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Roland C-330 Handleiding

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C-380_330_e.book 1 ページ ２０１０年４月２８日　水曜日　午後１０時１１分
C-380_330_e.book 2 ページ ２０１０年４月２８日　水曜日　午後１０時１１分
IMPORTANT SAFETY INSTRUCTIONS
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
ATTENTION: RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK,
DO NOT REMOVE COVER (OR BACK).
NO USER-SERVICEABLE PARTS INSIDE.
REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
The lightning flash with arrowhead symbol, within an
equilateral triangle, is intended to alert the user to the
presence of uninsulated “dangerous voltage” within the
product’s enclosure that may be of sufficient magnitude to
constitute a risk of electric shock to persons.
The exclamation point within an equilateral triangle is
intended to alert the user to the presence of important
operating and maintenance (servicing) instructions in the
literature accompanying the product.
INSTRUCTIONS PERTAINING TO A RISK OF FIRE, ELECTRIC SHOCK, OR INJURY TO PERSONS.
IMPORTANT SAFETY INSTRUCTIONS
SAVE THESE INSTRUCTIONS
WARNING - When using electric products, basic precautions should always be followed, including the following:
1. Read these instructions.
2. Keep these instructions.
3. Heed all warnings.
4. Follow all instructions.
5. Do not use this apparatus near water.
6. Clean only with a dry cloth.
7. Do not block any of the ventilation openings. Install in
accordance with the manufacturers instructions.
8. Do not install near any heat sources such as radiators,
heat registers, stoves, or other apparatus (including
amplifiers) that produce heat.
9. Do not defeat the safety purpose of the polarized or
grounding-type plug. A polarized plug has two blades with
one wider than the other. A grounding type plug has two
blades and a third grounding prong. The wide blade or the
third prong are provided for your safety. If the provided plug
does not fit into your outlet, consult an electrician for
replacement of the obsolete outlet.
WARNING:
IMPORTANT:
As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying
the terminals in your plug, proceed as follows:
The wire which is coloured GREEN-AND-YELLOW must be connected to the terminal in the plug which is marked by the
letter E or by the safety earth symbol or coloured GREEN or GREEN-AND-YELLOW.
The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK.
The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.
THIS APPARATUS MUST BE EARTHED
THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE.
GREEN-AND-YELLOW: EARTH, BLUE: NEUTRAL, BROWN: LIVE
For the U.K.
10. Protect the power cord from being walked on or pinched
particularly at plugs, convenience receptacles, and the
point where they exit from the apparatus.
11. Only use attachments/accessories specified
by the manufacturer.
12. Unplug this apparatus during lightning storms or when
unused for long periods of time.
13. Refer all servicing to qualified service personnel. Servicing
is required when the apparatus has been damaged in any
way, such as power-supply cord or plug is damaged, liquid
has been spilled or objects have fallen into the apparatus,
the apparatus has been exposed to rain or moisture, does
not operate normally, or has been dropped.
WARNING: To reduce the risk of fire or electric shock, do not expose this apparatus to rain or moisture.
Before using this unit, carefully read the sections entitled: “IMPORTANT SAFETY INSTRUCTIONS”, “USING THE UNIT
SAFELY” (p. 4), and “IMPORTANT NOTES” (p. 6). These sections provide important information concerning the proper
operation of the unit. Additionally, in order to feel assured that you have gained a good grasp of every feature
provided by your new unit, Owner’s manual should be read in its entirety. The manual should be saved and kept on
hand as a convenient reference.
Copyright © 2010 ROLAND CORPORATION
All rights reserved. No part of this publication may be reproduced in
any form without the written permission of ROLAND CORPORATION.
C-380_330_e.book 3 ページ ２０１０年４月２８日　水曜日　午後１０時１１分
4
USING THE UNIT SAFELY
•
Connect mains plug of this model to a mains socket
outlet with a protective earthing connection.
..................................................................................................................................
•
Do not open or perform any internal modifications on
the unit.
..................................................................................................................................
•
Do not attempt to repair the unit, or replace parts
within it (except when this manual provides specific
instructions directing you to do so). Refer all servicing
to your retailer, the nearest Roland Service Center, or
an authorized Roland distributor, as listed on the
“Information” page.
..................................................................................................................................
• Never install the unit in any of the following locations.
• Subject to temperature extremes (e.g., direct
sunlight in an enclosed vehicle, near a heating
duct, on top of heat-generating equipment); or are
• Damp (e.g., baths, washrooms, on wet floors); or
are
• Exposed to steam or smoke; or are
• Subject to salt exposure; or are
• Humid; or are
• Exposed to rain; or are
• Dusty or sandy; or are
• Subject to high levels of vibration and shakiness.
..................................................................................................................................
•
Make sure you always have the unit, pedalboard or the
bench placed so it is level and sure to remain stable.
Never place it on stands that could wobble, or on
inclined surfaces.
..................................................................................................................................
• The unit should be connected to a power supply only
of the type described in the operating instructions, or
as marked on the rear side of unit.
..................................................................................................................................
•
Use only the attached power-supply cord. Also, the
supplied power cord must not be used with any other
device.
..................................................................................................................................
• Do not excessively twist or bend the power cord, nor
place heavy objects on it. Doing so can damage the
cord, producing severed elements and short circuits.
Damaged cords are fire and shock hazards!
..................................................................................................................................
•
This unit, either alone or in combination with an
amplifier and headphones or speakers, may be
capable of producing sound levels that could cause
permanent hearing loss. Do not operate for a long
period of time at a high volume level, or at a level that
is uncomfortable. If you experience any hearing loss or
ringing in the ears, you should immediately stop using
the unit, and consult an audiologist.
..................................................................................................................................
•
Do not allow any objects (e.g., flammable material,
coins, pins); or liquids of any kind (water, soft drinks,
etc.) to penetrate the unit.
..................................................................................................................................
• Protect the unit from strong impact.
(Do not drop it!)
..................................................................................................................................
Used for instructions intended to alert the
user to the risk of injury or material
damage should the unit be used
improperly.
* Material damage refers to damage or
other adverse effects caused with
respect to the home and all its
furnishings, as well to domestic animals
or pets.
Used for instructions intended to alert the
user to the risk of death or severe injury
should the unit be used improperly.
The symbol alerts the user to things that must be
carried out. The specific thing that must be done is
indicated by the design contained within the circle. In the
case of the symbol at left, it means that the power-cord
plug must be unplugged from the outlet.
The symbol alerts the user to important instructions or
warnings.The specific meaning of the symbol is
determined by the design contained within the triangle. In
the case of the symbol at left, it is used for general
cautions, warnings, or alerts to danger.
The symbol alerts the user to items that must never be
carried out (are forbidden). The specific thing that must
not be done is indicated by the design contained within
the circle. In the case of the symbol at left, it means that
the unit must never be disassembled.
About WARNING and CAUTION Notices
About the Symbols
ALWAYS OBSERVE THE FOLLOWING
C-380_330_e.book 4 ページ ２０１０年４月２８日　水曜日　午後１０時１１分
5
USING THE UNIT SAFELY
•
Immediately turn the power off, remove the power
cord from the outlet, and request servicing by your
retailer, the nearest Roland Service Center, or an
authorized Roland distributor, as listed on the
“Information” page when:
• The power-supply cord or the plug has been
damaged; or
• If smoke or unusual odor occurs
• Objects have fallen into, or liquid has been spilled
onto the unit; or
• The unit has been exposed to rain (or otherwise
has become wet); or
• The unit does not appear to operate normally or
exhibits a marked change in performance.
..................................................................................................................................
•
In households with small children, an adult should
provide supervision until the child is capable of
following all the rules essential for the safe operation
of the unit.
..................................................................................................................................
•
Do not force the unit’s power-supply cord to share an
outlet with an unreasonable number of other devices.
Be especially careful when using extension cords—the
total power used by all devices you have connected to
the extension cord’s outlet must never exceed the
power rating (watts/amperes) for the extension cord.
Excessive loads can cause the insulation on the cord to
heat up and eventually melt through.
..................................................................................................................................
•
Before using the unit in a foreign country, consult
with your retailer, the nearest Roland Service Center,
or an authorized Roland distributor, as listed on the
“Information” page.
..................................................................................................................................
•
Do not put anything that contains water (e.g., flower
vases) on this unit. Also, avoid the use of insecticides,
perfumes, alcohol, nail polish, spray cans, etc., near
the unit. Swiftly wipe away any liquid that spills on the
unit using a dry, soft cloth.
• The unit should be located so that its location or
position does not interfere with its proper ventilation.
..................................................................................................................................
•
Always grasp only the plug on the power-supply cord
when plugging into, or unplugging from, an outlet or
this unit.
..................................................................................................................................
•
At regular intervals, you should unplug the power plug
and clean it by using a dry cloth to wipe all dust and
other accumulations away from its prongs. Also,
disconnect the power plug from the power outlet
whenever the unit is to remain unused for an extended
period of time. Any accumulation of dust between the
power plug and the power outlet can result in poor
insulation and lead to fire.
..................................................................................................................................
•
Try to prevent cords and cables from becoming
entangled. Also, all cords and cables should be placed
so they are out of the reach of children.
..................................................................................................................................
•
Never climb on top of, nor place heavy objects on the
unit.
..................................................................................................................................
•
Never handle the power cord or its plugs with wet
hands when plugging into, or unplugging from, an
outlet or this unit.
..................................................................................................................................
•
If you need to move the instrument, take note of the
precautions listed below. At least two persons are
required to safely lift and move the unit. It should be
handled carefully, all the while keeping it level. Make
sure to have a firm grip, to protect yourself from injury
and the instrument from damage.
• Disconnect the power cord.
• Disconnect all cords coming from external devices,
pedalboard, and satellite speakers.
• Fold down the music stand.
..................................................................................................................................
•
Before cleaning the unit, turn off the power and
unplug the power cord from the outlet (p. 24).
..................................................................................................................................
•
Whenever you suspect the possibility of lightning in
your area, pull the plug on the power cord out of the
outlet.
..................................................................................................................................
•
(C-380)
Be careful when opening/closing the keyboard cover
so you do not get your fingers pinched (p. 22). Adult
supervision is recommended whenever small children
use the unit.
..................................................................................................................................
•
When using the organ bench, please observe the
following points:
• Do not use the organ bench as a toy, or as a
stepping stool.
• Do not allow two or more persons to sit on the
organ bench.
..................................................................................................................................
•
Keep the included screws and keys for keyboard cover
in a safe place out of children’s reach, so there is no
chance of them being swallowed accidentally.
..................................................................................................................................
C-380_330_e.book 5 ページ ２０１０年４月２８日　水曜日　午後１０時１１分
6
IMPORTANT NOTES
Power Supply
• Do not connect this unit to same electrical outlet that is being used by
an electrical appliance that is controlled by an inverter (such as a
refrigerator, washing machine, microwave oven, or air conditioner), or
that contains a motor. Depending on the way in which the electrical
appliance is used, power supply noise may cause this unit to
malfunction or may produce audible noise. If it is not practical to use a
separate electrical outlet, connect a power supply noise filter
between this unit and the electrical outlet.
• Before connecting this unit to other devices, turn off the power to all
units. This will help prevent malfunctions and/or damage to speakers
or other devices.
• Although the LCD and LEDs are switched off when the POWER switch
is switched off, this does not mean that the unit has been completely
disconnected from the source of power. If you need to turn off the
power completely, first turn off the POWER switch, then unplug the
power cord from the power outlet. For this reason, the outlet into
which you choose to connect the power cord’s plug should be one
that is within easy reach and readily accessible.
Placement
• Using the unit near power amplifiers (or other equipment containing
large power transformers) may induce hum. To alleviate the problem,
change the orientation of this unit; or move it farther away from the
source of interference.
• This device may interfere with radio and television reception. Do not
use this device in the vicinity of such receivers.
• Noise may be produced if wireless communications devices, such as
cell phones, are operated in the vicinity of this unit. Such noise could
occur when receiving or initiating a call, or while conversing. Should
you experience such problems, you should relocate such wireless
devices so they are at a greater distance from this unit, or switch them
off.
• Do not expose the unit to direct sunlight, place it near devices that
radiate heat, leave it inside an enclosed vehicle, or otherwise subject it
to temperature extremes. Also, do not allow lighting devices that
normally are used while their light source is very close to the unit
(such as a piano light), or powerful spotlights to shine upon the same
area of the unit for extended periods of time. Excessive heat can
deform or discolor the unit.
• When moved from one location to another where the temperature
and/or humidity is very different, water droplets (condensation) may
form inside the unit. Damage or malfunction may result if you
attempt to use the unit in this condition. Therefore, before using the
unit, you must allow it to stand for several hours, until the
condensation has completely evaporated.
• Do not allow rubber, vinyl, or similar materials to remain on the unit
for long periods of time. Such objects can discolor or otherwise
harmfully affect the finish.
• Do not allow objects to remain on top of the keyboard or pedal board.
This can be the cause of malfunction, such as keys ceasing to produce
sound.
• Do not paste stickers, decals, or the like to this instrument. Peeling
such matter off the instrument may damage the exterior finish.
Maintenance
• To clean the unit, use a dry, soft cloth; or one that is slightly
dampened. Try to wipe the entire surface using an equal amount of
strength, moving the cloth along with the grain of the wood. Rubbing
too hard in the same area can damage the finish.
• Never use benzine, thinners, alcohol or solvents of any kind, to avoid
the possibility of discoloration and/or deformation.
Repairs and Data
• Please be aware that all data contained in the unit’s memory may be
lost when the unit is sent for repairs. Important data should always be
backed up on a USB memory, or written down on paper (when
possible). During repairs, due care is taken to avoid the loss of data.
However, in certain cases (such as when circuitry related to memory
itself is out of order), we regret that it may not be possible to restore
the data, and Roland assumes no liability concerning such loss of
data.
Before Using USB Memory
Using USB memories
• Use USB memory available from Roland. Proper operation cannot be
guaranteed if other USB device is used.
• We cannot guarantee correct operation if other brands of USB
memory are used. Note that only USB memory keys can be used—
never use any other kind of USB device.
• When connecting USB memory, position it horizontally with the USB
connector and insert it without using excessive force. The USB
MEMORY connector may be damaged if you use excessive force when
inserting USB memory.
• Do not insert anything other than USB memory (e.g., wire, coins, other
types of device) into the USB connector. Doing so will damage the
USB connector.
• Do not apply excessive force to the connected USB memory.
• Carefully insert the USB memory all the way in—until it is firmly in
place.
• Never touch the terminals of the USB memory. Also, avoid getting the
terminals dirty.
• USB memories are constructed using precision components; handle
the USB memories carefully, paying particular note to the following.
• To prevent damage to the USB memories from static electricity, be
sure to discharge any static electricity from your own body before
handling the USB memories.
• Do not touch or allow metal to come into contact with the contact
portion of the USB memories.
• Do not bend, drop, or subject USB memories to strong shock or
vibration.
• Do not keep USB memories in direct sunlight, in closed vehicles, or
other such locations.
• Do not allow USB memories to become wet.
• Do not disassemble or modify the USB memories.
C-380_330_e.book 6 ページ ２０１０年４月２８日　水曜日　午後１０時１１分
7
IMPORTANT NOTES
Additional Precautions
• Please be aware that the contents of memory can be irretrievably lost
as a result of a malfunction, or the improper operation of the unit. To
protect yourself against the risk of loosing important data, we
recommend that you periodically save a backup copy of important
data you have stored in the unit’s memory on a USB memory.
• Unfortunately, it may be impossible to restore the contents of data
that was stored in the USB memory or unit’s memory once it has been
lost. Roland Corporation assumes no liability concerning such loss of
data.
• Use a reasonable amount of care when using the unit’s buttons,
sliders, or other controls; and when using its jacks and connectors.
Rough handling can lead to malfunctions.
• Never strike or apply strong pressure to the display.
• A small amount of noise may be heard from the display during normal
operation.
• When connecting / disconnecting all cables, grasp the connector
itself—never pull on the cable. This way you will avoid causing shorts,
or damage to the cable’s internal elements.
• A small amount of heat will radiate from the unit during normal
operation.
• You should be careful that you don’t disturb your neighbors, since
floors and walls can too easily transmit vibrations (especially
vibrations from the pedalboard). You should be especially careful at
night or when you’re using headphones.
• When you need to transport the unit, pack it in shock-absorbent
material. Transporting the unit without doing so can cause it to
become scratched or damaged, and could lead to malfunction.
• Do not apply undue force to the music stand while it is in use.
• Some connection cables contain resistors. Do not use cables that
incorporate resistors for connecting to this unit. The use of such
cables can cause the sound level to be extremely low, or impossible to
hear. For information on cable specifications, contact the
manufacturer of the cable.
• Due to the way that the indicators for the tablets and pistons are
manufactured, some variances in coloration may occur. This does not
indicate a malfunction.
.......................................................................................................
• MMP (Moore Microprocessor Portfolio) refers to a patent portfolio
concerned with microprocessor architecture, which was developed
by Technology Properties Limited (TPL). Roland has licensed this
technology from the TPL Group.
• Roland is a registered trademark of Roland Corporation in the United
States and/or other countries.
• All product names mentioned in this document are trademarks or
registered trademarks of their respective owners.
.......................................................................................................
00_QA.fm 7 ページ ２０１０年４月３０日　金曜日　午前８時５８分
8
Contents
IMPORTANT SAFETY INSTRUCTIONS ............................................................3
USING THE UNIT SAFELY ................................................................................4
IMPORTANT NOTES ........................................................................................6
Introduction ................................................................................................. 12
Conventions Used in This Manual.....................................................................................................................................12
Keyboards and Divisions.......................................................................................................................................................12
Names of Things and What They Do .......................................................... 13
Names of Things on the C-380............................................................................................................................................13
Names of Things on the C-330............................................................................................................................................13
Tablets and Pistons (C-380)..................................................................................................................................................14
Tablets and Pistons (C-330)..................................................................................................................................................16
Display and Panel ....................................................................................................................................................................18
External Connectors ...............................................................................................................................................................18
Before You Start Playing ............................................................................. 19
Connecting the Pedalboard ................................................................................................................................................19
Using the Music rest ...............................................................................................................................................................19
Placing the Bench....................................................................................................................................................................19
Installing the Satellite Speakers .........................................................................................................................................20
Attaching to the Main Unit (C-330 Only)...........................................................................................................20
Attaching to the Wall................................................................................................................................................20
Connecting the Satellite Speakers to the Organ............................................................................................21
Opening and Closing the Keyboard Cover (C-380 only) ...........................................................................................22
Locking the Cover......................................................................................................................................................22
Connecting the Power Cord................................................................................................................................................22
Turning the Power On and Off............................................................................................................................................24
Turning On the Power..............................................................................................................................................24
Turning Off the Power..............................................................................................................................................25
Connecting Headphones......................................................................................................................................................25
Connecting the USB memory .............................................................................................................................................26
About the Display....................................................................................................................................................................27
Contents of the Main Screen .................................................................................................................................27
Return to the Main Screen......................................................................................................................................27
Adjusting the Display Contrast.............................................................................................................................27
Listening to the Demo Songs..............................................................................................................................................28
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9
Contents
Performing ................................................................................................... 29
Playing Various Sounds.........................................................................................................................................................29
Selecting Stops (sounds).........................................................................................................................................29
Selecting a Sound Variation (Voice Palette).....................................................................................................30
Playing the Sounds of Another Division (Couplers)....................................................................................................31
Using a Manual Coupler ..........................................................................................................................................31
Using the Melody Coupler......................................................................................................................................32
Using the Bass Coupler............................................................................................................................................33
Adjusting the Volume and Reverberation......................................................................................................................34
Adjusting the Overall Volume...............................................................................................................................34
Adjusting the Volume of the Satellite Speakers .............................................................................................34
Adjusting the Reverberation .................................................................................................................................34
Changing the Type of Reverberation...............................................................................................................................35
Changing the Room Type.......................................................................................................................................35
Changing the Wall Type ..........................................................................................................................................36
Adding Soft Vibrato (Tremulant) .......................................................................................................................................37
Adding Tremulant to Each Division ....................................................................................................................37
Adjusting the Tremulant Effect.............................................................................................................................37
Changing the Tuning (Temperament).............................................................................................................................38
Using Baroque Pitch...............................................................................................................................................................39
Tuning to Match the Pitch of Another Instrument......................................................................................................40
Transposing the Key...............................................................................................................................................................41
Using the Expression Pedal to Adjust the Volume of the Organ............................................................................42
Specifying the Divisions Affected by the Expression Pedal .......................................................................42
Storing the Division for which the Volume is to be Adjusted ...................................................................43
Setting the Minimum Volume of the Expression Pedal...............................................................................44
Using the Kick Switches.........................................................................................................................................................45
Storing a Combination of Stops ................................................................. 46
Storing or Recalling a Registration....................................................................................................................................47
Storing a Registration...............................................................................................................................................47
Recalling a Registration ...........................................................................................................................................47
Resetting the Sound Settings (General Cancel) ...........................................................................................................47
Using Memory Banks..............................................................................................................................................................48
Storing the Combination of Memory Pistons as a Memory Bank ............................................................48
Recalling a Registration from a Different Memory Bank .............................................................................49
Recalling Registrations Successively ................................................................................................................................49
Practicing Along with a Preset Song or Performance Data...................... 50
Selecting and Playing Back a Song ...................................................................................................................................50
Muting a Specific Division During Playback ....................................................................................................52
Playing Back a Specific Division as a Guide Tone...........................................................................................53
Changing the Tempo .............................................................................................................................................................54
Using the Metronome............................................................................................................................................................55
Recording Your Performances.................................................................... 56
Recording a Song ....................................................................................................................................................................56
Play Back the Recorded Song..............................................................................................................................................57
Saving a Recorded Song .......................................................................................................................................................57
Deleting a Recorded Song ...................................................................................................................................................59
Copying a Saved Song...........................................................................................................................................................60
C-380_330_e.book 9 ページ ２０１０年４月２８日　水曜日　午後１０時１１分
10
Contents
Saving and Loading Settings on USB Memory.......................................... 62
Formatting USB Memory ......................................................................................................................................................62
Saving and Loading Memory Banks .................................................................................................................................62
Saving to USB Memory ............................................................................................................................................62
Loading from USB Memory into Internal Memory ........................................................................................63
Deleting a Memory Bank from USB Memory...................................................................................................63
Copying a Memory Bank.......................................................................................................................................................64
Saving and Loading Voice Setup.......................................................................................................................................65
Saving to USB Memory ............................................................................................................................................65
Loading a Voice Setup .............................................................................................................................................66
Deleting a Voice Setup.............................................................................................................................................67
Other Settings.............................................................................................. 68
Settings for the USER/MIDI Couplers................................................................................................................................68
Playing Sounds that are not in the Sound Tablets (USER Sound Coupler)...........................................68
Playing Sounds on an External MIDI Sound Module (MIDI Coupler) ......................................................69
MIDI Settings.............................................................................................................................................................................71
Local Control Setting (Local)..................................................................................................................................71
Specifying the Type of External MIDI Sound Module (Tone Name)........................................................72
Specifying the MIDI Data Output format for the General Memory Pistons (Tx Piston)....................72
Returning all Settings to the Factory-Set State (Factory Reset)..............................................................................72
Storing Your Settings (Customize)....................................................................................................................................73
Connecting External Devices...................................................................... 74
Connecting to Audio Equipment.......................................................................................................................................74
Connecting to Amplified Speakers......................................................................................................................74
Playing the Sounds of an External MIDI Sound Module or an Audio Device.......................................75
Adjusting the Volume of your Audio Device...................................................................................................75
Connecting to MIDI Equipment .........................................................................................................................................76
Using the Organ to Play the Sounds of a MIDI Sound Module .................................................................76
Using V-LINK..............................................................................................................................................................................77
C-380_330_e.book 10 ページ ２０１０年４月２８日　水曜日　午後１０時１１分
11
Contents
List of Preset Song/Demo Song .................................................................. 78
List of Voices (Stops).................................................................................... 79
MAN I Division (Lower Keyboard)......................................................................................................................................79
MAN II Division (Upper Keyboard).....................................................................................................................................79
PEDAL Division (Pedalboard) ..............................................................................................................................................79
USER/MIDI Voice ......................................................................................................................................................................80
Troubleshooting .......................................................................................... 82
Error Messages............................................................................................. 85
List of Shortcuts ........................................................................................... 85
Glossary ........................................................................................................ 86
MIDI Implementation Chart........................................................................ 88
Specifications............................................................................................... 89
Index ............................................................................................................. 91
C-380_330_e.book 11 ページ ２０１０年４月２８日　水曜日　午後１０時１１分
12
Introduction
Thank you, and congratulations on your choice of a Roland Classic Organ. The Roland C-380 and C-330 Classic Organs represent a new
type of organ with numerous features, allowing you to enjoy full-fledged pipe organ sound in your home.
In order to take full advantage of your Roland Classic Organ and enjoy trouble-free operation, please read this owner’s manual
carefully.
This owner’s manual uses the following conventions in order to explain operations as clearly as possible.
• The Roland C-380 and C-330 classical organs are referred to as the “C-380” and “C-330,” respectively.
• Tablet and Piston names are enclosed in square brackets (“[ ]”), as in [SET] piston.
• For easier readability, some screens and colors used here may differ somewhat from actual screens and colors.
• Text preceded by a symbol such as or an asterisk (*) are warnings. Please be sure to read these.
• (p. **) refers to pages within the manual.
• Text preceded by explains a shortcut for the operation.
• Perform all operations after you’ve returned to the main screen. For details on how to return to the main screen, refer to “Return to the
Main Screen” (p. 27).
• The explanations in this manual include illustrations that depict what should typically be shown by the display. Note, however, that your
unit may incorporate a newer, enhanced version of the system (e.g., includes newer sounds), so what you actually see in the display may
not always match what appears in the manual.
The Roland C-380 and C-330 Classic Organs have two manuals and a pedalboard.
From the bottom, these are referred to as the “PEDAL division,” “MAN I (Manual 1) division,” and “MAN II (manual 2) division.”
The basic group of sounds for each keyboard is called a “division.”
Conventions Used in This Manual
Keyboards and Divisions
PEDAL division
MAN II (Manual 2) division
MAN I (Manual 1) division
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13
Names of Things and What They Do
Names of Things on the C-380
Names of Things on the C-330
Music Rest (p. 19)
Tablets (p. 14)
Keyboard Cover (p. 22)
Pistons (p. 15)
Power Switch (p. 24)
Headphone Jack (p. 25)
Organ Bench (p. 19)
Pedalboard (p. 19)
External Connectors (p. 18)
Display/Panel
(p. 18, 27)
USB Connector (p. 26)
Satellite Speaker Jacks (p. 21)
AC Inlet (p. 23)
Music Rest (p. 19)
Tablets (p. 16)
Pistons (p. 17)
Power Switch (p. 24)
USB Connector (p. 26)
Headphone Jack (p. 25)
Organ Bench (p. 19)
Pedalboard (p. 19)
External Connectors (p. 18)
Display/Panel
(p. 18, 27)
AC Inlet (p. 23)
Satellite Speaker Jacks (p. 21)
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14
Names of Things and What They Do
Tablets
These select the basic stops (sounds) of the organ.
➔
“Playing Various Sounds” (p. 29)
1.
PEDAL Division Tablets
These select stops for the PEDAL division.
2.
MAN I Division Tablets
These select stops for the MAN I (manual 1) division.
3.
MAN II Division Tablets
These select stops for the MAN II (manual 2) division.
USER/MIDI Coupler
These allow you to select sounds that cannot be selected by the
other tablets. You’ll also use these tablets when an external MIDI
device is connected.
➔
“Settings for the USER/MIDI Couplers” (p. 68)
4.
PEDAL Division USER/MIDI Coupler
These select sounds for the PEDAL division (pedalboard).
5.
MAN I Division USER/MIDI Coupler
These select sounds for the MAN I division (lower manual).
6.
MAN II Division USER/MIDI Coupler
These select sounds for the MAN II division (upper manual).
Coupler Tablets
These allow a specific division to simultaneously play the sound of
another keyboard.
➔
“Playing the Sounds of Another Division (Couplers)” (p. 31)
7.
PEDAL Division Coupler Tablets
These make the pedalboard play the sounds of the MAN I division
(lower manual) or MAN II division (upper manual).
8.
MAN I Division Coupler Tablet
This makes the lower manual play the sounds of the MAN II division
(upper manual).
Tremulant Tablets
These apply a tremulant effect to the selected sound.
➔
“Adding Soft Vibrato (Tremulant)” (p. 37)
9.
MAN I Division Tremulant Tablet
This applies a tremulant effect to the sound of the MAN I division
(lower manual).
10.
MAN II Division Tremulant Tablet
This applies a tremulant effect to the sound of the MAN II division
(upper manual).
Tablets and Pistons (C-380)
1 2
11 12
4 7
14
14
13 15
16
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15
Names of Things and What They Do
Pistons
11.
[SET] Piston
This stores a combination of sounds (registration) to a general
memory piston or a division memory piston.
➔
“Storing a Registration” (p. 47)
12.
General Memory [1]–[5] Pistons
Each of these pistons can store the combination of sounds
(registration) for the entire organ.
➔
“Storing a Registration” (p. 47)
13.
MAN I Division Coupler Piston
This piston causes the lower manual to play the sound of the MAN II
division (upper manual).
It has the same function as the MAN I division coupler tablets (8).
14.
PEDAL Division Coupler Piston
This piston causes the pedalboard to play the sound of the MAN I
division (lower manual) or MAN II division (upper manual).
It has the same function as the PEDAL division coupler tablets (7).
15.
MAN I Division Memory [1]–[5] Pistons
Each of these pistons can store the sound (registration) for the
MAN I division (lower manual.)
➔
“Storing a Registration” (p. 47)
16.
MAN II Division Memory [1]–[5] Pistons
Each of these pistons can store the sound (registration) for the
MAN II division (upper manual).
➔
“Storing a Registration” (p. 47)
17.
[PREV] Piston/[NEXT] Piston
These successively load the registration stored at the previous or
next general memory piston; e.g., 3
→
2
→
1 ([PREV] piston) or 1
→
2
→
3 ([NEXT] piston).
➔
“Recalling Registrations Successively” (p. 49)
18.
Memory Bank Select [M–] Piston/[M+] Piston
Use these pistons to switch memory banks when you want to use
more than six combinations of sounds.
➔
“Recalling a Registration from a Different Memory Bank” (p. 49)
19.
MAN I & PEDAL Enclosed Piston
Turn this piston on if you want to use the expression pedal to adjust
the volume of MAN I division and PEDAL division.
➔
“Specifying the Divisions Affected by the Expression Pedal” (p. 42)
20.
Bass Coupler [BASS] Piston
This causes the lowest note played on the lower manual to be
sounded by the PEDAL division sound.
➔
“Using the Bass Coupler” (p. 33)
21.
Melody Coupler [MEL] Piston
This causes the highest note played on the lower manual to be
sounded by the MAN II division (upper manual) sound.
➔
“Using the Melody Coupler” (p. 32)
22.
[STOP] Piston
This stops playback or recording of a song.
23.
[PLAY/PAUSE] Piston
This starts or pauses playback of a song.
➔
“Practicing Along with a Preset Song or Performance Data” (p. 50)
24.
[REC] Piston
Use this when you want to record your playing.
➔
“Recording Your Performances” (p. 56)
25.
General Cancel [0] Piston
This sets the organ to the condition in which all tablets and couplers
are cancelled, so that no sounds are selected.
It’s convenient to use this piston when you want to specify a
combination of sounds from scratch.
➔
“Resetting the Sound Settings (General Cancel)” (p. 47)
3
20 22 2421 23 25
18
5
8 9
6 10
17 19
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16
Names of Things and What They Do
Tablets
These select the basic stops (sounds) of the organ.
➔
“Playing Various Sounds” (p. 29)
1.
PEDAL Division Tablets
These select stops for the PEDAL division.
2.
MAN I Division Tablets
These select stops for the MAN I (manual 1) division.
3.
MAN II Division Tablets
These select stops for the MAN II (manual 2) division.
USER/MIDI Coupler
These allow you to select sounds that cannot be selected by the
other tablets. You’ll also use these tablets when an external MIDI
device is connected.
➔
“Settings for the USER/MIDI Couplers” (p. 68)
4.
PEDAL Division USER/MIDI Coupler
These select sounds for the PEDAL division (pedalboard.)
5.
MAN I Division USER/MIDI Coupler
These select sounds for the MAN I division (lower manual.)
6.
MAN II Division USER/MIDI Coupler
These select sounds for the MAN II division (upper manual.)
Coupler Tablets
These allow a specific division to simultaneously play the sound of
another keyboard.
➔
“Playing the Sounds of Another Division (Couplers)” (p. 31)
7.
PEDAL Division Coupler Tablets
These make the pedalboard play the sounds of the MAN I division
(lower manual) or MAN II division (upper manual.)
8.
MAN I Division Coupler Tablet
This makes the lower manual play the sounds of the MAN II division
(upper manual.)
Tremulant Tablets
These apply a tremulant effect to the selected sound.
➔
“Adding Soft Vibrato (Tremulant)” (p. 37)
9.
MAN I Division Tremulant Tablet
This applies a tremulant effect to the sound of the MAN I division
(lower manual.)
10.
MAN II Division Tremulant Tablet
This applies a tremulant effect to the sound of the MAN II division
(upper manual.)
Tablets and Pistons (C-330)
1 2
11 12 13
4 7
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17
Names of Things and What They Do
Pistons
11.
[SET] Piston
This stores a combination of sounds (registration) to a general
memory piston.
➔
“Storing a Registration” (p. 47)
12.
General Memory [1]–[5] Pistons
Each of these pistons can store the combination of sounds
(registration) for the entire organ.
➔
“Storing a Registration” (p. 47)
13.
Memory Bank Select [M–] Piston/[M+] Piston
Use these pistons to switch memory banks when you want to use
more than six combinations of sounds.
➔
“Recalling a Registration from a Different Memory Bank” (p. 49)
14.
[NEXT] Piston
Pressed to call up the settings stored at the next general memory
piston, in numerical order, like this: 1
→
2
→
3.
➔
“Recalling Registrations Successively” (p. 49)
15.
Bass Coupler [BASS] Piston
This causes the lowest note played on the lower manual to be
sounded by the PEDAL division sound.
➔
“Using the Bass Coupler” (p. 33)
16.
Melody Coupler [MEL] Piston
This causes the highest note played on the lower manual to be
sounded by the MAN II division (upper manual) sound.
➔
“Using the Melody Coupler” (p. 32)
17.
[STOP] Piston
This stops playback or recording of a song.
18.
[PLAY/PAUSE] Piston
This starts or pauses playback of a song.
➔
“Practicing Along with a Preset Song or Performance Data”
(p. 50)
19.
[REC] Piston
Use this when you want to record your playing.
➔
“Recording Your Performances” (p. 56)
20.
General Cancel [0] Piston
This sets the organ to the condition in which all tablets and couplers
are cancelled, so that no sounds are selected.
It’s convenient to use this piston when you want to specify a
combination of sounds from scratch.
➔
“Resetting the Sound Settings (General Cancel)” (p. 47)
3
15 17 1914 16 18 20
5 8 9 6 10
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18
Names of Things and What They Do
1.
Display
Various information is shown here.
2.
[Select/Menu] Knob/[Satellite Volume] Knob
Turn: Adjusts the volume of the satellite speakers.
When you’re in a menu screen for making detailed
settings, turn this knob to select the item you want to
operate.
Press: Takes you to a menu screen, or finalizes a setting item.
3.
[Value/Exit Menu] Knob
Turn: Adjusts a setting.
Press: Returns you to the previous menu, or cancels an
operation.
4.
[Master Volume] Knob
This adjusts the volume of the entire organ.
5.
[Reverb] Knob
This adjusts the depth of reverberation.
1.
OUTPUT L/MONO, R (Output) Jacks
You can connect an external speaker system here so that the sound
of the organ is played from the connected speakers (p. 74).
2.
INPUT L/MONO, R (Input) Jacks
You can connect an external sound module or similar device here so
that its sounds are heard from the organ’s speakers (p. 75).
3.
MIDI OUT/IN Connectors
You can connect external MIDI devices here to exchange
performance data with the organ (p. 76).
4.
Connector for Service Use
This connector is for technical service use only. Do not connect
anything to this connector.
Display and Panel
32
4 5
1
External Connectors
1 32 4
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19
Before You Start Playing
* The illustration shows the C-330, but the connections are the same
for the C-380 as well.
1.
Adjusting the pedalboard adjuster.
Turn the pedalboard adjuster (four locations) to lower it until the
pedalboard does not wobble.
* If there is a gap between the pedalboard and the floor, the
pedalboard may be damaged.
* In particular when placing the instrument on carpet, adjust this so
that the pedalboard firmly contacts the floor.
2.
Connect the cable extending from the bottom of the
main unit to the PEDAL OUT jack of the pedalboard.
3.
Place the pedalboard.
Place the pedalboard so that it contacts the organ.
1.
Gently raise the music rest, then secure it in place as
shown in the figure.
2.
To collapse the music rest, fold in the metal fittings while
supporting the music rest with both hands and gently
fold down the music rest.
Do not pull down the music stand.
* The illustration shows the C-330, but the connections are the same
for the C-380 as well.
1.
Place the organ bench over the pedalboard.
As shown in the illustration, position the bench so that the side with
the footrest faces the organ, taking care that the footrest does not
touch the pedalboard.
Turn the bench adjusters (four locations) to lower them, adjusting
the height so that the bench does not wobble.
Do not adjust the adjusters more than 25 mm (1 inch) from the
floor.
Connecting the Pedalboard
Please don’t get your
fingers pinched.
Adjuster
Please don’t get your
fingers pinched.
Using the Music rest
Placing the Bench
Metal Fittings
Adjuster
Please don’t get your
fingers pinched.
less than
25 mm
(1 inch)
C-380_330_e.book 19 ページ ２０１０年４月２８日　水曜日　午後１０時１１分
20
Before You Start Playing
If the satellite speakers are installed in any way other than that
described below, they may fall down, causing injury.
When the C-330 is shipped from the factory, the satellite speakers
are wrapped in packing material and stored inside the organ. Please
remove this packing material before use.
If attaching the satellite speakers to the main unit, leave at
least 10 cm between the back of the organ and the wall to
ensure optimal results.
1.
Insert your fingers into the openings where the corners
of the satellite speaker grill have been cut off, and
remove the grill.
The satellite speaker grill is attached with hook-and-loop
fasteners.
2.
Take the satellite speakers out of the main unit, and
remove the packing material.
Tilt the satellite speakers when removing or inserting them.
3.
Position the satellite speakers so their cloth-covered side
faces the rear of the organ.
4.
Connect the speaker cables of the satellite speakers to
the main unit.
When the C-330 is shipped from the factory, the satellite
speaker cables are connected to the organ.
5.
Attach the satellite speaker grill.
Position the satellite speaker grill so that the cut-off corners are
upward.
Lightly tap the outer edge of the grill until it snaps firmly into place.
You can obtain a more spacious sound by attaching the satellite
speakers to the wall.
* The satellite speakers should not be installed in a manner that
differs from the instructions below. Failure to comply could result in
bodily injury.
* Keep the included screws in a safe place out of children’s reach, so
there is no chance of them being swallowed accidentally. Do not
use any screws other than the included screws.
* Do not use any screws other than the included screws.
* Attach the speakers to a wooden wall at least 9 mm (3/8 inches)
thick. Do not attach the speakers to any other type of wall.
* Replacement screws should only be obtained from the nearest
Roland Service Center, or an authorized Roland distributor, as listed
on the “Information” page.
Satellite speaker attachment locations
Attach the left and right satellite speakers at the same height,
centered on the organ.
We recommend that you attach the speakers 1.8 meters (6 feet) or
higher above the floor.
Installing the Satellite Speakers
Attaching to the Main Unit (C-330 Only)
Corners cut off
Satellite Speaker Grill
Satellite Speaker
Attaching to the Wall
1.8 meters
(6 feet)
or higher
1.8 meters
(6 feet)
or higher
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21
Before You Start Playing
Attaching the satellite speakers
1.
Use a Phillips screwdriver to attach the included screws
to the wooden wall.
2.
Insert the head of the included screw into the wall
hanging hook located on the rear of the satellite speaker.
The satellite speakers can be attached in either the vertical or
horizontal orientation.
Connect the speaker cables of the satellite speakers to the organ.
Make sure that the organ’s power is turned off before you
connect the satellite speakers to the organ.
For the C-380
1.
Connect the speaker cable connectors to the satellite
speaker jacks located on the back of the organ.
For the C-330
1.
Remove the satellite speaker grill.
2.
Connect the speaker cable connectors to the satellite
speaker jacks located on the back of the organ.
3.
Attach the satellite speaker grill.
Pass the speaker cables through the openings where the corners of
the satellite speaker grill have been cut off.
Position the satellite speaker grill so that the side with the corners
cut off is at the top. Lightly tap the outer edge of the grill until it
snaps firmly into place.
Connecting the Satellite Speakers to the Organ
Wooden wall at least 9 mm
(3/8 inches)
22.5 mm
(15/16 inches)
Wall Hanging Hook
Right Speaker
Left Speaker
Corners cut off
Satellite Speaker Grill
Right Speaker
Left Speaker
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22
Before You Start Playing
* When opening or closing the cover, take care not to pinch your
fingers. When small children use the organ, they should be assisted
by an adult.
* For safety, close the cover before moving the organ.
1.
To open the cover, use both hands to slide it upward.
Slide the cover until it is completely stowed inside the organ.
2.
To close the cover, use both hands to slide it toward
yourself.
The C-380’s keyboard cover has a lock.
Keep the included key out of the reach of children so that it will
not be swallowed accidentally.
* Only use the power cord supplied with this instrument.
* Whenever you do not intend to use the instrument for extended
periods of time, pull out the power cord from the AC outlet.
For the C-380
1.
First, make sure that the [POWER] switch is OFF.
The bottom side is pressed OFF
2.
Connect the supplied power cord to the AC Inlet
connector, then plug the other end into an AC outlet.
Opening and Closing the Keyboard
Cover (C-380 only)
Locking the Cover
Open
Lock
Open
Lock
Connecting the Power Cord
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23
Before You Start Playing
For the C-330
1.
First, make sure that the [POWER] switch is OFF.
2.
Connect the supplied power cord to the AC Inlet
connector, then plug the other end into an AC outlet.
Upper position OFF
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24
Before You Start Playing
Once the connections have been completed (p. 22), turn on
power to your various devices in the order specified. By turning
on devices in the wrong order, you risk causing malfunction
and/or damage to speakers and other devices.
1.
Make sure of the following before the power is turned
on.
• Is the power cord correctly connected to the AC inlet?
• Is the power cord correctly connected to the AC outlet?
2.
Turn the [Master Volume] knob all the way to the left to
minimize the volume.
3.
Press the [POWER] switch to turn on the power.
* Always make sure to have the volume level turned down before
switching on power. Even with the volume all the way down, you
may still hear some sound when the power is switched on, but this is
normal, and does not indicate a malfunction.
For the C-380
For the C-330
The main screen will appear in the display.
This unit is equipped with a protection circuit. A brief interval
(a few seconds) after power up is required before the unit will
operate normally.
4.
Select a stop.
For details, refer to “Playing Various Sounds” (p. 29).
Even though the power has been turned on, playing the
keyboard will not produce sound until you’ve selected a sound
(stop).
5.
Adjust the volume to an appropriate level by moving the
[Master Volume] knob.
Adjust the volume while you play the keyboard to produce sound.
Turning the knob toward the right will increase the volume, and
turning it toward the left will decrease the volume.
Depress the expression pedal to the maximum volume.
Turning the Power On and Off
Turning On the Power
The top side is pressed ON
Lower position ON
Increase the VolumeDecrease the Volume
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25
Before You Start Playing
1.
Turn the [Master Volume] knob all the way to the left to
minimize the volume.
2.
Press the [POWER] switch to turn off the power.
* You may still hear some sound when the power is switched off, but
this is normal, and does not indicate a malfunction.
* If you need to turn off the power completely, first turn off the
POWER switch, then unplug the power cord from the power outlet.
Refer to “Power Supply” (p. 6).
For the C-380
The bottom side is pressed OFF
For the C-330
* To prevent possible auditory damage, loss of hearing, or damage to
the headphones, the headphones should not be used at an
excessively high volume. Use the headphones at a moderate
volume level.
* Once a plug for a set of headphones is plugged into the Phones jack,
no sound will be heard from the organ’s speakers.
* To prevent damage to the cord, handle the headphones only by the
headset or the plug.
* Use stereo headphones.
* Roland organs feature Phones jacks. These allow you to play without
having to worry about bothering others around you, even at night.
However, you should be careful that you don’t disturb your
neighbors, since floors and walls can too easily transmit vibrations
(especially vibrations from the pedalboard). You should be
especially careful at night or when you’re using headphones.
1.
Turn the [Master Volume] knob all the way to the left to
minimize the volume.
2.
Connect your headphones to the [Phones] jack.
The sound from the built-in speakers stops.
Now, sound is heard only through the headphones.
For the C-380
For the C-330
3.
Adjust the headphones volume with the [Master Volume]
knob.
Turning Off the Power
Upper position OFF
Connecting Headphones
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26
Before You Start Playing
Songs you record on the organ and Registration sets you create can
be copied to separately available USB memory for safekeeping.
You can also play back performance data that’s been stored on USB
memory.
* Use USB memory available from Roland. We cannot guarantee
correct operation if other brands of USB memory are used. Note that
only USB memory keys can be used—never use any other kind of
USB device.
* Carefully insert the USB memory all the way in—until it is firmly in
place.
* If you’re using new USB memory, you’ll need to initialize (format) it
on the this unit. For details, refer to “Formatting USB Memory” (p.
62).
Note on using USB memory
The USB connector located at the bottom center of the organ is a
servicing connector for purposes such as maintenance. Do not
connect anything to this servicing connector (USB FOR UPDATE). Do
not touch or insert anything into the small holes marked A and B
located at the left of the servicing connector.
For the C-380
The USB connector holder of the C-380 will rotate 90 degrees to left
or right. By turning the USB connector holder to the left or right, you
can avoid accidents, such as the damage that might be caused by
accidentally striking a connected USB memory.
* Be sure to grasp the holder itself when rotating it. Do not rotate the
holder by grasping the connected USB memory.
* Be careful not to pinch your fingers when rotating the holder.
For the C-330
Connecting the USB memory
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27
Before You Start Playing
Immediately after you turn on the power, the following “main
screen” will appear.
1.
General memory bank number (p. 48)
This shows the currently used general memory bank.
2.
General memory piston number
This shows the currently used general memory piston.
3.
Keyboard transposition status (p. 41)
4.
Temperament (p. 38)
5.
Reference pitch (master tuning: p. 39)
You can also adjust this tuning within the range of the
reference pitch.
6.
Expression pedal status (p. 42)
This indicates the keyboard(s) that are affected by the expression
pedal.
7.
Volume of the expression pedal (p. 42)
In order to perform an operation such as changing the organ’s
settings, you’ll need to start by returning to the main screen.
1.
Press the [Value/Exit Menu] knob a number of times.
1.
From the main screen, press the [Select/Menu] knob.
2.
Turn the [Select/Menu] knob to select “6 Console.”
3.
Press the [Select/Menu] knob to access the “Console”
screen.
4.
Turn the [Select/Menu] knob to select “Display Contrast.”
5.
Turn the [Value/Exit Menu] knob to adjust the
brightness.
6.
Press the [Value/Exit Menu] knob twice to return to the
main screen.
This setting will return to the default value when you turn off
the power, but you can store the setting so that it will be
remembered even after the power is turned off. For details,
refer to “Storing Your Settings (Customize)” (p. 73).
About the Display
Contents of the Main Screen
Range (half a semitone)
-6– +5
Available Settings
EQUAL, WERCK., KIRN.1, KIRN.3, VALLO., MEAN.D, MEAN.E, PYTHG., M.BACH
Available Settings (Hz)
392: VERSAILLES
415: BAROQUE
440: MODERN (standard)
465: VENETIAN
Indication
Explanation
I PII
The expression pedal affects all divisions (MAN I, MAN II,
and PEDAL division)
IP
The expression pedal affects the MAN I division and the
PEDAL division
II The expression pedal affects the MAN II division
Off The expression pedal will not affect any division
Return to the Main Screen
Adjusting the Display Contrast
Range
0–30
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28
Before You Start Playing
This Roland organ has several built-in demo songs.
For more information of the built-in demo songs, refer to “List of
Preset Song/Demo Song” (p. 78).
1.
From the main screen, press the [Select/Menu] knob.
2.
Turn the [Select/Menu] knob to select “1 Demo.”
3.
Press the [Select/Menu] knob to access the “Demo”
screen.
You can also access the Demo screen from the main screen by
holding in the [SET] piston and pressing the [PLAY/PAUSE]
piston.
4.
Select a demo song.
1. Turn the [Select/Menu] knob to select the demo song “Group.”
2. Turn the [Value/Exit Menu] knob to change the demo song
group.
3. Turn the [Select/Menu] knob to select “Song.”
4. Turn the [Value/Exit Menu] knob to change the song.
5.
Press the [PLAY/PAUSE] piston, and the demo song will
start playing.
When the selected demo song ends, playback will continue with the
next demo song.
6.
Press the [STOP] piston to stop the demo song.
To adjust the satellite speaker volume during the demo song
playback, turn the [Select/Menu] knob to select “Satellite VR”,
and turn the [Value/Exit Menu] knob.
7.
Press the [Value/Exit Menu] knob twice to exit the demo
screen.
* All rights reserved. Unauthorized use of this material for purposes
other than private, personal enjoyment is a violation of applicable
laws.
* No data for the music that is played will be output from MIDI OUT
jack.
* If you play back in the “Song Recorder” screen, you’ll be able to
individually mute the performance of each division (p. 50).
If a screen like the following appears
If internal memory contains performance data that has not been
saved, the following message will appear when you attempt to
listen to a demo song.
• If you want to discard the performance data without saving it, press
the [SET] piston.
• If you don’t want to erase the performance data, press the [Value/
Exit Menu] knob. Save the performance data as described in “Saving
a Recorded Song” (p. 57).
Listening to the Demo Songs
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Performing
By pressing the sound tablets you can play a variety of pipe organ sounds. The sounds assigned to the tablets are called “stops.”
The sound tablets are organized into groups called “divisions.” These tablets are called “division tablets.”
If the indicator of a division tablet is lit, you’ll be able to play the corresponding stop.
fig.stop-up.eps
1.
Press the lower part of one of the “PEDAL,” “MAN I,” or “MAN II” division tablets.
The indicator will light, and the stop will be selected.
The display will show the “Voice Palette” screen (p. 30), indicating the sound of the stop you selected.
fig.LCD016.eps
The main screen will automatically reappear after a while.
* Immediately after the power is turned on, no stops are selected, meaning that the keyboard will not produce sound.
You can also access the “Voice Palette” screen by holding in the [SET] piston and pressing the desired division tablet.
The stop will blink for a moment if a stop variation (p. 30) is selected.
fig.variation01.eps
Cancel the selected Stop
1.
Press the upper part of the tablet.
The tablet’s indicator will turn off and the selected sound will be cancelled.
Playing Various Sounds
Selecting Stops (sounds)
Press the upper part of the tablet to
turn off the stop; the indicator is unlit
Press the lower part of the tablet to
select the stop; the indicator is lit
Indicator will light when you
press the lower part of the tablet
Blinks
momentarily
Lit again
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30
Performing
fig.stop-up-ver.eps
1.
From the main screen, press the lower part of a division tablet.
The “Voice Palette” screen will appear, showing the variation of the selected stop.
fig.LCD016.eps
* If the indicator blinks momentarily when you press the tablet, a variation is already selected for the stop.
* If the “Voice Palette” screen is not shown, return to the main screen and perform the procedure from step 1. To return to the main
screen, refer to “Returning to the main screen” (p. 27).
You can also access the “Voice Palette” screen by holding in the [SET] piston and pressing the desired division tablet.
2.
Turn the [Value/Exit Menu] knob.
You can choose from four sound variations: VP0 through VP3.
fig.LCD015.eps
Storing the state in which a variation is selected for the stop
You can do this in either of the following two ways.
Storing the variations that will be selected immediately after power-up
For each stop, select the variation that you want to be available immediately after the power is turned on, and then store the system
settings as described in “Storing Your Settings (Customize)” (p. 73). The state of the voice palette will be reproduced the next time you
turn on the power.
Storing a registration
Select the variation for each stop, and then store your settings as a Registration (p. 47). This allows you to store the state of the
selected variations in a memory piston.
If you selected a [USER MIDI A] or [USER MIDI B] division tablet
The “USER/MIDI” screen will appear, allowing you to select sounds that are not included in the sound tablets (p. 79). For details, refer to
“Settings for the USER/MIDI Couplers” (p. 68).
fig.LCD017.eps
Selecting a Sound Variation (Voice Palette)
Press the lower part of a tablet
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31
Performing
You can use a specific keyboard to play the sounds of a different division. For example, you could finger the lower keyboard to
simultaneously play the sound selected for “MAN II” (the upper keyboard). These functions are known as couplers.
On the C-380, you can also turn on the coupler by pressing the coupler pistons.
fig.380CapPiston.eps
Here we’ll explain how to play the sounds of the MAN II division (upper keyboard) by fingering the lower keyboard.
Before you continue, select the desired stops of the MAN II division.
1.
In the MAN I division, press the lower part of the division coupler [II/I] tablet.
The indicator will light, and the coupler will be on.
On the C-380, you can also turn on the coupler by pressing the [II/I] piston to make it light.
2.
Play the lower keyboard.
You’ll hear the sound of the MAN I division (upper keyboard). To turn the coupler off, press the upper part of the MAN II division
coupler [II/I] tablet.
On the C-380, pressing the lit [II/I] piston so it goes out will turn off the coupler.
Each manual coupler has the following operation.
Playing the Sounds of Another Division (Couplers)
Using a Manual Coupler
Tablet
Piston (C-380 only) Explanation
Playing the pedalboard will also sound the stops selected for MAN I division.
Playing the pedalboard will also sound the stops selected for MAN II division.
Playing the lower keyboard will also sound the stops selected for MAN II division.
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32
Performing
When you use the melody coupler, the highest note you finger on the lower keyboard will also be sounded by the stops selected in
the MAN II division. This function allows you to simultaneously play accompaniment and solo registrations by fingering a single
manual.
1.
Press the melody coupler [MEL] piston.
When the melody coupler is on, the piston’s indicator will light.
Press the piston once again so the indicator goes out.
If you turn on the [II/I] manual coupler (p. 31), the melody coupler effect cannot be obtained.
Changing the range of the melody coupler
You are free to change the range in which the melody coupler will operate. The specified note and those above it will use the melody
coupler, and notes below it will not.
fig.cap-ME-key.eps
1.
From the main screen, press the [Select/Menu] knob.
2.
Turn the [Select/Menu] knob to select “6 Console.”
fig.LCD007.eps
3.
Press the [Select/Menu] knob to access the “Console” screen.
You can also access the “Console” screen from the main screen by holding in the [SET] piston and pressing the [MEL] piston.
4.
Turn the [Select/Menu] knob to select “Mel Split.”
fig.LCD018.eps
5.
Turn the [Value/Exit Menu] knob to change the setting.
6.
Press the [Value/Exit Menu] knob twice to return to the main screen.
This setting will return to OFF when you turn off the power, but you can store the setting so that it will be remembered even
after the power is turned off. For details, refer to “Storing Your Settings (Customize)” (p. 73).
Using the Melody Coupler
Melody coupler
Bottom key of the Melody coupler range
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Performing
The bass coupler allows you to layer the sound of a PEDAL division onto the lowest note you’re fingering on the lower keyboard.
1.
Press the bass coupler [BASS] piston.
When the bass coupler is on, the piston’s indicator will light.
Press the piston once again to turn off the indicator.
Changing the range of the bass coupler
You are free to change the range in which the bass coupler will operate. The specified note and those below it will use the bass
coupler.
fig.cap-BA-key.eps
1.
From the main screen, press the [Select/Menu] knob.
2.
Turn the [Select/Menu] knob to select “6 Console.”
fig.LCD007.eps
3.
Press the [Select/Menu] knob to access the “Console” screen.
You can also access the “Console” screen from the main screen by holding in the [SET] piston and pressing the [BASS] piston.
4.
Turn the [Select/Menu] knob to select “Bass Split.”
fig.LCD019.eps
5.
Turn the [Value/Exit Menu] knob to change the setting.
6.
Press the [Value/Exit Menu] knob twice to return to the main screen.
This setting will return to OFF when you turn off the power, but you can store the setting so that it will be remembered even
after the power is turned off. For details, refer to “Storing Your Settings (Customize)” (p. 73).
Using the Bass Coupler
Top key of the Bass coupler range
Bass coupler
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Performing
You can adjust the volume or reverberation that is heard when you play the keyboards or when you play back a song from internal
memory or USB memory.
When you’re in the main screen, turning any of the following knobs will cause the “VOLUME” screen to appear for a while.
fig.Volume-Tone.eps
1.
Turn the [Master Volume] knob to adjust the overall volume.
Adjust the volume while you’re playing the keyboard to produce sound.
Turning the knob toward the right will increase the volume, and turning it toward the left will decrease the volume.
It’s best to lower the satellite speaker volume before adjusting the overall volume. Adjusting the volume balance is easier if
you start by specifying the volume of the bass sound heard from the main unit itself, and then adjust the volume of the
satellite speakers.
1.
From the main screen, turn the [Satellite Volume] knob (Select/Menu) to adjust the volume of the satellite
speakers.
Adjust the volume while you’re playing the keyboard to produce sound.
Turning the knob toward the right will increase the volume, and turning it toward the left will decrease the volume.
The volume of the satellite speakers (the setting of the [Satellite Volume] knob) is linked with the overall volume (the setting of
the [Master Volume] knob).
This setting will return to the default value when you turn off the power, but you can store the setting so that it will be
remembered even after the power is turned off. For details, refer to “Storing Your Settings (Customize)” (p. 73).
1.
Turn the [Reverb] knob to adjust the amount of reverberation.
You can also change the type of reverberation as desired (p. 35).
Adjusting the Volume and Reverberation
Adjusting the Overall Volume
Range
0–127
Adjusting the Volume of the Satellite Speakers
Range
0–127
Adjusting the Reverberation
Range
0–127
Volume of
Satellite Speakers
Master Volume
Reverberation
“Volume” screen
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Performing
By applying reverberation you can obtain the acoustic characteristics of a performance in a concert hall.
By changing the type of reverberation you can experience the sensation of performing in a variety of locations.
1.
From the main screen, press the [Select/Menu] knob.
2.
Turn the [Select/Menu] knob to select “4 Room Modeling.”
fig.LCD005.eps
3.
Press the [Select/Menu] knob to access the “Room Modeling” screen.
You can also access the “Room Modeling” screen from the main screen by holding in the [SET] piston and turning the
[Reverb] knob.
4.
Turn the [Select/Menu] knob to select “Room Type.”
fig.LCD021.eps
5.
Turn the [Value/Exit Menu] knob to change the Room Type setting.
6.
Press the [Value/Exit Menu] knob twice to return to the main screen.
This setting will return to the default value when you turn off the power, but you can store the setting so that it will be
remembered even after the power is turned off. For details, refer to “Storing Your Settings (Customize)” (p. 73).
Changing the Type of Reverberation
Changing the Room Type
Type
Explanation
CHAMBER
The reverberation of a pipe chamber
HALL The reverberation of a hall
CHURCH The reverberation of a church
CATHEDRAL The reverberation of a cathedral
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Performing
You can make additional changes to the reverberation by changing the wall type (the material out of which the wall is constructed).
1.
From the main screen, press the [Select/Menu] knob.
2.
Turn the [Select/Menu] knob to select “4 Room Modeling.”
fig.LCD005.eps
3.
Press the [Select/Menu] knob to access the “Room Modeling” screen.
You can also access the “Room Modeling” screen from the main screen by holding in the [SET] piston and turning the
[Reverb] knob.
4.
Turn the [Select/Menu] knob to select “Wall Type.”
fig.LCD022.eps
5.
Turn the [Value/Exit Menu] knob to change the Wall Type setting.
6.
Press the [Value/Exit Menu] knob twice to return to the main screen.
This setting will return to the default value when you turn off the power, but you can store the setting so that it will be
remembered even after the power is turned off. For details, refer to “Storing Your Settings (Customize)” (p. 73).
Changing the Wall Type
Type
Explanation
DRAPERY
Pleated curtains
WOOD Wood
BRICK Brick
MARBLE Marble
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Performing
The tremulant effect adds vibrato (cyclic modulation) to the sound.
Use this when you want to add an expressive feel to a solo or small ensemble performance. This is often used on compositions of the
romantic era, gospel, and music for worship services.
1.
In the MAN II division tablets or the MAN I division tablets, press the lower part of the [Tremulant] tablet.
The tablet will light, and the tremulant effect will be applied to the sound of the corresponding division.
To turn it off, press the upper part of the lit [Tremulant] tablet.
1.
From the main screen, press the [Select/Menu] knob.
2.
Turn the [Select/Menu] knob to select “7 Tremulant.”
fig.LCD008.eps
3.
Press the [Select/Menu] knob to access the “Tremulant” screen.
You can also access the “Room Modeling” screen from the main screen by holding in the [SET] piston and pressing the
[Tremulant] tablets.
4.
Turn the [Select/Menu] knob toward the left to move the cursor to the top line of the screen.
fig.LCD023.eps
5.
Turn the [Value/Exit Menu] knob to select either “MAN-I” or “MAN-II.” Specify the division for which you want to
make tremulant settings.
6.
Turn the [Select/Menu] knob to select either “Depth” or “Rate,” and turn the [Value/Exit Menu] knob to adjust
the setting.
7.
Press the [Value/Exit Menu] knob twice to return to the main screen.
This setting will return to the default value when you turn off the power, but you can store the setting so that it will be
remembered even after the power is turned off. For details, refer to “Storing Your Settings (Customize)” (p. 73).
Adding Soft Vibrato (Tremulant)
Adding Tremulant to Each Division
Adjusting the Tremulant Effect
Indication
Explanation Range
Depth
With a setting of “0,” no tremulant will be applied. Increasing this value will make the tremulant deeper. 0–127
Rate A slow tremulant will be applied with a setting of “0,” and this will become faster as you increase the value. 0–127
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Performing
Historical styles of music such as baroque can be played in the tunings that were used during that time.
Most works today are composed with the assumption that they will be played in equal temperament (the most common
temperament used today). However, various other temperaments have been used in the past.
By playing a composition in the temperament in which it would have originally been played, you can experience the chordal
sonorities that were intended by the composer.
1.
From the main screen, press the [Select/Menu] knob.
2.
Turn the [Select/Menu] knob to select “2 Pitch / Tuning.”
fig.LCD003.eps
3.
Press the [Select/Menu] knob to access the “Pitch / Tuning” screen.
You can also access the “Pitch/Tuning” screen from the main screen by holding in the [SET] piston and fingering the
keyboard.
4.
Turn the [Select/Menu] knob to select “Temperament.”
fig.LCD025.eps
5.
Turn the [Value/Exit Menu] knob to select the desired temperament.
This setting will return to “EQUAL” when you turn off the power.
6.
Press the [Value/Exit Menu] knob twice to return to the main screen.
Changing the Tuning (Temperament)
Setting
Temperament Explanation
EQUAL
Equal temperament
This temperament divides the octave into twelve equal intervals. Modulating to a different key will not
affect the sonority of the chords.
WERCK. Werckmeister
This temperament combines the meantone temperament and the Pythagorean temperament. It allows
playing in all keys (method 1, number 3).
KIRN.1 Kirnberger 1
This is an improvement of meantone temperament and just intonation to allow greater freedom of
modulation. It allows playing in all keys (method 1).
KIRN.3 Kirnberger 3 This is a variation of Kirnberger 1 (method 3).
VALLO. Vallotti
This is a relatively recent temperament. It is close to equal temperament but has a certain amount of just
intonation, making it easier to stay in tune with other instruments, and is thus frequently used for
ensembles.
MEAN.D Meantone temperament
This temperament is a partial compromise from just intonation in order to allow a certain degree of
modulation. Preference is given to the sonority in D
#
.
MEAN.E Meantone temperament
This temperament is a partial compromise from just intonation in order to allow a certain degree of
modulation. Preference is given to the sonority in E
b
.
PYTHG. Pythagorean tuning
This is a system of tuning attributed to the philosopher Pythagoras, in which the fourth and fifth are pure.
Chords including the third will not sound smooth, but the melody will sound good.
M.BACH Modern Bach This is one of the recently researched temperaments from the era of Bach. It allows playing in all keys.
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Performing
The reference pitch can be changed from “A=440.0 Hz” to “A=415.0 Hz” (Baroque pitch) or “A=392.0 Hz” (Versailles pitch).
1.
From the main screen, press the [Select/Menu] knob.
2.
Turn the [Select/Menu] knob to select “2 Pitch / Tuning.”
fig.LCD003.eps
3.
Press the [Select/Menu] knob to access the “Pitch / Tuning” screen.
You can also access the “Pitch/Tuning” screen from the main screen by holding in the [SET] piston and fingering the
keyboard.
4.
Turn the [Select/Menu] knob to select “Pitch.”
fig.LCD026.eps
5.
Turn the [Value/Exit Menu] knob to change the “Pitch” setting.
This setting will return to “MODERN” when you turn off the power.
You can adjust the tuning value within a specific range relative to the base value of the selected pitch (p. 40).
6.
Press the [Value/Exit Menu] knob twice to return to the main screen.
Using Baroque Pitch
Indication
Value (A =)
VERSAILLES 392 (Hz)
BAROQUE 415 (Hz)
MODERN 440 (Hz)
VENETIAN 465 (Hz)
Using historical temperaments
By using a historical temperament when playing a composition suited for it, the beauty and tension of that work can be
brought out even more greatly. In particular, when playing a work that uses a modulation-capable temperament and
includes modulation, the sonority of the chords will change, adding subtle changes in the tonal character as the
composition progresses.
Werkmeister combines meantone and Pythagorean tunings to increase the freedom of modulation, and is used in works
ranging from Bach through modern times. Kirnberger was also conceived in a similar way, and is used mainly for playing
Bach’s organ works.
Meantone was popular throughout Europe during the Baroque period, and was used particularly in pipe organ
performance. It was also customarily used by Baroque composers such as Handel, as well as in works of the Renaissance.
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Performing
When playing in an ensemble with another instrument, you can adjust the organ’s reference pitch to the other instrument.
The reference pitch is usually expressed as the pitch of the middle “A” note.
By adjusting the “Tuning” setting you can make the organ match the pitch of the other instrument.
1.
From the main screen, press the [Select/Menu] knob.
2.
Turn the [Select/Menu] knob to select “2 Pitch / Tuning.”
fig.LCD003.eps
3.
Press the [Select/Menu] knob to access the “Pitch / Tuning” screen.
You can also access the “Pitch/Tuning” screen from the main screen by holding in the [SET] piston and fingering the
keyboard.
4.
Turn the [Select/Menu] knob to select “Tuning.”
fig.LCD027.eps
5.
Turn the [Value/Exit Menu] knob to adjust the value.
This setting will return to “440 Hz” when you turn off the power. If you have adjusted the pitch to match other instruments you
will be performing with, be careful not to turn off the power before your performance.
6.
Press the [Value/Exit Menu] knob twice to return to the main screen.
Tuning to Match the Pitch of Another Instrument
Value (Hz)
You can adjust this in a range of ±100 cents (approximately a semitone) centered on the selected pitch (p. 39).
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Performing
The transpose function lets you shift the pitch in semitone steps without changing the keys you play on the keyboard.
For example, if a song is written in a difficult key that contains numerous sharps ( ) or flats ( ), you could use this setting to play the
song in an easier key.
1.
From the main screen, press the [Select/Menu] knob.
2.
Turn the [Select/Menu] knob to select “2 Pitch / Tuning.”
fig.LCD003.eps
3.
Press the [Select/Menu] knob to access the “Pitch / Tuning” screen.
You can also access the “Pitch/Tuning” screen from the main screen by holding in the [SET] piston and fingering the
keyboard.
4.
Turn the [Select/Menu] knob to select “Transpose.”
fig.LCD028.eps
5.
Turn the [Value/Exit Menu] knob to adjust the value.
This setting will return to “0” when you turn off the power.
If you press and hold the general cancel piston for several seconds to reset the sound settings (p. 47), the transpose setting will
also be reset to the Off state.
6.
Press the [Value/Exit Menu] knob twice to return to the main screen.
Transposing the Key
Range (semitone)
-6– +5
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Performing
You can use the expression pedal to adjust the volume of the organ. Depressing the expression pedal will increase the volume, while
releasing it will reduce the volume.
fig.ex-pedal.eps
The volume will not decrease to zero even when you completely release the expression pedal. If you want to set the volume to
zero, turn the [Master Volume] knob to the Min (minimum) position.
You can also specify which divisions will be affected by the expression pedal.
1.
From the main screen, press the [Select/Menu] knob.
2.
Turn the [Select/Menu] knob to select “8 Exp. Pedal.”
fig.LCD009.eps
3.
Press the [Select/Menu] knob to access the “Exp. Pedal” screen.
You can also access the “Pedal” screen from the main screen by holding in the [SET] piston and operating the expression
pedal.
4.
Turn the [Select/Menu] knob to select “MAN-I/PEDAL” (MAN I division and PEDAL division) or “MAN-II” (MAN II
division).
fig.LCD029.eps
5.
Turn the [Value/Exit Menu] knob to switch the pedal setting.
6.
Press the [Value/Exit Menu] knob twice to return to the main screen.
This setting will return to “OFF” when you turn off the power, but you can store the setting so that it will be remembered
even after the power is turned off. For details, refer to “Storing Your Settings (Customize)” (p. 73).
Using the Expression Pedal to Adjust the Volume of the Organ
Specifying the Divisions Affected by the Expression Pedal
Indication
Division
ON
Affected by the pedal
OFF Not affected by the pedal
Decrease the volume
Increase the volume
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Performing
All of the settings you’ve made using the procedure explained in “Specifying the Divisions Affected by the Expression Pedal” (p. 42)
can be stored to a general memory piston.
1.
From the main screen, press the [Select/Menu] knob.
2.
Turn the [Select/Menu] knob to select “8 Exp. Pedal.”
fig.LCD009.eps
3.
Press the [Select/Menu] knob to access the “Exp. Pedal” screen.
You can also access the “Exp. Pedal” screen from the main screen by holding in the [SET] piston and operating the
expression pedal.
4.
Turn the [Select/Menu] knob to select “Exp.Mode.”
fig.LCD029.eps
5.
Turn the [Value/Exit Menu] knob to adjust the value.
6.
Press the [Value/Exit Menu] knob twice to return to the main screen.
Storing the Division for which the Volume is to be Adjusted
Indication
Division
SYSTEM
Not stored to a general memory piston.
PISTON Stored to a general memory piston.
About the C-380’s MAN I & PEDAL enclosed piston
The C-380 has a MAN I & PEDAL enclosed piston; when you press this piston to turn it on, you’ll be able to use the
expression pedal to adjust the volume of the MAN I division (lower keyboard) and PEDAL division (pedalboard).
On the C-380, the “Exp. Pedal” screen’s “MAN-I/PEDAL” setting is linked with the MAN I & PEDAL enclosed piston, and its
value is stored in general memory (p. 46).
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44
Performing
You can adjust the minimum volume that will be in effect when the expression pedal is at the minimum position.
1.
From the main screen, press the [Select/Menu] knob.
2.
Turn the [Select/Menu] knob to select “8 Exp. Pedal.”
fig.LCD009.eps
3.
Press the [Select/Menu] knob to access the “Exp. Pedal” screen.
You can also access the “Exp. Pedal” screen from the main screen by holding in the [SET] piston and operating the
expression pedal.
4.
Turn the [Select/Menu] knob to select “Shutter.”
fig.LCD030.eps
5.
Turn the [Value/Exit Menu] knob to adjust the value.
6.
Press the [Value/Exit Menu] knob twice to return to the main screen.
This setting will return to “PPPP” when you turn off the power, but you can store the setting so that it will be remembered
even after the power is turned off. For details, refer to “Storing Your Settings (Customize)” (p. 73).
Setting the Minimum Volume of the Expression Pedal
Indication
Explanation
PPPP
Least volume
PPP Low volume
PP Somewhat higher volume
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45
Performing
Two kick switches are located on the sides of the expression pedal. You can assign a different function to each of these two kick
switches.
fig.foot-switch.eps
1.
From the main screen, press the [Select/Menu] knob.
2.
Turn the [Select/Menu] knob to select “8 Exp. Pedal.”
fig.LCD009.eps
3.
Press the [Select/Menu] knob to access the “Exp. Pedal” screen.
You can also access the “Exp. Pedal” screen from the main screen by holding in the [SET] piston and operating the
expression pedal.
4.
Turn the [Select/Menu] knob to select “Kick SW R” (right kick switch) or “Kick SW L” (left kick switch).
fig.LCD031.eps
5.
Turn the [Value/Exit Menu] knob to adjust the value.
6.
Press the [Value/Exit Menu] knob twice to return to the main screen.
This setting will return to “OFF” when you turn off the power, but you can store the setting so that it will be remembered
even after the power is turned off. For details, refer to “Storing Your Settings (Customize)” (p. 73).
Using the Kick Switches
Assignable function
Explanation
OFF
The kick switch will be off.
NEXT
This has the same function as the [NEXT] piston.
It will switch to the adjacent general memory piston. Each time you press the kick
switch, the general memory piston will switch to the next higher number.
PREV
This has the same function as the C-380’s [PREV] piston.
It will switch to the adjacent general memory piston. Each time you press the kick
switch, the general memory piston will switch to the next lower number.
SUSTAIN
Sustain will be applied while you are pressing the switch.
* Sustain can be applied only to some of the [USER/MIDI] coupler sounds and to the
sounds of an external MIDI sound module.
* Sustain will not be applied to the sounds of the organ.
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46
Storing a Combination of Stops
The state of the stops and the coupler settings for the entire organ is collectively called a “registration.”
You can store these registrations to the memory pistons. A stored registration can be recalled by pressing a memory piston.
The C-380’s MAN I division and MAN II division respectively have division memory pistons that can store registrations for each division.
About the general memory pistons
The general memory pistons can store the stop, coupler, and tremulant settings. The stored settings are maintained even when the
power is turned off.
There are five general memory pistons, 1 through 5, and each piston can store one registration. The combination of general memory
pistons 1–5 is stored as a “bank,” and a total of 20 banks can be stored. Since there are five pistons and 20 banks, this means that you
can store a total of 100 registrations.
Registrations are a convenient way to store favorite combinations of sounds, or to switch between combinations of sounds while you
perform.
fig.panel-piston.eps
About the division memory pistons (C-380 only)
While the general memory pistons store a combination of sounds for the entire organ, the division memory pistons store only the
combination of sounds for each division.
The MAN I division and MAN II division each have five division memory pistons, and each piston stores one registration. In the case of
the C-380, a bank contains not only the five general memory pistons 1–5, but also the MAN I division’s memory pistons 1–5 and the
MAN II division’s memory pistons 1–5.
fig.panel-divpiston.eps
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47
Storing a Combination of Stops
1.
Set the stops so that you hear the combination of sounds you want to store (p. 29).
2.
While holding down the [SET] piston, press one of the general memory pistons or division memory pistons
(C-380 only).
• If you press a general memory [1]–[5] piston, the state of the stops for all divisions, the couplers, and the tremulant settings will be
stored.
• If you press one of the MAN I division memory [1]–[5] piston, the state of the stops and the tremulant settings for the MAN I division
(lower keyboard) will be stored at that piston.
• If you press one of the MAN II division memory [1]–[5] piston, the state of the stops and the tremulant settings for the MAN II division
(upper keyboard) will be stored at that piston.
The following screen will be shown for several seconds, and the memory piston you stored will light.
fig.LCD950.eps
1.
Press one of the general memory pistons or division memory pistons (C-380 only).
• If you press one of the general memory [1]–[5] pistons, the state of the stops for all divisions, the couplers, and the tremulant settings
stored at that piston will be recalled.
• If you press one of the MAN I division memory [1]–[5] pistons, the state of the stops and the tremulant settings for the MAN I division
(lower keyboard) stored at that piston will be recalled.
• If you press one of the MAN II division memory [1]–[5] pistons, the state of the stops and the tremulant settings for the MAN II division
(upper keyboard) stored at that piston will be recalled.
Cancel all tablets and couplers so that no sounds are selected.
1.
Press the general cancel [0] piston.
The illumination for all stops and pistons will turn off.
No sound will be heard if you attempt to play the keyboard when all settings are turned off.
Storing or Recalling a Registration
Storing a Registration
Recalling a Registration
Resetting the Sound Settings (General Cancel)
If you also want to reset the stop variations
Press and hold the general cancel [0] piston for several seconds; the settings will be reset to a state in which no sound is
selected, and the variation settings will also be reset for all tablets, restoring the basic variation (Default Voice Palette: p.
73).
Transpose (p. 41) will also be turned off.
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48
Storing a Combination of Stops
The state of the general memory [1]–[5] pistons and the division memory [1]–[5] pistons (C-380 only) can be stored as a “memory
bank.”
You can use twenty memory banks (M01–M20). This allows you to store a total of one hundred registrations (5 x 20).
fig.piston-1.eps
1.
Use the memory bank select [M–]/[M+] pistons to select the memory bank number to be used for storage.
fig.LCD951.eps
2.
While holding the [SET] piston, press one of the general memory pistons or division memory pistons (C-380
only).
• If you press a general memory [1]–[5] piston, the current settings of the general memory [1]–[5] pistons will be stored in the bank.
• If you press a MAN I division memory [1]–[5] piston, the current settings of the MAN I division memory [1]–[5] pistons will be stored in
the bank.
• If you press a MAN II division memory [1]–[5] piston, the current settings of the MAN II division memory [1]–[5] pistons will be stored in
the bank.
Please be aware that the information that was previously stored in the memory bank will be overwritten and lost.
Using Memory Banks
Storing the Combination of Memory Pistons as a Memory Bank
M02
M20
M01
Number of memory bank
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49
Storing a Combination of Stops
1.
From the main screen, use the memory bank select [M–]/[M+] pistons to select the number of the memory bank
that you want to recall.
If you hold down the memory bank select [M–]/[M+] piston, the memory bank number will continue changing
consecutively.
Simply pressing a memory bank select [M–]/[M+] piston will not recall a registration.
2.
Press one of the general memory pistons or division memory pistons (C-380 only).
• If you press a general memory [1]–[5] piston, the corresponding registration will be recalled from the general memory bank you
selected in step 1.
• If you press a MAN I division memory [1]–[5] piston, the corresponding registration will be recalled from the MAN I division memory
bank.
• If you press a MAN II division memory [1]–[5] piston, the corresponding registration will be recalled from the MAN II division memory
bank.
Simply by pressing the [NEXT] piston, or the [PREV] piston (C-380 only), you can successively recall the registrations that are stored at
the general pistons.
For example, if you will be performing a recital, you can use the memories to store your registrations in the order in which you will be
using them, and then smoothly switch to the next registration while you perform.
fig.piston-2.eps
Even if you press the [NEXT] piston after arriving at number 5 of memory bank M20, you will stay at memory bank M20
number 5.
You can also assign the function of the [NEXT] piston, or the [PREV] piston (C-380 only) to a kick switch so that you can use
your foot to switch between registrations (p. 45).
After using [M–] [M+] pistons to change the memory bank, pressing the [NEXT] piston will select the next piston of the
newly selected memory bank.
Recalling a Registration from a Different Memory Bank
Recalling Registrations Successively
M01
1 3452
M02
689107
M20
99 100
Each press recalls
the next registration
Each press recalls the previous registration
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50
Practicing Along with a Preset Song or Performance Data
You can practice by playing along with preset songs (demo songs) that are built into the organ, or with performance data that you’ve
recorded from your own playing (p. 56).
• You can mute (silence) the performance of a specific division (p. 52).
• You can listen to the performance of a specific division as a guide tone (p. 53).
• You can change the tempo of the song.
• When a song is played back, the registrations that were used at the time it was recorded will automatically be called up. If you wish to
preserve the current overall status of the organ, make sure to save your settings to a memory piston beforehand (p. 47).
• Playback will use the currently specified reverb (p. 34), temperament (p. 38), and pitch (p. 39) settings.
• Songs can also be played back in succession. Start from the state where playback is stopped. Then, using the [Select/Menu] knob, select
“Play Mode.” Next, turn the [Value/Exit Menu] knob to change the setting to “CHAIN.”
fig.rec-play-2.eps
1.
If you want to play back a song from USB memory, connect your USB memory to the external memory connector
(p. 26).
2.
From the main screen, press the [STOP] piston to access the “Song Recorder” screen.
fig.LCD034.eps
3.
Turn the [Select/Menu] knob to select the media type field in the upper right.
fig.LCD033.eps
Setting
Explanation
OFF
Play back only the selected song
CHAIN Consecutively play back all the songs on the selected media
Selecting and Playing Back a Song
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51
Practicing Along with a Preset Song or Performance Data
4.
Turn the [Value/Exit Menu] knob to select the media on which the song is stored.
* For more information about the built-in preset songs, refer to “List of Preset Song/Demo Song” (p. 78).
5.
Turn the [Select/Menu] knob to select “Song.”
6.
Turn the [Value/EXIT MENU] knob to choose the song that you want to play back.
7.
Press the [PLAY/PAUSE] piston to play back the song data.
• “PU” is shown as the measure number if the song starts on a weak beat.
• You can pause the playback.
Press the [PLAY/PAUSE] piston. Playback will resume from the same location when you press the [PLAY/PAUSE] piston once again.
8.
To stop playback, press the [STOP] piston.
Setting
Explanation
USB
Play back song data from USB memory
INT Play back song data from internal memory
PRE Play back built-in preset song (demo song)
If a screen like the following appears
If internal memory contains performance data that has not been saved, the following message will appear when you
attempt to select a saved song.
fig.LCD952.eps
• If you want to discard the performance data without saving it, press the [SET] piston.
• If you don’t want to erase the performance data, press the [Value/Exit Menu] knob. Save the performance data as
described in “Saving a Recorded Song” (p. 57).
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52
Practicing Along with a Preset Song or Performance Data
When playing back a song, you can individually mute (silence) the performances of the MAN II division (upper keyboard), MAN I
division (lower keyboard), and PEDAL division (pedalboard).
1.
From the main screen, press the [STOP] piston to access the “Song Recorder” screen.
2.
Choose the song that you want to play back (p. 50).
3.
Turn the [Select/Menu] knob to select “Division Mute.”
fig.LCD035.eps
4.
Press the [Select/Menu] knob to access the “Division Mute” screen.
5.
Turn the [Select/Menu] knob to select the division that you want to mute.
6.
Turn the [Value/EXIT MENU] knob to change the setting from “PLAY” to “MUTE.”
fig.LCD036.eps
7.
Press the [PLAY/PAUSE] piston to play back the song.
Only the divisions that are set to “PLAY” will be heard; divisions for which you selected “MUTE” will be muted.
You can play along on the muted division(s) while listening to the recorded performance.
* When you reselect the performance data, muting will be cancelled for all divisions.
Muting a Specific Division During Playback
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53
Practicing Along with a Preset Song or Performance Data
1.
From the main screen, press the [STOP] piston to access the “Song Recorder” screen.
2.
Choose the song that you want to play back (p. 50).
3.
Turn the [Select/Menu] knob to select “Division Mute.”
fig.LCD035.eps
4.
Press the [Select/Menu] knob to access the “Division Mute” screen.
5.
Turn the [Select/Menu] knob to select the division that you want to play back as a guide tone.
6.
Turn the [Value/EXIT MENU] knob to change the setting from “PLAY” to “GUIDE.”
fig.LCD037.eps
7.
Turn the [Select/Menu] knob to select the “Guide Volume.”
8.
Turn the [Value/EXIT MENU] knob to adjust the volume of the guide tone.
9.
Turn the [Select/Menu] knob to select the “Guide Tone.”
10.
Turn the [Value/EXIT MENU] knob to select the guide tone.
You can choose one of the following nine types of tone for the guide tone.
11.
Press the [PLAY/PAUSE] piston to play back.
The division for which you selected “GUIDE” will play back using the specified guide tone.
* When you reselect the performance data, all divisions will sound using their original tone.
These settings will return to the default value when you turn off the power, but you can store the Guide volume and the
Guide Tone setting so that it will be remembered even after the power is turned off.
For details, refer to “Storing Your Settings (Customize)” (p. 73).
Playing Back a Specific Division as a Guide Tone
Setting
1–10
Setting Explanation
F16, P16, R16, F8, P8, R8, F4, P4, R4
F: Fluite
P: Principal
R: Reed
Number: Footage
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54
Practicing Along with a Preset Song or Performance Data
1.
From the main screen, press the [STOP] piston to access the “Song Recorder” screen.
fig.LCD034.eps
2.
Turn the [Select/Menu] knob to select “Tempo.”
fig.LCD038.eps
3.
Turn the [Value/Exit Menu] knob to adjust the tempo.
4.
Press the [Value/Exit Menu] knob twice to return to the main screen.
Changing the Tempo
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55
Practicing Along with a Preset Song or Performance Data
1.
From the main screen, press the [STOP] piston to access the “Song Recorder” screen.
fig.LCD034.eps
2.
Turn the [Select/Menu] knob to select “Metronome Volume.”
fig.LCD039.eps
3.
Turn the [Value/Exit Menu] knob to adjust the value.
Turn this “OFF” if you don’t want the metronome to sound.
4.
Turn the [Select/Menu] knob to select “Beat.”
5.
Change the Beat of the metronome by turning the [Value/Exit Menu] knob.
* The range within which the tempo can be set will vary depending on the setting for Beat.
6.
Press the [Value/Exit Menu] knob twice to return to the main screen.
Using the Metronome
Setting
OFF, 1–10
Beat
Tempo range
2/2
10–120
0/4, 2/4, 3/4, 4/4, 5/4, 6/4, 7/4 20–240
3/8 40–480
6/8, 9/8, 12/8 13–160
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56
Recording Your Performances
fig.rec-play-2.eps
1.
From the main screen, press the [STOP] piston to access the “Song Recorder” screen.
You can also acsess the ”Song Recorder” screen by Quick Menu.
fig.LCD034.eps
2.
Press the [REC] piston; the [REC] piston will light.
The [PLAY/PAUSE] piston will blink, and the organ will enter recording-standby mode.
If desired, you can sound the metronome (p. 55) while you record.
3.
When you play the keyboard, the [PLAY/PAUSE] piston will light and recording will start automatically.
You can also start recording by pressing the [PLAY/PAUSE] piston. In this case, recording will begin after two measures have
passed. If you’re using the metronome, the metronome will sound.
4.
Press the [STOP] piston to stop recording.
The [PLAY/PAUSE] piston’s light will go out.
Recording a Song
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57
Recording Your Performances
1.
Press the [STOP] piston to return to the first measure of the song you recorded.
2.
Press the [PLAY/PAUSE] piston to play back the recorded song.
You can adjust the tempo of the playback (p. 54).
Press the [PLAY/PAUSE] piston, you can pause the playback. Playback will resume from the same location when you press
the [PLAY/PAUSE] piston once again.
3.
To stop playback, press the [STOP] piston.
The song you recorded will be lost when you switch off the organ’s power. If you want to keep the recorded song, you must save it to
USB memory or to the organ’s internal memory.
1.
If you want to save to USB memory, connect your USB memory to the USB connector (p. 26).
2.
From the main screen, press the [STOP] piston to access the “Song Recorder” screen.
3.
Turn the [Select/Menu] knob to select “Save Song.”
fig.LCD040.eps
4.
Press the [Select/Menu] knob to access the “Save Song” screen.
5.
Turn the [Select/Menu] knob to select “Save to,” and turn the [Value/Exit menu] knob to choose the desired save
destination.
fig.LCD041.eps
6.
Turn the [Select/Menu] knob to select “Name,” and press the [Select/MENU] knob to assign a name to the song.
For details on how to assign a name, refer to “If you want to name the data you’re saving” (p. 61).
The song you recorded will automatically be given the name “New Song.”
Play Back the Recorded Song
Saving a Recorded Song
Save to
Explanation
INTERNAL
The song will be saved to internal memory.
USB
The song will be saved to USB memory. Shown only if USB memory is
connected to the USB connector.
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58
Recording Your Performances
7.
Turn the [Select/Menu] knob to select “No.”, and turn the [Value/Exit menu] knob to choose the save-destination
number.
fig.LCD042.eps
8.
Press the [SET] piston; the data will be saved.
fig.LCD953.eps
When saving is finished, the name of the newly saved song data will appear.
9.
Press the [Value/Exit Menu] knob twice to return to the main screen.
If a screen like the following appears
If the save destination already contains data, the following message will appear.
fig.LCD954.eps
• Press the [SET] piston if you want to overwrite the data; i.e., replace the previous contents of the song.
The existing data will be erased, and the performance data you recorded will be saved.
• If you decide that you want to keep the performance data that’s currently in the save-destination, press the [Value/Exit
Menu] knob.
The Save operation will be cancelled, and you’ll return to the previous screen. Select a different save-destination.
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59
Recording Your Performances
Here’s how to delete song data that you saved to internal memory or USB memory.
You can’t erase a preset song.
1.
If you want to delete a song that’s saved on USB memory, connect your USB memory to the external memory
connector (p. 26).
2.
From the main screen, press the [STOP] piston to access the “Song Recorder” screen.
3.
Turn the [Select/Menu] knob to select “Delete Song.”
fig.LCD046.eps
4.
Press the [Select/Menu] knob to access the “Delete Song” screen.
5.
Turn the [Select/Menu] knob to select “Delete from”, and turn the [Value/Exit Menu] knob to select the
appropriate media.
fig.LCD043.eps
6.
Turn the [Select/Menu] knob to select “No.”, and turn the [Value/Exit Menu] knob to specify the song that you
want to delete.
7.
Press the [SET] piston; a confirmation screen will appear.
fig.LCD955.eps
8.
Press the [SET] piston once again to delete the song.
If you decide to cancel, press the [Value/Exit Menu] knob.
Do not disconnect the USB memory or turn off the power before the deletion has been completed. Otherwise, you risk
damaging the USB memory or the organ’s internal memory, rendering it unusable.
9.
Press the [Value/Exit Menu] knob twice to return to the main screen.
Deleting a Recorded Song
Setting Explanation
INTERNAL
Delete a song from internal memory.
USB
Delete a song from USB memory. Shown only if USB memory is
connected to the USB connector.
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60
Recording Your Performances
Saved performance data can be copied in either direction between internal memory and USB memory.
You can’t copy a preset song.
Up to 99 songs can be saved in internal memory, and up to 999 songs can be saved in one USB memory unit.
1.
Connect your USB memory to the external memory connector (p. 26).
2.
From the main screen, press the [STOP] piston to access the “Song Recorder” screen.
3.
Turn the [Select/Menu] knob to select “Copy Song.”
fig.LCD047.eps
4.
Press the [Select/Menu] knob to access the “Copy Song” screen.
5.
Turn the [Select/Menu] knob to move the cursor to the top position, and then turn the [Value/Exit Menu] knob to
select the media that contains the data you want to copy.
fig.LCD049.eps
6.
Turn the [Select/Menu] knob to select the “Name” field, and turn the [Value/Exit Menu] knob to select the song
that you want to copy.
fig.LCD048.eps
In the “Name” field, choose “Copy All” if you want to copy all of the performance data.
If you choose “Copy All,” select a copy-destination number that will allow all of the data to be copied. For example, if you are
copying the ten songs saved in internal memory to USB memory, choose number 990 or lower as the copy-destination
number.
7.
Turn the [Select/Menu] knob toward the right to select the “No.” field, and turn the [Value/Exit Menu] knob to
select the desired copy-destination number.
8.
Press the [SET] piston to execute the copy.
If you decide to cancel, press the [Value/Exit Menu] knob.
Copying a Saved Song
Setting
Explanation
INT
Copy song data from the organ’s internal memory to the USB memory.
USB Copy song data from USB memory to the internal memory.
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61
Recording Your Performances
Never disconnect the USB memory or turn off the power before the copy has been completed. Otherwise, you risk damaging the
USB memory or the organ’s internal memory, rendering it unusable.
9.
When copying is finished, the song name will change to the copy-source song name.
10.
Press the [Value/Exit Menu] knob twice to return to the main screen.
If you want to name the data you’re saving
You can assign a name to the performance data (p. 57), memory banks (p. 62), and voice setup data (p. 65).
1. At the “Name” item, press the [Select/Menu] knob.
In the case of performance data:
In the case of memory banks:
In the case of voice setup data:
2. Turn the [Select/Menu] knob to move the cursor to left or right, and turn the [Value/Exit Menu] knob
to change the character at the cursor location.
fig.LCD956.eps
3.
Press the [SET] piston to finalize the name.
You can use the following characters.
Operation Explanation
Press [M–] piston Deletes a character.
Press [M+] piston Inserts a space.
(space)
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62
Saving and Loading Settings on USB Memory
The process of preparing USB memory for use by the organ is called
“Formatting.”
If the USB memory is not in the correct format for the organ, it
cannot be used by the organ.
* Before you use USB memory for the first time with the organ, you
must format the USB memory on the organ.
* When you format USB memory, all songs or settings that have been
stored on that USB memory will be lost. Once they’re erased, the
songs cannot be recovered, so be sure to check the contents before
you execute formatting.
1.
Connect your USB memory to the USB memory connector
(p. 26).
2.
From the main screen, press the [Select/Menu] knob.
3.
Turn the [Select/Menu] knob to select “11 Save/Load (USB).”
fig.LCD012.eps
4.
Press the [Select/Menu] knob to access the “Save/Load
(USB)” screen.
5.
Turn the [Select/Menu] knob to select “Format USB
Memory.”
fig.LCD060.eps
6.
Press the [Select/Menu] knob.
The following message will appear.
fig.LCD957.eps
7.
Press the [SET] piston to execute formatting.
If you decide to cancel the format operation, press the [Value/Exit
Menu] knob.
Never disconnect the USB memory before formatting has been
completed. Always wait until the “Executing” indication is no
longer shown.
8.
Press the [Value/Exit Menu] knob to return to the main
screen.
Memory banks can be saved to USB memory.
Memory banks M01–M20 can be saved or loaded together as one
set.
* Up to 999 sets of memory banks can be saved on one USB memory
device.
* For the C-380, not only the settings of the general memory pistons
but also the settings of the division memory pistons will be saved
and loaded.
Here’s how to save all settings stored in the memory banks to USB
memory as a set.
1.
Connect your USB memory to the USB memory connector
(p. 26).
2.
From the main screen, press the [Select/Menu] knob.
3.
Turn the [Select/Menu] knob to select “11 Save/Load
(USB).”
fig.LCD012.eps
4.
Press the [Select/Menu] knob to access the “Save/Load
(USB)” screen.
5.
Turn the [Select/Menu] knob to select “Save Memory
Bank.”
fig.LCD615.eps
6.
Press the [Select/Menu] knob to access the “Save
Memory Bank” screen.
7.
Assign a name to the combination of sounds you want to
save.
For details on how to assign a name, refer to “If you want to name
the data you’re saving” (p. 61).
fig.LCD616.eps
Formatting USB Memory
Saving and Loading Memory Banks
Saving to USB Memory
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63
Saving and Loading Settings on USB Memory
8.
Turn the [Select/Menu] knob to select the “No.” field.
9.
Turn the [Value/Exit Menu] knob to select the area in
which you want to save the settings.
10.
Press the [SET] piston to save the data.
If you decide to cancel, press the [Value/Exit Menu] knob.
Never disconnect the USB memory or turn off the power while
sound settings are being saved to USB memory. Otherwise, the
sound settings will not be saved to USB memory, and
malfunction may occur.
Here’s how memory banks saved on USB memory can be loaded
into internal memory.
* When you load the memory banks into internal memory, all memory
banks currently stored in the organ’s internal memory will be
overwritten (replaced) by the memory banks that were saved in USB
memory. The memory banks stored in the organ’s internal memory
cannot be recovered, so please be sure to check the contents of
internal memory before you proceed.
1.
Connect your USB memory to the USB memory connector
(p. 26).
2.
From the main screen, press the [Select/Menu] knob.
3.
Turn the [Select/Menu] knob to select “11 Save/Load
(USB).”
fig.LCD012.eps
4.
Press the [Select/Menu] knob to access the “Save/Load
(USB)” screen.
5.
Turn the [Select/Menu] knob to select “Load Memory
Bank.”
fig.LCD622.eps
6.
Press the [Select/Menu] knob to access the “Load
Memory Bank” screen.
7.
Turn the [Select/Menu] knob to select the “No.” field.
fig.LCD623.eps
8.
Turn the [Value/Exit Menu] knob to select the number of
the sound settings that you want to load.
9.
Press the [SET] piston.
A confirmation screen will appear.
If you decide to cancel, press the [Value/Exit Menu] knob.
fig.LCD624.eps
10.
Press the [SET] piston; the sound settings (registration)
will be loaded.
Never disconnect the USB memory or turn off the power while
sound settings are being loaded from USB memory. Otherwise,
the sound settings will not be loaded into the organ, and
malfunction may occur.
1.
Connect your USB memory to the USB memory connector
(p. 26).
2.
From the main screen, press the [Select/Menu] knob.
3.
Turn the [Select/Menu] knob to select “11 Save/Load
(USB).”
fig.LCD012.eps
4.
Press the [Select/Menu] knob to access the “Save/Load
(USB)” screen.
Loading from USB Memory into Internal
Memory
Deleting a Memory Bank from USB Memory
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64
Saving and Loading Settings on USB Memory
5.
Turn the [Select/Menu] knob to select “Delete Memory
Bank.”
fig.LCD631.eps
6.
Press the [Select/Menu] knob to access the “Delete
Memory Bank” screen.
7.
Turn the [Select/Menu] knob to select “Delete from,” and
turn the [Value/Exit Menu] knob to select “USB.”
fig.LCD632.eps
8.
Turn the [Select/Menu] knob to select “No,” and turn the
[Value/Exit Menu] knob to select the sound settings
(registration) that you want to delete.
9.
Press the [SET] piston to delete the settings.
A confirmation screen will appear.
If you decide to cancel, press the [Value/Exit Menu] knob.
fig.LCD633.eps
10.
Press the [SET] piston; the sound settings (registration)
will be deleted.
Never disconnect the USB memory or turn off the power
before the sound settings have been deleted.
Here’s how a specific bank saved in internal memory or USB
memory can be copied to another bank of the organ’s internal
memory.
You can also return a specific bank of the organ’s internal memory
to the factory-set state.
As an example, we’ll show how to load a specific memory bank from
USB memory into the organ’s internal memory.
1.
As a precaution, save the internal memory banks to USB
memory (p. 62).
When doing so, choose a number that indicates (Empty).
2.
Connect your USB memory to the USB memory connector
(p. 26).
3.
From the main screen, press the [Select/Menu] knob.
4.
Turn the [Select/Menu] knob to select “11 Save/Load
(USB).”
fig.LCD012.eps
5.
Press the [Select/Menu] knob to access the “Save/Load
(USB)” screen.
6.
Turn the [Select/Menu] knob to select “Copy Memory
Bank.”
fig.LCD635.eps
7.
Press the [Select/Menu] knob to access the “Copy
Memory Bank” screen.
Copying a Memory Bank
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65
Saving and Loading Settings on USB Memory
8.
Turn the [Select/Menu] knob to select “Copy from,” and
turn the [Value/Exit Menu] knob to change to “USB.”
fig.LCD641.eps
Select the “Copy from” setting as appropriate.
9.
Turn the [Select/Menu] knob to select the “No.” field, and
turn the [Value/Exit Menu] knob to select the number of
the sound settings that you want to copy.
10.
Turn the [Select/Menu] knob to select the “Bank” field,
and turn the [Value/Exit Menu] knob to select the
memory bank that you want to copy.
11.
Turn the [Select/Menu] knob to select the “INT” field, and
turn the [Value/Exit Menu] knob to select the desired
copy-destination bank number.
12.
Press the [SET] piston.
A confirmation screen will appear.
If you decide to cancel, press the [Value/Exit Menu] knob.
fig.LCD642.eps
13.
Press the [SET] piston; the memory bank will be copied.
A “Voice Setup” contains data that specifies the volume balance of
each sound (stop), its brightness, and various adjustments for
parameters.
* Up to 999 sets of voice setups can be saved on one USB memory
device.
1.
Connect your USB memory to the USB memory connector
(p. 26).
2.
From the main screen, press the [Select/Menu] knob.
3.
Turn the [Select/Menu] knob to select “11 Save/Load
(USB).”
fig.LCD012.eps
4.
Press the [Select/Menu] knob to access the “Save/Load
(USB)” screen.
5.
Turn the [Select/Menu] knob to select “Save Voice
Setup.”
fig.LCD644.eps
6.
Press the [Select/Menu] knob to access the “Save Voice
Setup” screen.
7.
Turn the [Select/Menu] knob to select “Save to.”
8.
Turn the [Value/Exit Menu] knob to select “USB.”
fig.LCD091.eps
Setting
Explanation
FACTORY
Return the specified bank to the factory-set state
INTERNAL Copy the specified internal bank to another bank
USB
From the memory banks saved on USB memory, load
only the specified bank into internal memory
Saving and Loading Voice Setup
Saving to USB Memory
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66
Saving and Loading Settings on USB Memory
9.
Turn the [Select/Menu] knob to select the “Name” field,
and press the [Select/Menu] knob to assign a name to the
voice setup you want to save.
For details on how to assign a name, refer to “If you want to name
the data you’re saving” (p. 61).
fig.LCD092.eps
10.
Turn the [Select/Menu] knob to select the “No.” field, and
turn the [Value/Exit Menu] knob to choose the desired
save-destination number.
If you don’t want to overwrite an existing voice setup, choose a save
destination that’s indicated as “Empty.”
If you decide to cancel, press the [Value/Exit Menu] knob.
11.
Press the [SET] piston.
The currently used voice setup will be saved to USB memory.
To prevent malfunction, never disconnect the USB memory or
turn off the power while a voice setup is being saved to USB
memory.
12.
Press the [Value/Exit Menu] knob three times to return to
the main screen.
1.
If you want to load a voice setup from USB memory,
connect your USB memory to the external memory
connector (p. 26).
2.
From the main screen, press the [Select/Menu] knob.
3.
Turn the [Select/Menu] knob to select “11 Save/Load
(USB).”
fig.LCD012.eps
4.
Press the [Select/Menu] knob to access the “Save/Load
(USB)” screen.
5.
Turn the [Select/Menu] knob to select “Load Voice
Setup.”
fig.LCD653.eps
6.
Press the [Select/Menu] knob to access the “Load Voice
Setup” screen.
7.
Turn the [Select/Menu] knob to select the “Load from”
field, and turn the [Value/Exit Menu] knob to choose the
location of the voice setup you want to use.
fig.LCD069.eps
8.
Turn the [Select/Menu] knob to select “No.”
9.
Turn the [Value/Exit Menu] knob to select the name of
the voice setup that you want to use.
* If you selected “FACTORY,” there will be only one voice setup.
10.
Press the [SET] piston.
The following screen will appear.
If you decide to cancel, press the [Value/Exit Menu] knob.
fig.LCD961.eps
11.
Press the [SET] piston.
The organ’s voice setup will switch to the voice setup you loaded.
* This setting will return to the default value when you turn off the
power, but you can store the setting so that it will be remembered
even after the power is turned off. For details, refer to “Storing Your
Settings (Customize)” (p. 73).
To prevent malfunction, never turn off the power while the
voice setup is being switched.
Loading a Voice Setup
Setting
Explanation
FACTORY
The factory-set voice setup
INTERNAL A voice setup in the organ’s internal memory
USB A voice setup saved on USB memory.
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67
Saving and Loading Settings on USB Memory
1.
If you want to deleting a voice setup from USB memory,
connect your USB memory to the external memory
connector (p. 26).
2.
From the main screen, press the [Select/Menu] knob.
3.
Turn the [Select/Menu] knob to select “11 Save/Load
(USB).”
fig.LCD012.eps
4.
Press the [Select/Menu] knob to access the “Save/Load
(USB)” screen.
5.
Turn the [Select/Menu] knob to select “Delete Voice
Setup.”
fig.LCD056.eps
6.
Press the [Select/Menu] knob to access the “Delete Voice
Setup” screen.
7.
Turn the [Select/Menu] knob to select “Delete from,” and
turn the [Value/Exit Menu] knob to choose the location of
the voice setup you want to delete.
fig.LCD064.eps
8.
Turn the [Select/Menu] knob to select “No.” field, and
turn the [Value/Exit Menu] knob to select the voice setup
that you want to delete.
9.
Press the [SET] piston to delete the voice setup.
A confirmation screen will appear.
If you decide to cancel, press the [Value/Exit Menu] knob.
fig.LCD959.eps
10.
Press the [SET] piston; the voice setup will be deleted.
Never disconnect the USB memory or turn off the power until
the voice setup have been deleted.
Deleting a Voice Setup
Setting
Explanation
INTERNAL
A voice setup in the organ’s internal memory
USB A voice setup saved on USB memory.
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68
Other Settings
You can use the [USER/MIDI] couplers to play “USER/MIDI Voice” (p.
80) that are not included in the sound tablets, or to play sounds on
an external MIDI sound module.
Here’s how you can assign a [USER/MIDI] coupler to play a specified
“USER/MIDI Voice” (p. 80) that is not included in the sound tablets,
allowing you to select and play it just like the other stops.
Two [USER/MIDI] couplers are provided for each division.
* For each sound assigned to a [USER/MIDI] coupler, you can adjust
parameters such as Octave, Reverb, and Brilliance, giving you more
flexibility than for the other sound tablets. For details, refer to
“USER/MIDI Voice” (p. 80).
1.
From the main screen, press the [Select/Menu] knob.
2.
Turn the [Select/Menu] knob to select “5 USER/MIDI
Coupler.”
fig.LCD006.eps
3.
Press the [Select/Menu] knob to access the “USER/MIDI”
screen.
4.
Turn the [Select/Menu] knob to move the cursor to the
top position, and then turn the [Value/Exit Menu] knob
to select the tablet that you want to assign a USER Voice.
fig.LCD072.eps
5.
Turn the [Select/Menu] knob to select “Source/MIDI CH,”
and turn the [Value/Exit Menu] knob to select “USER.”
6.
Turn the [Select/Menu] knob to select “Name,” and turn
the [Value/Exit Menu] knob to select a USER Voice.
For details, refer to “USER/MIDI Voice” (p. 80).
7.
Turn the [Select/Menu] knob to select the item that you
want to set, and turn the [Value/Exit Menu] knob to
change the setting.
Settings for the USER/MIDI Couplers
Playing Sounds that are not in the Sound
Tablets (USER Sound Coupler)
If the “USER/MIDI” screen is not displayed
If “Source/MIDI CH” is not set to “USER,” the above screen won’t
appear. In such cases, you’ll need to change the setting using
the following procedure.
1. Turn the [Select/Menu] knob to select “Source/MIDI
CH.”
2. Change the setting to “USER” by turning the [Value/
Exit Menu] knob.
Indication
Tablet name
MAN-I A
MAN I (lower keyboard) [USER MIDI A] tablet
MAN-I B MAN I (lower keyboard) [USER MIDI B] tablet
MAN-II A MAN II (upper keyboard) [USER MIDI A] tablet
MAN-II B MAN II (upper keyboard) [USER MIDI B] tablet
PEDAL A PEDAL (pedalboard) [USER MIDI A] tablet
PEDAL B PEDAL (pedalboard) [USER MIDI B] tablet
Indication
Explanation Range
Volume
Specifies the volume of the sound assigned
to the [USER/MIDI] coupler.
OFF, 0–127
Octave
Specifies the octave of the sound assigned
to the [USER/MIDI] coupler.
-2–+2
Reverb
Specifies the reverb depth for the sound
assigned to the [USER/MIDI] coupler.
For organ sounds, set this “OFF.”
OFF, 0–127
Warmth
Adjusts the low-frequency tone for the
sound assigned to the [USER/MIDI]
coupler.
-10–+10
Presence
Adjust the mid-frequency tone for the
sound assigned to the [USER/MIDI]
coupler.
-10–+10
Brilliance
Adjusts the high-frequency tone for the
sound assigned to the [USER/MIDI]
coupler.
-10–+10
Velocity
Velocity value
KBD:
The keyboard’s velocity will be used
EXP:
The expression pedal’s position will be used
2–127:
The specified value will be used as the velocity
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69
Other Settings
8.
Press the [Value/Exit Menu] knob twice to return to the
main screen.
The settings you make in the “USER/MIDI” screen are saved in the
registration (p. 47).
* This setting will return to the default value when you turn off the
power, but you can store the setting so that it will be remembered
even after the power is turned off. For details, refer to “Storing Your
Settings (Customize)” (p. 73).
Here’s how you can assign a [USER/MIDI] coupler to play a
separately sold external MIDI sound module from each division.
Setting the MIDI transmit channel
You can specify the channel on which the performance data for
MAN I (the lower keyboard) of will be transmitted via MIDI.
* The transmit channels for MAN II (upper keyboard) and the
pedalboard are fixed (p. 69).
1.
From the main screen, press the [Select/Menu] knob.
2.
Turn the [Select/Menu] knob to select “5 USER/MIDI
Coupler.”
fig.LCD006.eps
3.
Press the [Select/Menu] knob to access the “USER/MIDI”
screen.
4.
Turn the [Select/Menu] knob to move the cursor to the
top position, and then turn the [Value/Exit Menu] knob
to select “MAN-I A.”
fig.LCD072.eps
5.
Turn the [Select/Menu] knob to select the “Source/MIDI
CH” item, and turn the [Value/Exit Menu] knob to change
the MIDI transmit channel.
fig.LCD073.eps
* When set to “USER” it can be used as a USER coupler (p. 68).
6.
Press the [Value/Exit Menu] knob twice to return to the
main screen.
Playing Sounds on an External MIDI Sound
Module (MIDI Coupler)
Indication
Range
Source/MIDI CH
USER(*), CH1–CH16
About MIDI transmit channels
When the [USER/MIDI] coupler is on
To avoid a conflict between the MIDI transmit channels of the
various [USER/MIDI] couplers, the MIDI transmit channels are
fixed as follows.
When the [USER/MIDI] coupler is off
Even when the [USER/MIDI] coupler is off, the performance
data from each division is transmitted on the following MIDI
channels.
As appropriate, you’ll need to change the MIDI reception
settings on the MIDI device that’s connected.
* When using a [USER/MIDI] coupler to control an external MIDI
sound module, we recommend that you set your external MIDI
device to not receive messages on channels 12–14.
Division
(keyboard)
Tablet name MIDI transmit
channel
MAN-I (lower)
USER MIDI A CH1–CH16
USER MIDI B CH5 (fixed)
MAN-II (upper)
USER MIDI A CH2 (fixed)
USER MIDI B CH6 (fixed)
PEDAL
(pedalboard)
USER MIDI A CH3 (fixed)
USER MIDI B CH7 (fixed)
Division (keyboard) MIDI transmit channel
MAN-I (lower) CH12 (fixed)
MAN-II (upper) CH13 (fixed)
PEDAL (pedalboard) CH14 (fixed)
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70
Other Settings
Settings for transmitted messages
Here’s how to specify the MIDI messages that will be transmitted
when a [USER/MIDI] coupler is on.
1.
From the main screen, press the [Select/Menu] knob.
2.
Turn the [Select/Menu] knob to select “5 USER/MIDI
Coupler.”
fig.LCD006.eps
3.
Press the [Select/Menu] knob to access the “USER/MIDI”
screen.
4.
Turn the [Select/Menu] knob to move the cursor to the
top position, and then turn the [Value/Exit Menu] knob
to select the tablet that you want to change the settings.
fig.LCD093.eps
5.
Turn the [Select/Menu] knob to select item, and then turn
the [Value/Exit Menu] knob to change the settings.
fig.LCD074.eps
6.
Press the [Value/Exit Menu] knob twice to return to the
main screen.
Indication
Tablet name
MAN-I A MAN I (lower) [USER MIDI A]
MAN-I B MAN I (lower) [USER MIDI B]
MAN-II A MAN II (upper) [USER MIDI A]
MAN-II B MAN II (upper) [USER MIDI B]
PEDAL A PEDAL (pedalboard) [USER MIDI A]
PEDAL B PEDAL (pedalboard) [USER MIDI B]
Indication
Explanation Range
Name
Select by sound name Name of sound
PC Number Program change number OFF, 1–128
Bank MSB Bank select MSB OFF, 0–127
Bank LSB Bank select LSB OFF, 0–127
Volume Specifies the volume OFF, 0–127
Octave Specifies the octave (pitch) -2–+2
Reverb Specifies the depth of reverb OFF, 1–127
Chorus
Specifies the depth of chorus OFF, 1–127
Velocity
Velocity value
KBD:
The keyboard’s velocity will be used
EXP:
The expression pedal’s position will be used
2–127:
The specified value will be used as the velocity
Expression Expression Pedal OFF, ON
Indication
Explanation Range
Selecting sounds on your external MIDI device
How sound names are displayed
If an MX-200 or a GM2 compatible sound module is connected,
you can set “Tone Name” to the model of sound module you’re
using (p. 72), so that the “USER/MIDI” screen’s “Name” field will
show the names of the sounds, allowing you to choose sounds
by name.
Using the keyboard to select
Even when the “USER/MIDI” screen is not shown, you can use
the following method to select sounds on your external MIDI
device.
1. Turn on the desired [USER/MIDI] coupler.
2.
Hold down the [SET] piston and play a note on the
keyboard and the pedalboard.
The [USER/MIDI] coupler will blink.
The program change corresponding to the note you played
will be transmitted, and the sound selection on your MIDI
device will change.
Each note of the keyboards corresponds to the following
program changes.
Keyboard Tone name Program change
Lower keyboard C2–C7 1–61
Upper keyboard C2–C7 62–122
Pedalboard C2–F2 123–128
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71
Other Settings
Here you can make various settings for the organ’s MIDI
functionality.
For more about MIDI, refer to “Connecting to MIDI Equipment” (p.
76).
1.
Press the [Select/Menu] knob.
2.
Turn the [Select/Menu] knob to select “10 MIDI.”
fig.LCD011.eps
3.
Press the [Select/Menu] knob to access the “MIDI” screen.
4.
Turn the [Select/Menu] knob to select the item that you
want to set, and turn the [Value/Exit Menu] knob to
change the setting.
fig.LCD075.eps
5.
Press the [Value/Exit Menu] knob twice to return to the
main screen.
When the organ is connected to a MIDI sequencer, change this
setting to Local Off.
Since the “Thru” function of most sequencers is turned on, the notes
played on the keyboard or played back by the recorder will reach
the sound generator section by the two routes shown as (1) and (2),
causing duplicate notes to be sounded or notes to be cut off
prematurely. To prevent this from happening, you can use the
“Local Off” setting so that route (1) is disconnected.
Local On:
In this state, the keyboard is connected to the internal sound
generator.
Local Off:
In this state, the keyboard is not connected to the internal sound
generator.
No sound will be heard when you play the keyboard.
This setting will return to “Local ON” when you turn off the
power.
MIDI Settings
Item
Explanation Value
Local
Turns the Local Control setting
on/off (p. 71).
ON, OFF
Tone Name Displays the tone name (p. 72).
OFF, MX200,
GM2
TX Piston
Specifies the MIDI output data
format for the general memory
pistons (p. 72).
OFF, STOP MAP,
PC
Local Control Setting (Local)
Value
Explanation
ON
Local On: the keyboard is onnected to the internal
sound generator.
OFF
Local Off: the keyboard is disconnected from the
internal sound generator. No sound will be heard when
you play the keyboard or play back a song.
(1)
MIDI
MIDI
MIDI
MIDI
(2)
IN
IN
OUT
OUT
Sequencer
Memory
Sound
Generator
Each note played is sounded twice
Soft Thru On
Local On
Local On
Sound is emitted
Sound Generator
Local Off
No sound produced
Sound Generator
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72
Other Settings
When using an [USER/MIDI] coupler with an MX-200 or GM2-
compatible external MIDI sound module, you can make the sound
names of your MX-200 or GM2-compatible sound module appear in
the “USER/MIDI” screen.
* If you’re using a MIDI sound module that does not support GM2,
choose the “OFF” setting.
* This setting will return to “MX200” when you turn off the power, but
you can store the setting so that it will be remembered even after
the power is turned off. For details, refer to “Storing Your Settings
(Customize)” (p. 73).
When transmitting performance data via MIDI, you can specify the
type of MIDI data that will be transmitted when you press a general
memory [1]–[5] piston.
* This setting will return to “STOP MAP” when you turn off the power,
but you can store the setting so that it will be remembered even
after the power is turned off. For details, refer to “Storing Your
Settings (Customize)” (p. 73).
All settings stored in the organ can be reset to their factory-set
condition. This operation is called “Factory Reset.”
Factory reset will cause all of the recorded songs, the general
memory pistons, and division memory pistons (C-380 only) to
return to their factory settings. Please copy your settings to
USB memory before you proceed.
➔
“Saving a Recorded Song” (p. 57)
➔
“Saving and Loading Memory Banks” (p. 62)
1.
From the main screen, press the [Select/Menu] knob.
2.
Turn the [Select/Menu] knob to select “11 Save/Load
(USB).”
fig.LCD012.eps
3.
Press the [Select/Menu] knob to access the “Save/Load
(USB)” screen.
4.
Turn the [Select/Menu] knob to select “Factory Reset.”
fig.LCD061.eps
5.
Press the [Select/Menu] knob.
Confirmation screen will appear
fig.LCD962.eps
If you decide to cancel, press the [Value/Exit Menu] knob.
Specifying the Type of External MIDI Sound
Module (Tone Name)
Value Explanation
OFF
Tone name will not show.
MX200
The screen will show the name of the MX-200’s sound
if an MX-200 is connected as an external MIDI sound
module.
GM2
The screen will show the name of the GM2 sound if a
GM2-compatible sound module is connected as an
external MIDI sound module.
Specifying the MIDI Data Output format for
the General Memory Pistons (Tx Piston)
Value
Explanation
OFF MIDI data will not be transmitted.
STOP MAP
Data describing the details of the sounds that should
be produced when that piston is pressed will be
transmitted. If you’re recording your performance into
a MIDI sequencer, this will ensure that the sounds are
reproduced accurately.
However, since a large amount of data is transmitted
when you press the piston, the sounding of the first
note-on after you press the piston may be delayed in
some cases.
PC
Only program changes indicating the current memory
bank and the general memory piston that was pressed
will be transmitted.
If you’re recording your performance into a MIDI
sequencer, the performance will not be accurately
reproduced unless the contents of the memory bank
used during the performance match the contents
during recording (for example, if you’ve saved the
settings to USB memory).
However, since a large amount of data will not be
transmitted when you press the piston, there will be no
significant delay in the first note-on after you press the
piston.
Returning all Settings to the
Factory-Set State (Factory Reset)
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73
Other Settings
6.
Press the [SET] piston.
The Factory Reset will be executed. Do not turn off the power
while the following screen is displayed.
fig.LCD963.eps
7.
When the Factory Reset has been completed, the
following screen will appear.
Turn the power off, then on again.
fig.LCD964.eps
The following settings will return to their default state when you
switch off the organ's power, but you can use the procedure
described below to store these settings.
* What is the Default Voice Palette?
The “Default Voice Palettes” specifies which variation sound will be
heard when you turn on a specific tablet.
If you specify the variation sounds that you frequently use, you’ll be
able to play those variation sounds simply by selecting those
tablets, without needing to select the variation sounds.
1.
Hold down the [SET] piston and press the [0] piston.
Confirmation screen will appear
fig.LCD900.eps
2.
Turn the [Value/Exit Menu] knob to choose the group.
• If you choose “VOICING,” the VOICING group settings will be saved.
• If you choose “SYSTEM,” the SYSTEM group settings will be saved.
3.
Press the [SET] piston to store the settings.
If you decide to cancel, press the [Value/Exit Menu] knob.
Never turn off the power before the storage has been
completed. (Wait until the “Executing” indication is no longer
shown.)
Storing Your Settings (Customize)
Setting
Group
Default Voice Palettes (*)
VOICING“User/MIDI coupler” screen settings
“Tremulant” screen settings
“Room Modeling” screen settings
SYSTEM
“Console” screen settings (except for V-LINK)
“Exp. Pedal” screen settings
“Audio” screen settings
Satellite Volume settings
“MIDI” screen settings (except for Local ON/OFF)
“Guide Tone” and “Guide Volume” settings in “Song
Recorder” screen
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74
Connecting External Devices
By connecting to amplified speakers, you can play the organ’s
sounds through the external speakers. You can also record your
performance into a digital audio recorder or other recording device.
* To make connections, use audio cables with phone plugs, such as
the PCS-100PW (sold separately).
fig.ConnectAudio-2.eps
1.
Minimize the volume of the main unit and of your
speakers.
2.
Switch off the power to the main unit and your speakers.
3.
Use commercially available audio cables to make
connections.
4.
Switch on the main unit’s power.
5.
Switch on the power to the speakers.
6.
Adjust the volume of the main unit and your speakers.
When you play the main unit’s keyboard, the sound will be heard
from the main unit’s own speakers as well as from the connected
speakers.
To turn off the power
1.
Minimize the volume of the main unit and of your
speakers
2.
Switch off the power to your speakers.
3.
Switch off the main unit’s power.
Connecting to Audio Equipment
• When connection cables with resistors are used, the volume
level of equipment connected to the INPUT jacks may be low. If
this happens, use connection cables that do not contain
resistors.
• To prevent malfunction and/or damage to speakers or other
devices, always turn down the volume, and turn off the power
on all devices before making any connections.
Connecting to Amplified Speakers
To Line Input connector Amplified speaker
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75
Connecting External Devices
You can play the sounds of an external MIDI sound module or
another audio device such as a digital audio player through the
main unit’s speakers.
fig.ConnectAudio-1.eps
1.
Minimize the volume of the main unit and of your MIDI
sound module or your audio device.
2.
Switch off the power to the main unit and your MIDI
sound module or your audio device.
3.
Use commercially available audio cables to make
connections.
4.
Switch on the power to your MIDI sound module or your
audio device.
5.
Switch on the main unit’s power.
6.
Adjust the volume of the main unit and of your MIDI
sound module or your audio device.
The sound of your MIDI sound module or your audio device will be
heard from the main unit’s speakers.
To turn off the power
1.
Minimize the volume of the main unit and your MIDI
sound module or your audio device.
2.
Switch off the main unit’s power.
3.
Switch off the power to your MIDI sound module or your
audio device.
You can adjust the volume and reverb depth of the sound from the
connected audio device or MIDI sound module.
1.
Press the [Select/Menu] knob.
2.
Turn the [Select/Menu] knob to select “9 Audio.”
fig.LCD010.eps
3.
Press the [Select/Menu] knob to access the “Audio”
screen.
4.
Turn the [Select/Menu] knob to select the item that you
want to set, and turn the [Value/Exit Menu] knob to
change the setting.
fig.LCD965.eps
(*) Depending on the setting of the [Master Volume] knob, this
setting may not go all the way to “127.” If the [Master Volume]
knob is set to “0,” you will not be able to change this setting.
* This setting will return to the default value when you turn off the
power, but you can store the setting so that it will be remembered
even after the power is turned off. For details, refer to “Storing Your
Settings (Customize)” (p. 73).
Playing the Sounds of an External MIDI
Sound Module or an Audio Device
To Line output connector
External MIDI sound module, etc.
Adjusting the Volume of your Audio Device
Indication
Explanation Range
Aux In Volume
Adjusts the volume of the audio
device or MIDI sound module.
0–127
Aux In Reverb
Adjusts the reverb depth for the
audio device or MIDI sound
module.
0–127
Line Out Gain
Adjusts the volume of the external
speakers.
0–127 (*)
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76
Connecting External Devices
By connecting the organ with an external MIDI device to transfer
performance data, you can use one device to play the other.
For example, you can play or select sounds on the other device.
Connections with MIDI devices
If you’re connecting with a MIDI sequencer, you’ll need to
make the “Local Off” setting. Refer to “Local Control Setting
(Local)” (p. 71).
To prevent malfunction and/or damage to speakers or other
devices, always turn down the volume, and turn off the power
on all devices before making any connections.
fig.MIDI1-j.eps
You can use each division’s keyboard to play sounds on a separately
sold MIDI sound module. When a [USER/MIDI] coupler is turned on,
each division’s performance data will be transmitted as MIDI data to
play a MIDI sound module that’s connected to the organ.
* Even if the [USER/MIDI] couplers are off, some of the performance
data is transmitted as MIDI messages. For details, refer to “About
MIDI transmit channels” (p. 69).
* If a GM2-compatible external MIDI device is connected, you can
make the organ’s display show the sound names. Refer to
“Specifying the Type of External MIDI Sound Module (Tone Name)”
(p. 72).
Connections with MIDI sound module
fig.MIDI2-j.eps
1.
Minimize the volume of the main unit and MIDI sound
module.
2.
Switch off the power to the main unit and MIDI sound
module.
3.
Use MIDI cables to connect the MIDI connectors of the
two devices (see diagram).
4.
Use commercially available audio cables to make audio
connections.
See “Playing the Sounds of an External MIDI Sound Module or an
Audio Device” (p. 75).
5.
Switch on the power to the main unit and MIDI sound
module.
6.
Adjust the volume of the main unit and the MIDI sound
module.
Connecting to MIDI Equipment
What is MIDI?
“MIDI” stands for “Musical Instrument Digital Interface,” and is a
universal standard for transferring performance data between
electronic musical instruments and computers.
The organ provides MIDI connectors that allow it to exchange
performance data with external devices. A variety of
capabilities become available when you connect these
connectors to an external device.
MIDI OUT/IN connector
OUT
MIDI
IN
MIDI Sequencer
MIDI cable
Using the Organ to Play the Sounds of a
MIDI Sound Module
MIDI sound module
THRU OUT
MIDI
IN
MIDI OUT connector
MIDI IN connector
MIDI cable
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77
Connecting External Devices
When external, V-LINK-compatible, audiovisual presentation
equipment is connected, you’ll be able to control the imagery
presented by such equipment at the same time as you play the
organ.
When you press a general memory piston, messages used for video
control will be transmitted from the MIDI OUT connector. This
allows you to control the imagery presented by the audiovisual
equipment.
* The MIDI transmit channel for video control messages is fixed at
channel 16.
* For details on how the video will change, refer to the owner’s
manual of the connected device.
* This setting will return to “OFF” when you turn off the power.
To prevent malfunction and/or damage to speakers or other
devices, always turn down the volume, and turn off the power
on all devices before making any connections.
What is V-LINK?
V-LINK (
) is a function that allows you to perform
music and video simultaneously. By connecting V-LINK compatible
devices via MIDI, you can enjoy a variety of video effects that are
synchronized to your performance.
Using V-LINK
1.
Turn on the power of your V-LINK compatible device.
2.
From the main screen, press the [Select/Menu] knob.
3.
Turn the [Select/Menu] knob to select “6 Console.”
fig.LCD007.eps
4.
Press the [Select/Menu] knob to access the “Console”
screen.
5.
Turn the [Select/Menu] knob to select “V-LINK,” and turn
the [Value/Exit Menu] knob to change the ON/OFF
setting.
fig.LCD076.eps
6.
Press the [Value/Exit Menu] knob twice to return to the
main screen.
If V-LINK is on, the main screen will indicate “V-LINK.”
fig.V-LINK-1.eps
Using V-LINK
Value
Explanation
OFF
The V-LINK function is off.
ON
The V-LINK function is on.
You’ll be able to use the general memory pistons to
control images.
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78
List of Preset Song/Demo Song
• All rights reserved. Unauthorized use of this material for purposes other than private, personal enjoyment is a violation of applicable laws.
• No data for the music that is played will be output from MIDI OUT.
• If you play back in the “Song Recorder” screen, you’ll be able to individually mute the performance of each division (p. 50).
Bach Chorales (Bach Chorale): Various chorales composed by J.S. Bach
Song Tittle Display Composer Memo
Chorale “Jesus, bleibet meine Freude”
BWV 147 Bach BWV147 J.S. Bach
Chorale “Liebster Jesu, wir sind hier” BWV 731 Bach BWV731 J.S. Bach Famous melody with impressive sound
Chorale “Nun Komm’ der Heiden Heiland” BWV 599 Bach BWV599 J.S. Bach Beautiful positiv organ sound
Chorale “Gott, durch dein Güte” BWV 600 Bach BWV600 J.S. Bach “Trompete” reed melody by pedals
Chorale “Herr Gott, nun schleuss den Himmel auf” BWV 617 Bach BWV617 J.S. Bach Reed sound with soft tremulant
Chorale “Chris Lag in Todesbanden” BWV 625 Bach BWV625 J.S. Bach Principal chorus sound
Chorale “Wo soll ich fliehen hin” BWV 646 Bach BWV646 J.S. Bach 4’ reed melody by pedals
Baroque Organ Works (Baroque):Various organ tunes with Baroque sound
Song Tittle Display Composer Memo
Toccata and Fugue in D Minor
BWV 565 T&F BWV565 J.S. Bach
Prelude and Fugue No.4 in F Major (Harpsichord) BWV 556 PreFugueB556 J.S. Bach
Concerto “The Cuckoo and the Nightingale” HWV 295 ConcertoH295 G.F. Haendel Various stops simulating the birds
Prelude in Eb Major BWV 552 Prelude B552 J.S. Bach Rich pipe sound with full organ
Noel Etranger No.8 - - - NoelEtranger L.C. d’Aquin Various reed and flue pipes with French voicing
Trumpet Voluntary I in D Major - - - Trumpet Vol. W. Boyce Trumpet reed sound without pedals
Fugue in G Minor BWV 578 Fugue B578 J.S. Bach Simple stop for famous fugue by Bach
Romantic Organ Works (Romantic): Various organ tunes with Romantic sound
Song Tittle Display Composer Memo
from “Prelude, Fugue and Variation”
Op.18 PreludeFranc C. Franck
Toccata from “Suite Gothique” Op.25 Toccata L. Böellman
Sonata No.2 Op. 65-2 Sonata No.2 F. Mendelssohn Symphonic organ sound
Andantino - - - Andantino C. Franck Simple but beautiful tune
Trumpet Voluntary - - - Tp Voluntary
H. Purcell &
J. Clarke
With orchestral trumpet
Trumpet Tune and Air - - - Tp Tune&Air H. Purcell With orchestral trumpet
European Organ Tour (European Org): A tour to visit small churches in Europe and their beautiful organs.
Song Tittle Display Composer Memo
Malle Sijmen
- - - Netherlands J.P. Sweelinck
Germany: Chorale “Werde munter, mein Gemuete” - - - Germany J. Pachelbel Chorale with positiv sound
France: “Dialogue Sur la grand clavier et la positif” - - - France F. Couperin Trumpet reed with French positiv sound
Italy: “Toccata per lélevatione” - - - Italy G. Frescobaldi Positiv stop with tremulant without pedals
Belgium: from “Psalm 24” - - - Belgium A.V. Noordt Simple stop with pedals
Spain: “Tiento de 1 tono de mano derecha” - - - Spain P. Bruna Without pedals
England: “Upon la mi re” - - - England Unknown Without pedals
Germany: “Passacaglia” BWV 582 Bach BWV582 J.S. Bach Finally back to Germany for Bach Organ
Ceremony Organ Works (Ceremony): Selected organ works for wedding ceremonies
Song Tittle Display Composer Memo
Ave Verum Corpus in D Major
KV 618 AveVermKV618 W.A. Mozart
“Largo” from Opera “Xerxes” - - - Largo G.F. Haendel Celeste choruses mp-f
“Rigaudon” from “Idomeneus” - - - Rigaudon A. Campra Rich pipe sound, alternating organ and harpsichord, full organ
“Salut d’Amour” - - - Salut d’Amor E. Elgar With orchestral oboe
“Wedding March” from “Midsummer Night’s Dream” - - - MendelWeddin F. Mendelssohn Famous tune for wedding ceremonies
“Bridal Chorus” from “Lohengrin: Act III” - - - WagnerWeddin R. Wagner Originally a choir with orchestra
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79
List of Voices (Stops)
MAN I Division (Lower Keyboard)
Tablet (VP0)
VP1 VP2 VP3
Bourdon
16’ Violone 16’ Principal 16’ Quintaton 16’
Principal 8’ Open Diapason 8’ Montre 8’ Prinzipal 8’
Gemshorn 8’ 2nd Diapason 8’ Voce umana II 8’ Aeoline 8’
Gedackt 8’ Clarabella 8’ Flûte harmonique 8’ Bourdon 8’
Octava 4’ Principal 4’ Flûte à bec 4’ Fugara 4’
Quinte 2-2/3’ Twelfth 2-2/3’ Nazard 2-2/3’ Quintaden 8’
Superoctav 2’ Fifteenth 2’ Doublette 2’ Piccolo 2’
Mixtur IV Tierce Mixture V Cornet V Rauschquint IV
Trumpet 8’ Waldhorn 8’ Trompette 8’ Cromorne 8
MAN II Division (Upper Keyboard)
Tablet (VP0)
VP1 VP2 VP3
Still Gedackt
8’ Stopped Diapason 8’ Bourdon 8’ Rohrgedackt 8’
Spitz Geigen 8’ Geigen Diapason 8’ Salicional 8’ Viola 8’
Viola Cèleste II 8’ Flute Celeste II 8’ Voix cèleste II 8’ Schwebung II 8’
Principal 4’ Unda Maris II 4’ Prestant 4’ Muted Viols II 4’
Nachthorn 4’ Solo Flute 4’ Flûte traversière 4’ Spillflöte 4’
Nasat 2-2/3’ Twelfth 2-2/3’ Nazard 2-2/3’ Quinte 2-2/3’
Piccolo 2’ Wald flute 2’ Doublette 2’ Schwegel 2’
Sesquialtera II Dolce Cornet II Tierce 1-3/5’ Larigot 1-1/3’
Mixtur III Cymbale III Plein jeu IV Sifflöte 1’
Schalmei 8’ Oboe 8’ Hautbois 8’ Trompette 8’
PEDAL Division (Pedalboard)
Tablet (VP0)
VP1 VP2 VP3
Principal
16’ Open Wood 16’ Contrabass 16’ Violone 16’
Subbass 16’ 2nd Subbass 16’ Bourdon 16’ Quintaton 16’
Octava 8’ Octave 8’ Montre 8’ Violoncello 8’
Bourdon 8’ Stopped Flute 8’ Flûte 8’ Still Gedackt 8’
Choral Bass 4’ Fifteenth 4’ Flûte de bois 4’ Quintflöte 10-2/3’
Posaune 16’ Trombone 16’ Bombarde 16’ Basson 16’
Trompete 8’ Trumpet 8’ Trompette 8’ Dulzian 8’
Klarine 4’ Cornet Clarion 4’ Clairon 4’ Schalmei 4’
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80
List of Voices (Stops)
Sounds for user settings can be assigned to the [USER/MIDI]
couplers and played together with the organ sounds of each
division.
The sounds that are available as user settings consist of “organ
sounds” and “orchestral sounds.” The organ sounds and orchestral
sounds differ as follows in the way that reverb and tremulant will
operate.
Organ sounds
• Organ sounds will have the same reverb as the organ sounds of the
other ordinary tablets. For this reason, the Reverb setting shown in
the USER/MIDI screen is ignored. The default setting for Reverb will
be “OFF.”
• The tremulant effect will be applied for each division. If the
expression pedal is enabled, the expression pedal will affect these
organ sounds along with the sounds of the other tablets.
• The velocity settingis ignored (p. 68).
Orchestral sounds
• Orchestral sounds will have their own dedicated reverb. In the
USER/MIDI screen, the default Reverb setting will be “100.”
• The tremulant effect will not be applied.
• The velocity can be fixed (p. 68).
Organ
USER/MIDI Voice
No. display name Voice name feet
1
32 Principal PRINCIPAL 32’
2 32 ContGeign CONTRA GEIGEN 32’
3 32 ContBordn CONTRA BOURDON 32’
4 16 SpitzPriz SPITZ PRINZIPAL 16’
5 16 LibGedakt LIEBLICH GEDACKT 16’
6 16 Dulciana DULCIANA 16’
7 16 CellCélII CELLOS CÉLESTES II 16’
8 16 ErzCél II ERZHALER CÉLESTES II 16’
9 8 Montre MONTRE 8’
10 8 Bach Princ BACH PRINCIPAL 8’
11 8 Gemshorn GEMSHORN 8’
12 8 Gamba GAMBA 8’
13 8 Dulciana DULCIANA 8’
14 8 HolzGedakt HOLZGEDACKT 8’
15 8 GrossFlute GROSS FLUTE 8’
16 8 2nd FlHarm 2nd FLUTE HARMONIQUE 8’
17 8 CélesteIII CÉLESTES III 8’
18 8 UndMrs III UNDA MARIS III 8’
19 4 Principal PRINCIPAL 4’
20 4 Open Flute OPEN FLUTE 4’
21 4 Chim Flute CHIMNEY FLUTE 4’
22 2 2/3 Quinte QUINTE 2-2/3’
23 2 2/3 Nazard NAZARD 2-2/3’
24 2 Gemshorn GEMSHORN 2’
25 2 Piccolo PICCOLO 2’
26 1 3/5 Tierce TIERCE 1-3/5’
27 1 1/3 Larigt LARIGOT 1-1/3’
28 1 1/7 Sept SEPTIÈME 1-1/7’
29 1 Sifflöte SIFFLÖTE 1’
30 IIJeudeCloch JEU DE CLOCHETTE II
31 II Quartane QUARTANE II
32 II Scharf SCHARF II
33 V GablCornet GABLER CORNET V V
34 VI Ped Mix PEDAL GRAND MIXTUR VI
35 IV Grave Mix GRAVE MIXTUR IV
36 IV 2ndGrvMix 2nd GRAVE MIXTUR IV
37 IV Fournitur FOURNITURE SS IV-VI
38 VI T Fournit TIERCE FOURNITURE VI
39 VIIIGrandMix GRAND MIXTUR VIII
40 32 Ophiclide DOUBLE OPHICLEIDE 32’
41 32 Bombarde CONTRE BOMBARDE 32’
42 32 Bassoon CONTRE BASSOON 32’
43 16 2ndBombrd 2nd BOMBARDE 16’
44 16 Contre Tp CONTRE TROMPETTE 16’
45 16 Rankette RANKETT 16’
46 8 Trumpet TROMPET 8’
47 8 Trompette TROMPETTE 8’
48 8 2ndTrompet 2nd TROMPETTE 8’
49 8 StatTrumpt STATE TRUMPET 8’
50 8 Chamade CHAMADES 8’
51 8 Dulzian DULZIAN 8’
52 8 Cromorne CROMORNE 8’
53 8 Baryton BARYTON 8’
54 8 CorD’Amour COR D’AMOUR 8’
55 8 Regal REGAL 8’
56 8 Vox Humana VOX HUMANA 8’
57 8 VoxHumaine VOX HUMAINE 8’ 8’
58 8 VoxHumainT VOX HUMAINE T 8’
59 4 Clarion CLARION 4’
60 4 Clairon CLAIRON 4’
61 4 2ndClairon 2nd CLAIRON 4’
62 4 RohrSchalm ROHRSCHALMEI 4’
63 8+4+2 Princ PRINCIPALS III 8+4+2
64 842Mix Princ PRINCIPALS+MIXTURS 8+4+2+IV
No.
display name Voice name feet
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81
List of Voices (Stops)
Orchestra
65
16+4 FlCélIV FLUTE CÉLESTES IV 16+4
66 16+4 Cél IV CÉLESTES IV 16’+4’
67 16+8+4 CélVI CÉLESTES VI 16+8+4
68 16+8+4+VxCél CÉLESTES VII 16’+8’+4’+Vox
69 16+8 VoxesII VOXES II 16+8
70 16+4 VoxesII VOXES II 16+4
71 Full Swell FULL SWELL 16+8+4+Reeds
72 8 Tibia TIBIA 8’
73 4 Tibia TIBIA 4’
74 8 VDO II VDO CELESTE 8’
75 8 VDO II T VDO CELESTE T 8’
76 8 Tuba T TUBA T 8’
77 8 CornopeanT CORNOPEAN T 8’
78 Tib168+Vx168 TIBIAS 16’ + 8’+ VOX 16’ + 8’
79 Tib16842+Str FULL TIBIAS+STRS 8’+4’
80 Tib84+Q+Vx+C VOX & STR 16’ + TIB 2’ + QUINT
81 Vx16+8+Cel VOX 16’+8’+CELESTES 8’
82 Tib84+VDOCel TIBIAS 8’, 4’ + STR
83 Tib84+Vx+Cel TIBIAS 8’, 4’ + STR + VOX
84 Tib84Cel+Tub TIBIAS 8’, 4’ + TUBA 8’
85 Tib4+Cel8 TIBIA 4’ + CELESTES 8’
86 Tib42+Str168 TIBIAS 4’, 2’ + STR 16’, 8’
87 Tib4+Kinura TIBIA 4’ + KINURA 8’
88 Str8+T2+Glck STR 8’ + TIBIAS 2’ + GLOCKEN
89 Tib4+Glock TIBIA 4’ + GLOCKENSPIEL
No.
display name Voice name feet
No. display name Voice name feet
90 Organ Harp ORGAN HARP 8’
91 Chrysoglot CHRYSOGLOTT 4’
92 Tubular Bell TUBULAR BELL
93 Action Noise TRACKER/BARKER NOISE
94 Orch Oboe ORCHESTRAL OBOE
95 OrchClarinet ORCHESTRAL CLARINET
96 Orch Flute ORCHESTRAL FLUTE
97 Orch Trumpet ORCHESTRAL TRUMPET
98 Harpsi 8-I HARPSICHORD 8 I
99 Harpsi 8-II HARPSICHORD 8 II
100 Harpsi 4’ HARPSICHORD 4
101 Harpsi Lute HARPSICHORD LUTE
102 Harpsi 8+8 HARPSICHORD 8+8
103 Harpsi 8+4 HARPSICHORD 8+4
104 Celesta CELESTA
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82
Troubleshooting
If the C–330/C-380 does not function in the way you except, first check the following chart. If this does not resolve the problem,
consult your dealer or a nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page.
Power does not turn on
Problems with the screen display
No sound
Symptom
Cause Response Page
When you press the [POWER] switch, the
power doesn’t come on
Power cord is not connected correctly. Connect the power cord correctly. p. 22
Symptom
Cause Response Page
Nothing appears on screen
The C–330/C-380 uses a liquid-crystal screen, so text may not be
displayed when the ambient temperature is below freezing.
This is not a malfunction. —
The display contrast setting has not been set correctly. Correctly set the display contrast. p. 27
Symptom
Cause Response Page
No sound
No sound (stop) is selected.
If you have simply turned on the power,
the keyboard will not produce sound
since no stop has been selected.
p. 29
The [Master Volume] knob is at the “Min” position (volume is at
minimum).
Turn the [Master Volume] knob toward
“Max.”
p. 24
Headphones are connected.
If headphones are connected, sound will be heard only from the
headphones.
If you want sound to be produced from
the speakers, disconnect the
headphones.
p. 25
A plug has remained in the headphone jack.
Remove the plug from the headphone
jack.
p. 25
The expression pedal is not depressed. Depress the expression pedal. p. 42
No sound from the satellite speakers
The [Select/Menu] knob (Satellite Volume) is set to “0.”
Adjust the [Select/Menu] knob (Satellite
Volume).
p. 34
The satellite speaker cable connector is not connected correctly.
Correctly connect the satellite speaker
cable connector.
p. 21
Pedalboard does not sound The pedalboard cable is not connected correctly. Correctly connect the pedalboard cable. p. 19
No sound
(when connected to external
equipment)
The power to the connected external equipment is not switched
on.
Switch on power to the connected
external equipment, in the correct
order.
p. 74
The “Aux In Volume” is set to “0” Adjust the “Aux In Volume” setting. p. 75
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83
Troubleshooting
Something is wrong with the sound
General memory pistons don’t work properly
Division memory pistons don’t work properly (C-380)
Symptom
Cause Response Page
You hear noise
If there is a cell phone nearby, noise might be heard from the
C-330/C-380 when a call is made or received, or during a call.
Keep the cell phone as far away from the
C-330/C-380 as possible, or turn it off.
—
Something is wrong with the sound
when you play certain areas of the
keyboard
You’re playing outside the recommended range of pitches for
that voice.
This is not a malfunction. —
High notes are folded down by an
octave, or are not sounded.
You have exceeded the speaking range of the pipe. This is not a malfunction. —
Something is wrong with the sound You’re playing an octave-shifted organ sound.
If an organ sound is octave-shifted, the
sound may be affected by the timing at
which you play the keys or by phase
relationships, but this does not indicate
a malfunction.
p. 68
Pitch is incorrect
The pitch has been transposed. Cancel the transpose function. p. 41
Tuning is incorrect. Adjust the reference pitch. p. 40
You’ve specified an octave shift and are playing notes outside the
recommended region.
Change the octave shift setting. p. 68
Sound is distorted or crackly
The [USER/MIDI] coupler volume has been raised excessively. Lower the [USER/MIDI] coupler volume. p. 68
The reverb setting is high, and the “Room Type” setting is long.
Reduce the reverb setting, or shorten
the “Room Type” setting.
p. 34
p. 35
The overall volume is excessive.
Use the [Master Volume] knob to lower
the overall volume.
p. 24
Lower notes sound funny, or rattle
If you do not hear these problems through headphones
Performing at high volume may cause resonant vibration in the
organ itself or in objects near the organ.
Fluorescent lights or glass doors in the room may resonate. In
particular, this is more likely to occur with lower notes at higher
volume.
To reduce such resonances, try the
following steps.
• Move the organ 10–15 cm away from
the wall.
• Reduce the volume.
• Move the organ away from the
resonating objects.
—
If you hear the same problem through headphones
A different cause is likely.
Please contact your dealer or a Roland
customer service center.
—
Tremulant effect not applied
The tremulant effect will not be applied to USER orchestral
sounds selected by the [USER/MIDI] coupler settings.
This is not a malfunction. —
Symptom
Cause Response Page
Settings are not switched when you
press a general memory piston
Settings were not stored correctly at the general memory piston. Store the settings once again. p. 47
Symptom
Cause Response Page
Settings are not switched when you
press a division memory piston
Settings were not stored correctly at the division memory piston. Store the settings once again. p. 47
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84
Troubleshooting
Can’t record
Performance functions don’t work properly
Other
Sounds or settings have changed since you turned on the power.
Symptom
Cause Response Page
The recorded performance data was lost
The recorded performance will be lost when you switch off the
C-330/C-380’s power.
The lost performance data cannot be
recovered.
Save your performance to internal
memory or USB memory before you
turn off the power.
p. 57
Symptom
Cause Response Page
Expression pedal does not work
The keyboard to be affected by the expression pedal has not
been set.
Specify the keyboard that is to be
affected by the expression pedal.
p. 42
Can’t use the function assigned to a kick
switch
The kick switch function has not been set correctly. Correctly set the kick switch function. p. 45
Symptom
Cause Response Page
Can’t read or write USB memory
You’re using USB memory not manufactured by Roland.
We cannot guarantee operation if USB
memory not manufactured by Roland is
used.
Use USB memory available from Roland.
—
Symptom
Cause Response Page
The sound heard when you press a
tablet has changed
The voice palette that was in effect when you turned on the
power has been changed.
Re-select the voice palette and store it in
the C-330/C-380.
p. 73
Reverb or tremulant settings have
changed
The reverb or tremulant settings that were in effect when you
turned on the power have been changed.
Re-select the reverb or tremulant
settings, and store them in the C-330/
C-380.
p. 73
The expression pedal function or the
bass or melody coupler split point have
been changed
The settings were changed since the power was turned on.
Re-select the settings, and store them in
the C-330/C-380.
p. 73
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85
Error Messages
Error Message
Meanings
Write Data Error.
You can only read the music file.
It can not be saved.
Write Error.
An error occurred during writing.
The USB memory’s protect tab may be in the “Protect” (writing prohibited) position,
or the USB memory may not yet be initialized.
Media Unavailable.
No USB memory is inserted.
Insert the USB memory and try again.
Media Full.
There is not sufficient free memory in the save destination.
Either insert other USB memory or delete unneeded files and try again.
Read Error.
An error occurred during reading.
The USB memory may be corrupted.
Insert other USB memory and try again.
Alternatively, you can format the USB memory. When you format USB memory, all songs or settings that have been stored on that
USB memory will be lost.
Read Data Error.
The file is unreadable.
The data format is not compatible with the C-330/C-380.
Load Over Run.
Data was not called up in time for playback of the song.
After waiting several seconds, you may be able to play back the song by pressing the [PLAY/PAUSE] button again.
Memory Full. The internal memory is full.
MIDI Buffer Full.
The C-330/C-380 cannot deal with the excessive MIDI data sent from the external MIDI device.
Reduce the amount of MIDI data sent to the C-330/C-380.
MIDI Off Line.
A MIDI cable has been disconnected.
Connect it properly and securely.
MIDI Error.
A MIDI transmission error has occurred.
Check the MIDI cable and connected MIDI device.
System Error.
There may be a problem with the system.
Repeat the procedure from the beginning.
If it is not solved after you have tried several times, contact a Roland service center.
USB Over Current.
The USB connector was subjected to excessive current.
Make sure that there is no problem with the USB memory, then turn the power off, then on again.
List of Shortcuts
By using these shortcuts you can directly access a desired screen without going through a menu screen.
All shortcut operations must be performed from the main screen.
To access the screen
Page Shortcut
Demo screen
p. 28
While holding in the [SET] piston
Press the [PLAY/PAUSE] piston
Pitch/Tuning screen p. 38–p. 41 Press any key
Voice Palette screen p. 29–p. 30 Press the top or bottom of a division tablet
Expression Pedal screen p. 42–p. 45
Operate the expression pedal
Operate the right or left kick switch
USER/MIDI screen p. 68
Press the top or bottom of the [USER/MIDI A] tablet
Press the top or bottom of the [USER/MIDI B] tablet
Edit parameter save confirmation screen p. 73 Press the general cancel piston [0]
Audio screen p. 75 Turn the [Master Volume] knob
Room Modeling screen p. 35–p. 36 Turn the [Reverb] knob
Console screen
p. 27, p. 32,
p. 33, p. 77
Press the bass coupler [BASS] piston
Press the melody coupler [MEL] piston
Song Recorder screen p. 50, p. 60 Press the [STOP] piston
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86
Glossary
Stop
Each set of organ pipes that produces a different sound is called a
stop.
Tablet
A tablet is a rectangular switch used to select a stop or coupler.
Piston
The round switches arranged below the manual keyboard are called
pistons.
Division
The basic group of sounds corresponding to each keyboard is called
a division.
Registration
A combination of settings for the stops (sounds) and couplers is
called a registration.
General memory pistons (general pistons)
These are the pistons [1]–[5] that are used to store registrations
(combinations of sounds).
Each general piston stores a combination of sounds and coupler
settings for the entire organ.
Division memory pistons (division pistons)
These are pistons [1]–[5] that store the sounds of the MAN I division
(lower keyboard) and MAN II division (upper keyboard).
Memory bank
Memory banks are storage areas that contain twenty different sets
of settings for general pistons 1–5, allowing you to use a larger
number of registrations.
Each bank, from memory bank 1 (M01) through memory bank 20
(M20) contains settings for five general memory pistons, letting you
store a total of 5 x 20 = 100 registrations.
General cancel piston (general cancel)
This is the round piston labeled [0]. It turns off all currently selected
sounds (stops), couplers, and tremulants in a single operation.
Expression pedal
Historically, this refers to a pedal that opens or closes the shutters of
a chamber containing the pipes, thus smoothly varying the volume
and tone.
You can also specify whether this pedal will control just the upper or
lower manual, or the entire organ.
MAN I & PEDAL enclosed piston
You can use the expression pedal to vary the volume or tone. A
setting screen allows you to choose the division whose volume or
tone will be affected, but the C-380 provides a MAN I & PEDAL
enclosed piston which lets you turn on/off control of the MAN I
division and PEDAL division while you play.
Shutter
This setting allows you to adjust the openness of the shutters to
specify the minimum volume that will be in effect when the
expression pedal is completely released.
USER/MIDI coupler
The USER/MIDI couplers allow you to select from a wide variety of
user sounds that are not accessible as tablet stops.
When using an external MIDI sound module, these couplers are also
used to play the external sound module.
Manual couplers
Manual couplers let you play the sound of one manual together (i.e.,
coupled) with the sound of another manual.
[II/I] couples the sounds of manual 2 (the upper keyboard) to
manual I (the lower keyboard), allowing you to play both from the
lower keyboard.
[I/P] couples the sounds of manual 1 (the lower keyboard) to the
pedalboard, allowing you to play both from the pedalboard.
Bass coupler
This causes the lowest note played on manual I (the lower keyboard)
to be sounded using the sound of the pedalboard.
When this is used, the lowest note you finger on the lower keyboard
will be played by the pedalboard sound even though you’re not
actually touching the pedalboard.
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87
Glossary
Melody coupler
This causes the highest note played on manual I (the lower
keyboard) to be sounded using the sound of manual II (the upper
keyboard).
This means that the sound of the upper keyboard will be used to
play the highest note as the melody, even though you’re actually
fingering only the lower keyboard.
Tremulant
This creates a cyclic change in the sound’s volume or tone,
producing a soft character similar to tremolo or vibrato.
This effect is applied only to organ sounds.
Kick switches
These are switches that are located at the left and right sides of the
expression pedal and can be operated with the tip of your foot.
By assigning the desired function to these switches, you can switch
registrations using your feet.
Voice palette
Each sound tablet allows you to select four different stops (sounds)
as variations. These sounds are called the voice palette.
Voice setup
This is data that includes the voice palette (choice of variation) for
each sound (stop), the volume balance, and adjustments to the tone
and pitch (voicing), collectively determining the overall design or
type of the entire organ as appropriate for the era or style of music
you wish to play.
By switching between voice setups, you can change the overall
tonal character and feel of the entire organ; for example, you can
change from a Baroque organ to a French romantic era organ.
Temperament
The C-330/C-380 allows you to switch between several historical
tuning methods (temperaments) in addition to the standard equal
temperament of today.
Pitch
The reference pitch of an instrument is usually expressed as the
frequency of the middle “A” note.
As an alternative to today’s standard pitch of 440 Hertz, the C-330
allows you to choose historical pitches such as Baroque pitch (415
Hz) or Versailles pitch (392 Hz).
You can also adjust the tuning to intermediate pitches such as 442
Hz or 420 Hz.
Transpose
You can transpose the keyboard to change the range of pitches that
it plays.
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88
MIDI Implementation Chart
Model: C-330/C-380
Date: May 01, 2010
Version: 1.10
Mode 1: OMNI ON POLY Mode 2: OMNI ON, MONO o : Yes
Mode 3: OMNI OFF, POLY Mode 4: OMNI OFF, MONO x : No
Function...
Transmitted Recognized Remarks
Basic Channel
Default 1–3, 5–7 *1 MIDI Couplers
12 12–16 GENERAL
12 12 MAN–I
13 13 MAN–II
14 14 PEDAL
16 V-LINK
Changed 1–16 MAN–I MIDI A only
Mode
Default Mode 3 Mode 3
Messages x x
Altered ************** **************
Note Number
6–125 0–127
True Voice 0–127
Velocity
Note On o o
Note Off o o
After Touch
Key’s x x
Ch’s x x
Pitch Bender x x
Control Change 0, 32 o o Bank Select
7 o o Volume
11 o x Expression
64 o o Hold 1
91 o (Reverb) o (Reverb) General Purpose Effect 1
93 o (Chorus) x General Purpose Effect 3
Program Change
1–128 1–5, 20, 21–26 *3
True # ************** **************
System Exclusive o*2o*2
System Common
Song Pos x x
Song Sel x x
Tune x x
System Real Time
Clock x x
Commands x x
Aux Message
Local ON/OFF x x
All Notes Off o (123) o (123)
Active Sense o o
Reset x x
Notes
*1 Able to choose between o and x.
*2 SysEx used for stop and coupler changes.
*3 Only C-380 recognized 21–26.
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89
Specifications
C-380
C-330
Keyboard
Manual
2 x 61 keys (C2–C7, Tracker action)
Pedal 30 keys (C2–F4, Parallel Concave)
Stops (Tablet)
Stops
Total 33 Stops
MAN I: 9 Tablets + 2 (User/MIDI Couplers)
MAN II: 10 Tablets + 2 (User/MIDI Couplers)
Pedal: 8 Tablets + 2 (User/MIDI Couplers)
4 Voice Palette each: Total 108 voices
USER/MIDI Voice: 104 Voices
Total: 212 Voices
Coupler
Manual Coupler
I/P, II/P, II/I
Equipped with tablets and pistons.
I/P, II/P, II/I
Equipped with tablets.
Melody Coupler 1 (Piston)
Bass Coupler 1 (Piston)
USER/MIDI Coupler 6 (2 for each division)
Tremulant (Tablet)
MAN I, MAN II
Total 2
Registration
General piston
5 x 20 Memory Banks Total 100
MAN I divisional piston 5 x 20 Memory Banks Total 100 N/A
MAN II divisional piston 5 x 20 Memory Banks Total 100 N/A
Piston
SET
1 (parameters)
General Piston 5 (registration)
MAN I divisional piston 5 (registration) N/A
MAN II divisional piston 5 (registration) N/A
M+, M- 1 each (memory bank)
PREV, NEXT 1 each (shift registration) NEXT only (shift registration)
I/P, II/P, II/I 1 each (manual coupler) N/A
I/P ENCL 1 (expression pedal I/P enclosed) N/A
STOP, PLAY/PAUSE, REC 1 each (song recorder)
0 1 (General cancel)
Effect
RSS Reverb 4 room types, 4 wall types
Controls
[Master Volume] knob
[Reverb] knob
[Satellite Volume/Select Menu] knob
[Value/Exit Menu] knob
Tuning Functions
Key Transpose
-6 to +5 (semitone steps)
Temperament
9 types
(Equal, Werckmeister III, Kirnberger I/III, Vallotti, Meantone D
#
/E
b
, Pythagorean, Modern Bach)
Pitch
4 types
(Versailles: 392 Hz, Baroque: 415 Hz, Modern: 440 Hz, Venetian: 465 Hz)
Master Tuning +/- 100 cents
Song Recorder
Tracks
1
Piston STOP, PLAY/PAUSE, REC
Tempo Quarter note = 20 to 240
File Storage
Media
USB memory
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90
Specifications
* In the interest of product improvement, the specifications and/or appearance of this unit are subject to change without prior notice.
* Please note that the actual dimensions and weight may differ slightly from this specification due to the woodwork.
Pedal
Expression Pedal
1
Kick Switch 2
Speakers
Woofer 2 x 20 cm
Tweeter 2 x 5 cm
Satellite Speakers 2 x 12 cm
Connectors
Phones jack (Stereo)
Output jacks (L/Mono, R)
Input jacks (L/Mono, R)
MIDI connectors (In, Out)
USB connector (USB Memory connector)
Satellite Speaker (Dedicated Connector)
Pedalboard connecting cable
AC Inlet
Power Consumption
120 W
120 W
Cabinet Finish
Simulated Dark Oak
Simulated Light Oak
Dimensions
Console (included Music Rest)
1,275(W) x 577 (D) x 1,375 (H) mm
50-1/4 (W) x 22-3/4 (D) x 54-1/4 (H) inches
1,270(W) x 537 (D) x 1,319 (H) mm
50 (W) x 21-3/16 (D) x 51-15/16 (H) inches
Pedalboard
1,184 (W) x 791 (D) x 185–210 (H) mm
46-5/8 (W) x 31-3/16 (D) x 7-5/16–8-5/16(H) inches
1,184 (W) x 791 (D) x 185–210 (H) mm
46-5/8 (W) x 31-3/16 (D) x 7-5/16–8-5/16(H) inches
Total
1,275 (W) x 915 (D) x 1,375 (H) mm
50-1/4 (W) x 36 (D) x 54-1/4 (H) inches
1,270 (W) x 910 (D) x 1,319 (H) mm
50 (W) x 35-7/8 (D) x 51-15/16 (H) inches
Satellite Speaker
179 (W) x 91 (D) x 144 (H) mm
7-1/16 (W) x 3-5/8 (D) x 5-11/16(H) inches
Bench
1,350 (W) x 294 (D) x 640–655 (H) mm
53-3/16 (W) x 11-5/8 (D) x 25-1/4 –25-13/16(H) inches
Weight
Console
(not include Satellite speakers)
85 kg/188 lbs 81 kg/179 lbs
Pedalboard 25 kg/55 lbs 25 kg/55 lbs
Bench 20 kg/44 lbs 20 kg/44 lbs
Satellite speakers 2 x 1.4 kg/3 lbs 2 x 1.4 kg/3 lbs
Accessories
Pedalboard (PDB-12PC) *separate carton
Bench (BNC-33) *separate carton
Satellite Speakers (with two screws for wall mounting)
Power Cord
Key: 2 (For keyboard cover)
Owner’s manual
Quick manual
Assembly leaflet (included in the bench & pedalboard)
Pedalboard (PDB-11PC) *separate carton
Bench (BNC-33) *separate carton
Satellite Speakers (with two screws for wall mounting)
Power Cord
Cover (included in the bench)
Owner’s manual
Quick manual
Assembly leaflet (included in the bench & pedalboard)
C-380
C-330
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91
Index
A
Adjuster
...................................................................................................................
19
Amplified Speaker
..........................................................................................
74
Aux In Reverb
......................................................................................................
75
Aux In Volume
....................................................................................................
75
B
BAROQUE
.......................................................................................................
27
,
39
Bass Coupler
........................................................................................................
33
Beat
.............................................................................................................................
55
Bench
.........................................................................................................................
19
C
CATHEDRAL
..........................................................................................................
35
CHAMBER
...............................................................................................................
35
CHURCH
..................................................................................................................
35
Contrast
...................................................................................................................
27
Copy
Memory Bank
.............................................................................................
64
Song
...................................................................................................................
60
Coupler
.....................................................................................................................
31
Coupler Tablets
.........................................................................................
14
,
16
D
Default Voice Palette
....................................................................................
73
Delete
Character
........................................................................................................
61
Memory Bank
.............................................................................................
64
Song
...................................................................................................................
59
Voice Setup
..................................................................................................
67
Demo Song
...................................................................................................
28
,
78
E
Equal temperament
......................................................................................
38
Expression Pedal
......................................................................................
27
,
42
F
Factory Reset
.......................................................................................................
72
Formatting
............................................................................................................
62
G
Guide Tone
...........................................................................................................
53
H
HALL
...........................................................................................................................
35
Headphones
........................................................................................................
25
Historical Temperament
............................................................................
39
K
Keyboard Cover
................................................................................................
22
Kick Switch
............................................................................................................
45
Kirnberger
..............................................................................................................
38
L
Line Out Gain
......................................................................................................
75
Local Control
.......................................................................................................
71
M
Main Screen
.........................................................................................................
27
Manual Coupler
................................................................................................
31
Meantone
..............................................................................................................
38
Melody Coupler
................................................................................................
32
Memory Bank
.....................................................................................................
48
Metronome
..........................................................................................................
55
MIDI CH
....................................................................................................................
69
MIDI Sound Module
......................................................................................
75
MODERN
.........................................................................................................
27
,
39
Modern Bach
.......................................................................................................
38
Music Rest
..............................................................................................................
19
Mute
...........................................................................................................................
52
P
Pedalboard
...........................................................................................................
19
Piston
................................................................................................................
15
,
17
Pitch
..................................................................................................................
39
–
40
Play Back
Demo Song
..................................................................................................
28
Preset Song
..................................................................................................
50
Recorded Song
.........................................................................................
57
Power Cord
...........................................................................................................
22
PRE
...............................................................................................................................
51
Preset Song
..................................................................................................
51
,
78
Pythagorean
........................................................................................................
38
R
Recording
..............................................................................................................
56
Registration
..........................................................................................................
46
Recall
.................................................................................................................
47
Store
..................................................................................................................
47
Reset
Factory Reset
..............................................................................................
72
General Cancel
..........................................................................................
47
Sound Setting
............................................................................................
47
Reverberation
.....................................................................................................
34
Room Modeling
................................................................................................
35
Room Type
............................................................................................................
35
S
Satellite Speakers
............................................................................................
20
Save
Memory Bank
.....................................................................................
62, 65
Power-on Setting .................................................................................... 73
Recorded Song ......................................................................................... 57
Registration ................................................................................................. 47
Shortcut ................................................................................................................... 85
Shutter ...................................................................................................................... 44
Song Recorder ................................................................................................... 56
Stop ............................................................................................................................ 29
Store
Memory Bank ............................................................................................. 48
Power-on Setting .................................................................................... 73
SUSTAIN .................................................................................................................. 45
SYSTEM .................................................................................................................... 73
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92
Index
T
Tablet
.................................................................................................................
14
,
16
Temperament
.....................................................................................................
38
Tempo
..............................................................................................................
54
–
55
Transpose
...............................................................................................................
41
Tremulant
..............................................................................................................
37
Tremulant Tablets
...................................................................................
14
,
16
U
USB memory
........................................................................................................
26
USER/MIDI Coupler
.......................................................................
14
,
16
,
68
USER/MIDI screen
...................................................................................
68
–
69
V
Vallotti
.......................................................................................................................
38
Variation
..................................................................................................................
30
VENETIAN
.......................................................................................................
27
,
39
VERSAILLES
...................................................................................................
27
,
39
Vibrato
......................................................................................................................
37
V-LINK
........................................................................................................................
77
Voice Setup
...........................................................................................................
65
VOICING
...................................................................................................................
73
Volume
Expression Pedal
......................................................................................
42
External Audio Device
.........................................................................
75
External MIDI Sound Module
........................................................
70
Guide Tone
...................................................................................................
53
Headphones
................................................................................................
25
Metronome
..................................................................................................
55
Overall
..............................................................................................................
34
Satellite Speaker
......................................................................................
34
User Sound
...................................................................................................
68
W
Wall Type
................................................................................................................
36
Werckmeister
......................................................................................................
38
C-380_330_e.book 92 ページ ２０１０年４月２８日　水曜日　午後１０時１１分
93
This product complies with the requirements of EMCD 2004/108/EC and LVD 2006/95/EC.
For EU Countries
For Canada
This Class B digital apparatus meets all requirements of the Canadian Interference-Causing Equipment Regulations.
Cet appareil numérique de la classe B respecte toutes les exigences du Règlement sur le matériel brouilleur du Canada.
NOTICE
AVIS
For the USA
FEDERAL COMMUNICATIONS COMMISSION
RADIO FREQUENCY INTERFERENCE STATEMENT
This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the
FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential
installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in
accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee
that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or
television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the
interference by one or more of the following measures:
– Reorient or relocate the receiving antenna.
– Increase the separation between the equipment and receiver.
– Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
– Consult the dealer or an experienced radio/TV technician for help.
This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions:
(1) this device may not cause harmful interference, and
(2) this device must accept any interference received, including interference that may cause undesired operation.
Unauthorized changes or modification to this system can void the users authority to operate this equipment.
This equipment requires shielded interface cables in order to meet FCC class B Limit.
WARNING
This product contains chemicals known to cause cancer, birth defects and other reproductive harm, including lead.
For C.A. US
(
Proposition 65
)
C-380_330_e.book 93 ページ ２０１０年４月２８日　水曜日　午後１０時１１分
94
For EU Countries
For China
C-380_330_e.book 94 ページ ２０１０年４月２８日　水曜日　午後１０時１１分
95
C-380_330_e.book 95 ページ ２０１０年４月２８日　水曜日　午後１０時１１分
C-380_330_e.book 96 ページ ２０１０年４月２８日　水曜日　午後１０時１１分
… 69 …

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