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Owner’s Manual

C-200_e.book Page 1 Monday, April 4, 2011 5:22 PM

This product complies with the requirements of EMC Directive 2004/108/EC.

For EU Countries

For Canada

For the USA

For the U.K.

For C.A. US

(

Proposition 65

)

C-200_e.book Page 2 Monday, April 4, 2011 5:22 PM

Before using this unit, carefully read the sections entitled: “USING THE UNIT

SAFELY” (p. 4) and “IMPORTANT NOTES” (p. 6). These sections provide

important information concerning the proper operation of the unit.

Additionally, in order to feel assured that you have gained a good grasp of every

feature provided by your new unit, owner’s manual should be read in its

entirety. The manual should be saved and kept on hand as a convenient

reference.

Roland is either a registered trademark or a trademark of Roland Corporation in the United States and/or other countries

C-200

C-200_e.book Page 3 Monday, April 4, 2011 5:22 PM

USING THE UNIT SAFELY

002c

• Do not open (or modify in any way) the unit or its

AC adaptor.

..........................................................................................................

• Do not attempt to repair the unit, or replace parts

within it (except when this manual provides

specific instructions directing you to do so).

Refer all servicing to your retailer, the nearest

Roland Service Center, or an authorized Roland

distributor, as listed on the “Information” page.

..........................................................................................................

• Never install the unit in any of the following

locations:

• Subject to temperature extremes (e.g., direct

sunlight in an enclosed vehicle, near a heating

duct, on top of heat-generating equipment); or

are

• Damp (e.g., baths, washrooms, on wet floors);

or are

• Exposed to steam or smoke; or are

• Subject to salt exposure; or are

• Humid; or are

• Exposed to rain; or are

• Dusty or sandy; or are

• Subject to high levels of vibration and shakiness.

..........................................................................................................

• This unit should be used only with a rack or stand

that is recommended by Roland.

..........................................................................................................

•When using the unit with a rack or stand recom-

mended by Roland, the rack or stand must be

carefully placed so it is level and sure to remain

stable. If not using a rack or stand, you still need to make

sure that any location you choose for placing the unit

provides a level surface that will properly support the

unit, and keep it from wobbling.

..........................................................................................................

•Make sure you always have the unit placed so it is

level and sure to remain stable. Never place it on

stands that could wobble, or on inclined surfaces.

..........................................................................................................

• Be sure to use only the AC adaptor supplied with

the unit. Also, make sure the line voltage at the

installation matches the input voltage specified on

the AC adaptor’s body. Other AC adaptors may

use a different polarity, or be designed for a

different voltage, so their use could result in

damage, malfunction, or electric shock.

..........................................................................................................

008e

• Use only the attached power-supply cord. Also,

the supplied power cord must not be used with

any other device.

..........................................................................................................

009

• Do not excessively twist or bend the power cord,

nor place heavy objects on it. Doing so can

damage the cord, producing severed elements

and short circuits. Damaged cords are fire and

shock hazards!

..........................................................................................................

010

• This unit, either alone or in combination with an

amplifier and headphones or speakers, may be

capable of producing sound levels that could

cause permanent hearing loss. Do not operate for

a long period of time at a high volume level, or at

a level that is uncomfortable. If you experience

any hearing loss or ringing in the ears, you should

immediately stop using the unit, and consult an

audiologist.

..........................................................................................................

011

• Do not place containers containing liquid (e.g.

flower vases) on this product. Never allow foreign

objects (e.g., flammable objects, coins, wires) or

liquids (water, juice, etc.) to enter the C-200. Doing

so may cause short-circuits, faulty operation, or

other malfunctions.

..........................................................................................................

Used for instructions intended to alert

the user to the risk of injury or material

damage should the unit be used

improperly.

* Material damage refers to damage or

other adverse effects caused with

respect to the home and all its

furnishings, as well to domestic

animals or pets.

Used for instructions intended to alert

the user to the risk of death or severe

injury should the unit be used

improperly.

The ● symbol alerts the user to things that must be

carried out. The specific thing that must be done is

indicated by the design contained within the circle. In

the case of the symbol at left, it means that the power-

cord plug must be unplugged from the outlet.

The symbol alerts the user to important instructions

or warnings.The specific meaning of the symbol is

determined by the design contained within the

triangle. In the case of the symbol at left, it is used for

general cautions, warnings, or alerts to danger.

The symbol alerts the user to items that must never

be carried out (are forbidden). The specific thing that

must not be done is indicated by the design contained

within the circle. In the case of the symbol at left, it

means that the unit must never be disassembled.

C-200_e.book Page 4 Monday, April 4, 2011 5:22 PM

• Immediately turn the power off, remove the AC

adaptor from the outlet, and request servicing by

your retailer, the nearest Roland Service Center,

or an authorized Roland distributor, as listed on

the “Information” page when:

• The AC adaptor, the power-supply cord, or the

plug has been damaged; or

• If smoke or unusual odor occurs

• Objects have fallen into, or liquid has been

spilled onto the unit; or

• The unit has been exposed to rain (or otherwise

has become wet); or

• The unit does not appear to operate normally or

exhibits a marked change in performance.

..........................................................................................................

• In households with small children, an adult

should provide supervision until the child is

capable of following all the rules essential for the

safe operation of the unit.

..........................................................................................................

014

• Protect the unit from strong impact.

(Do not drop it!)

..........................................................................................................

015

• Do not force the unit’s power-supply cord to

share an outlet with an unreasonable number of

other devices. Be especially careful when using

extension cords—the total power used by all

devices you have connected to the extension

cord’s outlet must never exceed the power rating

(watts/amperes) for the extension cord. Excessive

loads can cause the insulation on the cord to heat

up and eventually melt through.

..........................................................................................................

016

• Before using the unit in a foreign country, consult

with your retailer, the nearest Roland Service

Center, or an authorized Roland distributor, as

listed on the “Information” page.

..........................................................................................................

101b

• The unit and the AC adaptor should be located so

their location or position does not interfere with

their proper ventilation.

..........................................................................................................

• The C-200 is intended for use only with a Roland

CKS-C200 or KS-12 stand. Use with other stands

is capable of resulting in instability causing

possible injury.

..........................................................................................................

• Even if you observe the cautions given in the

owner’s manual, certain types of handling may

allow this product to fall from the stand, or cause

the stand to overturn. Please be mindful of any safety

issues before using this product.

..........................................................................................................

•Always grasp only the plug on the AC adaptor

cord when plugging into, or unplugging from, an

outlet or this unit.

..........................................................................................................

103b

• At regular intervals, you should unplug the AC

adaptor and clean it by using a dry cloth to wipe

all dust and other accumulations away from its

prongs. Also, disconnect the power plug from the

power outlet whenever the unit is to remain

unused for an extended period of time.

Any accumulation of dust between the power

plug and the power outlet can result in poor

insulation and lead to fire.

..........................................................................................................

104

• Try to prevent cords and cables from becoming

entangled. Also, all cords and cables should be

placed so they are out of the reach of children.

..........................................................................................................

106

• Never climb on top of, nor place heavy objects on

the unit.

..........................................................................................................

107c

• Never handle the AC adaptor or its plugs with

wet hands when plugging into, or unplugging

from, an outlet or this unit.

..........................................................................................................

• Before moving the unit, disconnect the AC

adaptor and all cords coming from external

devices.

..........................................................................................................

109b

• Before cleaning the unit, turn off the power and

unplug the AC adaptor from the outlet (p. 17 ).

..........................................................................................................

110b

•Whenever you suspect the possibility of lightning

in your area, disconnect the AC adaptor from the

outlet.

..........................................................................................................

118a

• Should you remove the screws for the music

stand, keep them in a safe place out of children’s

reach, so there is no chance of them being

swallowed accidentally.

..........................................................................................................

• If you remove the screw from the ground

terminal, be sure to replace it; don’t leave it lying

around where it could accidently be swallowed

by small children. When refastening the screw, make sure

that it is firmly fastened, so it won’t come loose.

..........................................................................................................

C-200_e.book Page 5 Monday, April 4, 2011 5:22 PM

IMPORTANT NOTES

In addition to the items listed under “USING THE UNIT SAFELY” on p. 4, please read and observe the following:

Power Supply

• Do not connect this unit to same electrical outlet that is being

used by an electrical appliance that is controlled by an

inverter (such as a refrigerator, washing machine, microwave

oven, or air conditioner), or that contains a motor. Depending

on the way in which the electrical appliance is used, power

supply noise may cause this unit to malfunction or may

produce audible noise. If it is not practical to use a separate

electrical outlet, connect a power supply noise filter between

this unit and the electrical outlet.

• The AC adaptor will begin to generate heat after long hours

of consecutive use. This is normal, and is not a cause for

concern.

• Before connecting this unit to other devices, turn off the

power to all units. This will help prevent malfunctions and/

or damage to speakers or other devices.

Placement

• Using the unit near power amplifiers (or other equipment

containing large power transformers) may induce hum. To

alleviate the problem, change the orientation of this unit; or

move it farther away from the source of interference.

• This device may interfere with radio and television reception.

Do not use this device in the vicinity of such receivers.

• Noise may be produced if wireless communications devices,

such as cell phones, are operated in the vicinity of this unit.

Such noise could occur when receiving or initiating a call, or

while conversing. Should you experience such problems, you

should relocate such wireless devices so they are at a greater

distance from this unit, or switch them off.

• Do not expose the unit to direct sunlight, place it near devices

that radiate heat, leave it inside an enclosed vehicle, or

otherwise subject it to temperature extremes. Also, do not

allow lighting devices that normally are used while their light

source is very close to the unit (such as a piano light), or

powerful spotlights to shine upon the same area of the unit

for extended periods of time. Excessive heat can deform or

discolor the unit.

• When moved from one location to another where the temper-

ature and/or humidity is very different, water droplets

(condensation) may form inside the unit. Damage or

malfunction may result if you attempt to use the unit in this

condition. Therefore, before using the unit, you must allow it

to stand for several hours, until the condensation has

completely evaporated.

• Do not allow rubber, vinyl, or similar materials to remain on

the unit for long periods of time. Such objects can discolor or

otherwise harmfully affect the finish.

• Do not allow objects to remain on top of the keyboard. This

can be the cause of malfunction, such as keys ceasing to

produce sound.

• Do not paste stickers, decals, or the like to this instrument.

Peeling such matter off the instrument may damage the

exterior finish.

• Depending on the material and temperature of the surface on

which you place the unit, its rubber feet may discolor or mar

the surface. You can place a piece of felt or cloth under the

rubber feet to prevent this from happening. If you do so,

please make sure that the unit will not slip or move acciden-

tally.

• Do not put anything that contains water (e.g., flower vases)

on this unit. Also, avoid the use of insecticides, perfumes,

alcohol, nail polish, spray cans, etc., near the unit. Swiftly

wipe away any liquid that spills on the unit using a dry, soft

cloth.

Maintenance

• To clean the unit, use a dry, soft cloth; or one that is slightly

dampened. Try to wipe the entire surface using an equal

amount of strength, moving the cloth along with the grain of

the wood. Rubbing too hard in the same area can damage the

finish.

• Never use benzine, thinners, alcohol or solvents of any kind,

to avoid the possibility of discoloration and/or deformation.

Additional Precautions

• Unfortunately, it may be impossible to restore the contents of

data that was stored on a USB storage device once it has been

lost. Roland Europe assumes no liability concerning such loss

of data.

• Use a reasonable amount of care when using the unit’s

buttons, sliders, or other controls; and when using its jacks

and connectors. Rough handling can lead to malfunctions.

• When connecting / disconnecting all cables, grasp the

connector itself—never pull on the cable. This way you will

avoid causing shorts, or damage to the cable’s internal

elements.

• To avoid disturbing your neighbors, try to keep the unit’s

volume at reasonable levels. You may prefer to use

headphones, so you do not need to be concerned about those

around you (especially when it is late at night).

• When you need to transport the unit, package it in the box

(including padding) that it came in, if possible. Otherwise,

you will need to use equivalent packaging materials.

• Do not apply undue force to the music stand while it is in use.

• Use only the specified expression pedal (EV-7 or EV-5; sold

separately). By connecting any other expression pedals, you

risk causing malfunction and/or damage to the unit.

Using USB Memory

• When connecting USB memory, firmly insert it all the way

into the USB memory port.

• Do not touch the pins of the USB memory port, or allow them

to become dirty.

• USB memory is made using high-precision electronic compo-

nents, so please observe the following points when handling

it.

• To prevent damage from static electrical charges,

discharge any static electricity that might be present in

your body before handling USB memory.

• Do not touch the terminals with your fingers or any metal

object.

• Do not bend or drop USB memory, or subject it to strong

impact.

• Do not leave USB memory in direct sunlight or in

locations such as a closed-up automobile. (Storage

temperature: 0~50°C)

• Do not allow USB memory to become wet.

• Do not disassemble or modify USB memory.

• When connecting USB memory, position it horizontally with

the C-200’s USB Memory port and insert it without using

excessive force. The USB memory connector may be damaged

if you use excessive force when inserting USB memory.

C-200_e.book Page 6 Monday, April 4, 2011 5:22 PM

IMPORTANT NOTES

• Do not insert anything other than USB memory (e.g., wire,

coins, other types of device) into the USB memory connector.

Doing so will damage the USB memory port.

• Do not apply excessive force to the connected USB memory

or the C-200’s USB Memory port.

• Attach the USB memory cover when you’re not using USB

memory.

• Never connect your USB memory to the C-200 via a USB hub.

Storage devices that can be connected

to the C-200’s USB port

• The C-200 allows you to connect commercially available USB

Flash memory. You can purchase such devices at a computer

store, a digital camera dealer, etc.

• Use USB memory sold by Roland (M-UF-series). We cannot

guarantee operation if any other USB memory is used.

• All product names mentioned in this document are trade-

marks or registered trademarks of their respective owners.

• MMP (Moore Microprocessor Portfolio) refers to a patent

portfolio concerned with microprocessor architecture, which

was developed by Technology Properties Limited (TPL).

Roland has licensed this technology from the TPL Group.

C-200_e.book Page 7 Monday, April 4, 2011 5:22 PM

Contents

USING THE UNIT SAFELY.......................................................................................... 4

IMPORTANT NOTES..................................................................................................6

Introduction............................................................................................................11

About this owner’s manual..................................................................................................................... 11

Main features............................................................................................................................................. 11

Panel Descriptions .................................................................................................12

Front Panel................................................................................................................................................. 12

Rear panel.................................................................................................................................................. 14

Getting Ready to Play ............................................................................................15

Placing the C-200 on a stand................................................................................................................... 15

Placing on the CKS-C200 stand...................................................................................................15

Placing on the KS-12 stand .......................................................................................................... 15

Connect the AC adaptor.......................................................................................................................... 16

Turning the power on/off....................................................................................................................... 17

Using optional headphones .................................................................................................................... 18

Listening to the demo songs ................................................................................................................... 18

Playing <Basic Operation>....................................................................................20

Adjusting the volume .............................................................................................................................. 20

Adjusting the reverb ................................................................................................................................ 20

Adjusting the volume balance of the PEDAL/MANUAL I and MANUAL II divisions .............. 20

Adjusting the timbre (brightness).......................................................................................................... 21

Choosing a sound..................................................................................................................................... 21

Playing the MANUAL I division................................................................................................ 21

Adding the MANUAL II division .............................................................................................. 22

Playing the MANUAL I and II divisions with separate hands.............................................. 22

Using the Tremulant to add expression..................................................................................... 23

Playing the PEDAL division........................................................................................................ 23

Playing a harpsichord sound....................................................................................................... 24

Playing the Fortepiano sound ..................................................................................................... 24

Playing the Piano sound .............................................................................................................. 24

Playing the Celesta sound............................................................................................................ 25

Selecting a classical tuning (Pitch) ......................................................................................................... 26

Selecting a temperament .........................................................................................................................26

Additional Convenient Functionality <Advanced Operation> ..........................27

Changing the pitch of the keyboard (Transpose) ................................................................................ 27

Matching the pitch of another instrument (Tuning) ........................................................................... 27

Changing the split points ........................................................................................................................ 28

Additional functions for the Classic Organ sounds ............................................................................ 29

Using the organ registration memories ..................................................................................... 29

Saving your organ registration memories................................................................................. 30

Switching all tilt tabs off (CANCEL).......................................................................................... 30

Saving your registration set to an optional USB memory....................................................... 31

Choosing different organ voices and setting their volume (Voice Palette).......................... 32

Saving your settings to the Global area................................................................................................. 33

Layering harpsichord sounds.................................................................................................................33

Using the C-200’s internal recorder ....................................................................................................... 34

Recording ....................................................................................................................................... 34

Playing back your recorded song ............................................................................................... 35

Saving your song to an optional USB memory......................................................................... 35

Playing back songs on an optional USB memory..................................................................... 36

C-200_e.book Page 8 Monday, April 4, 2011 5:22 PM

Loading the factory settings.................................................................................................................... 37

Playing through external amplifiers/Recording your performance using an audio device ........38

Using an optional sustain pedal............................................................................................................. 39

Using an optional expression pedal....................................................................................................... 39

Connecting a pedal keyboard...................................................................................................... 40

Connecting the C-200 to MIDI equipment............................................................................................41

Local On/Off setting ....................................................................................................................42

Using the Visual Control function..............................................................................................43

Auto Power Off function......................................................................................................................... 44

Expression pedal assign function........................................................................................................... 44

Division sound list..................................................................................................45

MIDI Implementation Chart ..................................................................................47

Specifications .........................................................................................................48

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C-200_e.book Page 10 Monday, April 4, 2011 5:22 PM

Introduction

Thank you, and congratulations on your choice of a Roland Classic Organ.

The Roland C-200 Classic Organs is a complete organ with 2-manual simu-

lation and numerous features in a compact cabinet.

In order to take full advantage of your C-200 and enjoy trouble-free opera-

tion, please read this owner’s manual carefully.

Please read the section “Getting Ready to Play” on p. 15 and make

the correct preparations for turning on the power.

This manual explains what you need to know to take full advantage

of the C-200, divided into a Basic Operation section and an

Advanced Operation section.

In order to present information as concisely as possible, this manual

uses the following conventions.

• Text enclosed in square brackets [ ] indicates the name of a

button (or knob); e.g., “the [8’I] piston.”

• Text preceded by a symbol such as or an asterisk (*)

refers to warnings. Please be sure to read these.

• Text preceded by a symbol such as refers to useful

additional information.

• Pages to which you can refer to for further information are

indicated like this: (p. **)

■

Reproduces the beautiful sound of the classic

organ, grand piano, harpsichord, fortepiano,

celesta and orchestral sounds

Grand, glorious sound is the hallmark of the classic organ. Pro-

viding a rich and spacious ensemble sound complemented by

crystal-clear definition, the C-200 will take you to new musical

heights, while sustaining the tradition of quality, craftsmanship

and innovation.

An authentic grand piano sound is included for solo and

ensemble performances. The sound-producing mechanism of

the harpsichord, the sound of the key release, and the resonance

of the sounding board have been carefully analyzed, and digital

technology is used to reproduce faithfully even the sound of the

plectrum contacting the string when a key is released. You’ll be

able to enjoy beautiful and realistic harpsichord sound.

The fortepiano, the precursor of the piano as we know it today,

produces its sounds via its strings that are struck by hammers

operated by a keyboard. The fortepiano is built entirely of

wood, the strings are struck by hammers covered in hide, pro-

ducing a metallic and brilliant sound. It enabled artists to pave

new ways and therefore explore new possibilities of expression.

There is also a Celesta sound, which is similar to a glockenspiel,

but softer and rounder. In addition, there are 12 orchestral

sounds that can be used either in isolation or together with the

organ section for a richer sound.

■

Two-manual simulation

The C-200’s 76-note keyboard can be split (divided) into two

halves to simulate an instrument equipped with manual I and

manual II.

■

Coupler II/I functionality

The C-200’s coupler function allows you to play the Manual I

sound, along with the Manual II sound on the entire keyboard.

■

Five temperaments to support historically correct

tunings

In addition to equal temperament, you can choose from Werck-

meister, Kirnberger, Vallotti, and Meantone, giving you five

temperaments that can be easily selected by pressing a single

button.

There’s also a Transpose function, which makes it easy to trans-

pose the pitch for additional ways to vary your performance.

■

No maintenance and easy pitch changes

Not only will you never need to replace the plectrums or

strings, you’ll also never need to tune this instrument.

Moreover, the C-200 is not affected by vibration or changes in

humidity or temperature. You’ll always be performing with

precisely accurate pitches guaranteed by digital technology.

It’s also easy to adjust the tuning to match other instruments.

You can furthermore use a single button to easily switch to

Baroque pitch (A= 415Hz), Versailles pitch (A= 392 Hz), Vene-

tian pitch (A= 465Hz) or the default tuning (A= 440Hz).

■

Reverb that enhances the rich acoustics of

chamber music

The built-in digital reverb lets you choose the reverberation of a

variety of environments, ranging from a small room to a large

hall. You can perform using acoustics that are appropriate for

the space you are in.

■

Adjust the volume and balance as appropriate for

your situation

Whether you’re at home, in a small hall, or in a large hall, you

can adjust the volume as appropriate for your situation or the

ensemble with whom you’re performing. You can also use

headphones, so you’ll feel free to practice at any time.

The [Balance] knob allows you to set the balance between man-

ual II and manual I + pedal.

■

Compact form that encompasses both tradition

and functionality

While reflecting the historical tradition of the classic organ, the

C-200 provides the advantage of a light weight and compact

form.

■

Five different classical sections in one instrument

The C-200 comes with five sections for various types of classical

music: “Organ” (PEDAL, MANUAL I, MANUAL II), “Harpsi-

chord”, “Fortepiano”, “Piano” and “Celesta”.

■

Optional pedal boards

Optional pedal boards are available for musicians in search of

full organ functionality.

About this owner’s manual

Conventions used in this manual

Main features

C-200_e.book Page 11 Monday, April 4, 2011 5:22 PM

Panel Descriptions

[Power] switch

This switch turns the power on/off.

[Balance] knob

This knob allows you to set the balance between and

manual I + pedal and manual II.

[Tone] knob

This knob allows you to make the sound darker or

rounder.

[Volume] knob

This knob adjusts the volume.

[Reverb] knob

This knob adjusts the depth of the reverberation effect.

[Pitch] button/indicators

Use this button to select the desired reference pitch.

[Temperament] button/indicators

Press this button to switch temperaments. The indicator

for the selected temperament will light.

Phones jack

This is where you can connect a pair of optional head-

phones (Roland RH-series).

PEDAL division tablets

These tilt tabs select stops for the PEDAL division.

10.

MANUAL I division tablets

These tilt tabs select stops for the MANUAL I division.

11.

[II/I] tablet (coupler)

This allows you to assign the MANUAL I sound along

with the MANUAL II sound on the entire keyboard.

12.

[Function] piston

This piston provides access to the Song, Demo, Visual

Control and other functions.

13.

Music Recorder pistons

These pistons allow you to start and stop playback or the

recording of your music. When you hold down [Func-

tion], and [PLAY/PAUSE] allow you to listen to the

demo songs.

14.

Harpsichord pistons

These pistons select harpsichord sounds. The Harpsi-

chord sounds cannot be used at the same time as other

sounds.

Front Panel

[9]

[1]

[2] [3]

[4]

[5]

[4]

[7]

[6]

[8]

[10]

[13][12] [14]

[11]

C-200_e.book Page 12 Monday, April 4, 2011 5:22 PM

Panel Descriptions

15.

[Fortepiano] piston

This piston selects the fortepiano sound. The Fortepiano

sound cannot be used together with the other sounds.

16.

[Piano] piston

This piston selects the piano sound. The Piano sound

cannot be used together with the other sounds.

17.

[Celesta] piston

This piston selects the celesta sound. The Celesta sound

cannot be used together with the other sounds.

18.

[Memory Piston]

This piston allows you to save and recall sound combi-

nations to/from the C-200’s memory.

19.

MANUAL II division tablets

These tilt tabs select stops for the MANUAL II division.

[15] [16] [17] [18]

[19]

C-200_e.book Page 13 Monday, April 4, 2011 5:22 PM

Panel Descriptions

USB MEMORY port

This port is mainly intended for compact storage

devices, like a USB Flash memory (Roland M-UF-series).

You can use it to save the songs you recorded and to

play them back.

PK In socket

This is where you can connect an optional pedal key-

board unit (Roland PK-25A, PK-7A, etc.).

MIDI In/Out connectors

Use these when you want to transmit or receive MIDI

messages to or from an external MIDI device.

Pedal Sustain socket

You can connect an optional DP-series damper pedal to

this jack.

Pedal EXP socket

You can connect an optional expression pedal (Roland

EV-5, EV-7, etc.) to this socket.

Output R, L/Mono sockets

These sockets can be connected to an external amplifier,

mixer, audio recorder, etc.

DC IN socket

Connect the supplied AC adaptor (PSB-7U) here. See

also p. 16.

Ground terminal

See p. 16 for details about this terminal.

Rear panel

[1]

[2] [3]

[4] [5] [6] [7]

[8]

C-200_e.book Page 14 Monday, April 4, 2011 5:22 PM

Getting Ready to Play

If you place the C-200 on a stand, you must use the CKS-C200 or the KS-12 (sold separately).

•When placing the C-200 on the stand, be careful not to pinch your fingers between the instrument and the stand.

•When lifting the C-200 onto the stand, make sure to enlist the help of at least one other person.

• Using the C-200 with any other stand may produce an unstable situation, possibly causing the instrument to fall or overturn,

and resulting in injury or damage.

• For details on how to assemble the stand, refer to the owner’s manual that accompanied the stand.

Align the screws on the bottom of the C-200 (one each at left and right) with the metal brackets on the side boards of

CKS-C200 stand, and while keeping the front of the instrument slightly raised, pull it toward yourself to engage the

screws in the metal brackets.

Fasten the C-200 to the stand with the two knob bolts (one each at left and right) supplied with the CKS-C200 stand.

Place the C-200 in the position shown in the illustration.

Position rubber feet “A” so they fit inside the holes on the stand.

Placing the C-200 on a stand

Placing on the CKS-C200 stand

Placing on the KS-12 stand

Please don’t get your

fingers pinched.

Right knob bolt

Right screw at

the bottom

We recommended the Bench BNC-23-BK when using an optional

PK-25A pedal keyboard with CKS-C200 stand.

We recommended the Bench BNC-15-BK when using an optional

PK-5A or PK-7A pedal keyboard with CKS-C200 stand.

Front side (keyboard)

Rear panel side

The height of the KS-12 can be set to 3 levels. Please set it to

the lowest or medium height for the C-200. Avoid selecting

the highest level (760mm, 29-15/16 inch) for the C-200.

C-200_e.book Page 15 Monday, April 4, 2011 5:22 PM

Getting Ready to Play

Turn the [VOLUME] knob all the way to the left to

minimize the volume.

Connect the included power cord to the AC

adaptor.

The indicator will light when you plug the AC

adaptor into an AC outlet.

Place the AC adaptor so the side with the indicator

(see illustration) faces upwards and the side with

textual information faces downwards.

Connect the AC adaptor to the DC IN jack on the C-200’s rear panel.

Plug the power cord connected to the AC adaptor into an electrical outlet.

• Depending on the region, the included power cord may differ from the one shown.

• If you won’t be using the C-200 for an extended period of time, disconnect the power cord from the electrical outlet.

■

Ground Terminal

Depending on the circumstances of a particular

setup, you may experience a discomforting

sensation, or perceive that the surface feels gritty to

the touch when you touch this device, microphones

connected to it, or the metal portions of other

objects, such as guitars. This is due to an

infinitesimal electrical charge, which is absolutely

harmless. However, if you are concerned about this,

connect the ground terminal (see figure) with an

external ground. When the unit is grounded, a

slight hum may occur, depending on the particulars

of your installation. If you are unsure of the

connection method, contact the nearest Roland

Service Center, or an authorized Roland distributor, as listed on the “Information” page.

Unsuitable places for connection

•Water pipes (may result in shock or electrocution)

• Gas pipes (may result in fire or explosion)

• Telephone-line ground or lightning rod (may be dangerous in the event of lightning)

Connect the AC adaptor

Indicator

AC Outlet

AC adaptor

Power cord

Ground terminal

C-200_e.book Page 16 Monday, April 4, 2011 5:22 PM

Getting Ready to Play

Once the connections have been completed (see p. 16), turn on the power to your various devices in the order specified. By

turning on the devices in the wrong order, you risk malfunctions and/or damage to the speakers and other devices.

■

Turning the power on

Turn the [VOLUME] knob all the way to the left to minimize the volume.

Before switching the power on/off, always make sure to have the volume level turned down. Even with the volume all the

way down, you may still hear some sound when the power is switched on/off, but this is normal. This does not indicate a

malfunction.

Press the [Power] switch.

This unit is equipped with a protection

circuit. A brief interval (a few seconds) after

power up is required before the unit will

operate normally.

Select a tilt tab or piston.

See “Choosing a sound” on p. 21.

Use the [Volume] knob to set the desired

listening level.

If an optional expression pedal is connected

to the EXP socket, press it all the way down

(maximum volume).

Start playing.

■

Turning the power off

Turn the [VOLUME] knob all the way to the left to minimize the volume.

2. Press the [Power] switch.

■ Energy saving function

Turning the power on/off

NOTE

This unit has an Auto Power Off function,

which automatically switches off the power

after a certain amount of time has passed

without any buttons being operated.

You can disable the Auto Power Off function.

For more about the Auto Power Off function,

refer to “Auto Power Off function” on p. 44.

C-200_e.book Page 17 Monday, April 4, 2011 5:22 PM

Getting Ready to Play

If you connect optional headphones, sound will no longer be produced from the C-200’s internal speakers. You will hear only the

sound from the headphones. This lets you enjoy practicing at night or at other times when you might not wish to be heard by

other people nearby.

1. Turn the [VOLUME] knob all the way to the left to minimize the volume.

2. As shown in the illustration, connect the

plug of your optional headphones to the

Phones jack.

This switches off the C-200’s internal

speakers.

3. Use the [Volume] knob to adjust the volume

of the headphones.

* Use stereo headphones.

Please be aware that excessively high volume

or extended use may contribute to hearing

loss.

The C-200 contains 22 pieces that allow you to audition its sounds. These pieces are called “demo songs”, because they

demonstrate the C-200’s capabilities. The demo songs are divided over 4 banks (see the table on p. 19).

■ Listening to all demo songs

While holding down the [Function] piston,

press the [Demo] (PLAY/PAUSE) piston.

The C-200 starts playing all demo songs.

The first piston in the Harpsichord section

flashes to indicate that Bank 1 is selected. Tilt

tab “1” also flashes to indicate that the first

song of that bank is playing.

Demo playback will continue repeating all

available songs until you stop it.

You can’t control the voices while a demo performance is in progress.

■ Listening to a specific demo song

Press the Harpsichord piston of the desired

bank.

The tilt tabs that can be used to select demo

songs now light. See the table below for the

correspondence between the tilt tabs and the

demo song banks.

The demo songs are divided over four banks:

the first bank contains demonstrations of the

Organ sounds, the second showcases the

Harpsichord sounds, the third contains demo songs for the Fortepiano sound and the fourth showcases the Piano sound.

Using optional headphones

Listening to the demo songs

Stereo

headphones

C-200_e.book Page 18 Monday, April 4, 2011 5:22 PM

Getting Ready to Play

3. Press the lower part of the PEDAL or lit MANUAL I tab that is assigned to the demo song you want to listen to.

Playback of the selected song starts immediately (the corresponding tab flashes).

Demo playback will continue repeating all available songs until you stop it.

The four banks contain the following demo songs:

* No data for the music that is played will be output from MIDI Out.

* Regarding “Das Wohltemperierte Klavier, 1-1 (Ave Maria)”, this song is arranged for ensemble with a flute or recorder melody. For play-

along purposes, the songs do not include the flute, recorder, organ, or harpsichord (main theme) parts.

■ Stopping or pausing playback

Press the [PLAY/PAUSE] button to temporarily stop (and then resume) demo song playback.

You can also stop demo song playback by pressing the upper part of any tilt tab.

5. Press the [STOP] piston to stop demo song playback without leaving the demo function.

6. Press a different Harpsichord piston and PEDAL or MANUAL I tab to listen to other demo songs.

7. Press the [Function] piston to leave the C-200’s demo function.

Harpsichord button

Bank 1 (8’ I) Bank 2 (8’ II) Bank 3 (4’) Bank 4 (Lute)

Type (Organ songs) (Harpsichord songs) (Fortepiano songs) (Piano songs)

PEDAL/MANUAL I tilt tabs

J.S. Bach – Choral BWV147

J.S. Bach – Goldberg-Variationen

Aria

W.A. Mozart – Sonata KV285 J. Maul – Miniature No. 1

J.S. Bach – Choral BWV731 J.S. Bach – Invention No. 1

J. Maul – Miniature No. 2 for

Dynamic Harpsichord

E. Grieg – Peer Gynt, Suite

no. 1, Anitra’s Dance

C. Franck – Prélude Op. 18 J.S. Bach – Invention No. 4 ---- ----

W. Boyce – Trumpet Voluntary

in D

J.S. Bach – Invention No. 13 ---- ----

J.P. Sweelinck – Malle Sijmen

J.S. Bach – Französische Suiten,

No. 5 Allemande

---- ----

H. Purcell & J. Clarke –

Trumpet Voluntary

J.S. Bach – Das wohltemperierte

Klavier 1– 1 (Ave Maria)

---- ----

F. Mendelssohn – Sonata No. 2

Op. 65

F. Couperin – Le Roseau ---- ----

G.F Händel – Allegro Finale J. Duphly – Allemande ---- ----

J.S. Bach – Dorisch BWV 538a A. Forquerai – Le Rameau ---- ----

C-200_e.book Page 19 Monday, April 4, 2011 5:22 PM

Playing <Basic Operation>

◆

Turn the [Volume] knob to adjust the over-

all volume.

Turning the knob clockwise will increase the

volume, and turning it counterclockwise will

decrease the volume.

The [Volume] knob changes the level of both

the internal speakers, optional headphones

and external powered monitors you may

have connected.

Reverberation is the sound that you hear reflected from the walls or other surface of a hall or room in addition to the sound that

reaches your ears directly from the instrument.

The C-200 provides a reverb effect that lets you simulate the reverberation of a variety of environments ranging from a small

room to a large hall.

◆

Turn the [Reverb] knob to adjust the amount

of reverb effect.

• Turning the knob clockwise will increase the

reverb level.

• Turning the knob counterclockwise will

lower the reverb level.

◆

Turn the [Balance] knob to adjust the bal-

ance.

• Turning the knob clockwise will decrease the

level of the PEDAL and MANUAL I divi-

sions.

• Turning the knob counterclockwise will

decrease the level of the MANUAL II divi-

sion.

Adjusting the volume

Adjusting the reverb

Adjusting the volume balance of the PEDAL/MANUAL I and MANUAL II

divisions

C-200_01_e.fm Page 20 Tuesday, April 5, 2011 4:47 PM

Playing <Basic Operation>

◆ Turn the [Tone] knob to adjust the bright-

ness of the sound.

• Turning the knob clockwise will make the

sound brighter.

• Turning the knob counterclockwise will make

the sound rounder.

The C-200 provides five separate sound divisions: Organ and orchestra (PEDAL, MANUAL I, MANUAL II), Harpsichord,

Fortepiano, Piano and Celesta. Only one of the following sections can be used at any one time: Organ or Harpsichord or

Fortepiano or Piano or Celesta.

The C-200 comes with 28 organ and 8 orches-

tral voices that can be selected using the 7 tilt

tabs (PRINCIPAL~USER ORCH). There are 4

organ voices per tilt tab, one of which can be

assigned at a time (see p. 32). The USER

ORCH tilt tab not only allows you to select

one of 4 organ voices, but also one of 8 orchestral sounds.

1. Press the lower part of the tilt tabs you wish to use.

The tilt tabs you activate light. You can activate several sounds at once if you like.

2. To switch off the selected organ sounds, press the upper part of all tilt tabs that are lit.

The tilt tabs go dark.

See also “Additional functions for the Classic Organ sounds” on p. 29.

Adjusting the timbre (brightness)

Choosing a sound

Playing the MANUAL I division

C-200_e.book Page 21 Monday, April 4, 2011 5:22 PM

Playing <Basic Operation>

The C-200’s MANUAL II division can be added to the MANUAL I division. (You can also play it via separate keys, see

below.) The MANUAL II division provides 20 organ and 8 orchestral sounds that can be selected using the 5 tilt tabs (STILL

GEDACKT~USER ORCH). The USER ORCH tilt tab not only allows you to select one of 4 organ voices, but also one of 8

orchestral sounds. When active, the MANUAL II division performs the function of the Swell manual on a church organ. The

MANUAL I division, for its part, replaces the Great section.

Let us first look at how to couple those two sections, which means that they are played together.

1. Press the lower part of the [II/I] tilt tab (the

“coupler”) in the MANUAL I division to

switch it on.

Its indicator lights to signal that you can now

add a second division to the MANUAL I reg-

istration. This simulates the coupling of two

manuals on a church organ.

When you switch on the C-200, this II/I coupler is automatically activated.

2. Press the lower part of the MANUAL II tilt

tab you wish to use.

If the indicator of a tab lights, the correspond-

ing register is audible. You can activate as

many registers as you like. It is also possible

to switch off all MANUAL I registers (except

[II/I]) and only use one or several MANUAL

II registers to simulate a church organ’s Swell

manual.

3. To switch off the selected sounds, press the upper part of all tilt tabs that are lit.

If you prefer, you can assign the MANUAL I

division to the left half of the keyboard and the

MANUAL II division to the right half.

1. Press the upper part of the [II/I] tilt tab (the

“coupler”) in the MANUAL I division to

switch it off.

Its indicator goes dark.

2. Press the lower part of the MANUAL I tilt

tabs you wish to use.

The tilt tabs you press in this way light. You can switch on as many tilt tabs as you like.

3. Press the lower part of the MANUAL II tilt tabs you wish to use.

The tilt tabs you press in this way light. You can switch on as many tilt tabs as you like.

4. Start playing.

The left half of the keyboard plays the MANUAL I division (up to the C key with the “MANUAL I MANUAL II” arrow). The

right half is assigned to the MANUAL II division.

Adding the MANUAL II division

Playing the MANUAL I and II divisions with separate hands

Range of the Manual I division Range of the Manual II division

C-200_e.book Page 22 Monday, April 4, 2011 5:22 PM

Playing <Basic Operation>

A “tremulant” creates a change in pitch

(vibrato), amplitude (volume) and timbre (tone

quality). The use of the tremulant adds warmth

and expressiveness to solo or small ensemble

combinations. It is not common to use

tremulants in larger classical ensembles. In some

romantic ensembles, tremulants are used

judiciously. In some gospel and evangelical

musical traditions, tremulants with a wider and

deeper excursion are frequently used.

The C-200 provides a tremulant function for the MANUAL II division. It only affects the tilt tabs of that division (and requires

that you switch on at least one tilt tab).

The TREMULANT status can be saved to one of the memories.

The C-200 features a PEDAL division that can either be played via the keyboard or with an optional PK-5A, PK-7 or PK-25

dynamic MIDI pedal unit (see p. 40). (Roland recommends connecting the pedal keyboard to the C-200’s PK IN socket.)

Here again, there are 4 organ voices for each tab. And again, one of those voices can be assigned to the tilt tab in question (see

p. 32). The USER ORCH tilt tab not only allows you to select one of 4 organ voices, but also one of 8 orchestral sounds.

If you only use the keyboard (without a pedal

unit), the PEDAL division is monophonic and

doubles the lowest note you play using the

MANUAL I and/or MANUAL II stops.

1. Press the lower part of the PEDAL tilt tabs

you wish to use.

Now you can play the selected bass sound.

Inside the “BASS” range, the bass sound is

added to the sounds selected for MANUAL I

and MANUAL II (if the [Coupler II/I] tilt tab

lights). It sounds the lowest note you play with your left hand (it is monophonic).

2. To switch off the selected PEDAL sound, press the upper part of the tilt tab that lights.

The tilt tab goes dark.

By connecting an optional PK-5A, PK-7A or PK-25A MIDI pedal board to the C-200’s PK IN connector, you can play the bass organ part in

polyphonic mode. In that case, the left half of the C-200’s keyboard no longer triggers the PEDAL part.

Using the Tremulant to add expression

Playing the PEDAL division

Range of the monophonic bass part

Range of the Manual I and/or II divisions

C-200_e.book Page 23 Monday, April 4, 2011 5:22 PM

Playing <Basic Operation>

1. Press the Harpsichord piston for the sound

that you want to play.

The Harpsichord piston you pressed lights.

The PEDAL, MANUAL I, MANUAL II, Forte-

piano, Piano and Celesta sections are

switched off.

Now you can play the selected harpsichord

sound.

2. To switch off the selected Harpsichord sound, select a sound in the PEDAL, MANUAL I, MANUAL II, Fortepiano, Piano

or Celesta section.

The sounds of the Harpsichord division can be layered and played together. See p. 33 for details.

The fortepiano is the precursor of the grand piano as we know it today, with a rather more metallic sound.

1. Press the [Fortepiano] piston.

The piston lights, the PEDAL, MANUAL I,

MANUAL II, Harpsichord, Piano and Celesta

sections are switched off.

Now you can play the Fortepiano sound.

2. To switch off the Fortepiano sound, select a

sound in the PEDAL, MANUAL I,

MANUAL II, Harpsichord, Piano or Celesta section.

The C-200 also contains an authentic grand piano sound that can be used for solo and ensemble playing.

1. Press the [Piano] piston.

The piston lights, the PEDAL, MANUAL I,

MANUAL II, Harpsichord, Fortepiano and

Celesta sections are switched off.

Now you can play the Piano sound.

2. To switch off the Piano sound, select a

sound in the PEDAL, MANUAL I,

MANUAL II, Harpsichord, Fortepiano or

Celesta section.

Playing a harpsichord sound

Playing the Fortepiano sound

Playing the Piano sound

C-200_e.book Page 24 Monday, April 4, 2011 5:22 PM

Playing <Basic Operation>

The C-200 also contains an authentic celesta sound. A celesta is an instrument that often looks like an upright piano, but its

hammers strike metal plates, making it sound somewhat like a soft glockenspiel.

1. Press the [Celesta] piston.

The piston lights, the PEDAL, MANUAL I,

MANUAL II, Harpsichord, Fortepiano and

Piano sections are switched off.

Now you can play the Celesta sound.

2. To switch off the Celesta sound, select a

sound in the PEDAL, MANUAL I,

MANUAL II, Harpsichord, Fortepiano or

Piano section.

Playing the Celesta sound

C-200_e.book Page 25 Monday, April 4, 2011 5:22 PM

Playing <Basic Operation>

If you’re playing the C-200 together with other instruments in an ensemble, you can adjust the pitch of the C-200 to match the

other instruments if necessary.

• You can adjust the C-200’s reference pitch by choosing one of four fixed settings: 465Hz (Venetian pitch), 440Hz (default),

415Hz (Baroque pitch), or 392Hz (Versailles pitch).

•When you turn on the power, the pitch is set to 440Hz (the “440Hz” indicator lights).

◆ Press the [Pitch] button repeatedly until the

indicator of the desired pitch lights.

The C-200 allows you to easily change the temperament. By using historical temperaments to play music that is appropriate for

the characteristics of each temperament, you can more strongly bring out the beauty or tension inherent in a composition. In

particular, when playing a composition that uses a transposable temperament and includes transpositions, the sonority of the

chords will change when a transposition occurs, creating subtle changes in the coloration of the piece.

“Werckmeister” is a temperament that combines Meantone and Pythagorean scales to enhance the degree of transposability, and

has been used ever since Bach up to the present. “Kirnberger” was conceived using similar methods, and is used mainly when

playing the organ works of Bach.

“Vallotti” is the most recent of the temperaments described here. It is close to equal temperament, but since it is somewhat pure,

it blends easily with other instruments, and today is often used in ensembles.

Meantone was popular throughout Europe during the Baroque era, and was used customarily by Baroque musicians such as

Handel as well as in compositions of the Renaissance period.

◆ Press the [Temperament] button repeatedly

until the indicator of the desired tempera-

ment lights.

If you proceed past Meantone, you will

“wrap around” to Equal.

The [Temperament] button only lights when a

temperament other than “Equal” is selected.

“Equal” will be selected every time the power is turned on.

The difference between the various temperaments may not always be obvious.

Selecting a classical tuning (Pitch)

Selecting a temperament

Equal

Equal temperament

Werckmeister

Werckmeister temperament

Kirnberger

Kirnberger temperament

Vallotti

Meantone

Meantone temperament (Eb)

C-200_e.book Page 26 Monday, April 4, 2011 5:22 PM

Additional Convenient Functionality

You can transpose your playing without changing the position at which you play the keys. For example, if you’re playing a song

in a difficult key signature that contains numerous sharps (#) or flats (b), you can transpose the pitch of the keyboard and play

the piece in an easier key.

1. Press and hold the [Pitch] button until the indicator on

the button starts flashing in green.

2. While holding down the [Pitch] button, play the tonic

note of the key to which you want to transpose the

keyboard.

3. Release the [Pitch] button.

If this is set to any key other than C, the [Pitch] button

will light green.

For example, if you want the Eb pitch to sound when you

play the C key, hold down the [Pitch] button and press

the Eb key.

4. To return the keyboard to its normal state, hold down

the [Pitch] button and press a C key.

The [Pitch] button goes dark to indicate that the key-

board is no longer transposed.

* You can transpose the keyboard in a range of five semitones

upward (F) or six semitones downward (F#) relative to C.

* You can specify the transpose setting by pressing a key of any

octave.

Immediately after you turn on the power, the key

transpose setting will be in the normal state.

If you’re playing the C-200 together with other instruments in an ensemble, you can adjust the pitch of the C-200 to match the

other instruments if necessary.

•When you turn on the power, the tuning is set to

A= 440Hz (for the A above middle C).

◆ While holding down the [Pitch] button, turn the [Tone]

knob.

Turn the knob clockwise to raise the overall pitch, or

counterclockwise to lower it.

Do not press and hold the [Pitch] button for too long to

avoid activating Transpose mode. (Otherwise, press a C

key on the keyboard to leave Transpose mode and repeat

this step.)

Immediately after you turn on the power, the tuning will

be in the normal state (A= 440Hz).

• The center position of the knob corresponds to the

following:

• 465Hz if the “465Hz” indicator lights (Venetian pitch)

• 440Hz if the “440Hz” indicator lights (Normal pitch)

• 415Hz if the “415Hz” indicator lights (Baroque pitch)

• 392Hz if the “392Hz” indicator lights (Versailles pitch).

Changing the pitch of the keyboard (Transpose)

Matching the pitch of another instrument (Tuning)

C-200_e.book Page 27 Monday, April 4, 2011 5:22 PM

Additional Convenient Functionality <Advanced Operation>

■

Changing the BASS split point

You can change the note range assigned to the PEDAL

division (see the “BASS” indication above the keyboard) by

proceeding as follows:

Press and hold the upper part of the [SUBBASS 16] tilt

tab so that it flashes.

While holding down the [SUBBASS 16] tilt tab, press

the key that should become the new split point.

Release the [SUBBASS 16] tilt tab.

The PEDAL division can now be played in the range up

to the note immediately to the left of the key you

pressed.

The “BASS” split point cannot be moved beyond the B3.

Pressing a key to the right of the B3 has no effect.

■

Changing the MANUAL I/MANUAL II split

point

You can move the split point that separates the MANUAL I

division from the MANUAL II division by proceeding as

follows:

Switch off the [Coupler II/I] tilt tab if it lights.

Press and hold the upper part of [STILL GEDACKT 8]

tilt tab so that it flashes.

While holding down the [STILL GEDACKT 8] tilt tab,

press the key that should become the new split point.

Release the [STILL GEDACKT 8] tilt tab.

The separation between the MANUAL I and

MANUAL II division is now located at the key you just

pressed (this is the lowest note of the MANUAL II sec-

tion).

To preserve this setting even after switching the C-200

off, you need to save it to the Global area (see p. 33).

The split point between the MANUAL I and

MANUAL II divisions cannot be moved below the C4.

Pressing a key to the left of the C4 has no effect.

Changing the split points

C-200_02_e.fm Page 28 Tuesday, April 5, 2011 3:00 PM

Additional Convenient Functionality <Advanced Operation>

The C-200 comes with 8 factory-set memories (4 memories in the M1 bank and 4 memories in the M2 bank) that contain useful

organ registrations ranging from very soft (pianissimo) to loud (fortissimo). If you like, you can replace the contents of these

memories with your own registrations and settings (see p. 30) and recall them in the same way as described here.

Press the [Memory Piston].

The [Memory Piston] lights green.

Press the [Fortepiano/M1] or [Piano/M2] piston to select

the desired memory bank.

The piston you activate lights green.

Briefly press the Harpsichord piston that is assigned to

the registration memory you want to use.

Do not hold it for too long to avoid overwriting the

memory in question.

The pistons correspond to the available memories as fol-

lows:

If you haven’t yet overwritten the factory settings, the

[Fortepiano/M1] and Harpsichord [8’ I] pistons select

the softest registration (“pianissimo”), while the [Piano/

M2] and [Lute/4] pistons call up the loudest (“fortis-

simo”).

Press the [Memory Piston] (it goes dark) to leave organ

registration mode.

Additional functions for the Classic Organ sounds

Using the organ registration memories

Harpsichord

Pistons

M1 Bank

[Fortepiano/M1]

M2 Bank

[Piano/M2]

8’ I

Memory 1 Memory 5

8’ II Memory 2 Memory 6

4’ Memory 3 Memory 7

Lute Memory 4 Memory 8

C-200_02_e.fm Page 29 Tuesday, April 5, 2011 3:00 PM

Additional Convenient Functionality <Advanced Operation>

To save your own registration (PEDAL, MANUAL I,

MANUAL II), follow the instructions below.

1. Press the [Memory Piston].

The [Memory Piston] lights green.

2. Press the [Fortepiano/M1] or [Piano/M2] piston to select

the memory bank where you want to save your

registration.

The piston you activate lights green.

3. Press and hold the Harpsichord piston that corresponds

to the memory where you want to save your settings.

The Harpsichord piston corresponding to the selected

memory lights. The [Memory Piston] flashes for a few

seconds to indicate that the settings are being saved.

When it stops flashing, the operation is completed.

4. Press the [Memory Piston] (it goes dark) to leave this

mode.

Sometimes, switching off all active tilt tabs to completely change the organ registration may take too long. That is why the C-200

provides a “Cancel” function that switches off all tilt tabs simultaneously. (The “Cancel” function has no effect on the

[Coupler II/I] tilt tab.)

1. Press the [Memory Piston].

The [Memory Piston] lights green.

2. Press the [Celesta/0] piston.

All tilt tabs go dark, and the keyboard no longer

responds to your playing (this is the “CANCEL” func-

tion).

3. Press the [Memory Piston] again (it goes dark) to leave

this mode.

Saving your organ registration memories

Switching all tilt tabs off (CANCEL)

C-200_e.book Page 30 Monday, April 4, 2011 5:22 PM

Additional Convenient Functionality <Advanced Operation>

■ Saving you registration set

The C-200 allows you to save the contents of its 8 regis-

tration memories to an optional USB memory.

1. Insert an optional USB memory into the C-200’s USB

Memory port.

2. While holding down the [Function] piston, press the

[Memory Piston].

The [Function] piston and [Memory Piston] start flash-

ing.

3. Release the [Function] piston and [Memory Piston].

Be sure to proceed with step (4) within ±10 seconds. If

you wait longer, the [Function] piston and [Memory

Piston] go dark. After that, you need to return to step (2)

if you still want to save the registration settings.

4. While holding down the lower part of the

[SUBBASS 16] tilt tab, press the [Fortepiano] piston.

The [Fortepiano] piston starts flashing. When it stops

flashing, your registration has been saved to the “C200”

folder on the USB memory (“CS200_MEM.DAT”). If that

folder doesn’t yet exist, it will be created automatically.

■ Loading you registration set

Here is how to transfer the registration settings on an

optional USB memory back to the C-200’s internal mem-

ory (a process called “loading”).

Loading a registration set will overwrite (replace) the

settings in the C-200’s internal memories. Be sure to save

them to a different optional USB memory before pro-

ceeding.

1. Insert an optional USB memory into the C-200’s USB

Memory port.

2. While holding down the [Function] piston, press the

[Memory Piston].

The [Function] piston and [Memory Piston] start flash-

ing.

3. Release the [Function] piston and [Memory Piston].

Be sure to proceed with step (4) within ±10 seconds. If

you wait longer, the [Function] piston and [Memory Pis-

ton] go dark. After that, you need to return to step (2) if

you still want to load the registration settings.

4. While holding down the lower part of the

[SUBBASS 16] tilt tab, press the [Piano] piston.

The [Piano] piston starts flashing. When it stops flashing,

your registration set (the contents of all eight memories)

has been loaded into the C-200’s internal memories.

Saving your registration set to an optional USB memory

C-200_e.book Page 31 Monday, April 4, 2011 5:22 PM

Additional Convenient Functionality <Advanced Operation>

■ Selecting a sound variation (Voice Palette)

The C-200 contains 4 different organ voices for each tilt

tab. You can specify which variation sound will be heard

when you activate a given tilt tab.

In addition, each division (PEDAL, MANUAL I and

MANUAL II) contains a tilt tab called [USER/ORCH] to

which you can assign either one of the 4 available organ

variations or one of the 8 available orchestral sounds. See

p. 45 for a complete list of the available voices. To select

a different voice for one of the tilt tabs, proceed as fol-

lows:

1. Press and hold the lower part of the tilt tab for which

you wish to select a different voice.

If you press a tilt tab other than [USER/ORCH]: After a few

seconds, the tilt tab flashes and one of the 4 pistons at the

center of the front panel lights steadily to indicate which

organ voice is currently assigned to that tilt tab. (The

other 3 pistons flash.)

If you press the [USER/ORCH] tilt tab: After a few seconds,

the tilt tab flashes and one of the 12 pistons on the front

panel lights steadily to indicate which voice is currently

assigned to that tilt tab. (The other 11 pistons flash.)

The first 4 pistons ([Function], [STOP], [PLAY/PAUSE]

and [REC]) allow you to select an organ sound. The 8

remaining pistons to the right allow you to select an

orchestral sound.

2. To choose a different voice, press the desired piston.

The piston you press lights, while the remaining pistons

flash. You can play on the keyboard to audition the voice

you selected. See p. 45 for the available sounds.

3. If you are satisfied with the newly selected voice, you

can press the lower part of the flashing tilt tab you

selected earlier.

(If you are not satisfied, you can return to the previously

selected voice by pressing the upper part of the tilt tab.)

4. Repeat steps (1)~(3) above to change the voicing of

other tilt tabs.

If you want to use the newly selected voice each time

you press this tab even after switching the C-200 off and

back on again, save your settings to the Global area (see

p. 33). Your settings can also be saved to one of the 8

memories (see p. 30).

■ Changing the volume of each Palette voice

You can also set the volume of the newly selected voice

(see above) to set the desired balance with respect to the

remaining organ voices you may be using simulta-

neously (by switching on other tilt tabs).

1. Press and hold the lower part of the tilt tab for which

you wish to change the volume setting (the tilt tab

flashes).

2. To change the volume of the currently selected voice,

rotate the [Tone] knob.

3. Press the lower part of a tilt tab that flashes.

That tilt tab now lights steadily.

The volume settings of the various voices can be stored

in the C-200’s Global area (see p. 33).

Choosing different organ voices and setting their volume (Voice Palette)

C-200_e.book Page 32 Monday, April 4, 2011 5:22 PM

Additional Convenient Functionality <Advanced Operation>

Some of the settings you make can be saved to the C-200’s

Global area. The C-200 recalls those settings each time you

switch it on.

More specifically, the following can be saved to the Global

area: Voice Palette, volume of each Palette, split point,

expression assign and Auto Power Off setting.

To save your settings, proceed as follows:

If the [Memory Piston] currently lights, press it to switch

it off before proceeding.

1. While holding down the [Function] piston, press the

[Memory Piston].

The [Function] piston and [Memory Piston] flash to indi-

cate that the C-200 is saving your settings. You can now

release these two pistons.

Do not power off the C-200 while the [Function] piston

and the [Memory Piston] flash. Always wait until it goes

dark.

The C-200 allows you to play up to three harpsichord sounds simultaneously, creating a richer sound.

1. Simultaneously press the Harpsichord pistons for the

sounds you want to layer, making their indicators light.

You cannot use four harpsichord sound simultaneously.

2. To return to only one harpsichord sound, press only the

desired Harpsichord piston.

Saving your settings to the Global area

Layering harpsichord sounds

C-200_e.book Page 33 Monday, April 4, 2011 5:22 PM

Additional Convenient Functionality <Advanced Operation>

The C-200 contains a “Song Recorder” function you can use to record your own performances that you can save (and play back)

as many songs as the optional USB memory device connected to the USB Memory port will hold, for a maximum of 99 songs.

The recorder not only memorizes the notes you play, but also the sounds you use (organ, harpsichord, fortepiano, piano, etc.).

1. Select the sound(s) you want to use for your recording.

See p. 21 and following for details.

The C-200 has only one internal song memory. If you

already recorded another song since switching on the

C-200, that song will be erased without warning when

you perform the next step. To keep that song, you need

to save it before continuing. See “Saving your song to an

optional USB memory” on p. 35. Also note that your last

recording (in the temporary memory) is erased when

you switch off the C-200.

2. Press the [REC] piston (it flashes red).

Press the [STOP] piston if decide not to record.

3. You can now activate the recording in 2 ways:

• By pressing a key on the keyboard: The [PLAY/PAUSE]

and [REC] pistons light and the recording will begin

immediately.

• By pressing the [PLAY/PAUSE] piston: The [PLAY/

PAUSE] piston lights. The [REC] piston continues to ﬂash

during four beats (count-in). After the last ﬂash, the

[REC] piston lights steadily and recording starts.

4. Start playing.

Feel free to select different sounds and sections while

recording. All changes will be performed when you play

back your recording.

While the C-200 is recording, it is impossible to assign

different voices to the PEDAL, MANUAL I or

MANUAL II tilt tabs (Voice Palette).

5. Press the [STOP] piston to stop recording and return to

the beginning of the song.

The [PLAY/PAUSE] and [REC] pistons go dark.

The C-200 now processes your recording, which may

take a few seconds.

Once the memory has become full, recording stops auto-

matically.

Your recording is erased when you switch off the C-200

or load another song. You can, however, save it to an

optional USB memory (see p. 35).

Using the C-200’s internal recorder

Recording

C-200_e.book Page 34 Monday, April 4, 2011 5:22 PM

Additional Convenient Functionality <Advanced Operation>

To listen to your new (or a previously recorded) song, proceed as follows:

1. Press the [PLAY/PAUSE] piston (it lights) to start

playback.

To temporarily stop playback, press [PLAY/PAUSE]

again (the piston flashes). Press it again to resume play-

back from where you halted it.

2. Press the [STOP] piston to stop playback and return to

the beginning of your song.

The [PLAY/PAUSE] piston goes dark.

The recorded song data are transmitted to the C-200’s

MIDI Out port.

At first, the C-200 uses a temporary memory for the data you record. That memory is erased when you redo your recording,

load another song or when you switch off the C-200. Therefore, you need to save recordings you want to keep and play back at a

later stage. To this end, the C-200 provides a USB Memory port located on the rear panel. The C-200 allows you to save up to 99

songs to an optional USB memory.

1. Insert the optional USB memory into the C-200’s USB

Memory port.

Carefully insert the USB memory all the way into the

port until it is firmly in place.

2. Hold down the [REC] piston until the [STILL

GEDACKT 8] (ENTER) tilt tab starts flashing.

3. Enter a number between “01” and “99” using the

PEDAL and MANUAL I tilt tabs.

See the numbers on the tilt tabs. (The [USER/ORCH]

(“10”) tilt tab is used to enter the number “0”.)

Example: To enter “01”, press the [USER/ORCH] and

[SUBBASS] tilt tabs. The [USER/ORCH] (“10”) and

[SUBBASS] (“1”) tilt tabs flash sequentially to indicate

that you have entered the value “01”.

To enter “39”, press [USER/ORCH] (“3”) and [TRUM-

PET] (“9”) in that order. The [USER/ORCH] (“3”) and

[TRUMPET] (“9”) tilt tabs flash sequentially.

A similar flashing pattern is also used for any other

number you select here.

The C-200 uses the number you selected as file name to

save your song to the optional USB memory.

Never remove a USB memory while the C-200’s power is

on. Doing so may corrupt the C-200’s data or the data on

the USB memory.

4. Press the lower part of the [STILL GEDACKT 8]

(ENTER) tilt tab to save your recording.

The C-200 saves the song, and the tilt tabs of the last con-

figuration you have been using light. The song is saved

to the “C200/SONG” folder on the USB memory. If that

folder does not yet exist, it will be created automatically.

Playing back your recorded song

Saving your song to an optional USB memory

1 2 3 4 5 6 7 8 9 0

C-200_e.book Page 35 Monday, April 4, 2011 5:22 PM

Additional Convenient Functionality <Advanced Operation>

If the file name with a number you selected already

exists, the [STILL GEDACKT 8] tilt tab and the [STOP],

[PLAY/PAUSE], and [REC] pistons start flashing. You

can overwrite the “old” song on your USB memory by

pressing [STILL GEDACKT 8] again.

To select a different number, enter it using the PEDAL

and MANUAL I tilt tabs and press [STILL GEDACKT 8]

again.

Never remove the USB memory while the C-200 is sav-

ing data.

Use USB memory sold by Roland (M-UF-series). We can-

not guarantee operation if any other USB memory is

used.

You can play back the songs stored on an optional USB memory connected to the C-200. Given the possibility to work with

external USB memories, you might be tempted to copy Standard MIDI Files to that device (using your computer, for instance)

and play them back using the C-200.

The C-200 does not conform to the GS standard or General MIDI format. Songs not specifically prepared with/for the C-200 may

therefore use the wrong sounds.

1. While holding down the [Function] piston, press the

[STOP/Song] tilt tab until the [STILL GEDACKT 8]

(ENTER) tilt tab starts flashing.

You can also simply hold down the [PLAY/PAUSE] pis-

ton until the [STILL GEDACKT 8] (ENTER) tilt tab starts

flashing.

2. Enter a number between “01” and “99” using the

PEDAL and MANUAL I tilt tabs.

See the numbers on the tilt tabs. (The [USER/ORCH]

(“10”) tilt tab is used to enter the number “0”.)

Example: To enter “01”, press the [USER/ORCH] and

[SUBBASS] tilt tabs. The [USER/ORCH] (“10”) and

[SUBBASS] (“1”) tilt tabs flash sequentially to indicate

that you have entered the value “01”.

3. Press the lower part of the [STILL GEDACKT 8]

(ENTER) tilt tab to confirm your selection.

The song you selected is loaded, and the tilt tabs of the

configuration used in that song light up.

If you select a song number that doesn’t exist on the USB

memory, [STOP], [PLAY/PAUSE], and [REC] start flash-

ing. In that case, enter a different number and repeat step

(3) above.

4. Press the [PLAY/PAUSE] piston to start playback.

The [PLAY/PAUSE] piston lights and playback starts.

5. Press [PLAY/PAUSE] again to temporarily halt

playback (it flashes). Press it again to continue

playback from that point.

6. Press [STOP] to stop playback and return to the

beginning of the song.

Use USB memory sold by Roland (M-UF-series). We can-

not guarantee operation if any other USB memory is

used.

Playing back songs on an optional USB memory

1 2 3 4 5 6 7 8 9 0

C-200_e.book Page 36 Monday, April 4, 2011 5:22 PM

Additional Convenient Functionality <Advanced Operation>

If necessary, you can erase all settings you have saved inside the C-200 and instead load the settings the C-200 contained when

you first bought it.

The following procedure will erase all settings you have

made up to this point.

1. While holding down the [Function] piston, press the

[Memory Piston].

The [Function] piston and [Memory Piston] start flash-

ing.

2. Release the [Function] piston and [Memory Piston].

Be sure to proceed with step (3) within ±10 seconds. If

you wait longer, the [Function] piston and [Memory Pis-

ton] go dark. After that, you need to return to step (1) if

you still want to load the factory settings.

3. While holding down the lower part of the [SUBBASS

16] tilt tab, press the [Lute] piston.

The [Lute] piston starts flashing.

4. Wait until the [Function] piston, [Memory Piston] and

[Lute] piston go dark.

5. Switch off the C-200, wait a few seconds, then switch it

back on again to use the factory settings.

Loading the factory settings

C-200_e.book Page 37 Monday, April 4, 2011 5:22 PM

Additional Convenient Functionality <Advanced Operation>

You can connect an external amplifier or a mixing console to the Output jacks for performance on stage, or connect a recorder to

record your playing.

To prevent malfunction and/or damage to speakers or other devices, always turn down the volume, and turn off the power

on all devices before making any connections.

■ Turning the power on

Set the volume of the C-200 and the connected audio

device to the minimum level.

2. Switch on the C-200’s power.

3. Switch on the connected device.

4. Adjust the volume of the C-200 and the external audio

device.

■ Recording a performance from the C-200

onto an audio recorder

Start recording on the connected device.

2. Perform on the C-200.

3. When you've finished performing, stop recording on

the connected device.

■ Turning the power off

Minimize the volume of the C-200 and of the connected

device.

2. Switch off the connected device.

3. Switch off the C-200.

Playing through external amplifiers/Recording your performance using

an audio device

(Only one of these can be connected:

either a recorder or an amplifier.)

Amplification system

Audio Recorder

C-200_e.book Page 38 Monday, April 4, 2011 5:22 PM

Additional Convenient Functionality <Advanced Operation>

An optional sustain pedal can be connected to the C-200’s Sustain socket and used as the damper pedal of a piano.

If you press the pedal while performing, the decay will extend even after you take your fingers off the keyboard. This function is

only available when you select a Harpsichord, the Fortepiano, Piano, Celesta or an orchestral sound.

Use only the specified sustain pedal (DP-series, sold separately). By connecting any other sustain pedal, you risk causing

malfunction and/or damage to the unit.

An optional expression pedal can be connected to the C-200’s EXP jack and used to set the volume of the organ and orchestral

sounds you are using. It has no effect on the Harpsichord, Fortepiano, Piano or Celesta section.

Use only the specified expression pedal (EV-5 or EV-7, sold separately). By connecting any other expression pedal, you risk

causing malfunction and/or damage to the unit.

Using an optional sustain pedal

Set the pedal’s select switch to “Continuous.”

Using an optional expression pedal

Use the knob on the pedal to set the

volume range that can be influenced

by the expression pedal.

C-200_e.book Page 39 Monday, April 4, 2011 5:22 PM

Additional Convenient Functionality <Advanced Operation>

By connecting a MIDI pedal keyboard to the C-200, you can play the C-200’s PEDAL division with your feet. (It can then no

longer be played via the keyboard, p. 23).

To prevent malfunction and/or damage to speakers or other devices, always turn down the volume, and turn off the power

on all devices before making any connections.

Connecting an optional pedal keyboard

that has a PK OUT socket

Before making any connections, make sure that all

devices are turned off.

Using the special cable supplied with the pedal board,

connect the C-200’s PK In connector to the PK OUT

connector of your pedal keyboard unit.

See the illustration above.

If the special cable is connected, it is not necessary to

turn the power of the pedal keyboard unit on/off.

Turn on the power on the C-200.

The left side of the C-200’s can no longer be used to play

the PEDAL part. You must therefore play it using the

pedal board. In return, the PEDAL part can now be

played polyphonically.

■ Connecting a MIDI pedal keyboard unit

Before making any connections, make sure that all

devices are turned off.

2. Use a commercially available MIDI cable to connect the

C-200’s PK In connector to the MIDI OUT connector of

your MIDI pedal keyboard unit.

Do not forget to connect the pedal keyboard’s adaptor to

a suitable wall outlet.

3. Turn on the MIDI pedal keyboard unit.

Turn on the power on the C-200.

The left side of the C-200’s keyboard can no longer be

used to play the PEDAL part. You must therefore play it

using the pedal board. In return, the PEDAL part can

now be played polyphonically.

Connecting a pedal keyboard

PK OUT

External pedal keyboard

(PK-25A, PK-7A, etc.)

C-200_e.book Page 40 Monday, April 4, 2011 5:22 PM

MIDI OUT

MIDI CABLE

(PK-5A)

To a AC outlet

■

Additional Convenient Functionality <Advanced Operation>

You can use the C-200’s MIDI Out socket to connect external devices, like a sequencer, you want to control. You can use the

MIDI In socket to connect external devices, like a sequencer.

■ Connecting a MIDI sequencer to the C-200

The C-200’s MIDI channels are fixed. Refer to the MIDI implementation chart on p. 47 for the channel assignments and the

MIDI data the C-200 can manage.

Connecting the C-200 to MIDI equipment

What is MIDI?

“MIDI” stands for “Musical Instrument Digital Interface,” and is a worldwide standard for exchanging performance data

between electronic musical instruments and computers. The C-200 provides MIDI connectors that can send and receive

performance data to and from an external device. By connecting the C-200 to other devices via these connectors, you can take

advantage of a wide range of possibilities.

MIDI IN

MIDI OUT

• To prevent malfunction and/or damage to

speakers or other devices, always turn down

the volume, and turn off the power on all

devices before making any connections.

• Before you carry out any operations using

the C-200’s panel, stop the MIDI sequencer.

MIDI sequencer

C-200_e.book Page 41 Monday, April 4, 2011 5:22 PM

Additional Convenient Functionality <Advanced Operation>

If you’ve connected the C-200 to a MIDI sequencer, you should set the C-200 to the Local Off state.

Most sequencers enable their Thru function, so that the notes that you play on the keyboard or that are played back by the

recorder will reach the sound generator section by both routes (1) and (2) if the C-200 is in the Local On state, causing notes to be

sounded in duplicate, or to be cut off unnaturally.

To prevent this, choose the “Local Off” setting so that route (1) is disconnected.

◆ While holding down the [Function] piston, press the

Harpsichord [4’] piston to switch off the Local function.

Repeat this operation to select Local On again.

*If you’ve selected Local Off and no sequencer is connected, you

won’t hear any sound when you play the C-200’s keyboard.

The Local On setting is selected when you turn on the

power.

Local On/Off setting

MIDI

OUT

MIDI

OUT

Sequencer

Memory

Sound

Generator

Each note played is

sounded twice

(2) Soft Thru On

(1) Local On

Local On

Sound is emitted

Sound Generator

Local Off

No sound produced

Sound Generator

Local On Local Off

C-200_e.book Page 42 Monday, April 4, 2011 5:22 PM

Additional Convenient Functionality <Advanced Operation>

“Visual Control” is a function that allows music and images to be performed together. When MIDI Visual Control- or V-LINK

compatible devices are connected via MIDI, you’ll be able to easily switch clips are linked to the expressive elements of your

performance.

■ Turning Visual Control on/off

Connect the C-200’s MIDI Out socket to the MIDI In

socket of your optional MIDI Visual Control/V-LINK

video device.

2. While holding down the [Function] piston, press the

[REC/Visual Control] piston switch on the Visual

Control function.

3. To turn Visual Control off, once again hold down

[Function] and press the [REC/Visual Control] piston.

■ Selecting clips on an optional MIDI Visual

Control/V-LINK-compatible device

Visual Control messages are transmitted on MIDI chan-

nel “16”.

1. Press a key in the highest octave (G#6~G7) to select the

desired clips on the external optional MIDI Visual

Control/V-LINK-compatible device.

When the Visual Control Function is active, the G#6~G7

keys are temporarily unavailable for playing notes.

Visual Control messages are transmitted on MIDI chan-

nel “16”.

Using the Visual Control function

Press key MIDI Visual Control/V-LINK MIDI

Message

G#6 Switch images (Clip 1) CF 00

A6 Switch images (Clip 2) CF 01

A#6 Switch images (Clip 3) CF 02

B6 Switch images (Clip 4) CF 03

C7 Switch images (Clip 5) CF 04

C#7 Switch images (Clip 6) CF 05

D7 Switch images (Clip 7) CF 06

D#7 Switch images (Clip 8) CF 07

E7 Switch images (Clip 9) CF 08

F7 Switch images (Clip 10) CF 09

F#7 Switch images (Clip 11) CF 0A

G7 Switch images (Clip 12) CF 0B

Visual Control key range

G#6 G7

C-200_e.book Page 43 Monday, April 4, 2011 5:22 PM

Additional Convenient Functionality <Advanced Operation>

The C-200 has an Auto Power Off function that automatically switches off the instrument after approximately 240 minutes of

inactivity. The following procedure allows you to switch this function off.

1. Switch on the C-200 while holding down the [Function]

piston.

The C-200 activates function edit mode.

2. Press the [8’ I] piston to disable the Auto Power Off

function.

The [8’ I] piston lights steadily to indicate that the func-

tion has been switched off.

3. Press the [Function] piston to leave function edit mode.

To reset the Auto Power Off function to 240 minutes,

switch off the instruments and repeat this procedure,

this time pressing the [8’ II] piston in step (2).

This setting is automatically saved to the Global area and

will be recalled whenever you switch on the C-200.

When you connect an optional expression pedal to the C-200 (see p. 39), you can use it to set the level of the MANUAL II

division (default). The following function allows you to assign the expression pedal to all organ sections (PEDAL, MANUAL I

and MANUAL II).

1. Switch on the C-200 while holding down the [Function]

piston.

The C-200 activates function edit mode.

2. Press the [Memory Piston] to assign the expression

pedal to the PEDAL, MANUAL I and MANUAL II

divisions.

The [Memory Piston] lights steadily to indicate that the

expression pedal now affects the sections mentioned

above.

3. Press the [Function] piston to leave function edit mode.

To assign the expression to the MANUAL II section only,

switch off the instruments and repeat this procedure,

this time pressing the [Celesta] piston in step (2).

This setting is automatically saved to the Global area and

will be recalled whenever you switch on the C-200.

Auto Power Off function

Harpsichord piston

(lights steadily)

Auto Power Off

8’ I Disabled

8” II (default) 240 minutes

Expression pedal assign function

Piston

(lights steadily)

Expression pedal

Celesta MANUAL II

Memory Piston (default)

PEDAL/MANUAL I/

MANUAL II

C-200_e.book Page 44 Monday, April 4, 2011 5:22 PM

Division sound list

PEDAL division

Tablet name Organ voices

VP0 (default) VP1 VP2 VP3

SUBBASS 16 Subbass 16 Principal 16 Bourdon 16 Open Wood 16

BOURDON 8 Bourdon 8 Octave 8 Flute 8 Octava 8

USER/ORCH

User Organ voices

VP0 (default) VP1 VP2 VP3

Lieb Gedackt 16 Bombarde 16 Principals + Mix Reeds + Mix

User Orchestral voices

VP4 VP5 VP6 VP7

Bass Pizzicato Bowed Strings Violin Cello String Bass

VP8 VP9 VP10 VP11

Orch Strings Choir Organ Harp E. Piano

MANUAL I division

Tablet name Organ voices

VP0 (default) VP1 VP2 VP3

PRINCIPAL 8 Principal 8 Open Diapason 8 Gamba 8 Bourdon 8

OCTAVA 4 Octava 4 Principal 4 Fugara 4 Flûte à Bec 4

QUINTE 2

2/3

Quinte 2

2/3

Twelfth 2

2/3

Sharf II Dolce Cornet II

SUPEROCTAV 2 Superoctav 2 Fifteenth 2 Doublette 2 Piccolo 2

MIXTUR IV Mixtur IV Tierce Mixture IV Rauschqunt. IV Sesqualtiera II

TRUMPET 8 Trumpet 8 Waldhorn 8 Trumpet 16+8 Cromorne 8

USER/ORCH

User Organ voices

VP0 (default) VP1 VP2 VP3

Principal 16 Unda Maris III Schwebung II Dulzian 8

User Orchestral voices

VP4 VP5 VP6 VP7

Strings Choir Synth Harp Chime

VP8 VP9 VP10 VP11

Trumpet Oboe Flute E. Piano

C-200_e.book Page 45 Monday, April 4, 2011 5:22 PM

Division sound list

MANUAL II division

Tablet name Organ voices

VP0 (default) VP1 VP2 VP3

STILL GEDACKT 8 Still Gedackt 8 Stopped Diapason 8 Spitzgeigen 8 Celeste III

NACHTHORN 4 Nachthorn 4 Flute 4 Spillflute 4 Flute Trav 4

NAZARD 2

2/3

Nazard 2

2/3

Nasat 2

2/3

Mixture III Cymbal III

PICCOLO 2 Piccolo 2 Wald Flute 2 Schwegel 2 Gemshorn 2

USER/ORCH

User Organ voices

VP0 (default) VP1 VP2 VP3

Cor d’Amor 8 Trompette 8 Vox Humana

Tierce 1

3/5

User Orchestral voices

VP4 VP5 VP6 VP7

Strings Choir Organ Harp Chime

VP8 VP9 VP10 VP11

Trumpet Oboe Flute E. Piano

Other Sounds

Harpsichord 8’ I

Harpsichord 8’ II

Harpsichord 4’

Harpsichord Lute

Fortepiano

Piano

Celesta

C-200_e.book Page 46 Monday, April 4, 2011 5:22 PM

MIDI Implementation Chart

[Classic Keyboard] Date: March 2011

Model: C-200 Version: 1.00

Function... Transmitted Recognized Remarks

Basic

Channel

Default

Changed

1, 12, 13, 14, 16

1, 12, 13, 14, 11

1= Harpsichord, Fortepiano,

Piano, Celesta

12= MANUAL I, 13= MANUAL II,

14= PEDAL, 11= Reverb,

16= Visual Control

Mode Default

Message

Altered

Mode 3

*****

Mode 3

*****

Note

Number True Voice

22~108

*****

0~127

Velocity Note ON

Note OFF

O (Fortepiano,

Harpsichord, Piano,

Celesta)

O (Fortepiano,

Harpsichord, Piano,

Celesta)

After

Touch

Key’s

Ch’s

Pitch Bend X X

Control

Change

0,32

98, 99

100, 101

O (Reverb)

X (Chorus)

O*3

O*4

O (Reverb) *5

X (Chorus)

Bank Select

Data entry

Volume

Panpot

Expression

Hold 1

Sostenuto

Soft

Effect 1 Depth

Effect 3 Depth

NRPN LSB, MSB

RPN LSB, MSB

Program

Change True #

O (1~12)

*****

X Only on MIDI channel 16

System Exclusive O *1 O *1

System

Common

Song Position Pointer

Song Sel

Tune

System

Real Time

Clock

Commands

O*2Only FAh

Aux

Messages

All Sounds Off

Reset All Controllers

Local On/Off

All Notes Off

Active Sensing

Reset

Notes

*1 SysEx for voice changes.

*2 Received Start sends selected voice and expression status

*3 Ignored when received on channel 1

*4 Only on MIDI channels 1, 12, 13, 14 (12 and 14 only for

orchestral sounds)

*5 Only on MIDI channel 11

Mode 1: OMNI ON, POLY

Mode 3: OMNI OFF, POLY

Mode 2: OMNI ON, MONO

Mode 4: OMNI OFF, MONO

O: Yes

X: No

C-200_e.book Page 47 Monday, April 4, 2011 5:22 PM

Specifications

C-200: Classic Keyboard

Keyboard

76 keys

Tones

MANUAL I division

24 organ voices (6 tilt tabs x 4 voices) + 4 User organ voices (USER/ORCH tilt tab)

8 orchestral sounds (USER/ORCH tilt tab)

MANUAL II division

16 organ voices (4 tilt tabs x 4 voices) + 4 User organ voices (USER/ORCH tilt tab)

8 orchestral sounds (USER/ORCH tilt tab)

PEDAL division

8 organ voices (2 tilt tabs x 4 voices) + 4 User organ voices (USER/ORCH tilt tab)

8 orchestral sounds (USER/ORCH tilt tab)

4 hapsichord sounds (8’ I, 8’ II, 4’, Lute)

1 fortepiano sound (Fortepiano)

1 piano sound (Piano)

1 celeste sound (Celesta)

Coupler

II/I

Registration memories

8 memories (4 x 2 banks) + CANCEL

(Settings can be saved to, and loaded from, an optional USB memory)

Effect

Reverb

1 Tremulant tilt tab (on MANUAL II)

Controls

VOLUME knob, REVERB knob, BALANCE knob TONE knob

Key Transpose

–6 to +5 (semitone steps)

Temperaments

5 types: Equal (default setting), Werckmeister, Kirnberger, Vallotti, Meantone

Pitch

4 Types (Versailles: 392 Hz, Baroque: 415 Hz, Modern: 440 Hz, Venetian: 465 Hz)

Master tuning

415.3 to 466.2Hz (adjustable in increments of 0.1Hz)

Song recorder

1 track, Controls: STOP, PLAY/PAUSE, REC pistons

Data storage

Optional USB memory (M-UF-series)

Speakers

2 speaker boxes with bass reflex

Connectors

Phones jack: Stereo 1/4” phone type

Output jacks R, L/Mono: 1/4” phone jacks

MIDI connectos (In, Out)

PK In connector

Pedal jacks (Sustain, EXP)

DC IN connector (use Roland PSB-7U adaptor only)

USB memory port

Power Supply

DC 12 V (supplied PSB-7U AC adaptor)

Power Consumption

30W

Dimensions

1251 (W) x 444 (D) x 323 (H) mm / 49-1/4 (W) x 17-1/2 (D) x 12-3/4 (H) inches

(including the music rest)

1251 (W) x 348 (D) x 140 (H) mm / 49-1/4 (W) x 13-3/4 (D) x 5-9/16 (H) inches

(without the music rest)

C-200_e.book Page 48 Monday, April 4, 2011 5:22 PM

Specifications

* In the interest of product improvement, the specifications and/or appearance of this unit are subject to change without prior notice.

Weight

12 kg/26 lbs 8 oz. including the music rest

Accessories

Owner’s manual, PSB-7U(S) AC adaptor, Power cord, Music rest

Options

Configuration no. 1

Stand CKS-C200

Pedal Keyboard PK-25A/PK-7A/PK-5A

Bench BNC-23-BK (recommended when using a PK-25A pedal keyboard)

Bench BNC-15-BK (recommended when using a PK-5A, PK-7A pedal keyboard)

(Note: either bench is suitable if no pedal keyboard is used.)

Configuration no. 2

Stand KS-12

Bench BNC-29

Other Options

EV-series expression pedal, DP-series sustain/hold pedal, Stereo headphones, USB memory

(M-UF-series)

C-200_e.book Page 49 Monday, April 4, 2011 5:22 PM

C-200_e.book Page 50 Monday, April 4, 2011 5:22 PM

For EU Countries

For China

C-200_e.book Page 51 Monday, April 4, 2011 5:22 PM

602.00.0480.02 RES 85 9-11 C-200 English

C-200_e.book Page 52 Monday, April 4, 2011 5:22 PM

Roland C-200 Handleiding

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