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66
R
ECORDING MENU
Image size and quality are set in section 1 of the recording menu (p. 64). Changes are
displayed on the monitor.
S
S: 1504 X 1000 (Small)
Image size affects the number of pixels in each image. The greater the image size, the
larger the file size. Choose image size based on the final use of the image - smaller
images are more suitable for web sites whereas larger sizes produce higher quality
prints.
Image quality controls the file type and rate of compression. RAW is high-quality image
file. The extra fine, fine, and standard settings produce JPEG files at various rates of
compression. The higher the image quality, the lower the rate of compression and the
larger the file sizes. If economical use of the memory card is important, use the standard
mode. The RAW & JPEG option creates two image files at one time, a large RAW file and
a fine quality JPEG file with an image size selected with the menu. The image files are
saved with the same file name, but with different extensions (p. 126).
In the RAW image-quality mode, the image size is set to large and cannot be changed.
The image size is not be displayed on the monitors. The enlarged playback and print
functions cannot be used.
Unlike the other image-quality modes, RAW image data is unprocessed and requires
image processing before it can be used. To process the RAW data, the DiMAGE Viewer
or the optional DiMAGE Master software is required.
Extra fine: JPEG image
Fine: JPEG image
Standard: JPEG image
X.FIN
FINE
STD.
IMAGE SIZE AND IMAGE QUALITY
RAW image
RAW
RAW & JPEG image
RAW+
L
L: 3008 X 2000 (Large)
M
M: 2256 X 1496 (Medium)
67
Extra fine
Fine
Standard
292
463
S: 1504 X 1000
Extra fine
Fine
Standard
1.6MB
850KB
540KB
Approximate file sizes.
The frame counter indicates the approximate number of images
that can be stored on the memory card at the camera’s image
quality and size settings. If the settings are changed, the frame
counter adjusts accordingly. Because the counter uses
approximate file sizes, the actual image taken may not change the
counter or may decrease it by more than one. When the frame
counter displays zero, it indicates no more images at the image
size and quality settings can be captured. Changing those settings
may allow more images to be saved to the card.
Camera Notes
The number of images that can be stored on a memory card is determined by the size of
the card and the file size of the images. One memory card can contain images of differing
sizes and quality. The actual file size is determined by the scene; some subjects can be
compressed further than others.
RAW
RAW
M: 2256 X 1496
3.3MB
1.7MB
1.0MB
5.9MB
3.0MB
1.8MB
8.6MB
L: 3008 x 2000
Approximate number of images that can be stored on a 256MB memory card.
72
141
235
41
81
138
26
Frame counter
When opening a RAW file with DiMAGE Viewer, the filter slider, as described in the instruction
manual, does not appear on the RAW processing screen. The hue slider is available in its place.
DiMAGE Viewer Notes
157
68
R
ECORDING MENU
COLOR MODE
The color mode controls what the image looks like as well as
the color space. The color mode is set in section 1 of the
recording menu (p. 64). See the color examples on page 2.
Natural Color - reproduces the colors in the scene faithfully. Employs the
sRGB color space.
Natural Plus - increases contrast and acutance. Employs the sRGB color
space.
Embed Adobe RGB - like Natural Color, this color mode reproduces the
colors in the scene faithfully, but uses the extended gamut of the Adobe RGB
color space. The color space is embedded in the image data.
Adobe RGB has a larger color gamut than the more common sRGB. The size of the
gamut limits the colors that can be reproduced; the larger the gamut, the more colors. If
the image will be printed out with a high-quality printer, the use of the Adobe RGB color
mode is recommended over the sRGB color modes of Natural and Natural Plus.
Color matching must be used when opening Adobe-RGB image files. When using the
DiMAGE Viewer, the color matching function must be active and the color space set to
Original Color Space (Adobe RGB) or Adobe RGB in the color preferences window, see
the software manual. The DiMAGE Viewer included with the product or later versions is
required to open RAW Adobe RGB images taken with this camera.
ABOUT ADOBE RGB
69
Adjustments can be made repeatedly and in combination.
Adjustments remain in effect until manually reset. When set
to any value other than zero, an indicator and value is
displayed on the monitor as a warning.
DIGITAL EFFECTS (FX) CONTROL
Use the up/down keys or front control dial to select
the parameter to change.
The Digital Effects Control can adjust image contrast,
saturation, sharpness, and hue. See page 147 for Digital
Effects examples. These controls are accessed from
section 1 of the recording menu (p. 64).
Highlight “Enter” in the Digital FX option in section 1 of the
recording mode menu. Press the central button of the
controller to open the Digital FX setup screen.
Image size
Quality
Color mode
Digital FX
Enter
Reset
Saturation
Sharpness
Hue
:move
Digital FX Setup
Contrast
-2 +20
:sel. :enter
Use the left/right keys or rear control dial to adjust
the parameter.
Press the central button of the controller to
complete the operation.
Digital Effects panel
70
R
ECORDING MENU
RECORDING MODE RESET
The recording mode functions can be reset in section 1 of the recording menu (p. 64).
When selected, a confirmation screen appears; choosing “Yes” resets the following
functions and settings, “No” cancels the operation.
Focus area selection Spot AF area p. 55
Preset white balance Daylight ±0 p. 60
Color temperature 5500K p. 60
Digital Effects (FX) All reset to ±0 p. 69
Flash mode Fill flash or red-eye reduction
1
p. 71
Flash control ADI p. 75
Manual flash power ratio 1/1 p. 76
Exposure bracketing setup 0.3Ev / 3 frames p. 70
Flash bracketing setup 0.3Ev / 3 frames p. 70
1. The flash mode is reset to whichever of the two modes was last set.
The bracketing increment and the number of frames in a
exposure and flash bracket is selected in section 2 of the
recording menu (p. 64). The bracketing increment is in Ev
(p. 81). For information on the bracketing drive mode, see
page 58.
BRACKETING SETUP
Flash mode Fill-flash
Flash control ADI flash
Power ratio 1/1
Setup
0.3Ev/3frames
0.3Ev/3frames
Setup
Bracket order
Exposure bracket setup
Flash bracket setup
The order in which the bracketing frames is captured
selected in section 2 of the recording menu (p. 64). For
information on the bracketing drive mode, see page 58.
BRACKETING ORDER
Normal - underexpose - overexpose*
Underexpose - normal - overexpose
Bracketing order
* With a five frame bracket, the bracketing order is 0, –, +, –, + with increasing steps.
FLASH MODES
The flash mode can be changed in section 2 of the
recording menu (p. 64). For the flash to fire, the built-in
unit must be manually raised; lower the flash to prevent
it from firing. The auto-white-balance setting gives
priority to the flash’s color temperature. If another type of
white balance is used, priority is given to the active
setting’s color temperature.
71
Fill-flash - used as the main or supplementary
light. In low-light conditions, the flash acts as
the main source of illumination and
overpowers the ambient light. Under strong
sunlight or in backlit situations, the fill-flash can
reduce harsh shadows.
Red-eye reduction - used when taking photographs of people or animals in
low-light conditions. The red-eye effect is caused by light reflected from the
retina of the eye. The camera fires several pre-flashes before the main flash
burst to contract the pupils of the subject’s eyes.
Rear flash sync - used with long exposures to
make trailing lights or blurring appear to follow
rather than proceed the subject. The effect is
not apparent if the shutter speed is too fast and
stops the subject’s motion.
When the shutter is released, a pre-flash fires.
This pre-flash is not for exposure, but for
metering. The flash fires again just before the
shutter closes.
Wireless / Remote flash - allows the camera to control an off-camera flash unit
without the need of a cable. See page 72.
Fill-flash
Rear sync.
72
R
ECORDING MENU
WIRELESS / REMOTE FLASH
Wireless/Remote flash allows the camera to control
an off-camera Program/Maxxum 5600HS(D) and
3600HS(D) flash unit without the need of a cable.
Single or multiple flash units can be placed around
the subject to create different lighting effects.
The camera’s built-in flash fires to control the off-
camera flash units rather than to illuminate the
subject.
On-camera
flash
Wireless/
Remote
flash
1. Remove the accessory shoe cap (p. 117) and slide a Program/Maxxum 5600HS(D)
or 3600HS(D) flash on the accessory shoe until the safety lock engages.
2. Turn on the camera and flash unit.
3. Set the camera to the wireless flash mode in section 2 of the recording menu (p. 64).
This simultaneously set a the flash to the wireless mode and sets the camera to the
flash’s wireless channel.
4. Press and hold the mounting-foot-release button to disengage the safety catch and
remove the flash unit from the camera.
Flash mode Fill-flash
Flash control Red eye
Power ratio Rear sync.
Setup
WirelessSetup
Bracket order
73
Raise the built-in flash on the camera and position the
camera and flash around the subject. See the following
page for operating ranges.
Make sure no objects come between the camera and flash unit. The flash units can be
test fired by pressing the AEL button on the camera. AEL button setup in section 1 of the
custom menu should be set to one of the hold options. If the flash does not fire, change
the camera, flash, or subject position. The slow shutter sync is active in P and A exposure
modes (p. 47).
When the 5600HS(D) and 3600HS(D) flash is charged, the AF illuminator on the front of
the unit blinks. The viewfinder flash signal shows the status of the camera flash (p. 31).
Take a picture as described in the basic recording section on page 28.
Wireless/Remote flash performs best under subdued light or interior lighting. Under bright
light sources, the flash may not be able to detect the control signals from the camera’s
built-in flash.
When not using off-camera flash units, always turn off the wireless flash mode in section
1 of the recording menu, or inaccurate flash exposures will result. The 5600HS(D) and
3600HS(D) flash units can be reset simultaneously with the camera. Simply mount the
flash unit in the accessory shoe and change the wireless flash mode setting on the menu
to another flash mode.
High-speed sync. is available, see page 118. The Wireless/Remote Flash Controller is
not compatible with this camera.
74
R
ECORDING MENU
WIRELESS/REMOTE CAMERA AND FLASH RANGES
Flash-to-subject
distance
Camera-to-subject
distance
The camera and flash must
be within 5m or 16.4 ft of
the subject.
Up to sync. speed
1
1/250 second
1.4 ~ 5m / 4.6 ~ 16.4ft
1 ~ 5m / 3.3 ~ 16.4ft
1 ~ 5m / 3.3 ~ 16.4ft
1 ~ 5m / 3.3 ~ 16.4ft
1 ~ 2.5m / 3.3 ~ 8.2ft1 ~ 5m / 3.3 ~ 16.4ft
1 ~ 5m / 3.3 ~ 16.4ft
1 ~ 3.5m / 3.3 ~ 11.5ft
1 ~ 5m / 3.3 ~ 16.4ft
Specifications with Maxxum / Program flash 5600HS(D) at ISO 100
1/1000 second
1 ~ 2.5m / 3.3 ~ 8.2ft
1 ~ 1.7m / 3.3 ~ 5.6ft
1 ~ 1.2m / 3.3 ~ 3.9ft
Aperture
ƒ/2.8
ƒ/4.0
ƒ/5.6
ƒ/2.8
ƒ/4.0
ƒ/5.6
Camera-to-subject
distance
Flash-to-subject distance
2
Specifications with Maxxum / Program flash 3600HS(D) at ISO 100
1
1.4 ~ 5m / 4.6 ~ 16.4ft
1 ~ 5m / 3.3 ~ 16.4ft
1 ~ 5m / 3.3 ~ 16.4ft
1 ~ 5m / 3.3 ~ 16.4ft
1 ~ 2m / 3.3 ~ 6.6ft1 ~ 5m / 3.3 ~ 16.4ft
1 ~ 5m / 3.3 ~ 16.4ft
1 ~ 3m / 3.3 ~ 9.8ft
1 ~ 4m / 3.3 ~ 13.1ft 1 ~ 2m / 3.3 ~ 6.6ft
1 ~ 1.5m / 3.3 ~ 4.9ft
1. The camera’s flash sync. speed is 1/125 sec. with Anti-Shake on and 1/160 sec. with
Anti-Shake off. Shutter speeds up to this limit can be used.
2. Double the maximum distance when using the camera sensitivity at ISO 400. The
maximum distance cannot exceed 5m or 16.4 ft.
75
FLASH CONTROL
Flash mode Fill-flash
Flash control ADI flash
Power ratio 1/1
Setup
0.3Ev/3frames
0.3Ev/3frames
Setup
Bracket order
ADI, pre-flash TTL, and manual flash control are available.
Flash control is changed in section 2 of the recording menu
(p. 64). The flash control used depends on the lens and
flash combination.
ADI (Advanced Distance Integration) flash metering -
combines distance information from D-series lenses with
information from a pre-flash exposure. ADI metering is less
influenced by subject reflectance.
The camera automatically switches from ADI metering to pre-flash TTL when the
autofocus system is prevented from focusing. When using the Macro Twin Flash 2400 ,
Marco Ring flash 1200 or a wireless or off-camera flash unit, flash control is set to pre-
flash TTL.
When using the Maxxum / Program Flash 2500(D), switch both the flash unit and camera
to ADI metering.
Pre-flash TTL - calculates flash exposure with a pre-flash only. This mode must be used
with close-up filters or filters that reduce the amount of light entering the camera such as
neutral density filters. Pre-flash TTL must be used when a diffuser is attached to the built-
in flash, the wide-angle adapter with the Maxxum / Program flash 3600HS(D), bounce
flash with the Maxxum / Program Flash 2500(D), or an external flash unit.
Manual flash control - fires the flash at full power, 1/2, 1/4, 1/8, or 1/16 power. The
power ratio is selected in section 2 of the recording menu (p. 64). See the following page
for more on manual flash and power ratio. Because no pre-flash is used, it can be used
to fire slave flash units. Manual flash cannot be used with wireless.
76
R
ECORDING MENU
The output of the flash can be specified when using manual
flash control with power ratios.
Set the flash-control option in section 2 of the recording
menu to manual. The power ratio, also in section 2, can
then be selected. See page 64 for menu operation.
17 / 56 24 / 79 34 / 112
48 / 157
The chart lists approximate guide numbers for manual flash calculations. The following
equations are useful in determining the guide number, aperture (ƒ-number), or flash-to-
subject distance required for exposures.
Guide no. (for distance in meters / feet)
Power
ratio
1/1 (Full)
1/4
1/8
200 400 800
Camera sensitivity (ISO)
8.5 / 29
6 / 20
12 / 39 17 / 56
17 / 56
12 / 39
24 / 79
8.5 / 29
1/2 12 / 39 17 / 56 24 / 79
34 / 112
1/16 4.2 / 14
12 / 39
8.5 / 296 / 20
12 / 39
100
6 / 20
4.2 / 14
8.5 / 29
3 / 10
Flash mode Fill-flash
Flash control Manual
Power ratio 1/1
Setup
0.3Ev/3frames
0.3Ev/3frames
Setup
Bracket order
MANUAL FLASH AND POWER RATIO
When the camera flash is raised, the power ratio is
displayed on the monitor.
Power ratio
Guide number = ƒ-number X distance
Distance = guide number / ƒ-number
ƒ-number = guide number / distance
68 / 223
3200
24 / 79
34 / 112
48 / 157
17 / 56
1600
77
INSTANT PLAYBACK
After each image is captured, it is displayed as specified by the menu. Press the shutter-
release button partway down to end the instant playback.
During the instant playback period, the captured images can be deleted using the delete
button (p. 36). When a continuous-advance bracketed series is captured, the entire
series is erased. Single non-RAW images can be enlarged with the magnification button.
The image is centered on the AF area used, see page 38 for information on enlarged
playback.
After an image is captured, it can be displayed on the
monitors for two, five, or ten seconds before being saved.
When using continuous-advance bracketing, an index
display is used. Instant playback is activated and the length
of the playback period is set with the instant-playback
option in section 3 of the recording menu (p. 64).
Inst.Playback 2 sec.
Setup Image & info.
Noise reductn On
Interval
The setup option below instant playback specifies the display format:
Image only Image & information Image & histogram
This function reduces the affect of dark noise with exposures of one second or longer.
Processing is applied to each image after it is captured. The monitor remains blank
during processing for a maximum of 30 seconds. This can be turned off in section 3 of
the recording menu (p. 64). Noise reduction uses dark-frame subtraction. Noise reduction
is not applied to a series of continuous-advance images
NOISE REDUCTION
94
C
USTOM MENU
This custom function has two options:
AF - AF priority. The shutter will not release until the camera
focuses.
Release - shutter-release priority. The shutter releases
even if focus cannot be confirmed. The RP indicator is
displayed on the monitor when this option is selected.
AF/SHUTTER RELEASE PRIORITY SETUP
Release priority indicator
Some Konica Minolta lenses are equipped with a focus-hold button. The operation of this
button can be specified in section 1 of the custom menu (p. 92). This custom function has
two options:
Focus hold - pressing the focus-hold button on the lens locks the focus.
D.O.F. preview - pressing the focus-hold button previews the depth of field (p. 53). With
non-D series lenses, this is active when the aperture and shutter speed are displayed.
FOCUS-HOLD BUTTON SETUP
The operation of the AF/MF button (p. 53) can be specified
in section 1 of the custom menu (p. 92). This custom
function has two options:
Hold - press and hold the AF/MF button to switch between
autofocus and manual focus. Releasing the button returns
to the original focus mode.
Toggle - press and release the AF/MF button to switch
between autofocus and manual focus. Press and release
the button again returns to the original focus mode.
AF/MF BUTTON SETUP
Priority setup AF
Focus hold
On
Auto AF setup Auto AF
Hold
AE hold
FocusHoldButt.
AF/MF button
AEL button
AF w/ shutter
109
NEW FOLDER
This allows the creation of new folders. The folder-name
option in section 2 of the setup menu specifies the folder-
name format. If multiple date-format folders are created,
only the last folder can be used for storing images.
Highlight “Enter” and press the center of the controller to
create a new folder.
The new folder name is displayed briefly. Every time a new
folder is created, the folder number increases automatically
by one greater than the highest folder number on the
memory card.
File # memory
Enter
Folder name
Select folder
New folder
101KM023 folder created.
LCD backlight 5 sec.
3 min.
Reset default
Off
“No”
Power save
MenuSec.Memory
Delete conf.
Clean CCD
LCD BACKLIGHT
The LCD monitor backlight turns off to conserve power after
a certain period. Press a camera button to restore the
display. This period can be set to 5, 10, 30, or 60 seconds
in section 3 of the setup menu (p, 102).
AUTO POWER SAVE
The camera shuts down to conserve battery power if no operation is made within a
certain period. The length of this period can be changed to 1, 3, 5, 10, or 30 minutes. To
restore power, press the shutter-release button partway down. When the camera is
connected to the computer, the auto-power-save period is set to ten minutes. This period
cannot be changed.
1

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Konica-Minolta-Dynax-7D
  • Mijn Konica Minolta 7D schrijft als ik de foto heb gemaakt niet op de Kaart.Er verschijnt een zwarte plaat in plaats van het Portret dat is gefotografreed.
    Wat kan ik daar aan doen ?
    Waar ligt het aan ?
    In afwachting van het probleem

    he.rooijackers@gmail.com

    Gesteld op 5-8-2021 om 09:07

    Reageer op deze vraag Misbruik melden
  • Mijn KM 7D is suk.
    Hij stelt wel scherp maar bij doordrukken van de afdrukknop gaat de sluiter niet af.
    Ook als ik de sluiter bedien met met een draadontspanner blijft de verwachte klik uit.
    Kan ik dat nog laten reapareren (mei 2014)?
    Wie weet een goede oplossing? Gesteld op 29-5-2014 om 18:02

    Reageer op deze vraag Misbruik melden

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