Handleiding Roland BK-5 (pagina 102 van 160) (Engels)

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Menu options

102

Backing Keyboard BK-5

Press the [WRITE] button (its indicator flashes) to

confirm your settings and edit the data.

■ Shift Clock

“Shift Clock” allows you to shift the notes within the

selected “From”/“To” range. It can be used for two

things:

•To correct “slow” notes due to a slow(er) attack.

You may want to use “Shift Clock” after assigning a

sound to a track that has a considerably slower

attack than the sound you used for recording the

part in question. This technique is frequently used in

pop music to “time” 1/16-note string arpeggios

played with a “slow” pad sound. Rather than have the

notes begin at the mathematically correct time (e.g.

2-1-0), you could shift them to the left (e.g. to 1-4-

115), so that the peak volume of the attack is reached

on the next beat:

•To correct the timing of notes recorded via MIDI

without quantizing them.

You can use external sequences as raw material for

your songs. Recording such excerpts via MIDI may

cause a slight delay (e.g. 5 CPT). If that is not accept-

able, use “Shift Clock” to “push” the recorded data to

the left (select “–5”). That allows you to preserve any

irregularities the original may contain because it was

not quantized. After selecting a sound with a slow

release (i.e. a sound that lingers on after all notes

have been released), however, “Change Gate Time”

will help you cut the notes down to size and thus

avoid undesirable overlaps.

Nearest**: Refers to a

more musical system

for real-time shifts of

the recorded rhythm

notes during Arranger

playback.

Degree: This setting

refers to the “old” sys-

tem for real-time con-

version of track

information during

rhythm playback. See

page 106.

Select “---” if the

selected pattern

should ignore this set-

ting.

From/To…

CC00,

CC32,

---, 0~127,

ALL

1~128

Enter the original data

value (i.e. the value

that is being used right

now by the selected

track(s)) for “From”. For

“To”, specify the new

value that should

replace the “From”

value. These are what

we call “absolute”

changes: you don’t add

or subtract values, you

replace them with

other values. This sys-

tem is only available

for messages that

allow you to select

sounds or sound

banks.***

Inc/Dec…

Expression,

Reverb,

Chorus,

Panpot

–127~127 These parameters

allow you to add (+) or

subtract (–) a given

value to/from the cur-

rent Expression, Pan,

Reverb Send or Chorus

Send values. This may

come in handy if the

real-time changes you

recorded turn out to

be too high or too low.

[*] This parameter is not available for: ADrums and ABass tracks,

Intro3 & 4 and End3 & 4 patterns.

[**] The notes of the melodic rhythm tracks are compared against

the chords played in the recognition area. If the next chord you

play contains the note the selected part is already sounding

(based on the previous chord), that note is maintained.

If the new chord does not contain that note, the rhythm part in

question uses the closest (“Nearest”) note. This produces a more

musical behavior than any other system on the market.

[***] CC00 messages are the so-called “MSB” bank select messag-

es. They allows you to select the Capital Tone (select “0”) of a

sound address. Select “---” if the current setting must not

change. The CC32 control change is the so-called “LSB” bank se-

lect message. Use the PC parameter to change the address, a.k.a.

program change number, of a sound (e.g. from “1” to “2”).

Parameter Setting Explanation

Track ADrums~Acc6,

ALL

Allows you to select

the track you wish to

edit. You can also

select “ALL” here, in

which case the opera-

tion applies to all

tracks.

Mode Major, Minor,

7th

Allows you to select

the Mode to be edited.

Original positions (slow attack, tim-

ing seems off)

Shift= –5

(timing sounds OK)

BK-5_US.book Page 102 Thursday, May 23, 2013 7:01 PM

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