narrow
your search, or to find a specific asset.
To browse assets (by category):
1. From the Assets tab, click
Browse.
2. In the Asset Browser, select an asset category from the Categories
section. You'll see installed Asset Packs appear in the main pane,
stored under their Pack file names, e.g. Arctic.
3. Scroll through the asset packs to browse assets included in each
pack.
To browse assets (by Asset Pack):
1. In the Asset Browser, on the left-hand side of the dialog, select an
asset pack name from the Pack Files section, e.g., Backgrounds. The
Asset Pack will appear in the main pane.
2. The assets are categorized further in the main pane by the name of
the Asset Pack to which they belong, e.g., Fun. Scroll through to
browse the assets included in each Asset Pack. To make browsing
easier, you can expand and collapse the Asset Packs to hide or reveal
the assets.
3. (Optional) To narrow your search, filter assets by entering an asset
name in the Search box at the top-right of the main pane.
Assets for Creativity 51
Searching for assets
The search facility filters assets based on preset and custom tags applied
to all of the Asset Packs shown in the Asset Browser.
To apply a search filter:
• For a simple tag search, type the word or letter you want to search
for in the Search text box, situated at the top right of the dialog.
This is useful for retrieving assets with custom tags attached.
Filtering assets
Filtering means that you can restrict the amount of assets on display.
• For category and/or pack file filtering, select a category or pack
file (or multiple instances using Ctrl-click). You can also search for
category and pack file combinations. For example, selecting the
Picture Frames category and then a Theme Layout gives you just
picture frames from that theme layout.
• For Smart tag filtering, select a tag name from the Smart Tags
section. Smart tags let you filter assets logically by subject matter
using a hierarchical and alphabetic tag structure. For example, if
you select the 'Food & Drink' tag you'll see all assets tagged with that
tag; if you want food-only assets, you could select 'Food', nested
under that Food & Drink tag.
• For single-tag filtering, select a tag name from the Tags section of
the Asset Browser. (You may need to scroll down the left-hand pane
to view). Use Ctrl-click to manually select multiple tags.
52 Assets for Creativity
Adding assets to your Assets tab
To add a specific asset:
• Select the category or pack file in the Asset Browser, and then
simply click the asset. A check mark shows on the thumbnail.
To add all assets:
• Click Add All
from the upper-right corner of each Asset Pack's
thumbnail gallery. Check marks will show on all thumbnails.
With either method, asset(s) will be available to you from the Assets tab
when you close the Asset Browser.
Any asset stored in your Assets tab (but not added to the page) will
be available to you the next time you open your publication. Assets
can be made globally available by using the pins ( and ) in
the relevant tab category. Custom designs can also be made global
by dragging page objects to the tab's My Designs category.
Adding assets to your page
To add an asset to the page:
• Click an asset's thumbnail in your chosen category and drag it onto
the page.
Text
54 Text
Text 55
Understanding text frames
Typically, text in PagePlus goes into text frames, which work equally
well as containers for single words, standalone paragraphs, multipage
articles, or chapter text.
You can also use artistic text (see p. 70) for standalone text with
special effects, or table text (on p. 87) for row-and-column displays.
What's a text frame?
A text frame is a container (like a mini-page) in which the main text for
your publication is stored; in PagePlus, the text in the frame is actually
called a story.
The text frame can be sized and positioned in advance of, or after,
adding body text. When you move a text frame, its story text moves
with it. When you resize a text frame, its story text reflows to the new
dimensions.
Perhaps the most important feature of text frames is the ability to flow
text between linked text frames on the same or different pages. See
Fitting text to frames on p. 65.
For now we'll look at a text frame as an object and the frame text
contained within a single frame.
56 Text
Frame linking
Frames can be linked so that a single story continues from one frame to
another. But text frames can just as easily stand alone. Thus in any
publication, you can create text in a single frame, spread a story over
several frames, and/or include completely independent frames. By
placing text frames anywhere, in any order, you can build up newspaper
or newsletter style publications with a story flowing:
• between linked frames on the same page.
• between linked frames on different pages.
Text 57
• from one column to another in the same frame.
Creating text frames
You add text frames and position them on the page as you would any
other object, in advance of adding text content.
To create a frame:
1. Select
Standard Text Frame on the Tools toolbar.
2. Click on the page or pasteboard to create a new frame at a default
size.
- or -
Drag out to place the text frame at your chosen dimensions.
To delete a frame:
• Select the frame—click its edge until a solid border appears—and
then press the Delete key.
58 Text
You can select, move, and resize text frames just like other objects (see
PagePlus Help for details). When you select a frame's bounding box,
indicated by a solid border, you can manage the frame properties;
selecting inside a frame creates a blinking insertion point in the frame's
text (the frame's boundary box becomes hatched to indicate editing
mode). In this mode, you can edit the text. (For details, see Editing text
on the page on p. 72.)
Putting text into a frame
You can put text into a frame using one of the following methods:
WritePlus
story editor:
With a selected frame, click Edit story in
WritePlus on the Frame context toolbar.
Importing
text:
Select the frame, then select Text File from the
Insert menu.
Typing into
the frame:
Select the Pointer Tool, then click for an insertion
point to type text straight into a frame, or edit
existing text. (See
Editing text on the page on
p. 72.)
Pasting via the
Clipboard:
At an insertion point in the text, press Ctrl+V.
Drag and
drop:
Select text (e.g. in a word processor file), then drag
it onto the PagePlus page.
Text 59
Adding pictures into a text frame
Pictures can be placed inline at any point in your story in a text frame,
with PagePlus prompting you to resize the picture to fit with the text
frames dimensions if it is too large.
If you add further story text before the picture, the inline picture will
move with the surrounding text.
To add a picture to a text frame:
1. Add an empty paragraph to your text frame at the point you want to
add your picture, i.e. press Return at the end of an existing
paragraph.
2. From the
Picture flyout on the Tools toolbar, click
Import Picture.
3. Navigate to your picture, select it and click Open.
4. If the picture dimensions exceed those of the text frame, click Yes
in the displayed dialog to scale down the picture.
60 Text
Frame properties and layout
The frame layout controls how text will flow in the frame. The frame
can contain multiple columns. When a frame is selected, its column
margins appear as dashed grey guide lines if set in Frame Properties.
Note that unlike the page margin and row/column guides, which serve
as layout guides for placing page elements, the frame column guides
actually determine how text flows within each frame. Text won't flow
outside the column margins.
You can drag the column guides or use a dialog to adjust the top and
bottom column blinds and the left and right column margins.
(A) Column margins, (B) Column blinds.
To edit frame properties directly:
• Select the frame object, then drag column guide lines to adjust the
boundaries of the column.
Text 61
(1) (2) (3)
The frame edge is clicked to show a selected bounding box (1), after
dragging inwards the column margin can be adjusted (2), and after
dragging downwards, the top margin blind can be moved (3).
To edit frame properties using a dialog:
1. Select the frame and click
Text Frame Properties on the Frame
context toolbar.
2. From the dialog, use the three menu options to set up your frame.
• General: precisely define frame padding and column margins
(Left and Right), and enable/disable text wrapping around an
object.
• Columns: set the Number of columns, and, for each column
set the column Width, Column Blinds (Top, Bottom), Gutter
distance between columns, and if you want to apply column
Rules between columns. To change any value, click a column
cell in the table and enter a new value.
• Baseline grid: enable a Baseline grid for your frame text. (See
Baseline grid.)
3. Click OK.
62 Text
To apply the same values across all columns in the dialog, hover
over a column header, then select 'Make Values Equal', 'Set Values to
Lowest', or 'Set Values to Highest' using the drop-down menu.
If you're using facing pages, PagePlus's Frame Setup lets you 'mirror' text
frames appearing on left and right pages of a page spread with respect to
frame settings (margins, columns etc.). Separate or linked text frames
can be mirrored across the spread equally.
To mirror text frames:
1. In the Frame Properties dialog, check Mirror settings for left and
right pages.
2. Copy and paste the text frame to the opposite page of the page
spread. The new text frame will be a mirror of the original text
frame.
Column rules can be created to help visually separate text in different
columns. This is especially useful for multi-column text frames which
contain large amounts of text. You can only add a column rule if you
have set up two columns or more in your text frame.
Text 63
Baseline grid
Clean and consistent typography is very important in design. PagePlus
X8's baseline grid eases the process, using a global document alignment
grid or grids for individual text frames. The grid is strictly for text
alignment and is non-printing, so you only see it while designing.
When to use a Baseline Grid
The baseline grid layout option should be enabled when you want the
neatest text layout, especially when composing using multi-column text
frames or multiple frames per page. The baseline grid is a finishing
process during text composition, applied after character size, line
spacing and paragraph spacing considerations.
Applying a baseline grid setting to individual text frames overrides a
publication's baseline grid, but for consistency it's recommended that
you use a publication baseline grid.
Adding baseline grids
To add a baseline grid:
1. From the Pages context toolbar, select
Options.
2. In the left of the window, select the Baseline Grid option in the
Layout section.
3. Check the Baseline Grid setting and adjust start point, spacing, and
display options if required.
Text will not align to a baseline grid unless its paragraph properties have
the Align to Baseline Grid setting enabled; this is enabled by default on
new frame text. This is only available to text frames and paragraphs
within text frames, it cannot be applied to artistic text.
64 Text
Adding a baseline grid to an individual text frame
Any text frame can have its own baseline grid that is independent of a
publication-wide grid. While for neatest layouts a publication-wide grid
is recommended, applying a grid to an individual text frame gives you
more control.
To apply a baseline grid to an individual text frame:
1. Select a text frame you want to apply the baseline grid to.
2. From the Frame context toolbar, select
Frame Properties.
3. Select Baseline Grid in the left of the window.
4. Check the Baseline Grid setting and adjust start point, spacing, and
the display option as required.
5. Click OK.
If you can't see your baseline grid immediately, check your
magnification level (by default the grid will not show below a zoom
level of 70%), that View>Grids and Guides>Baseline Grid is
checked, and that Clean Design is switched off.
Snapping to baseline grid
Once your baseline grid is added and text neatly aligns to the grid, it's
also possible to have other objects (shapes, pictures, etc.) make use of the
baseline grid for perfect alignment with text frames.
To snap to a baseline grid:
• From the View menu, select Grids and Guides>Snap to Baseline
Grid.
Text 65
Fitting text to frames
Fitting story text precisely into a sequence of frames is part of the art of
laying out publications.
If there's too much story text to fit in a frame sequence, PagePlus stores
it in an invisible overflow area and the Link button on the last frame of
the sequence displays
; an AutoFlow button appears next to the
Link button. You might edit the story down or make more room for it
by adding an extra frame or two to the sequence. Clicking the AutoFlow
button adds additional frames and pages as needed (see below).
Once frames are in position it's still possible to control how text is
distributed throughout the frame(s) via the Frame context toolbar.
The
Text Sizing
flyout offers tools for controlling how frame text
scales through the text frame. These are "one-off" operations
(compared to the Autofit options shown below).
Fit Text
Click to scale the story's text size so it fits exactly into the
available frame(s); further text added to the frame will cause text
overflow. You can use this early on, to gauge how the story fits,
or near the end, to apply the finishing touch. Fit Text first
applies small point size changes, then small leading changes,
then adjustments to the paragraph space below value, until the
text fits.
Enlarge Text
Click to increase the story's text size one increment (approx.
2%).
Shrink Text
Click to reduce the story's text size one increment (approx. 2%).
66 Text
Each frame's story text can adopt its own individual autofit setting:
The AutoFit Options flyout offers three autofit options which
continuously act upon a selected frame's story text.
No AutoFit
This is the normal mode of operation where, if selected, text
won't automatically scale throughout the selected text frame,
possibly leaving partly empty frames at the end of the frame
sequence.
Shrink Text on Overflow
If selected, extra text added to a selected frame will shrink all
frame text to avoid text overflow.
AutoFit
If selected, the frame will always scale text automatically by
adjusting text size (compare to Fit Text which fits text once,
with any additional text causing text overflow).
AutoFlow
When importing text, it's a good idea to take advantage of the AutoFlow
feature, which will automatically create text frames and pages until all
the text has been imported. This way, enough frames are created to
display the whole story. Then you can gauge just how much adjustment
will be needed to fit the story to the available "real estate" in your
publication.
If you add more text to a story while editing, or have reduced the size of
a frame, you may find that an overflow condition crops up. In this case
Text 67
you can decide whether to use AutoFit or click the frame's AutoFlow
button.
To AutoFlow story text on the page:
• Click the
AutoFlow button just to the left of the frame's
Link button.
If no other empty frames are detected, you'll be prompted to autoflow
text into a new frame(s) the same size as the original or to new frame(s)
sized to the page. If an empty frame exists anywhere in your publication,
PagePlus will detect the first empty frame and prompt to flow text into
this. At the dialogs, Click Yes to flow into frame or click No to let
PagePlus detect and jump to the next empty frame.
Linking text frames
When a text frame is selected, the frame includes a Link button at the
bottom right which denotes the state of the frame and its story text. It
also allows you to control how the frame's story flows to following
frames:
No Overflow
The frame is not linked to a following frame (it's
either a standalone frame or the last frame in a
sequence) and the frame is empty or the end of the
story text is visible.
68 Text
Overflow
The populated frame is not linked (either
standalone or last frame) and there is additional
story text in the hidden overflow area.
An
Autoflow
button also appears to the left of
the Link button.
Continued
The frame is linked to a following frame. The end
of the story text may be visible, or it may flow into
the following frame.
The button icon will be red if the final frame
of the sequence is overflowing, or green if
there's no overflow.
There are two basic ways to set up a linked sequence of frames:
• You can link a sequence of empty frames, then import the text.
• You can import the text into a single frame, then create and link
additional frames into which the text automatically flows.
When frames are created by the AutoFlow option (for example
when importing text), they are automatically linked in sequence.
To create a link or reorder the links between existing frames, you can use
the Link button under the frame. Remember to watch the cursor, which
changes to indicate these operations.
• You can link to frames already containing text or are already in a
link sequence.
• If the frame was not part of a link sequence, its text is merged into
the selected text's story.
Text 69
To link the selected frame to an existing frame:
1. Click the frame's Link button (showing
or .)
2. Click with the Textflow cursor on the frame to be linked to.
To link the selected frame to a newly drawn frame:
• As above, but instead of clicking a "target" frame, either click on the
page (for a default frame) or drag across the page (to create a frame
sized to your requirements). The latter is ideal for quickly mapping
out linked frames across different pages.
To unlink the selected frame from the sequence:
• Click on
Continued, then click with the Textflow cursor on the
same frame.
Story text remains with the "old" frames. For example, if you detach the
second frame of a three-frame sequence, the story text remains in the
first and third frames, which are now linked into a two-frame story. The
detached frame is always empty.
70 Text
Using artistic text
Artistic text is standalone text you type directly onto a page. Especially
useful for headlines, pull quotes, and other special-purpose text, it's
easily formatted with the standard text tools.
To create artistic text:
1. Choose the
Artistic Text Tool from the Tools toolbar.
2. Click on the page to make an insertion point from where you'll
begin typing.
3. Set initial text properties (style, font, point size, etc.) using the Text
context toolbar.
4. Start typing to create the artistic text using your chosen text
properties.
Once you've created an artistic text object, you can select, move, resize,
delete, and copy it just as you would with a text frame. Solid colours,
gradient/bitmap fills, and transparency can all be applied.
To resize or reproportion an artistic text object:
• To resize while maintaining the object's proportions, drag the resize
handles.
Text 71
• To resize freely, hold down the Shift key while dragging.
To edit artistic text:
• Drag to select a range of text, creating a blue selection.
You can also double-click to select a word, or triple-click to select all
text.
Now you can type new text, apply character and paragraph formatting,
edit the text in WritePlus, apply proofing options, and so on.
72 Text
Editing text on the page
You can use the Pointer Tool to edit frame text, table text, or artistic text
directly. On the page, you can select and enter text, set paragraph
indents and tab stops, change text properties, apply text styles, and use
Find and Replace.
Selecting and entering text
The selection of frame text, artistic text, and table text follows the
conventions of the most up-to-date word-processing tools. The selection
area is shaded in semi-transparent blue for clear editing.
Double-, triple- or quadruple-click selects a word, paragraph or all text,
respectively. You can also make use of the Ctrl-click or drag for
selection of non-adjacent words, the Shift key for ranges of text.
To edit text on the page:
1. Select the Pointer Tool, then click (or drag) in the text object. A
standard insertion point appears at the click position (see below),
- or -
Select a single word, paragraph or portion of text.
Text 73
2. Type to insert new text or overwrite selected text, respectively.
To start a new paragraph:
• Press the Return key.
To start a new line within the same paragraph (using a line break
or soft return):
• Press Shift+Return.
To flow text to the next column (Column Break), frame (Frame
Break) or page (Page Break):
• Press Ctrl+Return, Alt+Return or Ctrl+Shift+Return, respectively.
The first two options apply only to frame text. You can use these
shortcuts or choose the items from the Insert>Break submenu.
To switch between insert mode and overwrite mode:
• Press the Insert key.
Checking your text
To ensure your artistic and frame text is error-free and the best copy
possible, use the Spell Checker, Proof Reader, and Thesaurus options
on the Tools menu.
For paragraph indents and tab stops, see PagePlus Help or consider
applying indents and tab stops as body text styles (p. 75).
74 Text
Setting text properties
PagePlus gives you a high degree of typographic control over characters
and paragraphs, whether you're working with frame text, table text, or
artistic text.
To apply basic text formatting:
1. Select the text.
2. Use buttons on the Text context toolbar to change text style, font,
point size, attributes, paragraph alignment, bullets/numbering, or
level.
To apply paragraph formatting:
• From the Paragraph tab, select options to control paragraph-level
alignment, indent, line spacing, auto-hyphenation, and alignment to
baseline grid.
Text 75
To clear local formatting (restore plain/default text properties):
1. Select a range of text with local formatting.
2. Click on the Clear Formatting option on the Text context toolbar's
text styles drop-down list (or Text Styles tab).
Using fonts
One of the most dramatic ways to change your publication's appearance
is to change the fonts used in your artistic text, frame text, or table text.
Font assignment is very simple in PagePlus, and can be done from the
Text context toolbar (when text is selected), Fonts tab (via View>Tabs),
or by modifying text styles (see p. 75) to use a chosen font.
Using text styles
PagePlus lets you use named text styles (pre-defined or user-defined),
which can be applied to frame text, table text, artistic text, index text or
table of contents text. A text style is a set of character and/or paragraph
attributes saved as a group. When you apply a style to text, you apply the
whole group of attributes in just one step. For example, you could use
named paragraph styles for particular layout elements, such as "Heading
76 Text
1" or "Body", and character styles to convey meaning, such as
"Emphasis", "Strong", or "Subtle Reference".
Styles can be applied to characters or paragraphs using either the Text
context toolbar or the Text Styles tab. Both paragraph and character
styles can be managed from the Text Style Palette.
Paragraph and character styles
A paragraph style is a complete specification for the appearance of a
paragraph, including all font and paragraph format attributes. Every
paragraph in PagePlus has a paragraph style associated with it.
A character style includes only font attributes (name, point size, bold,
italic, etc.), and you apply it at the character level—that is, to a range of
selected characters—rather than to the whole paragraph.
Working with named styles
The named style of the currently selected text is
displayed in either the Text Styles tab or the Styles drop-down list on
the Text context toolbar. A character style (if one is applied locally) may
be shown; otherwise it indicates the paragraph style.
To apply a named style:
1. Using the Pointer Tool, click in a paragraph (if applying a
paragraph style) or select a range of text (if applying a character
style).
2. Display the Text Styles tab and select a style from the style list.
- or -
On the Text context toolbar, click the arrow to expand the Styles
drop-down list and select a style name.
Text 77
The Text Style tab highlights the paragraph or character style applied to
any selected text.
As both paragraph and character formatting can be applied to the same
text, all of the current text's formatting is displayed in the Current
format box on the tab. In the example below, currently selected text has
a 'Strong' character style applied over a 'Body' paragraph style.
To update a named style using the properties of existing text:
1. Make your desired formatting changes to any text that uses a named
style.
2. On the Text Styles tab, right-click the style and choose Update
<style> to Match Selection.
All text using the named style, throughout the publication, takes on the
new properties.
To modify an existing style:
1. From the Text Styles tab:
• Right-click on the character or paragraph style you want to
modify and then choose Modify <style>
- or -
• With a style selected, select
Manage from the Text Styles
tab, then choose the Modify button.
2. From the Text Style dialog, define (or change) the style name, base
style, and any character or paragraph attributes, tabs, bullets, and
drop caps you want to include in the style definition.
3. Click OK to accept style properties, or Cancel to abandon changes.
78 Text
4. Click Apply to update text, or click Close to maintain the style in
the publication for future use.
Alternatively, choose Text Style Palette from the Format menu to
modify styles and to change text defaults (see PagePlus Help).
Creating custom text styles
If required, you can create your own custom styles, either based on a
currently selected text style or from scratch. See PagePlus Help for more
information.
Removing local formatting
To return characters and/or paragraphs back to their original
formatting, click on Clear Formatting in the Text Styles tab. This is
great for reverting some formatting which hasn't quite worked out! You
can clear the formatting of selected characters, paragraphs, or both
depending on what text is currently selected.
Hover over style names in your styles list, then click on a chosen style to
apply the style to the selected text.
Wrapping text
PagePlus lets you wrap frame text around the contours of a separate
object. Usually, this means wrapping text to a picture that overlaps or
sits above a text frame. But you can wrap frame text around a shape,
artistic text, table, or another frame. Wrapping is accomplished by
changing the wrap setting for the object to which text will wrap.
Text 79
To wrap text around an object:
1. Select the object around which you want the text to wrap.
2. Click the
Wrap Settings button on the Arrange toolbar.
3. Select the manner in which text will wrap around the object by
clicking a sample.
4. Choose which side(s) the chosen wrapping method will be applied,
again by clicking a sample.
5. Click OK.
80 Text
Creating a bulleted or numbered list
You can turn a series of paragraphs into bulleted, numbered or multi-
level lists. Bullets are especially useful when listing items of interest in
no specific order of preference, numbered lists for presenting step-by-
step procedures (by number or letter), and multi-level lists for more
intelligent hierarchical lists with prefixed numbers, symbols, or a mix of
both, all with supporting optional text (see Using multi-level lists on
p. 81).
Bulleted list Numbered list Multi-level list
Lists can be applied to normal text (as local formatting) or to text styles
equally.
To create a simple bulleted or numbered list:
1. Select one or more paragraphs.
- or -
Click in a paragraph's text.
2. Select
Bulleted List or Numbered List from the Text
context toolbar.
To create a bulleted or numbered list (using presets):
1. Select one or more paragraphs.
- or -
Click in a paragraph's text.
Text 81
2. Select Bullets and Numbering from the Format menu.
3. From the Text Style dialog's Bullets and Numbering menu option,
choose Bullet, Number, or Multi-Level from the Style drop-down
list.
4. Select one of the preset formats shown by default.
- or -
For a custom list, click the Details button to display, then alter
custom options.
5. Click OK to apply list formatting.
For number and multi-level lists, check Restart numbering to
restart numbering from the current cursor position in the list;
otherwise, leave the option unchecked.
Click the Text context toolbar's or buttons again to turn
off list formatting.
Using multi-level lists
For multi-level lists you can set a different
character (symbol, text or number) to display at
each level of your list. Levels are normally
considered to be subordinate to each other,
where Level 1 (first level), Level 2 (second),
Level 3 (third), etc. are of decreasing importance
in the list. For example, the simple multi-level
numbered passage of text opposite is arranged at
three levels.
82 Text
If you apply a multi-level preset to a range of text you'll get a list with the
preset's Level 1 format applied by default. Unless you use text styles,
you'll have to change to levels 2, 3, 4, etc. to set the correct level for your
list entry.
Changing list levels on selected paragraphs:
• Click the
Increase Paragraph Indent or Decrease
Paragraph Indent button on the Text context toolbar to increment
or decrement the current level by one.
The multi-level presets offer some simple but commonly used schemes
for paragraph list formatting. However, if you want to create your own
lists or modify an existing list (your own or a preset), use the Details
button in the Text Style dialog when Multi-Level style is selected. See
PagePlus Help for more details.
Assigning bullets, numbers, and levels to styles
PagePlus lets you easily associate any bulleted, numbered or multi-level
list style (either preset or custom list) to an existing text style. See Using
text styles on p. 75.
Inserting user details
When you create a publication from a design template for the first time,
you may be prompted to update your user details (Name, Company,
Telephone number, etc.) in a User Details dialog. These details will
automatically populate pre-defined text "fields" in your publication,
making it personalized.
PagePlus supports business sets (i.e., stored sets of user details) which
can be created per customer and applied to your publication. This lets
Text 83
you create publication variants, with each differing just in their user
details. You can choose which set to use when you start with a new
design template (or at any time during your session).
To add, edit or change user details:
1. Click the
User Details button on the Pages context toolbar
(deselect objects to view).
2. Enter new information into the spaces on the Business Sets or
Home tab (a Calendars tab will appear if there is a calendar in your
publication).
3. Click Update.
If you're starting from scratch, you need to have user details fields placed
in your publication.
Inserting your own fields
You can also insert one or more User Details fields into any publication
at any time.
84 Text
To insert a User Detail field:
1. Select the Pointer Tool and click in the text for an insertion point.
2. From the Insert menu, select Information>User Details.
3. Select a user detail entry and optionally any text Prefix or Suffix to
include with your user details, e.g. (Home) Name.
4. Click OK.
For existing publications, the fields (once edited) can be updated or
swapped as described previously.
To swap user detail fields:
1. On the page, select the user detail field you want to swap out.
2. Click the
icon on the control bar above the selected field.
3. In the dialog, select an entry to insert, e.g. (Home) Name, and
optionally any text Prefix or Suffix to include with your user
details.
4. Click OK.
Creating business sets
To create a new business set:
1. On the User Details dialog, click New.
2. Fill in the empty user details fields.
To swap to a new business set:
• Select an alternative set from the Select Set drop-down list, then
click Update.
Tables, Charts,
and Calendars
86 Tables, Charts, and Calendars
Tables, Charts, and Calendars 87
Creating tables
Tables are ideal for presenting text and data in a variety of easily
customizable row-and-column formats, with built-in spreadsheet
capabilities.
Rather than starting from scratch, PagePlus is supplied with a selection
of pre-defined table formats, called AutoFormats, that can be used.
Simply pick one and fill in the cells with content.
PagePlus lets you:
• Edit the pre-defined format before adding a new table to the page.
• Design your own custom formats without creating a table. See
Creating custom table formats in PagePlus Help.
• Quickly create custom formats based on the selected table.
• Edit existing tables to fit a different format (pre-defined or custom).
To create a table:
1. On the Tools toolbar, choose the Table Tool from the
Table flyout.
2. Click on the page or pasteboard, or drag to set the table's
dimensions. The Create Table dialog opens with a selection of
preset table formats shown in the Format window.
3. Step through the list to preview the layouts and select one. To begin
with a plain table, select (Default).
88 Tables, Charts, and Calendars
4. Set the Table Size. This is the number of rows and columns that
make up the table layout.
5. Click OK. The new table appears on the page.
Plan your table layout in advance, considering the number of
rows/columns needed!
Flowing tables
It is possible to create tables that can be split into multiple parts on the
same page or even across multiple pages. This is useful if you're planning
to present a large amount of table data or if you're constrained by your
existing page design; for either reason, table placement becomes that
much easier.
Even though physically split, each table portion still maintains a link
with previous and next tables. This allows additional rows or columns to
be added, with the table reflowing subsequent rows or columns.
You can design your flowing table from scratch or split up an existing
table already on the page.
Tables, Charts, and Calendars 89
To create a flowing table from scratch:
1. Create your table as described in To create a table (p. 87).
2.
On the control bar under your selected table, click Flow
Down to create a linked table based on extra rows, or Flow Right
for a linked table based on extra columns.
If you've a table that you've created previously or you're redesigning
your table layout, you can split it by row or column.
To split up an existing flowing table:
1. Select the table.
2. Hover over arrows shown at table bottom-centre or right-centre.
3. Drag these arrows up or left, respectively, to split by row or column.
The rows or columns hidden by dragging will pop up as a linked table
on mouse release.
To navigate between linked tables:
•
Under your selected table, click Next Table or Previous
Table.
To rejoin tables:
1. Select a linked table to which you want to rejoin the next table in the
linked sequence.
2. On the control bar, click
Rejoin.
90 Tables, Charts, and Calendars
For flowing tables it's a great idea to repeat the initial table's row or
column headers on each linked table. This is essential for correct
referencing of table data.
Row or column headers are repeated on all linked tables based on extra
rows (Flow down) or columns (Flow right). You can't repeat row and
column headers in the same linked table sequence.
To repeat row/column headers:
1. Select the initial table in the table flow.
2. Click the drop-down arrow, displayed on hover over in the
row/column header (shown as '1' and 'A' below).
3. Select Repeat as Header from the submenu. The row or column
header is repeated on the linked table.
Tables, Charts, and Calendars 91
Using charts
For any small business, club, or school project, the ability to present
important data professionally will impress your audience, and
potentially gain support for your activities.
Tables and charts are intrinsically linked in PagePlus. If you need a recap
on tables, see Creating tables on p. 87. PagePlus also lets you create
multiple charts from the same table data using the Chart Data tab. See
Manipulating chart data (in PagePlus Help) for more information.
Chart types
PagePlus provides a range of popular chart types, each designed to
present data differently. All you need to do is select a chart that suits the
type of data you wish to present.
Area chart Bar chart Column chart
Line chart Pie chart Scatter chart (XY)
The above chart types are also available in 3D (as extrusions of the
2D chart types).
92 Tables, Charts, and Calendars
Charts explained
Charts are made up of specific elements. Once you learn how to
manipulate each element using the Charts tab and Chart Data tab,
you'll be able to create powerful charts easily.
(A) Chart Title, (B) Series, (C) Go to Chart Data link, (D) Go to Associated
Table link, (E) Series Legend, (F) Chart Area.
Data sources
The first step in creating charts is to consider what data you'll want to
base your chart on. You should spend some time in advance preparing
data for chart presentation.
Several data sources can be used to base your chart on. Here's an
overview of typical data sources that will let you create charts easily.
Tables, Charts, and Calendars 93
Data source
Description
Chart Data
tab
Using PagePlus's Chart Data tab, you can either:
• Create your own off-the-page chart data without
the need for a PagePlus table. See Creating charts
from scratch on p. 93.
-or -
• Create chart variations (of differing type and
data ranges) from a single PagePlus table. For
more details, see Manipulating chart data (in
PagePlus Help) for more information.
PagePlus
table
If you have a PagePlus publication which already has
a table present, you can base your chart on that table
data, with the option of presenting table and chart
data in unison.
External
spreadsheet
You can paste cell data from Microsoft Excel directly
onto your page or pasteboard. Once in PagePlus, you
can create a chart as you would with a PagePlus table.
If you want to use table data from Microsoft Word, copy and paste
the table into Excel first.
Creating charts from scratch
PagePlus provides the Chart Tool to place a chart onto your page.
Initially a placeholder chart, it can be populated with real chart data
from the Chart Data tab. The tab lets you store and develop your chart
data "off-page" without cluttering up your page design.
The chart can be designed and later modified by using a Chart context
toolbar displayed above your workspace when the chart is selected.
94 Tables, Charts, and Calendars
To create a chart from scratch:
1. From the Tools toolbar's
Table Tools flyout, select
Chart Tool.
2. On the context toolbar, from the Chart drop-down list, select a
chart type.
3. Click on the page or drag out the chart to the desired size.
At this point, the chart is just a placeholder, using sample data
automatically added to the Chart Data tab. You can edit this sample
data using your own data, name your row/column headers, and even
add extra rows and columns to suit additional chart data—by default,
each row represents a separate colour-coded series component.
To edit data in the Chart Data tab:
1. Click
Chart Data under the selected chart.
The Chart Data tab displays temporarily in the workspace.
2. On the Chart Data tab, click in each cell and enter data as
appropriate.
The chart will update with the newly entered values.
3. Replace the row and numeric column headers (i.e., Series 1, 2, and
3; and 1, 2, 3, 4, respectively) with real names. These will update in
your chart immediately.
Modifying charts
It is possible that you may want to change how your chart is presented.
The Chart context toolbar gives you the freedom to swap between chart
Tables, Charts, and Calendars 95
types, base your chart on different ranges, and toggle series as row or
columns.
Editing titles
To edit your chart title:
• Click on the chart title and begin typing.
Formatting and styling charts
To display the Charts tab:
• At the bottom of your right-hand tab group, click Charts.
The tab offers three buttons called Chart, Axes, and Series.
• Chart: Used for title and series legend control and positioning.
Other options are the same as provided on the Chart context
toolbar.
• Axes: The Axes section adds axis-specific titles, labels, guides, and
any other chart elements that aid the interpretation of chart data.
• Series: Modifies individual series, including manually assigning
series labels, series plotting, enabling trend lines, error bars, and
value labels.
For an easy way to transform your chart's appearance in one click, you
can use the Styles tab.
To apply a style to your chart:
1. On the Styles tab, select the Charts category from the drop-down
list.
2. Click on a style preset thumbnail.
96 Tables, Charts, and Calendars
Inserting a calendar
The Calendar Wizard
helps you design
month-at-a-glance
calendars for use in
your publication, with
optional addition of
personal events and
public holidays.
The calendar is created as a scalable text-based table so you can edit text
using the standard text tools. The properties of a selected calendar are
similar to those of a table, and can be modified identically (see
Manipulating tables in PagePlus Help). Like custom table formats you
can create your own custom calendar formats.
To insert a calendar:
1. Click the Table flyout on the Tools toolbar and choose
Insert
Calendar.
2. Click again on your page, or drag out to set the calendar size.
3. From the displayed Calendar Wizard, define options for your
calendar. To have your country's public holidays shown, check Add
public holidays in the wizard and select a Region from the
associated drop-down list. To add personal events, check Add
personal events additionally.
4. Click Finish to complete the wizard.
To view and edit a selected calendar's properties:
• Click
Edit Calendar on the Calendar context toolbar.
Pictures
98 Pictures
Pictures 99
Adding picture frames
Picture frames let you present your pictures in a decorative surround,
much like you'd show off your favourite picture in a picture frame in
your home. You can select from an impressive collection of
professionally designed picture frames, and simply drag them onto your
publication page before filling them with pictures.
Picture frames are assets, along with graphics, pictures, page
elements, backgrounds, and are browsed for (and managed) in the
same way as any other asset. See Using assets on p. 47.
To add a picture frame:
1. From the Assets tab, select Browse.
2. In the Asset Browser dialog, select Picture Frames from the
Categories section.
100 Pictures
3. Navigate the themed sub-categories to locate a picture frame, then
select an individual frame or click Add All
to include all the
frames from the sub-category. A check mark will appear on selected
thumbnails.
4. Click Close. The frame(s) appears in the Assets tab (Picture Frames
category).
5. Drag a chosen frame thumbnail to your page.
Empty picture frames are shown as envelope-shaped placeholders
on the page.
To add a borderless picture frame:
1.
Select Rectangular Picture Frame on the Tools
toolbar's Picture flyout.
- or -
Select Picture>Empty Frame from the Insert menu.
2.
The mouse pointer changes to the Picture Paste cursor.
What you do next determines the initial size and placement of the
picture frame.
• To insert the frame at a default size, simply click the mouse.
- or -
Pictures 101
• To set the size of the frame, drag out a region and release the
mouse button. If needed, use the Shift key while dragging to
maintain aspect ratio (to a square).
Picture frames can also be applied to objects such as text frames
and tables. These are considered to be borders, and can be
manipulated further with respect to width, edge selection, and edge
alignment. See Adding borders in PagePlus Help.
To add a picture to a frame (and vice versa):
• From the Assets tab (Pictures category), drag and drop a picture
directly onto the picture frame. - or -
• From the Assets tab (Picture Frames category), drag and drop a
picture frame directly onto an already placed picture.
The picture is added to the frame using default Picture Frame
properties, i.e. it is scaled to maximum fit; aspect ratio is always
maintained. However, you can alter the picture's size, orientation,
positioning, and scaling relative to its frame.
Creating shaped picture frames
While you can take advantage of PagePlus's preset frames you can create
your own shape (e.g., a morphed QuickShape or closed curve) then
convert it to a picture frame.
To create a shaped picture frame:
1. Create a closed shape or QuickShapes.
2. Right-click the shape and select Convert To>Picture Frame.
You can then add a picture to the frame as described previously.
Any object you've designed that contains a "hole" can be converted
to a picture frame using the above method.
102 Pictures
To store the picture frame for reuse globally or just in the
publication, drag to the Assets tab's My Designs or Picture Frames
category. For the latter, if you close the publication, you'll be asked if
you want to save the frame to an asset pack. See Storing designs in
PagePlus Help.
Adding pictures
The Assets tab (Pictures category) acts as a "basket" for initially
gathering together and then including pictures in your publication. Its
chief use is to aid the design process by improving efficiency (avoiding
having to import pictures one by one) and convenience (making
pictures always-at-hand). For picture-rich publications in particular, the
tab is a valuable tool for dragging pictures directly into bordered or
unbordered picture frames or for simply replacing existing pictures on
the page.
PagePlus also lets you insert pictures of a wide variety of file formats,
such as bitmaps, vector images, and metafiles (including Serif Metafiles).
PDF files can also be placed as non-editable graphics. When placed
as graphics, PDFs be moved, rotated, cropped and recoloured like
normal images, but cannot be edited using PhotoLab, the Cutout
Studio, or an external image editing program. To edit PDFs in
PagePlus they need to be opened or inserted as editable
documents.
For photos from your digital camera, you can simply navigate to the
folder containing your already downloaded photos (i.e., on your hard
disk) and include them in the tab. Similarly, scanned images already
saved to your hard disk can be added by this method.
Pictures 103
Adding pictures to the Assets tab
To add pictures to the tab:
1. Select the Assets tab's Pictures category, and click Add.
2. From the dialog, navigate to a folder, and select your picture(s).
3. Click Open. Your pictures appear as thumbnails within the Assets
tab's Picture category.
To reorder pictures in the tab:
• Select and drag a picture to a new position in the tab.
To delete a picture from the tab:
• Hover over the bottom-right corner of the picture thumbnail and
click the
icon.
To delete selected pictures:
1. Ctrl-click or Shift-click to select non-adjacent or adjacent pictures.
2. Right-click any selected picture, and select Delete Assets.
To delete all pictures:
• Right-click any picture and select Delete All.
Adding pictures to the page
Pictures can be added to your publication by dragging directly onto your
page.
To add a picture to your page:
• From the Assets tab (Pictures category), drag a picture thumbnail
directly onto the page, inline into artistic/frame text (at a chosen
insertion point), or into a picture frame. Once added, the picture
104 Pictures
thumbnail indicates the number of times the picture has been used
in the publication (
).
If you've positioned empty picture frames you can use AutoFlow to
automatically populate them with pictures.
AutoFlow—adding content automatically
AutoFlow lets you flow the pictures present in the tab's Pictures
category throughout empty picture frames spread throughout your
publication (you can't reflow pictures once frames are populated with
content).
To automatically flow your pictures:
• Click AutoFlow at the bottom of the Assets tab (Pictures category).
The pictures are placed sequentially in your document's available
picture frames in the order they appear in the tab (reorder
beforehand if needed).
Searching for tagged pictures
PagePlus lets you retrieve pictures by individual tag, i.e. XMP metadata
stored within each picture. You can tag photos by using the Asset
Manager.
To search for pictures by tag:
• Click in the search box at the bottom of the Assets tab and enter a
search term, e.g. holiday. Matching pictures will appear directly
above the search box in a temporary Search Results tab.
Pictures 105
Adding pictures with resizing and embed/link
control
As well as dragging a picture thumbnail from the Assets tab, pictures can
be added to PagePlus by copy and paste or dragging a file from an
external Windows folder directly onto your page.
PagePlus also lets you import pictures via
Import Picture on the
Tools toolbar. You'll be able to size the picture and embed or link it.
Cropping pictures
PagePlus includes the Square Crop Tool and Irregular Crop Tool
which are used typically for cropping pictures on the page. Cropping
discards unwanted "outer" regions of a picture while keeping the
remainder visible.
To crop a selected picture (square crop):
1. On the Attributes toolbar, click the
Square Crop Tool.
2. Hover over an edge/ corner handle until you see a
crop cursor.
3. Drag the cursor inwards (down, left or right) on your picture.
106 Pictures
4. Repeat with other edge or corner handles, if needed.
5. (Optional) From the context toolbar, set a Feather value to add a
soft edge to your picture.
To crop a picture (irregular crop)
1. With the
Square Crop Tool selected, select the Irregular
Crop Tool above your workspace.
2. The Curve context toolbar appears on its right, which lets you
control the displayed nodes and connecting segments that define
the object's crop outline. See Editing lines in PagePlus Help.
• To move a node (control point) where you see the
cursor,
drag the node.
•
To move a line segment (between two nodes) where you
see the
cursor, drag the segment.
3. Add extra nodes by double-clicking on the crop outline, then
reposition them.
To scale the object within the crop outline, press the Ctrl key, click
your left mouse button, then move your mouse upwards or
downwards.
Pictures 107
If you add picture frames to your publication, you can position your
placed picture using pan and zoom instead of using the Square
Crop Tool.
Cropping pictures to shapes
The Crop to Shape command lets you create shaped pictures from
drawn closed shapes (below) or silhouettes placed over your picture. The
picture gets clipped to the outline of the shape, leaving a shape
equivalent to the overlapping region.
To crop a picture using shapes:
1. Place the shape in front of the picture to be cropped, using the
Arrange menu and/or Arrange toolbar as needed.
2. With both objects selected (or grouped), choose Crop to Shape
from the Tools menu.
You can restore an object cropped in this way to its original shape, but
the upper "cropping" object is permanently deleted (use Undo to recover
it if necessary).
108 Pictures
Using Cutout Studio
Cutout Studio offers a powerful integrated solution for cutting objects
out from their backgrounds. Depending on the make up of your images
you can separate subject of interests from their backgrounds, either by
retaining the subject of interest (usually people, objects, etc.) or
removing a simple uniform background (e.g., sky, studio backdrop). In
both instances, the resulting "cutout" image creates an eye-catching look
for your publication.
The initial green background is discarded, leaving interim checkerboard
transparency, from which another image can be used as a more
attractive background. A red tint on the second image's background is
used to indicate areas to be discarded.
To launch Cutout Studio:
1. Select a picture to be cut out.
2. Select
Cutout Studio from the displayed Picture context
toolbar. Cutout Studio is launched.
Pictures 109
Choose an output
By default an alpha-edged bitmap is created by cutting out, but's possible
to change the Output Type prior to selecting areas for
keeping/discarding.
The choice you make really depends on the picture. A vector-edged
bitmap is better for cutting out pictures with well defined edges.
Zoom into your image to examine its edges; this may influence the
output type chosen.
Selecting areas to keep or discard
A pair of brushes for keeping and discarding is used to "paint" areas of
the image. The tools are called Keep Brush and Discard Brush, and are
either used independently or, more typically, in combination with each
other. When using either tool, the brush paints an area contained by an
outline which is considered to be retained or discarded (depending on
brush type). A configurable number of pixels adjacent to the outline area
are blended.
To select image areas for keeping/discarding:
1. In Cutout Studio, click either
Keep Brush Tool or
Discard Brush Tool from the left of the Studio workspace.
110 Pictures
2. (Optional) Pick a Brush size suitable for the area to be worked on.
3. (Optional) Set a Grow Tolerance value to automatically expand the
selected area under the cursor (by detecting colours similar to those
within the current selection). The greater the value the more the
selected area will grow. Uncheck the option to switch the feature off.
4. Using the circular cursor, click and drag across the area to be
retained or discarded (depending on Keep or Discard Brush Tool
selection). It's OK to repeatedly click and drag until your selection
area is made.
The
Undo button reverts to the last made selection.
5. If you're outputting an alpha-edged bitmap, you can refine the area
to be kept/discarded within Cutout Studio (only after previewing)
with Erase and Restore touch-up tools. Vector-cropped images can
be cropped using standard PagePlus crop tools outside of the
Studio.
6. Click
OK to create your cutout.
PhotoLab filters and retouching tools
PhotoLab is a powerful studio for applying adjustment and effect filters
to pictures individually or in combination—all instantly applied and
previewed—and carrying out popular edits like image straightening!
PhotoLab hosts filter tabs, a main toolbar, and applied filter stack
around a central workspace.
Pictures 111
(A) Main toolbar, (B) Main workspace, (C) Filter stack, (D) Filter tabs, (E)
Images tab
To launch PhotoLab:
1. Select the picture that you want to apply a filter to.
2. Click
PhotoLab on the Picture context toolbar.
Applying a filter
Filters are stored in PhotoLab's Favourites, Adjustments, and Effects
tabs which group filters logically into categories (e.g., Quick Fix for fast
and commonly used correction filters).
The Favourites tab offers some commonly used filters (individual and
in combination). You can complement these with your own user-
defined filters.
112 Pictures
To preview, fine tune, and apply a filter:
1. Click a filter thumbnail.
2. As soon as a filter is selected it is temporarily added to Trial Zone
which lets you experiment freely with your own settings for that
filter.
3. Adjust sliders (or enter input values) until your filter suits your
requirements. Some filters offer check boxes, drop-down lists, and
additional controls (e.g., Advanced settings).
Selecting a new filter always replaces the current filter.
To commit your filter:
• Click
Commit to accept your changes. This adds the filter to the
right-most Filters stack where additional filters can be added and
built up by using the same method.
Effects and
Styles
114 Effects and Styles
Effects and Styles 115
Applying effects
PagePlus provides a variety of effects that you can use to enhance any
object. 2D effects such as drop shadows, feather, bevels, emboss are
popular, along with 3D effects for more sophisticated textured surface
effects.
Both 2D and 3D effects can be applied individually (or in combination)
using the Effects tab.
2D effects
Feather Directional
Feather
Gaussian Blur Zoom Blur
Radial Blur Motion Blur Drop Shadow Inner Shadow
Reflection Outer Glow Inner Glow Outline
116 Effects and Styles
Inner Bevel Outer Bevel Emboss Pillow Emboss
Colour Fill Trail
To apply 2D effects:
1. Select an object.
2. Display the Effects tab by clicking its tab name (presented vertically
at the right of your screen by default).
• To switch on Feather, Drop Shadow, or Outer Glow, click the
effect's
icon. The effect's default settings are displayed.
- or -
i. For other effects, click
Choose Effects at the top of the tab.
ii. From the flyout, select 2D Effects and select an effect from the
submenu. The effect is added to the tab, and its entry in the
flyout will be checked.
3. Adjust settings by altering sliders, values, check boxes, or drop-
down lists. Drag left or right over values to adjust.
As you change settings, the effect on the page updates automatically.
Effects and Styles 117
To switch off an effect:
• Click the effect's
icon on its title bar. Note that your adjusted
settings are kept but are switched off.
To reset an effect back to default:
• Click the effect's
icon on its title bar.
To remove an effect from the tab:
• Click
Choose Effects at the top of the tab, then click to
uncheck the effect's entry on the flyout. If the effect is applied to a
selected object(s) it will be removed from the object.
Using favourites
To apply effects using favourites:
1. On the Effects tab, click
Favourites on the chosen effect's title
bar.
2. On the displayed gallery, select an effect thumbnail.
118 Effects and Styles
To view the default settings view, click Settings.
To save a custom effect to your favourites:
1. Adjust settings for your chosen effect.
2. On the effect's title bar, click
Add Favourite. Your effect is
saved to the favourites gallery.
3D Effects
3D effects go beyond 2D effects (such as shadow, glow, bevel, and
emboss effects) to create the impression of a textured surface on the
object itself. You can use the Effects tab to apply one or more 3D effects
to the same object.
You'll find that some effects are used in combination to create realistic
surface effects such as glass.
To apply 3D effects:
1. Select an object.
2. Display the Effects tab by clicking its tab name (presented vertically
at the right of your screen by default).
3. Click
Choose Effects at the top of the tab.
4. From the flyout, select 3D Effects and select an effect from the
submenu. The effect is added to the tab.
Effects and Styles 119
5. Add further effects from the flyout depending on the type of effect
you want.
6. Adjust settings for 3D effects by altering sliders, values, check boxes,
or drop-down lists. Drag left or right over values to adjust.
The 3D Effects & Lighting category hosts master control settings
which are enabled when any 3D effect is applied.
For a detailed description of each effect's settings, see PagePlus
Help (Effects tab topic).
Using the Shadow Tool
Shadows are great for adding flair and dimension to your work,
particularly to pictures and text objects, but also to shapes, text frames
and tables. To help you create them quickly and easily, PagePlus
provides the Shadow Tool on the Attributes toolbar. The tool affords
freeform control of the shadow effect directly on the page.
120 Effects and Styles
For more creative shadows, the tool lets you apply skewed shadows,
again directly on the page.
Adjustment of shadow colour, opacity, blur, and scaling/distance is
possible using controllable nodes directly on the page (or via a
supporting Shadow context toolbar).
(A) Blur, (B) Shadow origin, (C) Opacity, (D) Colour, (E) Scaling
Effects and Styles 121
Once you've created a shadow, you can also fine-tune it as needed using
the Effects tab.
Using object styles
The Styles tab contains
multiple galleries of pre-
designed styles that you can
apply to any object, or
customize to suit your own
taste! Galleries exist in
effect categories including
Blurs, 3D, Edge, Warps,
Materials and more, with
each category having
further subcategories.
3D surface and texture presets are available in various categories (Presets
- Default, Presets - Fun, Presets - Materials, and Texture). The Presets -
Materials category offers realistic effects such as Glass, Metallic, Wood,
etc.
Styles store fill, transparency, line/text properties, and effects under
a single style name, making it easy to apply combinations of
attributes to an object in one click.
At a later date, if you edit the style, all objects using the original style will
update automatically to the new style definition.
122 Effects and Styles
To apply an object style to a selected object(s):
1. Display the Styles tab.
2. Expand the drop-down menu to select a named style category (e.g.,
Presets - Default), then pick a subcategory (e.g., Mixed) by scrolling
the lower window.
3. Preview available styles as thumbnails (cog shapes are shown by
default) in the window.
4. Click a style thumbnail to apply that style.
To unlink an object from its style definition:
• Right-click the object and choose Format>Object Style>Unlink.
To create a custom object style:
• Right-click the object and choose Format>Object Style>Create.
See Creating custom object styles in PagePlus Help for more
information.
Colour, Fills,
and
Transparency
124 Colour, Fills, and Transparency
Colour, Fills, and Transparency 125
Applying solid fills
PagePlus offers a number of ways to apply solid colour fills to objects of
different kinds:
• You can apply solid colours to an object's line or fill. As you might
expect, QuickShapes and closed shapes have both line and fill
properties, whereas straight and freehand lines have only a line
property.
• Characters in text objects can have a background fill, line, and text
colour (i.e., for highlighting, text outlines, and the text fill itself).
Text frames and table cells can have a background fill independent
of the characters they contain.
To apply a solid colour via the Colour tab or Swatches tab:
1. Select the object(s) or highlight a range of text.
2. Select the appropriate tab, then click the
Fill, Line, or
Text button at the top of the tab to determine where colour will be
applied. The colour of the underline reflects the colour of your
selected object.
3. For the Colour tab, select a colour from the colour spectrum or
sliders depending on colour mode selected.
- or -
For the Swatches tab, select a colour swatch from the
Publication palette (commonly used colours and those previously
applied to your publication) or a specific themed or standard
Palette (supplied preset swatches).
Alternatively, use Format>Fill to apply colour via a dialog.
126 Colour, Fills, and Transparency
Using the Colours toolbar, you can reapply the last applied fill, line, or
text colour and also predefine these colours for future objects. By
default, the toolbar is always in view thus aiding design productivity.
To apply the last applied solid colour:
1. Select the object(s) or highlight a range of text.
2.
On the Colours toolbar, select the Fill, Line,
or Text button.
To predefine colours for future objects:
• With no objects selected, click the down arrow on the toolbar's Fill,
Line, or Text buttons and choose a colour from the menu, This is
equivalent to using the Colour or Swatches tab.
To change a solid colour's shade/tint (lightness):
1. Select the object and set the correct Fill, Line or Text button in the
Colour tab.
2. From the Colour mode drop-down list, select Tinting.
3. Drag the Shade/Tint slider to the left or right to darken or lighten
your starting colour, respectively. You can also enter a value
between -100 and 100 in the box. Entering 0 in the input box reverts
to the original colour.
Adjust the percentage tinting via slider or direct input to
apply object tinting from the Swatches tab.
PagePlus automatically adds used colours to the Publication
Palette available in the Swatches tab and Fill dialog.
You can convert any colour in your palette into a spot colour by
selecting the colour's swatch and the Spot Colour checkbox in
Palette Manager (available from the Tools menu).
Colour, Fills, and Transparency 127
To change the current palette:
• On the Swatches tab, click the
Palette button to view and
adopt colours from a Standard RGB, Standard CMYK, or selection
of themed palettes. Colours can be added, edited, or deleted from
the Publication Palette but not from other palettes.
Replacing colours
In PagePlus, changing all instances of a regular colour in your
publication is as easy as updating a scheme colour.
This can be very useful when you have designed a publication without
using scheme colours and change your mind (or a client does) about
which colours to use, altering colours without manually selecting and
changing each object. This can also be of benefit when editing a PDF
that requires document-wide colour changes, and when choosing to
turn regular colours into scheme colours.
Replace a colour in the publication palette
1. In the Swatches tab, click the down arrow on the Publication
palette button and select Publication Palette.
128 Colour, Fills, and Transparency
2. Right-click on the colour you want to replace and choose Replace
Colour from the menu.
3. Choose the new colour using one of the many colour models,
palettes, pickers, and scheme colours available in the Colour
Selector dialog.
4. Click OK to apply the new colour in place of the old.
Using colour schemes
In PagePlus, a colour scheme is a cluster of eleven complementary
colours (of which five are mainly used) that you can apply to specific
elements in one or more publications. The Schemes tab displays preset
schemes (displaying the five main colours) which can be selected at any
point during the design process.
Colour, Fills, and Transparency 129
Each publication can have just one colour scheme at a time; the current
scheme is highlighted in the Schemes tab. You can easily switch
schemes, modify scheme colours and create custom schemes. Colour
schemes are saved globally, so the full set of schemes is always available.
How colour schemes work
Colour schemes in PagePlus work much like a paint-by-numbers
system, where various regions of a layout are coded with numbers, and a
specific colour is assigned (by number) to each region. For example,
imagine a line drawing coded with the numbers 1 through 5. To fill it in,
you'd use paint from jars also numbered 1 through 5. Swapping different
colours into the paint jars, while keeping the numbers on the drawing
the same, would produce quite a different painting.
In PagePlus, the "paint jars" are
numbers you can assign to objects in
your publication. They're known as
"Scheme Colour 1," "Scheme Colour
2," and so on. When y
ou apply Scheme
Colour 1 to an object, it's like saying,
"Put the colour from jar number 1
here."
The Schemes tab shows the various available schemes, each with a
different set of five colours in the five "jars." Whichever named colour
scheme you select, that scheme's first colour (as shown in its sample) will
130 Colour, Fills, and Transparency
appear in regions defined as Scheme Colour 1, its second colour will
map to Scheme Colour 2, and so on throughout the publication.
To select a colour scheme:
1. Click the Schemes tab. The currently assigned scheme is highlighted
in the list.
2. Click a different colour scheme sample. Objects in the publication
that have been assigned one of the colour scheme numbers are
updated with the corresponding colour from the new scheme.
By default, the Schemes tab is collapsed at the bottom right of the
workspace.
You can repeat this selection process indefinitely. When you save a
publication, its current colour scheme is saved along with the document.
Applying scheme colours to objects
When you create publications from pre-defined design templates (see
p. 15), you can choose the starting colour scheme that you want to
adopt; you can always change it later from the Schemes tab. This
flexibility creates endless possibilities for the look and feel of your
publication! However, if you then create new elements in your schemed
publication, or start a publication from scratch, how can you extend the
current colour scheme to the new objects? Although you'll need to spend
some time working out which colour combinations look best, the
mechanics of the process are simple. Recalling the paint-by-numbers
example above, all you need to do is assign one of the current scheme
colour numbers to an object's line and/or fill.
To assign a scheme colour to an object:
1. On the Swatches tab, from the Publications Palette flyout, select
Scheme Colours.
Colour, Fills, and Transparency 131
The palette displays only scheme colours.
2. Select the object and choose a
Fill, Line, or Text
button at the top of the Swatches tab depending on the desired
effect.
3. Click on the scheme colour that you want to apply to the fill, line, or
text.
If an object's fill uses a scheme colour, the corresponding sample in
Swatches tab will be highlighted whenever the object is selected.
132 Colour, Fills, and Transparency
PagePlus also allows you to modify any existing colour scheme and
create your own scheme from a colour spread. See PagePlus Help for
more information.
Gradient and bitmap fills
Gradient fills provide a gradation or spectrum of colours spreading
between two or more points on an object. A gradient fill has an editable
path with handles that mark the origin of each of these key colours. A
bitmap fill uses a named bitmap—often a material, pattern, or
background image—to fill an object.
Linear Elliptical Conical Bitmap
You can apply preset gradient and bitmap fills from the Swatches tab to
the fill or outline of a shape or text frame. Table cells as well as artistic,
frame, and table text can also take a gradient or bitmap fill. The fill's path
on an object's fill or line can also be varied for different effects (see
PagePlus Help).
Colour, Fills, and Transparency 133
Applying a gradient or bitmap fill
There are several ways to apply a gradient or bitmap fill: using the
Swatches tab, the Fill Tool, or the Fill dialog.
PagePlus can also produce automatic gradient fills based on applied
solid colours—giving you an almost unlimited number of gradient fill
choices.
The easiest way to apply a gradient or bitmap fill is to use one of a range
of pre-supplied swatch thumbnails in the Swatches tab's Gradient or
Bitmap palettes. The Fill Tool, Fill dialog and Edit Fill dialog are
alternative methods for applying and editing gradient fills.
To apply an automatic gradient:
1. Select an object with a solid colour applied to its fill, outline, and/or
text.
2. Using the Colour
toolbar's Fill, Line or
Text buttons, select an
automatic gradient that
blends from the current
colour to white or black.
134 Colour, Fills, and Transparency
To apply a preset gradient or bitmap fill using the Swatches tab:
1.
Display the Swatches tab and ensure either Fill, Line,
or Text is selected (for an object's fill, outline, or text fill
respectively).
Note that the colour of the underline reflects the colour of your
selected object.
2.
For gradient fills, select a gradient category, e.g. Linear,
Elliptical, etc., from the Gradient button's drop-down list.
- or -
For bitmap fills, select a drop-down list category from the
Bitmap button.
3. Select the object(s), and then click the appropriate gallery swatch for
the fill you want to apply.
- or -
Drag a gallery swatch onto any object (it doesn't need to be selected)
and release the mouse button. This will affect the object's Fill but
not its Line or Text fill.
4. If needed, adjust the fill's Tint at the bottom of the tab with the tab
slider or set a percentage value in the input box.
Applying different transparency effects (using the Transparency
tab) won't alter the object's fill settings as such, but may
significantly alter a fill's actual appearance.
To apply a gradient fill with the Fill Tool:
1. Select an object.
2. Click the
Fill Tool on the Attributes toolbar.
Colour, Fills, and Transparency 135
3. Display the Swatches tab and ensure either Fill, Line,
or Text is selected (for an object's fill, outline, or text fill
respectively). The colour of the underline reflects the colour of your
selected object.
4. Click and drag on the object to define the fill path. The object takes
a simple Linear fill, grading from the object's current colour to
monochrome white.
If the object is white already (or has no fill), grading is from white to
black.
You can modify the gradient further using the context toolbar.
To modify a gradient start and end colours using the context
toolbar:
1. With the object selected, click the
Fill Tool on the Attributes
toolbar.
2. On the context toolbar:
• Choose the fill type from the drop-down list. (You can also
apply a Solid or None fill type.)
136 Colour, Fills, and Transparency
• From the Start Colour drop-down list, select a colour or click
More Colours to display the Colour Selector dialog.
You can also apply an End Colour in the same way.
- or -
For Three or Four Colour only, select an object's fill handle and
select a colour from the
Fill Colour drop-down list.
Alternatively, a dialog can be used to add or subtract key colours from
the gradient, apply different key colours to individual handles, or vary
the overall shading of the effect applied to the object.
Editing the fill path
When you select a fillable object, the Fill Tool becomes available
(otherwise it's greyed out). When you select the Fill Tool, if the object
uses a gradient fill, you'll see the fill path displayed as a line, with
handles marking where the spectrum between each key colour begins
and ends. Adjusting the handle positions determines the actual spread of
colours between handles. You can also edit a gradient fill by adding,
deleting, or changing key colours.
(A) Linear Fill based on key colours, (B) Path, (C) Effect on Object
Colour, Fills, and Transparency 137
To adjust the gradient fill path on a selected object:
1.
Display the Swatches tab and ensure either Fill, Line,
or Text is selected (for an object's fill, outline, or text fill
respectively).
Note that the colour of the underline reflects the colour of your
selected object.
2. Click the
Fill Tool on the Attributes toolbar. The fill path
appears on the object's fill, outline, or text content.
3. Use the Fill Tool to drag the start and end path handles, or click on
the object for a new start handle and drag out a new fill path. The
gradient starts where you place the start handle, and ends where you
place the end handle.
Each gradient fill type has a characteristic path. For example, Linear fills
have single-line paths, while Radial fills have a two-line path so you can
adjust the fill's extent in two directions away from the centre. If the
object uses a bitmap fill, you'll see the fill path displayed as two lines
joined at a centre point. Handles mark the fill's centre and edges.
Working with transparency
Transparency effects are great for highlights, shading and shadows, and
simulating "rendered" realism. They can make the critical difference
between flat-looking publications and publications with depth and snap.
PagePlus fully supports variable transparency and lets you apply solid,
gradient, or bitmap transparency to an object's fill or outline easily.
For example, in the illustration below, the butterflies have a solid (100%
opaque) transparency, a gradient (100% to 0% opaque) transparency
and a solid (50% opaque) transparency from left to right.
138 Colour, Fills, and Transparency
Transparencies work rather like fills that use "disappearing ink" instead
of colour. The more transparency in a particular spot, the more
"disappearing" takes place there, and the more the object(s) underneath
show through. Just as a gradient fill can vary from light to dark, a
transparency can vary from more to less, i.e. from clear to opaque, as in
the illustration:
(A) Linear Transparency, (B) Path, (C) Effect on Object
Transparency types available in the Transparency tab are as follows:
• Solid transparency distributes the transparency uniformly.
• Gradient transparencies include linear, elliptical, and conical
effects, ranging from clear to opaque.
Colour, Fills, and Transparency 139
• Bitmap transparencies include categorized texture maps based on
the Swatches tab's selection of bitmaps.
Applying transparency
You can apply transparency to shapes, text frames, table cells, and to any
artistic, frame, and table text.
To apply transparency with Transparency tab:
1.
With your object selected, display the Transparency tab
and ensure either Fill or Line is selected (for an object's fill or
outline, respectively).
2. For solid transparency, select the
Solid button and pick a
thumbnail from the solid transparency gallery. The lighter
thumbnails represent more transparency (expressed as percentage).
- or -
For gradient transparency, choose the
Gradient button and
pick your thumbnail.
- or -
For bitmap transparency, choose the
Bitmap button and pick
a thumbnail from a range of categories.
The transparency is applied to the object's fill or outline.
3. Alternatively, drag the desired thumbnail from the gallery to an
object, and release the mouse button.
To apply gradient transparency with the Transparency Tool:
1. Select the object and set the Transparency tab’s Fill/Line swatch as
before.
140 Colour, Fills, and Transparency
2. Click the Transparency Tool on the Attributes toolbar.
3. Drag your cursor across the object and release the mouse button.
The object takes a simple Linear transparency, grading from 100%
opacity to 0% opacity (fully transparent).
Editing transparency
Once you've applied a gradient transparency, you can adjust or replace
its path on the object, and the level of transparency along the path. You
can even create more complex transparency effects by adding extra
handles to the path by clicking and assigning different levels to each
handle.
To adjust the transparency path:
• Use the
Transparency Tool to drag individual handles, or click
on the object for a new start handle and drag out a new
transparency path. The effect starts where you place the start
handle, and ends where you place the end handle. For bitmap
transparencies, the path determines the centre and two edges of the
effect.
Editing a gradient transparency path is similar to editing a comparable
fill path. Adding a level of transparency means varying the transparency
gradient by introducing a new handle and assigning it a particular value.
For transparencies with multiple handles, each handle has its own value,
comparable to a key colour in a gradient fill. Note that you cannot alter
the values in a bitmap transparency.
To edit a gradient transparency directly:
1. Select the object and set the Transparency tab’s Fill/Line swatch as
before.
Colour, Fills, and Transparency 141
2. Click the Transparency Tool on the Attributes toolbar. The
object's transparency path appears on the fill or line, with start and
end handles.
3. To add a transparency handle, drag from any solid transparency
sample in the Transparency tab to the point on the path where you
want to add the handle.
The higher the percentage value assigned to a transparency handle,
the more transparent the effect at that point.
4. To change the transparency value of any existing handle, including
the start and end handles, select the handle and click on a new
thumbnail in the Transparency tab's Solid transparency gallery (you
can also drag your chosen thumbnail onto the selected handle).
5. To move a handle you've added, drag to a new position on the path.
6. To delete a handle you've added, select it and press the Delete key.
Understanding blend modes
You can think of blend modes as different rules for putting overlaying
pixels together to create a resulting colour. Note that blend modes work
in relation to the colours of the objects themselves (shapes, lines, and so
on).
142 Colour, Fills, and Transparency
Yellow flower on page
background
The same flower with an
Exclusion blend mode
applied
They are used for creative effects on overlapping objects, where colours
blend on top of one another. Blend modes can be applied to both a top
object's line and fill colour. You can adjust the blend mode of an existing
object, or you can set the blend mode before creating a line, shape, etc.
For professional design, you can also make use of composite blend
modes, or isolated blending within a group to prevent underlying
objects from being affected by the blending operation.
To apply a blend mode to an existing object:
1. Select an existing object on your page.
2. On the Colour tab, choose from the Blend Mode drop-down list.
To apply a blend mode to a new line or shape:
1. Select the line or shape tool you want to use, and set its appropriate
settings—width, colour, etc.
2. On the Colour tab, choose from the Blend Mode drop-down list.
3. Create your line or shape on your page.
Blend modes are also used when creating 2D and 3D effects.
For a complete list of blend modes, with supporting examples, please see
the topic Understanding blend modes in PagePlus help.
Publishing and
Sharing
144 Publishing and Sharing
Publishing and Sharing 145
Preflight check
Preflight is an essential process to ensure that your PagePlus output,
whether PDF, HTML or eBook (both EPUB and EPUB 3 Fixed Layout),
is published as intended. You can run a preflight check at any time
during your design process to fix issues as they occur. In addition, when
a problem is encountered on publishing, the preflight check will report
the problem in the Preflight tab automatically, allowing you to check,
locate, and fix the problem.
The example below shows elements of the page design which may
generate warnings if publishing a document as a PDF.
(A) Missing font style, (B) Low resolution image, (C) Unsupported form
object, (D) Small hyperlink area, (E) Incompatible audio file
It is not mandatory to resolve the warnings indicated in the Preflight
check, in some cases PagePlus will work around the problem
automatically on publication. However, by resolving the warnings, your
final publication should provide users with a better experience when
accessing your chosen output.
146 Publishing and Sharing
Manual preflight check
Checking your publication as you design is particularly useful when
working toward a specific output which must comply with a rigid layout
and style, such as HTML or eBook. You can then resolve problems as
they arise, saving you time when you finally come to publish your
publication.
To run a manual Preflight check:
1. Click Preflight at the bottom of your workspace to view the
Preflight tab.
2. In the tab's drop-down list, select the desired publication type.
3. Click
Check to run the preflight check.
Any warnings will be listed in the Preflight tab.
Some warnings may not be displayed during a manual preflight check as
some problems are only specific to options chosen in the relevant
Publish as dialogs.
To resolve problems listed in the Preflight check:
1. Select a warning from the list.
A brief explanation of the warning displays at the bottom of the
Preflight tab.
2. (Optional) Click
Help to get immediate help on how to resolve
your publishing problem.
3. Click
Locate to automatically select the problem object.
Publishing and Sharing 147
4. Modify the object as appropriate.
- or -
Click
Fix to resolve the publishing problem automatically (not
valid for all warnings).
5. (Optional) Click
Check to run the preflight check again.
This is useful once you've resolved a problem and you need to verify
your fix before republishing.
Automated preflight check
PagePlus will automatically run a check of your document when you
publish. This automated check is more comprehensive than the manual
check discussed above as it also covers the options set in the Publish as
dialogs. If there are any problems with the publication, the Preflight tab
will automatically open, displaying a list of issues.
A warning dialog will also display, asking whether you wish to proceed
with the export and ignore the listed problems. Click Yes to continue
with publication or No to work through the issues before publishing.
To resolve the listed problems, follow the steps listed.
Interactive Print/PDF Preview
The Print/PDF Preview mode changes the screen view to display your
page layout without frames, guides, rulers, and other screen items.
Supporting toolbars allow for a comprehensive and interactive preview
of your publication pages before printing or publishing as PDF.
148 Publishing and Sharing
(A) Imposition toolbar, (B) Mail and Photo Merge toolbar (hidden by
default), (C) Page Marks toolbar, (D) Margins toolbar, (E) Page
Navigation tools, (F) Hintline toolbar, (G) View tools, (H) Printer toolbar,
(I) Close toolbar, (J) View toolbar (hidden by default).
The Preview is interactive—its main feature is to provide dynamic print-
time imposition. Put simply, this allows you to create folded books,
booklets, and more, at the printing/publication stage from unfolded
basic publication setups. Other interactive features are also available
while in Preview mode.
• Select installed printers, and choose which pages to print and how
they print (to printer, file or separation).
• Add and adjust printer margins.
• Switch on/off page marks when generating professional output.
• Control which database records print when using mail and photo
merge via a Mail and Photo Merge toolbar.
Don't forget to make the most of the Preview's powerful viewing
controls hosted on the View toolbar. Use zoom controls, Pan/Zoom
tools, and multi-page views for detailed preview work.
Publishing and Sharing 149
To preview the page:
1. Click
Print/PDF Preview on the Standard toolbar.
In Print/PDF Preview, your first printer sheet is displayed according
to your printer's setup.
2. (Optional) Choose an installed printer from the Printer toolbar's
drop-down list.
3. (Optional) Adjust printer margins from the Margins toolbar.
4. Review your publication using the page navigation controls at the
bottom of your workspace.
To print via Printer toolbar:
1. Choose which page to print via the toolbar's Print Publication
drop-down list.
2. Select
Print.
The standard Print dialog is then displayed, where settings are carried
over from Preview mode (see Printing basics on p. 150).
To publish as PDF via Printer toolbar:
• Select
Publish PDF.
The standard Publish PDF dialog is then displayed (see Publishing PDF
files on p. 153).
To cancel Preview mode:
• Select
Close Preview from the top of your workspace (or click
the window's
Close button).
150 Publishing and Sharing
Document imposition in Preview mode
During preview, you can enable imposition of your document, choosing
a mode suited to your intended final publication (book, booklet, etc.).
Each mode displays different toolbar options on the context-sensitive
Imposition toolbar. Document imposition is not limited to desktop
printing—it can also be used when creating a press-ready PDF for
professional printing.
To choose an imposition mode:
• From the Imposition toolbar, select an option from the Imposition
Mode drop-down list.
Printing books and booklets
To produce double-sided sheets, click Print and use the Print
dialog's Double-sided Printing or Manual Duplex options (under More
Options). Ensure your printer is setup for double-sided printing or run
sheets through twice, printing first the front and then the back of the
sheet (reverse top and bottom between runs). The sheets can then be
collated and bound at their centre to produce a booklet, with all the
pages in the correct sequence.
Printing basics
Printing your publication to a desktop printer is one of the more likely
operations you'll be performing in PagePlus. The easy-to-use Print
dialog presents the most commonly used options to you, with a
navigable "live" Preview window to check your print output.
The dialog also supports additional printing options via the More
Options button including Double-sided Printing, Mail Merge,
Publishing and Sharing 151
Rasterize, and many other useful printing options. One particular
option, called Layout, allows for print-time imposition of your
publication—simply create a booklet or other folded publication at the
print stage.
Here we'll cover what you need to know for basic desktop printer
output. If you're working with a service bureau or professional printer
and need to provide PDF output, see Publishing PDF files (p. 153).
To set up your printer or begin printing:
1. (Optional) To print selected text or objects, make your selection on
the page.
2. Click
Print on the Standard toolbar. The Print dialog appears.
To set your printing options:
1. Select a currently installed printer from the Printer drop-down list.
If necessary, click the Properties button to set up the printer for the
correct page size, etc.
2. Select a printer profile from the Profile drop-down list. You can just
use Current Settings or choose a previously saved custom profile
(.ppr) based on a combination of dialog settings; Browse lets you
navigate to any .ppr file on your computer. To save current settings,
click the Save As button, and provide a unique profile name. The
profile is added to the drop-down list.
If you modify any profile settings, an asterisk appears next to the
profile name.
3. Select the number of copies to print, and optionally instruct the
printer to Collate them.
4. Select the print Range to be printed, e.g. the Entire Publication,
Current Page, Current Selection (if selected text or objects in step
1), or range of pages. For specific pages or a range of pages, enter
152 Publishing and Sharing
"1,3,5" or "2-5", or enter any combination of the two.
Whichever option you've chosen, the Include drop-down list lets
you export all sheets in the range, or just odd or even sheets, with
the option of printing in Reverse order.
5. Set a percentage Scale which will enlarge or shrink your print
output (both page and contents). A 100% scale factor creates a full
size print output. Alternatively, from the adjacent drop-down list,
choose Shrink to Fit to reduce your publication's page size to the
printer sheet size or Scale to Fit to enlarge or reduce the publication
page size as required.
6. Keep Auto Rotate checked if you want your publication page to
automatically rotate your printer's currently set sheet orientation.
When you access the Print dialog, if page and sheet sizes do not
match, you'll be prompted to adjust your printer sheet orientation
automatically (or you can just ignore auto-rotation).
7. Select an option from the Work around printer problems drop-
down list. Best Quality is selected by default, but occasionally
problems arise with some printer drivers when bitmaps in a
publication use transparency. If you are getting poor results, you
can select the Send As Bitmap option to output whole pages as
bitmaps. While slower, this approach virtually guarantees successful
printing.
8. Click Print.
Trimmed Mode
Trimmed Mode is similar to Print/PDF Preview, letting you view your
page exactly how it will appear in print. Visible guides, objects partly
on the pasteboard, text marks, and special characters will all be hidden
so your preview is realistic.
Publishing and Sharing 153
To enter trimmed mode:
• From the View menu, click Trimmed Mode.
You can select the option again to exit Trimmed Mode.
Objects are cropped by the page boundaries, not the print
boundaries.
You can still edit page content while Trimmed Mode is enabled.
More print options
Additional print options are available from the Print dialog if you're
planning to use imposition at print time (see p. 150), use specific
PagePlus features which use printing (e.g., Mail Merge), print double-
sided, or generate professional output.
Publishing PDF files
PagePlus can output your publications to PDF (Portable Document
Format), a cross-platform WYSIWYG file format developed by Adobe,
intended to handle documents in a device- and platform-independent
manner.
PDF documents are ideal for both web-ready distribution and
professional printing.
154 Publishing and Sharing
(A) PagePlus Publication, (B) Preflight and Publish, (C) web-ready PDF, (D)
Press-ready PDF (professional).
In PagePlus, ready-to-go PDF profiles are available for both uses,
making PDF setup less complicated.
Preflight checking
To assist you as you design, you can perform a manual preflight check as
you go. On publishing, a preflight check is also run automatically,
alerting you to any design problems that would result in sub-optimal
published results. See Preflight check on p. 145 for more information.
The preflight check also offers solutions to resolve PDF publishing
issues.
Publishing and Sharing 155
Publishing to PDF
To publish as a PDF file (using a profile):
1. Click
Publish as PDF on the Standard toolbar.
2. Select a profile for screen-ready or professional output from the
Profile drop-down list.
The dialog updates with the selected profile's new settings. The
Compatibility is set according to the profile and doesn't need to be
changed.
3. Select the Range to be published, e.g. the Entire Publication,
Current Page, or range of pages. For specific pages or a range of
pages, enter "1,3,5" or "2-5", or enter any combination of the two .
4. Set a percentage Scale which will enlarge or shrink your published
output (both page and contents). A 100% scale factor creates a full
size print output.
5. Click
More Options and make additional settings as required
including Layout, Prepress, and Colour Management.
6. Click Publish.
Saving PDF profiles
To save any current combination of your own PDF output settings as a
custom publish profile with a unique name, click the Save As button
next to the Publish profile list. In a subsequent session you can recall the
profile by selecting its name from the list.
156 Publishing and Sharing
Publishing as eBooks
The emergence of eBooks in recent years offers not just the traditional
book publishers an opportunity to explore new electronic book markets,
but also provides the writer with the ability to directly publish their own
eBooks, and for fully designed layouts to be published for eBook readers.
In PagePlus, you can be your own publisher and create flowing eBooks
in both EPUB and Kindle mobi formats, and fixed-layout eBooks in
EPUB 3 format. Like publishing to PDF and HTML, the process of
eBook publishing is straightforward, with the added benefit of manual
and automatic preflight checking to ensure your file conforms to eBook
standards.
(A) PagePlus Publication, (B) Preflight and Publish, (C) Smart phone, (D)
Computer, (E) Kindle/EPUB readers.
Preflight checking
To assist you as you design, you can perform a manual preflight check as
you go. On publishing, a preflight check is also run automatically,
alerting you to any design problems that would result in sub-optimal
published results. See Preflight check on p. 145 for more information.
Publishing and Sharing 157
The preflight check also offers solutions to resolve EPUB 2 and EPUB 3
publishing warnings (see PagePlus Help).
Publishing
Different approaches can be taken depending on whether you are
publishing flowing or fixed-layout eBooks, and which file format you
wish to publish, i.e. EPUB or Kindle mobi. Kindle publishing
additionally requires the KindleGen program to be installed.
Publishing settings for your eBook:
1. Choose Publish As> from the File menu and select eBook
from the submenu.
2. With the Output menu item selected, from the Profile drop-
down menu select a flowing or fixed option according to the
type of device you want to publish to. Alternatively, ignore
profiles to fully customize settings yourself.
3. From the dialog's Document Info>Metadata menu, add
metadata and an ID (if needed).
4. With the Document Info>Cover menu item selected, for a pre-
designed eBook cover, either enter a path to a picture in the
Use File field or click Use Page and choose a page from your
publication. You can create cover art in PagePlus, PhotoPlus or
DrawPlus).
5. Click Publish.
6. In the Publish eBook dialog, navigate to the location where you
wish to publish your eBook, then enter a file name in the File
name box. Keep the Save as type drop-down list set to "EPUB
files (*.epub)" or "Kindle files (*.mobi)" as appropriate.
7. Click Save.
158 Publishing and Sharing
To publish an eBook for Kindle:
1. Install the KindleGen program (download from Amazon
Kindle publishing).
2. Follow the procedure for publishing flowing or fixed-layout
eBooks above, choosing a Kindle publishing profile.
3. In the Publish as eBook dialog's Kindle section, click Browse to
navigate to (and select) the kindlegen.exe file from the installed
folder above and click Publish.
4. Navigate to a folder, choose a filename for your eBook, and
change the Save as type drop-down list to "Kindle files
(*.mobi)".
5. Click Save.
If you checked Preview eBook file, in the Output section of the Publish
as eBook dialog, the file will open in its associated reader if one is
installed.
Once you've published your eBook you'll want to make it available to a
physical device as soon as possible. Typical ways that your eBook can be
read include:
• Via computer: Install standalone software such as Azardi or
use a Google Chrome plug-in such as Readium to view your
EPUB document. Similarly, Kindle Previewer software is the
choice for Kindle files.
• Via Kindle: Transfer your published *.mobi file by copying to
your device via your USB port. Alternatively, you can send your
file via email directly to your device.
• Via EPUB device/Smart phone: Like Kindle devices, you can
transfer your *.epub file to your device via USB.
Additional
Information
160 Additional Information
Additional Information 161
Contacting Serif
Help with your Product
On the web
community.serif.com
Get answers and ask questions in
the Serif community!
Additional Serif information
On the web
Serif website www.serif.com
Main office
Address The Software Centre, PO Box 2000
Nottingham, NG11 7GW, UK
Phone (0115) 914 2000
Phone (Registration) (0800) 376 1989
+44 800 376 1989
800-794-6876 (US, Canada)
Phone (Sales) (0800) 376 7070
+44 800 376 7070
800-489-6703 (US, Canada)
Customer Service 0845 345 6770
800-489-6720 (US, Canada)
Fax (0115) 914 2020
162 Additional Information
Credits
This User Guide, and the software described in it, is furnished under an end user License
Agreement, which is included with the product. The agreement specifies the permitted and
prohibited uses.
Trademarks
Serif is a registered trademark of Serif (Europe) Ltd.
PagePlus is a registered trademark of Serif (Europe) Ltd.
All Serif product names are trademarks of Serif (Europe) Ltd.
Microsoft, Windows, and the Windows logo are registered trademarks of Microsoft
Corporation. All other trademarks acknowledged.
Windows Vista and the Windows Vista Start button are trademarks or registered
trademarks of Microsoft Corporation in the United States and/or other countries.
Kindle, the AmazonKindle logo, and Whispersync are trademarks of Amazon.com, Inc. or its
affiliates.
Nook is a trademark of Barnes & Noble, Inc.
Copyrights
Digital Images ©2008 Hemera Technologies Inc. All Rights Reserved.
Bitstream Font content © 1981-2005 Bitstream Inc. All rights reserved.
Portions images © 1997-2002 Nova Development Corporation; © 1995 Expressions
Computer Software; © 1996-98 CreatiCom, In.; 1996 Cliptoart; © 1997 Multimedia Agency
Corporation; © 1997-98 Seattle Support Group. Rights of all parties reserved.
This application was developed using LEADTOOLS, copyright © 1991-2007 LEAD
Technologies, Inc. ALL Rights Reserved.
Panose Typeface Matching System ©1991, 1992, 1995-97 Hewlett-Packard Corporation.
THE PROXIMITY HYPHENATION SYSTEM © 1989 Proximity Technology Inc. All rights
reserved.
THE PROXIMITY/COLLINS DATABASE © 1990 William Collins Sons & Co. Ltd.; © 1990
Proximity Technology Inc. All rights reserved.
THE PROXIMITY/MERRIAM-WEBSTER DATABASE
© 1990 Merriam-Webster Inc.; ©
1990 Proximity Technology Inc. All rights reserved.
Additional Information 163
The Sentry Spelling-Checker Engine © 2000 Wintertree Software Inc.
The ThesDB Thesaurus Engine © 1993-97 Wintertree Software Inc.
WGrammar Grammar-Checker Engine © 1998 Wintertree Software Inc.
Extensible Metadata Platform (XMP) Copyright © 2006 Adobe Systems Incorporated. All
rights reserved.
ICC Colour Profiles © 2006 Adobe Systems Incorporated. All rights reserved.
PANTONE® Colours displayed in the software application or in the user documentation may
not match PANTONE-identified standards. Consult current PANTONE Colour Publications
for accurate colour. PANTONE® and other Pantone trademarks are the property of Pantone
LLC. ©Pantone LLC, 2010.
Pantone LLC is the copyright owner of colour data and/or software which are licensed to
Serif (Europe) Ltd. to distribute for use only in combination with PagePlus. PANTONE
Colour Data and/or Software shall not be copied onto another disk or into memory unless as
part of the execution of PagePlus.
FontForge © 2000,2001,2002,2003,2004,2005,2006,2007,2008 by George Williams.
Portions of this software are copyright © 2008 The FreeType Project (www.freetype.org). All
rights reserved.
ODF Translator © 2006-2008, Clever Age, DIaLOGIKa, Sonata Software Ltd. All rights
reserved.
Office Binary Translator to OpenXML Copyright © 2008-2009, DIaLOGIKa. All rights
reserved.
Anti-Grain Geometry - Version 2.4 Copyright © 2002-2005 Maxim Shemanarev (McSeem)
Clipart samples from Serif ArtPacks © Serif (Europe) Ltd. & Paul Harris
TrueType font samples from Serif FontPacks © Serif (Europe) Ltd.
© 2014 Serif (Europe) Ltd. All rights reserved. No part of this User Guide may be reproduced
in any form without the express written permission of Serif (Europe) Ltd.
Serif PagePlus X8 © 2014 Serif (Europe) Ltd. All rights reserved.
Companies and names used in samples are fictitious.
164 Additional Information
Index
166 Index
Index 167
2D effects, 115
3D effects, 118
address labels, 15, 18
adjustment (picture), 110
aligning, 20
artistic text, 70
Asset Browser, 47, 50
Asset Manager, 49
Asset Packs, 47
assets, 47
adding to page, 52
browsing, 50
filtering, 51
searching, 51
Assets tab, 48
for pictures, 103
AutoFit, 66
AutoFlow, 104
of frame text, 66
of pictures, 104
AutoFormats (table/calendar), 87
automatic gradient fills, 133
background (master page), 33
background colour (for HTML), 30
backgrounds, 48
baseline grid, 63
bitmaps (see pictures), 102
blend modes, 141
booklets, 153
printing, 150, 153
setting up, 27
books, 153
printing, 150, 153
brochures, 15
bullets and numbering, 74, 80
Bump Map effects, 118
business cards, 15, 18
business forms, 15
calendars, 96
character styles, 76
Chart Data tab, 91
Chart Tool, 93
charts, 91
data, 94
editing titles for, 95
formatting, 95
from scratch, 93
modifying, 94
styling, 95
types of, 91
Charts tab, 92
Clear formatting, 78
colour
applying gradient, 132
applying last applied, 126
applying solid, 125
schemes, 127, 128
custom, 132
Colour tab, 125
Colours toolbar, 126
column
blinds, 60
margins, 60
column rules, 62
combining, 20
conical transparency, 138
copying, 20
Crop to Shape, 107
cropping, 20
Cutout Studio, 108
cutting, 20
Decrease Paragraph Indent, 82
default properties, 22
deleting, 21
168 Index
dimensions (publication), 27
distributing, 21
Document Intent, 28
double-sided printing, 150
duplicating, 21
eBooks, 156
from scratch, 18
from template, 15
preflight check for, 145
editing text, 72, 74
effects
2D, 115
3D, 118
favourites, 117
effects (picture), 110
envelopes, 15
ePub, 156
features (new), 4
Fill Tool, 133
fills
gradient, 133
solid, 125
filters, 110
applying, 111
flip (vertically), 21
flip (horizontally), 21
flowing tables, 88
flyers, 15
folded publications, 18
setting up, 27
fonts
assigning, 75
setting, 74
frame text, 55
frames (text)
fitting text to, 65
inline pictures in, 59
linking, 67
setup and layout, 60
gradient colour fills, 132
applying, 133
editing, 136
gradient transparency, 138
greeting cards, 18
grid (baseline), 63
grouping, 21
HD photo, 102
highlighter effect, 125
hyperlinks (for HTML), 30
images (see pictures), 102
imposition, 150
interactive print/PDF, 150
of folded publications, 27
Increase level, 80
Increase Paragraph Indent, 82
installation, 8
Intent, 28
layers, 42
adding, 43
deleting, 43
master pages and, 34
properties of, 44
selecting, 43
layouts (theme), 15
lighting (3D), 118
linear transparency, 138
linking, 67
tables, 88
text frames, 67
lists
bulleted, 80
changing level, 82
multi-level, 81
numbered, 80
locking/unlocking, 21
Manual Duplex, 150
master pages
adding and removing, 31
Index 169
and layers, 34
assigning, 35
disconnecting, 34
editing objects on, 37
overview, 33
page numbers on, 38
promoting objects from, 37
moving, 21
multi-level lists, 81
named styles, 75, 76
navigation, 39
new features, 4
numbered lists, 80
N-up printing, 150
object management, 20
object styles, 121
objects
applying schemes to, 130
master page, 37
setting default properties, 22
on-page colour (for HTML), 30
opening an existing publication, 19
ordering, 21
page content (Assets), 48
page size and orientation, 27
mixed, 29
pages, 38
adding assets to, 52
adding, removing, and
rearranging, 31
facing, 36
navigating, 39
numbering, 38
mixed format, 38
viewing, 40
pages (Assets), 48
Pages tab, 31
paragraphs
alignment, 74
formatting, 74
styles, 76
pasteboard area, 40
pasting, 21
Pattern Map effects, 118
PDF files
preflight check for, 145
publishing, 153
PhotoLab, 110
photos. See pictures
picture frames, 99
custom, 101
from assets, 48
shaped, 101
pictures
adding, 102
adding to Assets tab, 103
adding to page, 103
adjustments for, 110
Assets tab for, 48
cropping, 105
effects for, 110
extracting parts of, 108
inline, in text frames, 59
setting transparency of, 137
wrapping text around, 78
placing, 22
point size, setting, 74
posters, 15, 18
setting up, 27
preflight check, 145
automated, 147
manual, 146
previewing
Trimmed Mode for, 152
previewing (for print/PDF), 147
printing, 150
double-sided, 150
PDF files, 153
170 Index
previewing the page, 147
saving print profiles, 151
tiled, 150, 153
Trimmed Mode for previewing
in, 152
Pro templates, 15
profiles (print), 151
proofing tools, 73
preflight check, 145
previewing the printed page,
147
Proof Reader, 73
Spell Checker, 73
Thesaurus, 73
Publication Setup, 27
publications, 15
from design templates, 15
master pages, 33
opening existing, 19
saving, 24
setting dimensions, 27
starting from scratch, 18
publishing
eBooks, 156
PDF files, 153
radial transparency, 138
reflection maps (effect), 118
registration, 3
replicating, 22
resizing, 22
rotating, 22
Save Defaults, 23
saving, 24
scaling, 153
in printing, 150, 152
schemes (colour), 127, 128
selecting, 22
Serif (contacting), 161
Shadow Tool, 119
shadows, 119
shapes
applying transparency, 137
gradient/bitmap fills for, 132
solid fills for, 125
skewed shadows, 120
Smart tags (for assets), 51
Spell Checker, 73
standalone text, 70
Startup Assistant, 13, 17, 18, 19
Step & Repeat printing, 150
story text, 55
styles
object, 121
text, 75
assigning numbers to, 82
named, 76
reapply, 78
Styles tab, 121
support, 161
Swatches tab, 125, 133
system requirements, 9
tab
Assets, 48
Chart Data, 91
Charts, 92
Colour, 125
Pages, 31
Styles, 121
Swatches, 125, 133
Transparency, 139
Table Tool, 87
tables, 87
flowing, 88
technical support, 161
templates, 15
text
adding to text frame, 58
applying fonts to, 75
Index 171
artistic (standalone), 70
changing colour or shading of,
125
editing on the page, 72
fitting to frames, 65
formatting, 74
frames, 55
gradient and bitmap fills on, 132
inserting user details, 82
selecting, 72
setting default properties, 22
special effects, 115
text frames
AutoFlow of, 66
column rules, 62
creating, 57
inline pictures in, 59
linking/unlinking, 56, 67
mirrored, 62
setting default properties, 22
Text Style Palette, 76
text styles, 75
numbering, 82
remove formatting, 78
text wrap, 78
theme layouts, 15
Thesaurus, 73
thumbnails (printing), 150, 153
tiling (printing), 150, 153
tinting, 126
Tool
Artistic Text, 70
Chart, 93
Fill, 133
Shadow, 119
Table, 87
Transparency, 139
transparency, 137
applying, 139
gradient, 140
Transparency tab, 139
Transparency Tool, 139
Trimmed Mode, 152
typeface, setting, 74
Update Object Default, 22
user details, 82
view options, 41
web pages (HTML output)
hyperlinks, on-page,
background colours, 30
Welcome!, 3
wrapping text around objects, 78
zoom view options, 41
172 Index
… 173 …

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