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WK3200/3700-E-1

USER’S GUIDE

738A-E-002A

CASIO Europe GmbH

Bornbarch 10, 22848 Norderstedt, Germany

GUIDELINES LAID DOWN BY FCC RULES FOR USE OF THE UNIT IN THE U.S.A. (not applicable to other areas).

NOTICE

This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15

of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a

residential installation. This equipment generates, uses and can radiate radio frequency energy and, if not installed

and used in accordance with the instructions, may cause harmful interference to radio communications. However,

there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful

interference to radio or television reception, which can be determined by turning the equipment off and on, the user

is encouraged to try to correct the interference by one or more of the following measures:

• Reorient or relocate the receiving antenna.

• Increase the separation between the equipment and receiver.

• Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.

• Consult the dealer or an experienced radio/TV technician for help.

FCC WARNING

Changes or modifications not expressly approved by the party responsible for compliance could void the user’s

authority to operate the equipment.

Important!

Please note the following important information before using this product.

• Before using the optional AD-5 Adaptor to power the unit, be sure to check the AC Adaptor

for any damage first. Carefully check the power cord for breakage, cuts, exposed wire and

other serious damage. Never let children use an AC adaptor that is seriously damaged.

• Never attempt to recharge batteries.

• Do not use rechargeable batteries.

• Never mix old batteries with new ones.

• Use recommended batteries or equivalent types.

• Always make sure that positive (+) and negative (–) poles are facing correctly as indicated

near the battery compartment.

• Replace batteries as soon as possible after any sign they are getting weak.

• Do not short-circuit the battery terminals.

• The product is not intended for children under 3 years.

• Use only CASIO AD-5 adaptor.

• The AC adaptor is not a toy.

• Be sure to disconnect the AC adaptor before cleaning the product.

This mark applies in EU countries only.

E-1

Safety Precautions

Congratulations on your selection of the CASIO

electronic musical instrument.

• Before using the instrument, be sure to carefully

read through the instructions contained in this

manual.

• Please keep all information for future reference.

Symbols

Various symbols are used in this user’s guide and on

the product itself to ensure that the product is used

safely and correctly, and to prevent injury to the user

and other persons as well as damage to property.

Those symbols along with their meanings are shown

below.

DANGER

This symbol indicates information that, if ignored

or applied incorrectly, creates the danger of death

or serious personal injury.

WARNING

This indication stipulates matters that have the risk

of causing death or serious injury if the product is

operated incorrectly while ignoring this indication.

CAUTION

This indication stipulates matters that have the risk

of causing injury as well as matters for which there

is the likelihood of occurrence of physical damage

only if the product is operated incorrectly while

ignoring this indication.

738A-E-003A

Symbol Examples

This triangle symbol ( ) means that the

user should be careful. (The example at

left indicates electrical shock caution.)

This circle with a line through it (

)

means that the indicated action must not

be performed. Indications within or

nearby this symbol are specifically

prohibited. (The example at left indicates

that disassembly is prohibited.)

The black dot (

) means that the

indicated action must be performed.

Indications within this symbol are actions

that are specifically instructed to be

performed. (The example at left indicates

that the power plug must be unplugged

from the electrical socket.)

WK3200_e_01-09.p65 05.3.15, 6:16 PM1

E-2

738A-E-004A

Safety Precautions

● Never touch the AC adaptor while your

hands are wet.

Doing so creates the risk of electric shock.

● Use the AC adaptor where it will not be

splashed with water. Water creates the

risk of fire and electric shock.

● Do not place a vase or any other container

filled with liquid on top of the AC

adaptor. Water creates the risk of fire and

electric shock.

Batteries

Misuse of batteries can cause them to leak,

resulting in damage to nearby objects, or to

explode, creating the risk of fire and

personal injury. Always make sure you

observe the following precautions.

• Never try to take batteries apart or allow

them to become shorted.

• Never expose batteries to heat or dispose

of them by incineration.

• Never mix old batteries with new ones.

• Never mix batteries of different types.

• Do not charge the batteries.

• Make sure the positive (+) and negative

(–) ends of the batteries are facing

correctly.

Do not incinerate the product.

Never throw the product into fire.

Doing so can cause it to explode, creating

the risk of fire and personal injury.

Water and Foreign Matter

Water, other liquids, and foreign matter

(such as pieces of metal) getting into the

product create the risk of fire and electric

shock. Take the following steps

immediately.

1. Turn off power.

2. If you are using the AC adaptor for

power, unplug it from the wall outlet.

3. Contact your original retailer or an

authorized CASIO Service Provider.

Disassembly and Modification

Never try to take this product apart or

modify it in any way. Doing so creates the

risk of electric shock, burn injury, or other

personal injury. Leave all internal

inspection, adjustment, and maintenance up

to your original retailer or authorized

CASIO Service Provider.

DANGER

Alkaline Batteries

Perform the following steps immediately if

fluid leaking from alkaline batteries ever

gets into your eyes.

1. Do not rub your eyes! Rinse them with

water.

2. Contact your physician immediately.

Leaving alkaline battery fluid in your eyes

can lead to loss of sight.

WARNING

Smoke, Strange Odor, Overheating

Continued use of the product while it is

emitting smoke, a strange odor, or heat

creates the risk of fire and electric shock.

Take the following steps immediately.

1. Turn off power.

2. If you are using the AC adaptor for

power, unplug it from the wall outlet.

3. Contact your original retailer or an

authorized CASIO Service Provider.

AC Adaptor

● Misuse of the AC adaptor creates the risk

of fire and electric shock. Always make

sure you observe the following

precautions.

• Be sure to use only the AC adaptor

that is specified for this product.

• Use only a power source whose voltage

is the within the rating marked on the

AC adaptor.

• Do not overload electrical outlets and

extension cords.

● Misuse of the AC adaptor’s electric cord

can damage or break it, creating the risk

of fire and electric shock. Always make

sure you observe the following

precautions.

• Never place heavy objects on the cord

or subject it to heat.

• Never try to modify the cord or subject

it to excessive bending.

• Never twist or stretch the cord.

• Should the electric cord or plug become

damaged, contact your original retailer

or authorized CASIO Service Provider.

WK3200_e_01-09.p65 05.3.15, 6:16 PM2

E-3

Safety Precautions

CAUTION

AC Adaptor

● Misuse of the AC adaptor creates the

risk of fire and electric shock. Always

make sure you observe the following

precautions.

• Do not locate the electric cord near a

stove or other sources of heat.

• Never pull on the cord when

unplugging from the electrical outlet.

Always grasp the AC adaptor when

unplugging.

● Misuse of the AC adaptor creates the

risk of fire and electric shock. Always

make sure you observe the following

precautions.

• Insert the AC adaptor into the wall

outlet as far as it will go.

• Unplug the AC adaptor from the wall

outlet during lightening storms or

before leaving on a trip or other long-

term absence.

• At least once a year, unplug the AC

adaptor from the wall outlet and wipe

away any dust that is built up in the

area around the prongs of the plug.

Relocating the Product

Before relocating the product, always

unplug the AC adaptor from the wall outlet

and disconnect all other cables and

connecting cords. Leaving cords connected

creates the risk of damage to the cords, fire,

and electric shock.

Cleaning

Before cleaning the product, always unplug

the AC adaptor from the wall outlet first.

Leaving the AC adaptor plugged in creates

the risk of damage to the AC adaptor, fire,

and electric shock.

Batteries

Misuse of batteries can cause them to leak

resulting in damage to nearby objects, or to

explode, creating the risk of fire and

personal injury. Always make sure you

observe the following precautions.

• Use only batteries that are specified for

use with this product.

• Remove batteries from the product if you

do not plan to use it for a long time.

738A-E-005A

Dropping and Impact

Continued use of this product after it has

been damaged by dropping or subjecting it

to strong impact creates the risk of fire and

electric shock. Take the following steps

immediately.

1. Turn off power.

2. If you are using the AC adaptor for

power, unplug it from the wall outlet.

3. Contact your original retailer or an

authorized CASIO Service Provider.

Plastic Bags

Never place the plastic bag the product

comes in over your head or in your mouth.

Doing so creates the risk of suffocation.

Particular care concerning this precaution

is required where small children are

present.

Keep off of the product and stand.*

Climbing onto the product or stand can

cause it to tip over or become damaged.

Particular care concerning this precaution

is required where small children are

present.

Location

Avoid locating the product on an unstable

stand, on an uneven surface, or any other

unstable location. An unstable location can

cause the product to fall over, creating the

risk of personal injury.

WK3200_e_01-09.p65 05.3.15, 6:16 PM3

E-4

738A-E-006A

Safety Precautions

Connectors

Connect only the specified devices and

equipment to the product’s connectors.

Connection of a non-specified device or

equipment creates the risk of fire and

electric shock.

Location

Avoid the following locations for this

product. Such locations create the risk of

fire and electric shock.

• Areas subject to high humidity or large

amounts of dust.

• In food preparation areas or other areas

subject to oil smoke.

• Near air conditioning equipment, on a

heated carpet, in areas exposed to direct

sunlight, inside of a vehicle parked in the

sun, or any other area that subjects the

product to high temperatures.

Display Screen

• Never push on the display screen’s LCD

panel or subject it to strong impact. Doing

so can cause the LCD panel’s glass to

crack, creating the risk of personal injury.

• Should the LCD panel ever crack or break,

never touch the liquid inside of the panel.

LCD panel liquid can cause skin irritation.

• Should LCD panel liquid ever get inside

your mouth, immediately wash out your

mouth with water and contact your

physician.

• Should LCD panel liquid ever get into

your eyes or onto your skin, rinse with

clear water for at least 15 minutes, and

then contact a physician.

Sound Volume

Do not listen to music at very loud volumes

for long periods. Particular care concerning

this precaution is required when using

headphones. High volume settings can

damage your hearing.

Heavy Objects

Never place heavy object on top of the

product.

Doing so can make the product top heavy,

causing the product to tip over or the object

to fall from it, creating the risk of personal

injury.

Correct Stand* Assembly

An incorrectly assembled stand can tip over,

causing the product to fall and creating the

risk of personal injury.

Make sure you assemble the stand correctly,

following the assembly instructions that

come with it. Make sure you mount the

product on the stand correctly.

* Stand is available as an option.

IMPORTANT!

When using batteries, be sure to replace them or shift to

one of the alternate power sources whenever you notice

any of the following symptoms.

• Dim power indicator

• Instrument does not turn on

• Display that is flickering, dim, or difficult to read

• Abnormally low speaker/headphone volume

• Distortion of sound output

• Occasional interruption of sound when playing at high

volumes

• Sudden power failure when playing at high volumes

• Flickering or dimming of the display when playing at high

volume

• Continued sound output even after you release a key

• A tone that is totally different from the one that is selected

• Abnormal rhythm pattern and demo tune play

• Loss of power, sound distortion, or low volume when

playing from a connected computer or MIDI device

• Sudden power failure while reading from or writing to

external storage media

WK3200_e_01-09.p65 05.3.15, 6:16 PM4

E-5

738A-E-007A

Congratulations upon your selection of this CASIO musical instrument. This keyboard provides you with the following features

and functions.

❐ 550 Tones Include Rich Advanced Tones

A total of 332 Advanced Tones are programmed with DSP tones to make them richer and more powerful. Advanced tones like

Stereo Piano and Tremolo Electric Piano enhance the Piano and Electric Piano tones to create a totally new sound.

❐ 50 Drawbar Organ Tones

In addition to the 550 standards tones, the keyboard also includes 50 realistic drawbar organ tones. Drawbar organ tones can be

controlled using nine digital drawbars. You can also select percussion or key click, and even edit the parameters of preset tone

and save up to 100 original tones in user tone memory.

❐ Flash Memory

Built-in Flash memory lets you expand your selection of tones and rhythms by downloading data from the CASIO MUSIC SITE,

or by the CD-ROM that comes bundled with the keyboard. You can also store up to 200 SMF format music files for playback.

❐ PIANO SETTING Button

The press of a button optimizes the keyboard setup for piano play.

❐ 160 Preset Rhythms + 16 User Rhythms

A selection of 160 rhythms includes accompaniments for everything from rock to pops and jazz.

You can also transfer accompaniment data from your computer and store up to 16 of them as user rhythms in keyboard memory.

❐ Auto Accompaniment

Simply play a chord and the corresponding rhythm, bass and chord parts play automatically. One-touch Preset instantly recalls

the most suitable tone and tempo settings to match the rhythm you are using.

❐ Big, Information-packed Display

A big built-in display shows chord names, tempo setting, keyboard information, staff notation of notes played, and more for full

support of all your keyboard play. A built-in backlight keeps the display easy to read, even in total darkness.

❐ Song Memory

Record up to six parts in memory, along with their tone, volume, pan position, and other parameters for later playback. Realistic

ensemble play can also be created using the Auto Accompaniment function.

❐ Synthesizer Mode

Edit built-in sounds to produce your own original creations. Up to 120 of your own sounds can be stored in memory for recall,

just like the built-in tones.

❐ General MIDI compatibility

The General MIDI tones of this keyboard let you connect to a personal computer to enjoy “desktop music” capabilities. This

keyboard can be used as a desktop music input device or sound source, and it's just the thing for playback of commercially

available pre-recorded General MIDI music software.

❐ Powerful effects

A collection of powerful effects, such as DSP reverb, chorus, and more, give you total control over the type of sound you want.

You can even change the parameters of an effect to create your own, original effects. A 4-band equalizer is also included.

Introduction

WK3200_e_01-09.p65 05.3.15, 6:16 PM5

E-6

❐ Mixer

You can specify tone, volume, pan position, and other parameters for each built-in Auto Accompaniment part. You can also

control the same parameters for each channel during MIDI input.

❐ Registration Memory

Keyboard setups can be stored in memory for later recall and instant settings whenever you need them. Up to 32 setups (4 setups

x 8 banks) can be stored in registration memory.

❐ Data download from your computer

You can use your computer to download data from the CASIO MUSIC SITE.

❐ SmartMedia

Card Slot

A built-in SmartMedia card slot helps to simplify transfer of data from a computer and lets you store volumes of data for later

recall when you need it. You can also load a card with a standard MIDI file (SMF) and play it back on the keyboard.

❐ Built-in floppy disk drive (WK-3700 only)

Save original tones or songs you created with the Song Memory to disk for long-term storage. You can also load a disk with a

standard MIDI file (SMF) and play it back on the keyboard.

Introduction

738A-E-008A

WK3200_e_01-09.p65 05.3.15, 6:16 PM6

E-7

738A-E-009A

Contents

Safety Precautions ................E-1

Introduction ...........................E-5

General Guide...................... E-10

Attaching the Score Stand ..................... E-11

Playing a Demo Tune .............................E-12

Power Supply ......................E-14

Using batteries .......................................E-14

Using the AC Adaptor .............................E-15

Auto Power Off.......................................E-15

Turning Off the Keyboard .......................E-16

Memory Contents...................................E-16

Connections ........................E-17

Basic Operations.................E-19

To play the keyboard ..............................E-19

Selecting a Tone.....................................E-19

PIANO SETTING Button ........................E-20

Using the PITCH BEND Wheel ..............E-21

Using the MODULATION .......................E-21

Using the Drawbar Organ

Mode .....................................E-22

To select a drawbar organ tone..............E-24

To edit a drawbar organ tone ................. E-24

Parameter Details ..................................E-25

To save an edited drawbar organ tone...E-26

Applying Effects to Tones ....E-27

Effect Blocks ..........................................E-27

Selecting a DSP Type ............................E-28

About the DSP Button ............................E-29

Selecting REVERB ................................E-29

Selecting CHORUS................................E-30

Using the Equalizer ................................E-31

Auto Accompaniment .........E-32

About the MODE Button ........................E-32

Selecting a Rhythm ................................E-32

Playing a Rhythm ...................................E-33

Adjusting the Tempo...............................E-33

Using Auto Accompaniment ...................E-33

Using an Intro Pattern ............................E-36

Using a Fill-in Pattern .............................E-36

Using a Rhythm Variation.......................E-37

Synchro Starting Accompaniment

with Rhythm Play ...................................E-37

Finishing with an Ending Pattern ...........E-37

Using One-touch Preset.........................E-38

Using Auto Harmonize ...........................E-38

Adjusting the Accompaniment Volume...E-39

Mixer Function..................... E-40

What you can do with the Mixer .............E-40

Turning Channels On and Off ................E-40

Using the Parameter Edit Mode .............E-41

How Parameters Work ...........................E-42

WK3200_e_01-09.p65 05.3.15, 6:16 PM7

E-8

738A-E-010A

Contents

Synthesizer Mode................ E-44

Synthesizer Mode Functions..................E-44

Creating a User Tone .............................E-47

Storing a User Tone In Memory .............E-50

Registration Memory ..........E-51

Registration Memory Features...............E-51

To Save a Setup in Registration

Memory ..................................................E-52

To Recall a Setup from Registration

Memory ..................................................E-52

Song Memory Function ......E-53

Tracks ....................................................E-53

Basic Song Memory operations .............E-53

Using Real-time Recording ....................E-54

Mixer Mode Settings ..............................E-55

Playing Back from Song Memory...........E-56

Recording Melody and Chords with

Step Recording ......................................E-56

Recording Multiple Tracks......................E-59

Correcting Mistakes While Step

Recording...............................................E-60

Editing Memory Contents.......................E-62

Editing a Song........................................E-64

Keyboard Settings ..............E-65

Using Layer ............................................E-65

Using Split ..............................................E-66

Using Layer and Split Together ..............E-67

Transposing the Keyboard .....................E-68

Using Touch Response ..........................E-68

Tuning the Keyboard ..............................E-69

Changing Other Settings........................E-70

Using the SMF Player .........E-74

Playing Back an SMF .............................E-76

Configuring Other Settings.....................E-77

MIDI....................................... E-79

What is MIDI? ........................................E-79

General MIDI..........................................E-79

MIDI Settings .........................................E-79

Using the Music Data Management

Software (on the Bundled CD-ROM) .....E-80

WK3200_e_01-09.p65 05.3.15, 6:16 PM8

E-9

Contents

738A-E-011A

Company and product names used in this

manual may be registered trademarks of

others.

Saving Data.......................... E-82

Using a SmartMedia Card......................E-83

Using the Floppy Disk Drive

(WK-3700 Only) .....................................E-84

Using External Storage Media ...............E-86

Saving Files ...........................................E-87

Loading a File ........................................E-88

Renaming a File .....................................E-90

Deleting a File ........................................E-90

Formatting External Storage Media .......E-91

Inputting Characters...............................E-92

SmartMedia Card Error Messages ........E-93

Disk Drive Error Messages

(WK-3700 Only) .....................................E-94

Troubleshooting .................. E-95

Specifications ......................E-98

Care of your Instrument ...E-101

Appendix ............................... A-1

Tone List...................................................A-1

Drum Assignment List ..............................A-9

Rhythm List ............................................ A-11

Fingered Chord Chart ............................A-12

Effect List ...............................................A-14

DSP Algorithm List .................................A-16

MIDI Implementation Chart

WK3200_e_01-09.p65 05.3.15, 6:16 PM9

E-10

738A-E-012A

General Guide

8 C0

K L

A B

TSR U

1 2 73 654

FD G HE

M MQN O P

V W X

Y Z [ \ ]

a b

WK3200_e_10-21.p65 05.3.18, 2:31 PM10

E-11

General Guide

738A-E-013A

• Illustrations in this User’s Guide shows the WK-3700.

1 POWER button

2 Power indicator

3 MODE button

4 EFFECT button

5 SYNTH button

6 MIXER button

7 TRANSPOSE/FUNCTION button

8 MAIN VOLUME knob

9 ONE TOUCH PRESET button

0 ACCOMP VOLUME button

A SONG MEMORY button

B 쎲WK-3700

DISK/CARD button

쎲WK-3200

CARD button

C DATA ACCESS lamp

D RHYTHM button

E TONE button

F DSP button

G PIANO SETTING button

[왖]

[왔]

[왗]

[왘]

CURSOR buttons

I EXIT button

J AUTO HARMONIZE button

K SPLIT button

L LAYER button

M Speaker

N Rhythm list

O Tone list

P Display

Q DEMO button*

R 쎲WK-3700

PHONES terminal

쎲WK-3200

PHONES/OUTPUT terminal

S CHORD root names

T Percussion instrument list

U Chord types name

V SMF PLAYER button

W CHANNEL button(1~16, DSP)/drawbar buttons

X DRAWBAR ORGAN button

Y INTRO/ENDING 1/2 buttons

Z VARIATION/FILL-IN 1/2 buttons

[ SYNCHRO/FILL-IN NEXT button

\ START/STOP button

] TEMPO buttons

_ SONG MEMORY TRACK buttons

a) BANK button

b) REGISTRATION buttons

c) STORE button

Attaching the Score Stand*1

Insert the score stand into the slot at the top

of the keyboard as shown in the illustration.

WK3200_e_10-21.p65 05.3.15, 6:16 PM11

E-12

Number buttons

[+]/[–] buttons

(YES/NO)

• For input of numbers to

change displayed settings.

• Negative values can be

changed only by using [+]

and [–] to increment and

decrement the displayed

value.

Playing a Demo Tune*4

Pressing the DEMO button starts demo tune play. There are 3 demo tunes, which continuously play in sequence. To stop demo

tune play, press either the DEMO button or the START/STOP button.

NOTE

• Pressing the [+]/[–] buttons skips to the next demo tune.

• The PIANO SETTING button, Layer, and Split are disabled while a demo tune is playing.

General Guide

738A-E-014A

• WK-3700

PITCH BEND wheel

MODULATION wheel

• WK-3200

MODULATION button

MODULATION button lamp

PITCH BEND wheel

c d

Front Panel

• WK-3700 only

Access lamp

Eject button

WK3200_e_10-21.p65 05.3.15, 6:16 PM12

E-13

Rear Panel

• WK-3700

MIDI OUT terminal

MIDI IN terminal

SUSTAIN/ASSIGNABLE JACK terminal

LINE OUT R, LINE OUT L/MONO terminal

DC 12V terminal

OUT IN

SUSTAIN/

ASSIGNABLE JACK

MIDI

DC 12V

OUT IN

SUSTAIN/

ASSIGNABLE JACK

MIDI

LINE OUT

R L/MONO

DC 12V

j k

• WK-3200

MIDI OUT terminal

MIDI IN terminal

SUSTAIN/ASSIGNABLE JACK terminal

DC 12V terminal

Rear Panel

General Guide

738A-E-015A

Card slot

NOTE

• Display examples shown in this User’s Guide are intended for illustrative purposes only. The actual text and values that

appear on the display may differ from the examples shown in this User’s Guide.

• Due to LCD element characteristics, display contrast changes depending on the angle from which you view it. The initial

default contrast setting is one that allows easy viewing for a musician seated directly in front of the display. You can also

adjust the contrast to the level that suits your particular needs. For more information, see page E-73.

WK3200_e_10-21.p65 05.3.15, 6:16 PM13

E-14

This keyboard can be powered by current from a standard

household wall outlet (using the specified AC adaptor) or by

batteries. Always make sure you turn the keyboard off

whenever you are not using it.

Using batteries

Always make sure you turn off the keyboard before loading

or replacing batteries.

To load batteries

Remove the battery compartment cover.

Load six D-size batteries into the battery

compartment.

• Make sure that the positive (+) and negative (–) ends

are facing correctly.

Insert the tabs on the battery compartment cover

into the holes provided and close the cover.

NOTE

• The keyboard may not function correctly if you load or

replace batteries with power turned on. If this happens,

turning the keyboard off and then back on again should

return functions back to normal.

Power Supply

tab

Important Battery Information

■

The following shows the approximate battery life.

Alkaline batteries ............................. 4 hours

The above value is standard battery life at normal

temperature, with the keyboard volume at a medium

setting. Temperature extremes or playing at very loud

volume settings can shorten battery life.

WARNING

Misuse of batteries can cause them to leak, resulting in

damage to nearby objects, or to explode, creating the risk of

fire and personal injury. Always make sure you observe the

following precautions.

• Never try to take batteries apart or allow them to

become shorted.

• Never expose batteries to heat or dispose of them by

incineration.

• Never mix old batteries with new ones.

• Never mix batteries of different types.

• Do not charge the batteries.

• Make sure the positive (+) and negative (–) ends of

the batteries are facing correctly.

CAUTION

Misuse of batteries can cause them to leak resulting in

damage to nearby objects, or to explode, creating the risk of

fire and personal injury. Always make sure you observe the

following precautions.

• Use only batteries that are specified for use with this

product.

• Remove batteries from the product if you do not plan

to use it for a long time.

738A-E-016A

WK3200_e_10-21.p65 05.3.15, 6:16 PM14

E-15

Using the AC Adaptor

Make sure that you use only the AC adaptor specified for

this keyboard.

Specified AC Adaptor: AD-12

Note the following important precautions to avoid damage

to the power cord.

● During Use

• Never pull on the cord with excessive force.

• Never repeatedly pull on the cord.

• Never twist the cord at the base of the plug or connector.

• The power cord should not be stretched tight while it is in

use.

● During Movement

• Before moving the keyboard, be sure to unplug the AC

adaptor from the power outlet.

● During Storage

• Loop and bundle the power cord, but never wind it around

the AC adaptor.

IMPORTANT!

• Make sure that the keyboard is turned off before

connecting or disconnecting the AC adaptor.

• Using the AC adaptor for a long time can cause it to

become warm to the touch. This is normal and does not

indicate malfunction.

Power Supply

Auto Power Off

When you are using battery power, keyboard power turns

off automatically whenever you leave it on without

performing any operation for about 6 minutes. When this

happens, press the POWER button to turn power back on.

NOTE

• Auto Power Off is disabled (it does not function) when

you are using the AC adaptor to power the keyboard.

To disable Auto Power Off

Hold down the TONE button while turning on the keyboard

to disable Auto Power Off.

• When Auto Power Off is disabled, the keyboard does not

turn off automatically no matter how long it is left with no

operation being performed.

• Auto Power Off is automatically enabled whenever you

turn on keyboard power.

Settings

Tone, rhythm, and other “main keyboard settings” in effect

when you turn off the keyboard manually by pressing

POWER button or when Auto Power Off turns off power are

still in effect the next time you turn power back on.

Main Keyboard Settings

Tone number, layer, split, split point, drawbar organ

tone settings, transpose, tuning, and contrast settings,

touch response, reverb, chorus, DSP, equalizer, rhythm

number, tempo, keyboard channel, MIDI In Chord

Judge on/off, accomp MIDI out on/off, assignable

jack setting, accompaniment volume, user area tones

(Synthesizer Mode), user area accompaniments, user

DSP area, pitch bend range, Auto Harmonize on/off,

Auto Harmonize type, Mixer hold, DSP hold, Auto

Accompaniment mode, all Mixer parameters, all

Synthesizer Mode parameters, Song Memory song

numbers, SMF player settings (play mode, manual

play part, SMF playback volume)

738A-E-017A

AC adaptor AD-12

AC outlet

OUT IN

SUSTAIN/

ASSIGNABLE JACK

MIDI

LINE OUT

R L/MONO

DC 12V

WK3200_e_10-21.p65 05.3.15, 6:16 PM15

E-16

Power Supply

Turning Off the Keyboard

• Be sure to press the POWER button to turn off power and

make sure that the LCD backlight is off before disconnecting

the AC adaptor or doing anything else.

• Never disconnect the AC adaptor while the keyboard is

turned on or try to turn off power using any other technique

besides pressing the POWER button. Doing so can cause

the contents of the keyboard’s Flash memory to become

corrupted. Strange keyboard operation and abnormal

startup when power is turned on are symptoms of

corrupted Flash memory contents. See “Troubleshooting”

on page E-95 for more information.

IMPORTANT!

• While the following message is on the display, never

turn off the keyboard by pressing the POWER button,

disconnecting the AC adaptor, etc.

(message) “Pls Wait” or “Bulk In”

Turning off the keyboard while the above message is

on the display can cause user data (user tones, song

memory data, etc.) currently stored in keyboard memory

or on external media to become corrupted. Once

corrupted, you may not be able to recall the data again.

Memory Contents

In addition to the above settings, data stored in the

Registration Mode and Song Memory Mode is also retained

when keyboard power is turned off.

Saving Setups and Memory Contents

About Flash memory

Your keyboard comes with built-in Flash memory, which can

continue to hold data even when electrical power is totally

cut off. This means that even after batteries go completely

dead, you can attach the AC adaptor, turn on power, and still

recall data stored in memory.

You can back up keyboard memory contents and other data

using the media described below.

• SmartMedia

Card

See “Using a SmartMedia Card” on page E-83.

• Floppy Diskette (WK-3700 only)

See “Using the Floppy Disk Drive (WK-3700 Only)” on page

E-84.

• Computer hard disk

See “MIDI” on page E-79.

738A-E-018A

IMPORTANT!

• When running under battery power, be sure to replace

batteries as soon as possible after the first signs of low

battery power (dim power indicator lamp, dim display

characters, etc.) Though the keyboard’s Flash memory

is non-volatile (which means that data is not lost when

power is interrupted), data can be lost if power suddenly

fails while data is being written to flash memory*.

* While storing or deleting user data, while recording

with the synthesizer, while transferring data from a

computer, etc.

Initializing the Keyboard

Initialization can be used to return keyboard parameters to

their initial factory default settings, or to delete all data

currently in keyboard memory. See page E-73 for more

information about initialization.

Returning the keyboard to its initial factory defaults

You can use the CD-ROM that comes with the keyboard and

your computer to return the keyboard’s flash memory and

all of its parameters to their initial factory default settings.

See “Bundled CD-ROM Data” on page E-80 for details.

WK3200_e_10-21.p65 05.3.15, 6:16 PM16

E-17

Connections

• WK-3700

Phones and Line Out Terminals

Before connecting phones or other external equipment, be

sure to first turn down the volume settings of the keyboard

and the connected equipment. You can then adjust volume

to the desired level after connections are complete.

[Front]

Connecting Phones

Connecting phones cuts off output from the keyboard’s built-

in speakers, so you can play even late at night without

disturbing anyone.

[Rear Panel]

Connecting to Audio Equipment

Use commercially available cords to connect to the two jacks

as shown in Figure

. It is up to you to purchase connecting

cables like the ones shown in the illustration for connection.

Normally in this configuration, you must set the audio

equipment’s input selector to the setting that specifies the

terminal (such as AUX IN) that the keyboard is connected to.

Use the keyboard’s MAIN VOLUME knob to adjust the

volume level.

OUT IN

SUSTAIN/

ASSIGNABLE JACK

MIDI

LINE OUT

R L/MONO

DC 12V

Standard plugs

Guitar amplifier,

keyboard amplifier, etc.

Audio amplifier AUX IN, etc.

PIN plug

Standard jacks

INPUT 1

INPUT 2

LEFT

(White)

RIGHT

(Red)

Connecting to a Musical Instrument Amplifier

Use commercially available cords to connect to the two jacks

as shown in Figure

. It is up to you to purchase connecting

cables like the ones shown in the illustration for connection.

Use the keyboard’s MAIN VOLUME knob to adjust the

volume level.

• If your amplifier has only one input jack, connect a cord to

the L/MONO jack only.

NOTE

• You can also connect the keyboard’s MIDI terminal to a

computer or sequencer. See “MIDI” on page E-79 for

details.

738A-E-019A

PHONES Terminal

Stereo standard plug

• WK-3200

Phones/Output Terminal

Before connecting phones or other external equipment, be

sure to first turn down the volume settings of the keyboard

and the connected equipment. You can then adjust volume

to the desired level after connections are complete.

[Front]

Connecting Phones

Connecting phones cuts off output from the keyboard’s built-

in speakers, so you can play even late at night without

disturbing anyone.

Audio Equipment

Connect the keyboard to a audio equipment using a

commercially available connecting cord with a standard plug

on one end and two PIN plugs on the other end. Note that

the standard plug you connect to the keyboard must be a

stereo plug, otherwise you will be able to output only one of

stereo channels. In this configuration, you normally set the

input selector of the audio equipment to the terminal (usually

marked AUX IN or something similar) where the cord from

the keyboard is connected. See the user documentation that

comes with your audio equipment for full details.

LEFT

RIGHT

AUX IN or similar terminal

of audio amplifier

White

Red

PIN plug

Stereo standard

plug

Audio connection

PHONES/OUTPUT Terminal

Keyboard amp,

guitar amp, etc.

WK3200_e_10-21.p65 05.3.15, 6:16 PM17

E-18

Connections

Musical Instrument Amplifier

Use a commercially available connecting cord to connect the

keyboard to a musical instrument amplifier.

NOTE

• Be sure to use a connecting cord that has a stereo

standard plug on the end you connect to the keyboard,

and a connector that provides dual channel (left and

right) input to the amplifier to which you are connecting.

The wrong type of connector at either end can cause

one of the stereo channels to be lost.

• When connected to a musical instrument amplifier, set the

volume of the keyboard to a relatively low level and make

output volume adjustments using the amplifier’s controls.

Connection Example

NOTE

• You can also connect the keyboard to a computer or

sequencer. See “MIDI” on page E-79 for details.

Sustain/Assignable jack Terminal

You can connect an optional sustain pedal (SP-3 or SP-20) to

the SUSTAIN/ASSIGNABLE JACK terminal to enable the

capabilities described below.

For details on how to select the pedal function you want, see

“Changing Other Settings” on page E-70.

Sustain Pedal

• With piano tones, depressing the pedal causes notes to

linger, much like a piano’s damper pedal.

• With organ tones, depressing the pedal causes notes to

continue to sound until the pedal is released.

INPUT 1

INPUT 2

PIN jack

PIN plug (red)

PIN plug (white)

Stereo standard plug

Keyboard or

guitar amp

To keyboard’s

PHONES/OUTPUT

terminal

Standard plug

738A-E-020A

OUT IN

SUSTAIN/

ASSIGNABLE JACK

MIDI

LINE OUT

R L/MONO

DC 12V

SP-20

SUSTAIN/ASSIGNABLE JACK Terminal

Sostenuto Pedal

• As with the sustain pedal function described above,

depressing the sostenuto pedal causes notes to be sustained.

• This difference between a sostenuto and sustain pedal is

the timing. With a sostenuto pedal, you press the keys and

then depress the pedal before you release the keys. Only

the notes that are sounding when the pedal is depressed

are sustained.

Soft Pedal

Depressing the pedal softens the sound of the notes being

played.

Rhythm Start/Stop Pedal

In this case, the pedal performs the same functions as the

START/STOP button.

Accessories and Options

Use only the accessories and options specified for this

keyboard. Use of non-authorized items creates the danger of

fire, electrical shock, and personal injury.

WK3200_e_10-21.p65 05.3.15, 6:16 PM18

E-19

This section provides information on performing basic

keyboard operations.

To play the keyboard

Press the POWER button to turn the keyboard on.

• This causes the power indicator to light.

Use the MAIN VOLUME knob to set the volume to

a relatively low level.

Play something on the keyboard.

Selecting a Tone

This keyboard comes with tones built-in, as shown below.

A partial list of the available tone names is printed on the

keyboard console. See the “Tone List” on page A-1 of this

manual for a complete list. “Advanced Tones”, are variations

of standard tones, which are created by programming in

effects (DSP) and other settings.

For details about drawbar organ tones, see “Using the

Drawbar Organ Mode” on page E-22.

Tone Types

Standard Tones: 550 Preset Tones + 124 User Tones

Basic Operations

Drawbar Organ Tones: 50 Preset Tones + 100 User Tones

*1: See “Changing Tones and Configuring DSP Effect

Settings” on page E-20.

*2: Memory area for tones created by you. See “Synthesizer

Mode” on page E-44. User tone areas 700 through 799

initially contain the same data as advanced tones 000

through 099.

*3: Depends on source tone or user setting. See “Synthesizer

Mode” on page E-44 for more information.

*4: Area for data transferred from a computer. See “U

sing

the Music Data Management Software (on the Bundled CD-

ROM)

” on page E-80 for more information. For

information about waveforms, see “Creating a User Tone”

on page E-47.

*5: Depends on tone. This status can be checked by viewing

the DSP button. See “About the DSP Button” on page E-

29 for more information.

*6: Memory area for tones created by you. See “To edit a

drawbar organ tone” on page E-24. User drawbar organ

tone areas initially contain two sets of the same data as

drawbar organ tones types 000 through 049.

NOTE

• You cannot select tone numbers not included in the

above range (standard tones 332 through 399, 618

through 699 and 820 through 899, and drawbar organ

tones from 050 to 099). When you use the [+] and [–]

buttons to scroll through tone numbers, scrolling jumps

across the unused numbers. Pressing [+] when 617 is

selected, for example, jumps to 700.

738A-E-021A

Number

000 - 331

400 - 599

600 - 617

700 - 799

800 - 819

900 - 903

Number

of Tones

332

200

100

Tone Type

Advanced Tones

Preset Tones

Drum Sets

User Tones*

User Tones with Waves*

User Drum Sets with

Waves*

DSP Line

On/Off*

Off

On/Off*

Number

000 - 049

100 - 199

Number

of Tones

100

Tone Type

Preset Tones

User Tones*

DSP Line

On/Off*

MAIN VOLUME

POWER

Number buttons

[+]/[–]

PIANO SETTING

TONE

PITCH BEND wheel

MODULATION wheel

MODULATION button

●WK-3700

●WK-3200

WK3200_e_10-21.p65 05.4.5, 10:30 AM19

E-20

Basic Operations

738A-E-022A

To select a tone

Find the tone you want to use in the tone list and

note its tone number.

Press the TONE button.

Use the number buttons to input the three digit tone

number for the tone you want to select.

Example: To select “432 GM ACOUSTIC BASS”, input

4, 3 and then 2.

NOTE

• Always input all three digits for the tone number,

including leading zeros (if any).

• You can also increment the displayed tone number by

pressing [+] and decrement it by pressing [–].

• When one of the drum sets is selected (tone numbers

600 through 617), each keyboard key is assigned a

different percussion sound. See page A-9 for details.

Polyphony

The term polyphony refers to the maximum number of notes

you can play at the same time. The keyboard has 32-note

polyphony, which includes the notes you play as well as the

rhythms and auto-accompaniment patterns that are played

by the keyboard. This means that when a rhythm or auto-

accompaniment pattern is being played by the keyboard, the

number of notes (polyphony) available for keyboard play is

reduced. Also note that some of the tones offer only 10-note

polyphony.

BsGsuAco

Changing Tones and Configuring

DSP Effect Settings

This keyboard has only a single DSP sound source. Because

of this, selecting tones for which DSP is enabled for multiple

parts when layering or splitting tones (page E-65, 66) can

cause conflicts. To avoid conflicts, DSP is allocated to the last

DSP enabled tone, and DSP is disabled (DSP line OFF) for all

other parts.

DSP line is a parameter that controls whether or not the

currently selected DSP effect is applied to a part.* Each tone

has a DSP line parameter. Selecting a tone for a part applies

the tone’s DSP line parameter setting to all parts.

* The DSP line parameter is turned on (DSP effect is applied)

for the 332 Advanced Tones numbered 000 through 331,

and turned off (DSP effect not applied) for the 200 preset

tones from 400 to 599. For information about other tones,

see “Tone Types” on page E-19.

PIANO SETTING Button

Pressing this button changes the setup of the keyboard to

optimize it for piano play.

Settings

Tone Number: “000”

Rhythm Number: “140”

Accompaniment Mode: Normal

Layer: Off

Split: Off

Auto Harmonize: Off

Transpose: 0

Touch Response:

Off: Returns to initial default

On: No change

Assignable Jack: SUS

Local Control: On

Mixer Channel 1 Parameter Setup: Depends on tone

To optimize keyboard settings for

piano play

Press the PIANO SETTING button.

Now try playing something on the keyboard.

• The notes you play will sound with a piano tone.

• If you want to play with rhythm accompaniment,

press the START/STOP button. This causes a rhythm

that is optimized for piano will start to play.

• To stop rhythm play, press the START/STOP button

again.

WK3200_e_10-21.p65 05.3.15, 6:16 PM20

E-21

Basic Operations

738A-E-023A

NOTE

• Pressing the PIANO SETTING button while a rhythm is

playing stops rhythm play and then changes the

keyboard setup.

• Pressing the PIANO SETTING button while the keyboard

is in the Synthesizer Mode or other mode exits the

current mode and then changes the keyboard setup.

• The setup of the keyboard does not change if you press

the PIANO SETTING button when any one of the

following exists.

* During real-time recording, step recording, or while

using the editing function of the Song Memory

* While the data save or overwrite message is on the

display

* During demo tune play

Using the PITCH BEND Wheel

As its name suggests, the PITCH BEND wheel lets you “bend”

the pitch of a sound. This makes it possible to add a touch of

realism to saxophone and other tones.

To use the PITCH BEND wheel

While holding down a keyboard key with your right

hand, use your left hand to rotate the PITCH BEND

wheel up and down.

• Releasing the PITCH BEND wheel returns the note

to its original pitch.

NOTE

• With saxophone and electrical guitar tones, the most

realistic sounding effects can be produced if you play

notes and operate the PITCH BEND wheel

simultaneously.

• See “Pitch Bend Range (Initial Default: 12)” on page

E-73 for changing the bend range of the PITCH BEND

wheel.

• Never turn on keyboard power while the PITCH BEND

wheel is rotated.

Using the MODULATION

Modulation applies vibrato, which modulates the pitch of a

note. It works best with notes that are sustained (held) by

keeping a keyboard key held down, especially when playing

the melody with a violin or other similar tone.

You can modify the modulation effect using DSP parameter

0 through 7. For more information, see “DSP Parameters” on

page E-28.

• WK-3700

To use the MODULATION Wheel

While playing melody notes with your right hand,

rotate the MODULATION wheel with your left

hand to apply vibrato to the notes.

• The amount of vibrato applied depends on how far

you rotate the MODULATION wheel upwards.

Setting the wheel to its neutral position (rotated as

far downwards as it can go) turns vibrato off.

• WK-3200

To use the MODULATION button

While holding down a keyboard key with your right

hand, use your left hand to press the

MODULATION button.

• Vibrato is applied as long as the MODULATION

button is depressed.

NOTE

• Modulation can be used to add greater expression to

sustained melody notes being played using a violin,

synthetic reed, or other similar tone.

• Modulation affects different tones in different ways.

WK3200_e_10-21.p65 05.3.15, 6:16 PM21

E-22

Using the Drawbar Organ Mode

Your keyboard has built-in “drawbar organ tones” that can be altered using nine digital drawbars whose operations are similar to

the controls on a drawbar organ. You can also select percussion or key click. There is room in memory for storage of up to 100

user-created drawbar tone variations.

Drawbar Organ Mode Operational Flow

Tone/Rhythm Selection Screeen

Drawbar Organ Tone Selection Screen

DRAWBAR ORGAN button

Drawbar Organ Tone Editing Screen

“More?” Screen

EXIT button

[왘] CURSOR button DRAWBAR ORGAN button

Synthesizer Editing Screen

[왔] CURSOR button [왖] CURSOR button

DSP Effect Editing Screen

[왔] CURSOR button [왖] CURSOR button

Name/Save Setting Screen

[왔] CURSOR button

[왖] CURSOR button

[

왗

] / [

왘

] CURSOR buttons

[

왗

] / [

왘

] CURSOR buttons

* You can also display the drawbar organ tone selection screen from the Song Memory Mode or SMF Playback Mode screen. In

this case, however, the Drawbar Organ Tone Editing Screen does not appear.

738A-E-024A

WK3200_e_22-31.p65 05.3.15, 6:16 PM22

E-23

Ft16’

8 4 2

2 1

116

CLICK SECOND THIRD

PERCUSSION

DECAY

Decrease

Currently selected

parameter

Value Parameter Name

Increase

Currently selected drawbar

Drawbar buttons

Using the Drawbar Organ Mode

738A-E-025A

Channel Buttons while the Drawbar Organ Tone Selection Screen is Displayed

The 18 buttons along the bottom of the display function as drawbar buttons while the drawbar organ tone selection screen is on

the display (after you press the DRAWBAR ORGAN button). Each pair of buttons (upper and lower) represents a drawbar, which

means that the 18 buttons provide you with the function of nine drawbars.

“ ’ ”: Feet

Each of the nine button pairs is assigned values ranging from 16 feet to 1 foot. Each button pair has a decrease button (for

decreasing by 16 feet, 5-1/3 feet, etc.) and an increase button (for increasing by 16 feet, 5-1/3 feet, etc.).

WK3200_e_22-31.p65 05.3.15, 6:16 PM23

E-24

Using the Drawbar Organ Mode

738A-E-026A

To select a drawbar organ tone

Find the drawbar organ tone you want to use in

the tone list and note its tone number.

Press the DRAWBAR ORGAN button.

• This causes the drawbar organ tone selection screen

to appear.

Use the number buttons to input the three digit tone

number for the tone you want to select.

NOTE

• Always input all three digits for the tone number,

including leading zeros (if any).

• You can also increment the displayed tone number by

pressing [+] and decrement it by pressing [–].

To edit a drawbar organ tone

Select the drawbar organ tone (000 to 049, 100 to

199) you want to edit.

Use the [왗] and [왘] CURSOR buttons to display

the drawbar organ tone editing screen. Select the

parameter whose setting you want to change.

Example: Selecting the “Ft16’” parameter

• There are a total of 13 parameters. You can use the

[왗] and [왘] CURSOR buttons to cycle through them.

See “Parameter Details” on page E-25 for more

information.

• While the “More?” screen is on the display, you can

advance to the synthesizer and DSP effect editing

screens by pressing the [왔] CURSOR button or the

[+] button.

Use the [왖] and [왔] CURSOR buttons or the [+]

and [–] buttons to change the setting of the currently

displayed parameter.

• You can also change a parameter setting by entering

a value with the number buttons.

• You can monitor the changes in a tone by playing

notes on the keyboard as you adjust parameter

settings.

NOTE

• Selecting a different tone after you edit parameters

replaces parameter settings with those of the newly

selected tone.

• If you have drawbar organ tones assigned to more than

one channel, changing the drawbar organ setting for one

of the channels causes the same setting to be applied

to all of the other channels as well.

• See “To save an edited drawbar organ tone” on page

E-26 for information about saving your edits.

Ft16’

Parameter Setting Parameter Name

DRAWBAR ORGAN

Number buttons

[+]

[–]

CURSOR

Drawbar1

Tone Number Tone Name

WK3200_e_22-31.p65 05.3.15, 6:16 PM24

E-25

Using the Drawbar Organ Mode

738A-E-027A

Editing Synthesizer Mode Parameters

and DSP Parameters of Drawbar Tones

As with standard (non-drawbar) tones, you can edit the

Synthesizer Mode parameters and DSP parameters of

drawbar organ tones. See “Drawbar Organ Mode Operational

Flow” on page E-22.

Use the [왗] and [왘] CURSOR buttons to display

“More?”, and then press the [왔] CURSOR button.

• This enters the Synthesizer Mode, which is indicated

by the indicator next to SYNTH on the display screen.

• For the remainder of this procedure, perform the steps

starting from step 3 under “Creating a User Tone” on

page E-47.

Parameter Details

The following provides details about the parameters you can

configure using the drawbar organ tone editing screen.

Drawbar Position

This parameter defines the position of each drawbar, and the

volume of each overtone. The larger the value, the greater

the corresponding overtone’s volume.

(Ft: Feet)

Click

The parameter determines whether or not a key click is added

when a sustained tone configured using the drawbars is

played.

Parameter Name

Drawbar 16’

Drawbar 5 1/3’

Drawbar 8’

Drawbar 4’

Drawbar 2 2/3’

Drawbar 2’

Drawbar 1 3/5’

Drawbar 1 1/3’

Drawbar 1’

Parameter Display

Indication

Ft 16’

Ft 5 1/3’

Ft 8’

Ft 4’

Ft 2 2/3’

Ft 2’

Ft 1 3/5’

Ft 1 1/3’

Ft 1’

Settings

0 to 3

Parameter Name

Click

Parameter Display

Indication

Click

Settings

oFF

....

Click Off

.......

Click On

Percussion

This parameter lets you add percussion sound, which

provides modulation to sustained tones that you create. When

you hold down a key on the keyboard, the sound produced

decays until it is no longer audible. Pressing the key again

sounds the note again at a louder volume. Percussion has

“2nd Percussion” (2nd overtone pitch) and “3rd Percussion”

(3rd overtone pitch) settings, each of which can be turned on

or off.

You can also specify the percussion decay time, which controls

how long it takes for the percussion sound to decay.

Parameter Name

2nd Percussion

3rd Percussion

Percussion

Decay Time

Parameter Display

Indication

Second

Third

Decay

Settings

oFF

....

Off

.......

000 to 127

WK3200_e_22-31.p65 05.3.15, 6:16 PM25

E-26

Using the Drawbar Organ Mode

738A-E-028A

To save an edited drawbar organ

tone

After editing parameters, use the [왗] and [왘]

CURSOR buttons to display “More?”.

Press the [왔] CURSOR button three times to display

the screen for inputting a tone name and assigning

a tone number.

Use the [+] and [–] buttons or the number buttons

to select a tone number.

• You can select a tone number in the range of 100 to

199.

After the tone name is the way you want, press the

[왘] CURSOR button to store the tone.

• Use the [+] and [–] buttons to scroll through letters at

the current cursor location.

• Use the [왗] and [왘] CURSOR buttons to move the

cursor left and right.

• See the page E-92 for information about inputting text.

After everything is the way you want, press the [왔]

CURSOR button to store the tone.

• This will display a confirmation message asking

whether you really want to save the data. Press the

YES button to save the data.

• After the save operation is complete, the message

“Complete” appears and then the display returns to

the tone selection screen.

• To cancel save, press the EXIT button.

Display Contents in the Drawbar Organ Mode

In the Drawbar Organ Mode, the current status of the drawbar

positions, key click, and percussion parameters are indicated

on the display’s bar graph as shown in the illustrations below.

There is one line for each parameter, and the bottom segment

of the selected parameter line flashes.

The bottom segment of the bar graph column that represents

the currently selected parameter flashes to indicate that it is

selected.

None of the channel numbers (1 to 16) are displayed in the

drawbar organ tone mode and editing mode.

Drawbar Position Graph

Click and Percussion On/Off Graph

Setting Value 0 1 2 3

Display

Setting Value Off On

Display

Percussion Decay Time Graph

Setting Value 0-31 32-63 64-95 96-127

Display

Off

Blink

WK3200_e_22-31.p65 05.3.15, 6:16 PM26

E-27

Applying Effects to Tones

This keyboard provides you with a selection of effects that

you can apply to tones.

The built-in effects include a wide variety of variations that

give you access to a selection of general digital effects.

Effect Blocks

The following shows how the effects of this keyboard are

organized.

off

DSP Line

DSP button

16ch

Sound Source

DSP

REVERB

CHORUS

EQUALIZER

Output

DSP

DSP effects are applied to the connection between the sound

source and output. You can select distortion and modulation

effects. You can create DSP effect setups and also transfer

downloaded DSP data from your computer. The keyboard

has memory that lets you store up to 100 DSP effect setups.

See “U

sing the Music Data Management Software (on the

Bundled CD-ROM)

” on page E-80 and “Saving the Settings

of DSP Parameters” on page E-29 for more information.

REVERB

Reverb simulates the acoustics of specific types of

environments. You can choose from among 16 different reverb

effects, including “Room” and “Hall”.

CHORUS

The chorus effect gives sound greater depth by causing it to

vibrate. You can choose from among 16 different chorus

effects, including “Chorus” and “Flanger”.

EQUALIZER

The equalizer is another type of effect that you can use to

make adjustments in tone quality. Frequencies are divided

among a number of bands, and raising and lowering the level

of each frequency band alters the sound.

You can reproduce the optimal acoustics for the type of music

you are playing (classics, for example) by selecting the

applicable equalizer setting.

Channel Buttons while the Effect Mode Screen is Displayed

In the Effect Mode, the 18 buttons along the bottom of the display screen control the type and parameters of each effect, a shown

in the illustration below.

NOTE

• Pressing the [왖] and [왔] CURSOR buttons at the same time returns the currently selected effect to its preset value.

8 4 2

2 1

116

Increase

Decrease

Currently selected drawbar

CHANNEL buttons

Effect type Parameter 1 Parameter 3 Parameter 5 Parameter 7

Parameter 0 Parameter 2 Parameter 4 Parameter 6

738A-E-029A

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E-28

Applying Effects to Tones

Selecting a DSP Type

In addition to the 100 built-in effect types, you can also edit

effect types to create your own and store them in user

memory. You can have up to 100 effect types in user memory

at one time. You can also select the DSP type of the last DSP

enabled tone that you used. This means you always have

access to the DSP type of Advanced Tones and tones you

download over the Internet. To select the DSP type of the last

DSP enabled tone that you used, select “ton” in step 3 of the

procedure below.

Perform the following steps to select a DSP type.

PREPARATION

• When using a DSP effect, you should use the Mixer to

confirm that the DSP lines of the required parts are

turned on. See “Mixer Function” on page E-40 for more

information.

Press the EFFECT button so the pointer appears next

to EFFECT on the display.

Press the [왘] CURSOR button.

• The DSP type setting screen (step 3) will appear

automatically about fives seconds after you press the

button.

Use the [+] and [–] buttons or number buttons to

select the type of DSP you want.

• See the “Effect List” on page A-14 for information

about the DSP types that can be selected.

• Here you could also change the parameters of the

effect you selected, if you want. See “Changing the

Settings of DSP Parameters” for more information.

NOTE

• The DSP type display area shows the DSP number (000

to 199), or “ton” (user tone created using DSP).

Changing the Settings of DSP

Parameters

You can control the relative strength of a DSP and how it is

applied. See the following section titled “DSP Parameters”

for more information.

After selecting the DSP type you want, use the [왗]

and [왘] CURSOR buttons to display the parameter

whose setting you want to change.

• This displays the parameter setting screen.

Use the [+] and [–] buttons or the number buttons

to make the parameter setting you want.

• Pressing the [+] and [–] buttons at the same time

returns the parameter to its recommended setting.

Press the EFFECT or EXIT button.

• This exits the tone or rhythm setting screen.

DSP Parameters

The following describes the parameters for each DSP.

DSP

■

Parameter 0 to 7

These parameters differ in accordance with the algorithm*

of the selected DSP type. See the “Effect List” on page A-

14 and the “DSP Algorithm List” on page A-16 for more

information.

* Effector structure and operation type

■

DSP Reverb Send (Range: 000 to 127)

Specifies how much of the post-DSP sound should be sent

to reverb.

■

DSP Chorus Send (Range: 000 to 127)

Specifies how much of the post-DSP sound should be sent

to chorus.

738A-E-030A

CURSOREFFECT

Number buttons

[+]

[–]

EXIT

WK3200_e_22-31.p65 05.3.15, 6:16 PM28

E-29

Applying Effects to Tones

NOTE

• Whether or not an effect is applied to the parts that are

sounding also depends on Mixer Mode Reverb Send,

Chorus Send, and DSP on/off settings. See “Mixer

Function” on page E-40 for more information.

• Playing a demo tune (page E-12) automatically changes

the effect to the one that is assigned to the tune. You

cannot change or cancel a demo tune effect.

• Changing the effect setting while sound is being output

by the keyboard causes a slight break in the sound when

the effect changes.

• A number of tones, called “Advanced Tones”,

automatically turn on the DSP line for richer, higher

quality sound. If you assign an Advanced Tone to a

keyboard part (Channels 1 through 4), the DSP line turns

on automatically and the DSP selection changes in

accordance with the settings of the Advanced Tone. Also,

the Mixer Mode DSP line on/off setting for the keyboard

part to which the Advanced Tone is assigned is turned

on.*

* The Mixer DSP line setting is automatically turned off

for each part that does not have an Advanced Tone

assigned.

Because of this, DSP effects previously applied to

these parts are cancelled, which can make their tone

sound different. In this case, display the Mixer screen

and turn DSP back on.

Saving the Settings of DSP

Parameters

You can save up to 100 modified DSPs in the user area for

later recall when you need them.

NOTE

• User DSP areas 100 through 199 initially contain the

same data as DSP types 000 through 099.

After making the DSP parameter settings you want,

press the [왔] CURSOR button.

• This causes the DSP number of the user area where

the DSP will be saved to flash on the display.

Use the [+] and [–] buttons or the number buttons

to select the user DSP area number where you

want to save the new DSP.

• You can select a user DSP area number in the range of

100 to 199 only.

After the user DSP area number you want is

selected, press the [왘] CURSOR button.

• Use the [+] and [–] buttons to scroll through letters at

the current cursor location.

• Use the [왗] and [왘] CURSOR buttons to move the

cursor left and right.

• See the page E-92 for information about inputting text.

After everything is the way you want, press the [왔]

CURSOR button to store the effect.

• This will display a confirmation message asking

whether you really want to save the data. Press the

YES button to save the data.

• The message “Complete” appears momentarily on the

display, followed by the tone or rhythm selection

screen.

About the DSP Button

Checking the DSP button will tell you whether or not DSP is

enabled for the tone that is currently selected for a part. The

DSP button will be lit for a tone that is DSP enabled (DSP line

ON), and unlit for a tone that is DSP disabled (DSP line OFF).

For example, when you move each part while using the split/

layer function, the DSP button lights or goes out in accordance

with that parts setting.

Pressing the DSP button toggles the tone of the part you are

currently playing on the keyboard between enabled (DSP line

ON) and disabled (DSP line OFF).

To turn DSP line on and off

Press the DSP button to toggle DSP line for the

currently selected part on and off.

738A-E-031A

Selecting REVERB

Perform the following steps to select REVERB.

Press the EFFECT button, so the pointer appears

next to EFFECT on the display screen.

Press the [왔] CURSOR button once.

• This displays the reverb editing screen.

• The reverb type setting screen (step 4) will appear

automatically about fives seconds after you press the

button.

Press the [왘] CURSOR button.

Pointer

WK3200_e_22-31.p65 05.3.15, 6:16 PM29

E-30

Applying Effects to Tones

738A-E-032A

SRv T i me

Use the [+] and [–] buttons or the number buttons

to scroll through the reverb types until the one you

want is displayed, or use the number buttons to

input the reverb number you want to select.

• See the list on page A-14 for information about the

types of REVERB effects that are available.

• Here you could also change the parameters of the

effect you selected, if you want. See “Changing the

Settings of REVERB Parameters” for more

information.

Changing the Settings of REVERB

Parameters

You can control the relative strength of a reverb and how it is

applied. See the following section titled “REVERB

Parameters” for more information.

After selecting the reverb type you want, use the

[왗] and [왘] CURSOR buttons to display the

parameter whose setting you want to change.

• This displays the parameter setting screen.

Example: To set the Reverb Time parameter

Use the [+] and [–] buttons or the number buttons

to input the parameter setting you want.

Press the EFFECT or EXIT button.

• This returns to the tone or rhythm selection screen.

REVERB Parameters

Reverb effects are associated with either a reverb type or delay

type. Parameter settings depend upon the associated type.

Reverb Type (No. 0 to 5, 8 to 13)

■

Reverb Level (Range: 000 to 127)

Controls the reverb size. A larger number produces larger

reverb.

■

Reverb Time (Range: 000 to 127)

Controls how long reverb continues. A larger number

produces longer reverb.

■

ER Level (Initial Echo Sound) (Range: 000 to 127)

This parameter controls the initial reverb volume. The

initial echo sound is the first sound reflected from the

walls and ceiling when a sound is output by this keyboard.

A larger value specifies a larger echo sound.

■

High Damp (Range: 000 to 127)

Adjusts the damping of high frequency reverberation

(high sound). A smaller value damps high sounds,

creating a dark reverb. A larger value does not damp high

sounds, for a brighter reverb.

Delay Type (No. 6, 7, 14, 15)

■

Delay Level (Range: 000 to 127)

Specifies the size of the delay sound. A higher value

produces a larger delay sound.

■

Delay Feedback (Range: 000 to 127)

Adjusts delay repeat. A higher value produces a greater

number of repeats.

■

ER Level

Same as Reverb Type

■

High Damp

Same as Reverb Type

NOTE

• Whether or not an effect is applied to the parts that are

sounding also depends on Mixer Mode Reverb Send,

Chorus Send, and DSP on/off settings. See “Mixer

Function” on page E-40 for more information.

Selecting CHORUS

Perform the following steps to select CHORUS.

Press the EFFECT button, so the pointer appears

next to EFFECT on the display screen.

Press the [왔] CURSOR button twice.

• This displays the chorus editing screen.

• The chorus type setting screen (step 4) will appear

automatically about fives seconds after you press the

button.

Press the [왘] CURSOR button.

Use the [+] and [–] buttons or the number buttons

to scroll through the chorus types until the one you

want is displayed, or use the number buttons to

input the chorus number you want to select.

• See the list on page A-14 for information about the

types of CHORUS effects that are available.

• Here you could also change the parameters of the

effect you selected, if you want. See “Changing the

Settings of CHORUS Parameters” for more

information.

WK3200_e_22-31.p65 05.3.15, 6:16 PM30

E-31

Applying Effects to Tones

738A-E-033A

Changing the Settings of CHORUS

Parameters

You can control the relative strength of an effect and how it is

applied. The parameters you can control depend on the effect.

See the following section titled “CHORUS Parameters” for

more information.

After selecting the chorus type you want, use the

[왗] and [왘] CURSOR buttons to display the

parameter whose setting you want to change.

• This displays the parameter setting screen.

Use the [+] and [–] buttons or the number buttons

to input the parameter setting you want.

Press the EFFECT or EXIT button.

• This returns to the tone or rhythm selection screen.

CHORUS Parameters

■

Chorus Level (Range: 000 to 127)

Specifies the size of the chorus sound.

■

Chorus Rate (Range: 000 to 127)

Specifies the undulation speed of the chorus sound. A

higher value produces faster undulation.

■

Chorus Depth (Range: 000 to 127)

Specifies the undulation depth of the chorus sound. A

higher value produces deeper undulation.

NOTE

• Whether or not an effect is applied to the parts that are

sounding also depends on Mixer Mode Reverb Send,

Chorus Send, and DSP on/off settings. See “Mixer

Function” on page E-40 for more information.

Using the Equalizer

This keyboard has a built-in four-band equalizer and 10

different settings from which you can choose. You can adjust

the gain (volume) of all four equalizer bands within the range

of –12 to 0 to +12.

To select the equalizer type

Press the EFFECT button, so the pointer appears

next to EFFECT on the display screen.

Press the [왔] CURSOR button three times.

• This displays the equalizer editing screen.

• The equalizer type setting screen (step 4) will appear

automatically about fives seconds after you press the

button.

Press the [왘] CURSOR button.

Use the [+] and [–] buttons or the number buttons

to select the equalizer type you want.

• See the list on page A-14 for information about the

equalizer types that are available.

Example: To select Jazz

• Pressing the EXIT or EFFECT button exits the

equalizer setting screen.

To adjust the gain (volume) of a band

After selecting the equalizer type you want, use

the [왗] and [왘] CURSOR buttons to select the band

whose gain you want to adjust.

Example: To adjust the HIGH band

Use the [+] and [–] buttons or the number buttons

to adjust the band gain.

Example: To adjust the gain to 10

• Pressing the EXIT or EFFECT button exits the

equalizer setting screen.

NOTE

• Changing to another equalizer type causes the band

gain settings to change to the initial settings for the newly

selected equalizer type automatically.

ME H i h

Jazz

WK3200_e_22-31.p65 05.3.15, 6:16 PM31

E-32

738A-E-034A

This keyboard automatically plays bass and chord parts in

accordance with the chords you finger. The bass and chord

parts are played using sounds and tones that are

automatically selected to select the rhythm you are using.

All of this means that you get full, realistic accompaniments

for the melody notes you play with your right hand, creating

the mood of a one-person ensemble.

Auto Accompaniment

About the MODE Button

Use the MODE button to select the accompaniment mode you

want to use. Each press of the MODE button cycles through

the available accompaniment modes as shown in the

illustration below.

Normal (Auto Accompaniment off)

FULL RANGE CHORD

FINGERED

CASIO CHORD

• Only rhythm sounds are produced when all

accompaniment mode lamps are off.

• The currently selected accompaniment mode is shown by

the mode lamps above the MODE button. Information on

using each of these modes starts from page E-34.

RHYTHM

TEMPOVARIATION/FILL-IN 1/2

Number buttons

SYNCHRO/FILL-IN NEXT AUTO HARMONIZE

INTRO/ENDING 1/2

ONE TOUCH PRESET

MODE

ACCOMP VOLUME

[+]

[–]

START/STOP

Selecting a Rhythm

This keyboard provides you with 160 exciting rhythms that

you can select using the following procedure.

You can also transfer accompaniment data from your

computer and store up to 16 of them as user rhythms in

keyboard memory. See “U

sing the Music Data Management

Software (on the Bundled CD-ROM)

” on page E-80 for more

information.

To select a rhythm

Find the rhythm you want to use in the rhythm list

and note its rhythm number.

Press the RHYTHM button.

• Not all of the available rhythms are shown on the

rhythm list printed on the keyboard console. For a

complete list, see the “Rhythm List” on page A-11.

Use the number buttons to input the three digit

rhythm number for the rhythm you want to select.

Example: To select “052 ROCK 2”, input 0, 5 and then 2.

NOTE

• You can also increment the displayed rhythm number

by pressing [+] and decrement it by pressing [–].

Appears when RHYTHM button is pressed

Number and name of selected rhythm

8Beat 1

Rock 2

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E-33

738A-E-035A

Auto Accompaniment

Playing a Rhythm

To play a rhythm

Press VARIATION/FILL-IN button 1 or 2.

• This starts the play of the selected rhythm.

• To stop rhythm play, press the START/STOP button.

NOTE

• Chords will sound along with the rhythm if any of the

three accompaniment mode lamps above the MODE

button is lit. If you want to play the rhythm pattern without

chords, press the MODE button until all of the lamps

are off.

Adjusting the Tempo

You can adjust the tempo of rhythm play within a range of 30 to

255 beats per minute. The tempo setting is used for Auto

Accompaniment chord play, and song memory operations.

To adjust the tempo

Press one of the TEMPO buttons (왖 or 왔).

왖 : Increments displayed value (increases tempo)

왔 : Decrements displayed value (decreases tempo)

NOTE

• Pressing both TEMPO buttons (왖 and 왔) at the same

time resets the tempo to the default value of the currently

selected rhythm.

Using Auto Accompaniment

The following procedure describes how to use the keyboard’s

Auto Accompaniment feature. Before starting, you should

first select the rhythm you want to use and set the tempo of

the rhythm to the value you want.

To use Auto Accompaniment

Use the MODE button to select CASIO CHORD,

FINGERED, or FULL RANGE CHORD as the

accompaniment mode.

• The currently selected accompaniment mode is the

one whose lamp is lit. See “About the MODE Button”

on page E-32 for details.

Press the START/STOP button to start play of the

currently selected rhythm.

Play a chord.

• The actual procedure you should use to play a chord

depends on the currently selected accompaniment

mode. Refer to the following pages for details on

chord play.

CASIO CHORD .............................. Page E-34

FINGERED ...................................... Page E-35

FULL RANGE CHORD ................ Page E-35

To stop Auto Accompaniment play, press the START/

STOP button again.

Chord name

Current measure number

and beat number

Basic fingering of current chord

(May be different from chord actually

being played on the keyboard.)

Rock 2

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E-34

Auto Accompaniment

NOTE

• The accompaniment keyboard can be used for playing

chords only. No sound will be produced if you try playing

single melody notes on the accompaniment keyboard.

Melody keyboard

Accompaniment

keyboard

738A-E-036A

NOTE

• If you press the SYNCHRO/FILL-IN NEXT button and

then the VARIATION/FILL-IN 1/2 buttons in place of the

START/STOP button in step 2, accompaniment will start

with an intro pattern when you perform the operation in

step 3. For details about these buttons, see pages E-36

and E-37.

• If you press the VARIATION/FILL-IN 1/2 buttons in place

of the START/STOP button in step 4, an ending pattern

will play before accompaniment play is ended. For details

about this button, see page E-37.

• You can adjust the accompaniment part volume level

independently of the main volume. For details, see

“Adjusting the Accompaniment Volume” on page E-39.

CASIO CHORD

This method of chord play makes it possible for anyone to

easily play chords, regardless of previous musical knowledge

and experience. The following describes the CASIO CHORD

“accompaniment keyboard” and “melody keyboard”, and

tells you how to play CASIO CHORDs.

CASIO CHORD Accompaniment Keyboard and Melody

Keyboard

Example

C Major (C)

C minor (Cm)

C seventh (C7)

C minor seventh (Cm7)

Chord Types

Major chords

Major chord names are marked

above the keys of the

accompaniment keyboard.

Note that the chord produced

when you press an

accompaniment keyboard does

not change octave, regardless

of which key you use to play it.

Minor chords (m)

To play a minor chord, keep

the major chord key depressed

and press any other

accompaniment keyboard key

located to the right of the

major chord key.

Seventh chords (7)

To play a seventh chord, keep

the major chord key depressed

and press any other two

accompaniment keyboard keys

located to the right of the

major chord key.

Minor seventh chords (m7)

To play a minor seventh chord,

keep the major chord key

depressed and press any other

three accompaniment

keyboard keys located to the

right of the major chord key.

DE FF



DE F



DE FF



DE F



DE FF



DE F



DE FF



DE F



NOTE

• It makes no difference whether you press black or white

keys to the right of a major chord key when playing minor

and seventh chords.

Chord Types

CASIO CHORD accompaniment lets you play four types of

chords with minimal fingering.

WK3200_e_32-39.p65 05.3.15, 6:16 PM34

E-35

738A-E-037A

FINGERED

FINGERED provides you with a total of 15 different chord

types. The following describes the FINGERED

“accompaniment keyboard” and “melody keyboard”, and

tells you how to play a C-root chord using FINGERED.

FINGERED Accompaniment Keyboard and Melody

Keyboard

NOTE

• The accompaniment keyboard can be used for playing

chords only. No sound will be produced if you try playing

single melody notes on the accompaniment keyboard.

Melody keyboard

Accompaniment

keyboard

See the “Fingered Chord Chart” on page A-12 for details on

playing chords with other roots.

*1: Inverted fingerings cannot be used. The lowest note is

the root.

*2: The same chord can be played without pressing the 5th G.

Caug

Cm7



5 *1

Cmadd9

Csus4

Cmaj7

C7sus4

CmM7

Cdim

Cm7



Cadd9

Cdim7

Auto Accompaniment

NOTE

• Except for the chords specified in note*

above, inverted

fingerings (i.e. playing E-G-C or G-C-E instead of C-E-

G) will produce the same chords as the standard

fingering.

• Except for the exception specified in note*

above, all

of the keys that make up a chord must be pressed.

Failure to press even a single key will not play the desired

FINGERED chord.

FULL RANGE CHORD

This accompaniment method provides a total of 38 different

chord types: the 15 chord types available with FINGERED

plus 23 additional types. The keyboard interprets any input

of three or more keys that matches a FULL RANGE CHORD

pattern to be a chord. Any other input (that is not a FULL

RANGE CHORD pattern) is interpreted as melody play.

Because of this, there is no need for a separate accompaniment

keyboard, so the entire keyboard, from end to end, functions

as a melody keyboard that can be used for both melody and

chords.

FULL RANGE CHORD Accompaniment Keyboard and

Melody Keyboard

Accompaniment keyboard/Melody keyboard

WK3200_e_32-39.p65 05.3.15, 6:16 PM35

E-36

Chords Recognized by This Keyboard

The following table identifies patterns that are recognized as

chords by FULL RANGE CHORD.

Pattern Type

FINGERED

Standard

Fingerings

Number of Variations

The 15 chord patterns shown

under FINGERED on page E-35.

See the “Fingered Chord Chart” on

page A-12 for details on playing

chords with other roots.

23 standard chord fingerings. The

following are examples of the 23

chords available with C as the bass

note.

Example: To play the chord C major.

Any of the fingerings shown in the illustration below will

produce C major.

C6 Cm6 C69



Dm7



Fm7

Gm7



add9

•

• • • •

•

• •

•



•

• •

Auto Accompaniment

738A-E-038A

NOTE

• As with the FINGERED mode (page E-35), you can play

the notes that form a chord in any combination (1).

• When the lowest note of a chord is separated from its

neighboring note by six or more semitones, the lowest

note becomes the bass note (2).

Using an Intro Pattern

This keyboard lets you insert a short intro into a rhythm

pattern to make startup smoother and more natural.

The following procedure describes how to use the Intro

feature. Before starting, you should first select the rhythm

you want to use, set the tempo, and use the MODE button to

select the chord play method you want to use (Normal,

CASIO CHORD, FINGERED, FULL RANGE CHORD).

To insert an intro

Press INTRO/ENDING button 1 or 2.

• With the above setup, the intro pattern is played and

the auto accompaniment with intro pattern starts as

soon as you play chords on the accompaniment

keyboard.

NOTE

• The standard rhythm pattern starts to play after the intro

pattern is complete.

Using a Fill-in Pattern

Fill-in patterns let you momentarily change the rhythm

pattern to add some interesting variation to your

performances.

The following procedure describes how to use the Fill-in

feature.

EG C

G C

1 ...... Chord C

2 ...... Chord

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E-37

Auto Accompaniment

738A-E-039A

To insert a fill-in

Press the START/STOP button to start rhythm play.

Select the fill-in variation you want.

• To insert Fill-in 1, press the VARIATION/FILL-IN 1

button while Variation 1 of the rhythm is playing.

• To insert Fill-in 2, press the VARIATION/FILL-IN 2

button while Variation 2 of the rhythm is playing.

NOTE

• Only the SYNCHRO/FILL-IN NEXT button is operational

while an intro is playing.

• Holding down the SYNCHRO/FILL-IN NEXT or

VARIATION/FILL-IN 1/2 buttons causes the fill-in pattern

to repeat.

Using a Rhythm Variation

In addition to the standard rhythm pattern, you can also

switch to a secondary “variation” rhythm pattern for a bit of

variety .

To insert the variation rhythm pattern

Press the START/STOP button to start rhythm play.

Press the SYNCHRO/FILL-IN NEXT button.

• If a Variation 1 rhythm is currently playing, this plays

Fill-in 1, followed by Fill-in 2, and then switches to

the Variation 2 rhythm.

• If a Variation 2 rhythm is currently playing, this plays

Fill-in 2, followed by Fill-in 1, and then switches to

the Variation 1 rhythm.

• Holding down the SYNCHRO/FILL-IN NEXT button

causes the fill-in pattern to repeat.

Synchro Starting Accompaniment

with Rhythm Play

You can set up the keyboard to start rhythm play at the same

time you play the accompaniment on the keyboard.

The following procedure describes how to use synchro start.

Before starting, you should first select the rhythm you want

to use, set the tempo, and use the MODE button to select the

chord play method you want to use (Normal, CASIO

CHORD, FINGERED, FULL RANGE CHORD).

To use synchro start

Press the SYNCHRO/FILL-IN NEXT button to put

the keyboard into synchro start standby.

Play a chord and the rhythm pattern starts to play

automatically.

NOTE

• If the MODE button is set to Normal, only the rhythm

plays (without a chord) when you play on the

accompaniment keyboard.

• If you press the INTRO/ENDING button 1 or 2 before

playing anything on the keyboard, the rhythm starts

automatically with an intro pattern when you play

something on the accompaniment keyboard.

• To cancel synchro start standby, press the SYNCHRO/

FILL-IN NEXT button one more time.

Finishing with an Ending Pattern

You can end your performances with an ending pattern that

brings the rhythm pattern you are using to a natural-sounding

conclusion.

The following procedure describes how to insert an ending

pattern. Note that the actual ending pattern played depends

on the rhythm pattern you are using.

To finish with an ending pattern

While the rhythm is playing, press INTRO/ENDING

button 1 or 2.

• The timing when the ending pattern starts depends

on when you press the INTRO/ENDING button 1 or

2. If you press the button before the second beat of

the current measure, the ending pattern starts playing

immediately.

WK3200_e_32-39.p65 05.3.15, 6:16 PM37

E-38

Auto Accompaniment

738A-E-040A

Using One-touch Preset

One-touch preset automatically makes the main settings listed

below in accordance with the rhythm pattern you are using.

• Keyboard tone

• Layer on/off

• Split on/off

• Auto Harmonize on/off

• Auto Harmonize type

• Accompaniment volume level

• Tempo

• Effect settings

To use one-touch preset

Select the rhythm you want to use.

Use the MODE button to select the accompaniment

mode you want to use.

Press the ONE TOUCH PRESET button.

• This automatically makes the one-touch preset

settings in accordance with the rhythm you selected.

• The keyboard automatically enters synchro standby

at this time.

Start rhythm and Auto Accompaniment, and play

something on the keyboard.

• Accompaniment is played using the one-touch preset

settings.

NOTE

• Pressing the INTRO/ENDING button prior to the first half

beat at the beginning of a measure plays the ending

immediately. Pressing the button after the first half beat

of a measure causes the ending to be played from the

beginning of the following measure.

Using Auto Harmonize

When you are using Auto Accompaniment, Auto Harmonize

automatically adds additional notes to your melody in

accordance with the chord that is being played. The result is

a harmony effect that makes your melody line richer and

fuller.

To use Auto Harmonize

Use the MODE button to select FINGERED or

CASIO CHORD as the accompaniment mode.

• The currently selected accompaniment mode is the

one whose lamp is lit. See “About the MODE Button”

on page E-32 for details.

Press AUTO HARMONIZE button to turn on Auto

Harmonize.

• This causes the AUTO HARMONIZE indicator to

appear on the display.

Start Auto Accompaniment play, and play

something on the keyboard.

To turn off Auto Harmonize, press AUTO

HARMONIZE button once.

• This causes the AUTO HARMONIZE indicator to

disappear.

NOTE

• Auto Harmonize turns off temporarily whenever you start

demo tune play. It turns back on as soon as the operation

or function that caused it to turn off is finished.

• Auto Harmonize is enabled only when the Auto

Accompaniment mode is FINGERED or CASIO CHORD.

Normal (Auto Accompaniment off)

FULL RANGE CHORD

FINGERED

CASIO CHORD

WK3200_e_32-39.p65 05.3.15, 6:16 PM38

E-39

Auto Accompaniment

738A-E-041A

Auto Harmonize Types

Auto Harmonize lets you select from among the 10 Auto

Harmonize types. Type changing is performed by the setting

item using the TRANSPOSE/FUNCTION button.

See “Changing Other Settings” on page E-70 for more

information.

About Auto Harmonize notes and

tones

The notes you play on the keyboard are called “melody

notes”, while the notes added to the melody by Auto

Harmonize is called the “harmonize notes”. Auto Harmonize

normally uses the tone you selected for the melody notes as

the tone for the harmonize notes, but you can use the Mixer

(page E-40) to specify a different tone for the harmonize notes.

The harmonize note tone is assigned to Mixer Channel 5, so

change Channel 5 to the tone you want to use for the

harmonize notes.

In addition to the tone, you can also use the Mixer to change

a number of other parameters, such as volume balance. See

“Using the Parameter Edit Mode” on page E-41 for details

on these procedures.

NOTE

• The default harmonize note tone when you first turn on

Auto Harmonize is the same tone as the melody note

tone.

• Changing the melody tone setting automatically changes

the harmonize note tone to the same setting.

Adjusting the Accompaniment

Volume

You can adjust the volume of the accompaniment parts as a

value in the range of 000 (minimum) to 127 (maximum).

Press the ACCOMP VOLUME button.

Use the number buttons or the [+]/[–] buttons to

change the current volume setting value.

Example: 110

NOTE

• Pressing the ACCOMP VOLUME button or EXIT button

returns to the tone or rhythm setting screen.

• Any channel balance settings you make with the Mixer

are maintained when you change the accompaniment

volume setting.

• Pressing [+] and [–] buttons at the same time

automatically sets an accompaniment volume of 100.

Current accompaniment volume setting

Acom

Vo l

Acom

Vo l

WK3200_e_32-39.p65 05.3.15, 6:16 PM39

E-40

738A-E-042A

What you can do with the Mixer

This keyboard lets you play multiple different musical

instrument parts at the same time during auto-

accompaniment play, song memory playback, receipt of data

through the MIDI terminal, etc. The Mixer assigns each part

to a separate channel (1 through 16) and lets you control the

channel on/off, volume, and pan pot parameters of each

channel.

In addition to channels 1 through 16, the Mixer also has a

DSP channel that you can use to adjust the DSP level, DSP

pan, and other DSP parameters.

Channel Assignments

The following shows the parts that are assigned to each of

the 16 channels.

Mixer Function

Channel

Part

Number

Channel 1 Main tone (UP1)

Channel 2 Layered tone (UP2)

Channel 3 Split tone (LOW1)

Channel 4 Layered/split tone (LOW2)

Channel 5 Harmonize Tone (HARM)

Channel 6 Auto Accompaniment chord part 1 (CHD1)

Channel 7 Auto Accompaniment chord part 2 (CHD2)

Channel 8 Auto Accompaniment chord part 3 (CHD3)

Channel 9 Auto Accompaniment bass part (BASS)

Channel 10 Auto Accompaniment rhythm part (DRUM)

Channel 11 Song Memory track 1 (TR1)

Channel 12 Song Memory track 2 (TR2)

Channel 13 Song Memory track 3 (TR3)

Channel 14 Song Memory track 4 (TR4)

Channel 15 Song Memory track 5 (TR5)

Channel 16 Song Memory track 6 (TR6)

NOTE

• In this manual, “Channel Number” matches the channel

numbers marked on the keyboard above the CHANNEL

buttons.

• The CHANNEL button name in the above table

corresponds to the text marked on the keyboard below

the CHANNEL buttons.

See pages E-65 to E-67 for information on layered, split, and

layered/split tones.

See page E-53 for information on the song memory.

NOTE

• Normally, keyboard play is assigned to Channel 1. When

Auto Accompaniment is being used, each part of the

accompaniment is assigned to Channels 6 through 10.

• When this keyboard is being used as the sound source

for an externally connected computer or other MIDI

device, all 16 channels are assigned musical instrument

parts. The notes played over the channel selected by

operation under “Turning Channels On and Off” below

are shown on the displayed keyboard and staff.

Turning Channels On and Off

Press the CHANNEL buttons to toggle individual channels

on and off. Indicators on the display show the current on/off

status of each channel.

• Each press of a CHANNEL button toggles the applicable

channel on and off.

• The on/off status of each channel determines the on/off

status of the corresponding part for keyboard play, Auto

Accompaniment, and Song Memory playback.

• Changing to a different rhythm causes Mixer Settings for

channel 6 through channel 10 to change to the default

settings assigned to the new rhythm. These settings also

change to the defaults for the currently selected rhythm

pattern whenever you switch between the Intro, Normal,

Variation, Fill-in, and Ending patterns.

Channel on Channel off

WK3200_e_40-50.p65 05.3.15, 6:16 PM40

E-41

Mixer Function

738A-E-043A

Using the Parameter Edit Mode

Editing the Parameters for Channels

1 through 16

In the Parameter Edit Mode, you can change the settings of

ten different parameters (including tone, volume, and pan

pot) for the channel you selected on the Mixer screen.

To change parameters

Press the MIXER button.

• This causes a pointer to appear on the display next to

MIXER.

Press a CHANNEL button (1 through 16) to select a

channel.

• Use the [왗 ] and [왘] CURSOR buttons to change

between channels.

Use [왖] and [왔] CURSOR buttons to select the

parameter whose setting you want to change.

Example: Select volume setting by displaying “Volume”.

• Each press of [왖] or [왔] CURSOR button cycles

through the parameters.

• You can use the [왗] and [왘] CURSOR buttons to

change to another channel at any time during this

procedure.

Indicates channel volume of 127

Vo l ume

Use the number buttons or [+] and [–] to change

the parameter setting.

Example: Change the setting to “060”.

• Pressing the MIXER or EXIT button exits the

parameter edit mode.

Editing DSP Channel Parameters

Press the CHANNEL (DSP) button.

• You can also select the DSP channel by pressing the

[왘] CURSOR button while Channel 16 is selected.

• This selects the DSP channel.

• Pressing the [왗] CURSOR button while the DSP

channel is selected returns to Channel 16.

CHANNELMIXER

CURSOR

Number buttons

[+]

[–]

Vo l ume

WK3200_e_40-50.p65 05.3.15, 6:17 PM41

E-42

Mixer Function

738A-E-044A

■

Octave Shift (Range: –2 to 0 to +2)

You can use octave shift to shift the range of the tone up or

down. When using the piccolo tone, there may be cases when

very high notes you want to play are not included within the

range of the keyboard. When this happens, you can use octave

shift to shift the keyboard range one octave up.

–2 : Range shifted two octaves down.

–1 : Range shifted one octave down.

0 : No shift

+1 : Range shifted one octave up.

+2 : Range shifted two octaves up.

Tuning Parameters

You can use these parameters to tune each of the parts

individually.

■

Coarse Tune (Range: –24 to 00 to +24)

This parameter controls the coarse tuning of the selected

channel’s pitch in semitone units.

■

Fine Tune (Range: –99 to 00 to +99)

This parameter controls the fine tuning of the selected

channel’s pitch in cent units.

How Parameters Work

The following are the parameters whose settings can be

changed in the Parameter Edit Mode.

Tone Parameters

■

Tone

(Range: 000 to 903, Drawbar organ tones 000 to 199)

This parameter controls the tones assigned to each part.

Anytime the tone is on the display, you can use the TONE

button or DRAWBAR ORGAN button and then select a

different tone, if you want.

■

Part On/Off (Settings: on, oFF)

This parameter can be used to turn each part on (sounds)

and off (does not sound). The current on/off status of each

part is indicated on the display as described below.

■

Volume (Range: 000 to 127)

This is the parameter that controls the volume of the selected

channel.

■

Pan Pot (Range: –64 to 00 to +63)

This parameter controls the pan pot, which is the center point

of the left and right stereo channels. Setting “00” specifies

center, a value less than “00” moves the point left, and a value

greater than “00” moves it right.

St .GrPno

Vo l ume

Pan

C.Tune

Oc t Sh i f t

F i neTune

Channe l

WK3200_e_40-50.p65 05.3.15, 6:17 PM42

E-43

Effect Parameters

The Mixer lets you control the effects applied to each

individual part, making it different from the Effect Mode,

whose settings are applied to all parts in general.

■

Reverb Send (Range: 000 to 127)

This parameter controls how much reverb is applied to a part.

A setting of “000” turns reverb off, while a setting of 127

applies maximum reverb.

•“Reverb Send” does not work with some drum sounds.

■

Chorus Send (Range: 000 to 127)

This parameter controls how much chorus send is applied to

a part. A setting “000” turns chorus send off, while a setting

of 127 applies maximum chorus send.

•“Chorus Send” does not work with drum sounds.

■

DSP Line (Settings: on, oFF)

You can use this parameter to turn DSP line off for a particular

channel, or to turn it on.

DSP Part Parameters

■

DSP Level (Range: 0 to 127)

Sets the post-DSP volume.

■

DSP Pan (Range: –64 to 0 to 63)

Sets the post-DSP stereo pan.

Mixer Function

738A-E-045A

■

DSP System Reverb Send (Range: 000 to 127)

This parameter adjusts how much reverb is applied to all

parts.

■

DSP System Chorus Send (Range: 000 to 127)

This parameter adjusts chorus.

NOTE

• Changing the tone, volume, pan pot, coarse tune, fine

tune, reverb send, or chorus send setting causes the

corresponding MIDI message to be output from the MIDI

terminal.

• Changing the tone settings changes the tone, octave

shift, reverb send, chorus send, and DSP line* parameter

settings.

* When DSP is off (See the note on page E-73).

• Turning on the Mixer’s DSP Line parameter (on this

page) causes the settings of the DSP Pan, DSP System

Reverb Send, and DSP System Chorus parameters to

be used in place of the Pan Pot, Reverb Send, and

Chorus Send parameters.

Rvb Send

DSP L i ne

Cho Send

DSPLe v e l

DSPPan

D.RvbSnd

D.ChoSnd

WK3200_e_40-50.p65 05.3.15, 6:17 PM43

E-44

The Synthesizer Mode of this keyboard provides the tools

for creating your own original tones. Simply select one of the

built-in tones and change its parameters to create your own

original sound. You can even store your sounds in memory

and select it using the same procedure as that used to select a

preset tone.

Synthesizer Mode Functions

The following describes how to use each of the functions

available in the Synthesizer Mode.

Synthesizer Mode Parameters

The preset tones that are built into this keyboard consist of a

number of parameters. To create a user tone, you first recall a

advanced tone (000 to 331) or a preset tone (400 to 599) and

then change its parameters to change it to your own tone.

Note that drum set tones (600 through 617) cannot be used

as the basis of a user tone.

The illustration nearby shows the parameters that make up

the preset tones and what each parameter does. As can be

seen in the illustration, parameters can be divided into four

groups, each of which is described in detail below.

NOTE

• Note that the tone whose parameter you can edit is the

one assigned to the channel (1 through 4) that is currently

selected with the Synthesizer Mode.

Synthesizer Mode

Volume Characteristic

Parameters

쎲Attack Time

쎲Release Time

쎲Cutoff Frequency

쎲Resonance

Tone Pitch Parameters

쎲Vibrato Type

쎲Vibrato Delay

쎲Vibrato Rate

쎲Vibrato Depth

쎲Octave Shift

Tone Characteristic

Setting Parameters

쎲Level

쎲Touch Sense

쎲Reverb Send

쎲Chorus Send

쎲DSP Line

쎲DSP Type

쎲DSP Parameter

Output

Tone Characteristic

Waveform

Tone Setting

(1) Tone Characteristic Waveform

■

Tone Setting

Specifies which of the preset tones should be used as the

original tone.

(2) Volume Characteristic Parameters

These parameters control how the tone changes over time,

from when the keyboard key is pressed until the tone decays.

You can specify changes in volume and sound characteristics.

■

Attack time

This is the rate or time it takes for the tone to reach its highest

volume level. You can specify a fast rate, where the tone

reaches its highest volume level immediately, a slow rate

where it gradually rises, or something in between.

■

Release time

This is the rate or time it takes for the tone volume to fall to

zero. You can specify a release that ranges from a sudden fall

to zero, to one that gradually falls to zero.

■

Cutoff Frequency

The cutoff frequency is a parameter for adjusting timbre by

cutting any frequency that is higher than a specific frequency.

A larger cutoff frequency produces a brighter (harder) timbre,

while a smaller frequency produces a darker (softer) timbre.

Time

Note ends

Key pressed

A R

Key released

Envelope

A: Attack time

R: Release time

Level

Cutoff frequenc

Frequency

738A-E-046A

WK3200_e_40-50.p65 05.3.15, 6:17 PM44

E-45

■

Resonance

Resonance enhances the harmonic components in the vicinity

of the cutoff frequency, which creates a distinctive sound. A

larger resonance value enhances the sound as shown in the

figure.

NOTE

• With some tones, a large resonance value can cause

distortion or noise during the attack part of the tone.

(3) Tone Pitch Parameters

■

Vibrato Type, Vibrato Delay, Vibrato Rate, Vibrato

Depth

These parameters adjust the vibrato effect, which causes

periodic changes in the tone.

■

Octave Shift

This parameter controls the octave of all tones.

(4) Tone Characteristic Setting Parameters

■

Level

This parameter controls the overall volume of the tone.

■

Touch Sense

This parameter controls changes in volume and timbre in

accordance with the relative amount of pressure applied to

the keyboard keys. You can specify more volume for stronger

pressure and less volume or a lighter pressure, or you can specify

the same volume regardless of how much pressure is applied to

the keys.

■

Reverb Send, Chorus Send, DSP Line , DSP Type, DSP

Parameter

These parameters control the effects applied to tones.

Level

Cut off frequency

Small Value

Resonance

Large Value

Frequency

Synthesizer Mode

738A-E-047A

WK3200_e_40-50.p65 05.3.15, 6:17 PM45

E-46

Saving User Tones

The group of tone numbers from 700 through 799 (User 001 through User 100) is called the “user area” because they are reserved for

storage of user tones. After you recall a preset tone and change its parameters to create your own user tone, you can store it in the user

area for later recall. You can recall your tones using the same procedure that you use when selecting a preset tone.

*1: You can select any Advanced Tone, preset tone, or user tone. User tone areas 700 through 799 initially contain the same data

as advanced tones 000 through 099.

*2: Area where data transferred from computer is stored (see “Using the Music Data Management Software (on the Bundled CD-

ROM)” on page E-80). After transfer, you can use the keyboard to edit parameters, but you can only overwrite existing

parameters. You cannot save the data to another number.

*3: Area where data transferred from computer is stored (see “Using the Music Data Management Software (on the Bundled CD-

ROM)” on page E-80). Transfer only is allowed, and no parameter editing is allowed.

*4: User tones created by modifying parameters of one of the preset tones (000 to 049). User drawbar organ tone areas initially

contain two sets of the same data as drawbar organ tones types 000 through 049.

NOTE

• You can create an original tone using a user tone that includes a waveform (tone number 800 to 819). In this case, the

storage area is the same as the source tone area. For example, an original tone created using tone number 800 as a source

tone is stored in user area number 800.

Number Tone Type

000-331 Advanced Tones

400-599 Preset Tones

000-049 Preset Tones

100-199 User Tones*4

600-617 Drum Sets Source Tone Select Parameter Edit

Save As Original Tone

700-799 User Tones*1

800-819 User Tones with Waves*2

900-903 User Drum Sets with Waves*3

700-799 User Area

Standard Tone

Drawbar Organ Tones

Synthesizer Mode

738A-E-048A

WK3200_e_40-50.p65 05.3.15, 6:17 PM46

E-47

Creating a User Tone

Use the following procedure to select a preset tone and change

its parameters to create a user tone.

First, select the preset tone you want to use as a

basis for your user tone.

Press the SYNTH button.

• This enters the Synthesizer Mode, which is indicated

by the pointer next to SYNTH on the display screen.

Use [왗] and [왘] CURSOR buttons to display the

parameter whose setting you want to change.

• Each press of [왗] or [왘] CURSOR button changes to

the next parameter. See “Parameters and Their

Settings” on this page for information on setting range

for each parameter.

Use [+] and [–] to change the setting of the currently

selected parameter.

• You can also use the number buttons to input a value

to change a parameter setting. See “Parameters and

Their Settings” on this page for information on setting

range for each parameter.

After you are finished editing the sound, press the

SYNTH button to exit the Synthesizer Mode.

NOTE

• See “Storing a User Tone In Memory” on page E-50 for

details on saving user tone data to memory so it is not

deleted.

Synthesizer Mode

738A-E-049A

Atk Time

Currently selected parameter

Parameter setting value

V i bDe l a

Parameters and Their Settings

The following describes the function of each parameter and

provides its setting range.

■

Attack Time (Range: –64 to 00 to +63)

Time it takes before the tone sounds after a key is pressed

■

Release Time (Range: –64 to 00 to +63)

Time the tone continues to sound after a key is released

■

Cutoff Frequency

(Range: –64 to 00 to +63)

High-band cutoff for the harmonic components of the tone

■

Resonance (Range: –64 to 00 to +63)

Resonance of the tone

Atk Time

Re l . T ime

C-of fFr

Resonan

SYNTH

CURSOR

[+]

[–]

MODULATION button lamp

●WK-3200

WK3200_e_40-50.p65 05.3.15, 6:17 PM47

E-48

Synthesizer Mode

738A-E-050A

Value Meaning

oFF Off

vib Control Change 01h (Modulation)

dp0 Control Change 16

(Normally assigned to DSP Parameter 0.)

dp1 Control Change 17

(Normally assigned to DSP Parameter 1.)

dp2 Control Change 18

(Normally assigned to DSP Parameter 2.)

dp3 Control Change 19

(Normally assigned to DSP Parameter 3.)

dp4 Control Change 80

(Normally assigned to DSP Parameter 4.)

dp5 Control Change 81

(Normally assigned to DSP Parameter 5.)

dp6 Control Change 82

(Normally assigned to DSP Parameter 6.)

dp7 Control Change 83

(Normally assigned to DSP Parameter 7.)

■

Modulation Assign (Range: *)

The Modulation Assign parameter specifies which

parameters should be affected when you use the keyboard’s

modulation function. Select “oFF” for any parameters that

you do not want affected by the modulation function.

NOTE

• If the Modulation Assign setting of a tone is any setting

from dp0 through dp7, that setting is ignored when the

tone is used as a layered or split tone. DSP parameter

effects are applied to the main tone only.

■

Modulation Depth (Range: 0 to 127) (WK-3200 only)

On the WK-3200, this parameter controls the modulation value

when the MODULATION button is pressed. How the

MODULATION button functions depends on the modulation

assign parameter setting as described below.

If this setting is

selected for

modulation assign:

vib

dp0 through dp7

Modulation is applied like this:

Modulation is applied to the depth specified

by the value assigned to the Modulation

Depth parameter as long as the

MODULATION button is depressed.

Releasing the MODULATION button causes

the modulation value to return to the initial

default value for the tone being used.

Each press of the MODULATION button

toggles modulation between the value

assigned to the Modulation Depth Parameter

and the initial default value for the tone being

used.

MODULATION Button Lamp

The MODULATION button lamp lights when the current

modulation depth is at its greatest possible setting. This can

occur either when the MODULATION button is depressed

or released, depending on the current Modulation Depth

parameter setting and the initial default modulation depth

value of the tone you are currently using.

ModDe t h

Modulat .

WK3200_e_40-50.p65 05.3.18, 2:35 PM48

E-49

■

Vibrato Waveform (Range: See below.)

Specifies the vibrato waveform.

■

Vibrato Delay (Range: –64 to 00 to +63)

Specifies the amount of time before vibrato starts.

■

Vibrato Rate (Range: –64 to 00 to +63)

Rate (speed) of the vibrato effect

■

Vibrato Depth (Range: –64 to 00 to +63)

Depth of the vibrato effect

■

Octave Shift (Range: –2 to 0 to +2)

Up/down octave shift

■

Level (Range: 000 to 127)

This parameter controls the overall volume of the tone. The

greater the value, the greater the volume. Setting a level of

zero means that the tone does not sound at all.

Vib.T

Value Meaning Waveform

Sin Sine Wave

tri Triangle Wave

SAU Sawtooth Wave

Sqr Square Wave

V i bDe l a

Vib.R eat

VibD te

Oc t Sh i f t

Level

Synthesizer Mode

738A-E-051A

■

Touch Sensitivity (Range: –64 to 00 to +63)

This parameter controls changes in the volume of the tone in

accordance with the pressure applied to the keyboard keys. A

greater positive value increases the volume of the output as

pressure increases, while a negative value decreases volume

with increased keyboard pressure. A setting of zero specifies

no change in output volume in accordance with keyboard

pressure.

■

Reverb Send (Range: 000 to 127)

This parameter adjusts reverb.

■

Chorus Send (Range: 000 to 127)

This parameter adjusts chorus.

■

DSP Line (Settings: on, oFF)

This parameter controls whether or not the DSP effect is used.

TchSe ens

Rvb Send

Cho Send

DSP L i ne

WK3200_e_40-50.p65 05.3.15, 6:17 PM49

E-50

Synthesizer Mode

738A-E-052A

DSP Settings

Use the DSP editing screen to select the DSP type and to edit

parameters.

Select a tone, press the SYNTH button, and then

configure parameter settings.

After everything is the way you want, press the [왔]

CURSOR button once.

• This advances to the DSP parameter editing screen.

• Pressing the [왖] CURSOR button returns to the

Synthesizer Mode parameter screen.

This setting specifies DSP parameters. See “DSP Parameters”

on page E-28, “Effect List” on page A-14, and “DSP Algorithm

List” on page A-16 for more information.

NOTE

• If you store an original tone with the DSP line turned on

(page E-49), simply recalling the tone automatically

changes the DSP line, DSP type, and DSP parameter

settings. This simplifies the recall of original tones that

include a DSP effect.

User Tone Creation Hints

The following hints provide helpful advice on making user

tone creation a bit quicker and easier.

Use a preset tone that is similar to the one you are trying to

create.

Whenever you already have a rough idea of the tone you are

trying to create, it is always a good idea to start with a preset

tone that is similar.

■

Experiment with various different settings.

There are no real rules about what a tone should sound like.

Let your imagination run free and experiment with different

combinations. You may be surprised at what you can achieve.

Storing a User Tone In Memory

The following procedure shows how to store a user tone in

memory. Once a tone is stored, you can call it up just as you

do with a preset tone.

To name a user tone and store it in

memory

Select a preset tone to use as the basis for the user

tone, press the SYNTH button to enter the

Synthesizer Mode, and make the parameter settings

you want.

After making parameter settings to create the user

tone, press [왔] CURSOR button twice.

Use [+] and [–] to change the user area tone number

on the display until the one where you want to

store the tone is shown.

• You can select any tone number from 700 to 799.

After the tone name is the way you want, press the

[왘] CURSOR button to store the tone.

• Use the [+] and [–] buttons to scroll through letters at

the current cursor location.

• Use the [왗] and [왘] CURSOR buttons to move the

cursor left and right.

• See the page E-92 for information about inputting text.

Press [왔] CURSOR button to save the user tone.

• This will display a confirmation message asking

whether you really want to save the data. Press the

YES button to save the data.

• The message “Complete” appears momentarily on the

display, followed by the tone or rhythm selection

screen.

• To abort the save operation at any time, press the

SYNTH button or the EXIT button to exit the

Synthesizer Mode. Pressing the SYNTH button again

(before selecting another tone) returns to the

Synthesizer Mode with all of your parameter settings

still in place.

WK3200_e_40-50.p65 05.3.15, 6:17 PM50

E-51

Registration Memory Features

Registration memory lets you store up to 32 keyboard setups

(4 sets x 8 banks) for instant recall whenever you need them.

The following is a list of settings that are saved in registration

memory.

Registration Memory Settings

• Tone

• Rhythm

• Tempo

• Layer on/off

• Split on/off

• Split point

• Auto Harmonize on/off

• Mixer settings (Channels 1 to 10)

• Effect settings

• Touch Response settings

• Assignable jack setting

• Transpose

• Tuning

• Accompaniment volume setting

• Pitch bend range

• Auto Harmonize type

• MODE button setting

• Synchro standby state

• Mixer Hold

• DSP Hold

• Synthesizer Mode parameters (Modulation Assign,

Modulation Depth, Vibrato Waveform, Vibrato Delay,

Vibrato Rate, and Vibrato Depth only)

NOTE

• Each bank of registration memory initially contains data

when you first use the keyboard. Simple replace the

existing data with your own data.

• Registration memory functions are disabled while you

are using the SMF Player, Song Memory or demo tune

function.

• Registration memory functions are also disabled while

you are using the floppy disk drive (WK-3700 only) or

card slot (page E-84).

Registration Memory

Setup Names

You can assign setups into one of 32 areas, which you can

select using BANK buttons 1 through 4 and the four

REGISTRATION buttons. Area names range from 1-1 through

8-4 as shown below.

1 Use the BANK button to select the bank. Each press of

BANK cycles through the bank numbers from 1 to 8.

2 Pressing one of the REGISTRATION buttons (1 to 4) selects

the corresponding area in the currently selected bank.

NOTE

• Whenever you save a setup and assign it a setup name,

any setup data previously assigned to that name is

replaced with the new data.

• You can use the keyboard’s MIDI capabilities to save

your setup data to a computer or other external storage

device. See “U

sing the Music Data Management

Software (on the Bundled CD-ROM)

” on page E-80 for

details.

• You can save setup data to external media, if you want.

See “Saving Data” on page E-82 for more information.

1-1BANK 1 1-2 1-3 1-4

2-1BANK 2 2-2 2-3

2-4

4-1BANK 4 4-2 4-3 4-4

5-4

3-1BANK 3 3-2

3-3

6-1BANK 6 6-2 6-3 6-4

5-1BANK 5 5-2

5-3

7-1BANK 7 7-2 7-3

7-4

8-1BANK 8 8-2 8-3 8-4

3-4

123

738A-E-053A

WK3200_e_51-52.p65 05.3.15, 6:17 PM51

E-52

To Save a Setup in Registration

Memory

Select a tone and rhythm, and otherwise set up the

keyboard the way you want it.

• See “Registration Memory Settings” on page E-51 for

details on what data is stored in the registration

memory.

Use the BANK button or the number buttons to

select the bank you want.

• If you do not perform any operation for about five

seconds after pressing the BANK button, the display

returns to the contents in step 1, above.

• Bank 1 selected.

While holding down the STORE button, press a

REGISTRATION button (1 to 4).

• The following display appears when you press the 2

button.

Release the STORE and REGISTRATION buttons.

NOTE

• The setup is saved as soon as you press a

REGISTRATION button in step 3, above.

Registration Memory

Bank

Store

To Recall a Setup from

Registration Memory

Use the BANK button or the number buttons to

select the bank.

• If you do not perform any operation for about five

seconds after pressing the BANK button, the keyboard

automatically clears the registration memory recall

screen.

Press the REGISTRATION button (1 to 4) or number

buttons for the area whose setup you want to recall.

• The setup name along with the message “Recall”

appears on the display.

NOTE

• If you press a REGISTRATION button without using the

BANK button to select a bank first, the last bank number

selected is used.

Bank

Recal l

738A-E-054A

Number buttons

BANK

STOREREGISTRATION

WK3200_e_51-52.p65 05.3.15, 6:17 PM52

E-53

738A-E-055A

Song Memory Function

This keyboard lets you record up to five separate songs in

song memory for later playback. There are two methods you

can use to record a song: real-time recording where you record

the notes as you play them on the keyboard, and step

recording where you input chords and notes one-by-one.

NOTE

• Layer and split cannot be used while standing by for

recording or while recording is being performed in the

Song Memory Mode. Also, layer and split are

automatically turned off whenever the keyboard goes

into record standby or starts recording.

Tracks

Keyboard song memory records and plays back much like a

standard tape recorder. There are a total of six tracks, each of

which can be recorded separately. Besides notes, each track

can have its own tone number. Then when you play back the

tracks together, it sounds like an entire six-piece band. During

playback, you can adjust the tempo to change the speed of

playback.

Track 1

Start End

Track 2

Track 3

Track 4

Track 5

Track 6

Auto accompaniment (Rhythm,

Bass, Chord 1/2/3), Keyboard play

Keyboard play

Melody data recorded in track.

NOTE

• With this keyboard, Track 1 is the basic track, which

can be used to record keyboard play, along with Auto

Accompaniment. Tracks 2 through 6 can be used for

keyboard play, so they are called melody tracks. Tracks

2 through 6 are used to add other parts to what is

recorded in Track 1.

• Note that each track is independent of the others. This

means that even if you make a mistake while recording,

you only need to re-record the track where the mistake

was made.

• You can use different Mixer settings for each track (page

E-40).

Track 1 Track 5

Track 3

Track 6

Track 4

Track 2

Selecting a Track

Use the SONG MEMORY TRACK buttons marked CHORD/

TR1 through TR6 to select the track you want.

Song Memory Track Buttons

Basic Song Memory operations

The status of the Song Memory changes each time you press

the SONG MEMORY button.

Playback

Real-time Recording

Step Recording

Normal

Ste

Rec

Reco r d

Pla

Flash

WK3200_e_53-64.p65 05.3.15, 6:17 PM53

E-54

Song Memory Function

738A-E-056A

Using Real-time Recording

With real-time recording, the notes you play on the keyboard

are recorded as you play them.

To record with real-time recording

Press the SONG MEMORY button twice to enter

real-time record standby.

• Perform step 2, below, within five seconds after

entering record standby.

• The level meters for tracks 11 through 16 are shown

on the display while the keyboard is in record standby,

so you can easily check which tracks are already

recorded. See “Level Meter Contents During Record/

Edit Standby” on page E-60 for details.

Use the number buttons to select a song number

(0 to 4).

• The above song number screen remains on the display

for about five seconds. If it disappears before you have

a chance to select a song number, use the [왔] CURSOR

button to re-display it.

Make the following settings.

• Tone number

• Rhythm number

• Tempo

• MODE button

Press the START/STOP button to start recording.

• When recording starts, the REC indicator flashes on

the display. After a few moments the indicator stops

flashing, and remains on the display.

• Real-time recording without a rhythm starts. If you

want to record with a rhythm, press the INTRO/

ENDING 1/2 or VARIATION/FILL-IN 1/2.

Play something on the keyboard.

• You can also record Auto Accompaniment chords by

selecting the applicable mode with the MODE button.

• Optional pedal, pitch bend and modulation

operations are also recorded. See “Track 1 Contents

After Real-time Recording”.

Press the START/STOP button to end recording

when you are finish playing.

• If you make a mistake while recording, you can stop

the record operation and begin over again from step

1, or you can use the editing function (page E-62) to

make corrections.

NOTE

• Using real-time recording to record to a track that already

contains recorded data replaces the previous recording

with the new one.

Song number

Record

START/STOP

SONG MEMORY

SYNCHRO/FILL-IN NEXT

INTRO/ENDING 1/2

VARIATION/FILL-IN 1/2

SONG MEMORY TRACK

CURSOR

[+]

[–]

YES/NO

Number buttons

WK3200_e_53-64.p65 05.3.15, 6:17 PM54

E-55

Song Memory Function

738A-E-057A

Track 1 Contents After Real-time

Recording

In addition to keyboard notes and accompaniment chords,

the following data is also recorded to Track 1 during real-

time recording. This data is applied whenever Track 1 is

played back.

• Tone number

• Rhythm number

• INTRO/ENDING 1 button, INTRO/ENDING 2 button,

VARIATION/FILL-IN 1 button, VARIATION/FILL-IN 2

button, SYNCRHO/FILL-IN NEXT button operations

• Pedal operations (option)

The following data is recorded in the header whenever you

start a recording of a track.

• Mixer settings of other tracks

• Effect type

• Accompaniment volume

• Reverb Level

• Chorus Level

• DSP Hold On/Off

• Mixer Hold On/Off

• Pitch bend wheel operation

• Modulation wheel operation (WK-3700)

• Modulation button operation (WK-3200)

• Pitch bend range

Mixer Mode Settings

Channel 1 Mixer parameters (page E-40) are automatically

recorded to Track 1. You can use the Mixer to change each of

the parameters.

Memory Capacity

The keyboard has memory for approximately 10,000 notes.

• The measure number and note number flash on the display

whenever remaining memory is less than 100 notes.

• Recording automatically stops (and auto-accompaniment

and rhythm stops playing if they are being used) whenever

memory becomes full.

• Initially, nothing is stored in song memory.

Memory Data Storage

• Whenever you make a new recording, anything previously

stored in memory is replaced.

• Turning off the keyboard while a record operation is in

progress causes the contents of the track your are currently

recording to be lost.

• You can save memory data to external media, if you want.

See “Saving Data” on page E-82 for more information.

• Remember that you can dump memory contents to another

MIDI device using the procedure described under “U

sing

the Music Data Management Software (on the Bundled CD-

ROM)

” on page E-80.

Track 1 Real-time Recording

Variations

The following describes a number of different variations you

can use when recording to Track 1 using real-time recording.

All of these variations are based upon the procedure described

under “To record with real-time recording” on page E-54.

To start recording with synchro start

In place of step 4, press the SYNCHRO/FILL-IN NEXT

button. Auto-accompaniment and recording will both start

when you play a chord on the accompaniment keyboard.

To record using an intro, ending, or fill-in

During recording, the INTRO/ENDING 1/2, SYNCHRO/

FILL-IN NEXT, and VARIATION/FILL-IN 1/2 buttons

(pages E-36 to 37) can all be used as they normally are.

To synchro start Auto Accompaniment with an intro

pattern

In place of step 4, press the SYNCHRO/FILL-IN NEXT button

and then INTRO/ENDING 1 or INTRO/ENDING 2 button.

Auto-accompaniment will start with the intro pattern when

you play a chord on the accompaniment keyboard.

To start Auto Accompaniment part way into a recording

In place of step 4, press the SYNCHRO/FILL-IN NEXT button

and then play something on the melody keyboard to start

recording without Auto Accompaniment. When you reach

the point where you want accompaniment to start, play a

chord on the accompaniment keyboard to start Auto

Accompaniment.

WK3200_e_53-64.p65 05.3.15, 6:17 PM55

E-56

Song Memory Function

738A-E-058A

Playing Back from Song Memory

Once you record tracks to song memory, you can play them

back to see what they sound like.

To play back from song memory

Use the SONG MEMORY button to enter playback

standby, and then use the number buttons to select

a song number (0 to 4).

• The above song number screen remains on the display

for about five seconds. If it disappears before you have

a chance to select a song number, use the [왔] CURSOR

button to re-display it.

Press the START/STOP button to playback the song

you selected.

• You can use the TEMPO buttons to adjust the playback

tempo.

• Press the START/STOP button again to stop playback.

NOTE

• You can play along on the keyboard using layer (page

E-65) and split (page E-66) during playback.

• Pressing the START/STOP button to start playback from

song memory always starts from the beginning of the

song.

• The entire keyboard functions as a melody keyboard,

regardless of the MODE button setting.

To turn off a specific track

Press the SONG MEMORY TRACK button of the track you

want to turn off, or use the Mixer (Page E-40) to turn off the

channel of the track.

Pla

Playback standbySong number

Recording Melody and Chords

with Step Recording

With step recording, you can record Auto-Accompaniment

chords and notes, and even specify note lengths one by one.

Even those who find it difficult to play along on the keyboard

with an Auto-Accompaniment can create Auto-

Accompaniments based on their own original chord

progressions. The following shows the type of data that can

be recorded in Tracks 1 through 6.

Track 1: Chords and Auto-Accompaniment

Tracks 2 through 6: Keyboard play

With step recording, first record the chords and Auto-

Accompaniment in Track 1. Next, record the melody in Tracks

2 through 6.

NOTE

• Use the procedure under “To record to Tracks 2 through

6 using step recording” on page E-59 for details on how

to record to Tracks 2 through 6.

WK3200_e_53-64.p65 05.3.15, 6:17 PM56

E-57

Song Memory Function

738A-E-059A

To record chords with step recording

Press the SONG MEMORY button three times to

enter step recording standby, and then use the

number buttons to select the song number (0 to 4).

Make the following settings.

• Rhythm number

• MODE button

Press the CHORD/TR1 button, which is one of the

SONG MEMORY TRACK buttons, to select Track1.

• When recording starts, the REC indicator flashes on

the display. After a few moments the indicator stops

flashing, and remains on the display.

Press the SYNCHRO/FILL-IN NEXT button.

Play a chord.

• Use the chord play method that is specified by the

current MODE button setting (Fingered, CASIO

Chord, etc.).

• When the MODE button is set to Normal, specify the

chord using the root input keyboard and chord type

input keyboard. See “Specifying Chords in the

Normal Mode” on page E-58 for details.

* 96 clocks = 1 beat

Input the length of the chord (how long it should

be played until the next chord is played).

• Use the number buttons to specify the length of the

chord. See “Specifying the Length of a Note” on page

E-58 for details.

• The specified chord and its length are stored in

memory and the keyboard stands by for input of the

next chord.

• Repeat steps 5 and 6 to input more chords.

After you are finished recording, press the START/

STOP button.

• This enters playback standby for the song you have

just recorded.

• To play back the song at this time, press the START/

STOP button.

NOTE

• Use the procedure under “Correcting Mistakes While

Step Recording” on page E-60 to correct input mistakes

you make during step recording.

• You can add on to a track that already contains recorded

data by selecting that track in step 3 of the above

procedure. Doing so automatically locates the step

recording start point at the first beat immediately

following the previously recorded data.

• Inputting “0” as the chord length in steps 5 and 6 of the

above procedure specifies a rest, but the rest is not

reflected in the accompaniment contents when the

accompaniment is played.

Track 1 Contents After Step

Recording

In addition to chords, the following data is also recorded to

Track 1 during step recording. This data is applied whenever

Track 1 is played back.

• Rhythm number

• INTRO/ENDING 1 button, INTRO/ENDING 2 button,

VARIATION/FILL-IN 1 button, VARIATION/FILL-IN 2

button, SYNCHRO/FILL-IN NEXT button operations

NOTE

• You can also use number buttons 1 through 7, and button

9 to specify the button release timing for the VARIATION/

FILL-IN 1, VARIATION/FILL-IN 2, and SYNCHRO/FILL-

IN NEXT buttons. For more information, see “Specifying

the Length of a Note” on page E-58. Specifying release

timing specifies that the applicable button remains

depressed for a particular amount of time. If you do not

specify the release timing, it is assumed that the button

is pressed and then immediately released.

Flash

Ste

Rec

Cho r d

Chord name Measure, beat, and clock at

current location*

WK3200_e_53-64.p65 05.3.18, 2:36 PM57

E-58

Specifying Chords in the Normal

Mode

When the MODE button is set to Normal during step

recording, you can specify chords using a method that is

different from CASIO Chord and Fingered fingerings. This

chord specification method can be used to input 18 different

chord types using only two keyboard keys, so chords can be

specified even if you don’t know how to actually play them.

Major

Minor

Augmented

Diminished

Suspended four

Seventh

Minor seventh

Major seventh

Minor major seventh

Root input keyboard

Chord type input

keyboard

Seventh flat five

Minor seventh flat five

Seventh suspended four

Diminished seventh

Minor add ninth

Add ninth

Minor sixth

Sixth

Six ninth

Song Memory Function

To specify a chord, hold down the key on the root input

keyboard that specifies the root, and press the key in the chord

type input keyboard to specify the chord type. When

inputting a chord with a specified bass note, pressing two

keys of the root input keyboard causes the lower note to be

specified as a bass note.

Example 1: To input Gm7, hold down G on the root input

keyboard and press the m7 key on the chord type

input keyboard.

Hold down key to specify chord

root.

Press key to specify chord

type

(G) (m7)

Example 2: To input Gm/C, hold down C and G on the root

input keyboard and press the m key on the chord

type input keyboard.

Hold down key to specify on bass

and chord root.

Press key to specify

chord type.

(G)(C) (m)

Specifying the Length of a Note

During step recording, the number buttons are used to specify

the length of each note.

Note lengths

Use number buttons [1] through [6] to specify whole notes

( ), half notes ( ), quarter notes ( ), eighth notes ( ), 16th

notes ( ), and 32nd notes ( ).

Example: To specify a quarter note ( ), press [3].

Dots ( ) and triplicates ( )

While holding down the [7] (dot) or [9] (triplicate), use buttons

[1] through [6] to input the lengths of the notes.

Example: To input a dotted eighth notes ( ), hold down [7]

and press [4].

Ties

Input the first and then the second note.

Example: To input , press [4] and then [8]. Next, press

[5]. This note will be tied to the next note you input

(16th note in this example).

Rest

Hold down [0] and then use number buttons [1] through [9]

to specify the length of the rest.

Example: To input an eighth note rest, hold down [0] and press

[4].

• Pressing the [왘] CURSOR button inputs rests up to the

beginning of the next measure.

Track 1 Step Recording Variations

The following describes a number of different variations you

can use when recording to Track 1 using step recording. All

of these variations are based upon the procedure described

under “To record chords with step recording” on page E-57.

To start accompaniment with an intro pattern

In step 4, press INTRO/ENDING 1 or INTRO/ENDING 2

button after the SYNCHRO/FILL-IN NEXT button.

To switch to a rhythm variation

In step 5, press VARIATION/FILL-IN 1 or VARIATION/

FILL-IN 2 button immediately before inputting the chord.

To insert a fill in

In step 5, press VARIATION/FILL-IN 1 or VARIATION/

FILL-IN 2 button at the measure or beat immediately before

the chord or beat where you want to insert the fill in.

To insert an ending

In step 5, press INTRO/ENDING 1 or INTRO/ENDING 2

button at the measure or beat immediately before the chord

where you want to insert the ending.

738A-E-060A

WK3200_e_53-64.p65 05.3.15, 6:17 PM58

E-59

Song Memory Function

To record to Tracks 2 through 6 using

real-time recording

You can record to Tracks 2 through 6 while playing back what

you originally recorded on Track 1 and any other tracks that

are already recorded.

Press the SONG MEMORY button twice to enter

record standby, and then use the number buttons

to select a song number (0 to 4).

• The song number you select should be the one where

you previously input Track 1.

Use the SONG MEMORY TRACK buttons to select

the track you want to record to (2 through 6).

• While the keyboard is in record standby, the display

shows the level meters for channels 11 through 16, so

you can check which tracks have already been

recorded. See “Level Meter Contents During Record/

Edit Standby” on page E-60 for details.

Make the following settings.

• Tone number

• Tempo

IMPORTANT!

• The length of the ending depends on the rhythm you

are using. Check the length of the pattern you are using

and set the length of the chord accordingly in step 6.

Making the chord too short in step 6 can result in the

ending pattern being cut off.

To step record chords without rhythm

Skip step 4. The specified chord of the length specified by

the number buttons is recorded. A rest can be specified here,

so an original chord pattern can be created.

To add chord accompaniment part way through rhythm

play

In place of step 4 at the start of the recording, press

VARIATION/FILL-IN 1 or VARIATION/FILL-IN 2 button

and input rests. Then in step 5, input the chords. Only rhythm

is played where you input the rests, and then chord play starts

after the rests.

Recording Multiple Tracks

Track 1 of the keyboard’s song memory records Auto

Accompaniment and keyboard play. In addition, there are

five other melody tracks that you can use to record melody

parts only. You can record different tones to the melody tracks

and build a full ensemble of instruments for your recordings.

The procedure you use for recording to Tracks 2 through 6 is

identical to the one you use when recording to Track 1.

738A-E-061A

Press the START/STOP button to start recording.

• At this time, the contents of any tracks that are already

recorded start to play back.

• Optional pedal, pitch bend and modulation

operations are also recorded.

Use the keyboard to play what you want to record

the track you selected.

Press the START/STOP button to end recording

when you are finished.

Track Contents After Real-time

Recording

In addition to keyboard notes, the following data is also

recorded to the selected track during real-time recording. This

data is applied whenever the track is played back.

• Tone number

• Pedal operations (option)

The following data is recorded in the header whenever you

start a recording of a track.

• Mixer settings of other tracks

• Effect type

• Accompaniment volume

• Reverb Level

• Chorus Level

• DSP Hold On/Off

• Mixer Hold On/Off

• Pitch bend wheel operation

• Modulation wheel operation (WK-3700)

• Modulation button operation (WK-3200)

• Pitch bend range

To record to Tracks 2 through 6 using

step recording

This procedure describes how to input notes one-by-one,

specifying each note’s pitch and length.

Press the SONG MEMORY button three times to

enter real-time record standby, and then use the

number buttons to select a song number (0 to 4).

• The song number you select should be the one where

you previously input Track 1.

Ste

Rec

WK3200_e_53-64.p65 05.3.15, 6:17 PM59

E-60

Song Memory Function

Use the SONG MEMORY TRACK buttons to select

the track you want to record to (2 through 6).

Example: Select Track 2.

Specify a tone number.

• Pressing a TONE button or the DRAWBAR ORGAN

button displays the tone number and name on the

display. You can then use the number buttons, or the

[+] (increase) and [–] (decrease) buttons to change the

tone.

• After changing the tone number, press any keyboard

key to clear the tone number and name screen, and

return to the note input screen.

Use the keyboard keys to input notes, or the [0]

button to input rests.

• At this time, the display shows the keyboard pressure

(velocity). Use the [+] (increase) and [–] (decrease)

buttons to change the velocity.

• You can also input a chord.

Use the number buttons to input the length of the

note or rest (page E-58).

Repeat steps 4 and 5 to input more notes.

Press the START/STOP button to end recording

when you are finished.

NOTE

• Use the procedure under “Correcting Mistakes While

Step Recording” on this page to correct input mistakes

you make during step recording.

• You can add on to a track that already contains recorded

data by selecting that track in step 2 of the above

procedure. Doing so automatically locates the step

recording start point at the first beat immediately

following the previously recorded data.

• Whenever you are recording to Tracks 2 through 6, the

entire keyboard functions as a melody keyboard,

regardless of the current MODE button setting.

• When playing back data recorded with Advanced Tones

at the beginning of multiple tracks, the keyboard uses

the DSP type of the Advanced Tone that is recorded in

the track with the largest track number.

• When playing back a track that was recorded with an

Advanced Tone selected, they may be a slight delay

before the first note of the track sounds. If this happens,

try to insert a very short rest at the beginning of the

track.

738A-E-062A

Flash

Track Contents After Step Recording

In addition to notes and rests, the following data is also

recorded to the track during step recording. This data is

applied whenever the track is played back.

• Tone number

Level Meter Contents During Record/

Edit Standby

Channels 11 through 16 correspond to Tracks 1 through 6.

Whenever the keyboard is in record or edit (page E-62)

standby, the level meter display shows which tracks already

contain recorded data and which are still empty. Tracks with

four lit segments already contained recorded data, while

tracks with one lit segment are not yet recorded.

Correcting Mistakes While Step

Recording

Memory data can be thought of as a musical score that

progresses from left to right, with the input point normally

at the far right of the recorded data.

The procedure described here lets you move the input point

to the left in order to make changes in data you have already

input. Note, however, that moving the input point to the left

and changing data automatically deletes all of the data

recorded to the right of the input point.

Recording track

Not recording track

WK3200_e_53-64.p65 05.3.15, 6:17 PM60

E-61

Song Memory Function

To correct mistakes while step

recording

Without exiting step recording, use the [왗]

CURSOR button to move the input point to the left.

• The REC indicator disappears from the display, and

the STEP indicator flashes.

Monitoring the data on the display, use [왗] and

[왘] CURSOR buttons to move the input point to

the data you want to change.

Example: To re-record all note data following the note

A3 located at Measure 120, Beat 1, Clock 0.

Press the [왔] CURSOR button.

No t e C#4



••••••• •••••••



••••••• •••••••

C 4



C 4



Measure 126/Beat 3/Clock 48

(Normal input point)

Measure 126/Beat 3/Clock 0

(Previous data)

Use [왗] and [왘] CURSOR

to move left and ri

ht.

Press [왗] CURSOR button.

Data flowData flow

No t e A3



••••••• •••••••

C 4A3



Measure 120/Beat 1/Clock 0

(Input point moved to using [왗] and [왘]

CURSOR buttons

)

Data flow

738A-E-063A

Rewr i t e?

Press the YES button.

• This deletes all data from the location you specified

and enters step record standby.

• Pressing the [왖] CURSOR button or the NO button

cancels deleting the data.

NOTE

• When you reach the end of the recording by pressing

the [왘] CURSOR button, the “REC” indicator appears

and the “STEP” indicator flashes on the display,

indicating that you can add more data using step

recording.

To delete specific note data

Perform steps 1 and 2 under “To correct mistakes

while step recording” above to display the note you

want to delete.

Press the [왔] CURSOR button twice.

In response to the “Delete?” message that appears

on the screen, press the YES button to delete the

displayed note.



•••••••

Measure 120/Beat 1/Clock 0

(

Step re-recording begins from here.

)

Data flow

All data to

the right

is deleted.

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E-62

Song Memory Function

Editing Memory Contents

After you record to keyboard memory, you can recall

individual notes and parameter settings (such as tone

number) and make any changes you want. This means you

can correct misplayed notes, make changes in tone selections,

etc.

The following types of data can be edited.

• Note intensity

• Notes

• Chords

• Tone numbers

• Rhythm number

• INTRO/ENDING 1 button, INTRO/ENDING 2 button,

VARIATION/FILL-IN 1 button, VARIATION/FILL-IN 2

button, SYNCHRO/FILL-IN NEXT button operations

To edit memory contents

Press the SONG MEMORY button three times to

enter step recording standby, and then use the [+]

and [–] buttons to select a song number (0 to 4).

Use the SONG MEMORY TRACK buttons to select

the recorded track that you want to edit.

Press the [왗] CURSOR button to enter the editing

mode.

• The REC indicator disappears from the display, and

the STEP indicator flashes.

738A-E-064A

Use the [왗] and [왘] CURSOR buttons to move to

the location in track where the note or parameter

you want to change is located.

Note editing example

Make any changes in the value that you want.

• The actual procedures you use to change a parameter

depend on the type of data it contains. See “Editing

Techniques and Display Contents” on page E-63 for

details.

Repeat steps 4 and 5 to edit other parameters.

Press the START/STOP button to end editing when

you are finished.

NOTE

• The only parameters that can be editted for Tracks 2

through 6 are notes and tone numbers.

• In the case of real-time recording, you later can change

tone numbers you specified while recording to Tracks 1

through 6 is in progress.

• You can only change tone numbers that were originally

set for Tracks 2 through 6 using step recording.

• In the case of real-time recording, you later can change

rhythm numbers you specified while recording to Track

1 is in progress.

• You can only change rhythm numbers that were originally

set for Track 1 using step recording.

• You cannot use the edit procedure to add more data to

a recording.

• You cannot move portions of a recording to a different

location within the recording.

• Note lengths cannot be changed.

No t e C4

PitchVelocity

Flash

Ste

Rec

WK3200_e_53-64.p65 05.3.18, 7:15 PM62

E-63

Song Memory Function

Editing Techniques and Display

Contents

The following describes the editing techniques you can use

to change the various parameters stored in memory.

To change the key pressure (velocity) of a note

Use the number buttons or [+] and [–] to adjust the key

pressure.

To change the pitch of a note

Input a new note on the keyboard or use [+] and [–] buttons

to change the pitch of a note. The pitch you specify here is

reflected in the keyboard and the notes shown in the staff on

the display.

IMPORTANT!

• Whenever editing memory contents, never change a

note so it is identical to the note before or after it. Doing

so may alter the length of the changed note and the

note before or after it. Should this happen, you will have

to re-record the entire track.

To change a chord

Use the chord fingering method selected by the MODE button

(FINGERED, CASIO CHORD, etc.) to input a chord.

To change a tone number

Use the number buttons or [+] and [–] buttons to change a

tone number.

No t e G4

Cho r d

St .GrPno

738A-E-065A

NOTE

• In the case of real-time recording, you later can change

tone numbers you specified while recording to Tracks 1

through 6 is in progress.

• You can only change tone numbers that were originally

set for Tracks 2 through 6 using step recording.

To change a rhythm number

Use the number buttons or [+] and [–] buttons to change a

rhythm number.

NOTE

• In the case of real-time recording, you later can change

rhythm numbers you specified while recording to Track

1 is in progress.

• You can only change rhythm numbers that were originally

set for Track 1 using step recording.

To change a rhythm controller operation

* INTRO/ENDING 1 button, INTRO/ENDING 2 button,

VARIATION/FILL IN 1 button, VARIATION/FILL IN 2

button, SYNCHRO/FILL IN NEXT button operations

Press the rhythm controller button you want to change to.

Int/End1

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E-64

Song Memory Function

Editing a Song

You can perform the following operations in the song editing

mode.

• Delete a song

• Delete a track

• Song header data rewrite (Panel Record)

To delete a song

Press the SONG MEMORY button once to enter

playback standby.

Use the [+] and [–] buttons to select the number of

the song you want to delete.

Press the [왔] CURSOR button. If there is no song

number on the display, press the [왔] CURSOR

button twice.

• This displays the song delete screen.

Press the YES button.

• This causes the message “Sure?” to appear, confirming

whether you really want to delete the song.

Press the YES button to delete the song and return

to playback standby.

To delete a specific track

Press the SONG MEMORY button once to enter

playback standby.

Use the [+] and [–] buttons to select the number of

the song that contains the track you want to delete.

Press the [왔] CURSOR button twice. If there is no

song number on the display, press the [왔] CURSOR

button three times.

• This displays the song delete screen.

738A-E-066A

Use the SONG MEMORY TRACK buttons to select

the recorded track or tracks whose data you want

to delete.

Track delete standby

• You can specify more than one track for deletion by

pressing more than one track select button.

• To deselect a track, simply press its track select button

again.

Press the YES button.

• This causes the message “Sure?” to appear, confirming

whether you really want to delete the track.

Press the YES button to delete the track.

NOTE

• You cannot change the song number while in track delete

standby.

• Pressing the SONG MEMORY button while in track

delete standby returns to record standby.

To rewrite song header data

(Panel Record)

You can use a procedure called “Panel Record” to change the

initial Mixer, tempo and other settings stored in the song

header.

Press the SONG MEMORY button once to enter

playback standby.

Use the [+] and [–] buttons to select the number of

the song that contains the header data you want to

rewrite.

Make the changes you want to the header data.

Press the [왔] CURSOR button three times.

• This displays the song delete screen.

Press the YES button to rewrite the header data.

Tr .Del .?

Number of the song that contains the track

(cannot be changed)

Track delete standby

Recorded track

Track being deleted (Multiple

tracks can be specified.)

WK3200_e_53-64.p65 05.3.15, 6:17 PM64

E-65

Keyboard Settings

Press the LAYER button.

Select the layered tone.

Example: To select “460 GM FRENCH HORN” as the

layered tone, use the number buttons to input

4, 6 and then 0.

Now try playing something on the keyboard.

• Both tones are played at the same time.

Press the LAYER button again to unlayer the tones

and return the keyboard to normal.

NOTE

• Turning on layering switches the currently selected part

from Part 1 to Part 2, and displays the layered tone. At

that time, you can use the [왗] and [왘] CURSOR buttons

to switch between parts. Turning off layering returns to

Part 1.

• The main tone sounds over Channel 1, while the layered

tone sounds over Channel 2. You can also use the Mixer

to change the tone and volume settings for these

channels.

• Note that layering is not possible during record standby

or recording in the Song Memory Mode, or while you

are using the SMF Player Mode.

Main Tone (GM BRASS) + Layered Tone (GM FRENCH HORN)

FrHorn G

Parts

Up to four parts (numbered 1 through 4) can be used

simultaneously during keyboard play. These parts can be

used by the layer and split functions explained below.

Part 1: Main tone part

Part 2: Layered tone part

Part 3: Split tone part

Part 4: Layered and split tone part

Using Layer

Layer lets you assign two different tones (a main tone and a

layered tone) to the keyboard, both of which play whenever

you press a key. For example, you could layer the GM

FRENCH HORN tone on the GM BRASS tone to produce a

rich and brassy sound.

LAYER

To layer tones

First select the main tone.

Example: To select “461 GM BRASS” as the main tone,

press the TONE button and then use the

number buttons to input 4, 6 and then 1.

738A-E-067A

Brass G

St r in

Selected layer tone Lit

LAYERSPLIT

EXIT

CURSOR

TONE

TRANSPOSE/FUNCTION

Number buttons

[+]

[–]

YES/NO

WK3200_e_65-78.p65 05.3.16, 9:06 PM65

E-66

Main Tone (GM STRINGS 1)

Split point

Split Tone

(GM PIZZICATO)

Using Split

With split you can assign two different tones (a main tone

and a split tone) to either end of the keyboard, which lets

you play one tone with your left hand and another tone with

your right hand. For example, you could select GM STRINGS

1 as the main (high range) tone and GM PIZZICATO as the

split (low range) tone, putting an entire string ensemble at

your fingertips.

Split also lets you specify the split point, which is the location

on the keyboard where the changeover between the two tones

occurs.

NOTE

• Leave the MODE button in the Normal or FULL RANGE

CHORD position.

SPLIT

To split the keyboard

First select the main tone.

Example: To select “448 GM STRINGS 1” as the main

tone, press the TONE button and then use the

number buttons to input 4, 4 and then 8.

Press the SPLIT button.

Select the split tone.

Example: To select “445 GM PIZZICATO” as the split

tone, use the number buttons to input 4, 4 and

then 5.

St r in 1G

Specify the split point. While holding down the

SPLIT button, press the keyboard key where you

want the leftmost key of the high end range to be.

Example: To specify G3 as the split point, press the G3

key.

Now try playing something on the keyboard.

• Every key from F



3 and below is assigned the GM

PIZZICATO tone, while every key from G3 and above

is assigned the GM STRINGS 1 tone.

Press the SPLIT button again to unsplit the keyboard

and return it to normal.

NOTE

• Turning on split switches the currently selected part to

Part 3, and displays the split tone. At that time, you can

use the [왗] and [왘] CURSOR buttons to switch between

parts. Turning off split returns to Part 1.

• The main tone sounds over Channel 1, while the split

tone sounds over Channel 3. You can also use the Mixer

to change the tone and volume settings for these

channels.

• Note that split is not possible during record standby or

recording in the Song Memory Mode, or while you are

using the SMF Player Mode.

• When the MODE button is set to CASIO CHORD or

FINGERED, the accompaniment keyboard range is in

accordance with the split point you specify with the above

procedure.

Pi zzcatG

Keyboard Settings

738A-E-068A

Acous sBG

Selected split tone Lit

WK3200_e_65-78.p65 05.3.15, 6:17 PM66

E-67

Using Layer and Split Together

You can use layer and split together to create a layered split

keyboard. It makes no difference whether you layer tones

first and then split the keyboard, or split the keyboard and

then layer tones. When you use layer and split in combination,

the high range of the keyboard is assigned two tones (main

tone + layered tone), and the low range two tones (split tone

+ layered split tone).

LAYER SPLIT

To split the keyboard and then layer

tones

Press the TONE button and then input the tone

number of the main tone.

Example: To set “461 GM BRASS” as the main tone.

Press the SPLIT button and then input the number

of the split tone.

Example: To set “445 GM PIZZICATO” as the split tone.

• After specifying the split tone, press the SPLIT button

to unsplit the keyboard.

Press the LAYER button and then input the number

of the layered tone.

Example: To set “460 GM FRENCH HORN” as the

layered tone.

Split Tone

(GM PIZZICATO)

Layered Split Tone

(GM STRINGS 1)

Main Tone

(GM BRASS)

Layered Tone (GM FRENCH HORN)

Split point

Brass

738A-E-069A

Keyboard Settings

Pi zzcatG

FrHorn G

Press the SPLIT button or the LAYER button so both

of the SPLIT and LAYER indicators are displayed.

Input the number of the layered split tone.

Example: To specify the “448 GM STRINGS 1” tone,

enter 4, 4, 8.

While holding down the SPLIT button, press the

keyboard key where you want the lowest note (the

leftmost key) of the upper range (right side range)

to be.

Play something on the keyboard.

• Press the LAYER button to unlayer the keyboard, and

the SPLIT button to unsplit it.

NOTE

• Turning on layer+split switches the currently selected

part to Part 4, and displays the layered tone. At that

time, you can use the [왗] and [왘] CURSOR buttons to

switch between parts. Turning off layer returns to Part

3, while turning off split returns to part 2. Turning off

both layer and split returns to Part 1.

• The main tone sounds over Channel 1, the layer tone

over Channel 2, the split tone over Channel 3, and the

layer/split tone over Channel 4. You can also use the

Mixer to change the tone and volume settings for these

channels.

St r in 1G

WK3200_e_65-78.p65 05.3.15, 6:17 PM67

E-68

738A-E-070A

Keyboard Settings

Transposing the Keyboard

Transpose lets you raise and lower the overall key of the

keyboard in semitone units. If you want to play an

accompaniment for a vocalist who sings in a key that’s

different from the keyboard, for example, simply use

transpose to change the key of the keyboard.

To transpose the keyboard

Press the TRANSPOSE/FUNCTION button.

• This causes a pointer to appear on the display next to

TRANSPOSE/FUNCTION, and displays the

transpose setting screen.

Use [+] and [–] to change the transpose setting of

the keyboard.

Example: To transpose the keyboard five semitones

upwards.

• Pressing the TRANSPOSE/FUNCTION button exits

the transpose screen.

NOTE

• The keyboard can be transposed within a range of –24

(two octave downwards) to +24 (two octave upwards).

• The transpose setting also affects playback from song

memory and Auto Accompaniment.

• The allowable pitch range you can transpose within

depends on the tone you are using. If a transpose

operation causes a note to be outside of the pitch range

for the tone being used, the keyboard automatically plays

the same note in the nearest octave that falls within the

pitch range of the tone you are using.

Trans.

Using Touch Response

When touch response is turned on, the relative volume of

sound output by the keyboard is varied in accordance with

the amount of pressure applied, just like an acoustic piano.

To turn touch response on and off

Press the TRANSPOSE/FUNCTION button.

• This causes a pointer to appear on the display next to

TRANSPOSE/FUNCTION.

Use the [왗] and [왘] CURSOR buttons to display

the touch response setting screen.

Use the [+] and [–] buttons to select the touch

response sensitivity level.

•“1” outputs powerful sound even with light key

pressure, while “3” requires very heavy key pressure

to output powerful sound.

• Pressing [+] and [–] at the same time returns

sensitivity to the “2” setting.

• When you select “oFF”, the tone does not change

regardless of how much pressure you apply to the

keyboard.

NOTE

• Touch response not only affects the keyboard’s internal

sound source, it also is output as MIDI data.

• Song Memory playback, accompaniment, and external

MIDI note data do not affect the touch response setting.

Touch

WK3200_e_65-78.p65 05.3.15, 6:17 PM68

E-69

Tuning the Keyboard

The tuning feature lets you fine tune the keyboard to match

the tuning of another musical instrument.

To tune the keyboard

Press the TRANSPOSE/FUNCTION button.

Use the [왗] and [왘] CURSOR buttons to display

the tuning screen.

Use [+] and [–] to change the tuning setting of the

keyboard.

Example: To lower the tuning by 20.

• Pressing the TRANSPOSE/FUNCTION button exits

the transpose screen.

NOTE

• The keyboard can be tuned within a range of –99 cents

to +99 cents.

*100 cents is equivalent to one semitone.

• The tuning setting also affects playback from song

memory and Auto Accompaniment.

Tune

738A-E-071A

Keyboard Settings

WK3200_e_65-78.p65 05.3.15, 6:17 PM69

E-70

Changing Other Settings

Setting Types

The table below shows the parameters whose settings you can change.

Setting menu

Transpose

(Trans.)

Auto Harmonize

(AutoHarm)

Touch Response

(Touch)

Tune

(Tune)

Contrast

(Contrast)

Assignable Jack

(Jack)

Mixer Hold

(MixHold)

DSP Hold

(DSP Hold)

MIDI

(MIDI)

Delete/Initialize

(Del/Init)

Page

E-68

E-72

E-68

E-69

E-73

Description

Adjusts of overall keyboard tuning by semitone units.

Selects the Auto Harmonize Type

Specifies of how sound should change with keyboard pressure.

Fine adjustment of overall keyboard tuning.

Adjusts display brightness.

Assigns effects to pedals.

Turns mixer hold on or off.

Turn DSP hold on or off.

MIDI settings

Initialization can be used to return keyboard parameters to their initial factory default

settings, or to delete all data currently in keyboard memory.

738A-E-072A

Keyboard Settings

NOTE

• The above settings are all saved whenever you turn off the keyboard. For details, see “Memory Contents” on page E-16.

• MIDI settings and Delete/Initialize settings are disabled while you are using the SMF Player or Song Memory function.

WK3200_e_65-78.p65 05.3.15, 6:17 PM70

E-71

To use the keyboard settings menu

Press the TRANSPOSE/FUNCTION button.

• This causes a pointer to appear on the display next to TRANSPOSE/FUNCTION.

Use the [왗] and [왘] CURSOR buttons, and the [왖] and [왔] CURSOR buttons to recall the items whose settings

you want to change.

738A-E-073A

Keyboard Settings

Tone selection screen

MIDI setting

Delete setting

Initialize

setting

[왗]

[왘]

[왗]

[왘]

[왗]

[왘]

[왗]

[왘]

[왗]

[왘]

[왗]

[왘]

[왗]

[왘]

[왗]

[왘]

[왗]

[왘]

[왗]

[왘]

[왗]

[왘]

[왗]

[왘]

[왗]

[왘]

[왗]

[왘]

TRANSPOSE/FUNCTION button

[왔]

[왖]

[왔]

[왖]

EXIT button

[왖] : [왖] CURSOR button

[왔] : [왔] CURSOR button

[왗] : [왗] CURSOR button

[왘] : [왘] CURSOR button

TRANSPOSE/FUNCTION

button

WK3200_e_65-78.p65 05.3.15, 6:17 PM71

E-72

738A-E-074A

Use the [+] and [–] buttons or the number buttons to change the values.

• Settings you make are applied even if you do not press the EXIT button.

• See the following section titled “Setting Menu Items” for details on each setting.

• After making the settings you want, press the TRANSPOSE/FUNCTION button or EXIT button to return to the tone or

rhythm selection screen.

■

In case of a delete or initialize procedure

Press the YES button.

• This displays the user area number and data name of the data to be deleted.

• The data size value represents kilobyte units.

Now use the number buttons, or the [+] (increase) and [–] (decrease) buttons to select the data you want.

Press the [왔] CURSOR button.

• This causes the message “Sure?” to appear, confirming whether you really want to perform the delete or initialize operation.

Press the YES button to complete the operation.

• This performs the delete or initialize operation and returns to the step 5 screen.

After making the settings you want, press the TRANSPOSE/FUNCTION button or EXIT button to return to the tone

or rhythm selection screen.

IMPORTANT!

• It can take about 40 seconds to perform a delete or initialize procedure after you pressing the YES button in step 7 above.

The message “Pls Wait” will remain on the display to indicate that a procedure is being performed. Never try to perform any

operation while “Pls Wait” is displayed. Performing any operation can damage the keyboard’s memory and cause it to

malfunction.

Keyboard Settings

Setting Menu Items

쏋

Auto Harmonize Types

You can select from among the 10 different types of auto harmonize listed below.

Type

(Parameter Name)

Duet1

Duet2

Country

Octave

5th

3-Way Open

3-Way Close

Strings

Block

Big Band

Description

Adds a 1-part harmony to keyboard play.

Adds a 1-part harmony to keyboard play. Duet2 harmony is more open than Duet1.

Adds a country-flavor harmony to keyboard play.

Adds notes one octave below notes played on the keyboard.

Adds fifth notes above notes played on the keyboard.

Adds two open harmony parts to notes played on the keyboard (creating three-part harmony).

Adds two close harmony parts to notes played on the keyboard (creating three-part harmony).

Adds harmony suitable for strings.

Adds block chord notes.

Adds harmony suitable for big band play.

No.

WK3200_e_65-78.p65 05.3.15, 6:17 PM72

E-73

738A-E-075A

Keyboard Settings

쏋

MIDI Setting

Description

Specifies the send channel for main tone play.

Specifies whether accompaniment range MIDI Note On messages

received from an external device should be interpreted as auto

accompaniment chords.

Specifies whether this keyboard’s auto accompaniment or song

memory is sent as MIDI messages.

Specifies whether the keyboard should sound the parts played on

it.

Specifies the maximum change in a tone that can be applied using

the PITCH BEND wheel. The setting range is 00 (no change) to 12

(12 semitones).

Setting menu

Keyboard Channel

(Keybd Ch)

MIDI In Chord Judge

(Chord)

Accomp/Song MIDI Out

(Ac/SgOut)

Local Control Setting

(Local)

Pitch Bend Range

(Bend)

Range

01 to 16

on/oFF

00 to 12

Default

oFF

Description

Adjusts display contrast.

Assigns the sustain pedal effect to a pedal.

Assigns the sostenuto pedal effect to a pedal.

Assigns the soft pedal effect to a pedal.

Assigns the START/STOP button function to a pedal.

When Mixer Hold is turned on, the parameters of accompaniment

parts (Part 6 through Part 10) cannot be modified by

accompaniment data.

on: Current DSP line setting is maintained, even when the tone is

changed.

oFF: Changing the tone switches to the DSP line setting of the new

tone.

Setting menu

Contrast

(Contrast)

Assignable Jack

(Jack)

Mixer Hold

(MixHold)

DSP Hold

(DSP Hold)

Range

00 to 15

SUS

SoS

SFt

rhy

on/oFF

Default

SUS

—

oFF

쏋

Other Settings

쏋

Delete/Initialize Settings

Description

Deletes selected SMF data.

Deletes selected user rhythm data.

Deletes selected user tone data.

Initializes parameters assigned by the Mixer or by input from an

external sequencer.

Initializes all parameters, except for the display contrast setting.

Initializes the keyboard’s parameters and registration data, and

deletes all data stored in the keyboard’s user area.

Setting menu

SMF Delete

User Rhythm Delete

User Tone Delete

Mixer Reset

(InitMix?)

Parameter Reset

(InitPar?)

System Reset

(InitSys?)

Range

—

Default

—

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E-74

738A-E-076A

Using the SMF Player

The letters “SMF” stand for Standard MIDI File, which is a file format that allows MIDI data to be shared between different

software and sequencers. There are actually three SMF formats, named SMF 0, SMF 1, and SMF 2. This keyboard supports the

SMF 0 format, which is the one that is most widely used today, and so all mentions of “SMF data” in this manual refer to SMF 0

format data.

You can use your computer to transfer SMFs from the bundled CD-ROM to keyboard flash memory, or SMFs you have downloaded

from the CASIO MUSIC SITE. SMF format music data can be stored in the keyboard’s built-in Flash memory. Data stored in Flash

memory can be played back using the SMF Player Mode. You can also load SMF data from a SmartMedia card or floppy diskette

into the keyboard’s user area and then play it back using the SMF Player Mode. The follow shows the maximum number of files

that can be stored on each type of media.

Flash Memory: 200 files*

SmartMedia Card: 255 files*

Floppy Diskette (WK-3700 only): 112 (2DD diskette)* or 224 (2HD diskette) files*

* Note that the number of files you can store in memory also depends on the size of each file. If your files are very large, you may

be able to store fewer than the number of files indicated above.

* Initially, your keyboard comes with three sample SMF tunes in memory.

IMPORTANT!

• Note that CASIO COMPUTER CO., LTD. shall not be held liable for any loss of data stored in Flash memory, or on a

SmartMedia card or a floppy diskette (WK-3700 only).

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E-75

SMF Player Mode Operational Flow

[

왗

]*, [

–

]

Select file.

Select play along part.

000

ABC1

File Name

File Number

001 ABC 2

File Name

File Number

Error (Other errors may also occur.)

During SMF playback

Data is not an SMF 0 format

Data is not correct SMF

Err Not SMF0

Err WrongDat

Key Ch

Part Number

Key Ch

001

ABC2

ABC3

[

왘

]*, [+]

[

왗

], [

–

][

왘

], [+]

[

왘

], [+] [

왗

], [

–

]

[

왗

], [

–

][

왘

], [+]

[

왗

], [

–

]

[

왗

], [

–

]

[

왘

], [+]

[

왘

], [+]

Direct input using number buttons is also possible.

You can use the [

왗

] and [

왘

] CURSOR buttons or

[+] and [

–] buttons to change the SMF.

Direct input using number buttons is also possible.

EXIT button

START/STOP button

EXIT button

[

왖

][

왔

]

Select output mode.

int

Output

Output Mode

out

Output

[

왗

], [

–

][

왘

], [+]

[

왗

], [

–

]

[

왘

], [+]

[

왖

][

왔

]

Select play back mode.

PlayMode

Playback Mode

PlayMode

[

왗

], [

–

][

왘

], [+]

[

왗

], [

–

]

[

왗

], [

–

]

[

왘

], [+]

PlayMode

[

왗

], [

–

]

[

왘

], [+]

[

왘

], [+]

Direct input using number buttons is also possible.

[

왖

][

왔

]

START/STOP button

Playback stopped.

START/STOP button,

Playback complete.

[

왖

] : [

왖

] CURSOR button

[

왔

] : [

왔

] CURSOR button

[

왗

] : [

왗

] CURSOR button

[

왘

] : [

왘

] CURSOR button

008

Text Area

Number Area

Display Screen

SMF Player indicator Lights

Select media.

EXIT button

[

왖

[

왔

Tone/Rhythm Selection Screen

SMF PLAYER button

738A-E-077A

Using the SMF Player

WK3200_e_65-78.p65 05.3.15, 6:17 PM75

E-76

738A-E-078A

Using the SMF Player

Playing Back an SMF

Note that the first step you need to perform in the procedure

below depends on whether you are playing back from Flash

memory, a SmartMedia card, or a floppy diskette (WK-3700

only).

PREPARATION

• SmartMedia Card

• Insert the SmartMedia card that contains the data you

want to play into the keyboard’s card slot.

• Floppy Diskette (WK-3700 Only)

• Insert the floppy diskette that contains the data you

want to play into the keyboard’s floppy disk drive.

IMPORTANT!

• Never remove the SmartMedia card from the card slot

or turn off the keyboard while card data is being accessed

by a save, read, or delete operation. Doing so can corrupt

the data on the SmartMedia card or even damage the

card slot.

• Before ejecting a diskette, always check to make sure

that the access lamp is not lit or flashing. A lit or flashing

access lamp means that the keyboard is performing a

data read or write operation. Ejecting a diskette while it

is being accessed can cause its data to become

corrupted.

To play back an SMF

Flash Memory

-1

Use the SMF PLAYER button to display the

“Internal” indicator in the text area of the screen.

• This causes the “SMF PLAYER” indicator to appear

on the display.

• After pressing the SMF PLAYER button, you can

use the [왗] and [왘] CURSOR buttons to select the

external storage media.

SmartMedia Card

-2

Insert the SmartMedia card that contains the file

you want to play into the keyboard’s card slot.

Use the SMF PLAYER button to display the “Card”

indicator in the text area of the screen.

• This causes the “SMF PLAYER” indicator to appear

on the display.

• After pressing the SMF PLAYER button, you can

use the [왗] and [왘] CURSOR buttons to select the

external storage media.

Floppy Diskette (WK-3700 only)

-3

Insert the floppy diskette that contains the file

you want to play into the keyboard’s floppy disk

drive. Use the SMF PLAYER button to display the

“Disk” indicator in the text area of the screen.

• This causes the “SMF PLAYER” indicator to appear

on the display.

• After pressing the SMF PLAYER button, you can

use the [왗] and [왘] CURSOR buttons to select the

external storage media.

What you should do first depends on whether you

are playing back from Flash memory, a memory

card, or a floppy diskette.

Internal

START/STOP

CURSORCHANNEL

EXIT

SMF PLAYER

ACCOMP VOLUME

Number buttons

[+]

[–]

WK3200_e_65-78.p65 05.3.15, 6:17 PM76

E-77

738A-E-079A

Using the SMF Player

Configuring Other Settings

To configure other settings

While playback is stopped, select the file you want

to play back.

• Perform steps 1 through 3 under “To play back an

SMF” to select a file.

Press the [왔] CURSOR button to display a screen

for selecting the part you want to play on the

keyboard (play along part).

•

Use the [왗] and [왘] CURSOR buttons, the [+] and [–]

buttons, or the number buttons to select the play along

part.

• You can specify the part you want to play on the

keyboard (the play-along part) as a value in the range

of 1 through 16.

• After specifying a part, turn off the channel that

corresponds to the play-along part you selected. See

“Turning Channels On and Off” on page E-40 for more

information. Performing this step turns off the

applicable part so you can play it on the keyboard

along with the rest of the SMF playback.

NOTE

• Entering the SMF Player Mode initializes all parts by

turning on all Mixer Mode channels.

Press the [왔] CURSOR button to display the

playback mode selection screen. Use the [왗] and

[왘] CURSOR buttons or the [+] and [–] buttons to

select the playback mode.

You can select from among the following four playback

modes.

S1 : One file, one time

SL : One file, repeat

A1 : All files, one time

AL : All files, repeat

Press the [왔] CURSOR button to display the output

mode selection screen.

• Use the [왗] and [왘] CURSOR buttons or the [+] and

[–] buttons to select the output mode.

• You can select from among the following two output

types.

int : Keyboard’s built-in speakers

out : MIDI OUT

NOTE

• Layer, split, and Auto Harmonize are automatically turned

off in the SMF Player Mode.

Press the [왔] CURSOR button to display the file

selection screen.

• SMFs are those shows file names end with the

extension “MID”. An error message appears at this

time if there are no SMF files currently in external

storage media you are using.

Use tthe number buttons to input the three-digit

file number of the file you want to play.

• The name of the currently selected file will appear in

the text area of the display. The file number is shown

in the number area of the display. The Tempo/

Measure area of the display shows the size of the file

in kilobytes.

• You can also use the [왗] and [왘] CURSOR buttons or

[+] and [–] buttons to change the file.

Press the START/STOP button

• This starts playback of the selected file.

• You can use the TEMPO buttons to adjust the tempo

within the range of 30 to 255.

• You can use the CHANNEL buttons to turn channels

1 through 16 on and off, regardless of whether file

playback is in progress or stopped. For more

information, see “Turning Channels On and Off” on

page E-40.

To stop file playback, press the START/STOP button

again.

Adjusting SMF Playback Volume

The following procedure explains how to control the overall

volume of SMF data playback. You can adjust volume while

playback is stopped or ongoing.

Press the ACCOMP VOLUME button.

• This causes the “SMF Vol.” indicator to appear on the

display, along with a value that indicates the current

SMF volume setting.

Use the [+] and [–] buttons or the number buttons

to adjust the SMF volume.

• You can specify a setting in the range of 000

(minimum) to 127 (maximum).

• Pressing [+] and [–] at the same time returns the SMF

volume setting to 100.

• Note that this setting does not affect the volume of

the notes you play on the keyboard.

WK3200_e_65-78.p65 05.3.15, 6:17 PM77

E-78

SMF Player Error Messages

The following explains what you should do when an error message appears in the SMF Player Mode.

738A-E-080A

Using the SMF Player

Use only Format 0 SMF data.

Use different data.

You are attempting to play SMF data that is

not Format 0.

There is a problem with the SMF data you are

trying to play or the data is corrupted.

Err Not SMF0

Err WrongDat

Error Message Cause

Action

WK3200_e_65-78.p65 05.3.15, 6:17 PM78

E-79

738A-E-081A

MIDI

What is MIDI?

MIDI is a standard for digital signals and connectors that

allows musical instruments, computers, and other devices,

regardless of manufacturer, to exchange data with each other.

MIDI Connections

To use a computer or other MIDI device to record and

playback the MIDI data produced by this keyboard, you must

connect the MIDI IN and MIDI OUT terminals of both devices

in order to send and receive data.

[Rear Panel]

If a MIDI THRU function provided by the software is being

run on a connected computer or other MIDI device, be sure

to turn this keyboard’s “Local Control Setting” off (page

E-73).

General MIDI

This keyboard supports General MIDI, so it can be used to

play commercially available pre-recorded General MIDI data

and General MIDI data send to it from a personal computer.

See the “Tone List” on page A-1 for details about the tones

that are available with GM tones numbered 000 to 127.

OUT IN

SUSTAIN/

ASSIGNABLE JACK

MIDI

LINE OUT

R L/MONO

DC 12V

MIDI IN

MIDI OUT

MIDI INMIDI OUT

MIDI cable: MK-5

Computer etc.

MIDI Settings

You can change the settings of a number of parameters that

control how MIDI messages are sent and received.

MIDI Parameters

You can use the parameter setting procedure (page E-71) to

change the settings of the MIDI parameters described below.

See pages E-71 to E-73 for details about the setting menu and

procedure.

■ MIDI In Chord Judge

This parameter determines whether note data received from

an external device should be interpreted as an auto

accompaniment chord fingering. Turn on this parameter

when you want to control auto accompaniment chords from

a computer or other external device.

on: Causes note data input through MIDI IN to be

interpreted as auto accompaniment chord fingerings.

The channel specified by the keyboard channel is used

for specifying chords.

oFF: Turns off “MIDI In Chord Judge”.

■

Accomp/Song MIDI Out (Accompaniment/Song MIDI Out)

Turn on this parameter when you want sound auto accom-

paniment or Song Memory on an external devices sound

source.

on: Outputs auto accompaniment or Song Memory as MIDI

messages through the keyboard’s MIDI OUT terminal.

oFF: Does not output auto accompaniment or Song Memory.

NOTE

• For details about MIDI specifications, visit the CASIO

Website.

http://world.casio.com

WK3200_e_79-94.p65 05.3.15, 6:17 PM79

E-80

sing the Music Data Management

Software (on the Bundled CD-ROM)

The Music Data Management Software application on the CD-

ROM that comes bundled with the keyboard lets you transfer

data you downloaded from the CASIO MUSIC SITE from

your computer to keyboard memory. You can also use it to

save keyboard data to your computer’s hard disk. Music Data

Management Software supports transfer of the following type

of data.

• SMF

• Rhythm Patterns

• Registrations

• User songs created in the Song Memory Mode

• Drum sounds with waveform

• Drawbar organ tones

• Tone

• Tones with waveforms

• DSP

• Package file

• All user data

CASIO MUSIC SITE

http://music.casio.com/

Music Data Management Software

Music Data Management Software makes it possible for your

computer to transfer data you downloaded from the CASIO

Music Site to keyboard memory, and to transfer keyboard

memory data to your computer’s hard disk for storage. After

starting up the Music Data Management Software, you can

access the following three converter applications.

■ Wave Converter

Wave Converter creates keyboard Tone With Wave data from

tone data files (.wav) stored on your computer’s hard disk.

■ Rhythm Converter

Rhythm Converter creates keyboard Rhythm data from SMF

format rhythm data stored on your computer’s hard disk.

■ Parameter Editor

Parameter Editor makes it possible to use your computer to

edit keyboard parameters.

■ To install the Music Data Management Software

• Before installing the Music Data Management Software, be

sure to read the contents of the applicable readme.txt file.

You can find the readme.txt file inside the same language

folder where the Music Data Management Software you

are installing is located.

1.To install the Music Data Management Software, navigate

to the CD-ROM on your computer and double-click “wk3-

30.exe”. Next, follow the instructions that appear on your

computer screen.

MIDI

738A-E-082A

* An English-language manual with detailed explanations

about Music Data Management Software operations is

located in the English folder on the CD-ROM. You can

access the manual by opening its HTML named

“index.html” using one of the following types of web

browser applications. Other language versions of this

manual are available for free download from the CASIO

MUSIC SITE.

Internet Explorer 4 or higher

Netscape Navigator 4.04 or higher

* Supported Computer Operating Systems

The Music Data Management Software will run under the

following operating systems.

Windows 98SE

Windows Me

Windows 2000

Windows XP

IMPORTANT!

• Though Music Data Management Software is designed

to run under the standard configurations of the above

operating systems, note that it may not be able to run

correctly under certain software and hardware

environments.

• Music Data Management Software does not support

operation on a Macintosh.

Downloading Data

Visit the CASIO MUSIC SITE for information about

downloading data.

When you arrive at the CASIO MUSIC SITE, select a

geographic area or country. Next, select an Internet Data

Expansion System data download service.

Note that the services that are available at the CASIO MUSIC

SITE depend on the area or country you select.

Bundled CD-ROM Data

The CD-ROM that comes bundled with the keyboard has a

folder named “Data”, which contains various data folders.

For details about the data contained in the data folders, see

the “list.txt” file inside of each folder.

■ Retuning the keyboard to its initial factory defaults

The “Data” folder on the CD-ROM that comes bundled with

the keyboard includes a file named “alldata.ckf”, which

contains factory default setup data. Transferring the

“alldata.ckf” data to the keyboard’s flash memory will return

all settings to their initial factory defaults.

• For information about transferring data to the keyboard’s

flash memory, see the application software manual.

WK3200_e_79-94.p65 05.3.15, 6:17 PM80

E-81

MIDI

738A-E-083A

To connect to a computer

Be sure to turn off the keyboard and your computer before

connecting them. You should also set the volume controller

of the keyboard to a relatively low volume.

Connect the keyboard’s MIDI interface to your

computer’s MIDI interface.

Turn on the keyboard, and then turn on your

computer or other connected device.

Start up the software you want to use on your

computer.

NOTE

• When using the application software, make sure that

the tone setting screen (the screen that appears after

turning on power) is on the keyboard’s display screen.

• Performing a keyboard operation while transferring data

between it and a computer may interrupt the data

transfer. Do not perform any keyboard operations while

data transfer is in progress

CASIO MUSIC SITE

MIDI IN

MIDI Interface

OUT

MIDI OUT

Internet

Service

Provider

DATA ACCESS Lamp

• The DATA ACCESS lamp lights whenever the keyboard is

exchanging data with a connected computer over a MIDI

cable connection. Never disconnect the MIDI cable while

the DATA ACCESS lamp is lit.

WK3200_e_79-94.p65 05.3.18, 2:39 PM81

E-82

Saving Data

You can save data you create and data you transfer to the keyboard from a computer to the keyboard’s built-in Flash memory, or

to a SmartMedia card

or floppy diskette (WK-3700). In this manual, SmartMedia cards and floppy diskettes are referred to as

“external storage media”.

The types of files that can be saved to external storage media are listed below. Note that each type of file can be saved to a specific,

pre-defined user area, as shown in the “Savable File Types” table below.

After you load SMF data from external storage media and store it in a user area, you can play it back using the SMF Player Mode.

See “Using the SMF Player” on page E-74 for more information.

Savable File Types

*1: Package File

A package file combines tone settings, DSP effect settings, and other setup data into a single file that you can manage and load as a unit

(package). Once you create a package file, you will be able to change the entire setup of the keyboard by loading a single package file.

To create a package file, you need to download special package file software from the CASIO Music Site (http://music.casio.com/)

and install it on your computer. For details about the package file software, see the information provided at the CASIO Music Site

*2: All of the user data (SMF to package file) in the above table can be handled as a single file. Note, however, that due to the size

of the file, it cannot be stored on a floppy diskette.

Package File Data Contents

Data Type

SMF

Rhythm Patterns

Registrations

Drum Sound With Waves

Drawbar Organ Tones

Tones

Tones With Waves

DSP

User Area

190 to 199 (10 Songs)

168 to 175 (8 rhythms)

7 to 8 (2 banks)

903 (1 set)

190 to 199 (10 tones)

790 to 799 (10 tones)

810 to 819 (10 tones)

190 to 199 (10 effects)

738A-E-084A

IMPORTANT!

• Loading a package file loads the setting data listed in the table under “Package File Data Contents” into the user area, and

replaces all current data with the data in the package file.

• When loading a package file or All Data from or writing such data to a SmartMedia card or floppy diskette (WK-3700 only),

the display’s level meter shows the progress of the load/write operation as shown below.

[Start] [End]

Type

SMF

Rhythm Pattern

Registration

User song created in the Song Memory Mode

Drum sound with waves

Drawbar organ tone

Tone

Tone with waves

DSP

Package File*1

All User Data*2

Display

Indicator

Smf

Pattern

Regist

Song

Dr wave

Drawbar

Tone

Tn wave

Dsp

Package

All Data

Saved Data

1 Tune

1 Pattern

1 Bank

1 Tune

1 Set

1 Tone

1 Type

1 Pack

1 Set

User Memory

Capacity

200

100

File Name

Extension

MID

Z00

Z01

Z02

Z03

Z04

Z05

Z06

Z07

Z08

Z09

User Area

Number

000 – 199

160 – 175

1 – 8

0 – 4

900 – 903

100 – 199

700 – 799

800 – 819

100 – 199

—

WK3200_e_79-94.p65 05.3.15, 6:17 PM82

E-83

Saving Data

Using a SmartMedia Card

Your keyboard is equipped with a card slot that supports the

use of SmartMedia

cards that you can use to store tunes

you transfer from your computer, song memory data you

have stored in the keyboard’s flash memory, and other data.

This provides you with access to virtually unlimited volumes

of data that you can instantly load whenever you need it.

IMPORTANT!

• There are two types of SmartMedia cards: 3.3V and 5V.

Note that this keyboard supports use of 3.3V type

SmartMedia cards only.

• Never try to use a 5V type SmartMedia card with this

keyboard.

• Note you will not be able to store data to, delete data

from, or rename a SmartMedia card that has a write

protect sticker affixed to the card’s write protect area.

About SmartMedia

Cards

• You can purchase SmartMedia cards at most household

appliance stores, computer stores, etc.

• SmartMedia cards are commercially available in capacities

ranging from 8MB up to 128MB.

• Though a SmartMedia card is about the size of a postage

stamp, its capacity ranges from 8 to 100 times the capacity

of a floppy diskette.

• The data read rate from a SmartMedia card is very fast.

• SmartMedia

is a trademark of Toshiba Corporation.

Contacts

Write protect area

SmartMedia Card and Card Slot

Precautions

IMPORTANT!

• Be sure to carefully read all documentation that comes

with the SmartMedia card for important information about

how to handle it.

• Avoid storing and using SmartMedia cards in the

following types of locations. Such conditions can cause

corruption of data stored on the card.

• Areas subject to high temperatures, high humidity, or

corrosive agents

• Areas subject to strong electrostatic charge or

electrical noise

• Whenever handling a SmartMedia card, make sure that

you never touch its contacts with your fingers.

• If the data access lamp is lit and the message “Pls Wait”

is on the display, it means that data on the SmartMedia

card is being accessed by a save, read, or delete

operation. Never remove the SmartMedia card from the

card slot or turn off the keyboard while the card is being

accessed. Doing so can corrupt the data on the

SmartMedia card or even damage the card slot.

• Never try to insert any type of card other than a 3.3V

SmartMedia card into the card slot. Doing so can

damage the keyboard.

• Inserting a SmartMedia card that is charged with static

electricity into the card slot can cause malfunction of

the keyboard. If this happens, turn the keyboard off and

then back on again.

• A SmartMedia card that has been in the card slot for a

long time may feel hot when you remove it. This is normal

and does not indicate malfunction.

• Note that a SmartMedia card has a limited service life.

After long use, you may not be able to store data to,

read data from, and/or delete data from a card. When

this happens, you will need to purchase a new

SmartMedia card.

CASIO COMPUTER CO., LTD. assumes no responsibility

for any loss or damage to you or any third party arising

out of the loss or corruption of data.

Using a Card with the Keyboard

When using a card with the keyboard, first be sure to format

the card on the keyboard. See “Formatting External Storage

Media” on page E-91 for details about formatting

738A-E-085A

WK3200_e_79-94.p65 05.3.15, 6:17 PM83

E-84

Inserting and Removing a

SmartMedia Card

The following describes how to insert a SmartMedia card into

the card slot and how to remove it.

To insert a SmartMedia card into the card slot

With the contact side of the SmartMedia card facing

downwards, insert the card into the card slot. Carefully push

the card into the slot as far as it will go.

To remove a SmartMedia card from the slot

After making sure that the data access lamp is not lit and the

message “Pls Wait” is not on the display, carefully pull the

card from the slot.*

* Never remove the SmartMedia card from the card slot or

turn off the keyboard card while any of the following

conditions exists.

• While the keyboard is in the SMF Player Mode and there

is a pointer next to CARD on the display

• While the data access lamp is lit and the message “Pls

Wait” is on the display, indicating that a card access

operation is being performed

IMPORTANT!

• Never remove the SmartMedia card from the card slot

or turn off the keyboard while card data is being accessed

by a save, read, or delete operation. Doing so can corrupt

the data on the SmartMedia card or even damage the

card slot.

Using the Floppy Disk Drive

(WK-3700 Only)

Floppy Disk Drive Features

The WK-3700 comes with a built-in disk drive, which

provides you with the capabilities described below.

• You can save song memory and synthesizer data on a floppy

diskette for long-term storage. When you need the data

again, simply insert the diskette into the disk drive and

load it.

• You can play back SMF (standard MIDI file) data created

on a personal computer and saved to diskette.

Floppy Diskette Precautions

IMPORTANT!

• Avoid the following locations when storing and using

diskettes. Any of the conditions noted below can cause

data stored on the diskette to become corrupted.

• Near TVs, on top of audio equipment, or in any area

exposed to magnetism. Take special care to keep

diskettes away from any source of magnetism.

• Areas exposed to direct sunlight, or subject to high

humidity or temperature extremes.

• Failure to observe any of the following precautions can

cause data stored on the diskette to become corrupted.

• Never try to take a diskette apart.

• Never open the shutter of the diskette or touch the

film inside with your fingers.

• Never bend a diskette or otherwise subject it to rough

handling.

• Affix labels in the spaces provided only, and do not

affix labels on top of previous ones.

• Do not eject the diskette from the drive while the access

lamp is lit or flashing or turn off keyboard power with a

diskette in the drive. Doing either can cause data on the

diskette to become corrupted and can even cause

malfunction of the disk drive.

• Never insert any foreign objects into the disk drive. Doing

so can cause it to malfunction.

• The disk drive uses a magnetic head. A dirty head cannot

read data from a diskette properly and can corrupt

existing data on the diskette. To avoid this, be sure to

use a commercially available head cleaning diskette to

periodically clean the head.

Saving Data

738A-E-086A

WK3200_e_79-94.p65 05.3.15, 6:17 PM84

E-85

• Do not use a computer, another electronic musical

instrument, or any other device to change a file name or

file contents created with this keyboard. Doing so can

make the data unusable by this keyboard and even

cause malfunction of the keyboard.

Note that CASIO COMPUTER CO., LTD. shall not be held

liable for any loss to you or any third party due to

corruption or accidental erasure of data on a diskette.

About Floppy Diskettes

This section contains important information about handling

diskettes. Be sure to read it before going any further.

Diskette Types

The WK-3700 supports use of both 3.5’ 2HD (1.44MB

formatted) and 2DD (720KB formatted) diskettes. Use of other

disk sizes and capacities is not supported.

Diskette Type Indicators

2HD ...... A 2HD diskette is marked with the letters “HD” in

the upper right corner of the front side. Also, there

is a square hole in the lower right corner.

2DD ....... This type of diskette does not have a hole in the

lower right corner.

Write Protection

IMPORTANT!

• You can write protect a diskette so data on it cannot be

deleted and no new data can be stored on the diskette.

Also, a write protected diskette cannot be formatted. You

can read data from a diskette regardless of whether or

not it is write protected.

• When the write protect hole is open as shown in the

illustration, you can read the contents of the diskette,

but you cannot write data to or delete data from the

diskette. After saving important data to a diskette, be

sure to open its write protect hole to protect the data

against accidental changes or deletion.

• The diskette that comes with the keyboard contains

sample data. It is write protected to avoid accidental

erasure or formatting. Make sure you handle this diskette

carefully to avoid damaging or erasing its data.

Write protect (hole open) Write enabled

(hole blocked with tab)

Data save, data delete,

disk formatting are all

enabled.

Write protect tab

Hole

open

Saving Data

738A-E-087A

WK3200_e_79-94.p65 05.3.15, 6:17 PM85

E-86

Saving Data

738A-E-088A

CURSOR

DISK/CARD

●WK-3700

●WK-3200

CARD

Eject button

[+]

[–]

YES/NO

Inserting and Ejecting a Diskette

The following describes how to insert a diskette into the disk

drive and how to eject it.

To insert a diskette into the floppy disk drive

With the label area of the diskette facing up, insert

the diskette shutter first into the disk drive, as shown

in the illustration.

Slide the diskette into the drive as far as it will go,

until it clicks into place.

To eject a diskette from the floppy disk drive

IMPORTANT!

• Before ejecting a diskette, always check to make sure

that the access lamp is not lit or flashing. A lit or flashing

access lamp means that the keyboard is performing a

data read or write operation. Ejecting a diskette while it

is being accessed can cause its data to become

corrupted.

Press the Eject button.

• This causes the diskette to be partially ejected from

the disk drive.

Remove the diskette from the drive by hand.

Using External Storage Media

This section explains how to use SmartMedia cards and

floppy diskettes (WK-3700 only) for data storage. In this

manual, SmartMedia cards and floppy diskettes are

collectively referred to as “external storage media”.

NOTE

• Layer, split, and Auto Harmonize are automatically turned

off while external storage is being used. Tone and rhythm

selection, and rhythm playback are also all disabled.

Basic SmartMedia Card Operation

Insert the SmartMedia card into the card slot.

Enter the Card Mode.

* WK-3700

Press the DISK/CARD button twice.

• This causes a pointer to appear next to the DISK/

CARD on the display, and also displays “Card” in the

display’s text area.

* WK-3200

Press the CARD button.

• This causes a pointer to appear next to the CARD on

the display, and also displays “Card” in the display’s

text area.

NOTE

• After pressing the DISK/CARD button (WK-3200: CARD

button) once, you can use the [왗] and [왘] CURSOR

buttons to select the external storage media.

Press the [왔] CURSOR button to display the Card

Mode menu.

WK3200_e_79-94.p65 05.3.15, 6:17 PM86

E-87

Use the [왗] and [왘] CURSOR buttons to display

the screen for the type of operation you want to

perform.

• See the pages referenced below for details about using

each of the above menu operations.

Loading a file (Crd Load): page E-88

Saving a file (Crd Save): page E-87

Renaming a file (Crd Rename): page E-90

Deleting a file (Crd Delete): page E-90

Formatting a SmartMedia card (Crd Format):

page E-91

Press the [왔] CURSOR button to advance to the

next operation screen of each menu.

Basic Floppy Diskette Operation

(WK-3700 Only)

Insert a floppy diskette into the keyboard’s floppy

disk drive.

Press the DISK/CARD button.

• This causes a pointer to appear next to the DISK/

CARD on the display, and also displays “Disk” in the

display’s text area.

Perform the same operations as those starting from

step 3 of under “Basic SmartMedia Card Operation”

on page E-86.

• Note that Disk Mode operations are indicated on the

display by the prefix “Fd” in place of the “Crd” prefix

of the Card Mode operations.

Sa ve

Lo ad

Re name

De lete

Fo rma t

[왗]

[왘]

[왗]

[왘]

[왗]

[왘]

[왗]

[왘]

Saving Files

You can use the procedures in this section to save Song

Memory, Synthesizer, and other data you create to external

storage media for later loading when you need it. See

“Savable File Types” on page E-82 for information about the

type of data you can save.

PREPARATION

• SmartMedia Card

• Insert the SmartMedia card that has been formatted

on the keyboard into the keyboard’s card slot. Make

sure that the sticker is removed from the card’s write

area, which enables writing.

• Floppy Diskette (WK-3700 Only)

• Insert a properly formatted floppy diskette into the

keyboard’s floppy disk drive. Make sure that the

diskette’s write protect hole is closed, which enables

writing.

NOTE

• Depending on the type and the amount of data involved,

a SmartMedia card or floppy diskette (WK-3700 only)

data save or load operation can take anywhere from a

few minutes to more than 10 minutes to complete. The

message “Pls Wait” will remain on the display to indicate

that a data save or load operation is being performed.

IMPORTANT!

• Never try to perform any operation while “Pls Wait” is

displayed. Performing any operation can cause Flash

memory or SmartMedia card or floppy diskette data to

be deleted, and damage the keyboard’s memory and

cause it to malfunction.

To save a file to external storage media

What you should do first depends on the type of

external storage media you are using.

• SmartMedia Card:

On the WK-3700 press the DISK/CARD button twice.

On the WK-3200, press the CARD button once.

• This causes a pointer to appear next to the DISK/

CARD or CARD on the display, and also displays

“Card” in the display’s text area.

• Floppy Diskette (WK-3700 Only):

Press the DISK/CARD button.

• This causes a pointer to appear next to the DISK/

CARD on the display, and also displays “Disk” in

the display’s text area.

NOTE

• After pressing the DISK/CARD button (WK-3200: CARD

button) once, you can use the [왗] and [왘] CURSOR

buttons to select the external storage media.

Saving Data

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E-88

Saving Data

738A-E-090A

Press the [왔] CURSOR button to display the Card

Mode (or Disk Mode) menu.

Use the [왗] and [왘] CURSOR buttons to display

the “Save” screen.

Press the [왔] CURSOR button to advance to the

file type selection screen.

Use the [왗] and [왘] CURSOR buttons to select the

file type.

Press the [왔] CURSOR button to advance to the

user area selection screen.

Use the [왗] and [왘] CURSOR buttons or [+] and

[–] buttons to select the user area where the file

you want to save is located.

• The numeric area of the display will show the user

area number, while the text area will show the user

area name*.

* Except registrations and user songs

• Pressing the EXIT or [왖] CURSOR button at this time

will return you to the file type selection screen.

• The user area selection screen will not appear if the

file you selected is a package file or “All Data” file. In

this case, skip this step and go directly to screen.

Press the [왔] CURSOR button to advance to the

file name input screen.

• The initial default file name of the SMF will be the

same as the name of the user area you selected in

step 7.

• Use the [+] and [–] buttons to scroll through letters at

the current cursor location. See the page E-92 for

information about inputting text.

• Use the [왗] and [왘] CURSOR buttons to move the

cursor left and right.

After inputting the file name, press the [왔] CURSOR

button.

• If you are saving song data, the file type selection

screen appears next. Use the [왗] and [왘] CURSOR

buttons to select “SMF” or “SONG”. After selecting a

file type, press the [왔] CURSOR button.

• This will display a confirmation message asking

whether you really want to save the data. If the media

already contains a file with the same name, a

confirmation message appears asking if you want to

overwrite the existing file with a new one.

Press the YES button to save the data. This will cause

the message “Pls Wait” to appear on the display to

indicate that a card access operation is being

performed. Never try to perform any other operation

on the keyboard while the card is being accessed. The

message “Complete” will appear on the display after

data save is complete. After a few seconds, the message

will be replaced by the file name selection screen

• If you do not want to continue with data save, press

the EXIT button or the NO button in response to the

above confirmation message. This will return you to

the user area selection screen in step 7.

After you are finished performing the save

operation, press the DISK/CARD button (CARD

button on the WK-3200) to exit the Card Mode.

Loading a File

Use the procedures in this section when you want to load data

from external storage media into the keyboard’s user area.

IMPORTANT!

• Note the following important points whenever using the

SMF Player Mode to play back data saved with the above

procedure.

* SmartMedia Card

To perform the procedure below, you must have a

SmartMedia card to which SMF data has been copied from

a computer. Insert a SmartMedia card that you have

formatted on the keyboard into the card slot of your

computer, and copy the SMF data you want to load into

the directory named “CASIO_MD”. Note that you will not

be able to load the data if it is not located inside the

“CASIO_MD” directory. If you create a sub-directory inside

of the “CASIO_MD” directory, the keyboard will not be

able to load any data inside the sub-directory.

* Floppy Diskette (WK-3700 only)

This keyboard is able to see only files that are in the top

(root) directory of the floppy diskette. It will not be able to

see any files that are located in a subdirectory.

Rhythm Patterns

Registrations

User Songs Created in the

Song Memory Mode

Drum Sounds with Waveform

Drawbar Organ Tones

Tones

Tones with Waveforms

DSP

Package File

All User Data

Initial file name displayed on the screen

U_PTRN00

U_RGST00

U_SONG00

U_DRUM00

U_ORGN00

U_TONE00

U_TONW00

U_EFCT00

PACKAGE0

ALLDATA0

WK3200_e_79-94.p65 05.3.15, 6:17 PM88

E-89

PREPARATION

• SmartMedia Card

• Insert the SmartMedia card that contains the data you

want to load into the keyboard’s card slot.

• Floppy Diskette (WK-3700 Only)

• Insert the floppy diskette that contains the data you

want to load into the keyboard’s floppy disk drive.

NOTE

• Depending on the type and the amount of data involved,

a SmartMedia card or floppy diskette (WK-3700 only)

data save or load operation can take anywhere from a

few minutes to more than 10 minutes to complete. The

message “Pls Wait” will remain on the display to indicate

that a data save or load operation is being performed.

IMPORTANT!

• Never try to perform any operation while “Pls Wait” is

displayed. Performing any operation can cause Flash

memory or SmartMedia card or floppy diskette data to

be deleted, and damage the keyboard’s memory and

cause it to malfunction.

To recall file data from external storage media

What you should do first depends on the type of

external storage media you are using.

• SmartMedia Card

On the WK-3700 press the DISK/CARD button twice.

On the WK-3200, press the CARD button once.

• This causes a pointer to appear next to the DISK/

CARD or CARD on the display, and also displays

“Card” in the display’s text area.

• Floppy Diskette (WK-3700 Only)

Press the DISK/CARD button.

• This causes a pointer to appear next to the DISK/

CARD on the display, and also displays “Disk” in

the display’s text area.

NOTE

• After pressing the DISK/CARD button (WK-3200: CARD

button) once, you can use the [왗] and [왘] CURSOR

buttons to select the external storage media.

Press the [왔] CURSOR button to display the Card

Mode (or Disk Mode) menu.

Use the [왗] and [왘] CURSOR buttons to display

the “Load” screen.

Press the [왔] CURSOR button to advance to the

file type selection screen.

Use the [왗] and [왘] CURSOR buttons to select the

type file you want to load.

Press the [왔] CURSOR button to display the file

name selection screen.

Use the [

왗

] and [

왘

] CURSOR buttons or [+] and [–]

buttons to select the name of the file you want to load

• You could also use the number buttons to input a

three-digit file number. The file number is shown in

the number area of the display.

Press the [왔] CURSOR button to advance to the

user area selection screen.

Use the [왗] and [왘] CURSOR buttons or [+] and

[–] buttons to select the user area to which you

want to import the loaded file data.

• The numeric area of the display will show the user

area number, while the text area will show the user

area name*.

* Except registrations and user songs

• The user area selection screen will not appear if the

file you selected is a package file or “All Data” file. In

this case, skip step 9 and go directly to step 10.

• Pressing the EXIT or [왖] CURSOR button at this time

will return you to the file type selection screen.

After selecting the user area, press the [왔] CURSOR

button.

• This will display a confirmation message asking

whether you really want to load the data. If you

already have data in the user area, the message will

ask if you want to overwrite the existing data with

the loaded data.

Press the YES button to recall the data.

• This will cause the message “Pls Wait” to appear on

the display to indicate that a card access operation is

being performed. Never try to perform any other

operation on the keyboard while the card is being

accessed. The message “Complete” will appear on the

display after data loading is complete. After a few

seconds, the message will be replaced by the file name

selection screen.

• If you do not want to continue with data loading, press

the EXIT button or the NO button in response to the

above confirmation message. This will return you to

the user area selection screen in step 9.

After you are finished performing the load

operation, press the DISK/CARD button (CARD

button on the WK-3200) to exit the Card Mode.

Saving Data

738A-E-091A

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E-90

Renaming a File

You can use the procedures in this section to change the name

of a file that you previously saved to external storage media.

PREPARATION

• SmartMedia Card

• Insert the SmartMedia card that contains the file you

want to rename into the keyboard’s card slot. Make

sure that the sticker is removed from the card’s write

area, which enables writing.

• Floppy Diskette (WK-3700 Only)

• Insert the floppy diskette that contains the file you want

to rename into the keyboard’s floppy disk drive. Make

sure that the diskette’s write protect hole is closed,

which enables writing.

To rename a file saved to external storage media

What you should do first depends on the type of

external storage media you are using.

• SmartMedia Card

On the WK-3700 press the DISK/CARD button twice.

On the WK-3200, press the CARD button once.

• This causes a pointer to appear next to the DISK/

CARD or CARD on the display, and also displays

“Card” in the display’s text area.

• Floppy Diskette (WK-3700 Only)

Press the DISK/CARD button.

• This causes a pointer to appear next to the DISK/

CARD on the display, and also displays “Disk” in

the display’s text area.

NOTE

• After pressing the DISK/CARD button (WK-3200: CARD

button) once, you can use the [왗] and [왘] CURSOR

buttons to select the external storage media.

Press the [왔] CURSOR button to display the Card

Mode (or Disk Mode) menu.

Use the [왗] and [왘] CURSOR buttons to display

the “Rename” screen.

Press the [왔] CURSOR button to advance to the

file type selection screen.

Use the [왗] and [왘] CURSOR buttons to select the

type of the file you want to rename.

Press the [왔] CURSOR button to display the file

name selection screen.

Use the [왗] and [왘] CURSOR buttons or [+] and

[–] buttons to select the name of the file you want

to rename.

• You could also use the number buttons to input a

three-digit file number. The file number is shown in

the number area of the display.

Press the [왔] CURSOR button to advance to the

file name input screen.

• Use the [+] and [–] buttons to scroll through letters at

the current cursor location. See the page E-92 for

information about inputting text.

• Use the [왗] and [왘] CURSOR buttons to move the

cursor left and right.

After inputting the file name, press the [왔] CURSOR

button.

• This will display a confirmation message asking

whether you really want to change the name.

Press the YES button to change the file name.

• This will cause the message “Pls Wait” to appear on

the display to indicate that a card access operation is

being performed. Never try to perform any other

operation on the keyboard while the card is being

accessed. The message “Complete” will appear on the

display after renaming is complete. After a few

seconds, the message will be replaced by the file name

selection screen.

• If you do not want to continue with file renaming,

press the EXIT button or the NO button in response

to the above confirmation message. This will return

you to the file selection screen.

After you are finished performing the rename

operation, press the DISK/CARD button (CARD

button on the WK-3200) to exit the Card Mode.

Deleting a File

You can perform the procedure in this section to delete a file

from external storage media.

IMPORTANT!

• Note that the file delete operation cannot be undone.

Make sure that you no longer need data before you

delete it.

• Deleting a file causes all of the file numbers following it

to be reduced by one. If you plan to delete another file,

make sure that you do not specify the wrong file number.

Saving Data

738A-E-092A

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E-91

PREPARATION

• SmartMedia Card

• Insert the SmartMedia card that contains the file you

want to delete into the keyboard’s card slot. Make sure

that the sticker is removed from the card’s write area,

which enables writing.

• Floppy Diskette (WK-3700 Only)

• Insert the floppy diskette that contains the file you want

to delete into the keyboard’s floppy disk drive. Make

sure that the diskette’s write protect hole is closed,

which enables writing.

To delete a file from external storage media

What you should do first depends on the type of

external storage media you are using.

• SmartMedia Card

On the WK-3700 press the DISK/CARD button twice.

On the WK-3200, press the CARD button once.

• This causes a pointer to appear next to the DISK/

CARD or CARD on the display, and also displays

“Card” in the display’s text area.

• Floppy Diskette (WK-3700 Only)

Press the DISK/CARD button.

• This causes a pointer to appear next to the DISK/

CARD on the display, and also displays “Disk” in

the display’s text area.

NOTE

• After pressing the DISK/CARD button (WK-3200: CARD

button) once, you can use the [왗] and [왘] CURSOR

buttons to select the external storage media.

Press the [왔] CURSOR button to display the Card

Mode (or Disk Mode) menu.

Use the [왗] and [왘] CURSOR buttons to display

the “Delete” screen.

Press the [왔] CURSOR button to advance to the

file type selection screen.

Use the [왗] and [왘] CURSOR buttons to select the

type of the file you want to delete.

Press the [왔] CURSOR button to display the file

name selection screen.

Use the [왗] and [왘] CURSOR buttons or [+] and

[–] buttons to select the name of the file you want

to delete.

• You could also use the number buttons to input a

three-digit file number. The file number is shown in

the number area of the display.

After selecting the file, press the [왔] CURSOR

button.

• This will display a confirmation message asking

whether you really want to delete the file.

Press the YES button to delete the file.

• This will cause the message “Pls Wait” to appear on

the display to indicate that a card access operation is

being performed. Never try to perform any other

operation on the keyboard while the card is being

accessed. The message “Complete” will appear on the

display after file deletion is complete. After a few

seconds, the message will be replaced by the file name

selection screen.

• If you do not want to continue with file deletion, press

the EXIT button or the NO button in response to the

above confirmation message. This will return you to

the file name selection screen.

After you are finished performing the delete

operation, press the DISK/CARD button (CARD

button on the WK-3200) to exit the Card Mode.

Formatting External Storage Media

Use the procedures in this section to format external storage

media before using it for the first time, or when you want to

delete all of the contents on a SmartMedia card or floppy

diskette.

IMPORTANT!

• Note that formatting a card or diskette that already

contains data causes all of that data to be deleted. Data

deleted by the format operation cannot be recovered.

Before performing the procedure below, check to make

sure that the media does not contain any data you might

need.

PREPARATION

• SmartMedia Card

• Insert the SmartMedia card you want to format into

the keyboard’s card slot. Make sure that the sticker is

removed from the card’s write area, which enables

writing.

• Floppy Diskette (WK-3700 Only)

• Insert the floppy diskette you want to format into the

keyboard’s floppy disk drive. Make sure that the

diskette’s write protect hole is closed, which enables

writing.

Saving Data

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E-92

To format external storage media

What you should do first depends on the type of

storage media you are using.

• SmartMedia Card

On the WK-3700 press the DISK/CARD button twice.

On the WK-3200, press the CARD button once.

• This causes a pointer to appear next to the DISK/

CARD or CARD on the display, and also displays

“Card” in the display’s text area.

• Floppy Diskette (WK-3700 Only)

Press the DISK/CARD button.

• This causes a pointer to appear next to the DISK/

CARD on the display, and also displays “Disk” in

the display’s text area.

NOTE

• After pressing the DISK/CARD button (WK-3200: CARD

button) once, you can use the [왗] and [왘] CURSOR

buttons to select the external storage media.

Press the [왔] CURSOR button to display the Card

Mode (or Disk Mode) menu.

Use the [왗] and [왘] CURSOR buttons to display

the “Format” screen.

Press the [왔] CURSOR button.

• WK-3700 Users

If you are formatting a floppy diskette, a screen will

appear here for specification of the floppy diskette

density. Use the [왗] and [왘] CURSOR buttons to select

either “2DD” or “2HD”, and then press the [왔]

CURSOR button.

• This will display a confirmation message asking

whether you really want to format the media.

Press the YES button to start formatting.

• This will cause the message “Pls Wait” to appear on

the display to indicate that a card access operation is

being performed. Never try to perform any other

operation on the keyboard while the card is being

accessed. The message “Complete” will appear on the

display after media formatting is complete. After a

few seconds, the message will be replaced by the

screen for the type of operation.

• If you do not want to continue with formatting, press

the EXIT button or the NO button in response to the

above confirmation message. This will return you to

the screen for the type of operation.

After you are finished performing the format

operation, press the DISK/CARD button (CARD

button on the WK-3200) to exit the Card Mode.

Saving Data

738A-E-094A

Inputting Characters

The following describes the types of characters you can input

when saving data to the user area and external storage media.

User Area Data

External Storage Media Data

You can input the same characters as those that are allowed

for MS-DOS file names.

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E-93

Saving Data

738A-E-095A

SmartMedia Card Error Messages

Display Message Cause

Action

Err Card R/W

Err CardFull

Err No Card

Err Name

Err ReadOnly

Err Format

Err Mem Full

Err Not SMF0

Err No File

Err Protect

Err Convert

Err WrongDat

There is something wrong with the card.

The card is full.

1. The card is not set correctly in the card slot.

2. There is no card in the card slot or the card

was removed part way through a card

operation.

1. A file with the same name as the one you

are trying to use already exists.

2. You are trying to use a file name that is not

allowed by MS-DOS.

Attempt to save a file using the same name as

an existing file that is read only.

1. The format of the card is not compatible

with this keyboard.

2. The card is not formatted.

3. The card is damaged.

Keyboard memory became full while

importing data from card.

The file you are reading is not an SMF 0 format

file.

The keyboard cannot find any file it can read

on the card.

The card is write protected.

There is not enough memory to save data

produced by converting song data from SONG

format to SMF format.

The data on the card is corrupted.

Use a different card.

1. Use a different card.

2. Delete files you no longer need from the

card (page E-90).

1. Remove the card and reinsert it correctly

(page E-84).

2. Insert a card into the card slot. Never remove

a card from the card slot while a card access

operation is in progress.

1. Use a different name (page E-90).

2. Name files using the allowable characters

(page E-92).

Save the new file to a different card or use

another name.

1. Change to a card that has the proper format.

.................................................................. E-91

2. Format the card. ..................................... E-91

3. Use a different card.

1. Delete data you no longer need from the

user area that corresponds to the file you

are trying to store. .................................. E-90

2. If you have song data stored in Song

Memory (SG0 to 4), delete the song data

you no longer need. ............................... E-64

Use SMF 0 format files only.

Use a card that contains data stored by this

keyboard or compatible data from another

device.

1. Use a different card.

2. Remove the card’s write protect sticker to

enable data storage. ............................... E-83

Delete files you no longer need from the

keyboard’s flash memory (page E-73).

Use other data or another card.

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E-94

Disk Drive Error Messages (WK-3700 Only)

Display Message Cause

Action

Err ReadOnly

Err Format

Err Disk R/W

Err DiskFull

Err Mem Full

Err Not SMF0

Err No Disk

Err No File

Err Protect

Err Convert

Err WrongDat

Err Name

Attempt to save a file using the same name as

an existing file that is read only.

1. The format of the diskette is not compatible

with this keyboard.

2. The diskette is not formatted.

3. The diskette is damaged.

The diskette is damaged.

The diskette is full.

Keyboard memory became full while

importing data from diskette.

The file you are reading is not an SMF 0 format

file.

1. The diskette is not loaded in the drive

correctly.

2. No diskette is loaded in the drive.

The keyboard cannot find any file it can read

on the diskette.

The diskette is write protected.

There is not enough memory to save data

produced by converting song data from SONG

format to SMF format.

The file you are reading is a wrong format file.

The data on the diskette is corrupted.

A file with the same name as the one you are

trying to use already exists on the floppy

diskette.

Save the new file to a different diskette or use

another name.

1. Change to a diskette that has the proper

format. ...................................................... E-91

2. Format the diskette. ............................... E-91

3. Use a different diskette.

Use a different diskette.

1. Use a different diskette.

2. Delete any files you no longer need in order

to make room for the data you want to save.

.................................................................. E-90

1. Delete data you no longer need from the

user area that corresponds to the file you

are trying to store. .................................. E-90

2. If you have song data stored in Song

Memory (SG0 to 4), delete the song data

you no longer need. ............................... E-64

Use SMF 0 format files only

1. Eject the diskette from the drive and reload

it. ............................................................... E-84

2. Load a diskette into the drive.

Use a diskette that contains data stored by this

keyboard or compatible data from another

device.

1. Use a different diskette.

2. Close the diskette’s write protect hole to

enable data storage. ............................... E-85

Delete files you no longer need from the

keyboard’s flash memory (page E-73).

Use other data or another diskette.

Use a different name (page E-90).

738A-E-096A

Saving Data

WK3200_e_79-94.p65 05.3.15, 6:17 PM94

E-95

Troubleshooting

Problem Possible Cause Action See page

No keyboard sound

Any of the following symptoms

while using battery power.

Auto Accompaniment does not

sound.

Sound output does not change

when key pressure is varied.

Playing the keyboard sounds

two tones.

Different tones sound when

keys in different keyboard

ranges are pressed.

1. Power supply problem.

2. Power is not turned on.

3. Volume setting is too low.

4. Playing in the accompaniment

keyboard area while the MODE

button setting is CASIO CHORD

or FINGERED.

5. Local Control is off.

6. Mixer channel 1 is turned off.

7. Mixer channel 1 volume setting

is too low.

8. The DSP volume parameter is set

too low.

9. The Expression value of the file

data played back on the SMF

player is too low.

Low battery power

1. Accompaniment volume is set to

000.

2. Auto Accompaniment part

Channels 6 through 10 are turned

off.

3. Auto Accompaniment part

Channels 6 through 10 volume

setting is too low.

Touch response is turned off.

Layer is turned on.

Split is turned on.

1. Correctly attach the AC adaptor,

make sure that batteries poles (+/

–) are facing correctly, and check

to make sure that batteries are

not dead.

2. Press the POWER button to turn

on power.

3. Use the MAIN VOLUME knob to

increase volume.

4. None of the accompaniment

mode indicators are lit, which

means Auto Accompaniment is

turned off.

5. Turn on Local Control.

6. Use the Mixer to turn channel 1

on.

7. Use the Mixer to raise the volume

setting for channel 1.

8. Increase the DSP parameter

value.

9. Exit then re-enter the SMF Player

Mode, or change the SMF Player

play-along part.

Replace the batteries with a set of

new ones or use the AC adaptor.

1. Use the ACCOMP VOLUME

button to increase the volume.

2. Use the Mixer to turn the channels

on.

3. Use the Mixer to raise the volume

setting for the applicable channel.

Press the TRANSPOSE/

FUNCTION button to turn it on.

Press the LAYER button to turn off

layering.

Press the SPLIT button to turn off

split.

E-14, 15

E-19

E-32

E-73

E-40

E-41

E-43

E-74

E-14, 15

E-39

E-40

E-41

E-68

E-65

E-66

738A-E-097A

• Dim power indicator

• Instrument does not turn on.

• Display that is flickering, dim, or difficult to read

• Abnormally low speaker/headphone volume

• Distortion of sound output

• Occasional interruption of sound when playing at high volumes

• Sudden power failure when playing at high volumes

• Flickering or dimming of the display when playing at high volume

• Continued sound output even after you release a key

• A tone that is totally different from the one that is selected.

• Abnormal rhythm pattern and demo tune play

• Loss of power, sound distortion, or low volume when playing from a connected computer or

MIDI device

• Sudden power failure while reading from or writing to external storage media

WK3200_e_95-101.p65 05.3.15, 6:17 PM95

E-96

Troubleshooting

Problem Possible Cause Action See page

738A-E-098A

The key or tuning does not

match when playing along with

another MIDI machine.

Parts suddenly drop out during

song memory playback.

Some parts do not play at all

during song memory playback.

Nothing happens when the

LAYER or SPLIT button is

pressed.

No sound is produced when

playing MIDI data from a

computer.

Playing on the keyboard

produces an unnatural sound

when connected to a computer.

Cannot record chord

accompaniment data on a

computer.

The keyboard starts up

abnormally when it is turned

on.

1. The tuning or transpose

parameter is set to a value other

than 00.

2. Mixer coarse tune, fine tune, and/

or octave shift settings are values

other than 00.

The number of tones being played

at the same time exceeds the

keyboard’s limitation.

1. Channels are turned off.

2. Volume setting is too low.

1. One or more of the melody

channels (2 through 4) is turned

off.

2. The volume setting of one or more

of the melody channels (2 through

4) is too low.

3. The keyboard is in record

standby.

4. The SMF Player Mode is currently

being use.

1. MIDI cables are not connected

properly.

2. Channel is turned off, or volume

setting is too low.

The computer’s MIDI Thru function

is turned on.

Accomp/Song MIDI Out is turned

off.

1. Flash memory is corrupted. There

is something wrong with the card.

2. The keyboard detected abnormal

flash memory data and is

automatically resetting the

keyboard system.

1. Change the transpose or tuning

parameter value to 00.

2. Use the Mixer to change the

coarse tune, fine tune, and/or

octave shift settings to 00.

Use the Mixer to turn unneeded

channels off and decrease the

number of parts being played.

1. Use the Mixer to turn channels

on.

2. Use the Mixer to check the

volume setting.

1. Use the Mixer to turn on

Channels 2 through 4.

2. Use the Mixer to raise the volume

setting of Channels 2 through 4.

3. The LAYER and SPLIT buttons

are disabled during recording

and record standby.

4. Turn off the SMF Player Mode.

LAYER and SPLIT are not

available while the SMF Player

Mode is in use.

1. Connect MIDI cables properly.

2. Use the Mixer to turn the channel

on, or raise the volume setting.

Turn off the MIDI Thru function on

the computer or turn off Local

Control on the keyboard.

Turn on Accomp/Song MIDI Out.

1. a. Remove the batteries from the

keyboard and disconnect the

AC adaptor and press the

POWER button.

b. Reload the batteries and/or

reconnect the AC adaptor, and

then press the POWER button

again to turn on power.

c. Use the TRANSPOSE/

FUNCTION button to perform

the system reset operation.

• If this does not solve the

problem, contact your

nearest authorized CASIO

Service Provider to request

repair.

2. Wait (about 40 seconds) until the

“Pls Wait” message disappears

from the display.

E-68, 69

E-42

E-40

E-41

E-40

E-41

E-65, 66

E-74

E-79

E-40, 41

E-73

WK3200_e_95-101.p65 05.3.15, 6:17 PM96

E-97

Troubleshooting

Problem Possible Cause Action See page

738A-E-099A

A downloaded tone with

waveform contains noise or

keyboard operations become

abnormal when user data is

selected.

Cannot save data to a card.

Cannot recall data from a card.

Someone may have turned off the

keyboard while data was being

stored in Flash memory or

something else has caused Flash

memory contents to become

corrupted for some reason.

1. The card is write-protected.

2. The card is not inserted correctly

into the card slot.

3. There is not enough space left on

the card.

4. You are trying to use a card whose

voltage or capacity is not

supported by this keyboard.

5. The card is damaged.

1. The card is not inserted correctly

into the card slot.

2. There is not enough space

available in the area into which

you are trying to import the data.

3. You are trying to use a card whose

voltage or capacity is not

supported by this keyboard.

4. The card is damaged.

Use the TRANSPOSE/FUNCTION

button to perform the system reset

operation. If this does not correct

the problem, contact your nearest

authorized CASIO Service Provider

to request maintenance.

1. Remove the write-protect sticker

from the card.

2. Correctly insert the card into the

card slot.

3. Use a different card or delete files

you no longer need from the card

you are using.

4. Use only a card of the voltage

and capacity specified for this

keyboard.

5. Use a different card.

1. Correctly insert the card into the

card slot.

2. Delete rhythm, SMF, or tone with

wave data currently in the

keyboard’s Flash memory to

make room from the imported

data.

3. Use only a card of the voltage

and capacity specified for this

keyboard.

4. Use a different card.

E-73

E-83

E-84

E-90

E-83

E-84

E-73

E-83

This is an unavoidable result of the digital sampling process,* and does not indicate

malfunction.

* Multiple digital samples are taken for the low range, middle range, and high range of

the original musical instrument. Because of this, there may be a very slight difference in

tonal quality and volume between sample ranges.

A tone’s quality and volume

sounds slightly different

depending where it is played

on the keyboard.

WK3200_e_95-101.p65 05.3.16, 9:07 PM97

E-98

Specifications

738A-E-100A

Model: WK-3700/WK-3200

Keyboard: 76 standard-size keys, 6

/4 octaves with touch response (OFF/1/2/3)

Tones: 332 Advanced Tones + 200 Preset Tones + 18 Drum Sets + 100 standard user

tones + 20 user tones with waves* + 4 user drum sets with waves* +

50 drawbar organ tones + 100 user drawbar organ tones (824 tones total);

layer/split

Polyphony: 32 notes maximum (10 for certain tones)

Drawbar Organ Function

Drawbars: 9 (16’, 5 1/3’, 8’, 4’, 2 2/3’, 2’, 1 3/5’, 1 1/3’, 1’)

Percussion: Second, Third

Click: On, Off

Effects: DSP (200 types: internal, 100 user areas) + Reverb (16 types) + Chorus (16 types)

+ Equalizer (10 types, 4 bands)

Auto Accompaniment

Rhythm Patterns: 176 (internal, 16 user areas*)

Tempo: Variable (226 steps, = 30 to 255)

Chords: 3 fingering methods (CASIO CHORD, FINGERED, FULL RANGE CHORD)

Rhythm Controller: START/STOP, INTRO/ENDING 1 and 2, VARIATION/FILL-IN 1 and 2,

SYNCHRO/FILL-IN NEXT

Accomp Volume: 0 to 127 (128 steps)

One-touch Presets: Recalls settings for tone, tempo, layer on/off, and harmonize on/off in

accordance with rhythm.

Auto Harmonize: 10 types : Automatic addition of notes that harmonize with melody note in

accordance with specified Auto Accompaniment chords.

Memory Function

Songs: 5

Recording Tracks: 6 (2 through 6 are melody tracks)

Recording Methods: Real-time, step

Memory Capacity: Approximately 10,000 notes (total for 5 songs)

Edit Function: Equipped

Demo Tunes: 3

Synthesizer Function

Parameters: Attack time; release time; resonance; cutoff frequency; vibrato type; vibrato

delay; vibrato depth; vibrato rate; octave shift; level; touch sense; reverb send;

chorus send; DSP line; DSP type; DSP parameter; Modulation Assign;

Modulation Depth (WK-3200 only)

Tune Number Name Composer Play Time

0 White Winter Hage Software 2:32

1 Serendipity Waltz

TECH-NOTE INTERNATIONAL LTD.

2:01

2 Street Beatz Steve Turner 2:10

WK3200_e_95-101.p65 05.3.18, 4:14 PM98

E-99

Registration Memory

Number of Setups: 32 (4 setups x 8 banks)

Memory Contents: Tone, Rhythm, Tempo, Layer on/off, Split on/off, Split point, Harmonize on/

off, Mixer settings (Channels 1 to 10), Effect settings, Touch Response settings,

Assignable jack setting, Transpose, Tuning, Accompaniment volume setting,

Pitch bend range, Auto Harmonize type, MODE button setting, Synchro

standby state, Mixer Hold, DSP Hold, Synthesizer Mode parameters

Mixer Function

Channels: 16

Parameters: Tone; part on/off; volume; pan pot; octave shift; coarse tune; fine tune; reverb

send; chorus send; DSP line; DSP level, DSP pan, DSP system reverb send, DSP

system chorus send

MIDI: 16 multi-timbre receive, GM Level 1 standard

Other Functions

Pitch Bend Range: Adjustable (12 semitones upwards and downwards)

Modulation: Equipped

Transpose: 49 steps (–24 semitones to +24 semitones)

Tuning: Variable (A4 = approximately 440Hz ±100 cents)

LCD: Adjustable contrast

SMF Player: Flash memory storage for up to 200 files*

Supported Format: SMF0

Flash Memory

Capacity: 4MB

Shared Area: Approximately 3.5MB (waveform data, accompaniment data, SMF data)

Further storage of waveform, accompaniment, and SMF data becomes

impossible after the total of such data reaches approximately 3.5MB.

Card Slot 3.3V SmartMedia

(8MB, 16MB, 32MB, 64MB, 128MB)

Functions: Save and load of user tones, user songs, and registration data; playback of SMF;

card formatting; file delete; file rename

Floppy Disk Drive (WK-3700 only)

Type: 3.5" FDD

Formats: 2DD (720KB MS-DOS format)

2HD (1.44MB MS-DOS format)

Functions: Save and load of user tones, user songs, and registration data; playback of SMF;

disk formatting; file delete; file rename

Specifications

738A-E-101A

WK3200_e_95-101.p65 05.3.15, 6:17 PM99

E-100

Terminals

MIDI Terminals: IN, OUT

Sustain/Assignable Terminal: Standard jack (sustain, sostenuto, soft, rhythm start/stop)

•

WK-3700

Headphones: Stereo standard jack

Output Impedance : 200Ω

Output Voltage : 250mV (RMS) MAX

Line Out (R, L/MONO): Standard jack x 2

Output Impedance : 3kΩ

Output Voltage : 1.5V (RMS) MAX

•

WK-3200

Headphone/Output Terminal: Stereo standard jack

Output Impedance: 200Ω

Output Voltage: 5.5V (RMS) MAX

Power Supply Terminal: 12V DC

Power Supply: Dual power supply system

Batteries: 6 D-size batteries

Battery Life: Approximately 4 hours continuous operation on alkaline batteries

AC Adaptor: AD-12

Auto Power Off: Turns power off approximately six minutes after last key operation. Enabled

under battery power only, can be disabled manually.

Speaker Output: 6.1W + 6.1W

Power consumption: 12V 18W

Dimensions: 122.3 x 42.3 x 16.0 cm (48

x 16

x 6

inch)

Weight: WK-3700: Approximately 10.0 kg (22.0 lbs) (without batteries)

WK-3200: Approximately 9.5 kg (20.9 lbs) (without batteries)

Specifications

738A-E-102A

* The same memory area is used to store waveform data, accompaniment data, and SMF data.

WK3200_e_95-101.p65 05.3.15, 6:17 PM100

E-101

Avoid heat, humidity or direct sunlight.

Do not overexpose the instrument to direct sunlight, or place it near an air conditioner, or in any extremely hot place.

Do not use near a TV or radio.

This instrument can cause video or audio interference with TV and radio reception. If this happens, move the instrument away

from the TV or radio.

Do not use lacquer, thinner or similar chemicals for cleaning.

Clean the instrument with a soft cloth dampened in a weak solution of water and a neutral detergent. Soak the cloth in the

solution and squeeze until it is almost dry.

Avoid use in areas subjected to temperature extremes.

Extremely high or low temperature can cause figures on the LCD screen to become dim and difficult to read. This condition

should correct itself when the instrument is brought back to normal temperature.

NOTE

• You may notice lines in the finish of the case of this instrument. These lines are a result of the molding process used to shape

the plastic of the case. They are not cracks or breaks in the plastic, and are no cause for concern.

Care of your Instrument

738A-E-103A

WK3200_e_95-101.p65 05.3.15, 6:17 PM101



738A-E-104A

WK3200_e_95-101.p65 05.3.15, 6:17 PM102

A-1

Appendix

738A-E-105A

Tone List

1: No.

6: Maximum Polyphony

2: Tone Group

7: Range Type

3: Tone Name

8: DSP Type

Program Change

5: Bank Select MSB

CHROM.PERC

ORGAN

GUITAR

CELESTA

VIBRAPHONE

PHASER MARIMBA

DELAY GLOCKENSPIEL

ROTARY CELESTA

ROTARY DRAWBAR

ROTARY PERC.ORGAN 1

ROTARY PERC.ORGAN 2

70'S ORGAN

TREMOLO ORGAN

JAZZ DRAWBAR

ROCK ORGAN

OVD ROTARY ORGAN

ROTARY ELEC.ORGAN

CHURCH ORGAN 1

CHAPEL ORGAN

ACCORDION

BANDONEON

HARMONICA

DRAWBAR ORGAN 1

DRAWBAR ORGAN 2

ELEC.ORGAN

PERC.ORGAN 1

PERC.ORGAN 2

JAZZ ORGAN

OVD ROCK ORGAN

TAPE ORGAN

CHURCH ORGAN 2

OCTAVE ACCORDION

NEO BANDONEON

SLOW HARMONICA

WAH HARMONICA

PURE ACOUSTIC GUITAR

NYLON STR.GUITAR

STEEL STR.GUITAR

JAZZ GUITAR

CHORUS CLEAN GUITAR

ROTARY GUITAR

CRUNCH ELEC.GUITAR

OVD FRONT GUITAR

FEEDBACK DIST.GT

MUTE DIST.GUITAR

MELLOW NYLON GUITAR

12 STRING GUITAR

BRIGHT ACOUSTIC GUITAR

CHORUS STEEL GUITAR

UKULELE

BANJO

105

–1

Reflect

PhaDly 2

ChoDly 2

RotRef 2

Rotary 2

RotRef 1

Rotary 1

Cho Trem

RotRef 1

Rotary 2

Od Rot 2

Rotary 2

RvbHall2

GateRvb2

Reflect

Rotary 1

Reflect

Rotary 2

Reflect

OdRtRef1

Cho Dly4

GateRvb2

CmpChoRf

ChoDly 4

RvbRoom2

LWhDsDly

Equalize

CmpChoRf

CmpEnDly

RotRef 1

CrnDelay

CmpOdDly

DistDly1

MetalDly

ChoDly 3

Equalize

Enha Dly

ChoDly 4

CmpChoRf

Equalize

PIANO

E.PIANO

CHROM.PERC

STEREO GRAND PIANO

STEREO MELLOW PIANO

STEREO BRIGHT PIANO

GRAND PIANO

ROCK PIANO

MODERN PIANO

DANCE PIANO

MELLOW PIANO

BRIGHT PIANO

SYNTH-STR PIANO

STRINGS PIANO

VOICE PIANO

ELEC.GRAND PIANO

HARPSICHORD

GRAND PIANO WIDE

AMBIENT PIANO

1 OCTAVE PIANO

2 OCTAVE PIANO

MODERN E.G.PIANO

COMP.PIANO

HONKY-TONK 1

BRIGHT HARPSICHORD

COUPLED HARPSICHORD

ELEC.PIANO 1

ELEC.PIANO 2

FM ELEC.PIANO

DYNO ELEC.PIANO

60'S ELEC.PIANO

MELLOW E.PIANO

POP ELEC.PIANO

TREMOLO E.PIANO

SOFT E.PIANO

GLASS E.PIANO

SYNTH-STR E.PIANO 1

CLAVI

AUTO WAH E.PIANO

PHASER E.PIANO

MODERN E.PIANO

WARM ELEC.PIANO

ELEC.PIANO PAD

SYNTH-STR E.PIANO 2

STRINGS E.PIANO

RESONANCE CLAVI

PULSE CLAVI

LA CLAVI

TREMOLO VIBRAPHONE

MARIMBA

GLOCKENSPIEL

RvbHall1

GateRvb2

Equalize

RvbHall1

Equalize

Enha Dly

Equalize

Enhancer

Cho Flan

RvbHall1

Reflect

Equalize

CmpChoRf

Reflect

St.Delay

Equalize

RvbRoom2

ChoDly 1

CmpEnDly

Enhancer

CmpChoRf

Chorus 3

Auto Pan

CmpChoRf

Equalize

Cho Trem

Equalize

Dist 1

Auto Wah

PhaAPan1

Enha Dly

Cho Trem

StPhaser

Equalize

ChoDly 1

Auto Wah

CmpEnDly

Cho Dly4

Cho Trem

Reflect

456

Advanced Tones

WK3200_e_A-01-13.p65 05.4.15, 10:18 AM1

A-2

Appendix

738A-E-106A

456

100

101

102

103

104

105

106

107

108

109

110

111

112

113

114

115

116

117

118

119

120

121

122

123

124

125

126

127

128

129

130

131

132

133

134

135

136

137

138

139

140

141

142

143

144

145

146

147

148

149

150

151

152

153

154

GUITAR

BASS

ORCHESTRA

ENSEMBLE

OCTAVE JAZZ GUITAR

CHORUS JAZZ GUITAR

CLEAN GUITAR

ELEC.GUITAR FRONT

ELEC.GUITAR REAR

TREMOLO GUITAR

MUTE GUITAR

OVERDRIVE GUITAR

OVD REAR GUITAR

DISTORTION FRONT GT

MORE DISTORTION GT

TOUCH WAH OVD GT

DISTORTION GUITAR

FEEDBACK GUITAR

DISTORTION CLEAN GT

ACOUSTIC BASS 1

ACOUSTIC BASS 2

RIDE BASS

FINGERED BASS 1

FINGERED BASS 2

PICKED BASS

FRETLESS BASS

SLAP BASS

SAW SYNTH-BASS 1

ANALOG SYNTH-BASS

CHORUS FINGERED BASS

ROCK PICKED BASS

FLAN.FRETLESS BASS

FUNKY SLAP BASS

SQR SYNTH-BASS 1

RESO.SQR BASS

RESO.SAW BASS 1

RESO.SAW BASS 2

DISTORTION SQR BASS

DIGITAL BASS 1

DIGITAL BASS 2

ACID BASS

SAW SYNTH-BASS 2

TRI SYNTH-BASS

SINE BASS

FAT SYNTH-BASS

ORGAN BASS 1

VIOLIN

CELLO

VIOLA

PIZZICATO ENSEMBLE

HARP

SLOW VIOLIN

SLOW CELLO

PIZZICATO

HARPS

STEREO STRINGS

STRING ENSEMBLE

SLOW STRINGS

CHAMBER

PURE SYNTH-STRINGS

SYNTH-STRINGS 1

70'S SYNTH-STR

80'S SYNTH-STR

–1

RvbRoom3

OdChorus

Equalize

Cho Trem

Equalize

CmpDelay

Ovrdrive

DistDly2

AWhCrDly

CmpDelay

CmpCrDly

Limiter

Reflect

RvbRoom1

Limiter

CmpEnDly

ChoDly 1

Comp 2

Chorus 1

PhaCho 1

Crn Cho

OdChorus

Cho Flan

AWhCrDly

Od Rot 1

Enha Cho

AWhChDly

PhaDly 2

DistDly1

Comp 2

Chorus 2

Enhancer

Equalize

Comp 1

CmpEnDly

Comp 1

GateRvb2

RvbHall1

Reflect

RvbHall2

Reflect

RvbPlate

RvbRoom3

ChoDly 3

Reflect

ChoDly 3

RevHall1

ChoDly 4

155

156

157

158

159

160

161

162

163

164

165

166

167

168

169

170

171

172

173

174

175

176

177

178

179

180

181

182

183

184

185

186

187

188

189

190

191

192

193

194

195

196

197

198

199

200

201

202

203

204

205

206

207

208

209

210

211

212

213

ENSEMBLE

BRASS

STEREO CHOIR

VOICE UUH

VOICE DOO

SYNTH-VOICE 1

SYNTH-VOICE 2

SCAT VOICE 1

SCAT VOICE 2

SCAT VOICE 3

BRIGHT STRINGS

WIDE STRINGS

MELLOW STRINGS

ORCHESTRA STRINGS 1

ORCHESTRA STRINGS 2

RESO.SYNTH-STRINGS

PHASER SYNTH-STRINGS

OLD STRINGS ENSEMBLE

CHOIR STRINGS

SYNTH-CHOIR

SYNTH-DOO

MAGIC VOICE DOO

WAH SYNTH-VOICE

VOICE PAD

BLOW VOICE

NOISY SYNTH-VOICE

POP HIT 1

POP HIT 2

BASS HIT

PIANO HIT

ORGAN HIT

ORCHESTRA HIT 1

TECHNO HIT

PURE TRUMPET

TROMBONE

MUTE TRUMPET

STEREO BRASS

BRASS ENSEMBLE

DEEP SYNTH-BRASS 1

SOFT SYNTH-BRASS

VINTAGE SYNTH-BRASS

TRUMPET 1

MELLOW TRUMPET

MELLOW TROMBONE

BRIGHT TROMBONE

TUBA

FRENCH HORN

TRUMPET 2

TROMBONE SECTION

OCTAVE FRENCH HORN

BRASS

BRASS SFZ

BRASS+FRENCH HORN

OCTAVE BRASS

GATE BRASS

DEEP SYNTH-BRASS 2

ANALOG BRASS 1

ANALOG BRASS 2

WARM SYNTH-BRASS

SLOW SYNTH-BRASS

SQR SYNTH-BRASS

–1

RvbHall1

RvbRoom1

Chorus 4

ChoDly 3

ChoDly 4

ChoDly 2

ChoDly 4

RvbHall1

RvbRoom3

RvbHall1

ChoDly 3

PhaAPan2

OdChorus

RvbHall1

StXDelay

DistDly1

PhaDly 2

AWhChDly

FlanDly3

DistDly1

FlanDly2

Equalize

FlanDly1

DistDly1

GateRvb2

Rotary 2

RvbHall1

MetalDly

GateRvb1

GateRvb2

Enhancer

RvbPlate

Enha Dly

RvbHall2

GateRvb2

RvbHall1

GateRvb1

GateRvb2

RvbHall1

RvbHall2

Comp 2

RvbHall2

GateRvb1

Enha Dly

Comp 2

Equalize

Delay

ChoDly 4

Delay

WK3200_e_A-01-13.p65 05.4.15, 10:18 AM2

A-3

Appendix

738A-E-107A

456

214

215

216

217

218

219

220

221

222

223

224

225

226

227

228

229

230

231

232

233

234

235

236

237

238

239

240

241

242

243

244

245

246

247

248

249

250

251

252

253

254

255

256

257

258

259

260

261

262

263

264

265

266

267

268

269

270

271

272

273

274

275

276

277

278

279

280

281

282

283

284

285

286

287

288

289

290

291

292

293

294

295

296

297

298

299

300

301

302

303

304

305

306

307

308

309

310

311

312

313

314

315

316

317

318

319

320

321

322

323

324

325

326

327

328

329

330

331

BRASS

REED

PIPE

SYNTH-LEAD

SYNTH-PAD

SAW SYNTH-BRASS

LA SYNTH-BRASS

BREATHY ALTO SAX

BREATHY TENOR SAX

MELLOW SOPRANO SAX

PURE ALTO SAX

PURE TENOR SAX

CLARINET

OBOE

SOPRANO SAX

ALTO SAX

BRIGHT ALTO SAX

TENOR SAX

BARITONE SAX

TREMOLO ALTO SAX

TREMOLO TENOR SAX

ALTO SAXYS

TENOR SAXYS

STACK BARITONE SAX

WAH BARITONE SAX

MELLOW CLARINET

SYNTH-OBOE

PURE FLUTE

FLUTE

MELLOW FLUTE

PICCOLO

PAN FLUTE

BOTTLE BLOW

RECORDER

WHISTLE

PICCOLO ENSEMBLE

BREATHY FLUTE

OCTAVE FLUTE

FLUTE+REED

SYNTH-PAN FLUTE

SYNTH-RECORDER

WHISTLES

SAWTOOTH LEAD

MELLOW SAW LEAD

GR LEAD 1

SQUARE LEAD 1

SQUARE LEAD 2

VOX SQR LEAD

CALLIOPE LEAD

CHIFF LEAD 1

CHARANG LEAD

GT SYNTH-LEAD 1

SOLO VOX

FIFTH LEAD

HUSKY SAW

BASS LEAD 1

BASS LEAD 2

VOX SAW LEAD

SQUARE LEAD 3

MELLOW SQR LEAD

ADVANCED CALLIOPE

SEQ SAW 1

REED SAW

PIPE LEAD

ATTACK SQR 1

ATTACK SQR 2

PLUCK LEAD 1

PLUCK LEAD 2

FIFTH MELLOW

FOURTH LEAD

DETUNE SAW

RESO.SAW LEAD

GR LEAD 2

GR LEAD X

VOX LEAD 1

REED LEAD

SQUARE WAVE 1

SQUARE WAVE 2

PERC.CHIFF 1

CHIFF LEAD 2

TECH POLYSYNTH 1

TECH POLYSYNTH 2

RESONANCE LEAD

FRET LEAD

SEVENTH SEQ

WAH SEQ

FANTASY PAD

WARM PAD

POLYSYNTH PAD

SPACE VOICE 1

COSMIC VOICE

BOWED PAD

METAL PAD 1

HALO PAD

SWEEP PAD

MOVIE SOUND

NOISY SAW

SINE PAD

VIBE PAD

RAIN PAD

CRYSTAL 1

CRYSTAL 2

ATMOSPHERE PAD

BRIGHTER

STAR THEME

NEW FANTASY

WARM VOX

FLUTE PAD

ATTACK POLYSYNTH

CHIFF CHOIR

STAR VOICE 1

STAR VOICE 2

SPACE VOICE 2

SPACE CHOIR

BOTTLE PAD

DEEP BLUE

GOBLIN PAD

POLY SAW

BOUNCE PAD

SLOW SWEEP

STEEL PAD

WONDER BELL

SAVANNA

100

103

101

–1

Enha Cho

PhaDly 1

RvbHall1

CmpEnDly

GateRvb2

Reflect

GateRvb2

Equalize

Tremolo

Equalize

Comp 2

Auto Wah

GateRvb2

ChoDly 4

GateRvb2

Reflect

Equalize

GateRvb2

Equalize

GateRvb2

Tremolo

Equalize

Tremolo

Equalize

StXDelay

AWhChDly

ChoDly 4

Enha Dly

PhaDly 2

ChoDly 2

ChoDly 4

Equalize

Comp 1

Equalize

PhaAPan1

PhaDly 1

Auto Wah

PhaDly 1

Chorus 2

LFO Wah

RgChoDly

FlanDly1

Tremolo

RvbPlate

Equalize

Enha Cho

Reflect

Comp 2

3Tap Dly

FlanDly2

StXDelay

Auto Pan

Chorus 2

Phaser

CmpCrDly

ChoDly 2

FlanDly2

Equalize

Auto Pan

AWhChDly

Comp 1

Ring Mod

LoFi Ref

Enha Dly

Phaser

AWhChDly

PhaDly 2

Equalize

Cho Trem

RotRef 1

Rotary 2

3Tap Dly

St Delay

StPhaser

Equalize

FlanDly1

Lo-Fi

Phaser

CmpDelay

Comp 1

PhaDly 2

St Delay

GateRvb1

Delay

PhaAPan2

ChoDly 3

Equalize

Cho Flan

DsChoDly

AWhChDly

RgChoDly

ChoDly 4

LFO Wah

RevHall2

Flanger

ChoDly 3

Dist Cho

RgChoDly

ChoDly 3

GateRvb4

RgChoDly

WK3200_e_A-01-13.p65 05.4.15, 10:18 AM3

A-4

Appendix

738A-E-108A

400

401

402

403

404

405

406

407

408

409

410

411

412

413

414

415

416

417

418

419

420

421

422

423

424

425

426

427

428

429

430

431

432

433

434

435

436

437

438

439

440

441

442

443

444

445

446

447

448

449

450

451

452

453

454

455

456

GM PIANO 1

GM PIANO 2

GM PIANO 3

GM HONKY-TONK

GM E.PIANO 1

GM E.PIANO 2

GM HARPSICHORD

GM CLAVI

GM CELESTA

GM GLOCKENSPIEL

GM MUSIC BOX

GM VIBRAPHONE

GM MARIMBA

GM XYLOPHONE

GM TUBULAR BELL

GM DULCIMER

GM ORGAN 1

GM ORGAN 2

GM ORGAN 3

GM PIPE ORGAN

GM REED ORGAN

GM ACCORDION

GM HARMONICA

GM BANDONEON

GM NYLON STR.GUITAR

GM STEEL STR.GUITAR

GM JAZZ GUITAR

GM CLEAN GUITAR

GM MUTE GUITAR

GM OVERDRIVE GT

GM DISTORTION GT

GM GT HARMONICS

GM ACOUSTIC BASS

GM FINGERED BASS

GM PICKED BASS

GM FRETLESS BASS

GM SLAP BASS 1

GM SLAP BASS 2

GM SYNTH-BASS 1

GM SYNTH-BASS 2

GM VIOLIN

GM VIOLA

GM CELLO

GM CONTRABASS

GM TREMOLO STRINGS

GM PIZZICATO

GM HARP

GM TIMPANI

GM STRINGS 1

GM STRINGS 2

GM SYNTH-STRINGS 1

GM SYNTH-STRINGS 2

GM CHOIR AAHS

GM VOICE DOO

GM SYNTH-VOICE

GM ORCHESTRA HIT

GM TRUMPET

457

458

459

460

461

462

463

464

465

466

467

468

469

470

471

472

473

474

475

476

477

478

479

480

481

482

483

484

485

486

487

488

489

490

491

492

493

494

495

496

497

498

499

500

501

502

503

504

505

506

507

508

509

510

511

512

513

514

515

GM TROMBONE

GM TUBA

GM MUTE TRUMPET

GM FRENCH HORN

GM BRASS

GM SYNTH-BRASS 1

GM SYNTH-BRASS 2

GM SOPRANO SAX

GM ALTO SAX

GM TENOR SAX

GM BARITONE SAX

GM OBOE

GM ENGLISH HORN

GM BASSOON

GM CLARINET

GM PICCOLO

GM FLUTE

GM RECORDER

GM PAN FLUTE

GM BOTTLE BLOW

GM SHAKUHACHI

GM WHISTLE

GM OCARINA

GM SQUARE LEAD

GM SAWTOOTH LEAD

GM CALLIOPE

GM CHIFF LEAD

GM CHARANG

GM VOICE LEAD

GM FIFTH LEAD

GM BASS+LEAD

GM FANTASY

GM WARM PAD

GM POLYSYNTH

GM SPACE CHOIR

GM BOWED GLASS

GM METAL PAD

GM HALO PAD

GM SWEEP PAD

GM RAIN DROP

GM SOUND TRACK

GM CRYSTAL

GM ATMOSPHERE

GM BRIGHTNESS

GM GOBLINS

GM ECHOES

GM SF

GM SITAR

GM BANJO

GM SHAMISEN

GM KOTO

GM THUMB PIANO

GM BAGPIPE

GM FIDDLE

GM SHANAI

GM TINKLE BELL

GM AGOGO

GM STEEL DRUMS

GM WOOD BLOCK

100

101

102

103

104

105

106

107

108

109

110

111

112

113

114

115

Preset Tones

456 8

WK3200_e_A-01-13.p65 05.3.15, 6:17 PM4

A-5

Appendix

738A-E-109A

575

576

577

578

579

580

581

582

583

584

585

586

587

588

589

590

591

592

593

594

595

596

597

598

599

VARIOUS

BRASS+TRUMPET

BRASS+TROMBONE

SYNTH-BRASS VAR.

OCTAVE SYNTH-BRASS

SYNTH-BRASS SFZ

BREATHY ALTO SAX VAR.

BREATHY TENOR SAX VAR.

MELLOW ALTO SAX

MELLOW TENOR SAX

TRIANGLE WAVE

SQUARE WAVE 3

SAW WAVE

SAW+SQR

SEQ SAW 2

PERC.CHIFF 2

GT SYNTH-LEAD 2

VOX LEAD 2

BASS LEAD 3

SINE SYNTH

SOPRANO PAD

GLASS PAD

METAL PAD 2

FAST SWEEP

WOOD PAD

SYNTH-MALLET

456

516

517

518

519

520

521

522

523

524

525

526

527

528

529

530

531

532

533

534

535

536

537

538

539

540

541

542

543

544

545

546

547

548

549

550

551

552

553

554

555

556

557

558

559

560

561

562

563

564

565

566

567

568

569

570

571

572

573

574

VARIOUS

GM TAIKO

GM MELODIC TOM

GM SYNTH-DRUM

GM REVERSE CYMBAL

GM GT FRET NOISE

GM BREATH NOISE

GM SEASHORE

GM BIRD

GM TELEPHONE

GM HELICOPTER

GM APPLAUSE

GM GUNSHOT

TECHNO PIANO

MODERN E.G.PIANO WIDE

HONKY-TONK 2

DYNO ELEC.PIANO VAR.

60'S ELEC.PIANO VAR.

ELEC.PIANO 3

MODERN EP+E.G.PIANO

MODERN EP VAR.

HARPSICHORD VAR.

PULSE CLAVI VAR.

VIBRAPHONE VAR.

MARIMBA VAR.

TREMOLO ORGAN VAR.

70'S ORGAN VAR.

CHURCH ORGAN 3

PUFF ORGAN

NYLON GUITAR RELEASE

ACOUSTIC GUITAR VAR.

PEDAL STEEL

DETUNE CLEAN GT

PLAIN ELEC.GUITAR REAR

PLAIN ELEC.GUITAR FRONT

FEEDBACK GUITAR VAR.

GUITAR FEEDBACK

ACOUSTIC BASS 1 VAR.

FINGERED BASS 1 VAR.

SAW SYNTH-BASS 3

SAW SYNTH-BASS 4

RESO.SAW BASS 3

ORGAN BASS 2

SQR SYNTH-BASS 2

SQR SYNTH-BASS 3

ATTACK SQR BASS

OCTAVE STRINGS

SYNTH-STRINGS 2

CHOIR+UUH

SCAT VOICE 4

SCAT VOICE 5

SYNTH-VOICE 3

SEQ VOX

BASS HIT VAR.

POP HIT 3

ORCHESTRA HIT 2

TIMPANI HIT

TRUMPET 3

MUTE TRUMPET VAR.

MELLOW FRENCH HORN

116

117

118

119

120

121

122

123

124

125

126

127

456

DRUM SET

STANDARD SET 1

STANDARD SET 2

STANDARD SET 3

STANDARD SET 4

ROOM SET

POWER SET

ELECTRONIC SET

SYNTH SET 1

SYNTH SET 2

JAZZ SET

BRUSH SET

ORCHESTRA SET

HIP-HOP SET 1

HIP-HOP SET 2

TECHNO SET 1

TECHNO SET 2

DANCE SET 1

DANCE SET 2

120

600

601

602

603

604

605

606

607

608

609

610

611

612

613

614

615

616

617

Drum Sets

WK3200_e_A-01-13.p65 05.3.15, 6:17 PM5

A-6

738A-E-110A

Appendix

USER TONE

STEREO GRAND PIANO

STEREO MELLOW PIANO

STEREO BRIGHT PIANO

GRAND PIANO

ROCK PIANO

MODERN PIANO

DANCE PIANO

MELLOW PIANO

BRIGHT PIANO

SYNTH-STR PIANO

STRINGS PIANO

VOICE PIANO

ELEC.GRAND PIANO

HARPSICHORD

GRAND PIANO WIDE

AMBIENT PIANO

1 OCTAVE PIANO

2 OCTAVE PIANO

MODERN E.G.PIANO

COMP.PIANO

HONKY-TONK 1

BRIGHT HARPSICHORD

COUPLED HARPSICHORD

ELEC.PIANO 1

ELEC.PIANO 2

FM ELEC.PIANO

DYNO ELEC.PIANO

60'S ELEC.PIANO

MELLOW E.PIANO

POP ELEC.PIANO

TREMOLO E.PIANO

SOFT E.PIANO

GLASS E.PIANO

SYNTH-STR E.PIANO 1

CLAVI

AUTO WAH E.PIANO

PHASER E.PIANO

MODERN E.PIANO

WARM ELEC.PIANO

ELEC.PIANO PAD

SYNTH-STR E.PIANO 2

STRINGS E.PIANO

RESONANCE CLAVI

PULSE CLAVI

LA CLAVI

TREMOLO VIBRAPHONE

MARIMBA

GLOCKENSPIEL

CELESTA

VIBRAPHONE

PHASER MARIMBA

DELAY GLOCKENSPIEL

ROTARY CELESTA

ROTARY DRAWBAR

ROTARY PERC.ORGAN 1

ROTARY PERC.ORGAN 2

70'S ORGAN

700

701

702

703

704

705

706

707

708

709

710

711

712

713

714

715

716

717

718

719

720

721

722

723

724

725

726

727

728

729

730

731

732

733

734

735

736

737

738

739

740

741

742

743

744

745

746

747

748

749

750

751

752

753

754

755

756

757

758

759

760

761

762

763

764

765

766

767

768

769

770

771

772

773

774

775

776

777

778

779

780

781

782

783

784

785

786

787

788

789

790

791

792

793

794

795

796

797

798

799

USER TONE

TREMOLO ORGAN

JAZZ DRAWBAR

ROCK ORGAN

OVD ROTARY ORGAN

ROTARY ELEC.ORGAN

CHURCH ORGAN 1

CHAPEL ORGAN

ACCORDION

BANDONEON

HARMONICA

DRAWBAR ORGAN 1

DRAWBAR ORGAN 2

ELEC.ORGAN

PERC.ORGAN 1

PERC.ORGAN 2

JAZZ ORGAN

OVD ROCK ORGAN

TAPE ORGAN

CHURCH ORGAN 2

OCTAVE ACCORDION

NEO BANDONEON

SLOW HARMONICA

WAH HARMONICA

PURE ACOUSTIC GUITAR

NYLON STR.GUITAR

STEEL STR.GUITAR

JAZZ GUITAR

CHORUS CLEAN GUITAR

ROTARY GUITAR

CRUNCH ELEC.GUITAR

OVD FRONT GUITAR

FEEDBACK DIST.GT

MUTE DIST.GUITAR

MELLOW NYLON GUITAR

12 STRING GUITAR

BRIGHT ACOUSTIC GUITAR

CHORUS STEEL GUITAR

UKULELE

BANJO

OCTAVE JAZZ GUITAR

CHORUS JAZZ GUITAR

CLEAN GUITAR

ELEC.GUITAR FRONT

User Tones

WK3200_e_A-01-13.p65 05.3.15, 6:17 PM6

A-7

Appendix

738A-E-111A

456

DRAWBAR

DRAWBAR ORGAN 1

JAZZ ORGAN 1

FULL DRAWBAR

PERC. ORGAN 1

16'+1' ORGAN

SOUL ORGAN 1

OVERDRIVE ORGAN 1

DRAWBAR ORGAN 2

BLOCK ORGAN 1

THEATER ORGAN 1

JAZZ ORGAN 2

SOUL ORGAN 2

GOSPEL ORGAN 1

CHORUS ORGAN 1

OVERDRIVE ORGAN 2

BLOCK ORGAN 2

DRAWBAR ORGAN 3

PERC. ORGAN 2

THEATER ORGAN 2

GOSPEL ORGAN 2

EVEN ORGAN

FLUTE ORGAN 1

CHORUS ORGAN 2

OVERDRIVE ORGAN 3

16' ORGAN

SOUL ORGAN 3

PERC. ORGAN 3

DRAWBAR ORGAN 4

PERC. ORGAN 4

ODD ORGAN

REED ORGAN 1

BLOCK ORGAN 3

OVERDRIVE ORGAN 4

DRAWBAR ORGAN 5

GOSPEL ORGAN 3

8' + 4' ORGAN

BLOCK ORGAN 4

REED ORGAN 2

PURE ORGAN 1

DRAWBAR ORGAN 6

DELAY ORGAN 1

DEEP CHORUS ORGAN

TREMOLO ORGAN

DELAY ORGAN 2

LFO WAH ORGAN

DIST. ORGAN LEAD

RING ORGAN

MAD ROTARY ORGAN

OLD ORGAN

DIST. RING ORGAN

Rotary

OvdRotry

Rotary

OvdRotry

Rotary

OvdRotry

Rotary

OvdRotry

Rotary

StXDly 2

Cho.Dly4

Cho.Trem

Cho.Dly6

LWhChDl2

MetalDly

RingMod2

RgChDly2

LoFiRef2

DistRing

800

801

802

803

804

805

806

807

808

809

810

811

812

813

814

815

816

817

818

819

USER TONE with WAVE

PIANO EX.

CZ SWEEP BASS

CZ LEAD 1

CZ SYNTH 1

VOICE BASS

NO DATA

900

901

902

903

USER DRUM SET with WAVE

POWER ROOM SET

NO DATA

125

User Drum Sets with Waves

Tone with Waves

Drawbar Organ Preset Tones

WK3200_e_A-01-13.p65 05.3.15, 6:17 PM7

A-8

Appendix

738A-E-112A

NOTE

Range

• The above list shows the initial factory default configuration. The tone group tone numbers indicated below will change from those shown in this list if you save

original tones to keyboard memory (page E-46).

• User Tones (Tone Numbers 700 through 799)*

• User Tones with Waves (Tone Numbers 800 through 819)*

• User Drum Sets with Waves (Tone Numbers 900 through 903)*

• Drawbar Organ User Tones (Tone Numbers 100 through 199)*

*1 The initial factory default is Advanced Tones 000 through 099. System reset (page E-73) returns to factory defaults.

*2 The initial factory default is preset Tone with Wave data for tone numbers 800 through 804. System reset clears all stored data.

*3 The initial factory default is preset Drum Set with Wave data for tone number 900. System reset clears all stored data.

*4 The initial factory default is two sets of the same tones assigned to drawbar organ tone numbers 000 through 049. System reset

returns to factory defaults.

• The CD-ROM that comes bundled with the keyboard can be used to return all tones to the initial factory defaults shown in this

list. See “Returning the keyboard to

its initial factory defaults” on page E-80 for details.

Symbol Meaning

N Normal

–1 1 Octave Down

+1 1 Octave Up

Drawbar Organ User Tones

100

101

102

103

104

105

106

107

108

109

110

111

112

113

114

115

116

117

118

119

120

121

122

123

124

125

126

127

128

129

130

131

132

USER DRAWBAR

DRAWBAR ORGAN 1

JAZZ ORGAN 1

FULL DRAWBAR

PERC. ORGAN 1

16'+1' ORGAN

SOUL ORGAN 1

OVERDRIVE ORGAN 1

DRAWBAR ORGAN 2

BLOCK ORGAN 1

THEATER ORGAN 1

JAZZ ORGAN 2

SOUL ORGAN 2

GOSPEL ORGAN 1

CHORUS ORGAN 1

OVERDRIVE ORGAN 2

BLOCK ORGAN 2

DRAWBAR ORGAN 3

PERC. ORGAN 2

THEATER ORGAN 2

GOSPEL ORGAN 2

EVEN ORGAN

FLUTE ORGAN 1

CHORUS ORGAN 2

OVERDRIVE ORGAN 3

16' ORGAN

SOUL ORGAN 3

PERC. ORGAN 3

DRAWBAR ORGAN 4

PERC. ORGAN 4

ODD ORGAN

REED ORGAN 1

BLOCK ORGAN 3

OVERDRIVE ORGAN 4

104

133

134

135

136

137

138

139

140

141

142

143

144

145

146

147

148

149

150

151

152

153

154

155

156

157

158

159

160

161

162

163

164

165

USER DRAWBAR

DRAWBAR ORGAN 5

GOSPEL ORGAN 3

8' + 4' ORGAN

BLOCK ORGAN 4

REED ORGAN 2

PURE ORGAN 1

DRAWBAR ORGAN 6

DELAY ORGAN 1

DEEP CHORUS ORGAN

TREMOLO ORGAN

DELAY ORGAN 2

LFO WAH ORGAN

DIST. ORGAN LEAD

RING ORGAN

MAD ROTARY ORGAN

OLD ORGAN

DIST. RING ORGAN

DRAWBAR ORGAN 1

JAZZ ORGAN 1

FULL DRAWBAR

PERC. ORGAN 1

16'+1' ORGAN

SOUL ORGAN 1

OVERDRIVE ORGAN 1

DRAWBAR ORGAN 2

BLOCK ORGAN 1

THEATER ORGAN 1

JAZZ ORGAN 2

SOUL ORGAN 2

GOSPEL ORGAN 1

CHORUS ORGAN 1

OVERDRIVE ORGAN 2

BLOCK ORGAN 2

104

166

167

168

169

170

171

172

173

174

175

176

177

178

179

180

181

182

183

184

185

186

187

188

189

190

191

192

193

194

195

196

197

198

199

USER DRAWBAR

DRAWBAR ORGAN 3

PERC. ORGAN 2

THEATER ORGAN 2

GOSPEL ORGAN 2

EVEN ORGAN

FLUTE ORGAN 1

CHORUS ORGAN 2

OVERDRIVE ORGAN 3

16' ORGAN

SOUL ORGAN 3

PERC. ORGAN 3

DRAWBAR ORGAN 4

PERC. ORGAN 4

ODD ORGAN

REED ORGAN 1

BLOCK ORGAN 3

OVERDRIVE ORGAN 4

DRAWBAR ORGAN 5

GOSPEL ORGAN 3

8' + 4' ORGAN

BLOCK ORGAN 4

REED ORGAN 2

PURE ORGAN 1

DRAWBAR ORGAN 6

DELAY ORGAN 1

DEEP CHORUS ORGAN

TREMOLO ORGAN

DELAY ORGAN 2

LFO WAH ORGAN

DIST. ORGAN LEAD

RING ORGAN

MAD ROTARY ORGAN

OLD ORGAN

DIST. RING ORGAN

104

WK3200_e_A-01-13.p65 05.3.24, 10:59 AM8

A-9

Appendix

738A-E-113A

Drum Assignment List

“ ” indicates the same sound as STANDARD SET 1.

➝

Key/

Note number

PC0: STANDARD SET 1

LOW TOM 2a

LOW TOM 2b

LOW TOM 1a

LOW TOM 1b

MID TOM 2a

MID TOM 2b

MID TOM 1a

MID TOM 1b

HIGH TOM 2a

HIGH TOM 2b

HIGH TOM 1a

HIGH TOM 1b

CRASH CYMBAL 1a

CRASH CYMBAL 1b

CRASH CYMBAL 1c

CRASH CYMBAL 2a

CRASH CYMBAL 2b

CRASH CYMBAL 2c

RIDE CYMBAL 1a

RIDE CYMBAL 1b

RIDE CYMBAL 1c

RIDE CYMBAL 2a

RIDE CYMBAL 2b

RIDE CYMBAL 2c

—

HIGH Q

SLAP

SCRATCH PUSH

SCRATCH PULL

STICKS

SQUARE CLICK

METRONOME CLICK

METRONOME BELL

STANDARD1 KICK 2

STANDARD1 KICK 1

SIDE STICK

STANDARD1 SNARE 1

HAND CLAP 1

STANDARD1 SNARE 2

LOW TOM 2

CLOSED HI-HAT

LOW TOM 1

PEDAL HI-HAT

MID TOM 2

OPEN HI-HAT

MID TOM 1

HIGH TOM 2

CRASH CYMBAL 1

HIGH TOM 1

RIDE CYMBAL 1

CHINESE CYMBAL

RIDE BELL

TAMBOURINE

SPLASH CYMBAL

COWBELL

CRASH CYMBAL 2

VIBRA-SLAP

RIDE CYMBAL 2

HIGH BONGO

LOW BONGO

MUTE HIGH CONGA

OPEN HIGH CONGA

LOW CONGA

HIGH TIMBALE

LOW TIMBALE

HIGH AGOGO

LOW AGOGO

CABASA

MARACAS

SHORT HI WHISTLE

LONG LOW WHISTLE

SHORT GUIRO

LONG GUIRO

CLAVES

HIGH WOOD BLOCK

LOW WOOD BLOCK

MUTE CUICA

OPEN CUICA

MUTE TRIANGLE

OPEN TRIANGLE

SHAKER

JINGLE BELL

BELL TREE

CASTANETS

MUTE SURDO

OPEN SURDO

APPLAUSE

APPLAUSE 2

—

STANDARD KICK 1a

STANDARD KICK 1b

STANDARD KICK 1c

STANDARD KICK 1d

STANDARD KICK 2a

STANDARD KICK 2b

STANDARD KICK 2c

STANDARD KICK 2d

STANDARD 1 SNARE a

STANDARD 1 SNARE b

STANDARD 1 SNARE c

STANDARD 1 SNARE d

CLOSED HI-HAT a

CLOSED HI-HAT b

CLOSED HI-HAT c

CLOSED HI-HAT d

PEDAL HI-HAT a

PEDAL HI-HAT b

OPEN HI-HAT a

OPEN HI-HAT b

씯

—

씯

STANDARD2 KICK 2

STANDARD2 KICK 1

씯

STANDARD2 SNARE 1

씯

STANDARD2 SNARE 2

씯

—

씯

STANDARD 2 SNARE a

STANDARD 2 SNARE b

STANDARD 2 SNARE c

STANDARD 2 SNARE d

씯

—

씯

STANDARD3 KICK 2

STANDARD3 KICK 1

씯

STANDARD3 SNARE 1

씯

STANDARD3 SNARE 2

씯

—

씯

STANDARD 3 SNARE a

STANDARD 3 SNARE b

STANDARD 3 SNARE c

STANDARD 3 SNARE d

씯

PC1: STANDARD SET 2

PC8: ROOM SET

PC4: STANDARD SET 5PC3: STANDARD SET 4

씯

—

씯

ROOM KICK 2

ROOM KICK 1

씯

ROOM SNARE 1

씯

ROOM SNARE 2

ROOM LOW TOM 2

씯

ROOM LOW TOM 1

씯

ROOM MID TOM 2

씯

ROOM MID TOM 1

ROOM HI TOM 2

씯

ROOM HI TOM 1

씯

—

씯

PC2: STANDARD SET 3

C-1

D-1

E-1

F-1

G-1

A-1

B-1

100

101

103

105

107

108

110

112

113

115

117

119

120

122

124

125

127

C#-1

-1

F#-1

-1

C#0

E 0

F#0

A 0

B 0

C#1

E 1

F#1

A 1

B 1

C#2

E 2

F#2

A 2

B 2

C#3

E 3

F#3

A 3

B 3

C#4

E 4

F#4

A 4

B 4

C#5

E 5

F#5

A 5

B 5

C#6

E 6

F#6

A 6

B 6

C#7

E 7

F#7

A 7

B 7

C#8

E 8

F#8

A 8

B 8

C#9

E 9

F#9

102

104

106

109

111

114

116

118

121

123

126



PC24: ELECTRONIC SET

PC25: SYNTH SET 1

PC30: SYNTH SET 2

PC16: POWER SET

씯

—

씯

STANDARD4 KICK 2

STANDARD4 KICK 1

씯

STANDARD4 SNARE 1

씯

STANDARD4 SNARE 2

씯

—

씯

—

씯

POWER KICK 2

POWER KICK 1

씯

POWER SNARE 1

씯

POWER SNARE 2

POWER LOW TOM 2

씯

POWER LOW TOM 1

씯

POWER MID TOM 2

씯

POWER MID TOM 1

POWER HI TOM 2

씯

POWER HI TOM 1

씯

—

씯

—

씯

SYNTH 1 KICK 2

SYNTH 1 KICK 1

SYNTH 1 RIM SHOT

SYNTH 1 SNARE 1

SYNTH HAND CLAP

SYNTH 1 SNARE 2

SYNTH 1 LOW TOM 2

SYNTH 1 CHH

SYNTH 1 LOW TOM 1

SYNTH 1 PHH

SYNTH 1 MID TOM 2

SYNTH 1 OHH

SYNTH 1 MID TOM 1

SYNTH 1 HI TOM 2

SYNTH 1 CYMBAL

SYNTH 1 HI TOM 1

SYNTH 1 RIDE

씯

SYNTH 1

TOMBOURINE

씯

SYNTH 1 COWBELL

씯

SYNTH 1 HIGH CONGA

SYNTH 1 MID CONGA

SYNTH 1 LOW CONGA

씯

SYNTH 1 MARACAS

씯

SYNTH 1 CLAVES

씯

—

씯

—

씯

SYNTH 2 KICK 2

SYNTH 2 KICK 1

씯

SYNTH 2 SNARE 1

씯

SYNTH 2 SNARE 2

SYNTH 2 LOW TOM 2

SYNTH 2 CHH

SYNTH 2 LOW TOM 1

SYNTH 2 PHH

SYNTH 2 MID TOM 2

SYNTH 2 OHH

SYNTH 2 MID TOM 1

SYNTH 2 HI TOM 2

SYNTH 2 CYMBAL 1

SYNTH 2 HI TOM 1

SYNTH 2 RIDE 1

씯

SYNTH 2 CYMBAL 2

씯

SYNTH 2 RIDE 2

씯

—

씯

—

씯

STANDARD5 KICK 2

STANDARD5 KICK 1

씯

STANDARD5 SNARE 1

SYNTH HAND CLAP

STANDARD5 SNARE 2

씯

—

씯

—

씯

ELEC KICK 2

ELEC KICK 1

씯

ELEC SNARE 1

씯

ELEC SNARE 2

ELEC LOW TOM 2

씯

ELEC LOW TOM 1

씯

ELEC MID TOM 2

씯

ELEC MID TOM 1

ELEC HI TOM 2

씯

ELEC HI TOM 1

씯

REVERSE CYMBAL

씯

—

씯

DRUMS SET LIST

WK3200_e_A-01-13.p65 05.3.15, 6:17 PM9

A-10

PC40: BRUSH SET

씯

—

씯

BRUSH KICK 2

BRUSH KICK 1

씯

BRUSH TAP

BRUSH SLAP

BRUSH SWIRL

씯

—

씯

—

CLOSED HI-HAT

PEDAL HI-HAT

OPEN HI-HAT

RIDE CYMBAL 1

씯

JAZZ KICK 1

CONCERT BASS DRUM

씯

CONCERT SNARE

CASTANETS

CONCERT SNARE

TIMPANI F



TIMPANI G

TIMPANI A



TIMPANI A

TIMPANI B



TIMPANI B

TIMPANI c



TIMPANI d

TIMPANI e



TIMPANI e

TIMPANI f

씯

CONCERT CYMBAL 2

씯

CONCERT CYMBAL 1

씯

—

씯

CRASH CYMBAL 2a

CRASH CYMBAL 2b

CRASH CYMBAL 2c

RIDE CYMBAL 2a

RIDE CYMBAL 2b

RIDE CYMBAL 2c

씯

WHITE NOISE

LOOPED BD

BEEP 1

BEEP 2

씯

HIP-HOP SCRATCH 1

HIP-HOP SCRATCH 2

씯

HIP-HOP KICK 2

HIP-HOP KICK 1

씯

HIP-HOP SNARE 1

HAND CLAP 2

HIP-HOP SNARE 2

씯

HIP-HOP CHH

씯

HIP-HOP PHH

씯

HIP-HOP OHH

씯

HIP-HOP CLASH

씯

HIP-HOP RIDE

씯

SYNTH 2 CYMBAL 2

씯

SYNTH 2 RIDE 2

씯

ELEC KICK 1

SYNTH 1 KICK 1

SYNTH 1 KICK 2

DANCE KICK 3

TECHNO KICK 1

HIP-HOP BD 5

HIP-HOP BD 6

TECHNO KICK 4

DANCE KICK 2

DANCE KICK 1

DANCE KICK 5

DANCE KICK 6

POWER SNARE 2

SYNTH 1 SNARE 1

SYNTH 1 SNARE 2

SYNTH 2 SNARE 1

SYNTH 2 SNARE 2

HIP-HOP SNARE 5

HIP-HOP SNARE 6

TECHNO SNARE 3

TECHNO SNARE 5

TECHNO SNARE 6

DANCE SNARE 4

DANCE SNARE 5

—

씯

PC48: ORCHESTRA SET

PC64: HIP-HOP SET 1

PC66: TECHNO SET 1 PC67: TECHNO SET 2

PC68: DANCE SET 1

PC69: DANCE SET 2

PC65: HIP-HOP SET 2

씯

CRASH CYMBAL 2a

CRASH CYMBAL 2b

CRASH CYMBAL 2c

RIDE CYMBAL 2a

RIDE CYMBAL 2b

RIDE CYMBAL 2c

씯

WHITE NOISE

LOOPED BD

BEEP 1

BEEP 2

씯

HIP-HOP SCRATCH 1

HIP-HOP SCRATCH 2

씯

HIP-HOP KICK 4

HIP-HOP KICK 3

씯

HIP-HOP SNARE 3

HAND CLAP 2

HIP-HOP SNARE 4

SYNTH 2 LOW TOM 2

HIP-HOP CHH

SYNTH 2 LOW TOM 1

HIP-HOP PHH

SYNTH 2 MID TOM 2

HIP-HOP OHH

SYNTH 2 MID TOM 1

SYNTH 2 HI TOM 2

SYNTH 2 CYMBAL

SYNTH 2 HI TOM 1

SYNTH 2 RIDE

씯

SYNTH 2 CYMBAL 2

씯

SYNTH 2 RIDE 2

씯

ELEC KICK 1

SYNTH 1 KICK 1

SYNTH 1 KICK 2

DANCE KICK 3

TECHNO KICK 1

HIP-HOP BD 5

HIP-HOP BD 6

TECHNO KICK 4

DANCE KICK 2

DANCE KICK 1

DANCE KICK 5

DANCE KICK 6

POWER SNARE 2

SYNTH 1 SNARE 1

SYNTH 1 SNARE 2

SYNTH 2 SNARE 1

SYNTH 2 SNARE 2

HIP-HOP SNARE 5

HIP-HOP SNARE 6

TECHNO SNARE 3

TECHNO SNARE 5

TECHNO SNARE 6

DANCE SNARE 4

DANCE SNARE 5

—

씯

CRASH CYMBAL 2a

CRASH CYMBAL 2b

CRASH CYMBAL 2c

RIDE CYMBAL 2a

RIDE CYMBAL 2b

RIDE CYMBAL 2c

씯

WHITE NOISE

LOOPED BD

BEEP 1

BEEP 2

씯

HIP-HOP SCRATCH 1

HIP-HOP SCRATCH 2

씯

TECHNO KICK 4

TECHNO KICK 3

SYNTH 1 RIM SHOT

TECHNO SNARE 3

HAND CLAP 3

TECHNO SNARE 4

SYNTH 1 LOW TOM 2

TECHNO 2 CHH 1

SYNTH 1 LOW TOM 1

TECHNO 2 PHH

SYNTH 1 MID TOM 2

TECHNO 2 OHH

SYNTH 1 MID TOM 1

SYNTH 1 HI TOM 2

TECHNO CYMBAL

SYNTH 1 HI TOM 1

TECHNO CYMBAL

씯

SYNTH 1

TAMBOURINE

씯

SYNTH 1 COWBELL

씯

SYNTH 1

HIGH CONGA

SYNTH 1 MID CONGA

SYNTH 1 LOW CONGA

씯

SYNTH 1 MARACAS

씯

SYNTH 1 CLAVES

씯

ELEC KICK 1

SYNTH 1 KICK 1

SYNTH 1 KICK 2

DANCE KICK 3

TECHNO KICK 1

HIP-HOP BD 5

HIP-HOP BD 6

TECHNO KICK 4

DANCE KICK 2

DANCE KICK 1

DANCE KICK 5

DANCE KICK 6

POWER SNARE 2

SYNTH 1 SNARE 1

SYNTH 1 SNARE 2

SYNTH 2 SNARE 1

SYNTH 2 SNARE 2

HIP-HOP SNARE 5

HIP-HOP SNARE 6

TECHNO SNARE 3

TECHNO SNARE 5

TECHNO SNARE 6

DANCE SNARE 4

DANCE SNARE 5

—

씯

CRASH CYMBAL 2a

CRASH CYMBAL 2b

CRASH CYMBAL 2c

RIDE CYMBAL 2a

RIDE CYMBAL 2b

RIDE CYMBAL 2c

씯

WHITE NOISE

LOOPED BD

BEEP 1

BEEP 2

씯

HIP-HOP SCRATCH 1

HIP-HOP SCRATCH 2

씯

DANCE KICK 2

DANCE KICK 1

SYNTH 1 RIM SHOT

DANCE SNARE 1

HAND CLAP 3

DANCE SNARE 2

씯

SYNTH 2 CHH

씯

SYNTH 2 PHH

씯

SYNTH 2 OHH

씯

HIP-HOP CLASH

씯

HIP-HOP RIDE

씯

SYNTH 1

TAMBOURINE

씯

SYNTH 1 COWBELL

씯

SYNTH 1

HIGH CONGA

SYNTH 1 MID CONGA

SYNTH 1 LOW CONGA

씯

SYNTH 1 MARACAS

씯

SYNTH 1 CLAVES

씯

ELEC KICK 1

SYNTH 1 KICK 1

SYNTH 1 KICK 2

DANCE KICK 3

TECHNO KICK 1

HIP-HOP BD 5

HIP-HOP BD 6

TECHNO KICK 4

DANCE KICK 2

DANCE KICK 1

DANCE KICK 5

DANCE KICK 6

POWER SNARE 2

SYNTH 1 SNARE 1

SYNTH 1 SNARE 2

SYNTH 2 SNARE 1

SYNTH 2 SNARE 2

HIP-HOP SNARE 5

HIP-HOP SNARE 6

TECHNO SNARE 3

TECHNO SNARE 5

TECHNO SNARE 6

DANCE SNARE 4

DANCE SNARE 5

—

씯

CRASH CYMBAL 2a

CRASH CYMBAL 2b

CRASH CYMBAL 2c

RIDE CYMBAL 2a

RIDE CYMBAL 2b

RIDE CYMBAL 2c

씯

WHITE NOISE

LOOPED BD

BEEP 1

BEEP 2

씯

HIP-HOP SCRATCH 1

HIP-HOP SCRATCH 2

씯

TECHNO KICK 2

TECHNO KICK 1

SYNTH 1 RIM SHOT

TECHNO SNARE 1

HAND CLAP 3

TECHNO SNARE 2

SYNTH 1 LOW TOM 2

TECHNO 1 CHH

SYNTH 1 LOW TOM 1

TECHNO 1 PHH

SYNTH 1 MID TOM 2

TECHNO 1 OHH

SYNTH 1 MID TOM 1

SYNTH 1 HI TOM 2

SYNTH 1 CYMBAL

SYNTH 1 HI TOM 1

SYNTH 1 RIDE

씯

SYNTH 1

TAMBOURINE

씯

SYNTH 1 COWBELL

씯

SYNTH 1

HIGH CONGA

SYNTH 1 MID CONGA

SYNTH 1 LOW CONGA

씯

SYNTH 1 MARACAS

씯

SYNTH 1 CLAVES

씯

ELEC KICK 1

SYNTH 1 KICK 1

SYNTH 1 KICK 2

DANCE KICK 3

TECHNO KICK 1

HIP-HOP BD 5

HIP-HOP BD 6

TECHNO KICK 4

DANCE KICK 2

DANCE KICK 1

DANCE KICK 5

DANCE KICK 6

POWER SNARE 2

SYNTH 1 SNARE 1

SYNTH 1 SNARE 2

SYNTH 2 SNARE 1

SYNTH 2 SNARE 2

HIP-HOP SNARE 5

HIP-HOP SNARE 6

TECHNO SNARE 3

TECHNO SNARE 5

TECHNO SNARE 6

DANCE SNARE 4

DANCE SNARE 5

—

씯

CRASH CYMBAL 2a

CRASH CYMBAL 2b

CRASH CYMBAL 2c

RIDE CYMBAL 2a

RIDE CYMBAL 2b

RIDE CYMBAL 2c

씯

WHITE NOISE

LOOPED BD

BEEP 1

BEEP 2

씯

HIP-HOP SCRATCH 1

HIP-HOP SCRATCH 2

씯

DANCE KICK 4

DANCE KICK 3

SYNTH 1 RIM SHOT

DANCE SNARE 3

HAND CLAP 3

DANCE SNARE 4

SYNTH 2 LOW TOM 2

HIP-HOP CHH

SYNTH 2 LOW TOM 1

HIP-HOP PHH

SYNTH 2 MID TOM 2

HIP-HOP OHH

SYNTH 2 MID TOM 1

SYNTH 2 HI TOM 2

TECHNO CYMBAL

SYNTH 2 HI TOM 1

TECHNO CYMBAL

씯

SYNTH 1

TAMBOURINE

씯

SYNTH 1 COWBELL

씯

SYNTH 1

HIGH CONGA

SYNTH 1 MID CONGA

SYNTH 1 LOW CONGA

씯

SYNTH 1 MARACAS

씯

SYNTH 1 CLAVES

씯

ELEC KICK 1

SYNTH 1 KICK 1

SYNTH 1 KICK 2

DANCE KICK 3

TECHNO KICK 1

HIP-HOP BD 5

HIP-HOP BD 6

TECHNO KICK 4

DANCE KICK 2

DANCE KICK 1

DANCE KICK 5

DANCE KICK 6

POWER SNARE 2

SYNTH 1 SNARE 1

SYNTH 1 SNARE 2

SYNTH 2 SNARE 1

SYNTH 2 SNARE 2

HIP-HOP SNARE 5

HIP-HOP SNARE 6

TECHNO SNARE 3

TECHNO SNARE 5

TECHNO SNARE 6

DANCE SNARE 4

DANCE SNARE 5

—

씯

Key/

Note number

C-1

D-1

E-1

F-1

G-1

A-1

B-1

100

101

103

105

107

108

110

112

113

115

117

119

120

122

124

125

127

C#-1

-1

F#-1

-1

C#0

E 0

F#0

A 0

B 0

C#1

E 1

F#1

A 1

B 1

C#2

E 2

F#2

A 2

B 2

C#3

E 3

F#3

A 3

B 3

C#4

E 4

F#4

A 4

B 4

C#5

E 5

F#5

A 5

B 5

C#6

E 6

F#6

A 6

B 6

C#7

E 7

F#7

A 7

B 7

C#8

E 8

F#8

A 8

B 8

C#9

E 9

F#9

102

104

106

109

111

114

116

118

121

123

126



DRUMS SET LIST

PC32: JAZZ SET

씯

—

씯

JAZZ KICK 2

JAZZ KICK 1

씯

JAZZ SNARE 1

HAND CLAP 2

JAZZ SNARE 2

씯

—

씯

Appendix

738A-E-114A

WK3200_e_A-01-13.p65 05.3.15, 6:17 PM10

A-11

738A-E-115A

No. Rhythm Name

8 BEAT

000 8 BEAT 1

001 8 BEAT 2

002 8 BEAT 3

003 8 BEAT 4

004 8 BEAT 5

005 8 BEAT POP 1

006 8 BEAT POP 2

007 8 BEAT POP 3

008 8 BEAT POP 4

009 60’S SOUL

010 8 BEAT DANCE

011 POP ROCK 1

012 POP ROCK 2

16 BEAT

013 16 BEAT 1

014 16 BEAT 2

015 16 BEAT 3

016 16 BEAT 4

017 SLOW 16 BEAT

018 16 BEAT SHUFFLE 1

019 16 BEAT SHUFFLE 2

020 16 BEAT SHUFFLE 3

021 16 BEAT SHUFFLE 4

022 FUNK 1

023 FUNK 2

024 FUSION

025 LATIN FUSION

POPS

026 POP 1

027 POP 2

028 GUITAR POP

029 POP WALTZ

030 POP SHUFFLE 1

031 POP SHUFFLE 2

032 SOUL POP

033 WORLD POP

034 MELLOW R&B

035 60’S POP

036 80’S POP

037 OLDIES POP

038 POP WALTZ

BALLAD

039 8 BEAT BALLAD 1

040 8 BEAT BALLAD 2

041 8 BEAT BALLAD 3

042 16 BEAT BALLAD 1

043 16 BEAT BALLAD 2

044 16 BEAT BALLAD 3

045 6/8 BALLAD 1

046 6/8 BALLAD 2

047 ROCK BALLAD

048 POP BALLAD

049 OLDIES BALLAD

050 SERENADE

ROCK

051 ROCK 1

052 ROCK 2

053 ROCK 3

054 R&B

055 SHUFFLE ROCK

056 HEAVY METAL

057 60’S ROCK

058 SHUFFLE BOOGIE

059 BLUES

060 TWIST

DANCE

061 TRANCE 1

062 TRANCE 2

063 AMBIENT 1

064 AMBIENT 2

065 AMBIENT 3

066 RAVE

067 TECHNO

068 DIGITAL ROCK

069 HOUSE

070 LATIN HOUSE

071 DANCE 1

072 DANCE 2

073 MODERN R&B

074 HIP-HOP

075 TRIP-HOP

076 ELECTRIC POP

077 DANCE POP 1

078 DANCE POP 2

079 DANCE POP 3

080 DISCO SOUL

JAZZ

081 FAST BIG BAND

082 MIDDLE BIG BAND

083 SLOW BIG BAND

084 JAZZ COMBO 1

085 JAZZ COMBO 2

086 SWING 1

087 SWING 2

088 SLOW SWING

089 MODERAN JAZZ

090 FOX TROT

091 QUICKSTEP

092 JAZZ WALTZ

EUROPEAN

093 POLKA

094 POLKA FOX

095 POP POLKA

096 MARCH 1

097 MARCH 2

098 GERMAN MARCH

099 WALTZ 1

100 WALTZ 2

101 WALTZ 3

102 VINNESE WALTZ

103 FRENCH WALTZ 1

104 FRENCH WALTZ 2

Rhythm List

Appendix

LATIN/VARIOUS

105 BOSSA NOVA 1

106 BOSSA NOVA 2

107 BOSSA NOVA 3

108 SAMBA 1

109 SAMBA 2

110 MERENGUE

111 CUMBIA

112 CHA-CHA-CHA

113 SALSA

114 BEGUINE 1

115 BEGUINE 2

116 BOLERO

117 MAMBO

118 RHUMBA

119 TANGO 1

120 TANGO 2

121 REGGAE 1

122 REGGAE 2

123 SKA

124 LATIN DISCO

125 BLUEGRASS

126 COUNTRY

127 COUNTRY SHUFFLE

128 COUNTRY WALTZ

129 FAST GOSPEL

130 SLOW GOSPEL

131 BROADWAY

132 JIVE

133 DIXIE

134 PASODOBLE

135 SIRTAKI

136 HAWAIAN

137 ADANI

138 BALADI

139 SYMPHONY

FOR PIANO

140 PIANO BALLAD 1

No. Rhythm Name

160

METRONOME 4 BEAT

161

METRONOME 3 BEAT

162

METRONOME 2 BEAT

163 POP BEAT

164 URBAN 16 BEAT

165 SHUFFLE BALLAD

166 U.K EOCK

167 UNPLUGGED

168 CYBER TRANCE

169 2 STEP

170 BALLROOM FOX

171 PUNTA

172 BACHATA

173 RAI

174 ZOUK

175 CONCERTO

User Rhythms

NOTE

• This list shows the initial factory default configuration, in which the user area (160 through 175) contains default rhythm dat

• System reset page E-73 clears all data stored in the user area.

• The CD-ROM that comes bundled with the keyboard can be used to return all rhythms to the initial factory defaults shown in this

list. See “Returning the keyboard

to its initial factory defaults

” on page E-80 for details.

141 PIANO BALLAD 2

142 PIANO BALLAD 3

143 EP BALLAD 1

144 EP BALLAD 2

145 BLUES BALLAD

146 MELLOW JAZZ

147 JAZZ COMBO 3

148 RAGTIME

149 BOOGIE-WOOGIE

150 ARPEGGIO 1

151 ARPEGGIO 2

152 ARPEGGIO 3

153 PIANO BALLAD 4

154 6/8 MARCH

155 MARCH 3

156 2 BEAT

157 WALTZ 4

158 WALTZ 5

159 WALTZ 6

WK3200_e_A-01-13.p65 05.3.15, 6:17 PM11

A-12

Fingered Chord Chart

dim m7

-5

dim7

Chord

Type

Root

C /(D )





(D )/E





F /(G )





(G )/A





(A )/B





You can use the above fingerings to finger chords within the accompaniment keyboard range.

Appendix

738A-E-116A

WK3200_e_A-01-13.p65 05.3.15, 6:18 PM12

A-13

aug sus4

C /(D )





(D )/E





F /(G )





(G )/A





(A )/B





m add9

7sus4

mM7

-5

add9

Chord

Type

Root

Appendix

738A-E-117A

WK3200_e_A-01-13.p65 05.3.15, 6:18 PM13

A-14

Appendix

738A-E-118A

REVERB Effect List

Effect List

CHORUS Effect List

DSP Effect List

Settable parameters depend on the DSP type. Also,

the parameters for each DSP type depend on the

algorithm* associated with the DSP type. See the DSP

Algorithm List on page A-16 for more information.

* Effector structure and operation type

No. Display Name Type Name

00 Chorus 1 Chorus 1

01 Chorus 2 Chorus 2

02 Chorus 3 Chorus 3

03 Chorus 4 Chorus 4

04 FBChorus

Feedback Chorus

05 Flanger1 Flanger 1

06 SDelay 1 Short Delay 1

07 SDelay 2 Short Delay 2

08 SFChorus Soft Chorus

09 BRChorus Bright Chorus

10 DPChorus Deep Chorus

11 Flanger 2 Flanger 2

12 Flanger 3 Flanger 3

13 Flanger 4 Flanger 4

14 SDelay 3 Short Delay 3

15 SDelay 4 Short Delay 4

No. Display Name Type Name

00 Room 1 Room 1

01 Room 2 Room 2

02 Room 3 Room 3

03 Hall 1 Hall 1

04 Hall 2 Hall 2

05 Plate 1 Plate 1

06 Delay Delay

07 PanDelay Pan Delay

08 Plate 2 Plate 2

09 Plate 3 Plate 3

10 LrgRoom 1 Large Room 1

11 LrgRoom 2 Large Room 2

12 Stadium 1 Stadium 1

13 Stadium 2 Stadium 2

14 LongDly 1 Long Delay 1

15 LongDly 2 Long Delay 2

DSP

Algorithm

Display DSP Name

No. ID Name

Dynamics Fx

[00] 03 Equalize Equalizer

[01] 06 Comp 1 Compressor 1

[02] 06 Comp 2 Compressor 2

[03] 07 Limiter Limiter

[04] 13 Enhancer Enhancer Phaser

Phaser

[05] 10 Phaser Phaser

[06] 09 StPhaser Stereo Phaser

Chorus

[07] 16 Chorus 1 Chorus 1

[08] 17 Chorus 2 Chorus 2

[09] 19 Chorus 3 Chorus 3

[10] 18 Chorus 4 Chorus 4

[11] M05 Enha Cho Enhancer - Chorus

Flanger

[12] 26 Flanger Flanger

[13] M07 EnhaFlan Enhancer - Flanger

Equalizer List

No. Display Name Type Name

0 Standard Standard

1 Bass + Bass +

2 Treble + Treble +

3 Loundness Loundness

4 Mellow Mellow

5 Bright Bright

6 Rock Rock

7 Dance Dance

8 Jazz Jazz

9 Classic Classic

WK3200_e_A-14-15.p65 05.3.15, 6:18 PM14

A-15

Appendix

738A-E-119A

DSP

Algorithm

Display DSP Name

No. ID Name

DSP

Algorithm

Display DSP Name

No. ID Name

DSP

Algorithm

Display DSP Name

No. ID Name

Delay

[14] 28 Delay Delay

[15] 22 3Tap Dly 3-Tap Delay

[16] 20 St Delay Stereo Delay

[17] 21 StXDelay Stereo Cross Delay

[18] M06 Enha Dly Enhancer - Delay

[19] 25 Reflect Reflection

Cho/Flanger/Delay Combination

[20] M02 PhaCho 1 Phaser - Chorus 1

[21] M02 PhaCho 2 Phaser - Chorus 2

[22] M04 PhaDly 1 Phaser - Delay 1

[23] M04 PhaDly 2 Phaser - Delay 2

[24] M00 ChoDly 1 Chorus - Delay 1

[25] M00 ChoDly 2 Chorus - Delay 2

[26] M01 ChoDly 3 Chorus - Delay 3

[27] M01 ChoDly 4 Chorus - Delay 4

[28] M19 CmpDelay Compressor - Delay

[29] M18

CmpEnDly

Compressor - Enhancer -Delay

[30] M23

CmpChoRf

Compressor - Chorus -Reflection

[31] M08 Cho Flan Chorus - Flanger

[32] M03 FlanDly 1 Flanger - Delay 1

[33] M03 FlanDly 2 Flanger - Delay 2

Reverb

[34] 27

RvbRoom1

Reverb Room 1

[35] 27

RvbRoom2

Reverb Room 2

[36] 27

RvbRoom3

Reverb Room 3

[37] 27 RvbHall 1 Reverb Hall 1

[38] 27 RvbHall 2 Reverb Hall 2

[39] 27 RvbPlate Reverb Plate

[40] 23

GateRvb 1

Gate Reverb 1

[41] 23

GateRvb 2

Gate Reverb 2

[42] 24

GateRvb 3

Gate Reverb 3

[43] 24

GateRvb 4

Gate Reverb 4

[72] M30 Crn Cho Crunch - Chorus

[73] M30 OdChorus Overdrive - Chorus

[74] M30 Dist Cho Distortion - Chorus

[75] M30 MetalCho Metal - Chorus

[76] M31 DistFlan Distortion - Flanger

[77] M31 Met Flan Metal - Flanger

[78] M28 CrnDelay Crunch - Delay

[79] M28 Od Delay Overdrive - Delay

[80] M28 DistDly 1 Distortion - Delay 1

[81] M28 DistDly 2 Distortion - Delay 2

[82] M28 MetalDly Metal - Delay

[83] M28 Fuzz Dly Fuzz - Delay

[84] M24 CrChoDly

Crunch - Chorus - Delay

[85] M24

DsChoDly

Distortion - Chorus - Delay

[86] M25

CmpCrDly

Compressor - Crunch - Delay

[87] M26

AWhCrDly

Auto Wah - Crunch - Delay

[88] M26

AWhOdDly

Auto Wah - Overdrive - Delay

[89] M26

AWhDsDly

Auto Wah - Distortion - Delay

[90] M27

LWhOdDly

LFO Wah - Overdrive - Delay

[91] M27

LWhDsDly

LFO Wah - Distortion - Delay

SFX

[92] 14 Ring Mod Ring Modulator

[93] M12

RgChoDly

Ring Modulator - Chorus - Delay

[94] M13 RingDist

Ring Modulator - Distortion

[95] 15 Lo-Fi Lo-Fi

[96] M11

CompLoFi

Compressor - Lo-Fi

[97] M14 LoFi Ref Lo-Fi - Reflection

[98] M15 Crn LoFi Crunch - Lo-Fi

[99] M15 DistLoFi Distortion - Lo-Fi

Pan/Tremolo Fx

[44] 01 Tremolo Tremolo

[45] M09 Cho Trem Chorus - Tremolo

[46] 00 Auto Pan Auto Pan

[47] M10

PhaAPan 1

Phaser - Auto Pan 1

[48] M10

PhaAPan 2

Phaser - Auto Pan 2

[49] M20

PhaChoAP

Phaser - Chorus - Auto Pan

Rotary Fx

[50] 11 Rotary 1 Rotary 1

[51] 11 Rotary 2 Rotary 2

[52] 12 Od Rot 1 Overdrive - Rotary 1

[53] 12 Od Rot 2 Overdrive - Rotary 2

[54] M17 RotRef 1 Rotary - Reflection 1

[55] M17 RotRef 2 Rotary - Reflection 2

[56] M17 RotRef 3 Rotary - Reflection 3

[57] M16

OdRtRef 1

Overdrive - Rotary - Reflection 1

[58] M16

OdRtRef 2

Overdrive - Rotary - Reflection 2

[59] M16

OdRtRef 3

Overdrive - Rotary - Reflection 3

Wah Fx

[60] 04 LFO Wah LFO Wah

[61] 05 Auto Wah Auto Wah

[62] M21

AWhChDly

Auto Wah - Chorus - Delay

[63] M22

LWhChDly

LFO Wah - Chorus - Delay

Guitar Fx

[64] 08 Crunch Crunch

[65] 08 Ovrdrive Overdrive

[66] 08 Dist 1 Distortion 1

[67] 08 Dist 2 Distortion 2

[68] 08 Metal Metal

[69] 08 Fuzz Fuzz

[70] M29 CrnPhase Crunch - Phaser

[71] M29 Od Phase Overdrive - Phaser

WK3200_e_A-14-15.p65 05.3.15, 6:18 PM15

A-16

738A-E-120A

Appendix

DSP Algorithm List

00 : Auto Pan

■

Function

Continually performs left-right panning of the

input signal in accordance with an LFO.

■

Parameters

0 : Rate (Range: 0 to 127)

Adjusts the panning rate.

1 : Depth (Range: 0 to 127)

Adjusts the panning depth.

01 : Tremolo

■

Function

Adjusts volume of input signal in accordance

with an LFO.

■

Parameters

0 : Rate (Range: 0 to 127)

Adjusts the tremolo rate.

1 : Depth (Range: 0 to 127)

Adjusts the tremolo depth.

02 : 2BandEQ

■

Function

This is a two-band equalizer.

■

Parameters

0 : Low Frequency (Range: 0 (200Hz), 1 (400Hz),

2 (800Hz))

Adjusts the cutoff frequency of the low-band

equalizer.

1 :

Low Gain (Range: -12, -11, -10 to 0 to +10, +11, +12)

Adjusts the gain of the low-band equalizer.

2 : High Frequency (Range: 0 (6.0KHz), 1

(8.0KHz), 2 (10KHz))

Adjusts the cutoff frequency of the high-band

equalizer.

3 :

High Gain (Range: -12, -11, -10 to 0 to +10, +11, +12)

Adjusts the gain of the high-band equalizer.

03 : 3BandEQ

■

Function

This is a three-band equalizer.

■

Parameters

0 : Low Frequency (Range: 0 (200Hz), 1 (400Hz),

2 (800Hz))

Adjusts the cutoff frequency of the low-band

equalizer.

1 : Low Gain (Range: -12, -11, -10 to 0 to +10, +11,

+12)

Adjusts the gain of the low-band equalizer.

2 : Mid Frequency (Range: 0 (1.0KHz), 1 (1.3KHz),

2 (1.6KHz), 3 (2.0KHz), 4 (3.0KHz), 5 (4.0KHz),

6 (6.0KHz), 7 (8.0KHz))

Adjusts the center frequency of the mid-band

equalizer.

3 : Mid Gain (Range: -12, -11, -10 to 0 to +10, +11,

+12)

Adjusts the gain of the mid-band equalizer.

4 : High Frequency (Range: 0 (6.0KHz), 1

(8.0KHz), 2 (10KHz))

Adjusts the cutoff frequency of the high-band

equalizer.

5 : High Gain (Range: -12, -11, -10 to 0 to +10, +11,

+12)

Adjusts the gain of the high-band equalizer.

04 : LFO Wah

■

Function

This is a “wah” ef

fect that can automatically

affect the frequency in accordance with an LFO.

■

Parameters

0 : Input Level (Range: 0 to 127)

Adjusts the input level. The input signal can

become distorted when the level of the sound

being input, the number of chords, or the Reso-

nance value is large. Adjust this parameter to

eliminate such distortion.

1 : Resonance (Range: 0 to 127)

Adjusts the resonance of the sound.

2 : Manual (Range: 0 to 127)

Adjusts the frequency used as the basis for the

wah filter.

3 : LFO Rate (Range: 0 to 127)

Adjusts the rate of the LFO.

4 : LFO Depth (Range: 0 to 127)

Adjusts the depth of the LFO.

05 : Auto Wah

■

Function

This is a “wah” ef

fect that can automatically

affect the frequency in accordance with the

level of the input signal.

■

Parameters

0 : Input Level (Range: 0 to 127)

Adjusts the input level. The input signal can

become distorted when the level of the sound

being input, the number of chords, or the Reso-

nance value is large. Adjust this parameter to

eliminate such distortion.

1 : Resonance (Range: 0 to 127)

Adjusts the resonance of the sound.

2 : Manual (Range: 0 to 127)

Adjusts the frequency used as the basis for the

wah filter.

WK3200_e_A-16-25.p65 05.3.15, 6:18 PM16

A-17

Appendix

738A-E-121A

3 : Depth(Range: -64 to 0 to +63)

Adjusts the depth of the wah in accordance

with the level of the input signal.

Setting a positive value causes the wah filter

to open in direct proportion with the size of

the input signal, producing a bright sound.

Setting a negative value causes the Wah filter

to close in accordance with the size of the in-

put signal, which produces a dark tone qual-

ity. However, large input re-opens the Wah fil-

ter, even if it is closed.

06 : Compressor

■

Function

Compresses the input signal, which can have

the effect of suppressing level variation and

making it possible to sustain dampened

sounds longer.

■

Parameters

0 : Depth (Range: 0 to 127)

Adjusts compression of the audio signal.

1 : Attack (Range: 0 to 127)

Adjusts the attack amount of the input signal.

A smaller value causes prompt compressor op-

eration, which suppresses the attack of the in-

put signal.

A larger values delays compressor operation,

which causes attack to be output as-is.

2 : Release (Range: 0 to 127)

Adjusts the time from the point when the in-

put signal drops below a certain level until the

compression operation is stopped.

When an attack feeling is desired (no compres-

sion at the onset of the sound), set this param-

eter to as low a value as possible.

To have compression applied at all times, set a

high value.

3 : Level (Range: 0 to 127)

Adjusts the output level.

The output volume changes in accordance with

the Depth setting and the characteristics of the

input tone. Use this parameter to correct for

such changes.

07 : Limiter

■

Function

This is an effector that you can use to set an

upper limit value on the level of the input sig-

nal.

■

Parameters

0 : Limit (Range: 0 to 127)

Adjusts the volume level from which the limit

is applied.

1 : Attack (Range: 0 to 127)

Adjusts the attack amount of the input signal.

2 : Release (Range: 0 to 127)

Adjusts the time from when the input signal

drops below a certain level until the limit op-

eration stops.

3 : Level (Range: 0 to 127)

Adjusts the level being output.

The output volume changes in accordance with

the Limit setting and the characteristics of the

input tone. Use this parameter to correct for

such changes.

08 : Distortion

■

Function

This effect provides Distortion +

AmpSimulator.

■

Parameters

0 : Gain (Range: 0 to 127)

Adjusts the input gain.

1 : Low (Range: 0 to 127)

Adjusts the low-band gain.

The cutoff frequency differs according to the

preset DSP.

2 : High (Range: 0 to 127)

Adjusts the high-band gain.

The cutoff frequency differs according to the

preset DSP.

3 : Level (Range: 0 to 127)

Adjusts the output level.

09 : Stereo Phaser

■

Function

This is a stereo phaser that modulates the phase

in accordance with a sine wave LFO.

■

Parameters

0 : Resonance (Range: 0 to 127)

Adjusts the resonance of the sound.

1 : Manual (Range: -64 to 0 to +63)

Adjusts the phaser shift volume, which is used

for reference.

2 : Rate (Range: 0 to 127)

Adjusts the rate of the LFO.

3 : Depth (Range: 0 to 127)

Adjusts the depth of the LFO.

4 : Wet Level (Range: 0 to 127)

Adjusts the volume level of the effect.

10 : Phaser

■

Function

This is a monaural phaser that modulates the

phase in accordance with a sine wave LFO.

■

Parameters

0 : Resonance (Range: 0 to 127)

Adjusts the resonance of the sound.

1 : Manual (Range: -64 to 0 to +63)

Adjusts the phaser shift volume, which is used

for reference.

WK3200_e_A-16-25.p65 05.3.15, 6:18 PM17

A-18

2 : Rate (Range: 0 to 127)

Adjusts the rate of the LFO.

3 : Depth (Range: 0 to 127)

Adjusts the depth of the LFO.

4 : Wet Level (Range: 0 to 127)

Adjusts the level of the effect sound.

11 : Rotary

■

Function

This is a rotary speaker simulator.

■

Parameters

0 : Speed (Range: Slow, Fast)

Switches the speed mode between fast and

slow.

1 : Break (Range: Rotate, Stop)

Stops speaker rotation.

2 : Fall Accel (Range: 0 to 127)

Adjusts acceleration when the speed mode is

switched from fast to slow.

3 : Rise Accel (Range: 0 to 127)

Adjusts acceleration when the speed mode is

switched from slow to fast.

4 : Slow Rate (Range: 0 to 127)

Adjusts speaker rotation speed of the slow

speed mode.

5 : Fast Rate (Range: 0 to 127)

Adjusts speaker rotation speed of the fast speed

mode.

12 : Drive Rotary

■

Function

This is an overdrive - rotary speaker simula-

tor.

■

Parameters

0 : Overdrive Gain (Range: 0 to 127)

Adjusts overdrive gain.

1 : Overdrive Level (Range: 0 to 127)

Adjusts the output level of the overdrive.

2 : Speed(Range: Slow, Fast)

Switches the speed mode between fast and

slow.

3 : Break (Range: Rotate, Stop)

Stops speaker rotation.

4 : Fall Accel (Range: 0 to 127)

Adjusts acceleration when the speed mode is

switched from fast to slow.

5 : Rise Accel (Range: 0 to 127)

Adjusts acceleration when the speed mode is

switched from slow to fast.

6 : Slow Rate (Range: 0 to 127)

Adjusts speaker rotation speed of the slow

speed mode.

7 : Fast Rate (Range: 0 to 127)

Adjusts speaker rotation speed of the fast speed

mode.

13 : Enhancer

■

Function

Enhances the outlines of the low range and

high range of the input signal.

■

Parameters

0 : Low Frequency (Range: 0 to 127)

Adjusts the low range enhancer frequency.

1 : Low Gain (Range: 0 to 127)

Adjusts the low range enhancer gain.

2 : High Frequency (Range: 0 to 127)

Adjusts the high range enhancer frequency.

3 : High Gain (Range: 0 to 127)

Adjusts the high range enhancer gain.

14 : Ring Modulator

■

Function

This is a ring modulator (AM modulator) that

makes it possible to modulate the frequency

of internal oscillator (OSC) in accordance with

an internal LFO.

■

Parameters

0 : OSC Frequency (Range: 0 to 127)

Sets the reference frequency of the internal

OSC.

1 : LFO Rate (Range: 0 to 127)

Adjusts the rate of the LFO.

2 : LFO Depth (Range: 0 to 127)

Adjusts the depth of the LFO.

3 : Wet Level (Range: 0 to 127)

Adjusts the level of the effect sound.

4 : Dry Level (Range: 0 to 127)

Adjusts the level of the original sound.

15 : Lo-Fi

■

Function

This is an effector that reproduces a retro-type

Lo-Fi sound using Noise Generator 1 (phono-

graph record player type scratch noise genera-

tor) and Noise Generator 2 (FM radio type

white noise and pink noise continuous noise

generator), and by noise modulation (ampli-

tude modulation = AM) and distortion of fre-

quency characteristics.

■

Parameters

0 : Noise Level 1 (Range: 0 to 127)

Adjusts the level of Noise Generator 1.

1 : Noise Density 1 (Range: 0 to 127)

Adjusts the noise density of Noise Generator

2 : Noise Level 2 (Range: 0 to 127)

Adjusts the level of Noise Generator 2.

3 : Noise Density 2 (Range: 0 to 127)

Adjusts the noise density of Noise Generator

4 : Tone (Range: 0 to 127)

Adjusts the tone.

5 : Resonance (Range: 0 to 127)

Adjusts the resonance of the sound.

Appendix

738A-E-122A

WK3200_e_A-16-25.p65 05.3.15, 6:18 PM18

A-19

■

Parameters

0 : Rate1 (Fast LFO Rate) (Range: 0 to 127)

Adjusts the rate of LFO1.

1 : Depth1 (Fast LFO Depth) (Range: 0 to 127)

Adjusts the depth of LFO1.

2 : Rate2 (Slow LFO Rate) (Range: 0 to 127)

Adjusts the rate of LFO2.

3 : Depth2 (Slow LFO Depth) (Range: 0 to 127)

Adjusts the depth of LFO2.

4 : Wet Level (Range: 0 to 127)

Adjusts the level of the effect sound.

19 : Tri 2-Phase Chorus

■

Function

This is stereo chorus in accordance with trian-

gular wave LFO.

■

Parameters

0 : LFO Rate (Range: 0 to 127)

Adjusts the rate of the LFO.

1 : LFO Depth (Range: 0 to 127)

Adjusts the depth of the LFO.

2 : Feedback(Range: -64 to 0 to +63)

Adjusts the feedback of the sound.

3 : Wet Level (Range: 0 to 127)

Adjusts the level of the effect sound.

20 : Stereo Delay 1

■

Function

This is delay of stereo input and output.

■

Parameters

0 : Delay Time (Range: 0 to 127)

Adjusts the delay time.

1 : Wet Level (Range: 0 to 127)

Adjusts the level of the effect sound.

2 : Feedback (Range: 0 to 127)

Adjusts the repeat of the delay.

3 : High Damp (Range: 0 to 127)

Adjusts damping of the high-range delay

sound.

The smaller the value, the greater the damp-

ing of high-range delay sound.

4 : Ratio L (Range: 0 to 127)

Adjusts the delay time of the left channel.

Proportional to the value set for Delay Time.

5 : Ratio R (Range: 0 to 127)

Adjusts the delay time of the right channel.

Proportional to the value set for Delay Time.

21 : Stereo Delay 2

■

Function

This is cross feedback delay of stereo input and

output.

■

Parameters

0 : Delay Time (Range: 0 to 127)

Adjusts the delay time.

1 : Wet Level (Range: 0 to 127)

Adjusts the level of the effect sound.

2 : Feedback (Range: 0 to 127)

Adjusts the repeat of the delay.

3 : High Damp (Range: 0 to 127)

Adjusts damping of the high-range delay

sound.

The smaller the value, the greater the damp-

ing of high-range delay sound.

4 : Ratio L (Range: 0 to 127)

Adjusts the delay time of the left channel.

Proportional to the value set for Delay Time.

5 : Ratio R (Range: 0 to 127)

Adjusts the delay time of the right channel.

Proportional to the value set for Delay Time.

22 : 3-Tap Delay

■

Function

This is left/center/right 3-tap delay.

6 : Bass(Range: -64 to 0 to +63)

Adjusts the volume of low sounds.

7 : Level (Range: 0 to 127)

Adjusts the output level.

16 : 1-Phase Chorus

■

Function

This is monaural chorus in accordance with a

sine wave LFO.

■

Parameters

0 : LFO Rate (Range: 0 to 127)

Adjusts the rate of the LFO.

1 : LFO Depth (Range: 0 to 127)

Adjusts the depth of the LFO.

2 : Feedback (Range: -64 to 0 to +63)

Adjusts the feedback of the sound.

3 : Wet Level (Range: 0 to 127)

Adjusts the level of the effect sound.

17 : Sin 2-Phase Chorus

■

Function

This is stereo chorus in accordance with a sine

wave LFO.

■

Parameters

0 : LFO Rate (Range: 0 to 127)

Adjusts the rate of the LFO.

1 : LFO Depth (Range: 0 to 127)

Adjusts the depth of the LFO.

2 : Feedback (Range: -64 to 0 to +63)

Adjusts the feedback of the sound.

3 : Wet Level (Range: 0 to 127)

Adjusts the level of the effect sound.

18 : 3-Phase Chorus

■

Function

This is 3-phase chorus in accordance with two

LFOs of with different sine wave rates.

Appendix

738A-E-123A

WK3200_e_A-16-25.p65 05.3.15, 6:18 PM19

A-20

■

Parameters

0 : Delay Time (Range: 0 to 127)

Adjusts the delay time.

1 : Wet Level (Range: 0 to 127)

Adjusts the level of the effect sound.

2 : Feedback (Range: 0 to 127)

Adjusts the repeat of the delay.

3 : High Damp (Range: 0 to 127)

Adjusts damping of the high-range delay

sound.

The smaller the value, the greater the damp-

ing of high-range delay sound.

4 : Ratio L (Range: 0 to 127)

Adjusts the delay time of the left channel.

Proportional to the value set for Delay Time.

5 : Ratio C (Range: 0 to 127)

Adjusts the delay time of the center channel.

Proportional to the value set for Delay Time.

6 : Ratio R (Range: 0 to 127)

Adjusts the delay time of the right channel.

Proportional to the value set for Delay Time.

23 : Gate Reverb

■

Function

This is a fader that creates artificial reverb that

sounds like it is being cut with a gate.

■

Parameters

0 : LPF (Range: 0 to 127)

Adjusts the cutoff frequency of the low-pass

filter.

A smaller value cuts the high range.

1 : HPF (Range: 0 to 127)

Adjusts the cutoff frequency of the high-pass

filter.

A larger value cuts the low range.

2 : Feedback (Range: 0 to 127)

Adjusts the repeat of the reverb.

3 : High Damp (Range: 0 to 127)

Adjusts damping of the high-range delay

sound.

The smaller the value, the greater the damp-

ing of high-range delay sound.

4 : Diffusion (Range: 0 to 127)

Provides fine adjustment of the reverb.

5 : Wet Level (Range: 0 to 127)

Adjusts the level of the effect sound.

6 : Dry Level (Range: 0 to 127)

Adjusts the level of the original sound.

24 : Reverse Gate Reverb

■

Function

This is gate reverb with a reverse rotation ef-

fect.

■

Parameters

0 : LPF (Range: 0 to 127)

Adjusts the cutoff frequency of the low-pass

filter.

A smaller value cuts the high range.

1 : HPF (Range: 0 to 127)

Adjusts the cutoff frequency of the high-pass

filter.

A larger value cuts the low range.

2 : Feedback (Range: 0 to 127)

Adjusts the repeat of the reverb.

3 : High Damp (Range: 0 to 127)

Adjusts damping of the high-range reverb

sound.

The smaller the value, the greater the damp-

ing of high-range reverb sound.

4 : Diffusion (Range: 0 to 127)

Provides fine adjustment of the reverb.

5 : Wet Level (Range: 0 to 127)

Adjusts the level of the effect sound.

6 : Dry Level (Range: 0 to 127)

Adjusts the level of the original sound.

25 : Reflection

■

Function

This is an effector that extracts the first reflected

sound from a reverb sound.

■

Parameters

0 : Type (Range: 0 to 7)

Selects from among the eight available reflec-

tion patterns.

1 : Wet Level (Range: 0 to 127)

Adjusts the level of the effect sound.

2 : Feedback (Range: 0 to 127)

Adjusts the repeat of the reflected sound.

3 : Tone (Range: 0 to 127)

Adjusts the tone of the reflected sound.

26 : Flanger

■

Function

This is a flanger in accordance with a sine wave

LFO.

■

Parameters

0 : LFO Rate (Range: 0 to 127)

Adjusts the rate of the LFO.

1 : LFO Depth (Range: 0 to 127)

Adjusts the depth of the LFO.

2 : Feedback (Range: -64 to 0 to +63)

Adjusts the feedback of the sound.

3 : Wet Level (Range: 0 to 127)

Adjusts the level of the effect sound.

27 : Reverb

■

Function

This is an effector that preserves the breadth

of a sound by adding a reverb sound.

■

Parameters

0 : Tone (Range: 0 to 127)

Adjusts the tone of the reverb sound.

Appendix

738A-E-124A

WK3200_e_A-16-25.p65 05.3.15, 6:18 PM20

A-21

1 : Time (Range: 0 to 127)

Adjusts the reverb time.

2 : High Damp (Range: 0 to 127)

Adjusts damping of the high-range reverb

sound.

The smaller the value, the greater the damp-

ing of high-range reverb sound.

3 : ER Level (Range: 0 to 127)

Adjusts the level of the initial reflection.

4 : Wet Level (Range: 0 to 127)

Adjusts the level of the effect sound.

28 : 2-Tap Delay

■

Function

This is left/right 2-tap delay.

■

Parameters

0 : Delay Time (Range: 0 to 127)

Adjusts the delay time.

1 : Wet Level (Range: 0 to 127)

Adjusts the level of the effect sound.

2 : Feedback (Range: 0 to 127)

Adjusts the repeat of the delay.

3 : High Damp (Range: 0 to 127)

Adjusts damping of the high-range delay

sound.

The smaller the value, the greater the damp-

ing of high-range delay sound.

4 : Ratio L (Range: 0 to 127)

Adjusts the delay time of the left channel.

Proportional to the value set for Delay Time.

5 : Ratio R (Range: 0 to 127)

Adjusts the delay time of the right channel.

Proportional to the value set for Delay Time.

★ The following “Multi” algorithms ar

e used in com-

bination with the algorithms described above. Pa-

rameters are shared by both types of algorithms.

M00 : Multi00 (Sin 2-Phase Chorus

– 2-T

Delay)

■

Function

This is a multi effector that is related to Sin 2-

Phase Chorus - 2-Tap Delay.

■

Parameters

0 : Chorus LFO Rate

1 : Chorus LFO Depth

2 : Chorus Feedback

3 : Chorus Wet Level

4 : Delay Time

5 : Delay Wet Level

6 : Delay Feedback

7 : Delay High Damp

M01 : Multi01 (3-Phase Chorus

– 3-T

ap De-

lay)

■

Function

This is a multi effector that is related to 3-Phase

Chorus - 3-Tap Delay.

■

Parameters

0 : Chorus Rate 1

1 : Chorus Depth 1

2 : Chorus Rate 2

3 : Chorus Depth 2

4 : Chorus Wet Level

5 : Delay Time

6 : Delay Wet Level

7 : Delay Feedback

M02 : Multi02 (Phaser

– 3-Phase Chorus)

■

Function

This is a multi effector that is related to Phaser

- 3-Phase Chorus.

■

Parameters

0 : Phaser Resonance

1 : Phaser Manual

2 : Phaser Rate

3 : Phaser Depth

4 : Chorus Rate 1

5 : Chorus Depth 1

6 : Chorus Rate 2

7 : Chorus Depth 2

M03 : Multi03 (Flanger

– 2-T

ap Delay)

■

Function

This is a multi effector that is related to Flanger

- 2-Tap Delay.

■

Parameters

0 : Flanger LFO Rate

1 : Flanger LFO Depth

2 : Flanger Feedback

3 : Flanger Wet Level

4 : Delay Time

5 : Delay Wet Level

6 : Delay Feedback

7 : Delay High Damp

M04 : Multi04 (Stereo Phaser

– Stereo Delay

■

Function

This is a multi effector that is related to Stereo

Phaser - Stereo Delay 1.

■

Parameters

0 : Phaser Resonance

1 : Phaser Manual

2 : Phaser Rate

3 : Phaser Depth

4 : Phaser Wet Level

5 : Delay Time

Appendix

738A-E-125A

WK3200_e_A-16-25.p65 05.3.15, 6:18 PM21

A-22

6 : Delay Wet Level

7 : Delay Feedback

M05 : Multi05 (Enhancer

– 1-Phase Chorus)

■

Function

This is a multi effector related to Enhancer - 1-

Phase Chorus.

■

Parameters

0 : Enhancer Low Frequency

1 : Enhancer Low Gain

2 : Enhancer High Frequency

3 : Enhancer High Gain

4 : Chorus LFO Rate

5 : Chorus LFO Depth

6 : Chorus Feedback

7 : Chorus Wet Level

M06 : Multi06 (Enhancer

– 2-T

ap Delay)

■

Function

This is a multi effector that is related to En-

hancer - 2-Tap Delay.

■

Parameters

0 : Enhancer Low Frequency

1 : Enhancer Low Gain

2 : Enhancer High Frequency

3 : Enhancer High Gain

4 : Delay Time

5 : Delay Wet Level

6 : Delay Feedback

7 : Delay High Damp

M07 : Multi07 (Enhancer

– Flanger)

■

Function

This is a multi effector related to Enhancer -

Flanger.

■

Parameters

0 : Enhancer Low Frequency

1 : Enhancer Low Gain

2 : Enhancer High Frequency

3 : Enhancer High Gain

4 : Flanger LFO Rate

5 : Flanger LFO Depth

6 : Flanger Feedback

7 : Flanger Wet Level

M08: Multi08 (Sin 2-Phase Chorus

– Flanger)

■

Function

This is a multi effector that is related to Sin 2-

Phase Chorus - Flanger.

■

Parameters

0 : Chorus LFO Rate

1 : Chorus LFO Depth

2 : Chorus Feedback

3 : Chorus Wet Level

4 : Flanger LFO Rate

5 : Flanger LFO Depth

6 : Flanger Feedback

7 : Flanger Wet Level

M09 : Multi09

(Sin 2-Phase Chorus

– T

remolo)

■

Function

This is a multi effector that is related to Sin 2-

Phase Chorus - Tremolo.

■

Parameters

0 : Chorus LFO Rate

1 : Chorus LFO Depth

2 : Chorus Feedback

3 : Chorus Wet Level

4 : Tremolo Rate

5 : Tremolo Depth

M10 : Multi10 (Stereo Phaser

–

Auto Pan)

■

Function

This is a multi effector that is related to Stereo

Phaser - Auto Pan.

■

Parameters

0 : Phaser Resonance

1 : Phaser Manual

2 : Phaser Rate

3 : Phaser Depth

4 : Phaser Wet Level

5 : Auto Pan Rate

6 : Auto Pan Depth

M11 : Multi11 (Compressor

– Lo-Fi)

■

Function

This is a multi effector related to Compressor -

Lo-Fi.

■

Parameters

0 : Compressor Depth

1 : Compressor Attack

2 : Compressor Level

3 : Lo-Fi Noise 1

4 : Lo-Fi Noise 2

5 : Lo-Fi Tone

6 : Lo-Fi Resonance

7 : Lo-Fi Bass

M12 : Multi12 (Ring Modulator

– Sin 2-Phase

Chorus - 2-Tap Delay)

■

Function

This is a multi effector that is related to Ring

Modulator - Sin 2-Phase Chorus.

■

Parameters

0 : Ring OSC Frequency

1 : Ring LFO Rate

2 : Ring LFO Depth

Appendix

738A-E-126A

WK3200_e_A-16-25.p65 05.3.15, 6:18 PM22

A-23

3 : Ring Wet Level

4 : Ring Dry Level

5 : Chorus LFO Depth

6 : Delay Time

7 : Delay Wet Level

M13 : Multi13 (Ring Modulator

– Distortion)

■

Function

This is a multi effector related to Ring Modu-

lator - Distortion.

■

Parameters

0 : Ring OSC Frequency

1 : Ring LFO Rate

2 : Ring LFO Depth

3 : Ring Wet Level

4 : Ring Dry Level

5 : Distortion Gain

6 : Distortion Tone

7 : Distortion Level

M14 : Multi14 (Lo-Fi

– Reflection)

■

Function

This is a multi effector related to Lo-Fi - Re-

flection.

■

Parameters

0 : Lo-Fi Noise1

1 : Lo-Fi Noise2

2 : Lo-Fi Tone

3 : Lo-Fi Resonance

4 : Reflection Type

5 : Reflection Wet Level

6 : Reflection Feedback

7 : Reflection Tone

M15 : Multi15 (Distortion

– Lo-Fi)

■

Function

This is a multi effector related to Distortion -

Lo-Fi.

■

Parameters

0 : Distortion Gain

1 : Distortion Low

2 : Distortion High

3 : Distortion Level

4 : Lo-Fi Noise1

5 : Lo-Fi Noise2

6 : Lo-Fi Tone

7 : Lo-Fi Resonance

M16 : Multi16 (Drive Rotary

– Reflection)

■

Function

This is a multi effector related to Drive Rotary

- Reflection.

■

Parameters

0 : Drive Rotary Gain

1 : Drive Rotary Level

2 : Drive Rotary Speed

3 : Drive Rotary Slow Rate

4 : Drive Rotary Fast Rate

5 : Reflection Wet Level

6 : Reflection Feedback

7 : Reflection Tone

M17 : Multi17 (Rotary

– Reflection)

■

Function

This is a multi effector related to Rotary - Re-

flection.

■

Parameters

0 : Rotary Speed

1 : Rotary Break

2 : Rotary Slow Rate

3 : Rotary Fast Rate

4 : Reflection Wet Level

5 : Reflection Feedback

6 : Reflection Tone

M18 : Multi18 (Compressor

– Enhancer - 2-

Tap Delay)

■

Function

This is a multi effector that is related to Com-

pressor - Enhancer - 2-Tap Delay.

■

Parameters

0 : Compressor Depth

1 : Compressor Attack

2 : Compressor Level

3 : Enhancer Low Gain

4 : Enhancer High Gain

5 : Delay Time

6 : Delay Wet Level

7 : Delay Feedback

M19 : Multi19 (Compressor

– Stereo Delay

■

Function

This is a multi effector related to Compressor -

Stereo Delay 1.

■

Parameters

0 : Compressor Depth

1 : Compressor Attack

2 : Compressor Release

3 : Compressor Level

4 : Delay Time

5 : Delay Wet Level

6 : Delay Feedback

7 : Delay High Damp

Appendix

738A-E-127A

WK3200_e_A-16-25.p65 05.3.15, 6:18 PM23

A-24

M20 : Multi20 (Phaser

– 1-Phase Chorus

–

Auto Pan)

■

Function

This is a multi effector that is related to Phaser

- 1-Phase Chorus - Auto Pan.

■

Parameters

0 : Phaser Resonance

1 : Phaser Manual

2 : Phaser Rate

3 : Phaser Depth

4 : Chorus LFO Rate

5 : Chorus LFO Depth

6 : Auto Pan Rate

7 : Auto Pan Depth

M21 : Multi21 (Auto Wah – Tri 2-Phase Cho-

rus – 2-Tap Delay)

■

Function

This is a multi effector that is related to Auto

Wah - Tri 2-Phase Chorus - 2-Tap Delay.

■

Parameters

0 : Wah Resonance

1 : Wah Manual

2 : Wah Depth

3 : Chorus LFO Rate

4 : Chorus LFO Depth

5 : Delay Time

6 : Delay Wet Level

7 : Delay Feedback

M22 : Multi22 (LFO Wah – Tri 2-Phase Cho-

rus – 2-Tap Delay)

■

Function

This is a multi effector that is related to LFO

Wah - Tri 2-Phase Chorus - 2-Tap Delay.

■

Parameters

0 : Wah Resonance

1 : Wah Manual

2 : Wah LFO Rate

3 : Wah LFO Depth

4 : Chorus LFO Depth

5 : Delay Time

6 : Delay Wet Level

7 : Delay Feedback

M23 : Multi23 (Compressor

– Sin 2-Phase

Chorus – Reflection)

■

Function

This is a multi effector that is related to Com-

pressor - Sin 2-Phase Chorus - Reflection.

■

Parameters

0 : Compressor Depth

1 : Compressor Attack

2 : Compressor Level

3 : Chorus LFO Rate

4 : Chorus LFO Depth

5 : Reflection Wet Level

6 : Reflection Feedback

7 : Reflection Tone

M24 : Multi24 (Distortion

– 1-Phase Chorus

– 2-Tap Delay)

■

Function

This is a multi effector that is related to Distor-

tion - 1-Phase Chorus - 2-Tap Delay.

■

Parameters

0 : Distortion Gain

1 : Distortion Low

2 : Distortion High

3 : Distortion Level

4 : Chorus LFO Depth

5 : Delay Time

Appendix

738A-E-128A

6 : Delay Wet Level

7 : Delay Feedback

M25 : Multi25 (Compressor

– Distortion – 2-

Tap Delay)

■

Function

This is a multi effector that is related to Com-

pressor - Distortion - 2-Tap Delay.

■

Parameters

0 : Compressor Depth

1 : Distortion Gain

2 : Distortion Low

3 : Distortion High

4 : Distortion Level

5 : Delay Time

6 : Delay Wet Level

7 : Delay Feedback

M26 : Multi26 (Auto Wah – Distortion – 2-T

Delay)

■

Function

This is a multi effector that is related to Auto

Wah - Distortion - 2-Tap Delay.

■

Parameters

0 : Wah Manual

1 : Wah Depth

2 : Distortion Gain

3 : Distortion Tone

4 : Distortion Level

5 : Delay Time

6 : Delay Wet Level

7 : Delay Feedback

WK3200_e_A-16-25.p65 05.3.15, 6:18 PM24

A-25

738A-E-129A

M27 : Multi27 (LFO Wah – Distortion – 2-T

Delay)

■

Function

This is a multi effector that is related to LFO

Wah - Distortion - 2-Tap Delay.

■

Parameters

0 : Wah Manual

1 : Wah LFO Rate

2 : Wah LFO Depth

3 : Distortion Gain

4 : Distortion Level

5 : Delay Time

6 : Delay Wet Level

7 : Delay Feedback

M28 : Multi28 (Distortion

– 3-T

ap Delay)

■

Function

This is a multi effector that is related to Distor-

tion - 3-Tap Delay.

■

Parameters

0 : Distortion Gain

1 : Distortion Low

2 : Distortion High

3 : Distortion Level

4 : Delay Time

5 : Delay Wet Level

6 : Delay Feedback

7 : Delay High Damp

M29 : Multi29 (Distortion

– Phaser)

■

Function

This is a multi effector related to Distortion -

Phaser.

■

Parameters

0 : Distortion Gain

1 : Distortion Low

2 : Distortion High

3 : Distortion Level

4 : Phaser Resonance

5 : Phaser Manual

6 : Phaser Rate

7 : Phaser Depth

M30 : Multi30 (Distortion

– Sin 2-Phase Cho-

rus)

■

Function

This is a multi effector that is related to Distor-

tion - Sin 2-Phase Chorus.

■

Parameters

0 : Distortion Gain

1 : Distortion Low

2 : Distortion High

3 : Distortion Level

4 : Chorus LFO Rate

5 : Chorus LFO Depth

6 : Chorus Feedback

7 : Chorus Wet Level

M31 : Multi31 (Distortion

– Flanger)

■

Function

This is a multi effector related to Distortion -

Flanger.

■

Parameters

0 : Distortion Gain

1 : Distortion Low

2 : Distortion High

3 : Distortion Level

4 : Flanger LFO Rate

5 : Flanger LFO Depth

6 : Flanger Feedback

7 : Flanger Wet Level

Appendix

WK3200_e_A-16-25.p65 05.3.15, 6:18 PM25

738A-E-130A

Basic Default

Channel Changed

Default

Mode Messages

Altered

Note

Number True voice

Velocity Note ON

Note OFF

After Key’s

Touch Ch’s

Pitch Bender

Control

Change

1-16

Mode 3

❊❊❊❊❊❊❊❊❊❊❊❊❊❊

0-127

❊❊❊❊❊❊❊❊❊❊❊❊❊❊

9nH V = 1-127

9nH V = 0

*1: Depends on tone

1-16

Mode 3

❊❊❊❊❊❊❊❊❊❊❊❊❊❊

0-127

9nH V = 1-127

MIDI Implementation Chart

Version: 1.0

Function ...

Transmitted

Recognized

Remarks

0,32

6.38

Bank select

Modulation

Data entry

Volume

Pan

Expression

DSP Parameter0

DSP Parameter1

DSP Parameter2

DSP Parameter3

Hold1

Sostenuto

Soft pedal

Resonance

Release Time

Attack Time

Brightness

Vibrato rate

Models WK-3700/WK-3200

WK3200_e_MIDI Chart.p65 05.3.15, 6:18 PM2

738A-E-131A

Program

Change :True #

System Exclusive

System : Song Pos

Common : Song Sel

: Tune

System : Clock

Real Time : Commands

Aux : Local ON/OFF

: All notes OFF

Messages : Active Sense

: Reset

Remarks

0-127

❊❊❊❊❊❊❊❊❊❊❊❊❊❊

0-127

❊❊❊❊❊❊❊❊❊❊❊❊❊❊

Cannot be sent by keyboard play or control panel operations on this instrument, but

sent by Auto Accompaniment or Song Memory functions.

Selected in accordance with sustain pedal setting.

Mode 1 : OMNI ON, POLY Mode 2 : OMNI ON, MONO

: Yes

Mode 3 : OMNI OFF, POLY Mode 4 : OMNI OFF, MONO

: No

98,99

100,101

120

121

Brightness

Vibrato rate

Vibrato depth

Vibrato delay

DSP Parameter4

DSP Parameter5

DSP Parameter6

DSP Parameter7

Reverb send

Chorus send

NRPN LSB, MSB

RPN LSB, MSB

All sound off

Reset all controller

WK3200/3700-E-1

This recycle mark indicates that the packaging conforms to

the environmental protection legislation in Germany.

MA0503-A Printed in China

CASIO COMPUTER CO.,LTD.

6-2, Hon-machi 1-chome

Shibuya-ku, Tokyo 151-8543, Japan

Casio WK-3700 Handleiding

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