527364
134
Verklein
Vergroot
Pagina terug
1/144
Pagina verder
5100001499 08-08-1N
* 5 1 0 0 0 0 1 4 9 9 - 0 1 *
201b
Before using this unit, carefully read the sections entitled: “IMPORTANT SAFETY
INSTRUCTIONS” (p. 2), “USING THE UNIT SAFELY” (p. 3), and “IMPORTANT NOTES”
(p. 6). These sections provide important information concerning the proper operation of
the unit. Additionally, in order to feel assured that you have gained a good grasp of
every feature provided by your new unit, Owner’s manual should be read in its entirety.
The manual should be saved and kept on hand as a convenient reference.
202
Copyright © 2008 ROLAND CORPORATION
All rights reserved. No part of this publication may be reproduced in any
form without the written permission of ROLAND CORPORATION.
AT-75_e.book 1 ページ 2008年8月21日 木曜日 午前10時9分
2
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
ATTENTION: RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK,
DO NOT REMOVE COVER (OR BACK).
NO USER-SERVICEABLE PARTS INSIDE.
REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
The lightning flash with arrowhead symbol, within an
equilateral triangle, is intended to alert the user to the
presence of uninsulated “dangerous voltage” within the
product’s enclosure that may be of sufficient magnitude to
constitute a risk of electric shock to persons.
The exclamation point within an equilateral triangle is
intended to alert the user to the presence of important
operating and maintenance (servicing) instructions in the
literature accompanying the product.
INSTRUCTIONS PERTAINING TO A RISK OF FIRE, ELECTRIC SHOCK, OR INJURY TO PERSONS.
IMPORTANT SAFETY INSTRUCTIONS
SAVE THESE INSTRUCTIONS
WARNING - When using electric products, basic precautions should always be followed, including the following:
1. Read these instructions.
2. Keep these instructions.
3. Heed all warnings.
4. Follow all instructions.
5. Do not use this apparatus near water.
6. Clean only with a dry cloth.
7. Do not block any of the ventilation openings. Install in
accordance with the manufacturers instructions.
8. Do not install near any heat sources such as radiators,
heat registers, stoves, or other apparatus (including
amplifiers) that produce heat.
9. Do not defeat the safety purpose of the polarized or
grounding-type plug. A polarized plug has two blades with
one wider than the other. A grounding type plug has two
blades and a third grounding prong. The wide blade or the
third prong are provided for your safety. If the provided plug
does not fit into your outlet, consult an electrician for
replacement of the obsolete outlet.
10. Protect the power cord from being walked on or pinched
particularly at plugs, convenience receptacles, and the
point where they exit from the apparatus.
11. Only use attachments/accessories specified by the
manufacturer.
12. Use only with the cart, stand, tripod, bracket,
or table specified by the manufacturer, or
sold with the apparatus. When a cart is used,
use caution when moving the cart/apparatus
combination to avoid injury from tip-over.
13. Unplug this apparatus during lightning storms or when
unused for long periods of time.
14. Refer all servicing to qualified service personnel. Servicing
is required when the apparatus has been damaged in any
way, such as power-supply cord or plug is damaged, liquid
has been spilled or objects have fallen into the apparatus,
the apparatus has been exposed to rain or moisture, does
not operate normally, or has been dropped.
IMPORTANT: THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE.
BLUE:
BROWN:
As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying
the terminals in your plug, proceed as follows:
The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK.
The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.
Under no circumstances must either of the above wires be connected to the earth terminal of a three pin plug.
NEUTRAL
LIVE
For the U.K.
WARNING: To reduce the risk of fire or electric shock, do not expose this apparatus to rain or moisture.
AT-75_e.book 2 ページ 2008年8月21日 木曜日 午前10時9分
3
USING THE UNIT SAFELY
Do not disassemble or modify
002a
Do not disassemble or modify this device.
......................................................................................
Do not repair or replace parts
003
Never attempt to repair this device or replace
parts. If repair or part replacement should become
necessary, you must contact your dealer or a
Roland service center.
......................................................................................
Do not use or store in the following types of
locations
004
Subject to temperature extremes (e.g., direct
sunlight in an enclosed vehicle, near a heating
duct, on top of heat-generating equipment); or
are
Damp (e.g., baths, washrooms, on wet floors);
or are
Exposed to steam or smoke; or are
Subject to salt exposure; or are
Humid; or are
Exposed to rain; or are
Dusty or sandy; or are
Subject to high levels of vibration and shakiness.
......................................................................................
Do not place in an unstable location
007
Do not place this device on an unstable stand or a
tilted surface. You must place it in a stable and
level location.
......................................................................................
Connect the power cord to an outlet of the correct
voltage
008a
You must connect the power cord to an AC outlet
of the correct voltage as marked on the device.
......................................................................................
Use only the included power cord
008e
You must use only the power cord included with the
device. Do not use the included power cord with
any other device.
......................................................................................
Do not bend the power cord or place heavy objects
on it
009
Do not bend the power cord excessively, or place
heavy objects on the power cord. Doing so will
damage the power cord, and may cause short
circuits or faulty connections, possibly resulting in
fire or electrical shock.
......................................................................................
Do not share an outlet with an unreasonable
number of other devices
015
Do not connect excessive numbers of electrical
devices to a single power outlet. In particular,
when using a power strip, exceeding the rated
capacity (watts/amps) of the power strip may
cause heat to be generated, possibly melting the
cable.
......................................................................................
Avoid extended use at high volume
010
This device, either by itself or used in conjunction
with headphones, amps, and/or speakers, is
capable of producing volume levels that can cause
permanent hearing damage. If you experience
impaired hearing or ringing in your ears,
immediately stop using the device and consult a
medical specialist.
......................................................................................
Do not insert foreign objects
011
Never allow foreign objects (flammable objects,
coins, wires, etc.) to enter this device.
This can cause short circuits or other malfunctions.
......................................................................................
Used for instructions intended to alert the
user to the risk of injury or material
damage should the unit be used
improperly.
* Material damage refers to damage or
other adverse effects caused with
respect to the home and all its
furnishings, as well to domestic animals
or pets.
Used for instructions intended to alert the
user to the risk of death or severe injury
should the unit be used improperly.
The symbol alerts the user to things that must be
carried out. The specific thing that must be done is
indicated by the design contained within the circle. In
the case of the symbol at left, it means that the power-
cord plug must be unplugged from the outlet.
The symbol alerts the user to important instructions or
warnings.The specific meaning of the symbol is
determined by the design contained within the triangle.
In the case of the symbol at left, it is used for general
cautions, warnings, or alerts to danger.
The symbol alerts the user to items that must never be
carried out (are forbidden). The specific thing that must
not be done is indicated by the design contained within
the circle. In the case of the symbol at left, it means that
the unit must never be disassembled.
AT-75_e.book 3 ページ 2008年8月21日 木曜日 午前10時9分
4
USING THE UNIT SAFELY
Turn off the power if an abnormality or
malfunction occurs
012a
If any of the following should occur, immediately
turn off the power, disconnect the power cord from
the AC outlet, and contact your dealer or a service
center to have the device serviced.
The power cord is damaged
The device produces smoke or an unusual smell
A foreign object enters the device, or liquid
spills into the device
The device becomes wet (by rain, etc.)
An abnormality or malfunction occurs in the device
......................................................................................
Do not allow children to use without supervision
013
In households with children, take particular care
against tampering. If children are to use this device,
they must be supervised or guided by an adult.
......................................................................................
Do not drop or subject to strong impact
014
Do not drop this device or subject it to strong
impact.
......................................................................................
Do not use overseas
016
If you wish to use this device overseas, please
contact your dealer or a service center.
......................................................................................
Do not use a CD-ROM in an audio CD player or
DVD player
023
If you attempt to play back a CD-ROM in a
conventional audio CD player or DVD player, the
resulting high volume may damage your hearing or
your speakers.
......................................................................................
Do not place containers of water on the device
026
Do not place containers of water (such as a flower
vase) or drinks on the device. Nor should you
place containers of insecticide, perfume, alcoholic
liquids, nail polish, or spray cans on the device.
Liquids that spill into the device may cause it to
malfunction, and may cause short circuits or faulty
operation.
......................................................................................
Place in a well ventilated location
101a
When using this device, ensure that it is placed in
a well ventilated location.
..........................................................................................................
Grasp the plug when connecting or disconnecting
the power cord
102b
When connecting or disconnecting the power cord
to/from an AC outlet or the device itself, you must
grasp the plug, not the cord.
..........................................................................................................
Periodically wipe the dust off the power cord plug
103a
From time to time, you should unplug the power
cord from the AC outlet and use a dry cloth to wipe
the dust off of it. You should also unplug the power
cord from the AC outlet if you will not be using the
device for an extended period of time. Dust or dirt
that accumulates between the power cord plug and
the AC outlet can cause a short circuit, possibly
resulting in fire.
..........................................................................................................
Manage cables for safety
104
Ensure that the connected cables are organized
and managed in a safe manner. In particular,
place the cables out of reach of children.
..........................................................................................................
Do not stand or place heavy objects on this device
106
Do not stand on this device, or place heavy objects
on it.
..........................................................................................................
Do not connect or disconnect the power cord with
wet hands
107b
Do not connect or disconnect the power cord to the
device or AC outlet while holding the power cord
plug with wet hands.
..........................................................................................................
Cautions when moving this device
108d
If you need to move the instrument, take note of the
precautions listed below.
1
Check whether the knob bolts fastening the
device to its stand have become loose. If they
are loose, tighten them firmly.
2
Disconnect the power cord.
3
Disconnect external devices.
6
Remove the music stand.
Since this product is very heavy, you must make
sure that a sufficient number of people are on hand
to help, so you can lift and move it safely, without
causing strain. It should be handled carefully, all
the while keeping it level. Make sure to have a firm
grip, to protect yourself from injury and the
instrument from damage.
..........................................................................................................
AT-75_e.book 4 ページ 2008年8月21日 木曜日 午前10時9分
5
USING THE UNIT SAFELY
Unplug the power cord from the AC outlet before
cleaning
109a
Before you clean the device, turn off the power and
unplug the power cord from the AC outlet.
..........................................................................................................
If there is a possibility of lightning strike,
disconnect the power cord from the AC outlet
110a
If there is a possibility of lightning strike,
immediately turn off the power and disconnect the
power cord from the AC outlet.
..........................................................................................................
Cautions when using the seat
117: Selection
You must observe the following cautions when
using the seat.
1
Do not play with the seat or use it as a stepstool.
2
Do not allow two or more people to sit on the
seat simultaneously.
4
Do not sit on the seat if the bolts fastening the
legs are loose. (If they are loose, use the
included tool to retighten them.)
..........................................................................................................
Keep small items out of the reach of children
118b
To prevent small items such as the following from
being swallowed accidentally, keep them out of the
reach of children.
Included items
Cord hook
Wing nut for cord hook
Screws for assembling the stand
Knob bolts
Cord clamps
..........................................................................................................
Do not remove the speaker grille and speaker
121
Do not remove the speaker grille and speaker by
any means. Speaker not user replaceable. Shock
hazardous voltages and currents are present inside
the enclosure.
..........................................................................................................
AT-75_e.book 5 ページ 2008年8月21日 木曜日 午前10時9分
6
IMPORTANT NOTES
Power Supply
301
Do not connect this device to the same electrical outlet as an
inverter-controlled device such as a refrigerator, microwave
oven, or air conditioner, or a device that contains an electric
motor. Depending on how the other device is used, power
supply noise could cause this device to malfunction or produce
noise. If it is not practical to use a separate electrical outlet,
please connect this device via a power supply noise filter.
307
Before you make connections, you must switch off the power
on all devices to prevent malfunction and/or speaker damage.
308
Although the LCD and LEDs are switched off when the Power
switch is switched off, this does not mean that the unit has been
completely disconnected from the source of power. If you need
to turn off the power completely, first turn off the Power switch,
then unplug the power cord from the power outlet. For this
reason, the outlet into which you choose to connect the power
cord’s plug should be one that is within easy reach and readily
accessible.
Location
351
If this device is placed near devices that contain large
transformers, such as power amps, hum may be induced in
this device. If this occurs, move this device farther away or
change its orientation.
352a
If this device is operated near a television or radio, color
distortion may be seen in the television screen or noise may be
heard from the radio. If this occurs, move this device farther
away.
352b
Keep your cell phone powered off or at a sufficient distance
from this device. If a cell phone is nearby, noise may be heard
when a call is received or initiated, or during conversation.
354b
Do not leave this device in direct sunlight, near devices that
produce heat, or in a closed-up automobile. Do not allow
illumination devices operated in close proximity (such as a
piano light) or powerful spotlights to shine on the same
location on this device for an extended time. This can cause
deformation or color change.
355b
If you move this device between locations of radically different
temperature or humidity, water droplets (condensation) may
form inside the device. Using the device in this condition will
cause malfunctions, so please allow several hours for the
condensation to disappear before you use the device.
356
Do not allow items made of rubber or vinyl to remain on top of
this device for an extended time. This can cause deformation
or color change.
358
Do not leave objects on top of the keyboard or pedalboard.
This can cause malfunctions such as failure to sound.
359
Do not affix adhesive labels to this device. The exterior finish
may be damaged when you remove the labels.
360
Depending on the material and temperature of the surface on
which you place the unit, its rubber feet may discolor or mar
the surface.You can place a piece of felt or cloth under the
rubber feet to prevent this from happening. If you do so,
please make sure that the unit will not slip or move
accidentally.
Care
401b
For everyday care, wipe with a soft dry cloth, or remove
stubborn dirt using a tightly wrung-out cloth. If this device
contains wooden components, wipe the entire area following
the direction of the grain. The finish may be damaged if you
continue strongly rubbing a single location.
Addition
If water droplets should adhere to this device, immediately
wipe them off using a soft dry cloth.
402
Do not use solvents such as benzene, thinner, or alcohol, since
these can cause deformation or color change.
Servicing
452
If you return this device for servicing, the contents of memory
may be lost. Please store important contents on USB memory,
or make a note of the contents. We take utmost care to
preserve the contents of memory when performing service, but
there may be cases when the stored content cannot be
recovered because the memory section has malfunctioned.
Please be aware that we cannot accept responsibility for the
recovery of lost memory content or for any consequences of
such loss.
Other Cautions
551
Stored content may be lost due to a malfunction of the device
or because of inadvertent operation. You should back up
important content on USB memory as a safeguard against
such loss.
552
We cannot accept responsibility for the recovery of any
content lost from internal memory or USB memory, or for the
consequences of such loss.
553
Do not apply excessive force to the buttons, knobs, or input/
output jacks, since this may cause malfunctions.
554
Never strike or apply strong pressure to the display.
556
When connecting or disconnecting cables, grasp the plug (not
the cable) to prevent short circuits or broken connections.
557
This device may produce a certain amount of heat, but this is
not a malfunction.
558a
Please enjoy your music in ways that do not inconvenience
other people nearby, and pay particular attention to the
volume at nighttime. Using headphones will allow you to enjoy
music without having to be concerned about others.
559b
When transporting or shipping this device, package it in an
appropriate amount of cushioning material. Scratches,
damage, or malfunctions may occur if you transport it without
appropriate packaging.
560
If using the music rest, do not apply excessive force to it.
562
Some connection cables contain a resistor. Do not connect
such cables to this device. Doing so may make the volume
extremely low or inaudible. Please use connection cables not
containing a resistor.
AT-75_e.book 6 ページ 2008年8月21日 木曜日 午前10時9分
7
IMPORTANT NOTES
Floppy Disk Handling
(Using Optional Floppy Disk Drive)
651
Floppy disks contain a plastic disk with a thin coating of
magnetic storage medium. Microscopic precision is required
to enable storage of large amounts of data on such a small
surface area. To preserve their integrity, please observe the
following when handling floppy disks:
Never touch the magnetic medium inside the disk.
Do not use or store floppy disks in dirty or dusty areas.
Do not subject floppy disks to temperature extremes
(e.g., direct sunlight in an enclosed vehicle).
Recommended temperature range: 10–50 degrees C
(50–122 degrees F).
Do not expose floppy disks to strong magnetic fields,
such as those generated by loudspeakers.
652
Floppy disks have a “write protect” tab which can protect the
disk from accidental erasure. It is recommended that the tab
be kept in the PROTECT position, and moved to the WRITE
position only when you wish to write new data onto the disk.
fig.DiskProtect.e.eps
653
The identification label should be firmly affixed to the disk.
Should the label come loose while the disk is in the drive, it
may be difficult to remove the disk.
654
Store all disks in a safe place to avoid damaging them, and to
protect them from dust, dirt, and other hazards. By using a
dirty or dust-ridden disk, you risk damaging the disk, as well
as causing the disk drive to malfunction.
USB Memory Handling
(Using Optional USB Memory)
704
When connecting USB memory, firmly insert it all the way in.
705
Do not touch the pins of the USB memory connector, or allow
them to become dirty.
708
USB memory is made using high-precision electronic
components, so please observe the following points when
handling it.
To prevent damage from static electrical charges,
discharge any static electricity that might be present in
your body before handling USB memory.
Do not touch the terminals with your fingers or any metal
object.
Do not bend or drop USB memory, or subject it to strong
impact.
Do not leave USB memory in direct sunlight or in
locations such as a closed-up automobile.
Do not allow USB memory to become wet.
Do not disassemble or modify USB memory.
Addition
When connecting USB memory, position it horizontally with
the External Memory connector and insert it without using
excessive force. The External Memory connector may be
damaged if you use excessive force when inserting USB
memory.
Addition
Do not insert anything other than USB memory (e.g., wire,
coins, other types of device) into the External Memory
connector. Doing so will damage the External Memory
connector.
Addition
Do not apply excessive force to the connected USB memory.
Addition
If you will not be using USB memory for an extended period of
time, close the USB memory cover.
988
Security Slot ( ) (P.19)
http://www.kensington.com/
Handling the CDs (CD-ROMs)
(Using Optional CD Drive)
Add
When handling the discs, please observe the following.
Do not touch the encoded surface of the disc.
Do not use in dusty areas.
Do not leave the disc in direct sunlight or an enclosed
vehicle.
801
Avoid touching or scratching the shiny underside (encoded
surface) of the disc. Damaged or dirty CD-ROM discs may not
be read properly. Keep your discs clean using a commercially
available CD cleaner.
Add
Keep the disc in the case.
Add
Do not keep the disc in the CD drive for a long time.
Add
Do not put a sticker on the label of the disc.
Add
Wipe the disc with a soft and dry cloth radially from inside to
outside. Do not wipe along circumference.
Add
Do not use benzine, record cleaner spray or solvents of any
kind.
Add
Do not bend the disc. Bending discs may prevent proper
reading and writing of data, and may further result in
malfunction.
Copyright
852
This product can be used to record or duplicate audio or
visual material without being limited by certain technological
copy-protection measures. This is due to the fact that this
product is intended to be used for the purpose of producing
original music or video material, and is therefore designed so
that material that does not infringe copyrights belonging to
others (for example, your own original works) can be
recorded or duplicated freely.
853
Do not use this unit for purposes that could infringe on a
copyright held by a third party. We assume no responsibility
whatsoever with regard to any infringements of third-party
copyrights arising through your use of this unit.
Rear side of the disk
Write
(can write new data onto disk)
Protect
(prevents writing to disk)
Write Protect Tab
203
* GS ( ) is a registered trademark of Roland
Corporation.
Add
* XGlite ( ) is a registered trademark of Yamaha
Corporation.
220
* All product names mentioned in this document are
trademarks or registered trademarks of their
respective owners.
AT-75_e.book 7 ページ 2008年8月21日 木曜日 午前10時9分
8
Main Features
We want to take a moment to thank you for your purchase of the Roland Organ “Music ATELIER AT-75.” The ATELIER
is an electronic organ which provides a generous collection of rich organ sounds. In addition, it is designed to be
easy to learn and use. In order to enjoy reliable performance of your new keyboard for many years to come, please
take the time to read through this manual in its entirety.
Basic Concepts of the ATELIER Series
A full complement of organ sounds
A wide range of basic organ sounds, ranging from jazz organ and pipe organ to theatre organ, are onboard so you
are sure to enjoy having access to all the sounds you expect from an organ.
Panel layout based on a tradition of emphasis on realtime operation
Based on the idea that you should be able to sit down and begin playing immediately, the operation buttons of the
panel are arranged by function as dictated by classic organ traditions, ensuring easy and intuitive operation. All
models of the ATELIER series feature the same operability, allowing you to start playing immediately even if you switch
models.
High-quality sounds that you can use without editing
In addition to a full range of organ sounds, high-quality sounds such as strings and brass are also included onboard.
You can simply select sounds and enjoy playing the organ—no need to perform complicated editing operations.
Design utilizes your existing music data
The ATELIER series is designed so that even on new models, you will feel right at home and can begin playing
immediately. Consideration has been given to data compatibility, and existing song data or Registration data can be
moved to USB memory or used by connecting a floppy disk drive.
Music styles from around the world
A rich variety of the world’s most representative music styles (Rhythm and Auto Accompaniment patterns) are built-in,
allowing you to more readily perform music from almost any genre.
Utilizes SMF music files
Compatible with General MIDI 2, the world standard in SMF music files. Since an External Memory connector is
provided, you can connect separately available USB memory or a floppy disk drive and take advantage of the wide
range of commercially available SMF music files. You can also mute parts, allowing you to practice the part for each
hand separately, and enjoy performing ensemble with the music files.
Features
Harmonic bars for creating organ sounds
The organ is equipped with “Harmonic bars,” which are much like the controllers used on traditional jazz organs. By
operating the harmonic bars, you can easily create a diverse variety of organ sounds.
USB Memory
You can connect separately sold USB memory or a floppy disk drive, and play back SMF music files.
Performances you record or Registration data you create can also be saved on USB memory or a floppy disk, or you
can save SMF music files or Registrations from USB memory or a floppy disk into internal User Memory.
AT-75_e.book 8 ページ 2008年8月21日 木曜日 午前10時9分
9
Main Features
Highly realistic Rhythms and Automatic Accompaniment functions
All Rhythms use data from performances by professional drummers, featuring high-quality patterns with all the grooves
and subtle nuance of the real thing. In addition, you can use Automatic Accompaniments that are perfectly matched to
each Rhythm to enjoy the feeling of playing with your own band in the background.
Human voices
In addition to a full complement of organ tones, the ATELIER also features tones that express a wide range of human
vocal qualities, including “Jazz Scat,” which changes according to how firmly the keys are pressed, and “Classical”
tones that perfectly express that choir image.
Active Expression Sounds
For some of the sounds, moving the expression pedal will vary not only the volume but also the tone, or add other
sounds. From pianissimo to fortissimo, the tonal character of the sound itself will change as you perform a crescendo,
or strings may appear behind the piano, creating dynamic changes in tonality.
Harmony Intelligence
The Harmony Intelligence function automatically adds harmony to the upper keyboard sound according to the chord
you play in the lower keyboard. This gives you greater tonal depth and a more powerful performance.
Split Function
The 49-key lower manual can be split into separate sections, with each being used to play a different tone.
This manual uses the following conventions in the interest of simpler, more concise instructions.
The AT-75 are abbreviated in this manual as “ATELIER” respectively.
985
The explanations in this manual include illustrations that depict what should typically be shown by the display.
Note, however, that your ATELIER may incorporate a newer, enhanced version of the system (e.g., includes
newer sounds), so what you actually see in the display may not always match what appears in the manual.
Button names are enclosed in square brackets (“[ ]”), as in [Drums/SFX] button.
•[
] [
], [ ] [ ] means that you should press one or the other button.
Example: Reverb [
] [
] buttons, Tempo [ ] [ ] buttons.
An asterisk (*) or a at the beginning of a paragraph indicates a note or precaution. These should not
be ignored.
(p. **) refers to pages within the manual.
The diagram of the ATELIER at the top of the page shows the location of the buttons to be pressed, etc.
Conventions Used in This Manual
NOTE
AT-75_e.book 9 ページ 2008年8月21日 木曜日 午前10時9分
10
Contents
USING THE UNIT SAFELY........................................................................ 3
IMPORTANT NOTES............................................................................... 6
Main Features........................................................................................ 8
Conventions Used in This Manual...............................................................................9
Contents.............................................................................................. 10
Panel Descriptions................................................................................ 14
Before You Start Playing ...................................................................... 16
Setting Up the Music Rest.................................................................................................. 16
Connecting the Power Cord ..............................................................................................16
Turning the Power On and Off .......................................................................................... 16
Turning On the Power ............................................................................................. 16
Turning Off the Power .............................................................................................17
Using Headphones ..........................................................................................................17
Using the Cord Hook .......................................................................................................18
Restoring All the Factory Default Settings (Factory Reset) ....................................................... 18
Adjusting the Contrast of the Screen...................................................................................18
Using the External Memory ............................................................................................... 19
Connecting the USB Memory ...................................................................................19
Connecting the Floppy Disk Drive (Sold Separately)....................................................19
Using a CD..................................................................................................................... 20
Connecting a CD Drive (Sold Separately) ..................................................................20
About the Adjuster ...........................................................................................................20
About the Display ................................................................................ 21
Basic Screens.........................................................................................................21
Selecting and Playing Sounds............................................................... 22
Listening to the Demo Songs..............................................................................................22
Selecting Voices ..............................................................................................................24
About the Voices and Parts ......................................................................................24
Functions of the Upper/Lower/Pedal Bass Sound Select Buttons ...................................25
Selecting the Upper/Lower/Pedal Bass Voices ...........................................................25
Selecting Solo Voice ............................................................................................... 26
Selecting a Voice Using the [Others] Button ............................................................... 27
Creating Organ Sounds (Vintage Organ) ........................................................................... 28
Playing a Vintage Organ Voice................................................................................30
Performing with an Active Expression Voice ........................................................................33
Adjust the Volume Balance................................................................................................ 34
Transpose the Pitch in Octave Units (Octave Shift)................................................................35
Sustaining Notes Played on the Lower Keyboard ................................................................. 36
Playing Drums from the Entire Lower Keyboard (Drums/SFX) .................................................36
Changing the Drums/SFX Set...................................................................................37
Using the Lower Keyboard to Play the Bass Voice (Bass Split)................................................ 38
Changing the Bass Split Point...................................................................................39
Using the Lower Keyboard to Play the Bass Voice (Pedal [To Lower] button) ............................40
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11
Contents
Using the Rhythm Performance............................................................. 41
Selecting a Rhythm........................................................................................................... 41
Using Rhythms Stored in User Memory ......................................................................42
Playing Rhythm................................................................................................................ 43
Starting at the Press of a Button ................................................................................43
Starting the Rhythm Automatically When You Play the Lower Keyboard or Pedalboard
(Sync Start) ............................................................................................................44
Stopping the Rhythm ............................................................................................... 45
Changing a Tempo of Rhythm and Automatic Accompaniment..............................................46
Playing a Countdown Sound When the Intro Ends ............................................................... 46
Playing Rhythm and Automatic Accompaniment...................................................................47
Adding Variety to the Rhythm or Automatic Accompaniment .................................................48
Changing the Arrangement of the Rhythm and Accompaniment (Variation)....................48
Turning Chord Intelligence On/Off ....................................................................................49
Using the Leading Bass Function ........................................................................................ 50
A Simple Way to Make Automatic Accompaniment Settings (One Touch Program) ..................51
Using a Rhythm from a USB Memory..................................................................................52
Reviewing the Styles on USB Memory .......................................................................52
Copying Rhythms.............................................................................................................53
Deleting Saved Rhythm..................................................................................................... 55
Using the Registration Buttons .............................................................. 56
Storing Registrations......................................................................................................... 57
Recalling a Registration .................................................................................................... 58
How to Recall a Registration ....................................................................................58
Changing the Timing of Recalling Registrations ..........................................................58
Automatically Registering When You Switch Panel Settings ................................................... 59
Assigning a Name to a Registration Set.............................................................................. 59
Saving Registration Sets....................................................................................................61
Loading Previously Saved Registration Sets Into the ATELIER ..................................................63
Loading a Set of Registrations .................................................................................. 63
Loading an Individual Registration ............................................................................64
Deleting a Set of Registrations ...........................................................................................65
Copying Registrations ...................................................................................................... 66
Using the Performance Functions .......................................................... 68
Transposing to a Different Key (Key Transpose) ...................................................................68
Using the Foot Switch....................................................................................................... 69
Changing the Function of the Foot Switch .................................................................. 70
Using the Foot Switch to Switch Registrations (Registration Shift)................................... 71
Adjusting the Overall Volume Using an Expression Pedal...................................................... 72
Adding Various Effects to a Voice......................................................... 73
Adding Harmony to a Melody (Harmony Intelligence) ..........................................................73
Changing the Type of Harmony Intelligence...............................................................74
Adding Modulation to the Sound (Rotary Effect)................................................................... 75
Sustain Effect...................................................................................................................76
Changing the Sustain Length....................................................................................77
Reverb Effect ...................................................................................................................78
Changing the Reverb Type....................................................................................... 79
Changing the Wall Type .........................................................................................80
Changing the Depth of the Reverb ............................................................................81
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12
Contents
Record and Playback Your Performance ............................................... 82
What is a Track Button? .......................................................................................... 82
Playing Back Performance Songs Stored on USB Memory and SMF Music Files....................... 83
Silencing a Specific Track (Track Mute) ..............................................................................84
Recording a Performance.................................................................................................. 84
Playing Back a Performance Song .....................................................................................85
Add a Count Sound to Match the Timing (Count In)..............................................................86
Recording Each Part Separately.........................................................................................86
Re-Recording...................................................................................................................87
Erasing a Performance Song ............................................................................................. 87
Changing the Name of a Performance Song (Rename).........................................................88
Saving Performance Songs ...............................................................................................89
Loading Performance Songs Into the ATELIER.......................................................................90
Deleting Performance Songs Stored on “Favorites” or the USB Memory .................................. 91
Layering a New Recording onto SMF Music Files ................................................................92
Using Song with a Different Tempo Than That of the Performance Song..................................93
Copying Performance Song ..............................................................................................94
Enjoying VIMA TUNES Songs ...........................................................................................95
Listening to a VIMA TUNES Song ............................................................................. 95
Performing with Sounds that Match the Song (Recommended Tones)............................. 95
Listening to Songs from Music CD ......................................................................................96
Enjoying Karaoke with a Music CD (Center Cancel) ...................................................96
Transposing the Song to a Comfortable Key for Singing ..............................................97
Various Other Settings ......................................................................... 98
Folder Settings.................................................................................................................98
Creating a Folder in USB Memory or User Memory ....................................................98
Changing the Name of a Folder...............................................................................98
Adjusting How the Instrument Responds.............................................................................. 99
Adjusting the Initial Touch Sensitivity (Initial Touch) ..................................................... 99
Changing the Pedalboard Polyphony (Pedal Bass Mode).............................................99
Changing How the Solo Voice Responds (Solo Mode) .............................................. 100
Performance Function Settings ......................................................................................... 100
Changing the Function of the Expression Pedal (Exp. Source)..................................... 100
Rhythm Settings ............................................................................................................. 101
Preventing Rhythm Tempos from Switching Automatically (Auto Std Tempo) .................101
Changing the Sound of the Countdown (Count Down Sound).....................................102
Registration Settings ....................................................................................................... 102
Registration Arranger Update (Arranger Update)......................................................102
Registration Transpose Update (Trans. Update) ........................................................103
Composer Settings .........................................................................................................103
Switching the Display of Lyrics On or Off (Lyrics)...................................................... 103
Changing the Key When Playing Back Songs (Playback Transpose)............................ 104
Changing the Metronome Setting (Metronome) ........................................................104
Adjusting the Metronome Volume (Metronome Volume)............................................. 105
Changing the Sound of the Metronome (Metronome Sound) ...................................... 105
Setting the Beat (Beat) ...........................................................................................106
Silencing a Specific Track (Track Mute) ................................................................... 106
Muting Individual Channels of Performance Data (Channel Mute)...............................107
Setting the Type of CD To Be Played Back (CD/Audio Type)...................................... 108
AT-75_e.book 12 ページ 2008年8月21日 木曜日 午前10時9分
13
Contents
Adjusting the Timing of a Player Piano CD’s Piano Sound and Accompaniment
(CD/Audio Sync).................................................................................................. 108
Other Settings ............................................................................................................... 109
Adjust the Standard Pitch (Master Tune)................................................................... 109
Specifying Transmission of PC Numbers (Send PC Switch).........................................109
Setting PC Numbers (PC Number) ..........................................................................110
MIDI IN Mode...................................................................................................... 110
Selecting the MIDI Transmit Channel (TxMIDI Channel)..............................................111
Using the V-LINK function (V-LINK) .......................................................................... 112
Restoring the User Memory to the Original Factory Settings (User Memory Reset)................... 114
Restoring All Settings Other Than the User Memory to the Original Factory Settings
(Panel Reset) .................................................................................................................114
Formatting a USB Memory (Format)..................................................................................115
Connecting with External Devices ....................................................... 116
Names and Functions of Jacks and Connectors .................................................................116
Connecting Audio Equipment .......................................................................................... 116
Making the Connections........................................................................................116
Connecting a Computer.................................................................................................. 117
Making the Settings for the USB Driver ....................................................................118
Connecting MIDI Devices................................................................................................118
Making the Connections........................................................................................119
Appendices
Troubleshooting............................................................................................................. 120
Error Message...............................................................................................................125
Chord List ..................................................................................................................... 126
Glossary....................................................................................................................... 128
Music Files That the ATELIER Can Use...............................................................................129
The ATELIER Allows You To Use the Following Music Files..........................................129
About the ATELIER Sound Generator .......................................................................129
Settings That Are Stored After the Power Is Turned Off........................................................130
Settings That Are Stored After the Power is Turned Off .............................................. 130
Settings That Are Stored In the Registration Buttons ................................................... 130
Settings That Are Stored In the Individual Registration Buttons.....................................130
MIDI Implementation Chart .............................................................................................131
Main Specifications .......................................................................................................132
Demo Song List..............................................................................................................134
Profile .................................................................................................................134
Index............................................................................................................................ 135
AT-75_e.book 13 ページ 2008年8月21日 木曜日 午前10時9分
14
Panel Descriptions
1.
[Power On] switch (
p. 16)
2.
[Master Volume] knob (
p. 17)
3.
Harmonic Bars (
p. 28)
4.
Pedal Bass Voice Select buttons (
p. 25)
Pedal Part
[To Lower] button (
p. 36, p. 40)
Level [
] [
] buttons (
p. 34)
5.
Lower Voice Select buttons (
p. 25)
Lower part
Level [
] [
] buttons (
p. 34)
6.
Upper Voice Select buttons (
p. 25)
Upper part
Level [
] [
] buttons (
p. 34)
7.
Solo Voice Select buttons (
p. 26)
Solo part
Level [
] [
] buttons (
p. 34)
8.
[One Touch Program] button (
p. 51)
9.
[Harmony Intelligence] button(
p. 73)
10.
Part Balance [
] [
] buttons (
p. 34, p. 78)
11.
Vintage Organ buttons (
p. 28)
12.
Lower [Drums/SFX] button (
p. 36)
13.
Transpose [-] [+] buttons (
p. 68)
14.
[Utility] button (
p. 98)
[Display/Exit] button (
p. 21)
Menu [ ][ ] buttons
Value [-] [+] buttons
15.
Display (
p. 21)
19
20
3 45 6 7
10 11 12 16
13 14
1718
21
15
8
9
AT-75_e.book 14 ページ 2008年8月21日 木曜日 午前10時9分
15
Panel Descriptions
Panel Descriptions
16.
[Load] button (
p. 63, p. 87, p. 92)
17.
[Save] button (
p. 61, p. 89)
18.
Beat Indicator (
p. 46)
19.
Composer (
p. 82)
[Song] button
[Registration] button
[Media] button
[Bass] button
[Lower] button
[Solo/Upper] button
[Reset] button
[Play/Stop] button
[Rec] button
[Bwd] button
[Fwd] button
20.
Rhythm Select buttons (
p. 41)
Tempo [ ] [ ] buttons (
p. 46)
Arranger [On/Off] button (
p. 47)
[Auto Fill in] button (
p. 48)
Variation [1]–[4]buttons (
p. 48)
[Intro/Ending] button (
p. 43)
[Start/Stop] button (
p. 45)
21.
Rotary Sound buttons (
p. 75)
[On/Off] button
[Fast/Slow] button
22.
Registration buttons
[Write] button (
p. 57)
[Manual] button (
p. 59)
Registration [1]–[4] buttons (
p. 56)
1
2
Write Manual
1 2 3 4
22
AT-75_e.book 15 ページ 2008年8月21日 木曜日 午前10時9分
16
Before You Start Playing
fig.01-03
1.
Attach the music rest by inserting it into the
two holes.
1.
First, make sure that the [Power On] switch is
OFF (not pushed in).
fig. 00-27.eps,fig.00-27-2.eps
2.
Connect the supplied power cord to the AC
Inlet, then plug the other end into an AC outlet.
Only use the power cord supplied with this instrument.
Whenever you do not intend to use the instrument for
extended periods of time, pull out the power cord from the
AC outlet.
941
Once the connections have been completed, turn on or off
power to your various devices in the order specified. By
turning on or off devices in the wrong order, you risk
causing malfunction and/or damage to speakers and other
devices.
1.
Make sure of the following before the power is
turned on.
Is the power cord correctly connected to the AC inlet?
Is the power cord correctly connected to the AC outlet?
Is the [Master Volume] knob set to the Min (minimum)
position?
fig.00-26.eps
2.
Press the [Power On] switch to turn on the
power.
fig. 00-27.eps, fig.00-27-3.eps
The basic screen will appear in the display.
942
The ATELIER is equipped with a protection circuit. A brief
interval (a few seconds) after power up is required before
the ATELIER will operate normally.
Setting Up the Music Rest
Connecting the Power Cord
OFF
Upper position
Power Cord
AC Outlet
NOTE
NOTE
Turning the Power On and Off
Turning On the Power
ON
Lower position
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17
Before You Start Playing
Before You Start Playing
3.
Adjust the volume to an appropriate level by
moving the [Master Volume] knob or
operating the expression pedal.
Turning the [Master Volume] knob towards “Max”
increases the volume; turning the knob towards “Min”
decreases the volume. Likewise, pressing down on the
expression pedal increases the volume, while easing up
on the pedal decreases the volume.
fig.00-28.eps
1.
Before switching the power off, set the [Master
Volume] knob to the Min (minimum) position.
2.
Press the [Power On] switch to turn off the
power.
fig. 00-27.eps,fig.00-27-2.eps
945
If you need to turn off the power completely, first turn off the
[Power On] switch, then unplug the power cord from the
power outlet. Refer to “Power Supply” (p. 6).
The ATELIER features Phones jacks. These allow you to play
without having to worry about bothering others around you,
even at night.
fig.00-29.eps
1.
Connect your headphones to the Phones jack
underneath the left side of the keyboard.
The sound from the built-in speakers stops.
Now, sound is heard only through the headphones.
fig.00-30.eps
2.
Adjust the headphones volume with the
[Master Volume] knob and Expression pedal.
Some Notes on Using Headphones
To prevent damage to the cord, handle the headphones
only by the headset or the plug.
Headphones may be damaged if the volume is too high
when they are plugged in. Lower the volume on the
ATELIER before plugging in headphones.
To prevent possible auditory damage, loss of hearing, or
damage to the headphones, the headphones should not
be used at an excessively high volume. Use the
headphones at a moderate volume level.
Accepts connection of Stereo headphones.
If plugs of the headphones are plugged into the Phones
jack, no sound will be heard from the ATELIER’s
speakers.
Turning Off the Power
increase
the volume
decrease
the volume
increase
the volume
decrease
the volume
OFF
Upper position
NOTE
Using Headphones
AT-75_e.book 17 ページ 2008年8月21日 木曜日 午前10時9分
18
Before You Start Playing
I
If you’re using headphones, you can use the cord hook to
neatly bundle the cables near your feet.
Attaching the Cord Hook
1.
Screw the cord hook (with wing nut) about
80% of the way into the screw hole located at
the bottom left of the ATELIER.
2.
After you’ve oriented the hook as desired, use
the wing nut to fasten it.
The settings stored in the ATELIER can be returned to their
factory settings. This function is called “Factory Reset.”
1.
Turn down the volume to the minimum level,
then turn off the power.
2.
While holding down the [One Touch Program]
button, press the [Power On] switch to turn the
power on.
fig.01-15
Do not turn off the power while the following screen is
displayed.
fig.01-16
When factory reset is completed, the basic screen
appears.
To return all settings other than the User memory settings to
their original factory conditions, refer to “Panel Reset“ (p.
114).
Loading factory default settings will erase any Registrations
currently in the memory of the ATELIER.To save the
Registrations you are currently using, refer to “Saving
Registration Sets” (p. 61).
To return only the User memory settings to their original
factory conditions, refer to “User Memory Reset“(p. 114).
You can adjust the contrast of the screen.
1.
Turn the [LCD Contrast] knob (p. 116) located
at the bottom of the ATELIER to adjust the
contrast of the screen.
Using the Cord Hook
Restoring All the Factory
Default Settings (Factory Reset)
Screwhole
Wing Nut
Cord hook
Adjusting the Contrast of the
Screen
Bright Dark
AT-75_e.book 18 ページ 2008年8月21日 木曜日 午前10時9分
19
Before You Start Playing
Before You Start Playing
Songs you record on the ATELIER and Registration sets you
create can be copied to separately available USB memory for
safekeeping. You can also copy songs to a floppy disk using a
separately sold floppy disk drive (p. 53, p. 66, p. 94).
You can also play back SMF music files saved on USB
memory or a floppy disk (p. 83).
Use USB memory and floppy disk drive available from
Roland. Proper operation cannot be guaranteed if other USB
device is used.
If you’re using new USB memory or floppy disk, you’ll need
to initialize (format) it on the ATELIER. For details, refer to
“Formatting a USB Memory (Format)” (p. 115).
1.
Connect the USB memory to the External
Memory connector.
931
Carefully insert the USB memory all the way in—until it is
firmly in place.
Rotating the External Memory
Connector Holder
The External Memory connector holder rotates 90 degrees left
and right. Rotating the External Memory connector holder
allows you to avoid damaging the connected External
Memory if something happens to bump against it.
1.
Grasp the External Memory connector holder
and turn it 90 degrees to the left or right.
Be sure to grasp the External Memory connector holder itself
when rotating it. Never rotate the External Memory
connector holder by holding the connected USB memory.
Take care not to allow your fingers to become pinched
when rotating the External Memory connector holder.
988
Security Slot ( )
http://www.kensington.com/
1.
Attach the floppy disk drive as shown the
figure, using the mounting holes on the
ATELIER’s bottom panel.
For details of the attachment, refer to the owner’s manual of
the floppy disk drive.
2.
Connect the USB cable of the floppy disk drive
to the ATELIER’s External Memory connector.
Using the External Memory
Connecting the USB Memory
NOTE
Connecting the Floppy Disk Drive
(Sold Separately)
External Memory
Connector Holder
90 degrees
to the right
90 degrees
to the left
Security Slot
External Memory
Connector
USB Cable
AT-75_e.book 19 ページ 2008年8月21日 木曜日 午前10時9分
20
Before You Start Playing
You can connect a commercially available CD drive and play
back audio CDs and CD-ROMs containing saved SMF music
files.
You can also play songs on VIMA CD-ROMs (VIMA TUNES)
sold by Roland.
Precautions Concerning Use of the CD
The ATELIER is capable of playing back only commercial
CDs that conform the official standards-those that carry
the “COMPACT disc DIGITAL AUDIO” logo.
The usability and sound quality of audio discs that
incorporate copyright protection technology and other
non-standard CDs cannot be guaranteed.
For more detailed information on audio discs featuring
copyright protection technology and other non-standard
CDs, please consult the disc vendor.
You cannot save songs to CDs, and you cannot delete
songs recorded to CDs. Furthermore, you cannot format
CDs.
The ATELIER does not support CD drives that are powered
by the USB bus. If you use a USB-bus-powered CD drive,
you must use the power supply included with the CD drive
so that the drive will operate under its own power.
1.
Switch off the power to the ATELIER and the CD
drive to be connected.
2.
Connect the USB cable included with the CD
drive to the External Memory connector on the
ATELIER.
3.
Turn on the power to the ATELIER.
4.
Turn on the power to the connected CD drive.
For information on how to perform the following CD-drive
operations, refer to the owner’s manual for the drive.
Switching the power on and off
Inserting and ejecting a CD
A list of the CD drives that have been tested and found to be
compatible is available on the Roland website.
http://www.roland.com/
If you feel that the ATELIER has become unstable, for example
after moving it to another location, turn the adjuster located on
the bottom of the stand’s legs as shown in the following.
When turning the adjuster, be careful not to pinch your
hand.
Rotate the adjustor to lower it so that it is in firm contact
with the floor. Make adjustments so that there is no gap
between the adjuster and the floor. In particular, when
placing the ATELIER on carpet, turn the adjuster so that it
is firmly in contact with the floor.
Using a CD
Connecting a CD Drive
(Sold Separately)
NOTE
External Memory
connector
USB cable
About the Adjuster
AT-75_e.book 20 ページ 2008年8月21日 木曜日 午前10時9分
21
About the Display
About the Display
The ATELIER has three types of basic screen: the Rhythm Screen, the Composer
Screen and the Registration Screen. You can alternate from one to the other
by pressing the [Display/Exit] button.
fig.01-17
Rhythm Screen
fig.01-18
Composer Screen
When internal music data is selected:
fig.01-19
Registration Screen
fig.01-20
Basic Screens
Tempo
Chord Name
Rhythm Name
MeasureBeat
Tempo
Chord Name
Song Name
MeasureBeat
Tempo
Chord Name
Registration Name
MeasureBeat
Next Registration Set Name
Refer to “Load Next Function” (p. 71).
AT-75_e.book 21 ページ 2008年8月21日 木曜日 午前10時9分
22
Selecting and Playing Sounds
The ATELIER contains 6 Demo songs. Here’s how to play the Demo songs, and
fully appreciate the sounds, Rhythms, and Automatic Accompaniment that are
available with the ATELIER.
fig.02-01
1.
Press the [Song] button and [Registration] button
simultaneously.
fig.02-02
2.
Press the Value [-] [+] buttons to select a Demo song.
3.
Press the [Play/Stop] button to start playback of the demo
song.
When the selected demo song ends, the next demo song will begin playing.
4.
To stop playback in the middle of the song, press the [Play/
Stop] button.
5.
Press the [Song] button and [Registration] button
simultaneously to exit the demonstration screen.
Listening to the Demo Songs
1, 5
3, 4
2
NOTE
Unauthorized use of this
material for purposes other than
private, personal enjoyment is
a violation of applicable laws.
NOTE
The data for the Demo song
that is being played is not
available at the MIDI Out
connector.
Check out the “Demo Song List”
(p. 114) for information such as
the names of the composers
and players of the demo songs.
AT-75_e.book 22 ページ 2008年8月21日 木曜日 午前10時9分
23
Selecting and Playing Sounds
Selecting and Playing Sounds
If the following screen appears
If the performance song in the ATELIER has not been saved to a USB memory
or Favorites (User memory), the following message will appear, and it will not
be possible to play the Demo songs.
fig.02-03
If you don’t mind erasing this song, press the [Rec] button. However, if you
wish to save this song, press the [Reset] button to cancel the procedure, and
then save the song onto a USB memory or Favorites (User memory).
If you wish to save the
performance data, refer to
“Saving Performance Songs”
(p. 89)
AT-75_e.book 23 ページ 2008年8月21日 木曜日 午前10時9分
24
Selecting and Playing Sounds
The ATELIER is able to produce the sounds of various instruments. These
sounds are called “Voices.”
The ATELIER has two keyboards and one Pedalboard, as shown below.
From top to bottom these are called the “Upper Keyboard,” “Lower
Keyboard,” and “Pedalboard.”
fig.02-04
The Upper Keyboard has three parts: “Upper,” “Solo“ and “Vintage Organ.”
You can select one voice for each part, meaning that it is possible to layer the
voices on Upper Keyboard and play them simultaneously.
The Lower Keyboard has two parts: “Lower” and “Vintage Organ.“
The Pedalboard has the part: “Pedal.”
Selecting Voices
About the Voices and Parts
Keyboard
Part
Upper Keyboard
Upper
Upper Vintage
Solo
Lower Keyboard
Lower
Lower Vintage
Pedal
(This voice is sounded when the Pedal [To Lower] button
lights up or ”Bass Split” is at on
.)
Pedalboard
Pedal
Pedalboard
Lower Keyboard
Upper Keyboard
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25
Selecting and Playing Sounds
Selecting and Playing Sounds
fig.02-05
Each time you press a voice button, its indicator will switch between being lit
and being turned off. Voices that have their button indicator lit can be played.
Select voices by pressing the Upper, Lower and Pedal Bass Voice Part buttons.
When the power is turned on, the Upper keyboard will play “Full Organ 3,”
the Lower keyboard will play “Lower Organ2” and the Pedal Bass voice will
sound single notes using the “Organ Bass1” voice.
Example:
Selecting “Orch.Brs Ens” for the Upper Organ Part
1.
Press the Upper [Brass] button (indicator lights).
The name of the selected voice appears in the display for several seconds.
fig.02-06
Now when you play the Upper keyboard, the “Orch.Brs Ens” will sound.
You can select the Lower Voice or Pedal Bass Voice in the same way as the
Upper Voice.
Functions of the Upper/Lower/Pedal Bass Sound Select
Buttons
Selecting the Upper/Lower/Pedal Bass Voices
NOTE
If none of the voice buttons or
Vintage organ buttons are lit,
playing the keyboard will not
produce a sound.
NOTE
If you press the Pedal [To
Lower] button (indicator lights
p. 40), the Pedal Bass voice
can now be played by the
Lower keyboard, not by the
Pedalboard.
Settings can be adjusted to
allow multiple notes to be
played on the Pedalboard (p.
99).
AT-75_e.book 25 ページ 2008年8月21日 木曜日 午前10時9分
26
Selecting and Playing Sounds
The Solo section of the Upper keyboard is monophonic, that is, the Solo voice
will only sound for the highest note played on the Upper keyboard.
fig.02-11
Example:
Selecting “Tenor” for the Solo Voice Part
1.
Press the Solo [Sax] button (indicator lights).
The name of the selected voice appears in the display for a few seconds.
fig.02-12
Play the Upper keyboard. The selected voice will sound by the highest note
played.
Selecting Solo Voice
It is possible to change how a
Solo voice will sound.
Normally, the Solo voice will
be sounded by the highest note
y
ou play on the Upper
keyboard, but you can make
settings so that the last-played
note will sound the Solo voice.
You can also make settings so
that the Solo voice will be
sounded by all notes of the
keyboard to which the Solo
voice is assigned. For details
refer to “Changing How the
Solo Voice Responds (Solo
Mode)” (p. 100).
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27
Selecting and Playing Sounds
Selecting and Playing Sounds
Notice that there is an [Others] button for each part. By using the [Others]
button, you can select all voices.
1.
Press the [Others] button for the Part for which you wish to
specify a voice.
The voice name appears in the display.
fig.02-10 (P.29)
The indicator of the selected [Others] button will light.
2.
While the voice name is shown in the display screen, use
the Value [-] [+] buttons to select the desired voice.
The indicator of the selected [Others] button will blink.
To stop mid-way through this or any procedure, press the [Display/Exit]
button.
3.
Once again, press the [Others] button for the part whose
sound you wish to set to confirm the voice.
The indicator of the [Others] button will change from blinking to light.
Selecting a Voice Using the [Others] Button
You can jump by voice group
by pressing Menu [ ] [ ]
buttons to select the voice.
The sound number of each
voice is preceded by an
alphabetical character which
indicates the sound group; e.g.,
“G11 Strings1.”
You can also press the key for
the part containing a changed
voice to confirm the voice
setting.
About the voices that can be
assigned to an [Others] button,
please refer to ”Voice & Rhythm
List.”
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28
Selecting and Playing Sounds
The Vintage Organ buttons lets you add vintage organ sounds to the upper
and lower parts.
In addition, you can also use the harmonic bars to modify the selected sound
as desired.
The ATELIER provides nine harmonic bars for the upper part and lower part.
Each harmonic bar is assigned a sound of a different footage (pitch), and by
layering these sounds you can create a variety of organ tones.
Harmonic Bar
By sliding the harmonic bars forward or backward (in or out), you can adjust
the volume of the various footages.
The volume can be adjusted over nine steps (0–8).
When a harmonic bar is pulled out all the way (8), the volume is loudest.
When it is pushed in all the way (0), there will be no sound.
8' is the footage that forms the basic pitch of the sound; this is the center
around which you create the tone.
Each harmonic bar is assigned a sine wave (a pure pitch without overtones)
of a different pitch, and by combining these pitches you can create a wide
range of sounds.
Creating Organ Sounds
(Vintage Organ)
Time
Time
Time
8' volume: 8
4' volume: 5
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29
Selecting and Playing Sounds
Selecting and Playing Sounds
What’s the feet?
“Feet” is a term that began as a measurement of the length of the pipes
in a pipe organ.
The pipes that produce the basic pitch (fundamental) for each note are
considered to be “8 feet” in length.
Therefore, a pipe producing a pitch one octave below that of the
reference of 8' (eight feet) would be 16'; for one octave above the
reference, the pipe would be 4', and to take the pitch up yet another
octave it would be shortened to 2'.
The pitches of the harmonic bars are related as follows.
On tonewheel organs, the high-pitched footage for a portion of the high
range, and the low-pitched footage for a portion of the low range are
“folded-back” in units of one octave.
Folding back the high-frequency portion prevents the high-frequency
sounds from being unpleasantly shrill, and folding back the low-
frequency portion prevents the sound from becoming “muddy.”
On the ATELIER faithfully simulates this characteristic.
16' 8' 4' 2' 1'5
1
/
3
'2
2
/
3
'1
3
/
5
'1
1
/
3
'
one octave
below
5th root 8th 12th
15th
17th 19th 22nd
8' =
When the middle C (C4) note is pressed, each
harmonic bar will sound the following notes.
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30
Selecting and Playing Sounds
Turning on the Vintage Organ
1.
Press the Vintage Organ [On/Off] button so its indicator is
lit.
Each time you press the button, the indicator will alternate between ON (lit)
and OFF.
The Vintage organ screen appears.
fig.01-24.eps
The screen will show
value
for the harmonic bars.
When a harmonic bar is pulled out all the way (8), the volume is loudest.
When it is pushed in all the way (0), there will be no sound.
Modifying the Sound
1.
Press H-Bar Part [Upper] or [Lower] button to select a part
for which the harmonic bars are available.
2.
Slide the harmonic bars that you want to hear.
You can layer the sound of multiple harmonic bars.
Playing a Vintage Organ Voice
NOTE
Glide and sustain effects are
not applied to the Vintage
Organ voice.
The Vintage Organ screen will
be displayed for several
seconds, then it will close
automatically.
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31
Selecting and Playing Sounds
Selecting and Playing Sounds
Adding Sparkle to the Sound (Percussion)
This adds an attack sound to the beginning of the note, making the sound
crisper.
1.
Press the Percussion [2 2/3'] button so its indicator is lit.
Play the Upper keyboard and notice that an attack has been added.
Adjusting the Rate at which the Percussion Decays
You can shorten the decay time of the percussion sound.
1.
Press the Percussion [Fast Decay] button to switch the
indicator between lit/unlit.
Using the Harmonic Bar Settings of the Panel
If you’ve switched Registrations so that the Vintage Organ settings have
changed, you can switch the Vintage Organ settings to the positions (settings)
of the harmonic bars on the panel.
1.
Press the H-Bar Part [Upper] or [Lower] button whose
indicator is lit.
The part whose indicator is lit will have the settings of the harmonic bar
positions (settings) of the panel.
Button
Explanation
Percussion [2 2/3'] button
Percussion one octave and a fifth above
[Fast Decay] Button
Explanation
Lit
The percussion sound will disappear quickly.
The percussion will have a sharper attack.
Unlit
The percussion sound will disappear slowly.
The percussion will have a more gentle attack.
NOTE
When the Percussion [2 2/3']
button is on, the 1' pitch will
not be produced.
NOTE
The Percussion [2 2/3'] button
are valid only for vintage organ
voices of the upper part.
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32
Selecting and Playing Sounds
Adjusting the Volume of the Vintage Organ
You can adjust the volume of the Vintage Organ sound to regulate the volume
balance relative to the other sounds.
1.
Press the [Utility] button.
fig.05-08.eps
2.
Press the Menu [ ] [ ] buttons a number of times to
select “VintageOrganVolume.”
fig.VoiceList.eps
3.
Press the Value [-] [+] buttons to select the value for volume
of the vintage organ.
4.
To return to the basic screen, press the [Utility] button.
Setting
0–12
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33
Selecting and Playing Sounds
Selecting and Playing Sounds
For “Active Expression Voices,” operating the expression pedal will control
not only the volume but also the tone, or may add additional sounds.
1.
Press the [Others] button of the Part to which you want to
assign an Active Expression voice.
The voice name appears in the display.
The indicator of the selected [Others] button will light.
2.
Press the Value [-] [+] buttons to select the Active
Expression Voice.
The indicator of the selected [Others] button will blink.
Active Expression Voices have the letters “AEx” preceding their voice name.
To stop mid-way through this or any procedure, press the [Display/Exit]
button.
3.
Once again, press the [Others] button for the part whose
sound you wish to set to confirm the voice.
The indicator of the [Others] button will change from blinking to light.
Performing with an Active Expression Voice
You can press the key for the
part containing a changed
voice to confirm the voice
setting.
For details on the Active
Expression voices that are
available, refer to “Voice list”
(Appendix: separate booklet).
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34
Selecting and Playing Sounds
The ATELIER allows you to adjust the volume balance individually for each
Part.
fig.02-13
The following buttons are used to adjust the volume of a multiple number of
Parts.
t
1.
The volume levels of each part are adjusted using the
corresponding [
] and [
] buttons.
Pressing the [
] button will increase the volume.
Pressing the [
] button will decrease the volume.
The volume can be set to any value from 0 to 12.
When the volume value shown in the display is 0, that part will produce no
sound.
You can also press the [
] button or [
] button of the part whose volume you
wish to adjust, so that the “Part Balance Monitor” screen is displayed for
several seconds, allowing you to check the volume balance.
fig.02-14
Adjust the Volume Balance
Button
Part
Accomp/SMF [
] [
] button
Automatic Accompaniment (except Bass)
Playback of performance songs from
something other than the ATELIER performance
songs (for example: SMF music files)
Rhythm performance
Drums/SFX
Pedal Level [
] [
] button
Pedal voice
Bass note of Automatic Accompaniment
The Part Balance Monitor
screen is displayed for several
seconds and then closes
automatically.
R Reverb
A Accomp/SMF
P Pedal
L Lower
U Upper
S Solo
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35
Selecting and Playing Sounds
Selecting and Playing Sounds
The pitch of the sound played by the keyboard can be adjusted in one-octave
steps. This function is called “Octave Shift.”
You can apply an Octave shift to the following 4 Parts:
The Upper Part
The Lower Part
The Pedal bass Part
The Solo Part
1.
Press the [Utility] button.
2.
Press the Menu [ ] [ ] buttons a number of times to
select “Octave Shift.”
f
3.
Press the [Rec] button.
4.
Use the Menu [ ] [ ] buttons to select a Part to which
you wish to apply an Octave Shift.
fig.02-16
5.
Use the Value [-] [+] buttons to set the amount of shift.
The value can be set to a range of +/- 3 octaves.
To return to the basic screen, press the [Utility] button.
Transpose the Pitch in Octave Units (Octave Shift)
Part
Pedal, Lower, Upper, Solo
NOTE
Please note that when you
apply the Octave Shift function
to certain voices, their pitch
could be stretched beyond their
recommended note ranges, and
they may not sound as
expected. Care should be taken
when using Octave Shift.
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36
Selecting and Playing Sounds
You can have the sound for keys in the Lower keyboard continue to play, even
after you release the key, until the next key is pressed.
1.
Hold down the Pedal [To Lower] button for several seconds
until its indicator begins blinking.
The following message will appear.
The notes played on the lower keyboard will continue sounding.
2.
Press the Pedal [To Lower] button so its indicator goes out.
The sound stops playing.
You can use the Lower keyboard to play various drum sounds (drum set). In
this case, the Lower voices will no longer sound.
fig.02-18
1.
Press the [Drums/SFX] button (indicator lights).
Play the Lower keyboard and listen to the various drum sounds on each key.
The [Drums/SFX] button will alternate between on (lit) and off each time it is
pressed.
Sustaining Notes Played on the Lower Keyboard
Playing Drums from the Entire Lower Keyboard (Drums/SFX)
Pedal [To Lower] button will
also turn on at this time.
This setting is saved to the
Registration.
Refer to for “Voice & Rhythm
List” (Appendix: separate
booklet) details on which drum
sound or Sound Effect will be
played by each note.
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37
Selecting and Playing Sounds
Selecting and Playing Sounds
Immediately after the power is turned on, the STANDARD drum set will sound.
Let’s try selecting a different Drum Set or the Sound Effect set.
As the drum set, you can choose from 7 types of drum set. When you change
the drum set, the sound produced by each note will change.
fig.02-19
1.
Press the [Drums/SFX] button (indicator lights).
2.
When the Drum Set name is displayed on the screen, press
the Value [-] [+] buttons to select a Drum Set or Sound Effect
Set.
The [Drums/SFX] button indicator will begin to blink.
fig.02-20
You can select from 6 different Drum Sets and one set of Sound Effects as
follows:
To stop mid-way through this or any procedure, press the [Display/Exit]
button.
3.
Press the [Drums/SFX] button once again.
The [Drums/SFX] button indicator will light constantly, and the selected
Drums/SFX set will be applied.
Changing the Drums/SFX Set
Drum Sets
STANDARD, POWER, ELECTRONIC, JAZZ, BRUSH, ORCHESTRA,
SOUND EFFECTS
NOTE
For some drum sets, there will
be keys that do not sound.
Refer to “Voice & Rhythm List”
(Appendix: separate booklet)
for details on which drum
sound or Sound Effect will be
played by each note.
2
2
1, 3
You can also play the lower
manual to confirm the drum set.
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38
Selecting and Playing Sounds
By using the Bass Split function you can play the bass voice in the left-hand
side (including C3) of the lower keyboard. The location at which the lower
keyboard is divided in this way, to play the pedal bass voice, is called the
“Bass Split Point.”
1.
Select a Pedal Bass voice (p. 25).
2.
Press the [Utility] button.
3.
Press the Menu [ ] [ ] buttons a number of times to
select “Bass Split.”
4.
Use the Value [-] [+] buttons to change the “Bass Split”
setting to “ON.”
When you play the Lower keyboard, the Pedal Bass voice will sound in the
range to the left of (and including) the C3 note.
fig.06-16.eps
To return to the basic screen, press the [Utility] button.
Using the Lower Keyboard to Play the Bass Voice (Bass Split)
The bass split point is included
in the left-hand area of the
keyboard.
You can adjust the Bass Split
Point (p. 39).
NOTE
It is not possible to select and
play both Bass Split function
and Pedal [To Lower] button
(p. 40) simultaneously.
Lower keyboard
Bass Split Point
Pedal Bass
voice
NOTE
If the ”Bass Split” function is on,
the Pedal Bass voice will not be
heard from the Pedalboard. The
Pedal Bass voice will sound
from the Lower keyboard.
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39
Selecting and Playing Sounds
Selecting and Playing Sounds
You can assign the Bass Split Point (the highest key up to which the Pedal Bass
voice will sound), to any key of the Lower keyboard.
1.
Press the [Utility] button.
2.
Press the Menu [ ] [ ] buttons a number of times to
select “Bass Split Point.”
3.
Press the Value [-] [+] buttons to modify the Bass Split Point.
To return to the basic screen, press the [Utility] button.
Changing the Bass Split Point
Setting
C2–C6
By pressing the Value [-] [+]
buttons simultaneously, you can
restore the default setting (C3).
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40
Selecting and Playing Sounds
By using the Pedal [To Lower] button, you can sound the Pedal Bass voice by
playing the root note (p. 128) of a chord on the Lower keyboard in the area
that is playing the Lower voice.
fig.05-08
1.
Select a Pedal Bass voice (p. 25).
2.
Press the Pedal [To Lower] button (indicator lit).
When you play a chord in the area of the Lower keyboard that sounds the
Lower voice, the Pedal Bass voice will also be heard and will play the root
note.
If the “Leading Bass” function is on (p. 50), the lowest note played in the lower
keyboard will sound the pedal bass voice.
Using the Lower Keyboard to Play the Bass Voice
(Pedal [To Lower] button)
NOTE
If no portion of the Lower
keyboard is sounding the Lower
voice (the [Drums/SFX] button
is ON), the Pedal Bass voice
will not sound.
NOTE
If the Pedal [To Lower] button is
ON, the Pedal Bass voice will
not be heard from the
Pedalboard.
If no voice is selected for the
lower keyboard, you can use
the lower keyboard to play the
pedal voice.
NOTE
It is not possible to select and
play both Bass Split function
(p. 38) and Pedal [To Lower]
button simultaneously.
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41
Using the Rhythm Performance
Using the Rhythm Performance
The ATELIER lets you enjoy playing along with a rhythmic accompaniment.
The AT-75 provides 40 types of Rhythms and Automatic Accompaniments
(Music Styles). These are organized into eight groups.
Each Rhythm button corresponds to two groups.
By pressing a button that is lit, you can select that button’s other group.
The selected group is shown by the illumination status of the two indicators
located beside the Rhythm buttons.
If you’ve selected the “Big Band/Switch” group, the indicators shown below
will light.
fig.03-01
1.
Press a Rhythm button to select a Rhythm group.
The indicator of Rhythm button will light.
That Rhythm will be shown in the display.
fig.03-02
2.
Press the Value [-] [+] buttons to select a different Rhythm
within the same group.
The indicator of the Rhythm button will blink.
3.
Press the flashing Rhythm button once more.
The Rhythm button’s indicator will change from blinking to light.
The Rhythm has now been applied.
Selecting a Rhythm
Indicators located beside
the Rhythm buttons
Description
Upper indicator lit
The Rhythm group printed above the button is selected.
(Big Band/Swing, Country/Gospel, Oldies/
Contempo, Ballad)
Lower indicator lit
The Rhythm group printed below the button is selected.
(Latin, Waltz/March, Trad/Acoustic, User)
For more on the internal
Rhythms, refer to “Voice &
Rhythm List” (Appendix:
separate booklet).
2
1, 3
You can also apply the selected
rhythm by starting the rhythm.
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42
Using the Rhythm Performance
The ATELIER features a User memory.
The ATELIER is shipped from the factory with Rhythms already stored in User
memory. These Rhythms can be overwritten by copying. The content of User
memory is retained even while the ATELIER’s power is turned off.
You can call up Rhythms in User memory by selecting the User group.
Calling Up Rhythms Stored in User Memory
1.
Press the Rhythm [Ballad/User] button a number of times to
select the user group.
The Rhythm screen appears.
2.
Press the [Media] button to select “User.”
The Rhythms stored in User memory will be shown.
3.
Press the Value [-] [+] buttons to select a different Rhythm
within the same group.
The indicator of Rhythm [Ballad/User] button will blink.
4.
After selecting a Rhythm, press the blinking Rhythm
[Ballad/User] button once more.
The Rhythm [Ballad/User] button stops blinking and remains lit, indicating that
the Rhythm has been selected.
Using Rhythms Stored in User Memory
If you wish to copy a Rhythm
saved on USB memory to User
memory, refer to “Copying
Rhythms” (p. 53).
What is User Memory?
“User Memory” refers to an area inside the instrument where you can store
the Registration you create and the performances you record. Registration
and SMF music files saved on USB memory can also be copied to User
memory (p. 53).
User memory is quite useful, since anything you place there will be
retained even while the power is turned off.
The following things are stored in User memory:
• Songs you’ve registered in “Favorites”
• Rhythms
• Registration sets
If you want to restore the
original Rhythms that User
memory contained at the time
the instrument was shipped
from the factory, refer to
“Restoring the User Memory to
the Original Factory Settings
(User Memory Reset)” (p. 114).
If USB memory is connected,
y
ou can select “Ext Memory” so
that Rhythms in the USB
memory will be shown.
If floppy disk is connected, you
can select “Disk” so that
Rhythms in the floppy disk will
be shown.
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43
Using the Rhythm Performance
Using the Rhythm Performance
There are two ways to start the Rhythm. You can press the [Start/Stop] button
to start the Rhythm, or you can use Sync Start to have the Rhythm start when
you play the lower keyboard or the pedalboard.
You can also make the Rhythm start with an intro, or stop with an ending.
fig.02-03_AT-900.eps
Starting with an Added Intro
1.
Press the [Intro/Ending] button.
2.
Press the [Start/Stop] button.
The Intro is played and the Rhythm starts.
While the Intro is playing, the [Intro/Ending] button indicator will light, until
the Intro ends then the button indicator will go dark.
Starting Without an Intro
1.
Press the [Start/Stop] button.
The Rhythm starts without an Intro being played.
Making the Intro Short and Simple
1.
Press the Variation [1] button.
2.
Press the [Intro/Ending] button.
The [Intro/Ending] button indicator will light.
3.
Press the [Start/Stop] button.
A short Intro is played and the Rhythm starts.
Playing Rhythm
Starting at the Press of a Button
The functions of the [Intro/
Ending] button and [Start/Stop]
button can be assigned to the
foot switches located on each
side of the Expression Pedal (p.
70).
For more on the Variation
buttons, refer to “Adding
Variety to the Rhythm or
Automatic Accompaniment” (p.
48).
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44
Using the Rhythm Performance
Starting with an Added Intro
1.
While holding down the Arranger [On/Off] button, press
[Auto Fill In] button to turn Sync Start on.
The [Start/Stop] button indicator will blink.
2.
Press the [Intro/Ending] button.
The [Intro/Ending] button indicator will light.
3.
Play either the Lower keyboard or the pedalboard.
The Intro is played and the Rhythm starts.
While the Intro is playing, the [Intro/Ending] button indicator will light, until
the Intro ends then the button indicator will go dark.
Starting Without an Intro
1.
While holding down the Arranger [On/Off] button, press
[Auto Fill In] button to turn Sync Start on.
The [Start/Stop] button indicator will blink.
2.
Play either the Lower keyboard or the pedalboard.
The Rhythm starts without an Intro being played.
Starting with the Intro Short and Simple
1.
While holding down the Arranger [On/Off] button, press
[Auto Fill In] button to turn Sync Start on.
The [Start/Stop] button indicator will blink.
2.
Press the Variation [1] button.
3.
Press the [Intro/Ending] button.
The [Intro/Ending] button indicator will light.
4.
Play either the Lower keyboard or the pedalboard.
A short Intro is played and the Rhythm starts.
Starting the Rhythm Automatically When You Play the Lower
Keyboard or Pedalboard (Sync Start)
NOTE
If the Arranger function is ON
(the Arranger [On/Off] button
indicator is lit), it is not be able
to start the Rhythm by playing
the Pedalboard (p. 47).
For more on the Variation
button, refer to “Adding Variety
to the Rhythm or Automatic
Accompaniment” (p. 48).
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45
Using the Rhythm Performance
Using the Rhythm Performance
Stopping with an Ending
1.
Press the [Intro/Ending] button.
An Ending is played, then the Rhythm stops.
While the Ending is playing, the [Intro/Ending] button indicator will light, until
the Ending finishes the button indicator will be turned off.
Stopping without an Ending
1.
Press the [Start/Stop] button.
The Rhythm stops without an Ending being played.
Stopping with the Ending Short and Simple
1.
Press the Variation [1] button.
2.
Press the [Intro/Ending] button.
A short Ending is played, then the Rhythm stops.
Stopping the Rhythm
The functions of the [Intro/
Ending] button and [Start/Stop]
button can be assigned to the
foot switches located on each
side of the Expression Pedal (p.
70).
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46
Using the Rhythm Performance
You can change the tempo of the Rhythm or Automatic Accompaniment.
fig.03-06(P.40)
1.
Press the Tempo [ ] [ ] buttons to change the tempo
(speed) of the Rhythm or Automatic Accompaniment.
The value of the tempo currently set (20–500 beats per minute) can be
checked in the display.
You can also check the tempo by viewing the Beat indicator.
If an intro is played before your performance, you can have a countdown
played to the end of the intro, allowing you to understand easily where you
are to start playing.
1.
Press the [Utility] button.
2.
Using the Menu [ ] [ ] buttons a number of times to
select “Intro Count Down.”
3.
Press the Value [-] [+] buttons to switch the Intro Count
Down “ON” or “OFF.”
4.
Press the [Intro/Ending] button.
5.
Press the [Start/Stop] button.
The intro plays, and a countdown plays to the end of the intro.
When the Sync Start is on, specifying the chord on the Lower keyboard starts
the intro, and again, a countdown is given.
To return to the basic screen, press the [Utility] button.
Changing a Tempo of Rhythm and Automatic Accompaniment
Tempo [ ] button
The tempo becomes slower
Tempo [ ] button
The tempo becomes faster
Playing a Countdown Sound When the Intro Ends
If you switch Rhythms when
“Auto Std Tempo” (p. 101) is
on, the tempo changes to
match the Rhythm. If you switch
Rhythms when “Auto Std
Tempo” is off, the tempo
remains unchanged even when
y
ou switch the Rhythm.
By pressing the Tempo [ ]
[ ] buttons simultaneously,
the tempo is returned to the
standard (preset) tempo for the
selected Rhythm.
You can adjust the volume of
the Countdown Sound, refer to
“Adjusting the Metronome
Volume (Metronome Volume)”
(p. 105).
You can change the countdown
sound (p. 102).
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47
Using the Rhythm Performance
Using the Rhythm Performance
The Arranger function of the ATELIER can add an Automatic Accompaniment
to each Rhythm. Based on the selected Rhythm, the Arranger function
automatically adds an accompaniment that is suitable for the chord being
pressed on the Lower keyboard.
fig.02-06.eps
1.
Press the Arranger [On/Off] button (indicator lights).
2.
Start the Rhythm (p. 43).
The Rhythm and the Automatic Accompaniment will play together.
If the Arranger [On/Off] button is ON and no Pedal Bass voice is selected,
the Automatic Accompaniment will play the bass sound.
Playing Rhythm and Automatic Accompaniment
Arranger [On/Off] button
Function
Lit (On)
Rhythm and Automatic Accompaniment
Unlit (Off)
Rhythm
NOTE
When the Arranger [On/Off]
button is on, Sync Start (p. 44)
on the pedalboard cannot be
used.
NOTE
When the Arranger [On/Off]
button is on, the lower voice is
not played during the
performance of the intro and
ending, even when the Lower
keyboard is played.
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48
Using the Rhythm Performance
You can add variety to the Rhythm or Automatic Accompaniment by changing
the Rhythm pattern.
fig.02-07_AT-900.eps
You can change the arrangement of the accompaniment. This function is
called “Variation.” For each Rhythm, there are four types of arrangement for
the accompaniment.
The following buttons are called Variation buttons.
fig.02-08_AT-900.eps
1.
Press the Variation [1]–[4] buttons to change the
arrangement of the accompaniment.
The indicator of the button you pressed will light.
The Variation [1] button produces the simplest arrangement, and the [4]
button produces the most florid.
For an intro or ending, Variation [1] button is the shortest and simplest.
Adding Variety to the Rhythm or Automatic Accompaniment
Button name
Function
[Auto Fill In] button
A fill-in will automatically be added when you press
a Variation [1]–[4] button to change the
accompaniment or Rhythm arrangement.
Changing the Arrangement of the Rhythm and
Accompaniment (Variation)
The functions of the Variation
buttons can be assigned to the
foot switches located on each
side of the Expression Pedal.
Please refer to “Changing the
Function of the Foot Switch” (p.
70).
What’s a fill-in?
A Fill In is a short phrase that is inserted at a break in the melody or at a point
where the character of the song changes (between Chorus’s or Verses).
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49
Using the Rhythm Performance
Using the Rhythm Performance
“Chord Intelligence” is a feature that intelligently plays the correct
accompaniment chords the moment you play a key specifying a chord on the
Lower keyboard during Automatic Accompaniment.
To play a C chord on the Lower keyboard, for example, you usually have to
press down the three keys C, E, and G; but with Chord Intelligence, you only
have to press the C Key to initiate a C chord accompaniment.
1.
Press the [Utility] button.
2.
Press the Menu [ ] [ ] buttons a number of times to
select “Chord Intelligence.”
fig.12-29
3.
Press the Value [-] [+] buttons to switch the Chord
Intelligence “ON” or “OFF.”
To return to the basic screen, press the [Utility] button.
Turning Chord Intelligence On/Off
Setting
Description
ON
Chord Intelligence function is ON.
OFF
Chord Intelligence function is OFF.
For more information about
chord fingering, see the “Chord
List” (p. 126).
When the [One Touch
Program] button is pressed, the
Chord Intelligence function is
automatically switched ON.
When the Leading Bass
function (p. 50) is on and the
Chord Intelligence function is
off, you can specify chords with
a combination of the lower
keyboard and pedalboard.
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50
Using the Rhythm Performance
When Automatic Accompaniment is used, and the Pedal [To Lower] button is
ON, the Pedal Bass voice will normally play the root note (p. 128) of the
chord you play on the Lower keyboard. If the Leading Bass function is
enabled, the lowest note of the chord you play on the Lower keyboard will
then be used as the bass note (the bottom note of the chord).
For this reason, the bass note will be sounded differently than normal when
you play an inverted chord (p. 128).
1.
Press the [Utility] button.
2.
Press the Menu [ ] [ ] buttons a number of times to
select “Leading Bass.”
3.
Press the Value [-] [+] buttons to switch the Leading Bass
“ON” or “OFF.”
To return to the basic screen, press the [Utility] button.
Using the Leading Bass Function
Setting
Description
ON
The Leading Bass function is ON.
The pedal bass tone will sound the lowest note of the chord
you play in the lower keyboard.
OFF
The Leading Bass function is OFF.
You can assign the Leading
Bass functions to either of the
foot switches located on each
side of the Expression Pedal (p.
70).
When the Leading Bass
function is on and the Chord
Intelligence function (p. 49) is
off, you can specify chords with
a combination of the lower
keyboard and pedalboard.
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51
Using the Rhythm Performance
Using the Rhythm Performance
When using the Arranger function for Automatic Accompaniment, you can
also use the “One Touch Program” function to automatically select panel
settings that are appropriate for the selected Rhythm.
By pressing the [One Touch Program] button, you can make the following
settings.
Panel settings (e.g., sounds and volume) suitable for the Rhythm
Automatic Accompaniment playing
[Start/Stop] button blinking (Waiting for Sync Start)
Chord Intelligence function is ON (p. 49)
1.
Select a Rhythm (p. 41).
2.
Press the [One Touch Program] button.
Panel settings appropriate for the Rhythm and Automatic Accompaniment will
automatically be called up for Registration [1]–[4] buttons.
3.
Press the Registration [1]–[4] buttons to select panel
settings.
4.
On the Lower keyboard, play a chord.
At the moment you play the keyboard, the Intro will begin, and then the
Rhythm and Automatic Accompaniment will play.
5.
Press the [Intro/Ending] or [Start/Stop] button to stop the
Rhythm.
Rhythm and Automatic Accompaniment stops.
6.
Press the [One Touch Program] button, extinguishing its
indicator.
The One Touch Program function is turned off, and the panel settings in effect
prior to the [One Touch Program] button being pressed are restored.
A Simple Way to Make Automatic Accompaniment Settings
(One Touch Program)
What is Sync Start?
Sync Start is a function that starts the Rhythm at the moment that you
play the lower keyboard.
What is Chord Intelligence?
“Chord Intelligence” is a feature that intelligently decides on
accompaniment chords the moment you play some keys specifying a
chord during Automatic Accompaniment.
NOTE
When you press the [One
Touch Program] button, the
“Arranger Update” setting will
automatically change to
“INSTANT” (p. 58).
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52
Using the Rhythm Performance
The ATELIER contains a variety of Rhythms, but you can also use Rhythms from
USB memory or floppy disk to perform Rhythms in an even wider range of
styles.
1.
Connect the USB memory containing the Rhythms to the
External Memory connector.
2.
Press the Rhythm [Ballad/User] button a number of times to
select “User group.”
The Rhythm screen appears.
fig.02-21-1.eps
3.
Press the [Media] button to select “Ext Memory” and see
the Rhythms in USB memory.
The Rhythm screen will show the Rhythms on the USB memory.
fig.02-21.eps
4.
Press the Value [-] [+] buttons to select a Rhythm.
The [Start/Stop] button indicator will blink while the Rhythms are being
loaded into internal memory. When loading is finished, you will be able to
play the selected Rhythm.
5.
Press the [Start/Stop] button.
The selected Rhythm is played.
Using a Rhythm from a USB Memory
Reviewing the Styles on USB Memory
NOTE
Unauthorized use of
commercially available Music
Style disk for purposes other
than private, personal
enjoyment is a violation of
applicable laws.
If you copy Rhythms from USB
memory or floppy disk into User
memory (p. 42), you’ll be able
to access those Rhythms simply
by pressing the Rhythms
[Ballad/User] button (p. 53).
If you want to use Rhythms from
a floppy disk, connect the
floppy disk drive (sold
separately) to the External
Memory connector.
If “User” is selected, the
Rhythms saved in User memory
(p. 42) will be shown.
If “Disk” is selected, the
Rhythms saved on the floppy
disk will be shown.
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53
Using the Rhythm Performance
Using the Rhythm Performance
User memory (p. 42) already contains Rhythms, but you can replace these
Rhythms with Rhythms from USB memory or floppy disk.
Rhythms copied from the USB memory into User memory will not be lost even
if the power is turned off. It is convenient to copy frequently-used Rhythms into
User memory.
Copying Rhythms from USB Memory to User Memory
1.
Connect the USB memory to the External Memory
connector.
2.
Press the [Utility] button.
3.
Press the Menu [ ] [ ] buttons a number of times to
select “Media Utility.”
fig.02-09.eps
4.
Press the [Rec] button.
5.
Press the Menu [ ] [ ] buttons a number of times to
select “Copy Rhythm.”
fig.02-10.eps
6.
Press the [Rec] button.
7.
Press the [Media] button to select the media (the location of
the Rhythm you want to copy).
If you want to copy a Rhythm from USB memory, select “Ext Memory.”
If you want to copy a Rhythm from floppy disk, select “Disk.”
8.
Press the Value [-] [+] buttons to select the Rhythm you
want to copy.
Copying Rhythms
If you want to copy Rhythms
from floppy disk, connect the
floppy disk drive (sold
separately) to the External
Memory connector.
NOTE
If no USB memory or floppy
disk is inserted, you won’t be
able to choose “Copy Rhythm”
in the Utility menu.
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54
Using the Rhythm Performance
9.
Press the [Rec] button.
10.
Press the Value [-] [+] buttons to select the copy-destination
number.
To cancel the procedure, press the [Display/Exit] button.
11.
Press the [Rec] button to copy the Rhythm.
While the Rhythm is being copied into internal memory, the following
screen will be displayed.
If you select a number in which a Rhythm is already saved, a screen like the
following appears.
If you want to delete the previously saved Rhythm and overwrite it with the
Rhythm you’re newly saving, Press the [Rec] button.
If you don’t want to delete the previously saved Rhythm, press the [Reset]
button, then select a number at which no Rhythm has been saved, and copy
the Rhythm to that number.
To return to the basic screen, press the [Utility] button.
Copying Rhythms from User Memory to USB Memory
You can copy Rhythms from User memory to USB memory.
To do so, press the [Media] button in step 7 (above) to choose “User.” In this
state, you’ll be copying Rhythms from User memory to USB memory.
The rest of the procedure is the same as when copying Rhythms from USB
memory to User memory.
NOTE
Never remove the USB memory
or turn off the power while the
Rhythm data is being copied
from USB memory into the
A
TELIER. If you do so, the
Rhythm data will not be loaded
into the ATELIER, and
malfunctions could result. After
returning the Rhythm stored in
the User memory to the factory
settings (p. 114), copy the
Rhythm from USB memory once
more.
You can return only the User
memory to the factory settings.
Refer to “Restoring the User
Memory to the Original Factory
Settings (User Memory Reset)”
(p. 114).
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55
Using the Rhythm Performance
Using the Rhythm Performance
You can delete Rhythms stored in User memory (p. 42) or USB memory.
1.
Select the Rhythm you want to delete (p. 42).
2.
Press the [Load] button and [Save] button simultaneously.
The following display appears.
fig.02-10.eps
To cancel the procedure, press the [Reset] button.
3.
Press the [Rec] button.
While the Rhythm is being deleted, the following screen will be displayed.
When deleting is complete, the basic screen reappears.
Deleting Saved Rhythm
NOTE
Never turn off the power while
the operation is in progress.
Doing so will damage the
A
TELIER’s internal memory or
USB memory, making it
unusable.
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56
Using the Registration Buttons
The ATELIER allows you to store sound settings and panel settings such as 4 in
the Registration buttons.
There are a total of 4 Registration buttons, and one set of panel settings can
be stored in each, allowing you to register a total of 4 different panel settings.
Each set of panel settings that has been stored in a Registration button is called
a “Registration.”
This provides a convenient way to change large numbers of panel settings
during a performance, or to recall a complex panel setting.
fig.07-01
About the Registration Buttons
In addition to assigning voices and Rhythms to the Registration buttons, you
can also store the following settings:
Panel button settings (for example, settings for the Level [
] and [
]
buttons, etc.)
Controller settings (functions assigned to foot switches, etc.)
Other types of settings (reverb type, tempo settings, degree of initial
touch, etc.)
If you would like to know all of the settings that can be recorded to the
Registration buttons, refer to “Settings That Are Stored In the Individual
Registration Buttons” (p. 130).
The four settings stored at the Registration buttons can be saved as a “set” in
USB memory, a floppy disk, or User memory (p. 61).
In addition to the settings saved to the Registration buttons, the following data
is also saved when Registration sets are saved.
Registration Name
p. 59
Registration Shift
p. 71
Arranger Update
p. 58
Trans. Update (Transpose Update)
p. 103
Settings that have been stored
to Registration [1]–[4] buttons
are remembered even if the
power is turned off. If you wish
to restore the settings stored in
the Registration buttons to their
factory settings, use the
“Factory Reset” operation (p.
18).
Write Manual
1 2 3 4
Recorded performance data
and Rhythms from User memory
(p. 42) are not stored in
Registration sets.
When a Rhythm saved in User
memory is assigned to a
Registration set, that Rhythm is
copied beforehand to the User
memory.
With the factory settings, the Arranger Update setting is set to “DELAYED.”
If Arranger Update is set to “DELAYED,” you will need to hold down the
Registration button for several seconds in order to recall the tempo and Rhythm
settings.
If you want the tempo and Rhythm settings to be recalled instantly when you
press a Registration button, change the Arranger Update setting to
“INSTANT.” For details, refer to “Recalling a Registration” (p. 58).
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57
Using the Registration Buttons
Using the Registration Buttons
Procedure for Creating Registration Sets
Prepare the Registrations
A convenient way to make the sequence of Registration buttons to be pressed
easy to understand is to store the panel settings starting from the Registration
[1] button, continuing with subsequent buttons in accordance with the
progression of the song.
Save the Registrations to the USB memory or User memory
If you want to use more than four Registrations in a song, save the settings for
Registration buttons [1]–[4] to a USB memory or User memory as a set, then
continue to store further panel settings again, starting from Registration button
[1]. Save all of the Registration sets you have set to the USB memory or User
memory.
Arrange the Registrations in the sequence they are to be used
Save the Registration sets to the USB memory or User memory in the order they
are to be used in the song.
Using Registration Sets
Call up the Registration sets saved on the USB memory to the ATELIER
Insert the USB memory containing the saved Registration sets into the External
Memory connector, and read the Registration sets into the ATELIER.
Switch the Registration sets as you perform
Press the Registration buttons to switch Registrations as you play the song.
If you want to recall the next Registration set, assign the foot switch to “RIGHT
+ Load Next” and recall the next Registration set (p. 71).
1.
Make all the panel settings that you wish to store.
2.
While holding down the [Write] button, press one of the
Registration [1]–[4] buttons.
The panel settings will be stored in the selected Registration button.
Storing Registrations
For details on the settings that
are stored in a Registration,
refer to “Settings That Are
Stored In the Registration
Buttons” (p. 130).
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58
Using the Registration Buttons
There are two ways of calling up the settings affecting the Rhythms registered
to the Registration buttons [1]–[4], “INSTANT” and “DELAYED.” At the factory
this is set to “DELAYED.”
Recalling Voices and Other Panel Settings
1.
Press a Registration [1]–[4] button.
Recalling Settings for Rhythm and Automatic
Accompaniment in Addition to the Panel Settings
1.
Press and hold a Registration [1]–[4] button for several
seconds.
The indicator of the Rhythm select button will blink, and the panel settings and
settings related to Rhythm performance and Automatic Accompaniment will
be recalled.
Settings for Rhythm play and Automatic Accompaniment are recalled when
you continue holding a Registration [1]–[4] button for several seconds, but you
can change this so that the settings are recalled the instant you press the
button.
1.
Press the [Utility] button.
2.
Press the Menu [ ] [ ] buttons a number of times to
select the “Arranger Update.”
fig.07-02
3.
Press the Value [-] [+] buttons to switch between
“DELAYED” and “INSTANT.”
To return to the basic screen, press the [Utility] button.
Recalling a Registration
How to Recall a Registration
Changing the Timing of Recalling Registrations
DELAYED
When you press and hold a Registration [1]–[4] button for several
seconds, the settings for Rhythm and Automatic Accompaniment will be
recalled in addition to the panel settings. If you press and immediately
release a Registration [1]–[4] button, only the settings that are not
related to Rhythm or Automatic Accompaniment will be recalled.
INSTANT
Settings for Rhythm and Automatic Accompaniment will be recalled the
instant that you press a Registration [1]–[4] button.
You can change the timing of
recalling the transpose setting
when you press a Registration
[1]–[4] button. For more
information, please refer to
“Registration Transpose Update
(Trans. Update)” (p. 103).
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59
Using the Registration Buttons
Using the Registration Buttons
When the [Manual] button is ON (lit), all panel settings you make will be
stored automatically in the [Manual] button as they are made, thus updating
the Registration that had been previously saved. If you change to a preset
Registration [1]– [4] button, it is possible to return to the previous panel
settings by pressing the [Manual] button.
fig.07-03
When saving Registration sets, names like “Factory Reg.” will be assigned by
default, but you can assign a name that will help you later to identify the
contents of the Registration set.
fig.07-03
1.
Press the [Display/Exit] button a number of times to access
the Registration screen.
Automatically Registering When You Switch Panel Settings
Assigning a Name to a Registration Set
Write Manual
1 2 3 4
NOTE
The settings stored in the
[Manual] button returns to the
default settings while the power
is turned off.
2,4
2,4
3
3
1
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60
Using the Registration Buttons
2.
Press the [Registration] button and [Media] button
simultaneously.
3.
Press the Menu [ ] [ ] buttons to move the cursor, and
press the Value [-] [+] buttons to select a character.
fig.07-05
The following characters can be selected when changing a name:
.
4.
When you have finished assigning the name,
simultaneously press [Registration] button and [Media]
button once again.
The Registration set in the ATELIER’s internal memory has now been named.
To return to the basic screen, press the [Display/Exit] button.
space ! " # % & ' ( ) * + , - . / : ; = ? ^ _ A B C D E F G H I J K L M N O P Q R
S T U V W X Y Z a b c d e f g h i j k l m n o p q r s t u v w x y z 0 1 2 3 4 5 6 7 8 9
[Reset] button
Delete a character.
[Rec] button
Inserts a space.
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61
Using the Registration Buttons
Using the Registration Buttons
With the settings of Registration buttons [1]–[4] considered as one set, you
can store the Registration set to USB memory or User memory. We
recommend that complex panel settings or Registrations you wish to keep be
saved on USB memory.
Furthermore, when you save Registrations created on the ATELIER to USB
memory, you can call up their settings on other ATELIER Series instruments and
use the Registrations the same way.
1.
Connect your USB memory to the External Memory
connector.
2.
Press the [Registration] button to make the indicator light.
The Registration Select screen appears.
3.
Press the [Media] button to select the desired media.
If you want to save the Registration to USB memory, select “Ext Memory.”
If you want to save the Registration to floppy disk, select “Disk.”
If you want to save the Registration to User memory, select “User.”
4.
Press the Value [-] [+] buttons to select the save-destination
number.
Numbers which have not been used in the Saving operation will be displayed
as “- - - - - - - - - - - -.”
fig.07-10
To cancel the operation, press the [Registration] button.
5.
Press the [Save] button.
6.
Press the Value [-] [+] buttons to select the format in which
the data will be saved.
Saving Registration Sets
ORIGINAL
Save formats that can be used with the AT-75.
When saved in this format, the data can also be used by AT-S
Series, AT-900, AT-900C AT-800, AT-500, AT-300, AT-100,
AT-45 and AT-15 devices.
R-SERIES
Save formats that can be used with AT-R Series devices
If you want to save Registration
data to a floppy disk, connect
the floppy disk drive to the
External Memory connector.
Into the floppy disk drive, insert
a floppy disk that was
formatted by the ATELIER.
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62
Using the Registration Buttons
7.
Press the [Save] button to execute the save operation.
Saving of the Registration data will begin.
When saving ends, the “- - - - - - - - - - - -” in the screen will change to the
Registration name that you saved.
fig.07-11
If you’ve named the Registration (p. 59), it will be saved with that name.
If the following screen appears
If you select a number at which a Registration has already been saved and
press the [Save] button, the following screen appears.
If you wish to update the contents of the Registration data
1.
Press the [Rec] button.
The Registration will be rewritten.
If you wish to save new data instead of updating the Registration
1.
Press the [Reset] button to cancel the procedure.
Rewriting of the Registration will be canceled.
2.
Press the Value [-] [+] buttons to select a number for which
“- - - - - - - - - - - -” is displayed on the upper right of the
screen.
3.
Press the [Save] button to save the Registration set.
When saving is complete, the saved Registration name will be displayed.
NOTE
Never remove the USB memory
or turn off the power while the
operation is in progress. Doing
so will damage the ATELIER’s
internal memory or USB
memory, making it unusable.
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63
Using the Registration Buttons
Using the Registration Buttons
Here’s how to recall a previously saved Registration set from the User memory
or USB memory into the memory of the ATELIER. Registrations can be selected
in the following two ways.
Loading a Set of Registrations
You can load a “set” (a collection of settings for Registration buttons [1]–[4])
from Floppy disk, USB memory or User memory.
Loading an Individual Registration
Recall the settings of one of the Registration [1]–[4] buttons.
1.
If you want to load a Registration from USB memory,
connect your USB memory to the External Memory
connector.
2.
Press the [Registration] button to make the indicator light.
The Registration Select screen appears.
3.
Press the [Media] button to select the desired media.
If you want to load from the Registration of USB memory, select “Ext Memory.”
If you want to load from the Registration of floppy disk, select “Disk.”
If you want to load from the Registration of User memory, select “User.”
4.
Press the Value [-] [+] buttons to select the Registration that
you wish to load into internal memory.
To cancel the procedure, press the [Registration] button.
5.
Press the [Load] button to execute loading.
When loading is complete, the Registration Select screen reappears.
Loading Previously Saved Registration Sets Into the ATELIER
Loading a Set of Registrations
NOTE
Be aware that when you load
Registrations from a USB
memory or User memory, the
Registrations that were
previously in internal memory
w
ill be lost. It is a good idea to
save important Registrations to
USB memory or User memory
(p. 61).
If you want to load a
Registration from a floppy disk,
connect the floppy disk drive to
the External Memory connector,
and insert the floppy disk
containing the Registration into
the floppy disk drive.
Since the ATELIER is designed
w
ith compatibility in mind,
Registrations created on other
instruments in the ATELIER
series can be recalled.
However, due to differences in
the built-in sounds and
functions, there will be cases in
w
hich the settings cannot be
exactly replicated.
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64
Using the Registration Buttons
1.
If you want to load a Registration from USB memory,
connect your USB memory to the External Memory
connector.
2.
Press the [Registration] button to make the indicator light.
The Registration Select screen appears.
3.
Press the [Media] button to select the desired media.
If you want to load from the Registration of USB memory, select “Ext Memory.”
If you want to load from the Registration of floppy disk, select “Disk.”
If you want to load from the Registration of User memory, select “User.”
4.
Press the Value [-] [+] buttons to select the Registration that
you wish to load into internal memory.
5.
Press the [Utility] button.
6.
Press the Value [-] [+] buttons to specify the Registration
button number to be loaded.
fig.07-14
To cancel the operation, press the [Utility] button.
7.
Press the [Rec] button.
8.
Press the Value [-] [+] buttons to specify the storage-
destination Registration.
fig.07-15
9.
Press the [Rec] button.
The following display appears.
fig.07-16
To cancel the procedure, press the [Reset] button.
10.
Press the [Rec] button once again.
When the Registration has been loaded, the Registration Load screen will
reappear.
Loading an Individual Registration
If you want to load a
Registration from a floppy disk,
connect the floppy disk drive to
the External Memory connector,
and insert the floppy disk
containing the Registration into
the floppy disk drive.
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Using the Registration Buttons
Using the Registration Buttons
Here’s how to delete a Registration set that was saved to a USB memory, User
memory (p. 42), or floppy disk.
1.
Prepare the Registration that you want to delete.
If you want to delete Registration data from the USB memory, connect the USB
memory to the External Memory connector.
2.
Press the [Registration] button to make the indicator light.
The Registration Select screen appears.
3.
Press the [Media] button to select the desired media.
If you want to delete from the Registration to USB memory, select “Ext
Memory.”
If you want to delete from the Registration to floppy disk, select “Disk.”
If you want to delete from the Registration to User memory, select “User.”
4.
Press the Value [-] [+] buttons to select the Registration that
you wish to delete.
5.
Simultaneously press the [Load] button and [Save] button.
The following display appears.
fig.07-08
To cancel the procedure, press the [Reset] button.
6.
If you are sure that you wish to delete the data, press the
[Rec] button.
When a Registration is deleted, the deleted Registration name will change to
“- - - - - - - - - - - -.”
fig.07-18
Deleting a Set of Registrations
If you want to delete
Registration data from the
floppy disk, connect the floppy
disk drive to the External
Memory connector. Into the
floppy disk drive, insert a
floppy disk.
NOTE
Never remove the USB memory
or turn off the power while the
operation is in progress. Doing
so will damage the ATELIER’s
internal memory or USB
memory, making it unusable.
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Using the Registration Buttons
Registrations from USB memory or floppy disk can be copied to User memory.
If a Registration saved in USB memory or on a floppy disk is stored in User
memory, the stored Registration data will not disappear even when you turn
off the power. It is convenient to load frequently-used Registration into User
memory.
Registrations saved in User memory can also be copied to USB memory (p.
67).
Copying Registration from USB Memory to User
Memory
1.
Connect the USB memory to the External Memory
connector.
2.
Press the [Utility] button.
3.
Press the Menu [ ] [ ] buttons a number of times to
select “Media Utility.”
fig.02-09.eps
4.
Press the [Rec] button.
5.
Press the Menu [ ] [ ] buttons a number of times to
select “Copy Registration.”
fig.02-10.eps
6.
Press the [Rec] button.
7.
Press the [Media] button to select the media (the location of
the Registration you want to copy).
If you want to copy a Registration from USB memory, select “Ext Memory.”
If you want to copy a Registration from floppy disk, select “Disk.”
Copying Registrations
If you want to copy Registration
from floppy disk, connect the
floppy disk drive to the External
Memory connector.
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Using the Registration Buttons
Using the Registration Buttons
8.
Press the Value [-] [+] buttons to select the Registration you
want to copy.
9.
Press the [Rec] button.
10.
Press the Value [-] [+] buttons to select the copy-destination
number.
To cancel the procedure, press the [Display/Exit] button.
11.
Press the [Rec] button to copy the Registration.
If you select a number in which a Registration is already saved, a screen like
the following appears.
If you want to delete the previously saved Registration and overwrite it with
the Registration you’re newly saving, Press the [Rec] button.
If you don’t want to delete the previously saved Registration, press the [Reset]
Button, then select a number at which no Registration has been saved, and
copy the Registration to that number.
To return to the basic screen, press the [Utility] button.
Copying Registration from User Memory to USB
Memory
You can copy Registration from User memory to USB memory.
To do so, press the [Media] button in step 7 to choose “User.” In this state,
you’ll be copying Registration from User memory to USB memory.
The rest of the procedure is the same as when copying Registration from USB
memory to User memory.
NOTE
Never remove the USB memory
or turn off the power while the
Registration data is being
copied from USB memory into
the ATELIER. If you do so, the
Registration data will not be
loaded into the ATELIER, and
malfunctions could result. After
returning the Registration
stored in the User memory to
the factory settings (p. 114),
reload the Registration from
USB memory.
You can return only the User
memory to the factory settings.
Refer to “Restoring the User
Memory to the Original Factory
Settings (User Memory
Reset)”(p. 114).
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68
Using the Performance Functions
Ò
You can transpose the key of a performance without having to shift the
position of your fingers on the keyboard. This feature is called “Key
Transpose.”
For example: you may play in the familiar C major scale while your music will
sound in any key of your choice.
fig.06-01
1.
Press the Transpose [-] [+] buttons.
Each press of the Transpose [-] or [+] button transposes the key a semitone.
The transpose value is displayed in the screen.
Acceptable values range from A to G (in semitone steps).
fig.06-03
If the pitch is transposed (something other than C), the indicator of one of the
Transpose buttons, either [-] [+], will be lit. If the pitch is not transposed (i.e.,
the key is C), the indicator of both the Transpose [-] and [+] buttons will be
extinguished.
Transposing to a Different Key (Key Transpose)
By pressing the Transpose [-]
and [+] buttons simultaneously,
y
ou can restore the default
setting “C.”
You can change the timing at
which the transposition settings
saved in a Registration will be
recalled. For details refer to
“Registration Transpose Update
(Trans. Update)” (p. 103).
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Using the Performance Functions
Using the Performance Functions
On each side of the expression pedal are two Foot Switches. Different
functions are assigned to each of these two foot switches.
fig.06-07
With the factory settings, the following functions are assigned to the left and
right Foot Switches.
Press the right Foot Switch toward the right.
If Rotary is turned on, the Rotary effect will switch between “Fast” and “Slow”
each time you press the Right Foot Switch.
Press the left Foot Switch toward the left.
While you are pressing the Foot Switch, the pitch will be temporarily lowered.
When you release the Left Foot Switch, the pitch will return to normal.
Using the Foot Switch
Right Foot Switch
Switch the Rotary effect between Fast/Slow.
Left Foot Switch
Glide (an effect by which the pitch is lowered by a
semitone while the foot switch is pressed, and is
returned to what is originally was when you release
your foot).
You can also change the
function assigned to the Foot
Switch.
Please refer to “Changing the
Function of the Foot Switch” (p.
70).
NOTE
The Glide effect is applied only
to the upper part. However, it
won’t be applied to the Vintage
Organ in the upper part.
You can store functions to be
assigned to the foot switch to
individual Registration buttons
(p. 70).
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Using the Performance Functions
You can select any of the following functions and assign them
to either Foot Switch on the right or left side of the Expression
Pedal.
1.
Press the [Utility] button.
2.
Press the Menu [ ] [ ] buttons a number
of times to select “L Foot Switch” or “R Foot
Switch.”
ig.12-09
ig.12-09
3.
Press the Value [-] [+] buttons to set the
function to be assigned to the foot switch.
To return to the basic screen, press the [Utility] button.
If the Utility menu “Registration Shift” setting is
“RIGHT”, “LEFT” or
RIGHT+LoadNext
, the Foot
Switch will be dedicated to switching through the
Registrations, and the “R Foot Switch” or “L Foot
Switch” setting will be ignored.
Changing the Function of the Foot
Switch
Setting
Description
ROTARY FAST/
SLOW
Switch the Rotary speed between
“FAST” and “SLOW.”
GLIDE
While the Foot Switch is pressed, the
pitch will temporarily be lowered,
and will gradually return to normal
when you release the Foot Switch.
Glide effect is added to the voice of
all the sections being played on
Upper keyboard.
The Glide effect is applied
only to the upper part.
However, it won’t be
applied to the Vintage
Organ in the upper part.
LEADING BASS
The Leading Bass function (p. 50) will
operate only while you continue
pressing the Foot Switch.
RHYTHM START/
STOP
Start/Stop the Rhythm.
NOTE
COMP PLAY/STOP
The same function as the Composer
[Play/Stop] button. Each time you
press the Foot Switch, the
performance data will play back or
stop.
INTRO/ENDING
Play an Intro or Ending.
VARIATION UP
Switches the Variation buttons. Each
time you press the foot switch, the
Variation number will increment.
VARIATION DOWN
Switches the Variation buttons. Each
time you press the foot switch, the
Variation number will decrement.
VARIATION ALT.
Switches the Variation button. If the
Variation [1] button or [3] button is
selected, this will switch between the
Variation [1] and [3] buttons. If the
Variation [2] button or [4] button is
selected, this will switch between the
Variation [2] and [4] buttons.
FILL IN
Adds a fill-in.
BREAK
Stop the Rhythm for one measure
(break).
DAMPER OF UPPER
Notes played on the Upper
keyboard will be sustained only
while you continue pressing the Foot
Switch.
Decay cannot be added to
the Solo voices.
DAMPER OF LOWER
Notes played on the Lower keyboard
will be sustained only while you
continue pressing the Foot Switch.
OFF
Turns the foot switch function off.
Setting
Description
NOTE
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Using the Performance Functions
Using the Performance Functions
You can use the Foot Switch as a dedicated switch for
selecting Registrations in order. The Registration will be
switched each time you press the foot switch.
The Registration Shift settings are stored to each
individual Registration Set.
When “RIGHT + Load Next” is assigned to the foot
switch and the Load Next function is used to switch
Registration Sets saved to a USB memory or floppy
disk, set the Registration Shift setting to “RIGHT +
Load Next” for all saved Registrations.
1.
Press the [Utility] button.
2.
Press the Menu [ ] [ ] buttons a number
of times to select “Registration Shift.”
3.
Press the Value [-] [+] buttons to change the
setting (OFF/RIGHT/LEFT/RIGHT + Load Next).
What is “Load Next”?
You can use the Load Next function to call up Registrations in
the order saved to the USB memory, User memory, or floppy
disk. When you will be performing live, you can save
Registration sets to USB memory, User memory, or floppy disk
in the order in which you will be performing. Then while you
perform, you can recall the next Registration set easily and
smoothly.
To return to the basic screen, press the [Utility] button.
This setting remains stored in memory even while the
power is turned off.
Using the Foot Switch to Switch
Registrations (Registration Shift)
Setting
Description
OFF
You can use a function assigned to the foot
switch.
RIGHT
The right foot switch is dedicated to switching
Registrations.
The function assigned to the right foot switch
cannot be used.
LEFT
The left foot switch is dedicated to switching
Registrations.
The function assigned to the left foot switch
cannot be used.
NOTE
RIGHT +
Load Next
The right foot switch is dedicated to switching
Registrations. The function assigned to the
right foot switch cannot be used.
Selecting the Registration [4] button and
pressing the right foot switch activates the
Load Next function, calling up the next
Registration saved to the USB memory, User
memory, or floppy disk. The Registration Load
window appears in the display. When you
then press the right foot switch again, the
Registration Set is confirmed, and the
Registration [1] button is selected.
Example:
1
2
3
4
Load Next
(Next Registration) 1
Setting
Description
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72
Using the Performance Functions
You can adjust the entire volume using an Expression Pedal. When you
depress the Expression Pedal, the volume increases. The volume decreases as
you tilt the pedal back.
fig.06-03
Adjusting the Overall Volume Using an Expression Pedal
You can specify whether the
expression pedal will function
when playing back
performance data that was
recorded on the ATELIER series
(p. 101).
Likewise you can specify
whether the Expression Pedal
will or will not control the
volume during the playback of
recorded music data (p. 100).
Decrease
the volume
Increase
the volume
Using the expression pedal enables you to give your performances even richer
musical expressiveness.
The expression pedal features the following special characteristics:
Completely releasing the expression pedal does not lower the volume to
zero. If you do want to turn down the volume completely, set the [Master
Volume] knob to the Min (Minimum) position.
Even as you release your foot from the expression pedal and lower the
volume, the lower-range portion will linger on. This provides a natural-
sounding resonance.
When an Active Expression voice is selected, the expression pedal can be
used to produce changes in the voice (p. 33).
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73
Adding Various Effects to a Voice
Adding Various Effects to a Voice
The ATELIER allows you to apply various effects to the sounds you play from
the keyboard.
Harmony appropriate for the chord you play in the lower keyboard can be
added to the highest note played in the upper keyboard. This function is called
“Harmony Intelligence.”
When you press the [Harmony Intelligence] button, the voice most suitable for
the selected harmony intelligence will be selected automatically.
1.
Press the [Harmony Intelligence] button (indicator lights).
Each time you press a [Harmony Intelligence] button, the indicator will
alternate between ON (lit) and OFF.
fig.04-01
Adding Harmony to a Melody (Harmony Intelligence)
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Adding Various Effects to a Voice
The AT-75 provides six types of harmony intelligence.
When you press the [Harmony Intelligence] button, the most appropriate
voice(s) will be automatically set.
The manner in which notes will sound also depends on the Harmony type.
1.
Press the [Harmony Intelligence] button (indicator lights).
2.
While the Harmony Intelligence name is shown in the
display screen, use the Value [-] [+] buttons to select the
Harmony Intelligence.
The indicator of the [Harmony Intelligence] button will blink.
To cancel the procedure, press the [Display/Exit] button.
3.
Once again, press the [Harmony Intelligence] button.
The indicator of the [Harmony Intelligence] button will light, and the Harmony
Intelligence is confirmed.
Harmony Intelligence types:
Harmonies are added only to the Upper voice.
Changing the Type of Harmony Intelligence
Type
Solo Voice Upper Voice
Number of notes of the
harmony
BIG BAND
Trumpet
Flugel Horn 5
STRINGS
Strings 1
Strings 5 4
TRADITIONAL*
Currently Selected Tone
3
OCTAVE 1*
Currently Selected Tone
2
BIG BAND*
Currently Selected Tone
5
STRINGS*
Currently Selected Tone
4
You can also play the upper
manual to confirm the type of
the Harmony Intelligence.
The number of notes of the
harmony will depend on the
Harmony Intelligence type.
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75
Adding Various Effects to a Voice
Adding Various Effects to a Voice
Rotary is an effect which simulates the sound of rotating speakers.
There is a choice of two settings: Fast and Slow.
fig.05-06.eps
1.
Select the voice to which you wish to apply the Rotary
effect.
2.
Press the Rotary Sound [On/Off] button (confirm that its
indicator is lit).
The Rotary effect will be applied to the voice.
3.
Press the Rotary Sound [Fast/Slow] button to switch
between Rotary Fast (Lit) and Rotary Slow (Unlit).
When you switch the rotary effect from “Fast” to “Slow,” the modulation will
slow down gradually, and when you switch from “Slow” to “Fast” the
modulation will speed up gradually.
Adding Modulation to the Sound (Rotary Effect)
Rotary Sound
[Fast/Slow] button
Effect
Lit (Fast)
The effect obtained is equivalent to speakers being
rapidly rotated.
Unlit (Slow)
Effect simulating the slow rotation of speakers.
NOTE
For more on the tones to which
the Rotary effect can be
applied, refer to “Voice &
Rhythm List” (Appendix:
separate booklet).
You can assign the Rotary
Sound [Fast/Slow] button
function to the foot switches
located on each side of the
Expression Pedal (p. 70).
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76
Adding Various Effects to a Voice
Sustain allows you to add a Sustain effect or decay to each voice after the
keys are released. The Sustain effect can be added simultaneously to the
Upper (except the Solo Part), Lower, and Pedal Bass voices.
1.
Press the [Utility] button.
2.
Press the Menu [ ] [ ] buttons a number of times to
select the “Sustain.”
3.
Press the [Rec] button.
4.
Press the Menu [ ] [ ] buttons to select the desire part.
5.
Press the Value [-] [+] buttons to switch “ON” or “OFF.”
To return to the basic screen, press the [Utility] button.
Sustain Effect
Part
Upper, Lower, Pedal
The length of Sustain can be
modified independently for
each keyboard (p. 77).
NOTE
The Sustain effect will not be
applied to the Solo part and
vintage organ part voice.
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77
Adding Various Effects to a Voice
Adding Various Effects to a Voice
The sustain length can be set independently (SHORT, MIDDLE (Medium) or
LONG) for the Upper and Lower keyboards and Bass Pedalboard. You can
make a separate setting for each keyboard.
1.
Press the [Utility] button.
2.
Press the Menu [ ] [ ] buttons a number of times to
select “Sustain.”
3.
Press the [Rec] button.
4.
Press the Menu [ ] [ ] buttons a number of times to
select “Length.”
fig.11-06
5.
Press the Menu [ ] [ ] buttons to select the part whose
sustain length you wish to adjust.
6.
Press the Value [-] [+] buttons to adjust the setting.
To return to the basic screen, press the [Utility] button.
Changing the Sustain Length
Part
Upper, Lower, Pedal
Settings
SHORT, MIDDLE, LONG
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78
Adding Various Effects to a Voice
Reverb is an effect that adds a sense of spaciousness to the sound, creating
the illusion of playing in a large or small concert hall, a large or small room,
a small club, etc.
fig.04-07
1.
Press the Reverb [
] or [
] button to adjust the overall
Reverb amount.
When you press the Reverb [
] button, additional Reverb is applied. Pressing
the Reverb [
] button decreases the Reverb level.
When you press the Reverb [
] [
] buttons, the Reverb level will be shown
in the display.
Reverb Effect
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79
Adding Various Effects to a Voice
Adding Various Effects to a Voice
By changing the reverberations of the notes, you can enjoy the atmosphere of
performance in a wide variety of different locations.
1.
Press the [Utility] button.
2.
Press the Menu [ ] [ ] buttons a number of times to
select “Reverb.”
3.
Press the [Rec] button.
4.
Press the Menu [ ] [ ] buttons to a number of times
select “Reverb Type.”
fig.11-04
5.
Press the Value [-] [+] buttons to select a Reverb type.
To return to the basic screen, press the [Utility] button.
Changing the Reverb Type
Type
Description
ROOM 1
Reverberation of a small room
ROOM 2
Reverberation of a small club
ROOM 3
Reverberation of a large room
HALL 1
Reverberation of a large concert hall
HALL 2
Reverberation of a small concert hall
SMALL CHURCH
The reverberation of a small church
LARGE CHURCH
The reverberation of a large church
CATHEDRAL
The reverberation of a cathedral
PLATE
A bright, metallic Reverberation
DELAY
An echo-like sound repeated several times
PAN DELAY
Similarly to the above but where the sound is panned
between the left and right speakers
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Adding Various Effects to a Voice
By changing the type of reverb you can experience the feeling of performing
in various different locations, and by changing the Wall Type (wall material)
you can make further adjustments to the way in which reverberation occurs.
1.
Press the [Utility] button.
2.
Press the Menu [ ] [ ] buttons a number of times to
select “Reverb.”
3.
Press the [Rec] button.
4.
Press the Menu [ ] [ ] buttons a number of times to
select “Wall Type.”
fig.11-04
5.
Press the Value [-] [+] buttons to select a Wall type.
To return to the basic screen, press the [Utility] button.
Changing the Wall Type
Type
Description
DRAPERY
Pleated curtain
CARPET
Carpet
ACOUSTIC TILE
Acoustical tile, sound-absorptive tile
WOOD
Wood
BRICK
Brick
PLASTER
Plaster
CONCRETE BLOCK
Concrete block
MARBLE
Marble
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81
Adding Various Effects to a Voice
Adding Various Effects to a Voice
You can make independent settings for each Part.
1.
Press the [Utility] button.
2.
Press the Menu [ ] [ ] buttons a number of times to
select “Reverb.”
3.
Press the [Rec] button.
4.
Press the Menu [ ] [ ] buttons a number of times to
select “Depth.”
fig.11-05
5.
Press the Menu [ ] [ ] buttons to select the part whose
reverb depth you wish to adjust.
6.
Press the Value [-] [+] buttons to adjust the setting.
For the three Parts of the Accomp, Rhythm and A.Bass, you have the option of selecting
the “AUTO” setting. Parts for which “AUTO” is selected will be set to the Reverb Depth
that is most suitable for the Rhythm currently selected.
To return to the basic screen, press the [Utility] button.
Changing the Depth of the Reverb
Part
Accomp
(Automatic Accompaniment except Bass)
, Rhythm, Drums,
A.Bass
(Bass part of Automatic Accompaniment)
, Pedal, Lower, Solo, Vintage
Settings Description
0–10
AUTO
(Accomp, Rhythm, A.Bass)
Increasing the value will increase the amount
of reverb effect.
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82
Record and Playback Your Performance
The internal composer can record performances and play
back commercial SMF music files.
fig.08-01
The recorded performance will be automatically assigned to the
three Track buttons according to the recorded part. You can
record or play back independently by specifying the desired
Track button; for example, when you wish to re-record a track.
You can record different kinds of performance data into each
track:
More information about the track assignments when playing
commercial SMF music files, please refer to “Silencing a
Specific Track (Track Mute)” (p. 106).
If you wish to erase all the recorded data and record new
performance data, use the editing function “Erase” (erase
performance data) to erase the data (p. 87).
Button
Description
Song
The Song Select screen appears in the
display.
Registration
The Registration Select screen appears in
the display.
Media
Switches the media.
What is a Track Button?
Button Recorded Performance
Bass
Pedal Bass Voice Performance Data (Note)
Bass part of the Automatic Accompaniment
Lower
Lower Voice Performance Data (Note, Hold)
Solo
/Upper
Upper Voice Performance Data (Note, Hold)
Solo Voice Performance Data (Note)
Button
Description
Reset
Returns you to the beginning of the song.
Play/Stop
Starts and stops playback of the song.
After the [Rec] button has been pressed,
putting the composer in record standby
mode, recording then starts when the [Play/
Stop] button is pressed.
Rec
The ATELIER switches to record standby
mode.
* In record standby, the [Rec] button is lit,
and the [Play/Stop] button flashes.
Bwd
Rewinds the song.
Fwd
Fast forwards the song.
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Record and Playback Your Performance
Record and Playback Your Performance
In addition to playing back the music you recorded on the
instrument and saved to a USB memory, ATELIER also lets you
enjoy a wide variety of commercially available song files,
such as defined below.
To Play Back Only One Song
1.
Prepare the song that you want to play back.
If you want to play a song from USB memory, connect it
to the External Memory connector.
If you want to play a song from floppy disk, connect the
floppy disk drive to the External Memory connector, and
insert a floppy disk into the drive.
2.
Press the [Song] button (confirm that its
indicator is lit).
The Song Select screen appears.
3.
Press the [Media] buttons to select the desired
media.
If you want to play a song from USB memory, choose
“Ext Memory.” If you want to play a song from floppy
disk, choose “Disk.”
4.
Press the Value [-] [+] buttons to select the
song that you wish to play back.
5.
Press the [Play/Stop] button to start playback.
Playback of the performance data begins.
6.
To stop playback, press the [Play/Stop]
button.
Playing Back All Performance Data
1.
Prepare the song that you want to play back.
If you want to play a song from USB memory, connect it
to the External Memory connector.
If you want to play a song from floppy disk, connect the
floppy disk drive to the External Memory connector, and
insert a floppy disk into the drive.
2.
While holding down the [Song] button, press
the [Play/Stop] button.
All performance data saved on the USB memory or
floppy disk will be played consecutively.
3.
To stop playback, press the [Play/Stop]
button.
Playing Back Performance
Songs Stored on USB Memory
and SMF Music Files
SMF Music Files
SMF (Standard MIDI File) is a data format that was
created in order to standardize music data formats
between manufacturers. Collections of songs in SMF
music data are commercially available in a wide range of
styles for enjoyment, as accompaniment for practicing
musical instruments, and for karaoke.
If you want to purchase SMF music data, you can contact
the dealer where you purchased the ATELIER.
5, 6
4
2
3
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Record and Playback Your Performance
The indicators for Track button in which performances were
recorded will be lit. By turning off these Track button
indicators, you can temporarily silence the sound. This is
referred to as “Track Mute.”
If you want to play back a song from USB memory, connect
your USB memory to the External Memory connector before
you continue.
If you want to play back a song from floppy disk, connect your
floppy disk drive to the External Memory connector, and insert
the floppy disk.
1.
Press the Track buttons whose indicator is lit to
turn the light off.
The track whose indicator was turned off will be muted
(silenced).
2.
Press the Track buttons once again (indicator
lights).
The part that had been muted will return to normal and
will be heard.
Assignments to the Track Buttons When
Playing Back Commercial SMF Music Files
You can also change the Track Mute Settings in the Utility
menu (p. 106). You can individually mute the Rhythm track
and accompaniment track as well as the Upper Track and
Solo Track. You can also mute the Control Track (for the
expression pedal and panel controls) (p. 106).
You can record the performance that you play. You can also
record your performance while playing Rhythms or Automatic
Accompaniment.
fig.07-12.eps
1.
Select the panel settings needed for recording
the performance.
2.
Enter the recording standby mode by pressing
the [Rec] button.
The [Rec] button indicator will light, and the [Play/Stop]
button will blink.
3.
Press the [Play/Stop] button to start recording.
When you press the [Play/Stop] button, the metronome
will sound a two-measure count, and then recording will
begin.
If you wish to use Rhythm and Automatic Accompaniment as
you record, press the [Start/Stop] button (p. 43) instead of
the [Play/Stop] button to begin recording. Also, if the Sync
Start is ON, recording will begin the instant you play the
Lower keyboard.
4.
Press the [Play/Stop] button when you have
completed your recording.
The Track indicator where a performance song is
recorded will light.
When you press the [Intro/Ending] button or [Start/Stop]
button while recording a Rhythm performance or
Automatic Accompaniment, the Rhythm performance
and Automatic Accompaniment will stop. However, the
recording itself will continue. Press the [Play/Stop]
button to stop recording.
The Play and Stop functions can both be assigned to one of
the foot switches located on each side of the Expression
Pedal (p. 70).
Silencing a Specific Track
(Track Mute)
Button
Channel
[Bass]
2
[Lower]
3
[Solo/Upper]
1, 4
Recording a Performance
23, 4
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Record and Playback Your Performance
Record and Playback Your Performance
Caution
If you press the [Rec] button when a song has been selected
from the USB memory or floppy disk, the selected song will be
completely loaded into the ATELIER and the Composer will
enter into the recording standby mode. To record a new song,
use the following procedure.
ig.07-12-2.eps
1.
Press the [Rec] button to cancel recording
standby.
2.
Disconnect the external media.
If you’ve connected USB memory, disconnect the USB
memory from the External Memory connector. If you’re
using a floppy disk, remove the floppy disk from the
floppy disk drive.
3.
Delete the performance data (p. 87).
Re-record your performance.
f
If the following screen appears
fig.E-30.eps
When recording was automatically canceled because
the memory limit was reached.
Here’s how to play back a performance you’ve recorded.
fig.08-06
1.
Press the [Reset] button.
The location at which playback will start will return to the
beginning of the first measure (bar).
If you wish to begin playback from the middle of the
song, press the [Bwd] button or [Fwd] button to move to
the measure from which you wish to begin playback.
2.
Press the [Play/Stop] button to start playback.
After playback reaches the end of the performance, it
will stop automatically.
3.
To stop playback at any point, press the [Play/
Stop] button.
The [Play/Stop] function can be assigned to the foot switch
(p. 70).
You can specify whether or not the Expression Pedal will
affect the playback and what you play while ATELIER music
data is being played back (p. 100).
If you use the Rhythm or Automatic Accompaniment
immediately after having loaded and played back a song
other than an ATELIER performance song, such as SMF’s,
etc., the playback may not sound right (the voices may have
changed, etc.). To prevent this from happening, press the
[Reset] button before playback.
1
Playing Back a Performance
Song
1 2, 3
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Record and Playback Your Performance
In cases such as when you want to perform in time with a
song, you can have a count sound played before playback of
the song begins, allowing you to synchronize your own
performance with the song.
Playing back a song after playing the count sound is called
“Count In.”
1.
Hold down the [Reset] button and press the
[Play/Stop] button.
The metronome will play two measures (bars) of count-in
before recording begins.
In this method, each part (track buttons) is recorded one after
another: first the bass part, then the Lower part, etc. If there
are any previously recorded performances, you can listen to
them as you record additional parts.
1.
Select the panel settings needed for recording
the performance.
2.
Press the [Bwd] button or the [Fwd] button to
select the desired measure (bar) when you
start recording.
If you wish to start recording from the beginning of the
song, press the [Reset] button.
3.
Press the [Rec] button to enter recording-
standby mode.
The [Rec] button indicator will light, and the [Play/Stop]
button and the unrecorded track buttons will blink. The
track buttons that are already recorded will light.
4.
Press the button of the track you want to
record, so it’s blinking.
The existing performance data in the specified track will
be erased as recording takes place.
When the button for a track lights steadily, it means it won’t
be recorded.
5.
Press the [Play/Stop] button to start recording.
When you press the [Play/Stop] button, the metronome
will sound a two-measure count, and then recording will
begin.
As you listen to the performance song previously
recorded, record the Part into a new Track.
6.
Press the [Play/Stop] button to stop recording.
The track button for which performance data has been
recorded will be lit.
7.
Repeat steps 2–6 to record each part.
Add a Count Sound to Match
the Timing (Count In)
1
Recording Each Part Separately
25, 6
4
3
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Record and Playback Your Performance
Record and Playback Your Performance
You can record over recorded performance data.
1.
Press the [Bwd] button or the [Fwd] button to
select the desired measure (bar) when you
start recording.
If you wish to start recording from the beginning of the
song, press the [Reset] button.
2.
Press the [Rec] button to enter recording-
standby mode.
The [Rec] button indicator will light, and the [Play/Stop]
button and the unrecorded track buttons will blink. The
track buttons that are already recorded will light.
3.
Press the button of the track you want to
record, so it’s blinking.
The existing performance data in the specified track will
be erased as recording takes place.
When the button for a track lights steadily, it means it won’t
be recorded.
4.
Press the [Play/Stop] button to start recording.
When you press the [Play/Stop] button, the metronome
will sound a two-measure count, and then recording will
begin.
As you listen to the performance song previously
recorded, record the Part into a new Track.
5.
Press the [Play/Stop] button to stop recording.
The track button for which performance data has been
recorded will be lit.
If you wish to re-record with different settings for voices,
tempo, part balance, erase the recorded song (p. 87) and
re-record again. If the Control track still contains data from
before you re-recorded, the volume or sounds may change
during playback.
If you wish to keep the existing Expression Pedal data, and
record only the panel operations, you can make settings to
prevent the operation of the Expression Pedal from being
recorded (p. 100).
If you wish to discard your recording and re-record from the
beginning, or if you wish to record a new performance, you
must erase the previously-recorded data.
1.
Press the [Display/Exit] button a number of
times to access the Composer screen.
2.
Press the [Load] and [Save] buttons
simultaneously.
The following message, asking you to confirm your
choice, will be displayed.
fig.08-10
To cancel the procedure, press the [Reset] button.
3.
If you are sure that you wish to erase the
song, press the [Rec] button.
Re-Recording
14, 5
3
2
NOTE
NOTE
NOTE
Erasing a Performance Song
1
2
3
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Record and Playback Your Performance
A name is automatically assigned to a performance song that
you record. However, at some point you may wish to change
the name to something more meaningful.
1.
Press the [Display/Exit] button a number of
times to access the Composer screen.
2.
Press the [Registration] and [Media] buttons
simultaneously.
fig.08-10
3.
Press the Menu [ ] [ ] buttons to move the
cursor, and press the Value [-] [+] buttons to
select a character.
The following characters can be selected when changing
a name:
4.
To confirm the new name, simultaneously
press the [Registration] and [Media] buttons
once again.
The new name is now inserted.
You cannot directly change or edit the name of a
performance song stored on a USB memory, floppy disk or
“Favorites” (internal memory
). The song must first be
loaded (p. 90) into the instrument, edited, and then saved to
USB memory or floppy disk again.
Changing the Name of a
Performance Song (Rename)
3
2,4
3
1
space ! " # % & ' ( ) * + , - . / : ; = ? ^ _ A B C D E F G H
I J K L M N O P Q R S T U V W X Y Z a b c d e f g h i j k l
m n o p q r s t u v w x y z 0 1 2 3 4 5 6 7 8 9
Press the [Reset] button.
Delete a character.
Press the [Rec] button.
Insert a space.
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Record and Playback Your Performance
Record and Playback Your Performance
The performance data that you recorded will disappear when
the power of the ATELIER is turned off. If you wish to keep the
performance data, you can save it on a USB memory, floppy
disk, or “Favorites” (internal memory).
If the recorded performance data has not been saved, the
display will show the “ ” symbol. This symbol will
disappear when you save the performance data.
fig.08-20
fig.08-19
1.
Prepare to save the performance song.
If you want to save performance song to a USB memory,
connect the USB memory to the External Memory
connector.
If you want to save performance song to a floppy disk,
connect the floppy disk drive to the External Memory
connector. Into the floppy disk drive, insert a floppy disk
that was formatted by the ATELIER.
2.
Press the [Song] button (confirm that its
indicator is lit).
The Song Select screen appears.
3.
Press the [Media] button to select the media.
Select “Ext Memory” to save the data in USB memory,
select “Disk” to save it on a floppy disk, or “Favorites” to
save it in User memory.
4.
Press the Value [-] [+] buttons to select the
number of the save destination.
If the save destination contains no data, the screen will
indicate “- - - - - - - - - - - - .”
fig.07-28-2.eps
5.
Press the [Save] button.
6.
Press the Value [-] [+] buttons to select the
format.
You can select either “ORIGINAL” or “SMF” format.
SMF (Standard MIDI File) is a data format that was
created as a standardized way to exchange music
data between devices made by different
manufacturers.
7.
Press the [Save] button to confirm the format.
Saving of the performance data will begin.
Never turn off the power while the operation is in progress.
Doing so will damage the ATELIER’s internal memory or USB
memory, making it unusable.
Performance data saved by the ATELIER format cannot be
played back properly by the sound generator of an
instrument that is not a member of the ATELIER series.
Saving performance data in SMF format (SMF) requires a
longer time than saving it in ATELIER format (Original).
Saving Performance Songs
4,6
2
3
5,7
Display
Description
ORIGINAL
Save data in ATELIER format
SMF
Saving in SMF Format for ATELIER Sound Modules
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Record and Playback Your Performance
If the following screen appears
If you select a number at which a performance data has already
been saved, the following screen appears.
fig.E-64-b.eps
If you wish to update the contents of the
performance data
1.
Press the [Rec] button.
If you want to save your performance as new
data without overwriting the existing data
1.
Press the [Reset] button to stop the Save
operation.
2.
In the Song Select screen, select the number
that is displayed as “------------” (a number that
currently does not contain performance data).
3.
Save the performance data.
When saving is complete, the saved performance name
will be displayed.
To re-record a performance song that is stored on a USB
memory or floppy disk, you must first load that song into the
instrument.
1.
Prepare the performance song.
If you want to load performance song to a USB memory,
connect the USB memory to the External Memory
connector. If you want to load performance song to a
floppy disk, connect the floppy disk drive to the External
Memory connector. Into the floppy disk drive, insert a
floppy disk that was formatted by the ATELIER.
2.
Press the [Song] button (confirm that its
indicator is lit).
The Song Select screen appears.
3.
Press the [Media] button to select the media.
If you want to load a song from USB memory, choose
“Ext Memory.” If you want to load a song from floppy
disk, choose “Disk.”
Loading Performance Songs
Into the ATELIER
4
5
2 3
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Record and Playback Your Performance
Record and Playback Your Performance
4.
Press the Value [-] [+] buttons to select the
performance song that you wish to load into
internal memory.
5.
Press the [Load] button.
The selected performance data will be loaded into
internal memory.
If loading is canceled because the memory limit has been
reached, the following message will be displayed:
fig.E-30.eps
If the following screen appears
If the performance song in the ATELIER has not been
saved to a USB memory or Favorites (User memory), the
following message appears.
fig.E-62.eps
If you wish to erase the performance song
1.
Press the [Rec] button.
If you don’t wish to erase the performance
song
1.
Press the [Reset] button to stop the Save
operation.
Save the song to USB memory or a floppy disk (p. 89).
You can delete a performance song that was saved onto a
“Favorites,” USB memory, or floppy disk.
If you want to delete a song in USB memory, connect your
USB memory to the External Memory connector before you
continue.
If you want to delete a song in floppy disk, connect the floppy
disk drive to the External Memory connector, and insert a
floppy disk into the drive.
1.
Press the [Song] button (confirm that its
indicator is lit).
The Song Select Screen appears.
2.
Press the [Media] button to select the media.
If you want to delete a song from the “Favorites,” choose
“Favorites.”
If you want to delete a song from USB memory, choose
“Ext Memory.” If you want to delete a song from floppy
disk, choose “Disk.”
3.
Press the Value [-] [+] buttons to select the
performance data that you wish to delete.
Deleting Performance Songs
Stored on “Favorites” or the
USB Memory
3
4
21
5
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Record and Playback Your Performance
4.
Press the [Load] button and [Save] button
simultaneously.
The following message, asking you to confirm your
choice, will be displayed.
fig.08-10
To cancel the procedure, press the [Reset] button, and
you will return to the Song Select screen.
5.
If you are sure that you wish to delete the
song, press the [Rec] button.
Never turn off the power while the operation is in progress.
Doing so will damage the ATELIER’s internal memory or USB
memory, making it unusable.
You can load commercially available SMF music files into the
ATELIER, and record your own performance on top of it.
During recording, the data you’ve loaded will be played
back, while you record your performance.
1.
Prepare the SMF music files.
If you’re using SMF music files from USB memory,
connect it to the External Memory connector.
If you’re using SMF music files from a floppy disk,
connect the floppy disk drive to the External Memory
connector, and insert the floppy disk.
2.
Press the [Song] button (confirm that its
indicator is lit).
The Song Select screen appears.
3.
Press the [Media] button to select the media.
If you want to play SMF music files from USB memory,
choose “Ext Memory.” If you want to play SMF music
files from floppy disk, choose “Disk.”
NOTE
Layering a New Recording
onto SMF Music Files
4
5
8
6
10,11
2 3
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Record and Playback Your Performance
Record and Playback Your Performance
4.
Press the Value [-] [+] buttons to select the SMF
music files that you wish to load into internal
memory.
5.
Press the [Load] button.
The selected performance data will be loaded into
internal memory.
6.
Press the [Bwd] button or the [Fwd] button to
select the desired measure (bar) when you
start recording.
If you wish to start recording from the beginning of the
song, press the [Reset] button.
7.
Select the panel settings needed for recording
the performance.
8.
Press the [Rec] button to enter recording-
standby mode.
The [Rec] button indicator will light, and the [Play/Stop]
button and the unrecorded track buttons will blink. The
track buttons that are already recorded will light.
9.
Press the button of the track you want to
record, so it’s blinking.
The existing performance data in the specified track will
be erased as recording takes place.
When the button for a track lights steadily, it means it won’t
be recorded.
10.
Press the [Play/Stop] button to start recording.
During recording, the performance data that was loaded
into the ATELIER will play back.
11.
Press [Stop] button to stop recording.
The track button for which performance data has been
recorded will be lit.
The performance data you recorded can be saved on a USB
memory, “Favorites,” or floppy disk (p. 89).
Commercially sold music files can also be loaded into the
ATELIER, but for reasons of copyright protection, cannot be
saved in SMF format.
The performances of Channel 2 in SMF music files are
deleted when pedal performances are recorded over again.
1.
Prepare the performance data whose tempo
you want to change.
If you’re using performance data from USB memory,
connect it to the External Memory connector.
If you’re using performance data from a floppy disk,
connect the floppy disk drive to the External Memory
connector, and insert the floppy disk.
2.
Load the performance data into the ATELIER
(p. 90)
.
3.
Determine the tempo with the Tempo [ ] [ ]
buttons.
4.
Hold down the panel [Reset] button and press
the [Rec] button.
The tempo of the performance data will change.
NOTE
NOTE
NOTE
Using Song with a Different Tempo
Than That of the Performance Song
3
64
3
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Record and Playback Your Performance
Performance songs and SMF music files from USB memory or
floppy disk can be copied to “Favorites” (User memory).
If a performance song saved in USB memory or on a floppy
disk is stored in “Favorites,” the stored performance song will
not disappear even when you turn off the power. It is
convenient to load frequently-used performance song into
“Favorites.”
Performance songs saved in “Favorites” can also be copied to
USB memory or floppy disk.
Copying Performance Songs from USB
Memory to “Favorites”
1.
Connecting the USB memory to the External
Memory connector.
If you want to copy performance song from floppy disk,
connect the floppy disk drive to the External Memory
connector.
2.
Press the [Utility] button.
3.
Press the Menu [ ] [ ] buttons a number
of times to select “Media Utility.”
4.
Press the [Rec] button.
5.
Press the Menu [ ] [ ] buttons a number
of times to select “Copy Song.”
fig.02-10.eps
6.
Press the [Rec] button.
7.
Press the [Media] button to select the media
(the location of the performance song you
want to copy).
If you want to copy a performance song from USB
memory, select “Ext Memory.”
If you want to copy a performance song from floppy
disk, select “Disk.”
8.
Press the Value [-] [+] buttons to select the
performance song you want to copy.
9.
Press the [Rec] button.
10.
Press the Value [-] [+] buttons to select the
copy-destination number.
Numbers for which a song name is shown already have
a song saved to them.
11.
Press the [Rec] button to copy the song.
The copying of the song to “Favorites” begins.
Once the song has been accommodated in memory, the
Media Utility screen reappears.
Never remove the USB memory or turn off the power while
the performance song is being copied from USB memory
into the ATELIER. If you do so, the
performance song
will
not be loaded into the ATELIER, and malfunctions could
result.
If you select a number in which a song is already saved,
a screen like the following appears.
If you want to delete the previously saved song and
overwrite it with the song you’re newly saving, press the
[Rec] button.
If you don’t want to delete the previously saved song,
press the [Reset] button, then select a number at which
no song has been saved, and copy the song to that
number.
Copying Performance Songs from
“Favorites” to USB Memory
You can copy performance song from “Favorites” to USB
memory.
To do so, press the [Media] button in step 7 to choose
“Favorites.”, you’ll be copying performance song from
“Favorites” to USB memory.
The rest of the procedure is the same as when copying
performance song from USB memory to “Favorites.”
Copying Performance Song
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Record and Playback Your Performance
Record and Playback Your Performance
You can connect a CD drive (commercially available) and
play back CD-ROM produced for VIMA TUNES (sold
separately). While playing a VIMA TUNES song, you can
play along using recommended tones.
VIMA TUNES
VIMA TUNES is a Roland specification for music files that
contains image and lyric data, allowing you to enjoy songs
with lyrics and images simultaneously. When data bearing the
“VIMA TUNES” logo is played back on a device that bears
the same logo, lyrics can be shown on the screen of a
connected external display or television, letting you enjoy
karaoke or watch a slide show.
This instrument (AT-75) is not able to play back VIMA
TUNES images.
1.
Connect a commercially available CD drive to
the External Memory connector, and insert the
VIMA TUNES CD-ROM into the CD drive.
2.
Press the [Song] button (confirm that its
indicator is lit).
The Song Select screen appears.
3.
Press the [Media] button to select “CD.”
4.
Press the Value [-] [+] buttons to select the
song you want to play.
5.
Press the [Play/Stop] button to start playback.
6.
Press the [Play/Stop] button to stop playing
back the song.
When playing along on the keyboard while listening to a CD-
ROM made for the VIMA (VIMA TUNES), this function lets you
play on Upper keyboard using instrumental sounds that are
appropriate for the atmosphere of the selected song.
If you select a song from a CD-ROM created for VIMA (VIMA
TUNES), three recommended tones will automatically be
selected in the VIMA TUNES screen. You can use these three
sounds to perform sounds that will match the character of that
song.
When you want to select a song from a CD-ROM made for the
VIMA (VIMA TUNES), insert the CD-ROM into the CD drive.
1.
Select the song of VIMA CD-ROM.
2.
Press the [Utility] button.
3.
Press the Menu [ ] [ ] buttons a number
of times to select “VIMA TUNES.”
4.
Press the [Rec] button.
5.
Press the Menu [ ] [ ] buttons a number
of times to select “Recommended Tone.”
fig.02-10.eps
6.
Press the Value [-] [+] buttons to select a tone.
7.
Press the [Utility] button to return to the basic
screen.
8.
Press the [Play/Stop] button to start playing
back the song.
9.
Play along with the song.
The tones you play will be suitable for the character of
the song.
10.
Press the [Play/Stop] button to stop playing
back the song.
Enjoying VIMA TUNES Songs
Listening to a VIMA TUNES Song
NOTE
Performing with Sounds that Match the
Song (Recommended Tones)
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96
Record and Playback Your Performance
You can connect a commercially available CD drive to the
ATELIER and use it to play music CDs. This lets you perform or
sing along with the backing of a music CD.
You can’t copy music CD songs to “Favorites.”
It will take a certain amount of time until a music CD can be
selected.
1.
Connect a commercially available CD drive to
the External Memory connector, and insert the
music CD into the CD drive.
2.
Press the [Song] button (confirm that its
indicator is lit).
The Song Select screen appears.
3.
Press the [Media] button to select “CD.”
4.
Press the Value [-] [+] buttons to select the
song you want to play.
5.
Press the [Play/Stop] button to start playback.
6.
To stop playback, press the [Play/Stop]
button.
You can press [Bwd] button or [Fwd] button to rewind or
fast-forward the playback.
You can minimize the vocal sounds of a commercially
available music CD, and sing the vocal part yourself. This is a
convenient way to enjoy karaoke or practice soloing with a
favorite music CD.
For some songs, the vocal sound may not be eliminated
completely.
1.
Connect a commercially available CD drive to
the External Memory connector.
2.
Insert the music CD you want to use into the
CD drive, and select the song you want to sing
(p. 96).
3.
Press the [Utility] button.
4.
Press the Menu [ ] [ ] buttons a number
of times to select “VIMA TUNES.”
5.
Press the [Rec] button.
6.
Press the Menu [ ] [ ] buttons a number
of times to select “Melody.”
fig.02-10.eps
7.
Press the Value [-] [+] buttons to select “MUTE/
C.CANCEL.“
The Center Cancel function is active.
8.
Press the [Play/Stop] button to start playing
back the song.
When you play back the song, the sound of the melody
or vocal will be minimized.
This lets you perform the melody portion yourself.
Listening to Songs from Music
CD
NOTE
NOTE
Enjoying Karaoke with a Music CD
(Center Cancel)
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97
Record and Playback Your Performance
Record and Playback Your Performance
You can transpose the song to a key that is more comfortable
for you to sing.
If you or someone else will be singing along with a song, you
can change the key of the song so it’s appropriate for the
singer’s range.
If you select a different song, the playback transpose settings
will return to their factory-set state.
1.
Connect a commercially available CD drive to
the External Memory connector.
2.
Insert the music CD you want to use into the
CD drive, and select the song you want to sing
(p. 96).
3.
Press the [Utility] button.
4.
Press the Menu [ ] [ ] buttons a number
of times to select “Playback Transpose.”
fig.02-10.eps
5.
Each time you press the Value [-] [+] buttons,
the key is changed by one semitone.
Value [-] button to lower the key, or Value [+] button to
raise the key.
This can be set in a range of -6–0–+5 (semitone steps).
If you press the Value [-] [+] buttons to select “0,” Key
Control will be turned off.
6.
Press the [Play/Stop] button to start playing
back the song.
Transposing the Song to a Comfortable
Key for Singing
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98
Various Other Settings
You can create folders in a connected USB memory device or
in User memory.
If you want to create a folder in USB memory, connect the USB
memory to the External Memory connector.
1.
Press the [Utility] button.
2.
Press the Menu [ ] [ ] buttons a number
of times to select “Media Utility.”
3.
Press the [Rec] button.
4.
Press the Menu [ ] [ ] buttons a number
of times to select “Create Folder.”
fig.02-10.eps
5.
Press the [Rec] button.
6.
Press the [Media] button to select the media.
Choose “Favorites” if you want to create a folder in User
memory, or “Ext Memory” if you want to create a folder
in USB memory.
7.
Press the [Rec] button.
8.
Assign a name to the folder.
Rename the folder as described in “Changing the Name
of a Folder” (p. 98).
9.
To confirm the new name, simultaneously
press the [Registration] and [Media] buttons
once again.
The name will be assigned to the newly created folder.
Here’s how to rename a folder.
1.
Press the [Registration] button.
2.
In the Registration Select screen, select the
folder that you want to rename.
3.
Press the [Registration] and [Media] buttons
simultaneously.
fig.08-10
4.
Press the Menu [ ] [ ] buttons to move the
cursor, and press the Value [-] [+] buttons to
select a character.
The following characters can be selected when changing
a name:
5.
To confirm the new name, simultaneously
press the [Registration] and [Media] buttons
once again.
The new name is now inserted.
Folder Settings
Creating a Folder in USB Memory or
User Memory
About folders
The ATELIER lets you create up to 99 Registration sets
or songs. If you create a folder, you’ll be able to save
up to 99 sets in each folder.
You can create as many folders as you wish, limited
only by the capacity of the media.
It’s a good idea to save the Registrations in a folder for
each song.
Changing the Name of a Folder
_ A B C D E F G H I J K L M N O P Q R S T U V W X Y Z 0
1 2 3 4 5 6 7 8 9
Press the [Reset] button.
Delete a character.
Press the [Rec] button.
Inserts the letter “A.”
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99
Various Other Settings
Various Other Settings
Initial Touch is a function that translates the force used in
playing the keys into a directly proportional amount of volume.
This adjusts the amount of the Initial Touch effect applied.
1.
Press the [Utility] button.
2.
Press the Menu [ ] [ ] buttons a number
of times to select “Initial Touch.”
fig.12-03
3.
Press the Menu [ ] [ ] buttons to select
“Upper“ or “Lower.”
4.
Press the Value [-] [+] buttons to edit the value.
To return to the basic screen, press the [Utility] button.
You can set the Bass Pedalboard to play simultaneous multiple
notes or single notes only.
1.
Press the [Utility] button.
2.
Press the Menu [ ] [ ] buttons a number
of times to select “PedalBass Mode.”
fig.12-06
3.
Press the Value [-] [+] buttons to switch the
Pedal Bass Mode “MONOPHONIC” or
“POLYPHONIC.”
To return to the basic screen, press the [Utility] button.
Adjusting How the Instrument
Responds
Adjusting the Initial Touch Sensitivity
(Initial Touch)
Keyboard
Upper, Lower
Setting Description
1–10
Initial Touch is ON.
Striking the keys more forcefully will produce
correspondingly louder sounds.
The change in volume when the keys are
played forcefully increases as the value is
increased.
OFF
Initial Touch is off.
Volume remains constant regardless of how
hard you play.
Changing the Pedalboard Polyphony
(Pedal Bass Mode)
Setting
Description
MONOPHONIC
Only single notes can be played.
POLYPHONIC
Multiple notes can be played.
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100
Various Other Settings
You can specify how the Solo voice will respond when more
than one key is pressed.
1.
Press the [Utility] button.
2.
Press the Menu [ ] [ ] buttons a number
of times to select “Solo Mode.”
fig.12-05
3.
Press the Value [-] [+] buttons to change the
setting for Solo Mode.
To return to the basic screen, press the [Utility] button.
Specify how the Expression Pedal will function when your
performance is being recorded and when ATELIER song files
are being played back.
Function During Recording
Specify whether Expression Pedal operations will be recorded
or not while your performance is being recorded.
1.
Press the [Utility] button.
2.
Press the Menu [ ] [ ] buttons a number
of times to select “Exp. Source.”
fig.09-06
3.
Press the [Rec] button.
4.
Press the Menu [ ] [ ] buttons a number
of times to select “Recording.”
fig.09-07
5.
Press the Value [-] [+] buttons to specify the
pedal function.
To return to the basic screen, press the [Utility] button.
Changing How the Solo Voice Responds
(Solo Mode)
Setting
Description
TOP NOTE
The Solo voice will sound the highest note
that is played for the Solo part.
LAST NOTE
The Solo voice will sound the note that was
most recently played for the Solo part.
POLYPHONIC
The Solo voice will sound all notes that are
played for the Solo part.
Performance Function Settings
Changing the Function of the
Expression Pedal (Exp. Source)
Setting
Description
PEDAL
Expression Pedal movements will be
recorded. The previous recording will be
erased as new songs are recorded.
COMPOSER
Expression Pedal movements will not be
recorded. The previous data will remain
without being erased.
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101
Various Other Settings
Various Other Settings
Function of the Expression Pedal
During Playback
You can specify whether or not the Expression pedal will
function while ATELIER song files are being played back.
1.
Press the [Utility] button.
2.
Press the Menu [ ] [ ] buttons a number
of times to select “Exp. Source.”
fig.09-06
3.
Press the [Rec] button.
4.
Press the Menu [ ] [ ] buttons a number
of times to select “Playback.”
5.
Press the Value [-] [+] buttons to specify the
pedal function.
fig.09-08
To return to the basic screen, press the [Utility] button.
You can prevent Rhythm tempos from switching automatically
when you switch Rhythms.
1.
Press the [Utility] button.
2.
Press the Menu [ ] [ ] buttons a number
of times to select “Auto Std Tempo” (Auto
Standard Tempo).
3.
Press the Value [-] [+] buttons to switch the
Auto Standard Tempo “ON” or “OFF.”
To return to the basic screen, press the [Utility] button.
This setting remains stored in memory even while power is
turned off.
Setting
Description
PEDAL+COMPOSER
Expression pedal will function.
Expression pedal recording within
the song file will also be effective.
COMPOSER
Expression pedal will not function.
The Expression pedal recording
within the song file will be effective.
PEDAL
Expression pedal will function. The
Expression Pedal recording within
the song file will be ignored.
Rhythm Settings
Preventing Rhythm Tempos from
Switching Automatically
(Auto Std Tempo)
Setting
Description
ON
When switching the Rhythm while the Rhythm
is stopped, the tempo settings are changed
automatically.
OFF
When switching the Rhythm while the Rhythm
is stopped, the tempo settings are not
changed automatically.
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102
Various Other Settings
You can change the sound that is used for the count played at
the end of the intro with the Intro Countdown function (p. 46).
1.
Press the [Utility] button.
2.
Press the Menu [ ] [ ] buttons a number
of times to select “Count Down Sound.”
3.
Press the Value [-] [+] buttons to select the type
of sound for Intro Count Down.
To return to the basic screen, press the [Utility] button.
You can adjust the volume of the Count Sound, refer to
“Adjusting the Metronome Volume (Metronome Volume)” (p.
105).
You can specify how the settings related to Rhythm
performances and Automatic Accompaniment will be recalled
when you press a Registration [1]–[4] button.
1.
Press the [Utility] button.
2.
Press the Menu [ ] [ ] buttons a number
of times to select “Arranger Update.”
fig.12-21
3.
Press the Value [-] [+] buttons to switch
between “DELAYED“ and “INSTANT.“
To return to the basic screen, press the [Utility] button.
This setting remains stored in memory even while power is
turned off.
Changing the Sound of the Countdown
(Count Down Sound)
Setting
Description
VOICE
Human voice count (One, two, three...)
STICK
Stick sound count
Registration Settings
Registration Arranger Update
(Arranger Update)
Setting
Description
DELAYED
Settings related to Rhythm performances and
Automatic Accompaniment will be recalled
when you hold a Registration button for
several seconds. If you quickly press the
Registration button, only the panel settings
(voice, etc.) that are not related to Rhythm
and Automatic Accompaniment will be
updated.
INSTANT
Settings related to Rhythm performances and
Automatic Accompaniment will be recalled
the instant you press a Registration button
along with all other panel settings.
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103
Various Other Settings
Various Other Settings
You can specify how the transpose setting will be recalled
when you press a Registration [1]–[4] button.
1.
Press the [Utility] button.
2.
Press the Menu [ ] [ ] buttons a number
of times to select “Trans. Update” (Transpose
Update).
3.
Press the Value [-] [+] buttons to switch
between “DELAYED“ and “INSTANT.“
To return to the basic screen, press the [Utility] button.
This setting remains stored in memory even while power is
turned off.
Some music files have Lyrics included and these Lyrics can be
displayed on the screen. You can turn on or off the lyrics
display of such music files.
1.
Press the [Utility] button.
2.
Press the Menu [ ] [ ] buttons a number
of times to select “Lyrics.”
fig.09-11
3.
Press the Value [-] [+] buttons to switch the
lyric display “ON (displayed)” or “OFF (not
displayed).”
To return to the basic screen, press the [Utility] button.
If you press a voice select button while playing back music
files that contains lyrics, the display screen will switch, and
the lyrics will no longer be displayed. To re-display the
lyrics, press the [Rec] button.
This setting remains stored in memory even while power is
turned off.
Registration Transpose Update
(Trans. Update)
Setting
Description
DELAYED
Transpose settings will be recalled when you
hold a Registration button for several
seconds.
INSTANT
Transpose setting will be recalled the instant
you press a Registration button along with all
other panel settings.
Composer Settings
Switching the Display of Lyrics On or
Off (Lyrics)
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104
Various Other Settings
SMF Music files or a performance that you recorded can be
transposed for playback.
1.
Press the [Utility] button.
2.
Using the Menu [ ] [ ] buttons a number
of times to select “Playback Transpose.”
3.
Press the Value [-] [+] buttons to select the
value for transpose.
Each press of the Value [-] [+] buttons transpose the key
by a semitone.
You can transpose the song within a range of -6 to +5
semitone.
To return to the basic screen, press the [Utility] button.
You can transpose the keyboard for performance. For
details refer to “Transposing to a Different Key (Key
Transpose)” (p. 68).
This setting determines whether or not the metronome will
sound.
1.
Press the [Utility] button.
2.
Using the Menu [ ] [ ] buttons a number
of times to select “Metronome.”
3.
Press the [Rec] button.
4.
Using the Menu [ ] [ ] buttons a number
of times to select “Metronome.”
fig.09-02
5.
Press the Value [-] [+] buttons to select OFF,
REC, or ON.
To return to the basic screen, press the [Utility] button.
Changing the Key When Playing Back
Songs (Playback Transpose)
Changing the Metronome Setting
(Metronome)
Setting Description
OFF
Not heard at all
REC
Heard only while recording
ON
Heard constantly
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105
Various Other Settings
Various Other Settings
You can adjust the volume of the metronome.
1.
Press the [Utility] button.
2.
Using the Menu [ ] [ ] buttons a number
of times to select “Metronome.”
3.
Press the [Rec] button.
4.
Using the Menu [ ] [ ] buttons a number
of times to select “Metronome Volume.”
fig.09-03
5.
Press the Value [-] [+] buttons to select the
desired volume level (1–10).
Increasing the value will raise the volume of the
metronome.
To return to the basic screen, press the [Utility] button.
You can choose one of 4 different sounds for the metronome.
1.
Press the [Utility] button.
2.
Using the Menu [ ] [ ] buttons a number
of times to select “Metronome.”
3.
Press the [Rec] button.
4.
Press the Menu [ ] [ ] buttons a number
of times to select “Metronome Sound.”
fig.09-04
5.
Press the Value [-] [+] buttons to select the type
of sound for the metronome.
To return to the basic screen, press the [Utility] button.
This setting remains stored in memory even while power is
turned off.
Adjusting the Metronome Volume
(Metronome Volume)
Changing the Sound of the Metronome
(Metronome Sound)
Setting
Description
CLICK&BELL
Conventional metronome sound
ELECTRONIC
Electronic metronome sound
VOICE ENGLISH
Human voice (English)
VOICE JPANESE
Human voice (Japanese)
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106
Various Other Settings
This setting determines the beat to be used when recording
performance songs.
1.
Press the [Utility] button.
2.
Using the Menu [ ] [ ] buttons a number
of times to select “Beat.”
fig.09-05
3.
Press the Value [-] [+] buttons to set the beat.
To return to the basic screen, press the [Utility] button.
When recording your performance with playing Rhythm
performances or Automatic Accompaniment, the beat is set
automatically.
You cannot change the beat of previously recorded songs.
You can temporarily silence sound of a specific track. This is
referred to as “Track Mute.”
1.
Press the [Utility] button.
2.
Using the Menu [ ] [ ] buttons a number
of times to select “Track Mute.”
3.
Press the Value [-] [+] buttons to select the
track that you wish to mute.
From the left, these are “R (Rhythm), A (Accompaniment),
B (Bass), L (Lower), U (Upper), S (Solo) and C (Control).”
What is a Track?
The ATELIER’s Composer features seven tracks. The
following types of performance are recorded to the
tracks.
4.
Press the [Rec] button.
The character changes to “–”, indicating that the track is
muted.
5.
Once again press the [Rec] button, and muting
will be canceled.
To return to the basic screen, press the [Utility] button.
Setting the Beat (Beat)
Setting
2/2, 0/4, 2/4, 3/4, 4/4, 5/4, 6/4, 7/4, 3/8, 6/8,
9/8, 12/8
NOTE
NOTE
Silencing a Specific Track (Track Mute)
Track
Description
R
(Rhythm) Rhythm performances, Drums/SFX
A
(Accomp)
Automatic Accompaniment (except
Bass)
B
(Bass)
Pedal Bass voice, Bass part of the
Automatic Accompaniment
L
(Lower)
Lower voice
U
(Upper)
Upper voice
S
(Solo)
Solo voice
C
(Control)
Panel operations, Expression Pedal
operations
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107
Various Other Settings
Various Other Settings
You can mute (silence) individual channels of performance
data of SMF music files (commercially available).
1.
Press the [Utility] button.
2.
Press the Menu [ ] [ ] buttons a number
of times to select “Channel Mute.”
3.
Press the Value [-] [+] buttons to select the
channel that you wish to mute.
From the left, these are “1 Ch. (channel 1), 2 Ch. ... 15
Ch., and 16 Ch.”
fig.09-09
4.
Press the [Rec] button.
fig.09-10
The number will change to “–,” indicating that the
corresponding channel has been muted.
5.
Once again press the [Rec] button, and muting
will be canceled.
To return to the basic screen, press the [Utility] button.
Channel mute will be defeated when you select different
performance data.
Assigning Commercial SMF Music Files to the
Tracks
Track Channel
R (Rhythm) 10
A (Accomp)
5, 6, 7, 8, 9, 11, 12, 13, 14, 15,
16
B (Bass) 2
L (Lower) 3
U (Upper) 4
S (Solo) 1
During recording, the control track will store the
operations as follows.
Panel Operations (Voice selections, Tempo
changes, Rotary fast/slow etc.)
Newly recorded performance data will be added
without erasing the previously recorded data.
If you wish to record new performance data, erase all
the recorded data (p. 87).
Expression Pedal Operations
The way in which expression operations are recorded
will depend on the setting of the “Exp. Source” item
“Recording” in the Utility menu.
For details refer to “Changing the Function of the
Expression Pedal (Exp. Source)” (p. 100).
PEDAL
Expression pedal operations will be
recorded.
If expression data has already been
recorded, the previously recorded
data will be erased as the new data
is recorded.
COMPOSER
Expression pedal operations will
not be recorded.
If expression data has already been
recorded, the previously recorded
data will remain without being
erased.
Muting Individual Channels of
Performance Data (Channel Mute)
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108
Various Other Settings
The ATELIER may be unable to correctly recognize the type of
CD being used. In such instances, you can specify the type of
CD manually.
1.
Press the [Utility] button.
2.
Press the Menu [ ] [ ] buttons a number
of times to select “CD/Audio Type.”
ig.09-09
3.
Press the Value [-] [+] buttons to change the
setting.
To return to the basic screen, press the [Utility] button.
Note that certain commercially available CDs cannot be
played back on the
ATELIER
.
With some player piano CDs, the piano and accompaniment
sounds may not be synchronized properly. In such instances,
you can adjust the timing of the piano sounds so that they are
in time with the accompaniment.
1.
Press the [Utility] button.
2.
Press the Menu [ ] [ ] buttons a number
of times to select “CD/Audio Sync.”
ig.09-09
3.
Press the Value [-] [+] buttons to change the
setting.
To return to the basic screen, press the [Utility] button.
Setting the Type of CD To Be Played
Back (CD/Audio Type)
Setting
Description
Auto
The CD type is detected automatically.
Type A
General CDs for Player Piano contain audio
and MIDI data, and the data format may vary
from one CD to the next. If the CD’s data
format does not match the ATELIER’s settings,
a “beep” will sound.
Type B
STEREO
Commercial Audio CD (CDs other than those
designed for use with the piano player piano)
NOTE
Adjusting the Timing of a Player Piano
CD’s Piano Sound and Accompaniment
(CD/Audio Sync)
Setting
1–100
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109
Various Other Settings
Various Other Settings
The
standard pitch of an instrument is generally considered as
the pitch of the middle A note. The “Master Tune” parameter
lets you adjust this standard pitch to match the pitch of any
other instruments that are playing together with the ATELIER.
1.
Press the [Utility] button.
2.
Press the Menu [ ] [ ] buttons a number
of times to select “Master Tune.”
3.
Press the Value [-] [+] buttons to adjust the
basic pitch.
To return to the basic screen, press the [Utility] button.
By pressing the Value [+] [-] buttons simultaneously, you can
restore the default setting (440.0 Hz).
This setting remains stored in memory even while power is
turned off.
Transmission of PC (Program Change) numbers can be
switched ON/OFF.
1.
Press the [Utility] button.
2.
Press the Menu [ ] [ ] buttons a number
of times to select “MIDI.”
3.
Press the [Rec] button.
4.
Press the Menu [ ] [ ] buttons a number
of times to select “Send PC Switch.”
fig.12-25
5.
Press the Value [-] [+] buttons to switch the
Send PC Switch “ON” or “OFF.”
To return to the basic screen, press the [Utility] button.
This setting remains stored in memory even while power is
turned off.
Other Settings
Adjust the Standard Pitch (Master Tune)
Setting
415.3Hz–466.2Hz
(0.1 Hz units)
Specifying Transmission of PC
Numbers (Send PC Switch)
Setting
Description
ON
PC numbers are transmitted.
OFF
PC numbers are not transmitted.
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110
Various Other Settings
You can specify the Program Change number that will be
transmitted from MIDI Out connector when a Registration is
selected.
1.
Press the [Utility] button.
2.
Press the Menu [ ] [ ] buttons a number
of times to select “MIDI.”
3.
Press the [Rec] button.
4.
Press the Menu [ ] [ ] buttons a number
of times to select “PC Number.”
fig.12-26
5.
Press the Menu [ ] [ ] buttons to select
“Bank MSB,” “Bank LSB,” “PC Num.”
6.
Press the Value [-] [+] buttons to change the
setting.
To return to the basic screen, press the [Utility] button.
This instrument contains two sound generators: one for SMF
data playback and one for keyboard performance.
Normally, data received at the MIDI In connector will control
only the sound generator for SMF data playback. However by
changing the MIDI IN Mode setting, you can also control the
keyboard sound generator from MIDI In connector.
1.
Press the [Utility] button.
2.
Press the Menu [ ] [ ] buttons a number
of times to select “MIDI.”
3.
Press the [Rec] button.
4.
Press the Menu [ ] [ ] buttons a number
of times to select “MIDI IN Mode.”
5.
Press the Value [-] [+] buttons to change the
setting for MIDI IN Mode.
Setting PC Numbers (PC Number)
Menu
Setting
Bank MSB (Bank Select MSB) 0–127
Bank LSB (Bank Select LSB) 0–127
PC Num (PC Number) 1–128
MIDI IN Mode
Setting
Description
MODE 1
Control the instrument as a GS sound
generator.
MODE 2
Channels 5 through 10 and Channels 12, 14,
15 are transmitted to the GS sound generator,
and all other channels are transmitted to the
keyboard sound generator.
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111
Various Other Settings
Various Other Settings
* When the pedal part button is ON, data received at the MIDI In
connector will control the pedal part of keyboard sound
generator.
When the pedal part button is OFF, data received at the MIDI In
connector will control the GS sound generator.
There are limitations on the types of MIDI messages that can
be received by the keyboard sound generator.
This setting remains stored in memory even while power is
turned off.
To return to the basic screen, press the [Utility] button.
When you use the MIDI connectors of the ATELIER to transmit
musical data to external devices, for each keyboard (Upper,
Lower, and Pedal) you can specify the channel on which your
playing will be transmitted as MIDI messages. You can modify
these Tx (Transmit) MIDI settings as needed.
For details refer to “Connecting MIDI Devices” (p. 118).
1.
Press the [Utility] button.
2.
Press the Menu [ ] [ ] buttons a number
of times to select “MIDI.”
3.
Press the [Rec] button.
4.
Press the Menu [ ] [ ] buttons a number
of times to select “TxMIDI Channel.”
5.
Press the Menu [ ] [ ] buttons to select a
part.
6.
Press the Value [-] [+] buttons to select the MIDI
transmission channel.
To return to the basic screen, press the [Utility] button.
The Control part transmits expression pedal data and PC
numbers.
Ch
MODE 1 MODE 2
1
GS Solo
2
GS
Pedal/GS *
3
GS
Lower
4
GS
Upper
5–10
GS
GS
11
GS
Drums/SFX
12
GS
GS
13
GS
Nothing
14–15
GS
GS
16
GS Control
Selecting the MIDI Transmit Channel
(TxMIDI Channel)
Part
Upper, Lower, Pedal, Control
Channel
1–16
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112
Various Other Settings
Connecting the ATELIER to a V-LINK compatible image device
allows you to control the images with the ATELIER.
What is the V-LINK?
V-LINK ( ) is a function that allows music and
images to be performed together. By using MIDI to connect
two or more V-LINK compatible devices, you can easily enjoy
a wide range of visual effects that are linked to the expressive
elements of a music performance.
How to Use the V-LINK
1.
Press the [Utility] button.
2.
Press the Menu [ ] [ ] buttons a number
of times to select “V-LINK.”
fig.10-14.eps
3.
Press the Value [-] [+] buttons to select the
setting.
To return to the basic screen, press the [Utility] button.
The V-LINK function is turned on, and the V-LINK icon
appears in the basic screen.
fig.09-41.eps
The Send PC Switch settings is automatically switched to
ON when V-LINK is on (MODE 1, MODE 2). When the V-
LINK function is switched off, the Send PC Switch setting
reverts to the setting in effect before V-LINK was switched
on.
For more on switching video images, refer to the owner’s
manual for the connected device.
Using the V-LINK function (V-LINK)
Setting
Description
OFF
The V-LINK function is switched off.
MODE 1
The V-LINK function is switched on.
You can now control the video images using
the Registration buttons.
MODE 2
The V-LINK function is switched on.
You can now control the video images using
the twelve rightmost keys of the lower keyboard
and Registration buttons.
No sound is produced when you press any of
the twelve keys at the right end of the
keyboard.
When V-LINK is set to “MODE 1”
When a Registration button is pressed, “Bank Select”
and “Program Change Number” messages are
transmitted from the MIDI Out connector as video
control messages. At this time, the Control MIDI
transmit channel setting is disregarded, and the
messages are transmitted via Channel 16.
When V-LINK is set to “MODE 2”
In addition to the functions of “MODE 1,” MODE 2
also sets the device to transmit “Note messages” as
video control messages from the MIDI Out connector
when one of the twelve rightmost keys in the Lower
keyboard is pressed.
In this case, the Lower and Upper MIDI transmit
channel settings are disregarded, and the messages
are transmitted via Channel 16.
The MIDI transmit channel used for video control
messages is fixed at channel 16.
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113
Various Other Settings
Various Other Settings
You can also use the following procedure to turn the
V-LINK function on.
1. Hold down the [Reset] button and press
either the Upper [Full] button or the Upper
[Brass] button.
Holding down the [Reset] button and pressing the
Upper [Full] button switches the instrument to
“MODE 1” (p. 112). Holding down the [Reset]
button and pressing the Upper [Brass] button
switches the instrument to “MODE 2” (p. 112).
The display changes as shown below, and the
ATELIER switches to Image Control mode.
fig.09-42.eps
The V-LINK function is turned on, and the V-LINK
icon appears in the basic screen.
fig.09-41.eps
2. To cancel the V-LINK function, once again
hold down the [Reset] button and press
either the Upper [Full] button or the Upper
[Brass] button.
If set to “MODE 1” (p. 112), holding down the
[Reset] button and pressing the Upper [Full] button
switches the V-LINK function off. If set to “MODE
2” (p. 112), holding down the [Reset] button and
pressing the Upper [Brass] button switches the V-
LINK function off.
1,2
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114
Various Other Settings
You can restore the User memory to their original factory
settings.
This function is called “User Memory Reset.”
1.
Turn down the volume to the minimum level,
then turn off the power.
2.
While holding down the Rhythm [Ballad/User]
button, press the [Power On] switch to turn the
power on.
fig.01-15
Do not turn off the power while the following screen is
displayed.
fig.01-16
The User memory will be reset to the factory-set state.
To reset all settings other than the User memory to their
original factory settings, refer to ”Panel Reset” (p. 114). If
you want to reset all settings to their factory-set state, refer to
“Factory Reset“ (p. 18).
When User memory reset is completed, the basic screen
is appeared.
All settings other than the User memory can be returned to
their factory settings. This function is called “Panel Reset.”
1.
Turn down the volume to the minimum level,
then turn off the power.
2.
While holding down the [Harmony
Intelligence] button, press the [Power On]
switch to turn the power on.
fig.01-15
Do not turn off the power while the following screen is
displayed.
fig.01-16
When panel reset is completed, the basic screen is
appeared.
Restoring the User Memory to
the Original Factory Settings
(User Memory Reset)
What is User Memory?
“User Memory” refers to an area inside the instrument
where you can store the Registration you create and the
performances you record. Registration and SMF music files
saved on USB memory can also be copied to User memory.
User memory is quite useful, since anything you place
there will be retained even while the power is turned off.
The following things are stored in User memory:
Songs you’ve registered in “Favorites”
Rhythms
Registration sets
NOTE
Restoring All Settings Other
Than the User Memory to the
Original Factory Settings
(Panel Reset)
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115
Various Other Settings
Various Other Settings
The process of preparing USB memory or floppy disks so that
they can be used with the ATELIER is called “initialization”
(formatting).
In certain cases, particularly with floppy disks, the media is
formatted for a specific type of device. If the media format
does not match the ATELIER’s, you will not be able to use that
media with the ATELIER.
1.
Connect the USB memory to the External
Memory connector
If you want to initialize a floppy disk, connect your
floppy disk drive (sold separately) to the External
Memory connector, and insert the floppy disk.
2.
Press the [Utility] button.
3.
Press the Menu [ ] [ ] buttons a number
of times to select “Media Utility.”
4.
Press the [Rec] button.
5.
Press the Menu [ ] [ ] buttons a number
of times to select “Format Media.”
fig.02-10.eps
6.
Press the [Rec] button.
The Format screen appears.
To cancel the procedure, press the [Reset] button.
7.
Press the [Rec] button to start formatting.
To return to the basic screen, press the [Utility] button.
Never attempt to remove the USB memory until formatting is
complete.
Formatting a USB Memory
(Format)
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116
Connecting with External Devices
If you want to hook up an external instrument to the ATELIER,
then this chapter is for you.
1.
Phones Jacks
p. 17
Connect headphones here.
2.
MIDI Out/In Connectors
p. 118
You can connect external MIDI devices to the ATELIER
and exchange performance data between them.
3.
USB Connector
p. 117
Used for connecting a computer to the ATELIER using a USB
cable
.
4.
Output L/Mono, R Jacks
These jacks can be connected to your audio system to
enjoy more powerful sound.
5.
Input L/Mono, R Jacks
Using these jacks, you can connect other sound
generating devices or audio equipment and play sounds
from other devices through the ATELIER’s speaker.
6.
LCD Contrast Knob
p. 18
Turn this knob to adjust the brightness of the display.
Output Jacks
You can connect audio equipment using audio cables (sold
separately) and play the sounds from the ATELIER through the
speakers on the connected equipment or record your
performances on a recording device.
If the output of the connected device is monaural, you must use
the L (Mono) jack.
Use an audio cable to connect the input jack on the audio set
or amp mixer to one of the output jacks on the ATELIER. Use
an audio cable with a standard plug. When purchasing an
audio cable, please consult the vendor where you bought the
ATELIER.
Input Jacks
You can connect another sound module, such as audio
equipment or an electronic instrument using audio cables (sold
separately) and play the sounds from the connected device
through the speakers on the ATELIER.
If the input of the connected device is monaural, you must use
the L (Mono) jack.
921
To prevent malfunction and/or damage to speakers or other
devices, always turn down the volume, and turn off the
power on all devices before making any connections.
1.
Turn down the volume all the way on all
equipment.
2.
Turn off the power to the ATELIER and other
connected equipment.
3.
Connect the ATELIER and other equipment with
audio cables (sold separately).
4.
Turn on the connected equipment.
5.
Turn on the ATELIER.
6.
Adjust the volume.
After use, follow the steps below to switch off the power.
1.
Turn down the volume all the way on all
equipment.
2.
Turn off the ATELIER.
3.
Turn off the connected equipment.
Names and Functions of Jacks
and Connectors
1 3
2
4 5 6
Connecting Audio Equipment
Making the Connections
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117
Connecting with External Devices
Connecting with External Devices
The following become possible once you connect a USB cable
(available separately) between the USB connector located to
the lower left of the ATELIER and the USB connector of your
computer.
You can use the ATELIER to play sounds from SMF music
files played back with MIDI software.
By exchanging MIDI data with sequencer software, you
can save songs recorded with the ATELIER to your
computer, and enjoy a variety of musical control and
editing features.
Connect the ATELIER to your computer as shown below.
* Refer to the Roland website for system requirements.
Roland website: http://www.roland.com/
If connection to your computer is
unsuccessful...
Normally, you don’t need to install a driver in order to connect
the ATELIER to your computer. However, if some problem
occurs, or if the performance is poor, using the Roland
original driver may solve the problem.
Specify the USB driver you want to use, and then install the
driver.
For details on downloading and installing the Roland original
driver, refer to the Roland website.
Roland website: http://www.roland.com/
Specify the USB driver you want to use, and then install the
driver.
Connecting a Computer
USB
Connector
USB Cable
Computer
Caution
To prevent malfunction and/or damage to speakers
or other devices, always turn down the volume, and
turn off the power on all devices before making any
connections.
Only MIDI data can be transmitted using USB.
USB cables are not included. Consult your Roland
dealer if you need to purchase.
Turn on the power to the ATELIER before starting up
MIDI applications on the computer. Do not turn the
ATELIER on or off while any MIDI application is
running.
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118
Connecting with External Devices
1.
Press the [Utility] button.
2.
Press the Menu [ ] [ ] buttons a number
of times to select “USB Driver.”
fig.10-12.eps
3.
Press the Value [-] [+] buttons to select
“GENERIC” or “ORIGINAL.”
4.
Turn the ATELIER’s volume to the minimum
level, switch off the power, then turn it back on
again.
This setting remains stored in memory even while power is
turned off.
By connecting an external MIDI device and exchanging
performance data, you can control the performances on one
device from the other. For instance, you can output sound from
the other instrument or switch voice on the other instrument.
What’s MIDI?
MIDI, short for “Musical Instrument Digital Interface,” was
developed as a standard for the exchange of performance
data between electronic instruments and computers.
The ATELIER is equipped with MIDI connectors to let it
exchange performance data with external devices. These
connectors can be used to connect the ATELIER to an external
device for even greater versatility.
About MIDI Connectors
The ATELIER has two kinds of MIDI connectors.
Connecting these to the MIDI connectors on a MIDI instrument
makes it possible for the two instruments to control each other.
For instance, you can output sound from the other instrument
or switch tones on the other instrument.
You should also set the MIDI send channel as needed (p. 111).
fig.10-09.eps
MIDI Out Connector
Connect the external MIDI device to the MIDI IN connector
with an optional MIDI cable. The notes played on the
keyboard, movements of the Expression data, indicating that a
Registration button [1]–[4], etc., was pressed will be
transmitted to the external MIDI connector.
MIDI In Connector
Connect the external MIDI device to the MIDI out connector
with an optional MIDI cable. Performance messages from an
external MIDI device are received here.
These incoming messages may instruct the receiving MIDI
instrument to play sounds or switch voices.
The ATELIER contains two sound generators: one sound
generator for its own keyboards and one GM2/GS sound
generator (p. 129). Normally, musical data transmitted from
an external device to the MIDI In connector is sent to the
GM2/GS sound generator, but you can also set the “MIDI IN
Mode” parameter (p. 110) so that the keyboard sound
generator is controlled.
Making the Settings for the USB Driver
Setting
Description
GENERIC
Choose this if you want to use the
standard USB driver that was included
with your computer.
Normally, you should use this mode.
ORIGINAL
Choose this if you want to use a USB
driver downloaded from the Roland
website.
Connecting MIDI Devices
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119
Connecting with External Devices
Connecting with External Devices
To prevent malfunction and/or damage to speakers or other
devices, always turn down the volume, and turn off the
power on all devices before making any connections.
1.
Turn the volume all the way down on the
ATELIER and on the device you’re about to
connect.
2.
Switch off the power to the ATELIER and the
device you’re about to connect.
3.
Use a MIDI cable (sold separately) to connect
the MIDI connectors to each other.
4.
Switch on the power to the ATELIER and the
connected device.
5.
Adjust the volume level on the ATELIER and the
connected device.
6.
You should also set the MIDI send channel as
needed (p. 111).
Connection Example:
Connecting the MIDI Device
Making the Connections
NOTE
Out In
MIDI
ATELIER
External MIDI Devices
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120
Troubleshooting
If the ATELIER does not function in the way you except, first check the following chart. If this does not
resolve the problem, consult your dealer or a nearest Roland Service Center, or an authorized Roland
distributor, as listed on the “Information” page.
Power does not Turn On
Problem
Check Solution Page
When you press the [Power On]
switch, the power doesn’t come on
Power cord is not connected correctly.
Connect the power cord correctly.
p. 16
Problems with the Screen Display
Problem
Check Solution Page
Nothing appears on screen
The ATELIER uses a liquid-crystal screen,
so text may not be displayed when the
ambient temperature is below freezing.
This is not a malfunction.
- - -
It appears as though there are
vertical stripes in the screen
This is due to the nature of a liquid crystal
display, and is not a malfunction.
This is not a malfunction.
- - -
Lyrics are not indicated properly
in the display
With some music files, the lyrics cannot
be displayed correctly.
This is not a malfunction.
- - -
A button was pressed while the lyrics
were being shown in the display.
During the display of lyrics, you could be
taken to a different screen if you press a
button.
If you want to have the lyrics be
displayed again, Press the [Rec]
button.
p. 103
No Sound is Heard
Problem
Check Solution Page
No sound is heard
The [Master Volume] knob is set too low.
Turn the [Master Volume] knob toward
“Max.”
p. 17
Headphones are connected.
When you connect the headphones, the
sound is heard only through the
headphones.
If you want sound to be output from the
speakers, disconnect the headphones.
p. 17
The plug is still plugged into the
headphone jack.
Disconnect the plug from the
headphone jack.
p. 17
The volume is set too low on the Level [
]
or [
] button.
Press the Level [
] or [
] button to
raise the volume.
p. 34
The volume is set too low on the
Expression Pedal.
Advance the expression pedal.
p. 72
You do not have a Voice selected.
Press a voice button to select a voice.
Voices that have their button indicator
lit can be played.
p. 25
No sound is heard (when external
devices are connected)
The power of the connected external
devices is not turned on.
Use the correct procedure to turn on
the power of the connected external
devices.
p. 116
p. 119
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121
Troubleshooting
Troubleshooting
Appendices
Lower keyboard cannot be heard
Drums/SFX are selected for the Lower
keyboard, but you are playing a key to
which no drum sound is assigned.
Turn the Drums/SFX off or play keys to
which drums sounds are assigned.
p. 36
The Lower keyboard will not produce
sound while an Intro or Ending is being
played.
This is not a malfunction.
- - -
There is no sound from the twelve
keys at the right of the lower
keyboard
The V-LINK function is set “Mode 2.”
When V-LINK setting is ” Mode 2,” the
group of twelve keys starting at the very
right of the lower keyboard are used for
controlling video images. Therefore, no
sounds are played even when you press
these keys.
Turn the V-LINK function is “OFF”, or
select “Mode 1” for the V-LINK
function.
p. 112
Can’t hear the 1' harmonic bar
Percussion [2 2/3'] button is turned on.
If Percussion [2 2/3'] button is on, the
sound of the 1' harmonic bar will not be
heard.
This is not a malfunction.
- - -
Problems with the Sound
Problem
Check Solution Page
Noise is heard in the sound
If there is a cell phone nearby, you may
hear noise from the ATELIER when an
incoming call or outgoing call occurs, or
during a conversation.
Keep the cell phone as far away as
possible, or turn off its power.
- - -
When the human voice “Jazz Scat”
is selected, playing dynamics do
not change the sound
“Initial Touch” is set to “OFF.”
Set “Initial Touch” to “ON.”
p. 99
Rotary effect is not be applied
Some sounds do not allow the rotary
effect to be applied.
This is not a malfunction.
- - -
When you release your fingers
from keys in the Lower keyboard,
the notes continue sounding
The Lower Voice Hold is turned ON.
Press the Pedal [To Lower] button to
turn it off (dark).
p. 36
Some keys (of certain keyboard
parts) sound strange
You are playing notes outside the
recommended range of the voice.
This is not a malfunction.
- - -
Bass is heard even though you are
not playing the Bass Pedalboard
The Pedal [To Lower] button or the Bass
Split function is “ON“.
When the Pedal [To Lower] button is on,
the Bass will be sounded by the Lower
keyboard.
In the Pedal part, press the Pedal [To
Lower] button or Bass Split function is
“OFF.”
p. 38
p. 40
When playing the same sound in
the Upper keyboard and Lower
keyboard, the volume is different
The “Initial Touch” setting is different
between the upper keyboard and lower
keyboard.
Set “Initial Touch” to the same setting
for both the upper keyboard and lower
keyboard.
p. 99
The sound is not played correctly
If you layer the same type of sound (for
example, Strings 1 and Strings 5), or play
an octave-shifted organ sound, the timing
at which you play a note or the phase
relationship between the two sounds may
affect the way in which the sounds are
heard, but this is not a malfunction.
You are layering sounds of the same
type (e.g., Strings 1 and Strings 5).
Alternatively, you are playing an
organ sound with Octave Shift.
This is not a malfunction.
- - -
Problem Check Solution Page
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122
Troubleshooting
Even though you press only one
key, a multiple number of notes
sound
Harmony Intelligence is turned ON.
Turn “Harmony Intelligence” off.
p. 73
Chord Intelligence is turned ON.
Turn “Chord Intelligence” off.
p. 49
Pitch is off
Transpose is in effect.
Simultaneously press the Transpose [-]
[+] buttons to cancel the transposition
(the Transpose [-] [+] buttons’
indicators will go out).
p. 68
The tuning is incorrect.
Adjust the standard pitch.
p. 109
While set for an octave shift, you are
playing keys beyond the recommended
range.
Adjust the Octave Shift setting.
p. 35
Sound is distorted / cracke
The Part Balance volume of each part is
too high.
Press the Part Balance buttons to lower
the volume.
p. 34
The Reverb volume has been raised when
the volume of each Part Balance button is
already raised.
Either lower the Reverb volume, or
adjust the Part Balance of each part.
p. 34
p. 78
The [Master Volume] knob has been used
to raise the overall volume excessively.
Use the [Master Volume] knob to lower
the overall volume.
p. 17
The Bass Range Sounds Odd, or
There is a Vibrating Resonance
When listening through speakers:
Playing at loud volumes may cause
instruments near the ATELIER to resonate.
Resonance can also occur with
fluorescent light tubes, glass doors, and
other objects. In particular, this problem
occurs more easily when the bass
component is increased, and when the
sound is played at higher volumes.
Use the following measures to suppress
such resonance.
Place speakers so they are 10–15
cm from walls and other surfaces.
Reduce the volume.
Move the speakers away from any
resonating objects.
- - -
When listening through headphones:
Here, a different cause (such as
resonance produced by the ATELIER)
would be suspect.
Consult your Roland dealer or nearest
Roland Service Center.
- - -
926b
The volume level of the instrument
connected to ATELIER is too low
Could you be using a connection cable
that contains a resistor?
Use a connection cable that does not
contain a resistor.
p. 116
Pressing the expression pedal
while playing back ATELIER
performance data produces a
crackling noise
The expression pedal function is set to
“PEDAL+COMPOSER” during playback
of ATELIER performance data.
When this setting is used, moving the
expression pedal while playing back
ATELIER performance data may create a
difference between the expression pedal
information in the performance data and
the volume as set with the expression
pedal, which can result in this kind of
sound being produced.
Set the expression pedal function to
“PEDAL” during playback.
p. 100
Problem Check Solution Page
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123
Troubleshooting
Troubleshooting
Appendices
Registrations do not Switch Correctly
Problem
Check Solution Page
The Rhythm or Tempo does not
change when you press the
Registration buttons
The settings at which Registrations are
recalled (Registration Arranger Update)
has been set to “DELAYED.”
Set the timing at which the arranger
settings are called up (Registration
Arranger Update) to “INSTANT.”
p. 58
p. 102
Rhythm or Automatic Accompaniment does not Sound Right
Problem
Check Solution Page
Rhythm sounds odd
When performance data from a device
other than the ATELIER is being played
together with the Automatic
Accompaniment, the Rhythm
performance may not be sounded
correctly.
This is not a malfunction.
- - -
The bass note of the Automatic
Accompaniment does not sound
When a voice is selected for the Pedal
Bass part, the bass of the Automatic
Accompaniment will not sound.
This is not a malfunction.
- - -
When you started a Rhythm with
an Intro, the Rhythm did not sound
Some Rhythms do not have Rhythm
sounds in the intro.
This is not a malfunction.
- - -
Can’t use Chord Intelligence
function
Chord Intelligence is at OFF.
Turn “Chord Intelligence” on.
p. 49
Automatic Accompaniment
sounds odd
When Chord Intelligence is OFF, the keys
for a chord were not pressed
simultaneously.
Either turn on the Chord Intelligence
function, or play the chord correctly.
p. 49
When Chord Intelligence is OFF, the
chord is not being pressed correctly.
Either turn on the Chord Intelligence
function, or play the chord correctly.
p. 49
When performance data from a device
other than the ATELIER is being played
together with the Automatic
Accompaniment, the Automatic
Accompaniment may not be sounded
correctly.
This is not a malfunction.
- - -
Song does not Play Correctly
Problem
Check Solution Page
Performance data cannot be
played back
Performance data cannot be played back
if you've pressed the [Utility] button to
make Utility menu settings (other than
Channel Mute or Track Mute).
If you wish to playback performance
data, press the [Utility] button once
again to exit the Utility menu
- - -
Certain instrument is not heard
while playing a song
The track is muted. Turn off track muting.
p. 84
p. 106
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124
Troubleshooting
Recording is not possible
Problem
Check Solution Page
Recording is not possible
If you wish to erase a previously-recorded
track and then re-record, press the track
button for the desired track to make that
button blink before you begin recording.
Press the track button for the desired
track to make that button indicator
blink before you begin recording.
p. 87
Recording is not possible if you’ve
pressed the [Utility] button to make Utility
mode settings.
If you wish to record performance
data, press the [Utility] button once
again to exit the Utility menu.
- - -
The recorded performance has
disappeared
Any performance that has been recorded
is deleted when the power to the ATELIER
is turned off.
It is not possible to recover
performance data that has been lost.
Before you turn off the power, save the
performance data in the Favorites
(User memory), USB memory, or a
floppy disk.
p. 89
Problems with Playback Functions
Problem
Check Solution Page
Expression Pedal does not
operate
The function of the Expression Pedal
during recording or the function during
playback has been set to “COMPOSER.”
Set the expression pedal function
during recording to “PEDAL,” and
during playback to “PEDAL” or
“PEDAL+COMPOSER.”
p. 100
Can’t use the function assigned to
the foot switch
If “Registration Shift” (change
Registrations) is “RIGHT,” “LEFT,” or
“RIGHT + Load Next,” the foot switch will
be dedicated to switching the
Registration.
Set “Registration Shift” to “OFF.”
p. 71
Other Problems
Problem
Check Solution Page
Can’t read/write USB memory
Could you be using USB memory not
made by Roland?
We cannot guarantee operation if
you’re using USB memory not made by
Roland.
- - -
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125
Error Message
Appendices
Error Message
Error Message
Meanings
Copy Protected.
Can’t Save.
To protect the copyright, this music file cannot be saved as SMF format.
Write-Protected
Media.
The protect tab of the storage media is set to the Protect (write prohibit) position.
Move the tab to the Write (write permit) position and try the operation again.
Can’t Save
This Song.
You can only play the music data. It cannot be saved on a storage media.
Master Disk
This storage media does not allow initialization or saving. Insert a different storage media and try the
operation again.
Read Only File.
You cannot overwrite-save or delete a file on this storage media.
No Media
Storage media is not connected. Please connect storage media.
Media Full
Saving is not possible because the storage media does not have enough space. Please use other storage
media that has been formatted by the ATELIER.
Unknown Media
This storage media cannot be used. Please format it.
Media Ejected
The storage media was disconnected while it was being accessed. Please try the operation again.
Damaged Media
A damaged area was found on the storage media.
Can’t Read
This data cannot be read.
Can’t Play
Playback was halted because the song could not be read fast enough.
The song could not be read from the storage media fast enough for playback. Press the [Reset] button, then
press the [Play/Stop] button once again.
No Rhythm
There is no Rhythm in User memory.
The Rhythm used by the selected Registration was deleted from User memory, or its order was changed.
Memory Full
The song data is excessively large, and cannot be loaded.
The performance data is excessively large, and cannot be loaded.
The data cannot be stored in User memory since User memory is full.
Recording or editing is not possible because the memory of the ATELIER is full.
MIDI Buffer Full
The ATELIER cannot deal with the excessive MIDI data sent from the external MIDI device. Reduce the amount
of MIDI data sent to the ATELIER.
Communication
Error
A MIDI cable or computer cable has been disconnected. Connect it properly and securely.
The ATELIER is unable to handle the data that was sent. Please send data that the ATELIER is able to handle.
A MIDI
transmission error
has occurred.
Data transfer failed. Please transfer the data again.
Memory Error
An error occurred in internal memory. Please perform the operation again. If this indication appears even
after you’ve repeated the operation several times, please contact Roland service.
This is registration
data of a type that
is not supported.
This instrument cannot use this Registration.
The Ext Memory
port was subjected
to excessive
current.
USB memory not supported by the ATELIER was connected. This USB memory cannot be used with the
ATELIER.
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126
Chord List
symbol: Indicates the constituent not of chord.
symbol: Chord shown with an “
”can be played by pressing just the key marked with the “
.”
Chord 1.eps
Cm7 5
C C# D E E F
Cmaj7 C#maj7 Dmaj7 E maj7 Emaj7 Fmaj7
C7 C#7 D7 E 7 E7 F7
Cm C#m Dm E m Em Fm
Cm7 C#m7 Dm7 E m7 Em7 Fm7
Cdim C#dim Ddim E dim Edim Fdim
Dm7 5 Em7 5
Caug C#aug Daug E aug Eaug Faug
Csus4 C#sus4 Dsus4 E sus4 Esus4 Fsus4
C7sus4 C#7sus4 D7sus4 E 7sus4 E7sus4 F7sus4
Fm7 5E m7 5C#m7 5
C6 C#6 D6 E 6 E6
Cm6 Dm6 Em6
F6
Fm6
C#m6 E m6
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127
Chord List
Chord List
Appendices
symbol: Indicates the constituent not of chord.
symbol: Chord shown with an “
”can be played by pressing just the key marked with the “
.”
Chord 2.eps
F# G A A B B
F#maj7 Gmaj7 A maj7 Amaj7 B maj7 Bmaj7
F#7 G7 A 7 A7 B 7 B7
F#m Gm A m Am B m Bm
F#m7 Gm7 A m7 Am7 B m7 Bm7
F#dim Gdim A dim Adim B dim Bdim
Gm7 5 Am7 5 Bm7 5
F#aug Gaug A aug Aaug B aug Baug
F#sus4 Gsus4 A sus4 Asus4 B sus4 Bsus4
F#7sus4 G7sus4 A 7sus4 A7sus4 B 7sus4 B7sus4
B m7 5A m7 5F#m7 5
G6
Gm6
A6A 6 B6
Bm6
B 6
B m6Am6A m6
F#6
F#m6
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128
Glossary
Arrangement
This refers to changes that have been made in an original
tune, by adding a new accompaniment or by changing the
instruments used.
Automatic Accompaniment
Automatic Accompaniment is Automatic Accompaniment when
just a few keys in the lower section of the keyboard are
pressed to specify the chord.
Basic Chord
This refers to the most commonly used types of chord, which
are generally the following six types: major chords, minor
chords, minor seventh chords, minor seventh (5) chords,
dominant seventh chords, and diminished seventh chords.
Chord
Notes of two or more pitches sounded simultaneously. Chords
consisting of three notes are called “triads,” and are the most
basic type of chord.
Ending
This is the last part of the accompaniment. When you stop
playing the Automatic Accompaniment, the ATELIER plays an
Ending appropriate for the Rhythm.
Glide
An effect that temporarily lowers the pitch and then gradually
returns it to normal.
Intro
This is the introductory portion of an Automatic
Accompaniment performance. When Automatic
Accompaniment begins, the ATELIER can add an appropriate
intro for each Rhythm.
Inversion
When the lowest note of a chord is the root, the chord is said
to be in “root position.” In contrast, forms of a chord in which
other notes are the lowest pitch are called “inversions.”
Mute
To silence a sound. The ATELIER provides a Track Mute
function that allows you to turn off the track button indicator of
a track on which music data has been recorded, so that the
corresponding track will temporarily be silenced.
Panel Settings
Settings such as sound selections, tempo, Rotary fast/slow.
Registration
A set of data that specifies the state of the instrument when
performing, including sounds and panel settings.
Reverb
An effect that simulates the reverberation of a room or concert
hall.
Root Note
The root note is the basis of a chord. All chords are built on a
root note, which is the part of the chord name given in
uppercase letters.
Rotary
An effect which simulates the modulation given to the sound
when a rotating speaker is used. The Rotary effect produces
two types of modulation: fast or slow.
Sound Generator
This is the section that produces the sound. The ATELIER series
uses a sound generator that is compatible with GM2/GS.
Split
A function which allows the keyboard to be divided into two
or more areas, and a different sound assigned to each area.
The point at which the keyboard is divided is called the “Split
Point.”
Sustain
An effect that adds a decay to each note. The ATELIER allows
sustain to be applied to the voices of the upper part, lower
part, and pedal part.
Voice
The ATELIER is able to produce the sounds of various
instruments. These sounds are called “Voices.”
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129
Music Files That the ATELIER Can Use
Appendices
Music Files That the ATELIER Can Use
What Are Music Files?
Music files contains musical information such as how long the key for
a corresponding pitch is played, the force applied to the key played,
and other such information. Performance data is transmitted to the
ATELIER from music files saved in USB memory and CD-ROM, and
played back without change as songs. This is different than an audio
CD, since the music file does not contain a recording of the sound
itself. This makes it possible to change tempos and keys freely,
allowing you to use it in many different ways.
Regarding Copyright
Use of the internal songs and audio files for any purpose other than
private, personal enjoyment without the permission of the copyright
holder is prohibited by law. Additionally, this data must not be
copied, nor used in a secondary copyrighted work without the
permission of the copyright holder.
Please be aware that if you create derivative works that are based on
existing copyrighted material, such as commercially available SMF
music files, such works may violate copyright law if used for any
purpose other than personal enjoyment. Roland takes no responsibility
for any copyright violation you may commit by creating such works.
The ATELIER Allows You To Use the
Following Music Files
VIMA TUNES
VIMA TUNES is a Roland specification for music files that contains
image and lyric data, allowing you to enjoy songs with lyrics and
images simultaneously. When data bearing the “VIMA TUNES” logo
is played back on a device that bears the same logo, lyrics can be
shown on the screen of a connected external display or television,
letting you enjoy karaoke or watch a slide show.
* This instrument (AT-75) is not able to play back VIMA TUNES
images.
SMF Music Files
SMFs (Standard MIDI Files) use a standard format for music file that
was formulated so that files containing music file could be widely
compatible, regardless of the manufacturer of the listening device. An
enormous variety of music is available, whether it be for listening, for
practicing musical instruments, for Karaoke, etc.
SMF with Lyrics
“SMF with Lyrics” refers to SMF (Standard MIDI File) that contains the
lyrics. When Music Files carrying the “SMF with Lyrics” logo are
played back on a compatible device (one bearing the same logo), the
lyrics will appear in its display.
The ATELIER come equipped with GM 2/GS sound generators.
About the ATELIER Sound Generator
The ATELIER come equipped with GM 2/GS sound generators.
General MIDI
The General MIDI is a set of recommendations which seeks to provide
a way to go beyond the limitations of proprietary designs, and
standardize the MIDI capabilities of sound generating devices. Sound
generating devices and music files that meets the General MIDI
standard bears the General MIDI logo. Music files bearing the
General MIDI logo can be played back using any General MIDI
sound generating unit to produce essentially the same musical
performance.
General MIDI 2
The upwardly compatible General MIDI 2 recommendations pick up
where the original General MIDI left off, offering enhanced expressive
capabilities, and even greater compatibility. Issues that were not
covered by the original General MIDI recommendations, such as how
sounds are to be edited, and how effects should be handled, have
now been precisely defined. Moreover, the available sounds have
been expanded. General MIDI 2 compliant sound generators are
capable of reliably playing back music files that carry either the
General MIDI or General MIDI 2 logo.
In some cases, the conventional form of General MIDI, which does not
include the new enhancements, is referred to as “General MIDI 1” as
a way of distinguishing it from General MIDI 2.
GS Format
The GS Format is Roland’s set of specifications for standardizing the
performance of sound generating devices. In addition to including
support for everything defined by the General MIDI, the highly
compatible GS Format additionally offers an expanded number of
sounds, provides for the editing of sounds, and spells out many details
for a wide range of extra features, including effects such as reverb
and chorus. Designed with the future in mind, the GS Format can
readily include new sounds and support new hardware features when
they arrive. Since it is upwardly compatible with the General MIDI,
Roland’s GS Format is capable of reliably playing back GM Scores
equally as well as it performs GS music files (music files that have
been created with the GS Format in mind). This product supports both
the General MIDI 2 and the GS Format, and can be used to play back
music data carrying either of these logos.
XGlite
XG is a tone generator format of YAMAHA Corporation, that defines
the ways in which voices are expanded or edited and the structure
and type of effects, in addition to the General MIDI specification.
XGlite is a simplified version of XG tone generation format. You can
play back any XG music files using an XGlite tone generator.
However, keep in mind that some music files may play back differently
compared to the original files, due to the reduced set of control
parameters and effects.
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130
Settings That Are Stored After the Power Is Turned Off
Arranger Update
Auto Std Tempo (Auto Standard Tempo)
Lyrics
Master Tune
Metronome Sound
MIDI IN Mode
Registration Shift
Send PC Switch
Trans. Update (Transpose Update)
USB Driver
Registration Name
Registration Name
Registration Shift
Arranger Update
Trans. Update (Transpose Update)
Reverb Type
Reverb Depth
Pedal [To Lower] button (ON/OFF)
Transpose [-] [+] buttons (Key Transpose)
L Foot Switch Assignment (Left Foot Switch Assignment)
R Foot Switch Assignment (Right Foot Switch Assignment)
[Harmony Intelligence] button (ON/OFF)
Harmony Intelligence Type
Rotary [Fast/Slow] button (ON/OFF)
Rotary [On/Off] button (ON/OFF)
Pedal Bass Mode
Solo Mode
Bass Split (ON/OFF)
Bass Split Point
Sustain ON/OFF
Sustain Length
Tx MIDI Channel
Initial Touch (Initial Touch Sensitivity)
Vintage Organ Type
Vintage Organ Volume
PC Number (Program Change Number)
Bank LSB (Bank Select LSB)
Bank MSB (Bank Select MSB)
Wall Type
The Voices assigned for each part
Level [
][
] buttons (Part Balance Volume)
The Reverb depth for each part
The Octave shift settings for each part
The voices assigned to the [Others] buttons for each part
[Drums/SFX] button (ON/OFF)
Drums/SFX Set
Selected Rhythm
[Intro/Ending] button (ON/OFF)
Sync Start (ON/OFF)
Variation
Chord Intelligence ON/OFF
Leading Bass ON/OFF
Arranger [On/Off] button (ON/OFF)
Lower Voice Hold (ON/OFF)
Tempo setting
Volume of the Rhythm part
Reverb depth of the Rhythm Accompaniment part
Reverb depth of the Rhythm drum part
Reverb depth of the Rhythm bass part
Settings That Are Stored After the
Power is Turned Off
Settings That Are Stored In the
Registration Buttons
Settings That Are Stored In the
Individual Registration Buttons
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131
MIDI Implementation Chart
Appendices
MIDI Implementation Chart
Function...
Basic
Channel
Mode
Note
Number :
Velocity
After
Touch
Pitch Bend
Control
Change
Prog
Change
System Exclusive
System
Common
System
Real Time
Aux
Message
Notes
Transmitted Recognized Remarks
Default
Changed
Default
Messages
Altered
True Voice
Note ON
Note OFF
Key’s
Ch’s
0, 32
1
5
6, 38
7
10
11
16
64
65
66
67
71
72
73
74
75
76
77
84
91
93
98, 99
100, 101
: True #
: Song Pos
: Song Sel
: Tune
: Clock
: Commands
: All sound off
:
Reset all controllers
: Local Control
: All Notes OFF
: Active Sense
: Reset
2 (Pedal)
3 (Lower)
4 (Upper)
11 (Drums/SFX)
16 (Expression, PC)
1–16
x
x
O
x 8n v=64
32–103
x
x
x
O
x
x
x
x
x
O
x
O
x
x
x
x
x
x
x
x
x
x
x
x
x
x
x
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
0–127
**************
O
x
x
x
O
O
x
x
x
x
O
x
1 (Solo)
2 (Pedal)
3 (Lower)
4 (Upper)
11 (Drums/SFX)
16 (Expression)
1–16 (GM2/GS)
X
Mode 3
Mode 3, 4 (M=1)
O
x
0–127
0–127
O
O
O
O
0–127
O
x
x
x
x
x
O (120, 126, 127)
O
x
O (123–125)
O
x
Bank select
Modulation
Portamento time
Data entry
Volume
Panpot
Expression
General purpose controller (Glide)
Hold 1
Portamento
Sostenuto
Soft
Resonance
Release Time
Attack Time
Cut off
Decay Time
Vibrato Time
Vibrato Depth
Portamento control
Effect1 depth
Effect3 depth
NRPN LSB, MSB
RPN LSB, MSB
* 1 O x is selectable.
* 2 O x is selectable by SysEx. (GS Part)
* 3 Not received in the keyboard part
* 4 Can be received in the keyboard part
* 5 With MIDI IN Mode 2
* 6 With MIDI IN Mode 1
* 7 Received in GM2 mode
* 8 Received in GS mode
* 9 Received in General MIDI mode
*10 Recognized as M=1 even if M1.
*11 V-LINK
Roland Organ
Model AT-75
Date : Sep. 1, 2008
Version : 1.00
MIDI Implementation Chart
**************
**************
Mode 1 : OMNI ON, POLY
Mode 3 : OMNI OFF, POLY
Mode 2 : OMNI ON, MONO
Mode 4 : OMNI OFF, MONO
O : Yes
X : No
Program number 1–128
*3, 7, 8
*2, 7, 8, 9
*2, 7, 8
*2, 7, 8, 9
*2, 7, 8, 9
*3, 7, 8, 9
*3, 7, 8, 9
*4
*3, 7, 8, 9
*3, 7, 8
*2, 7, 8
*2, 7, 8
*7
*7
*7
*7
*7
*7
*7
*2, 8
*3, 7, 8
*3, 7, 8
*3, 8
*2, 7, 8, 9
*5
*5
*5
*5
*5
*5
*6
*2, 8
*2, 7, 8, 9
*3, 7, 8, 9
*7, 8
*7, 8
*7, 8, 9
*2, 7, 8, 9
*1
*1
*1
*11
*10
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132
Main Specifications
AT-75: MUSIC ATELIER
Keyboard
Upper Keyboard
49 keys (C3–C7)
Lower keyboard 49 keys (Waterfall keyboard, C2–C6)
Pedalboard 13 keys (C2–C3)
Initial Touch Upper, Lower (10 levels for each)
Sound Generator
Sound Generator
Conforms to GENERAL MIDI Level 2, GENERAL MIDI System, GS and XGlite format
Max. Polyphony 128
Voice 60 Voices (Included 2 Active Expression Voices)
Part Upper, Lower, Solo, Pedal
Vintage Organ Flute (with harmonic bars)
Rhythm
Rhythm
40 Rhythms in 8 groups x 4 variations
User Rhythm 99 Rhythms
Arranger Function
Tempo, Arranger On/Off, Start/Stop, Sync Start, Intro/Ending, Intro Count Down, Break, Auto Fill In,
Variation (4 variations), One Touch Program, Chord Intelligence, Leading Bass, Auto Standard Tempo
One Touch Program
40 Rhythmsx4 variations
Drums/SFX Sets
6 Drum Sets+1 SFX Set
Harmony Intelligence
6 types
Master Tuning
415.3 Hz–466.2 Hz (0.1 Hz steps)
Key Transpose
-4–+7 (in semitones)
Playback Transpose
-6–+5 (in semitones)
Effects
Rotary Sound, RSS Reverb, Sustain, Glide
Registration
Registration
4
Function Load Next, File Edit
Composer
Tracks
7 tracks (playback)
Note Storage Approx. 40,000 notes
Song Length Max. 999 measures
Tempo Quarter note = 20–500
Resolution 120 ticks per quarter note
Recording Realtime (Replace)
Lyrics Display
Alphabet
File Storage
Media
USB Memory, Floppy Disk (in the case of using optional USB Floppy Disk drive FD-
01A)
Save Format MUSIC ATELIER original format, SMF format 0
Songs Max. 99 songs for each folder
Rated Power Output
15 W+15 W
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133
Main Specifications
Main Specifications
Appendices
962a
* In the interest of product improvement, the specifications and/or appearance of this unit are subject to change without prior notice.
Speaker
Full-range 16 cm x 2
Display
128 x 64 dots backlit LCD
Pedals, Switches
Expression Pedal, Foot Switch: 2 pcs. (function assignable)
Connectors
Audio Output Jacks (L/mono, R), Audio Input Jacks (L/mono, R), Phones Jack (stereo) x 2, MIDI
Connectors (In, Out), USB, Jack, External Memory Connector (USB Memory Connector), AC Inlet
Power Supply
AC 117 V, 230 V, 240 V
Power Consumption
60 W
Finish
Simulated Dark Walnut
Dimensions
Console
(included Music
Rest)
1,210 (W) x 534 (D) x 390 (H) mm
47-11/16 (W) x 21-1/16 (D) x 15-3/8 (H) inches
Stand
1,229 (W) x 515 (D) x 748 (H) mm
48-7/16 (W) x 20-5/16 (D) x 29-1/2 (H) inches
Total
1,229 (W) x 542 (D) x 1,096 (H) mm
48-7/16 (W) x 21-3/8 (D) x 43-3/16 (H) inches
Weight
Console
32.5 kg / 72 lbs
Stand 21.5 kg / 48 lbs
Total 54 kg / 120 lbs
Accessories
Music Rest, Power Cord, Knob Bolt x 2, Console Cover, Cord Hook, Owner’s Manual,
Voice & Rhythm Guide
Options
Bench, Stereo Headphones, USB Memory (M-UF1G), USB Floppy Disk Drive (FD-01A),
CD Drive Holder (DH-01)
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134
Demo Song List
For details on how to play the demo songs, refer to “Listening to the Demo Songs” (p. 22)
981a
* All rights reserved. Unauthorized use of this material for purposes other than private, personal
enjoyment is a violation of applicable laws.
982
* No data for the music that is played will be output from MIDI Out connector.
Profile
Akio Sasaki
After graduating from the Berklee College of Music in Boston as a principle, Akio has been active as
a top jazz organ player in Japan. He performs live throughout the country, and also teaches at the
Senzoku Gakuen College of Music and at the Kyoto Musical Academy. Additionally, he has
published numerous arrangements, works of music theory, and music education books. In 2005 he
released his own trio’s CD album “Glide in Blue,” receiving high praise not only from organ fans but
also from many jazz fans. In 2007 he released his new album “Fly by Night,” and his musical career
continues to expand.
Ric Iannone
Ric Iannone began playing the piano and accordion at the age of two and a half. By the time he was
seven, he was performing public and private engagements with his musician father. For more than
20 years Ric has performed and traveled extensively throughout the United States and Europe,
delighting audiences with his unique playing style and music arrangements. He is equally
comfortable playing the organ, piano or keyboard, as a concert artist and product demonstrator.
Song Title
Composer Player Copyright
Jazz Organ Akio Sasaki Akio Sasaki © 2007 Roland Corporation
Slow Waltz Ric Iannone Ric Iannone © 2003 Roland Corporation
Hawaiian Ric Iannone Ric Iannone © 2003 Roland Corporation
Dixieland Ric Iannone Ric Iannone © 2003 Roland Corporation
Soft Gospel Ric Iannone Ric Iannone © 2001 Roland Corporation
Jazz Scat Ric Iannone Ric Iannone © 1999 Roland Corporation
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135
Index
Appendices
Index
A
Active Expression Voice ...................................... 33
Adjuster ............................................................ 20
Arrangement ................................................... 128
Arranger Function ........................................ 47, 51
Arranger Update .............................................. 102
Audio CD .......................................................... 96
Auto Std Tempo (Auto Standard Tempo) ............. 101
Automatic Accompaniment .............. 46–47, 51, 128
B
Basic Chord .................................................... 128
Bass Split .......................................................... 38
Beat ............................................................... 106
Beat Indicator .................................................... 46
Break ................................................................ 70
C
CD-DA .............................................................. 96
Center Cancel ................................................... 96
Channel Mute .................................................. 107
Chord ............................................................. 128
Chord Intelligence .............................................. 49
Chorus ............................................................ 128
Composer ......................................................... 82
Composer Screen ............................................... 21
Computer ........................................................ 117
Connecting
Computer ................................................... 117
Contrast of the Screen ........................................ 18
Copying
Performance Song ......................................... 94
Registration ............................................. 66–67
Rhythm ................................................... 53–54
Rhythms on Disks into User Memory ........... 53, 94
Cord hook ......................................................... 18
Count Down Sound .......................................... 102
Count In ............................................................ 86
D
Delete
Performance Songs ........................................ 91
Registrations ................................................. 65
Rhythms Stored in User Memory ...................... 55
Demo Song ....................................................... 22
Demo Song List ................................................ 134
Display of Lyrics ............................................... 103
Drums/SFX ........................................................ 36
E
Ending ..................................................... 70, 128
Erase
Performance Song ......................................... 87
Exp. Source ............................................ 100–101
Expression Pedal ............................................... 72
Function ..................................................... 100
F
Factory Default Settings ...................................... 18
Factory Reset ..................................................... 18
Feet .................................................................. 29
Folder .............................................................. 98
Foot Switch ................................................. 69, 71
Format ............................................................ 115
G
General MIDI .................................................. 129
General MIDI 2 ............................................... 129
Glide ....................................................... 70, 128
GS ................................................................. 129
GS Format ...................................................... 129
H
Harmony Intelligence ......................................... 73
Headphones ..................................................... 17
I
Initial Touch ...................................................... 99
Intro ......................................................... 70, 128
Inversion ......................................................... 128
K
Key Transpose ................................................... 68
L
LCD Contrast knob ............................................. 18
Leading Bass ............................................... 50, 70
Left Foot Switch ................................................. 70
Load
Individual Registration .................................... 64
Performance Songs ........................................ 90
Set of Registrations ........................................ 63
Lower Keyboard ................................................ 24
Lower Voice ...................................................... 25
Lyrics .............................................................. 103
M
Master Tune .................................................... 109
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136
Index
Master Volume ................................................... 17
Metronome ...................................................... 104
Sound ........................................................ 105
Volume ....................................................... 105
MIDI ............................................................... 118
MIDI Devices
Connecting ................................................. 118
MIDI IN Mode ................................................. 114
MIDI In/Out .................................................... 116
Music CD .......................................................... 96
Music Files ...................................................... 129
Music Rest ......................................................... 16
Mute ............................................................... 128
Muting
Channel ..................................................... 107
Track ......................................................... 106
O
Octave Shift ...................................................... 35
One Touch Program ........................................... 51
Others Button ..................................................... 27
P
Panel Reset ...................................................... 114
Panel Settings .................................................. 128
Part .................................................................. 24
Part Balance ...................................................... 34
Part Balance Monitor .......................................... 34
PC Number ............................................. 109–110
Pedal Bass Mode ............................................... 99
Pedal Bass Voice ................................................ 25
Pedalboard ....................................................... 24
Percussion ......................................................... 31
Phones ............................................................ 116
Jack ............................................................. 17
Pitch Bend ....................................................... 128
Playback Transpose .......................................... 104
Playing
Demo Song ................................................... 22
Performance Song ......................................... 85
Performance Songs Stored .............................. 83
Rhythm ......................................................... 43
Power Cord ....................................................... 16
Power On ......................................................... 16
R
Recording
Each Part Separately ...................................... 86
Performance ................................................. 84
Re-Recording ................................................. 87
Recording onto SMF ........................................... 92
Registration ............................................... 56, 128
Recalling ...................................................... 58
Storing ......................................................... 57
Registration Shift ................................................ 71
Rename
Performance Song ......................................... 88
Re-Recording ..................................................... 87
Reverb ............................................................ 128
Reverb Effect ..................................................... 78
Reverb Depth ................................................ 81
Reverb Type ................................................. 79
Wall Type .................................................... 80
Rhythm ............................................................. 41
Fill-in ........................................................... 48
Starting and Stopping .................................... 70
Rhythm Screen ................................................... 21
Right Foot Switch ............................................... 70
Rotary ............................................................ 128
Rotary Effect ...................................................... 75
S
Saving
Performance Songs ........................................ 89
Send PC Switch ............................................... 109
SMF Music Files ......................................... 83, 129
Track Assignment .......................................... 84
SMF with Lyrics ................................................ 129
Solo Mode ...................................................... 100
Solo Voice ........................................................ 26
Sound Generator ..................................... 128–129
Split ............................................................... 128
Split Point
Bass Split Point ............................................. 39
standard pitch ................................................. 109
Sustain ........................................................... 128
Sustain Effect
Sustain Length ............................................... 77
Sync Start ......................................................... 44
Synchro Start ..................................................... 51
T
Tempo .............................................................. 46
Track .............................................................. 106
Track Button ...................................................... 82
Track Mute ................................................ 84, 106
Trans. Update (Transpose Update) ..................... 103
Transpose
Key Transpose .............................................. 68
Playing Back ............................................... 104
Tx MIDI Channel .............................................. 111
U
Upper Keyboard ................................................ 24
AT-75_e.book 136 ページ 2008年8月21日 木曜日 午前10時9分
137
Index
Index
Appendices
Upper Voice ...................................................... 25
USB ................................................................ 117
USB (MIDI) connector ....................................... 117
USB Driver ...................................................... 118
User Memory ............................................. 42, 114
User Memory Reset .......................................... 114
V
Variation ........................................................... 48
VARIATION DOWN .......................................... 70
VARIATION UP .................................................. 70
VIMA TUNES ............................................. 95, 129
Vintage Organ .................................................. 30
V-LINK ............................................................ 112
Voice ........................................................ 24, 128
Volume
Metronome ................................................. 105
Part Balance ................................................. 34
X
XGlite ............................................................. 129
AT-75_e.book 137 ページ 2008年8月21日 木曜日 午前10時9分
As of Oct. 1, 2007 (ROLAND)
Information
When you need repair service, call your nearest Roland Service Center or authorized Roland
distributor in your country as shown below.
EGYPT
Al Fanny Trading Office
9, EBN Hagar Al Askalany
Street,
ARD E1 Golf, Heliopolis,
Cairo 11341, EGYPT
TEL: (022)-418-5531
REUNION
Maison FO - YAM Marcel
25 Rue Jules Hermann,
Chaudron - BP79 97 491
Ste Clotilde Cedex,
REUNION ISLAND
TEL: (0262) 218-429
SOUTH AFRICA
T.O.M.S. Sound & Music
(Pty)Ltd.
2 ASTRON ROAD DENVER
JOHANNESBURG ZA 2195,
SOUTH AFRICA
TEL: (011)417 3400
Paul Bothner(PTY)Ltd.
Royal Cape Park, Unit 24
Londonderry Road, Ottery 7800
Cape Town, SOUTH AFRICA
TEL: (021) 799 4900
CHINA
Roland Shanghai Electronics
Co.,Ltd.
5F. No.1500 Pingliang Road
Shanghai 200090, CHINA
TEL: (021) 5580-0800
Roland Shanghai Electronics
Co.,Ltd.
(BEIJING OFFICE)
10F. No.18 3 Section Anhuaxili
Chaoyang District Beijing
100011 CHINA
TEL: (010) 6426-5050
HONG KONG
Tom Lee Music Co., Ltd.
Service Division
22-32 Pun Shan Street, Tsuen
Wan, New Territories,
HONG KONG
TEL: 2415 0911
Parsons Music Ltd.
8th Floor, Railway Plaza, 39
Chatham Road South, T.S.T,
Kowloon, HONG KONG
TEL: 2333 1863
INDIA
Rivera Digitec (India) Pvt. Ltd.
411, Nirman Kendra
Mahalaxmi Flats Compound
Off. Dr. Edwin Moses Road,
Mumbai-400011, INDIA
TEL: (022) 2493 9051
INDONESIA
PT Citra IntiRama
Jl. Cideng Timur No. 15J-15O
Jakarta Pusat
INDONESIA
TEL: (021) 6324170
KOREA
Cosmos Corporation
1461-9, Seocho-Dong,
Seocho Ku, Seoul, KOREA
TEL: (02) 3486-8855
MALAYSIA
Roland Asia Pacific Sdn. Bhd.
45-1, Block C2, Jalan PJU 1/39,
Dataran Prima, 47301 Petaling
Jaya, Selangor, MALAYSIA
TEL: (03) 7805-3263
VIET NAM
Suoi Nhac Company, Ltd
370 Cach Mang Thang Tam St.
Dist.3, Ho Chi Minh City,
VIET NAM
TEL: 9316540
PHILIPPINES
G.A. Yupangco & Co. Inc.
339 Gil J. Puyat Avenue
Makati, Metro Manila 1200,
PHILIPPINES
TEL: (02) 899 9801
SINGAPORE
SWEE LEE MUSIC
COMPANY PTE. LTD.
150 Sims Drive,
SINGAPORE 387381
TEL: 6846-3676
TAIWAN
ROLAND TAIWAN
ENTERPRISE CO., LTD.
Room 5, 9fl. No. 112 Chung
Shan N.Road Sec.2, Taipei,
TAIWAN, R.O.C.
TEL: (02) 2561 3339
THAILAND
Theera Music Co. , Ltd.
100-108 Soi Verng
Nakornkasem, New
Road,Sumpantawongse,
Bangkok 10100 THAILAND
TEL: (02) 224-8821
AUSTRALIA/
NEW ZEALAND
Roland Corporation
Australia Pty.,Ltd.
38 Campbell Avenue
Dee Why West. NSW 2099
AUSTRALIA
For Australia
Tel: (02) 9982 8266
For New Zealand
Tel: (09) 3098 715
ARGENTINA
Instrumentos Musicales S.A.
Av.Santa Fe 2055
(1123) Buenos Aires
ARGENTINA
TEL: (011) 4508-2700
BARBADOS
A&B Music Supplies LTD
12 Webster Industrial Park
Wildey, St.Michael, Barbados
TEL: (246)430-1100
BRAZIL
Roland Brasil Ltda.
Rua San Jose, 780 Sala B
Parque Industrial San Jose
Cotia - Sao Paulo - SP, BRAZIL
TEL: (011) 4615 5666
CHILE
Comercial Fancy II S.A.
Rut.: 96.919.420-1
Nataniel Cox #739, 4th Floor
Santiago - Centro, CHILE
TEL: (02) 688-9540
COLOMBIA
Centro Musical Ltda.
Cra 43 B No 25 A 41 Bododega 9
Medellin, Colombia
TEL: (574)3812529
COSTA RICA
JUAN Bansbach Instrumentos
Musicales
Ave.1. Calle 11, Apartado
10237,
San Jose, COSTA RICA
TEL: 258-0211
CURACAO
Zeelandia Music Center Inc.
Orionweg 30
Curacao, Netherland Antilles
TEL:(305)5926866
DOMINICAN REPUBLIC
Instrumentos Fernando Giraldez
Calle Proyecto Central No.3
Ens.La Esperilla
Santo Domingo,
Dominican Republic
TEL:(809) 683 0305
ECUADOR
Mas Musika
Rumichaca 822 y Zaruma
Guayaquil - Ecuador
TEL:(593-4)2302364
EL SALVADOR
OMNI MUSIC
75 Avenida Norte y Final
Alameda Juan Pablo II,
Edificio No.4010 San Salvador,
EL SALVADOR
TEL: 262-0788
GUATEMALA
Casa Instrumental
Calzada Roosevelt 34-01,zona 11
Ciudad de Guatemala
Guatemala
TEL:(502) 599-2888
HONDURAS
Almacen Pajaro Azul S.A. de C.V.
BO.Paz Barahona
3 Ave.11 Calle S.O
San Pedro Sula, Honduras
TEL: (504) 553-2029
MARTINIQUE
Musique & Son
Z.I.Les Mangle
97232 Le Lamantin
Martinique F.W.I.
TEL: 596 596 426860
Gigamusic SARL
10 Rte De La Folie
97200 Fort De France
Martinique F.W.I.
TEL: 596 596 715222
MEXICO
Casa Veerkamp, s.a. de c.v.
Av. Toluca No. 323, Col. Olivar
de los Padres 01780 Mexico
D.F. MEXICO
TEL: (55) 5668-6699
NICARAGUA
Bansbach Instrumentos
Musicales Nicaragua
Altamira D'Este Calle Principal
de la Farmacia 5ta.Avenida
1 Cuadra al Lago.#503
Managua, Nicaragua
TEL: (505)277-2557
PANAMA
SUPRO MUNDIAL, S.A.
Boulevard Andrews, Albrook,
Panama City, REP. DE
PANAMA
TEL: 315-0101
PARAGUAY
Distribuidora De
Instrumentos Musicales
J.E. Olear y ESQ. Manduvira
Asuncion PARAGUAY
TEL: (595) 21 492147
PERU
Audionet
Distribuciones Musicales SAC
Juan Fanning 530
Miraflores
Lima - Peru
TEL: (511) 4461388
TRINIDAD
AMR Ltd
Ground Floor
Maritime Plaza
Barataria Trinidad W.I.
TEL: (868) 638 6385
NORWAY
Roland Scandinavia Avd.
Kontor Norge
Lilleakerveien 2 Postboks 95
Lilleaker N-0216 Oslo
NORWAY
TEL: 2273 0074
POLAND
ROLAND POLSKA SP. Z O.O.
UL. Gibraltarska 4.
PL-03 664 Warszawa
POLAND
TEL: (022) 679 4419
PORTUGAL
Roland Iberia, S.L.
Portugal Office
Cais das Pedras, 8/9-1 Dto
4050-465, Porto, PORTUGAL
TEL: 22 608 00 60
ROMANIA
FBS LINES
Piata Libertatii 1,
535500 Gheorgheni,
ROMANIA
TEL: (266) 364 609
RUSSIA
MuTek
Dorozhnaya ul.3,korp.6
117 545 Moscow, RUSSIA
TEL: (095) 981-4967
SLOVAKIA
DAN Acoustic s.r.o.
Povazská 18.
SK - 940 01 Nové Zámky
TEL: (035) 6424 330
SPAIN
Roland Iberia, S.L.
Paseo García Faria, 33-35
08005 Barcelona SPAIN
TEL: 93 493 91 00
SWEDEN
Roland Scandinavia A/S
SWEDISH SALES OFFICE
Danvik Center 28, 2 tr.
S-131 30 Nacka SWEDEN
TEL: (0)8 702 00 20
SWITZERLAND
Roland (Switzerland) AG
Landstrasse 5, Postfach,
CH-4452 Itingen,
SWITZERLAND
TEL: (061) 927-8383
UKRAINE
EURHYTHMICS Ltd.
P.O.Box: 37-a.
Nedecey Str. 30
UA - 89600 Mukachevo,
UKRAINE
TEL: (03131) 414-40
UNITED KINGDOM
Roland (U.K.) Ltd.
Atlantic Close, Swansea
Enterprise Park, SWANSEA
SA7 9FJ,
UNITED KINGDOM
TEL: (01792) 702701
BAHRAIN
Moon Stores
No.1231&1249 Rumaytha
Building Road 3931, Manama
339 BAHRAIN
TEL: 17 813 942
IRAN
MOCO INC.
No.41 Nike St., Dr.Shariyati Ave.,
Roberoye Cerahe Mirdamad
Tehran, IRAN
TEL: (021)-2285-4169
ISRAEL
Halilit P. Greenspoon & Sons
Ltd.
8 Retzif Ha'alia Hashnia St.
Tel-Aviv-Yafo ISRAEL
TEL: (03) 6823666
URUGUAY
Todo Musica S.A.
Francisco Acuna de Figueroa
1771
C.P.: 11.800
Montevideo, URUGUAY
TEL: (02) 924-2335
VENEZUELA
Instrumentos Musicales
Allegro,C.A.
Av.las industrias edf.Guitar
import
#7 zona Industrial de Turumo
Caracas, Venezuela
TEL: (212) 244-1122
AUSTRIA
Roland Elektronische
Musikinstrumente HmbH.
Austrian Office
Eduard-Bodem-Gasse 8,
A-6020 Innsbruck, AUSTRIA
TEL: (0512) 26 44 260
BELGIUM/FRANCE/
HOLLAND/
LUXEMBOURG
Roland Central Europe N.V.
Houtstraat 3, B-2260, Oevel
(Westerlo) BELGIUM
TEL: (014) 575811
CROATIA
ART-CENTAR
Degenova 3.
HR - 10000 Zagreb
TEL: (1) 466 8493
CZECH REP.
CZECH REPUBLIC
DISTRIBUTOR s.r.o
Voctárova 247/16
CZ - 180 00 PRAHA 8,
CZECH REP.
TEL: (2) 830 20270
DENMARK
Roland Scandinavia A/S
Nordhavnsvej 7, Postbox 880,
DK-2100 Copenhagen
DENMARK
TEL: 3916 6200
FINLAND
Roland Scandinavia As, Filial
Finland
Elannontie 5
FIN-01510 Vantaa, FINLAND
TEL: (0)9 68 24 020
GERMANY
Roland Elektronische
Musikinstrumente HmbH.
Oststrasse 96, 22844
Norderstedt, GERMANY
TEL: (040) 52 60090
GREECE/CYPRUS
STOLLAS S.A.
Music Sound Light
155, New National Road
Patras 26442, GREECE
TEL: 2610 435400
HUNGARY
Roland East Europe Ltd.
Warehouse Area ‘DEPO’ Pf.83
H-2046 Torokbalint,
HUNGARY
TEL: (23) 511011
IRELAND
Roland Ireland
G2 Calmount Park, Calmount
Avenue, Dublin 12
Republic of IRELAND
TEL: (01) 4294444
ITALY
Roland Italy S. p. A.
Viale delle Industrie 8,
20020 Arese, Milano, ITALY
TEL: (02) 937-78300
JORDAN
MUSIC HOUSE CO. LTD.
FREDDY FOR MUSIC
P. O. Box 922846
Amman 11192 JORDAN
TEL: (06) 5692696
KUWAIT
EASA HUSAIN AL-YOUSIFI
& SONS CO.
Al-Yousifi Service Center
P.O.Box 126 (Safat) 13002
KUWAIT
TEL: 00 965 802929
LEBANON
Chahine S.A.L.
George Zeidan St., Chahine
Bldg., Achrafieh, P.O.Box: 16-
5857
Beirut, LEBANON
TEL: (01) 20-1441
OMAN
TALENTZ CENTRE L.L.C.
Malatan House No.1
Al Noor Street, Ruwi
SULTANATE OF OMAN
TEL: 2478 3443
QATAR
Al Emadi Co. (Badie Studio &
Stores)
P.O. Box 62, Doha, QATAR
TEL: 4423-554
SAUDI ARABIA
aDawliah Universal
Electronics APL
Behind Pizza Inn
Prince Turkey Street
aDawliah Building,
PO BOX 2154,
Alkhobar 31952
SAUDI ARABIA
TEL: (03) 8643601
SYRIA
Technical Light & Sound
Center
Rawda, Abdul Qader Jazairi St.
Bldg. No. 21, P.O.BOX 13520,
Damascus, SYRIA
TEL: (011) 223-5384
TURKEY
ZUHAL DIS TICARET A.S.
Galip Dede Cad. No.37
Beyoglu - Istanbul / TURKEY
TEL: (0212) 249 85 10
U.A.E.
Zak Electronics & Musical
Instruments Co. L.L.C.
Zabeel Road, Al Sherooq Bldg.,
No. 14, Ground Floor, Dubai,
U.A.E.
TEL: (04) 3360715
CANADA
Roland Canada Ltd.
(Head Office)
5480 Parkwood Way
Richmond B. C., V6V 2M4
CANADA
TEL: (604) 270 6626
Roland Canada Ltd.
(Toronto Office)
170 Admiral Boulevard
Mississauga On L5T 2N6
CANADA
TEL: (905) 362 9707
U. S. A.
Roland Corporation U.S.
5100 S. Eastern Avenue
Los Angeles, CA 90040-2938,
U. S. A.
TEL: (323) 890 3700
ASIA
AFRICA
AUSTRALIA/
NEW ZEALAND
EUROPE
CENTRAL/LATIN
AMERICA
MIDDLE EAST
NORTH AMERICA
AT-75_e.book 138 ページ 2008年8月21日 木曜日 午前10時9分
For EU Countries
For China
AT-75_e.book 139 ページ 2008年8月21日 木曜日 午前10時9分
For Canada
This Class B digital apparatus meets all requirements of the Canadian Interference-Causing Equipment Regulations.
Cet appareil numérique de la classe B respecte toutes les exigences du Règlement sur le matériel brouilleur du Canada.
NOTICE
AVIS
This product complies with the requirements of EMCD 2004/108/EC and LVD 2006/95/EC.
For EU Countries
For the USA
FEDERAL COMMUNICATIONS COMMISSION
RADIO FREQUENCY INTERFERENCE STATEMENT
This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the
FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential
installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in
accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee
that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or
television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the
interference by one or more of the following measures:
– Reorient or relocate the receiving antenna.
– Increase the separation between the equipment and receiver.
– Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
– Consult the dealer or an experienced radio/TV technician for help.
This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions:
(1) this device may not cause harmful interference, and
(2) this device must accept any interference received, including interference that may cause undesired operation.
Unauthorized changes or modification to this system can void the users authority to operate this equipment.
This equipment requires shielded interface cables in order to meet FCC class B Limit.
WARNING
This product contains chemicals known to cause cancer, birth defects and other reproductive harm, including lead.
For C.A. US
(
Proposition 65
)
For the USA
DECLARATION OF CONFORMITY
Compliance Information Statement
Model Name :
Type of Equipment :
Responsible Party :
Address :
Telephone :
AT-75
Digital Organ
Roland Corporation U.S.
5100 S. Eastern Avenue, Los Angeles, CA 90040-2938
(323) 890-3700
AT-75_e.book 140 ページ 2008年8月21日 木曜日 午前10時9分
5100001499 08-08-1N
* 5 1 0 0 0 0 1 4 9 9 - 0 1 *
134

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