585951

Casio EX-ZR3500 Handleiding

224
Verklein
Vergroot
Pagina terug
1/225
Pagina verder
Digital Camera
EN
User’s Guide
Thank you for purchasing this CASIO product.
• Before using it, be sure to read the precautions contained in this User’s Guide.
• Keep the User’s Guide in a safe place for future reference.
• For the most up-to-date information about this product, visit the official EXILIM
Website at http://www.exilim.com/
2
As you unpack your camera, check to make sure that all accessories shown below
are included. If anything is missing, contact your original retailer.
* The shape of the power cord plug varies according to the country or geographic
area where the camera is sold.
Accessories
Rechargeable lithium ion
battery (NP-130A)
USB-AC adaptor
(AD-C53U)
Power cord*
Micro USB cable Neck strap Basic Reference
3
. Adjusting the Length of the Strap
You can adjust the length of the strap so it can
be used as a neck strap or a shoulder strap.
1. Pull the strap out at the center
of the buckle in the direction
indicated by
1
.
2. Pull the strap in one of the
directions indicated by the
illustration to adjust the length.
Attaching the Neck Strap to the Camera
1. Undo the strap from the buckle
and remove the strap loop
A
.
3. Pass the end of the strap
through the strap loop ring
A
and secure it with the buckle.
2. Attach the loop on the other end
of the strap
B
to the strap hole
on one side of the camera, and
the loop you removed
A
to the
other side.
Buckle
Ring
Strap holes
1
To shorten
To lengthen
4
• The contents of this manual are subject to change without notice.
• The contents of this manual have been checked at each step of the production
process. Feel free to contact us if you notice anything that is questionable,
erroneous, etc.
• Any copying of the contents of this User’s Guide, either in part or its entirety, is
forbidden. Except for your own personal use, any other use of the contents of this
manual without the permission of CASIO COMPUTER CO., LTD. is forbidden
under copyright laws.
• CASIO COMPUTER CO., LTD. shall not be held liable for any damages or lost
profits suffered by you or any third party due to the use or malfunction of this
product.
• CASIO COMPUTER CO., LTD. shall not be held liable for any damages or lost
profits caused by loss of memory contents due to malfunction, repair, or any other
reason.
• Note that the example screens and product illustrations shown in this User’s Guide
may differ somewhat from the screens and configuration of the actual camera.
LCD Panel
The liquid crystal panel of the monitor screen uses high-precision technology that
provides a pixel yield in excess of 99.99%. This means that some very small number
of pixels may not light or may remain lit at all times. This is due to the characteristics
of the liquid crystal panel, and does not indicate malfunction.
Read this first!
Take test shots
Before shooting your final image, shoot a test shot to ensure that the camera is
recording correctly.
5
Contents
Contents
Accessories . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2
] Attaching the Neck Strap to the Camera. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3
Read this first! . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
]\
General Guide 11
]\
Monitor Screen Contents and How to Change Them 13
]\
Quick Start Basics 17
What you can do with your CASIO camera . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
Tilting the Monitor Screen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19
First, charge the battery prior to use.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21
] To load the battery . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21
] Charge the Battery . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22
Configuring Basic Settings the First Time You Turn On the Camera. . . . . . . . 26
Preparing a Memory Card . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28
] Supported Memory Cards. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28
] To load a memory card . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29
] To format (initialize) a new memory card . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30
Turning the Camera On and Off . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31
Holding the Camera Correctly . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32
To shoot a snapshot. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33
] Selecting Premium Auto Pro. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33
] To shoot a snapshot . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34
Viewing Snapshots . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37
Deleting Snapshots and Movies . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38
Snapshot Shooting Precautions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39
]\
Snapshot Tutorial 41
Selecting the Recording Mode. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41
Using the Control Panel to Configure Camera Settings . . . . . . . . . . . . . . . . . 43
] Using the Self-timer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (Self-timer). . . 44
] Adjusting White Balance . . . . . . . . . . . . . . . . . . . . . . . . . . (White Balance). . . 45
] Selecting a Focus Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .(Focus). . . 47
] Specifying ISO Sensitivity . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .(ISO). . . 49
] Recording Beautiful Portraits . . . . . . . . . . . . . . . . . . . . . . . . . . . .(Make-up). . . 50
] Correcting Image Brightness . . . . . . . . . . . . . . . . . . . . . . . . . . . (Exposure). . . 51
] Using Flash . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (Flash). . . 52
] Specifying the Metering Mode . . . . . . . . . . . . . . . . . . . . . . . . . . .(Metering). . . 54
Shooting with Zoom . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55
] Monitor Screen Information when Zooming . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56
] Zooming with Super Resolution . . . . . . . . . . . . . . . . . . . . . . . . (Zoom (SR)). . . 58
] Expanding the Zoom Range without Losing Image Resolution
and Quality . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .(Multi SR Zoom). . . 59
6
Contents
Shooting a Burst of Images . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (CS) . . 60
] Shooting with High Speed CS. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60
] Shooting with Prerecord CS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61
] Using Continuous Shutter with Auto Focus . . . . . . . . . . . . . . . . . . (AF CS). . . 63
Triggering a Self-timer Operation with Motion . . . . . . . . .(Motion Shutter) . . 64
] Configuring Motion Shutter Settings . . . . . . . . . . . . . . . . . (Motion Shutter). . . 66
Shooting with Artistic Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . (Art Shot) . . 67
] Saving a Second Normal Image When Shooting
With HDR Art . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .(Double (HDR Art)). . . 69
Shooting Multiple Images Over a Specified Period . . . . . . . (Interval Shot) . . 70
Shooting with Triple Shot. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72
]\
Recording Movies 73
To record a movie . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73
] Audio. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75
Recording a High Speed Movie . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77
Using Prerecord Movie . . . . . . . . . . . . . . . . . . . . . . . . (Prerecord (Movie)) . . 79
Recording a Time Lapse Movie . . . . . . . . . . . . . . . . . . . . . . (Time Lapse) . . 81
Shooting a Snapshot while Shooting a Movie . . . . . (Snapshot In Movie) . . 84
]\
Using BEST SHOT 86
To shoot with BEST SHOT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88
Creating and Using Your Own Setups . . . . . . . . . . . . . . . . (Custom Shot) . . 90
Recording Beautiful Portraits . . . . . . . . . . . . . . . . . . . . . . . . . . (Make-up) . . 91
Shooting Three Versions of an Image
with Different Skin Tone Settings . . . . . . . . . . . . . . . . . . . (Make-up BKT) . . 91
Digitally Correcting for Overexposure and Underexposure . . . . . . (HDR) . . 92
Shooting with a Blurred Background . . . . . . . . . . . (Blurred Background) . . 93
Shooting a Panorama Image . . . . . . . . . . . . . . . . . . . . .(Slide Panorama) . . 94
Shooting with a Super Wide Angle of View . . . . . . . . . . . . . . (Wide Shot) . . 96
Shooting RAW Images . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (Raw Image) . . 98
Using a TV Screen to Shoot Snapshots . . . . . . . . . . . . (HDMI TV Output) . . 99
7
Contents
]\
Advanced Settings (REC MENU) 101
Using the Menu Screen to Configure Recording Settings . . . . . . . . . . . . . . . 101
] Shooting a Burst of Images . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (CS). . 102
] Triggering a Self-timer Operation with Motion . . . . . . . . . . (Motion Shutter). . 102
] Assigning a Recording Function to the Front Shutter Button (Front Shutter) . . 102
] Assigning Functions to the Function Ring
and Control Dial . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .(Key Customize). . 103
] Using the Self-timer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (Self-timer). . 105
] Correcting Image Brightness . . . . . . . . . . . . . . . . . . . . . . . . . . . (Exposure). . 105
] Adjusting White Balance . . . . . . . . . . . . . . . . . . . . . . . . . . (White Balance). . 105
] Specifying ISO Sensitivity . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .(ISO). . 105
] Specifying the ISO Sensitivity Upper Limit . . . . . . . . . . . . . (ISO High Limit). . 106
] Selecting a Focus Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .(Focus). . 106
] Specifying the Auto Focus Area . . . . . . . . . . . . . . . . . . . . . . . . . . (AF Area). . 107
] Shooting with Face Detection . . . . . . . . . . . . . . . . . . . . . .(Face Detection). . 108
] Recording Beautiful Portraits . . . . . . . . . . . . . . . . . . . . . . . . . . . .(Make-up). . 109
] Shooting with Continuous Auto Focus . . . . . . . . . . . . . . . .(Continuous AF). . 109
] Specifying the Metering Mode . . . . . . . . . . . . . . . . . . . . . . . . . . .(Metering). . 109
] Reducing the Effects of Camera
and Subject Movement . . . . . . . . . . . . . . . . . . . . . . (Anti-shake Functions). . 110
] To select the snapshot image size . . . . . . . . . . . . . . . . . . . . . .(Image Size). . .111
] Specifying Snapshot Image Quality . . . . . . . . . . . . . . . . . . .(Image Quality). . 112
] Movie Image Quality Settings . . . . . . . . . . . . . . . . . . . . . . .(Movie Quality). . 113
] Optimizing Image Brightness . . . . . . . . . . . . . . . . . . . . . . . . . . . . (Lighting). . 114
] Controlling Image Sharpness . . . . . . . . . . . . . . . . . . . . . . . . . . (Sharpness). . 114
] Controlling Color Saturation . . . . . . . . . . . . . . . . . . . . . . . . . . . (Saturation). . 114
] Adjusting Image Contrast . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (Contrast). . 115
] Specifying Flash Intensity . . . . . . . . . . . . . . . . . . . . . . . . . (Flash Intensity). . 115
] Zooming with Super Resolution . . . . . . . . . . . . . . . . . . . . . . . . (Zoom (SR)). . 115
] Turning Digital Zoom On or Off . . . . . . . . . . . . . . . . . . . . . . .(Digital Zoom). . 115
] Using the Auto Focus Assist Light . . . . . . . . . . . . . . . . . . .(AF Assist Light). . 115
] Saving a Second Normal Image When Shooting
With HDR Art . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (Double (HDR ART)). . 116
] Reducing Wind Noise during Movie Recording . . . . . . . . (Wind Noise Cut). . 116
] Turning on Image Review . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .(Review). . 116
] Using Icon Help . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (Icon Help). . 117
] Changing the Monitor Screen when Recording . . . . . . . . . . (Shooting Info). . 117
] Configuring Power On Default Settings . . . . . . . . . . . . . . . . . . . . (Memory). . 119
8
Contents
]\
Viewing Snapshots and Movies 120
Viewing Snapshots . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120
Viewing a Movie. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120
Viewing a Panorama Image. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121
Viewing Continuous Shutter Images . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122
] Deleting CS Images . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123
] Dividing Up an Image Group. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 124
] Copying an Image in a Group . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (Copy) . . 124
Zooming an On-screen Image . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125
Displaying the Image Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125
Viewing Snapshots and Movies on a TV Screen . . . . . . . . . . . . . . . . . . . . . . 126
]\
Other Playback Functions (PLAY MENU) 128
Using the Menu Screen to Select a Playback Operation
and Configure Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 128
] Assigning a Function to the Front Shutter Button . . . . . . . . (Front Shutter). . 128
] Scrolling Images at High Speed or by Recording Date . . . .(Function Ring) . . 129
] Creating a Collage Image . . . . . . . . . . . . . . . . . . . . . . . . . (Quick Collage). . 129
] Playing a Slideshow on the Camera . . . . . . . . . . . . . . . . . . . . (Slideshow). . 130
] Using Snapshots to Create a Movie . . . . . . . . . . . . . . . . . . . (Make Movie). . 132
] Editing a Movie on the Camera . . . . . . . . . . . . . . . . . . . . . . (Movie Editing). . 133
] To merge two movies . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (Movie Merge). . 135
] Creating a Snapshot of a Movie Frame . . . . . . . . . . . . . .(MOTION PRINT). . 135
] Optimizing Image Brightness . . . . . . . . . . . . . . . . . . . . . . . . . . . . (Lighting). . 136
] Adjusting White Balance . . . . . . . . . . . . . . . . . . . . . . . . . . (White Balance). . 136
] Adjusting the Brightness of an Existing Snapshot . . . . . . . . . . (Brightness). . 137
] Selecting Images for Printing . . . . . . . . . . . . . . . . . . . . . . . (DPOF Printing). . 137
] Protecting a File Against Deletion . . . . . . . . . . . . . . . . . . . . . . . . . (Protect). . 137
] Protecting an Image in a Group Against Deletion . . . . . . . . . . . . . (Protect). . 138
] Editing the Date and Time of an Image . . . . . . . . . . . . . . . . . . (Date/Time). . 139
] Rotating an Image . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (Rotation). . 139
] Resizing a Snapshot . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (Resize). . 140
] Cropping a Snapshot . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (Trimming). . 140
] Copying Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (Copy) . . 141
] Combining CS Images into a Single Still Image . . . . . . . . . .(CS Multi Print). . 141
] Dividing Up a Group . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (Divide Group). . 142
] Editing the Images in a Group . . . . . . . . . . . . . . . . . . . . . . . . . (Edit Group). . 142
9
Contents
]\
Connecting the Camera with a Smartphone
(Wireless Connection) 143
Controlling Your Camera with a Smartphone . . . . . . . . . . . . . . . . . . . . . . . . 143
Using a Wireless Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 145
Getting Ready to Establish a Connection between a Smartphone
and Your Camera. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 147
] Installing the EXILIM Connect App on Your Smartphone . . . . . . . . . . . . . . . . . 147
] Establishing a Wireless Connection for the First Time . . . . . . . . . . . . . . . . . . . 148
Using a Smartphone as a Camera Remote Controller (Shoot with phone) . 150
Sending a Snapshot or Movie File from Camera Memory
to a Smartphone . . . . . . . . . . . . . . . . . . . . . . . . . . (Send Selected Image) . 150
Configuring the Front Shutter Button to Send Images . . . . . (Quick Send) . 151
Viewing Snapshots and Movies in Camera Memory
on a Smartphone . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (View on phone) . 152
Configuring Wireless Connection Settings . . . . . . . . . . . . . . . . . . . . . . . . . . 153
] Entering the Camera’s Airplane Mode . . . . . . . . . . . . . . . . (Airplane Mode). . 153
] Sending Images from the Camera to a Smartphone
as They are Recorded . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (Auto Send). . 154
] Specifying Images to be Sent by Auto Send . . . . (Auto Send File Settings). . 155
] Resizing Snapshots before Sending Them
to a Smartphone . . . . . . . . . . . . . . . . . . . . . . . . . . . . (Resize before send). . 155
] Changing the Camera Password
for Wireless LAN Connection . . . . . . . . . . . . . . . . . . . . . (WLAN password). . 156
] Unpairing the Camera from a Smartphone . . . . . . . . . . . . . . . . (Unpairing). . 156
]\
Printing 157
Printing Snapshots. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 157
Using DPOF to Specify Images to be Printed and
the Number of Copies . . . . . . . . . . . . . . . . . . . . . . . . . . . . (DPOF Printing) . 157
]\
Using the Camera with a Computer 161
Things you can do using a computer... . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 161
Using the Camera with a Windows Computer . . . . . . . . . . . . . . . . . . . . . . . . 162
] Viewing and Storing Images on a Computer. . . . . . . . . . . . . . . . . . . . . . . . . . . 162
] Playing Movies . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 165
Using the Camera with a Macintosh . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 166
] Connecting the Camera to Your Computer and Saving Files . . . . . . . . . . . . . . 166
] Playing a Movie. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 168
Files and Folders . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 169
Memory Card Data . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 170
10
Contents
]\
Other Settings (SETTING) 172
Using the Menu Screen to Configure Other Settings. . . . . . . . . . . . . . . . . . . 172
] Enabling Power Saving . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .(ECO Mode). . 172
] Adjusting Monitor Screen Brightness . . . . . . . . . . . . . . . . . . . . . . . (Screen). . 173
] Configuring Camera Sound Settings . . . . . . . . . . . . . . . . . . . . . . .(Sounds). . 173
] Creating an Image Storage Folder . . . . . . . . . . . . . . . . . . . .(Create Folder). . 174
] Time Stamping Snapshots . . . . . . . . . . . . . . . . . . . . . . . . . . . . (Timestamp). . 174
] Auto Image Orientation Detection and Rotation . . . . . . . . . . (Auto Rotate). . 175
] Specifying the File Name Serial Number Generation Rule . . . . . (File No.). . 175
] Configuring Sleep State Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . (Sleep). . 176
] Configuring Auto Power Off Settings . . . . . . . . . . . . . . . . (Auto Power Off). . 176
] Specifying the Operation when the Monitor Screen is Tilted . . (Screen Tilt). . 177
] Configuring [p] Setting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (PLAY). . 177
] Disabling File Deletion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (Delete Key). . 177
] Configuring World Time Settings . . . . . . . . . . . . . . . . . . . . . . .(World Time). . 178
] Setting the Camera’s Clock . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .(Adjust). . 179
] Specifying the Date Style . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (Date Style). . 179
] Specifying the Display Language . . . . . . . . . . . . . . . . . . . . . . . .(Language). . 180
] Selecting the HDMI Terminal Output Method . . . . . . . . . . . . (HDMI Output). . 180
] Formatting Built-in Memory or a Memory Card . . . . . . . . . . . . . . . (Format). . 180
] Resetting the Camera to Factory Defaults . . . . . . . . . . . . . . . . . . . . (Reset). . 181
] Checking the Current Camera Firmware Version . . . . . . . . . . . . .(Version). . 181
]\
Appendix 182
Safety Precautions. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 182
Precautions During Use. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 190
Power Supply. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 203
] Charging . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 203
] Battery Precautions. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 204
] Using the Camera in another Country . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 204
Using a Memory Card . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 205
Reset Initial Default Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 207
When things don’t go right... . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 210
] Troubleshooting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 210
] Display Messages. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 216
Number of Snapshots/Movie Recording Time . . . . . . . . . . . . . . . . . . . . . . . . 218
Specifications. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 221
11
General Guide
General Guide
The numbers in parentheses indicate the pages where each item is explained.
1
Mode dial
(pages 33, 41, 73)
2
Zoom controller
(pages 34, 55, 125)
3
Shutter button
(pages 31, 33)
4
[ON/OFF] (Power)
(pages 27, 31)
5
Microphones (page 75)
6
Function ring (page 129)
7
Lens
8
Front lamp
(pages 44, 115)
9
Flash (page 52)
bk
Front shutter button
(pages 102, 128)
bl
[W] (Wireless) button
(pages 66, 145)
bm
[0] (Movie) button
(page 73)
bn
Back lamp
(pages 23, 24, 31, 34,
52)
bo
Strap holes (page 3)
bp
Terminal cover
bq
[HDMI OUT]
HDMI output (micro)
(page 99)
br
[USB] port
(pages 22, 24)
bs
[MENU] button
(pages 73, 101)
bt
[p] (PLAY) button
(pages 31, 37)
ck
[SET] button
(pages 43, 73, 101)
cl
Control dial
([8][2][4][6])
(pages 12, 43, 73, 88,
101, 128)
cm
Monitor screen
(pages 13, 33)
bk
12345
89
7 6
ckcl bt bs
bm
cm
bl bn bo bp
bq
br
Front Back
12
General Guide
. Control Dial
With the control dial, you can perform operations by
pressing the edges of the dial ([8], [2], [4], [6]), and
by rotating the dial.
• Depending on the function, certain operations
cannot be performed using the control dial.
cp cnco
cq
Bottom
cn
Battery/memory card slots (pages 21, 29)
co
Battery cover
cp
Speaker
cq
Tripod hole
Use this hole when attaching to a tripod.
Control dial
13
Monitor Screen Contents and How to Change Them
Monitor Screen Contents and How to Change Them
The monitor screen uses various indicators, icons, and values to keep you informed
of the camera’s status.
• The sample screens in this section are intended to show you the locations of all the
indicators and figures that can appear on the monitor screen in various modes.
They do not represent screens that actually appear on the camera.
. Snapshot Recording (1 Shot)
NOTE
• Depending on recording settings, the aperture, shutter speed, and ISO sensitivity
values may not appear on the monitor screen. These values will be red if the Auto
Exposure (AE) is not correct for some reason.
1
Self-timer mode (page 44)
2
Face Detection (page 108)
3
Recording mode (page 41)
4
Image deterioration indicator/
Zoom (SR) indicator (page 57)
5
Remaining movie memory
capacity (page 73)
6
Remaining snapshot memory
capacity (page 218)
7
Snapshot image size/Quality
(pages 111, 112)
8
Movie quality (FHD/STD movie)
(pages 73, 113)/
Recording speed (high speed movie) (page 77)
9
AF Area (page 107)
bk
Focal distance
(Converted to 35 mm film format.) (page 56)
bl
Image stabilization (page 110)
bm
Timestamp indicator (page 174)
bn
Histogram (page 117)
bo
Front shutter button function (page 102)
bp
Bluetooth communication status (page 148)/
Airplane mode (page 153)
bq
Date/Time (pages 26, 179)
br
Auto Send (page 154)
bs
Wireless LAN communication status
(page 149)
bt
Focus frame (pages 34, 107)
ck
Battery level indicator (page 26)
cl
Metering mode (page 54)
cm
Flash (page 52)
cn
Exposure (page 51)
co
Make-up (page 50)
cp
ISO sensitivity (page 49)
cq
Focus mode (page 47)
cr
White balance (page 45)
8
9
bl
bk
bq
bm
bn
13567
ck
co
cm
cl
cn
cq
cr
cp
2
4
bo
bp
bt br
bs
14
Monitor Screen Contents and How to Change Them
. Snapshot Recording (Burst Shooting)
. Movie Recording
1
Continuous Shutter (CS) speed (page 60)
2
Recording mode (page 41)
3
Remaining snapshot memory capacity
(page 218)
4
Allowable CS time*/number of CS images
(page 60)
* It is not displayed while shooting with
Prerecord CS.
5
Remaining movie memory capacity (page 219)
6
Continuous Shutter mode (page 60)
7
Prerecord CS shots (page 61)
8
Maximum CS shots (page 60)
1
Snapshot recording mode (Snapshot In Movie)
(page 84)
2
Audio recording disabled (page 77)
3
Recording mode (page 73)
4
Movie recording time (page 73)
5
Remaining movie memory capacity (page 73)
6
Movie recording in progress (page 73)
7
Movie quality (FHD/STD movie)
(pages 73, 113)/
Recording speed (high speed movie) (page 77)
8
Remaining snapshot memory capacity
(page 218)
1243
6
7
8
5
6
5
42
3
7
8
1
15
Monitor Screen Contents and How to Change Them
. Snapshot Viewing
NOTE
• The folder name and file name in the upper right corner of the monitor screen has
the meaning described below (page 169).
Example: 100-0023: 23rd image file in the folder named “100CASIO”.
. Movie Playback
1
File type
2
Protect indicator (page 137)
3
Snapshot image size
(page 111)
4
Folder name - file name
(page 169)
5
Snapshot image quality
(page 112)
6
Recording mode (page 41)
7
Histogram (page 117)
8
Front shutter button function (page 128)
9
Bluetooth communication status (page 148)/
Airplane mode (page 153)
bk
Date/time (page 179)
bl
Auto Send (page 154)
bm
Wireless LAN communication status
(page 149)
bn
Metering mode (page 54)
bo
White balance (page 136)
bp
Battery level indicator (page 26)
bq
Flash (page 52)
br
Exposure (page 51)
bs
Shutter speed
bt
Aperture value
ck
ISO sensitivity (page 49)
cl
Focal distance
(Converted to 35 mm film format.)
1
No audio data available
2
Movie recording time (page 120)
3
Movie quality (FHD/STD movie)
(pages 73, 113)/
Recording speed (high speed movie) (page 77)
4
Interval (page 82)
Displayed for movie recorded with Time Lapse.
2413
6
5
7
bo bnbp bkblbm
bs
br
bq
ck
bt
cl
9
8
1 2
4
3
16
Monitor Screen Contents and How to Change Them
. Configuring Monitor Screen Settings
Each press of [8] (DISP) will cycle through display settings that
display or hide on-screen information. You can configure separate
settings for the REC mode and PLAY mode.
REC mode
PLAY mode
Information on Displays setting information.
Information off Hides setting information.
Information on Displays settings when shooting and histogram (page 117).
Information off No information displayed when shooting.
[8] (DISP)
17
Quick Start Basics
Quick Start Basics
Your CASIO camera is packed with a powerful selection of features and functions to
make recording of digital images easier, including the following main functions.
What you can do with your CASIO camera
Tiltable Monitor Screen
The camera’s monitor screen can be tiled upwards up
to 180 degrees. This makes it easy to compose self-
portraits and to shoot from low angles.
Interval Shot
You can record a series of images over a specified
period. This function is useful when recording the
movement of stars, a blooming flower, etc.
Time Lapse Movie
You can use this function to record movies of natural
events that occur over time, to speed up the flow of
traffic in a city scene, or to record other similar types of
movies.
Art Shot
A variety of artistic effects help to make even common,
ordinary subjects become more novel and exciting.
Triple Shot
Pressing the shutter button shoots a burst of three
images and stores them in memory. This feature is
great for making sure you don’t miss those special
moments when kids are around.
180 degrees
90 degrees
*See page 19 for more information.
*See page 70 for more information.
*See page 81 for more information.
*See page 67 for more information.
*See page 72 for more information.
18
Quick Start Basics
Premium Auto Pro
Select Premium Auto Pro recording and the
camera automatically determines whether you
are shooting a subject or scenery, and other
conditions. Premium Auto Pro delivers higher
image quality than standard Auto.
High Speed Movie
Movies can be recorded at up to 1000 frames per
second. This makes it possible to clearly view
phenomena that are invisible to the human eye, in
slow motion.
Wireless Connection
Turns your smartphone into a camera remote
controller and allows you to send images recorded with
your camera to your smartphone.
*See page 33 for more information.
*See page 77 for more information.
*See page 143 for more information.
19
Quick Start Basics
The monitor screen can be tilted upwards up
to 180 degrees. This means you can position
the monitor screen so it faces in the same
direction as the lens, for easy composition of
self-portraits. You can also tilt the monitor
screen upwards 90 degrees, which means
you can easily shoot from a low angle
without straining your neck to view the
monitor screen.
. What you can do with the camera...
Tilting the Monitor Screen
Shoot self-portraits Low-angle shots
You can position the monitor screen so it
faces in the same direction as the lens,
for easy composition of self-portraits.
The tilt angle of the monitor screen can
be adjusted for each composition of
images from various low angles.
High-angle shots
By holding the camera upside down, you
can angle the monitor screen in a way that
allows you to shoot from high angles. In
this case, the camera will automatically
rotate on-screen information and the
displayed image 180 degrees.
180 degrees
90 degrees
20
Quick Start Basics
. Tilting the Monitor Screen
As shown in the figure below, pull upwards on the bottom center of the monitor
screen at point
A
.
Keep lifting and it will tilt upwards up to 180 degrees.
• Do not pull downwards from the top of the monitor screen. Be sure to pull upwards
from the bottom of the monitor screen as shown in the figure.
IMPORTANT!
• Under factory default settings, the camera will turn on automatically whenever the
monitor screen is tilted. See page 177 for information about configuring the camera
so it does not turn on when the monitor screen is tilted upwards.
• When returning the monitor screen to the back of the camera, take care so you do
not catch your fingers between the top or bottom of the monitor screen and the
camera.
• Do not subject the monitor screen to strong impact. Doing so can damage it.
NOTE
• Be sure to return the monitor screen to its normal position to the back of the
camera when you are not using it.
. Returning the Monitor Screen to Its Normal Position
As shown in the figure, holding the monitor screen at point
A
, rotate the screen downwards to the back of the
camera.
A
OK NG
A
21
Quick Start Basics
Note that the battery of a newly purchased camera is not charged. Perform the steps
below to load the battery into the camera and charge it.
• Your camera requires a special CASIO rechargeable lithium ion battery (NP-130A)
for power. Never try to use any other type of battery.
1. Open the battery cover.
2. Load the battery.
With the CASIO logo on the battery
facing downwards (in the direction
of the lens), hold the stopper next
to the battery in the direction
indicated by the arrow as you slide
the battery into the camera. Press
the battery in until the stopper
secures it in place.
3. Close the battery cover.
First, charge the battery prior to use.
To load the battery
Battery cover
CASIO logo
Stopper
Battery
OK
NG
22
Quick Start Basics
To replace the battery
1. Open the battery cover and
remove the current battery.
2. Load a new battery.
You can use either of the two following methods to charge the camera’s battery.
• USB-AC adaptor (page 22)
• USB connection to a computer (Using the included micro USB cable.) (page 24)
. To charge with the USB-AC adaptor
The adaptor lets you charge the battery while it is loaded in the camera.
While the camera is turned off, connect in the sequence shown below.
Charging time: Approximately 240 minutes
• When disconnecting the USB-AC adaptor from the camera, be sure to disconnect
from the camera first.
Charge the Battery
Stopper
4
3
2
1
USB-AC adaptor
(AD-C53U)
u mark of the small (micro USB) connector
facing the monitor screen side of the camera.
[USB] port
Power cord
Micro USB cable
(included with camera)
23
Quick Start Basics
Back Lamp Operation
IMPORTANT!
• A battery that has not been used for a long time and/or ambient temperature can
cause charging to take longer than normal. These conditions may also cause the
back lamp to flash red. If this happens, refer to page 203.
• You cannot use the camera to shoot images while it is being charged over a
computer USB connection. If you want to shoot with the camera, disconnect the
USB cable.
• Make sure that you insert the cable connector into the [USB] port until you feel it
click securely into place. Failure to insert the connector fully can result in poor
communication or malfunction.
• Note that even while the connector is fully inserted, you
still will be able to see the metal part of the connector as
shown in the illustration.
• Pressing [ON/OFF] (Power) while the USB-AC adaptor is
connected to the camera will turn on the camera with
power being supplied by the battery. Because of this,
charging will stop.
• The USB-AC adaptor will become warm during charging.
This is normal and does not indicate malfunction.
• The shape of the power plug depends on each country or geographic area.
Lamp Status Description
Lit Red Charging
Flashing Red
Abnormal ambient temperature,
USB-AC adaptor problem, or battery
problem (page 203)
Off Charging complete
Back lamp
24
Quick Start Basics
. To charge using a USB connection to a computer
USB connection lets you charge the battery while it is loaded in the camera.
While the camera is turned off, connect in the sequence shown below (
1
,
2
).
• If the camera is on, press [ON/OFF] (Power) to turn it off before connecting it to
your computer.
Back Lamp Operation
• The information in parentheses in the above table shows the lamp status while the
camera is turned on during charging.
IMPORTANT!
• The first time you connect the camera to your computer with the USB cable, an
error message may appear on your computer. If this happens, disconnect and then
reconnect the USB cable.
• A battery that has not been used for a long time, certain types of computers, and
connection conditions can cause charging to take longer than normal. These
conditions may also cause the back lamp to flash red. If this happens, refer to page
203.
• For faster charging, use of the supplied USB-AC adaptor is recommended.
• You cannot use the camera to shoot images while it is being charged over a
computer USB connection. If you want to shoot with the camera, disconnect the
USB cable.
Lamp Status Description
Lit Red,
(Lit/Flashing Amber)
Charging
Flashing Red
Abnormal ambient temperature,
charging taking abnormally long, or
battery problem (page 203)
Off, (Lit Green) Charging complete
USB
2
1
Micro USB cable
(included with camera)
u mark of the small (micro USB) connector facing the
monitor screen side of the camera.
[USB] port
USB port
Computer
(power turned on)
Back lamp
25
Quick Start Basics
• If you turn on the camera while charging over a USB connection to a computer is in
progress, the camera will establish a USB connection with the computer. Though
charging normally should continue at this time, certain types of computers or
connection environments may stop charging if supply power is low. This will be
indicated by the camera’s back lamp lighting green.
• Charging is not performed while the connected computer is in the hibernate mode.
Other Charging Precautions
• With the two charging methods described above, you can charge the camera’s
battery (NP-130A) without removing it from the camera. You also can charge the
battery using an optionally available charger unit (BC-130L).
• This model can be charged only via from USB 2.0 specification USB port only.
• USB charging devices and power supply devices are subject to fixed standards.
Use of an inferior device or a device that is not up to standard can cause
malfunction and/or failure of your camera.
• Operation is not guaranteed in the case of a computer built or modified by you.
Even in the case of a commercially available computer, certain USB port
specifications may make it impossible to charge via the USB cable.
• A battery that is still warm immediately after normal use may not charge fully. Give
the battery time to cool before charging it.
• A battery discharges slightly even when it is not loaded in the camera. Because of
this, it is recommended that you charge the battery immediately before you need to
use it.
• Charging the camera’s battery may cause interference with TV and radio reception.
If this happens, plug the USB-AC adaptor into an outlet that is further away from
the TV or radio.
• Actual charging time depends on current battery capacity and charging conditions.
• Do not use the USB-AC adaptor with any other device.
• Never use the power cord with another device.
• Use only the USB-AC adaptor and USB cable specified in this manual for charging.
Use of any other type of devices may result in improper charging.
26
Quick Start Basics
Checking Remaining Battery Power
As battery power is consumed, a battery indicator on the monitor screen indicates
remaining power as shown below.
indicates battery power is low. Charge the battery as soon as possible.
Recording is not possible when is indicated. Charge the battery immediately.
• The level shown by the battery indicator may change when you switch between the
REC mode and PLAY mode.
• Leaving the camera for about 20 days with no power supplied while the battery is
dead will cause its date and time settings to be cleared. A message telling you to
configure time and date settings will appear the next time you turn on the camera
after restoring power. When this happens, configure date and time settings (page
179).
• See page 223 for information about battery life and number of shots.
Battery Power Conservation Tips
• Entering the “ECO Mode” (page 172) enables low-power operation. Note that low-
power operation decreases monitor screen brightness.
• Enable the Auto Power Off (page 176) and the Sleep (page 176) features to protect
against wasting battery power when you forget to turn off the camera.
• Select “Off” for “Continuous AF” (page 109).
The first time you load a battery into the camera, a screen appears for configuring the
display language, date, and time settings. Failure to set the date and time correctly
will cause the wrong date and time data to be recorded with images.
IMPORTANT!
• A screen for language selection will not appear in step 2 of the procedure below if
you purchased a camera intended for the Japanese market. To change the display
language from Japanese in this case, use the procedure under “Specifying the
Display Language (Language)” (page 180). Note that a version of this manual in
the language you select may not be included with a camera intended for the
Japanese market.
• Camera models sold in certain geographic areas may not support display language
selection.
Remaining Power High Low
Battery Indicator ***
Indicator Color White * White * Red * Red
Configuring Basic Settings the First Time You Turn On the
Camera
27
Quick Start Basics
1. Press [ON/OFF] (Power) to turn on the
camera.
2. Use [8] and [2] to select the language
you want and then press [SET].
3. Use [8] and [2] to select a date style
and then press [SET].
Example: July 10, 2016
YY/MM/DD
* 16/7/10
DD/MM/YY
* 10/7/16
MM/DD/YY
* 7/10/16
4. Set the date and the time.
Use [4] and [6] to select the setting you want to
change and then use [8] and [2] to change it.
To switch between 12-hour and 24-hour format, use
[4] and [6] to select “24h” and then use [8] and [2]
to change the setting.
5. After setting the date and time, use [4] and [6]
to select “Apply” and then press [SET].
NOTE
• Each country controls its local time offset and the use of summer time, and so they
are subject to change.
• Removing the battery from the camera too soon after configuring time and date
settings for the first time can cause the settings to be reset to their factory defaults.
Do not remove the battery for at least 24 hours after configuring settings.
If you make a mistake configuring display language, date, or time settings with the
above procedure, refer to the following pages for information about how to correct
the settings.
– Display language: page 180
– Date and time: page 179
[ON/OFF] (Power)
28
Quick Start Basics
Though the camera has built-in memory, its capacity is small. To shoot a large
number of images or long movies, you will need to use a commercially available
memory card. When no memory card is loaded, images are saved to built-in memory.
• For information about memory card capacities, see page 218.
Your camera supports use of the following types of SD memory
cards.
– SD Memory Card (Up to 2GB)
– SDHC Memory Card (2GB to 32GB)
– SDXC Memory Card (32GB to 2TB)
• The above are supported memory card types as of January 2015.
• Values in parentheses are specification values.
• Note that the ability to use any particular card with this camera, even if it satisfies
the above capacity and type requirements, is not guaranteed.
. Memory Card Handling Precautions
Certain types of memory cards can slow down processing speeds. In particular, high-
quality movies may not be able to be stored correctly. A slow memory card can take
too much time to record data and result in breaks in the image and/or audio during
playback. When this happens a yellow “Y” indicator will appear on the monitor
screen.
Preparing a Memory Card
Supported Memory Cards
29
Quick Start Basics
1. Press [ON/OFF] (Power) to turn off
the camera and then open the
battery cover.
2. Load a memory card.
Positioning the memory card so its back
is facing upwards (towards the monitor
screen side of the camera), slide it into
the card slot all the way in until you hear
it click securely into place.
3. Close the battery cover.
IMPORTANT!
• Never insert anything besides a supported memory card (page 28) into the memory
card slot.
• Should water or any foreign object ever get into the card slot, immediately turn off
the camera, remove the battery, and contact your retailer or nearest CASIO
authorized service center.
To load a memory card
Front Back
Back
30
Quick Start Basics
To replace the memory card
Press the memory card and then release it.
This will cause it to pop out of the memory
card slot slightly. Pull the card out the rest
of the way and then insert another one.
• Never remove a card from the camera
while the back lamp is flashing green.
Doing so can cause the image save
operation to fail and even damage the
memory card.
Format a memory card on the camera before using it for the first time.
IMPORTANT!
• Formatting a memory card that already has snapshots or other files on it, will delete
its contents. Normally you do not need to format a memory card again. However, if
storing to a card has slowed down or if you notice any other abnormality, re-format
the card.
• Be sure to use the camera to format a memory card. Formatting a card on a
computer will result in a non-SD standard format, which can greatly slow down
processing time and cause compatibility, performance, and other problems.
1. Turn on the camera and press [MENU].
2. Press [4], use [8] and [2] to select the “
¥
SETTING” tab, and then
press [6].
3. Use [8] and [2] to select “Format” and then press [6].
4. Use [8] and [2] to select “Format” and then press [SET].
5. Use [8] and [2] to select “Yes” and then press [SET].
To format (initialize) a new memory card
Back lamp
31
Quick Start Basics
. To turn power on
• Take care to ensure that nothing is restricting or
coming into contact with the lens as it extends.
Holding the lens with your hand so it cannot
extend creates the risk of malfunction.
• About 10 seconds after you press [p] (PLAY) to enter the PLAY mode, the lens
will retract into the camera.
• The Sleep function (page 176) or Auto Power Off (page 176) will turn off power
automatically if you do not perform any operation for a preset amount of time.
• The camera will not turn on when you press [ON/OFF] (Power) or [p] (PLAY)
while it is being charged over a computer USB connection (page 24).
. To turn off the camera
Press [ON/OFF] (Power).
NOTE
• You also can configure the camera to turn on or off when the monitor screen is
tilted (page 177).
• The camera can be configured so power turns off when [p] (PLAY) is pressed
(page 177).
Turning the Camera On and Off
To turn on
power and enter
the REC mode
Press [ON/OFF] (Power).
• The back lamp will light green
momentarily and the lens will
extend out of the camera (page
33).
• Pressing [p] (PLAY) while in the
REC mode enters the PLAY
mode.
To turn on
power and enter
the PLAY mode
Press [p] (PLAY).
• The back lamp will light green
momentarily and an image
currently stored in camera
memory will appear on the monitor
screen (page 37).
• Pressing the shutter button while
in the PLAY mode enters the REC
mode.
[p] (PLAY)
Back lamp
[ON/OFF] (Power)
Shutter button
32
Quick Start Basics
• Your images will not come out
clearly if you move the camera
when you press the shutter
button. Hold the camera and
position it correctly as shown
in the illustration, with your
arms firmly against your sides.
• Holding the camera still,
carefully press the shutter
button and take care to avoid
all movement as the shutter
releases and for a few
moments after it releases.
This is especially important when available lighting is low, which slows down the
shutter speed.
NOTE
• Take care that your fingers and the strap do not
cover any of the areas indicated in the illustration.
• To protect against accidentally dropping the
camera, attach the wrist strap and make sure it is
around your fingers or wrist while you are
operating the camera.
• Never swing the camera around by its strap.
• The supplied strap is intended for use with this
camera only. Never use it for any other purpose.
• Shooting an image while the camera’s “Auto
Rotate” setting is “On” will cause the playback
image to be rotated automatically to the orientation
the camera was in when the image was recorded (page 175).
IMPORTANT!
• Take care to ensure that your fingers are not blocking or are not too close to the
flash. Fingers can cause unwanted shadows when using the flash.
Holding the Camera Correctly
Horizontal Vertical
Hold the camera so the flash is above the lens.
Front lamp
Lens
Flash
33
Quick Start Basics
1. Press [ON/OFF] (Power) to turn on the camera.
The camera will enter the REC mode.
• If the camera is in the PLAY mode, press the shutter button.
2. Align the mode dial with [Ÿ] (Premium Auto Pro).
To shoot a snapshot
Selecting Premium Auto Pro
Recording
Mode
REC Screen
Icon Display
Description
Premium
Auto Pro
Configures optimal settings to match the shooting
environment and performs high-speed image
processing for better looking images. When shooting
against backlighting, at night, with zoom, and under
other difficult conditions, the camera will
automatically shoot a burst of images and combine
them into a final image.
• Compared with the standard Program Auto Mode
(page 41), the conditions below apply while
shooting with Premium Auto Pro.
– Shooting settings that can be changed are
limited.
– Battery life may be somewhat shorter.
Ÿ
Premium Auto Pro
Shutter button
Mode dial
[ON/OFF] (Power)
Remaining Snapshot Memory
Capacity (page 218)
Monitor screen
34
Quick Start Basics
1. Point the camera at the subject.
The camera will automatically decide where the focus
area should be and display focus frames accordingly.
• If you are shooting with Premium Auto Pro, text will
appear at the bottom of the monitor screen describing
the type of shot the camera has detected.
• You can zoom the image, if you want.
To shoot a snapshot
2. Half-press the shutter button to
focus the image.
When focusing is complete, the
camera will beep, and the focus
frame and the back lamp will light
green.
When you half-press the shutter button, the
camera automatically adjusts exposure and
focuses on the subject it is currently pointed at.
Mastering how much pressure is required for a
half-press and a full-press of the shutter button
is an important technique for good-looking
images.
Appears when the
camera detects it is
stationary on a tripod.
w Wide Angle z Telephoto
Zoom controller
If the camera judges that CS shooting is required when shooting with Premium Auto
Pro, it will automatically switch to an HS scene, and “Š” will appear on the monitor
screen. With the HS scene, the camera will shoot a burst of images and combine
them to form the final image. To avoid image blur, make sure that the camera and
subject remain still until all of the images are shot.
Focus frame
Back lamp
Half-press
Press lightly
until the
button stops.
Beep, beep (Image is in focus.)
35
Quick Start Basics
. If the image does not focus...
If the focus frame stays red and the back lamp is flashing green, it means that the
image is not in focus (because the subject is too close, etc.). Re-point the camera at
the subject and try to focus again.
3. Continuing to keep the camera still,
press the shutter button the rest of
the way down.
This records the snapshot.
Recording a Movie
Press [0] (Movie) to start movie recording.
Press [0] (Movie) again to stop movie recording.
See the following pages for details.
Standard movie (STD movie): page 73
High-definition movie (FHD movie): page 73
High speed movie (HS movie): page 77
Full-press
Snap (Image is recorded.)
[0] (Movie)
36
Quick Start Basics
. Shooting with Premium Auto Pro
• Some menu items are not available while Premium Auto Pro is in use (page 101).
Only the menu items whose settings can be configured will be displayed on the
menus while Premium Auto Pro is in use.
• Shutter speed, aperture, ISO sensitivity, and the functions below are optimized by
Premium Auto Pro.
– Continuous AF (page 109)
– Face Detection (page 108)
– HS Scene Shooting (page 34)
• Shooting with Premium Auto Pro can cause vibration and noise to occur due to
lens operation. This does not indicate malfunction.
• The message “Processing Premium Auto.” may appear on the monitor screen. If
you feel the camera is taking too long to process data, try shooting with Program
Auto (page 41) instead.
• In some cases, Premium Auto Pro may not be able to interpret the shooting
environment correctly. If this happens, shoot with Program Auto (page 41).
• If “Š” is displayed, the camera will shoot a series of CS images and merge them
into a final image. If you do not want to shoot CS images, select “Off” for the
Control Panel (page 43) “HS Scene Shooting” item.
• Certain flash settings (page 52) can limit environmental factors detectable.
37
Quick Start Basics
Use the following procedure to view snapshots on the camera’s monitor screen.
• For information about how to play back movies, see page 120.
• For information about images recorded using continuous shutter (CS), see page
122.
1. Turn on the camera and press
[p] (PLAY) to enter the PLAY
mode.
• This causes an image to appear on
the monitor screen.
• Information about the displayed
snapshot also is included (page 15).
• You also can clear the information to
view only the snapshot (page 16).
• You can zoom in on the image by rotating the zoom controller towards z
(page 125). If you are recording a snapshot that is very important to you, it is
recommended that you zoom the image and check its details after recording it.
2. Use [4] and [6] to scroll between images.
• Holding down either button scrolls at high speed.
NOTE
• Half-pressing the shutter button while in the PLAY mode or while a menu screen is
displayed will switch directly to the REC mode.
Viewing Snapshots
[p] (PLAY)
[6]
[6]
[4]
[4]
38
Quick Start Basics
If memory becomes full, you can delete snapshots and movies you no longer need in
order to free up storage and record more images.
IMPORTANT!
• Remember that a file (image) delete operation cannot be undone.
• For information about images recorded using continuous shutter (CS), see page
123.
• You can protect images against being unintentionally deleted, if you want (page
177).
. To delete a single file
1. Press [p] (PLAY) to enter the PLAY mode and then
press [2] ( ).
2. Use [4] and [6] to scroll through the files until the one
you want to delete is displayed.
3. Use [8] and [2] to select “Delete” and then press [SET].
• To delete other files, repeat steps 2 and 3.
• To exit the delete operation, press [MENU].
• If a CS group (page 122) or interval shot group (page 122) is displayed when
you perform the above procedure, all of the images in the currently displayed
group will be deleted.
. To delete specific files
1. Press [p] (PLAY) to enter the PLAY mode and then press [2] ( ).
2. Use [8] and [2] to select “Delete Files” and then press [SET].
This displays a file selection screen.
3. Use [8], [2], [4], and [6] to move the selection boundary to the file
you want to delete, and then press [SET].
This will select the check box in the lower left corner of the selected file’s image
and move the blue boundary to the next image.
• To clear (deselect) a check box, move the blue boundary to the applicable file
and then press [SET].
• You can enlarge the selected image before deleting it by rotating the zoom
controller towards z ([).
4. Repeat step 3 to select other files, if you want. After you are finished
selecting files, press [MENU].
Deleting Snapshots and Movies
39
Quick Start Basics
5. Use [8] and [2] to select “Yes” and then press [SET].
• This deletes the files you selected.
• To cancel the delete operation, select “No” in step 5 and then press [SET].
. To delete all files
1. Press [p] (PLAY) to enter the PLAY mode and then press [2] ( ).
2. Use [8] and [2] to select “Delete All Files” and then press [SET].
3. Use [8] and [2] to select “Yes” and then press [SET] to delete all files.
This will cause the message “There are no files.” to appear.
Operation
• Never open the battery cover while the back lamp is flashing green. Doing so can
result in the image you just shot being saved incorrectly, damage to other images
stored in memory, malfunction of the camera, etc.
• If unwanted light is shining onto the lens, shade the lens with your hand when
shooting an image.
Monitor Screen when Shooting Snapshots
• Subject brightness conditions can cause monitor screen response to slow and can
cause digital noise in the monitor screen image.
• The image that appears on the monitor screen is for image composition. The actual
image will be recorded at the quality set for the image quality setting (page 112).
Shooting Indoors under Fluorescent Lighting
• Minute flickering of fluorescent lighting can affect the brightness or color of an
image.
Other Precautions
• The slower the shutter speed, the greater the possibility that noticeable noise will
be generated in an image. Because of this, the camera automatically performs a
noise reduction at slow shutter speeds. The noise reduction process causes it to
take longer to record images at lower shutter speeds. The shutter speeds for which
noise reduction is performed depend on the camera setup and shooting conditions.
• A noise reduction process is performed when ISO sensitivity is set to a high value.
This can cause the camera to take relatively longer to be ready to shoot again after
you press the shutter button. Do not perform any key operation while the image
recording operation is in progress.
• Due to the characteristics of the imaging element used by the camera, very fast
moving objects in an image may appear distorted.
Snapshot Shooting Precautions
40
Quick Start Basics
. Auto Focus Restrictions
• Any of the following can make proper focus impossible.
– Solid color wall or other very low contrast subject
– Strongly back lit subject
– Very shiny subject
– Blinds or other subject with a repeating horizontal pattern
– Multiple subjects at varying distances from the camera
– Subject in a dark location
– Subject that is too far away for light from the AF assist light to reach
– Camera movement while shooting
– Fast-moving subject
– Subjects outside the focus range of the camera
41
Snapshot Tutorial
Snapshot Tutorial
Your camera has a variety of different recording
modes. Before recording an image, rotate the mode
dial to select the recording mode that suits the type
of image you are trying to record.
Selecting the Recording Mode
PProgram Auto
Standard Auto recording mode. This is the mode you normally should use.
Ÿ Premium Auto Pro
With Premium Auto Pro recording, the camera automatically determines
whether you are shooting a subject or scenery, and other conditions. Premium
Auto Pro recording delivers higher image quality than standard Auto recording
(page 33).
BEST SHOT
Simply select one of a collection of built-in sample scenes and the camera sets
up automatically for beautiful images every time (page 88).
Art Shot
A variety of artistic effects help to make even common, ordinary subjects
become more novel and exciting (page 67).
Multi SR Zoom
This feature uses super resolution technology and multiple Continuous Shutter
(CS) images to expand the zoom range for overall images of higher quality and
clarity (page 59).
Time Lapse / Interval Shot
You can use this function to record a movie that speeds up a sequence of
changes in natural phenomena or the flow of traffic in a city scene (page 81), or
to record a series of snapshots over time (page 70).
D Triple Shot
Shoots a burst of three images, making this feature is great for capturing all
those special moments when kids are around (page 72).
Mode dial
b
C
j
F
42
Snapshot Tutorial
IMPORTANT!
• If you cannot focus properly with Program Auto, try using focus lock (page 48) or
Manual Focus (page 47).
• In the S mode, ISO sensitivity (page 49) always operates according to its “Auto”
setting. The ISO sensitivity setting cannot be changed while in the S mode.
• The flash > (Auto Flash) and ¥ (Red Eye Reduction) flash modes are not
supported while A, S, or M is selected for the recording mode. If you want the flash
to fire, select < (Flash On) as the flash mode.
• The displayed ISO sensitivity, shutter speed or aperture value will turn red when
you half-press the shutter button if the image is overexposed or underexposed.
M M (Manual Exposure) mode
This mode gives you total control over aperture and shutter speed settings.
1
Press [SET] to open the Control Panel (page 43).
2
Use [8] and [2] to select
A
(Aperture), and then press [SET].
3
Use [8] and [2] to change the aperture setting, and then press [4].
4
Use [8] and [2] to select
S
(Shutter Speed), and then press [SET].
5
Use [8] and [2] to change the shutter speed setting, and then press [SET].
S S (Shutter Speed AE) mode
In this mode, you select the shutter speed and other settings are adjusted
accordingly.
1
Press [SET] to open the Control Panel (page 43).
2
Use [8] and [2] to select
S
(Shutter Speed), and then press [SET].
3
Use [8] and [2] to change the shutter speed setting, and then press [SET].
• You also can select the EV shift setting located under the shutter speed
setting and then specify an exposure value (Exposure), if you want.
A A (Aperture AE) mode
In this mode, you select the aperture and other settings are adjusted
accordingly.
1
Press [SET] to open the Control Panel (page 43).
2
Use [8] and [2] to select
A
(Aperture), and then press [SET].
3
Use [8] and [2] to change the aperture setting, and then press [SET].
• You also can select the EV shift setting located under the aperture setting
and then specify an exposure value (Exposure), if you want.
43
Snapshot Tutorial
The Control Panel can be used to configure camera settings.
1. In the REC mode, press [SET].
2. Use [8] and [2] to select the setting item you want to change, and
then press [SET] or [6].
This will select one of the Control Panel icons and display its settings.*
3. Use [8] and [2] to change the setting.
4. After the setting is the way you want, press
[SET].
This will apply the setting and return to the REC
mode.
NOTE
• You also can use on-screen menus to configure settings other than those listed
above (page 101).
Using the Control Panel to Configure Camera Settings
1
Self-timer (page 44)
2
White balance (page 45)
3
Focus (page 47)
4
ISO sensitivity (page 49)
5
Make-up (page 50)
6
Exposure (page 51)
7
Flash (page 52)
8
Metering (page 54)
* Items displayed in the Control Panel depend on the recording mode.
1
5
3
4
7
8
2
6
Control Panel
Example: Configuring
Program Auto settings
44
Snapshot Tutorial
With the Self-timer, pressing the shutter button starts a timer. The shutter is released
and the image is shot after a fixed amount of time.
1. Select the (Self-timer) Control Panel option.
2. Select the setting you want and then press [SET].
• The front lamp flashes while the Self-timer countdown is
in progress.
• You can interrupt an ongoing Self-timer countdown by
pressing [SET].
Using the Self-timer (Self-timer)
Setting
REC Screen
Icon Display
Description
10 sec 10-second Self-timer
2 sec
2-second Self-timer
• When shooting under conditions that slow
down the shutter speed, you can use this
setting to prevent image blur due to camera
movement.
×3
(Triple Self-
timer)
Shoots three images: one image 10 seconds
after the shutter button is pressed, and the next
two images as soon as the camera is ready
after shooting the previous image. How long it
takes for the camera to get ready to shoot
depends on the image size and quality settings,
whether or not a memory card is loaded in the
camera, and the flash charge condition.
Off None Turns off the Self-timer.
„
‚
”
•
Front lamp
45
Snapshot Tutorial
NOTE
• The Self-timer cannot be used together with the following features.
High Speed CS with Prerecord CS, Prerecord (Movie), Slide Panorama,
Wide Shot, Triple Shot
• The Triple Self-timer cannot be used together with the following features.
Movie, Time Lapse, High Speed CS, Multi SR Zoom, HS Night Shot, Blurred
Background, All-In-Focus Macro, Interval Shot
• The Motion Shutter (page 64) can be used only while the Control Panel’s self-timer
setting is “Off”. For any other self-timer setting, the applicable self-timer operation
is performed.
You can adjust white balance to match the source of light available where you are
shooting and avoid the blue cast that results when shooting outdoors when it is
cloudy, and the green cast that results when shooting under fluorescent lighting.
1. Select the (White Balance) Control Panel option.
2. Select the shooting condition you want and then press [SET].
• You can also perform this operation using the function ring.
Adjusting White Balance (White Balance)
Setting
REC Screen
Icon Display
Description
Auto WB None
Configures the camera to adjust white balance
automatically.
Daylight For shooting outdoors on a clear day
Overcast
For shooting outdoors on an overcast rainy day,
in the shade, etc.
Shade
For shooting on a clear day in the shade of trees
or buildings
Day White
Fluor
For shooting under white or day white
fluorescent lighting
Daylight
Fluor
For shooting under daylight fluorescent lighting
Tungsten For shooting under light bulb lighting
‡
¤
'
“
†
–
«
46
Snapshot Tutorial
• When “
‡
Auto WB” is selected for the white balance setting, the camera
automatically determines the white point of the subject. Certain subject colors
and light source conditions can cause problems when the camera tries to
determine the white point, which makes proper white balance adjustment
impossible. If this happens, select the white balance setting that matches your
shooting conditions (Daylight, Overcast, etc.).
Manual
WB
For configuring the camera manually to suit a
particular light source
1
Select “Manual WB”.
2
Under the lighting
conditions you plan to
use when shooting, point
the camera at a blank
white piece of paper so it
fills the entire monitor
screen and then press
the shutter button.
3
Press [SET].
The white balance setting is retained even if you
turn off the camera.
Setting
REC Screen
Icon Display
Description
·
Blank white paper
47
Snapshot Tutorial
• Auto Focus is the only focus mode available while Make-up (page 50) or Face
Detection (page 108) is enabled. To select another focus mode, first turn off Make-
up and Face Detection.
1. Select the (Focus) Control Panel option.
2. Select the setting you want and then press [SET].
*1
The focus range is the distance from the lens surface.
*2 The focus range depends on the current optical zoom position.
*3 During High Speed Movie recording, focus is fixed at the position where it was
when recording started. To focus an image, half-press the shutter button for Auto
Focus or focus manually before you press [0] (Movie) to start recording.
To focus with manual focus
1. On the monitor screen, compose the image so
the subject you want to focus on is within the
yellow boundary.
2. Watching the image on the monitor screen use
[4] (nearer) and [6] (further) to adjust focus.
• At this time the image that is within the boundary
will enlarge and fill the monitor screen, which aids
in focusing. Pressing [SET] will return to the screen
in step 1.
• When the Key Customize “Function Ring” setting (page 103) is set to “MF”
(Manual Focus), you can use the function ring for focusing.
Selecting a Focus Mode (Focus)
Settings
REC Screen
Icon Display
Type of Shot
Focus Mode Approximate Focus Range
*
1
Snapshot Movies Snapshot Movies
Q
AF
(Auto
Focus)
None
General
recording
Automatic Automatic
*
3
6 cm to
9
(infinity)
(2.4" to
9
) (Wide Angle)
*
2
´
Macro
Close ups
6 cm to 50 cm
(2.4" to 19.7")
(Wide Angle)
*
2
W
MF
(Manual
Focus)
When you
want to focus
manually
Manual
6 cm to
9
(infinity)
(2.4" to
9
) (Wide Angle)
*
2
Yellow boundary
48
Snapshot Tutorial
NOTE
• An Auto Macro feature detects how far the subject is from the lens and
automatically selects either Macro Focus or Auto Focus accordingly.
• Use of the flash together with Macro Focus can cause the light of the flash to
become blocked, which may result in unwanted lens shadows in your image.
• Whenever you perform an optical zoom operation while shooting with Auto Focus,
Macro Focus, or Manual Focus, a value will appear on the monitor screen to tell
you the focus range, as shown below. Note that the focus range is displayed
including the Auto Macro range only when shooting with Auto Focus.
Example: oo
* cm - 9
* oo is the actual focusing range value.
• The operations assigned to the [4] and [6] keys with the “L/R Key” setting (page
103) are disabled while Manual Focus is selected as the focus mode.
Using Focus Lock
“Focus lock” is a technique you can use when you want to
compose an image in which the subject you want to focus
on is not within the focus frame in the center of the
screen.
• To use focus lock, select “U Spot” or “O Tracking” for
the Auto Focus area (page 107).
1. Align the monitor screen’s focus frame with
the subject you want to focus on and then half-
press the shutter button.
2. Keeping the shutter button half-pressed
(which maintains the focus setting), move the
camera to compose the image.
• When “O Tracking” is selected as the Auto Focus
area, the focus frame will move automatically and
follow the subject.
3. When you are ready to shoot the image, press the shutter button the
rest of the way down.
NOTE
• Focus lock also locks exposure (AE).
Subject to be focused on
Focus frame
49
Snapshot Tutorial
ISO sensitivity is a measure of sensitivity to light.
1. Select the (ISO Sensitivity) Control Panel option.
2. Select the setting you want and then press [SET].
NOTE
• While “Auto” is selected, Anti Shake corrects for subject movement only (page
110).
• Since higher ISO sensitivity values tend to result in digital noise in images, the
camera performs a noise filtering process. Because of this, it may take relatively
longer for the camera to finish recording an image after it is shot. You will not be
able to perform any key operation while image recording is in progress.
• In the S (Shutter Speed AE) mode, ISO sensitivity always operates according to its
“Auto” setting.
• In the M (Manual Exposure) mode, “Auto” cannot be selected.
Specifying ISO Sensitivity (ISO)
Setting
REC Screen
Icon Display
Description
Auto None
Adjusts sensitivity automatically according to
conditions.
ISO80 Lower
sensitivity
Higher
sensitivity
Slow shutter speed
Fast shutter speed
(Set for shooting in
dimly lit areas.)
Less noise
Some coarseness
(increased digital
noise)
ISO100
ISO200
ISO400
ISO800
ISO1600
ISO3200
ISO6400
50
Snapshot Tutorial
Make-up enables adjustment of human skin tone hues and texture, and softening of
facial shadows caused by harsh sunlight for better looking portraits. Make-up can be
used with the recording modes listed below.
• Program Auto
• Premium Auto Pro
• Some BEST SHOT scenes
• Make-up BKT
1. Select the (Make-up) Control Panel option.
2. Select the setting you want, and then change the setting value.
NOTE
• The settings below become configured automatically whenever the “Skin Tone” or
“Smooth Skin” level setting is something other than “0 (Off)”.
– Face Detection: On
– Focus Mode: AF (Auto Focus)
• Make-up cannot be used with the following functions.
Some BEST SHOT scenes, Art Shot, Multi SR Zoom, High Speed CS, Time Lapse,
Interval Shot
Recording Beautiful Portraits (Make-up)
Skin Tone “Tan +6” to “0 (Off)” to “Light +6”
Smooth Skin “0 (Off)” to “+12 (Max.)”
51
Snapshot Tutorial
You can manually adjust an image’s exposure value (EV value) before shooting it.
• Exposure Compensation Range: –2.0 EV to +2.0 EV
• Unit: 1/3EV
1. Select the (Exposure) Control Panel option.
2. Adjust the exposure compensation value.
• You can also perform this operation using the function ring.
3. Press [SET].
This applies the exposure compensation value. The exposure compensation
value you set remains in effect until you change it or turn off the camera (which
causes it to revert to “0.0”).
NOTE
• When shooting under very dark or very bright conditions, you may not be able to
obtain satisfactory results even after performing exposure compensation.
Correcting Image Brightness (Exposure)
[8], clockwise:
Increases the EV value. A higher EV value is
best for light-colored subjects and backlit
subjects.
[2], counterclockwise:
Decreases the EV value. A lower EV value is
best for dark-color subjects and for shooting
outdoors on a clear day.
To cancel exposure compensation, change the Exposure value to 0.0.
Exposure value
52
Snapshot Tutorial
1. In the REC mode, press [2] ( )
once.
2. Select the flash setting you want and then press [SET].
3. Press the shutter button to shoot.
• For information about Flash Range, see page 222.
Using Flash (Flash)
Setting
REC Screen
Icon Display
Description
Auto Flash None
Flash fires automatically in accordance with
exposure (amount of light and brightness)
conditions.
Flash Off Flash does not fire.
Flash On
Flash always fires. This setting can be used to
brighten a subject that normally comes out dark
due to daylight or backlight (daylight synchro
flash).
Red Eye
Reduction
Flash fires automatically. This type of flash can
be used to reduce the chance of redness in the
subject’s eyes.
Flash
[2] ( )
Back lamp
Flashes amber while the flash is charging to
indicate that image recording is disabled.
• You will not be able to take another flash
snapshot until the lamp stops flashing amber,
which indicates that charging is complete.
< indicates the flash will fire.
53
Snapshot Tutorial
IMPORTANT!
• Foreign matter on the flash window can react with the light of the flash, producing
some smoke and abnormal odor. Though this does not indicate malfunction, oil
from your fingers and other foreign matter when left on the flash window can
become difficult to clean off later. Because of this, you should make it a regular
habit to wipe the window clean regularly with a soft, dry cloth.
NOTE
• Take care so your fingers and the strap do not block the flash.
• The desired effect may not be obtained when the subject is too far away or too
close.
• Flash charging time (page 222) depends on operating conditions (battery
condition, ambient temperature, etc.).
• Shooting with flash turned off when lighting is dim results in a slow shutter speed,
which can cause image blur due to camera movement. Under such conditions,
secure the camera with a tripod, etc.
• With red eye reduction, the flash is fired automatically in accordance with
exposure. It does not fire in areas where lighting is bright.
• The presence of outdoor sunlight, fluorescent lighting, or some other light source
can cause abnormal image colors.
• Select ? (Flash Off) for the flash setting when shooting in areas where flash
photography is prohibited.
• The flash > (Auto Flash) and ¥ (Red Eye Reduction) flash modes are not
supported while A, S, or M is selected for the recording mode. If you want the flash
to fire, select < (Flash On) as the flash mode.
Red-eye Reduction
Using the flash to shoot at night or in a dimly lit room can cause red spots inside the
eyes of people who are in the image. This is caused when the light from the flash
reflects off of the retina of the eye. When red-eye reduction is selected as the flash
mode, the camera fires a pre-flash to cause the irises in the eyes of any people in the
image to close, which reduces the chance of red eye.
Note the following important points when using red-eye reduction.
• Red-eye reduction does not work unless the people in the image are looking
directly at the camera (flash).
• Red-eye reduction may not work very well if the subjects are located far away from
the camera.
54
Snapshot Tutorial
The metering mode determines what part of the subject is metered for exposure.
1. Select the (Metering) Control Panel option.
2. Select the setting you want and then press [SET].
Specifying the Metering Mode (Metering)
Setting
REC Screen
Icon Display
Description
Multi None
Multi-pattern metering divides the image into
sections and measures the light in each section for
a balanced exposure reading. This type of
metering provides error-free exposure settings for
a wide range of shooting conditions.
Center
Weighted
Center weighted metering concentrates on the
center of the focus area to measure light. This type
of metering is best when you want some level of
control over contrast.
Spot
Spot metering takes readings at a very small area.
Use this metering method when you want
exposure to be set according to the brightness of a
particular subject, without being affected by
surrounding conditions.
B
N
˜
55
Snapshot Tutorial
Your camera supports the zoom operations described below.
• The maximum zoom factor depends on the image size setting and the digital zoom
on/off settings.
1. Rotate the zoom controller to zoom.
2. Press the shutter button to shoot.
NOTE
• Use of a tripod is recommended to protect against image blur due to camera
movement when shooting with telephoto.
• Performing a zoom operation changes the lens aperture.
• Zoom operations are supported during movie recording. Zoom operations are
disabled during high speed movie recording. To use zoom, perform the zoom
operation before you press [0] (Movie) to start recording.
• Zoom operations are not supported while shooting with the following BEST SHOT
scenes. The zoom setting is fixed at full wide angle.
Slide Panorama, Wide Shot, All-In-Focus Macro
Shooting with Zoom
Optical zoom
Zooming is performed by changing the lens focal distance, so
there is no deterioration of image quality.
HD Zoom
Allows greater zoom capabilities by cutting out a portion of the
original image and enlarging it, without deterioration of image
quality.
Single SR Zoom
Applies super resolution technology to suppress image
deterioration (page 58).
Multi SR Zoom
Shoots a burst of high-speed images, which are then combined
into a final image in a way that lessens deterioration of image
quality. Multi SR Zoom is enabled only when the “Multi SR
Zoom” recording mode is selected. (page 59)
Digital zoom
A digital process is used to enlarge the center of the image, so
there is deterioration of image quality.
z (Telephoto) : Enlarges the subject and narrows the range.
w (Wide Angle): Reduces the size of the subject and broadens the range.
w Wide Angle z Telephoto
Zoom controller
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Snapshot Tutorial
. Zooming with the Function Ring (Step Zoom)
Assigning the Step Zoom function to the function ring lets you perform zoom
operations (within the optical zoom range only) with the function ring (page 103). Step
Zoom can be adjusted to the focal distances shown below.
25, 28, 35, 50, 80, 105, 140, 192, 300
(Unit: mm; 35 mm film equivalents)
For finer zoom adjustment, use the zoom controller.
• The focal distance will be indicated on the monitor
screen while Step Zoom is being adjusted with the
function ring.
A variety of information is shown on the monitor screen while a zoom operation is in
progress.
. Zoom Mode Icons
The table below shows what appears on the monitor screen based on the zoom
mode.
Monitor Screen Information when Zooming
Zoom mode REC Screen Icon Display
Optical zoom,
HD zoom
None
Single SR Zoom ¨ (White)
Multi SR Zoom ¸ (Black)
Digital zoom ê
Current focal distance
Focusing Range
(Displayed for Auto Focus,
Macro Focus, and Manual
Focus.)
Focal distance
(Converted to 35 mm film
format.)
Image quality limit
(Deterioration starts from
here.)
Zoom bar
Zoom mode
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Snapshot Tutorial
. Interpreting the Zoom Bar
During a zoom operation, a zoom bar appears on the monitor screen to show the
current zoom setting.
. Zoom Factor
The digital zoom factor depends on the image size (page 111), the super resolution
zoom setting, and on whether or not “Multi SR Zoom” is selected (page 59).
• Multi SR Zoom is enabled only when the “Multi SR Zoom” recording mode is
selected.
Image size
Optical
zoom
Maximum zoom factor where image
deterioration can be suppressed
Total maximum
zoom factor
(In combination
with digital zoom)
Zoom (SR): Off
(HD Zoom)
Multi SR Zoom
Zoom (SR): Single
12M
12.0X
12.0X 24.0X 48.0X3:2
16:9
8M 14.8X 29.4X 58.8X
3M 23.4X 46.8X 93.6X
Range where image deterioration is
suppressed.
Wide Angle Telephoto
Zoom pointer
(Indicates current zoom.)
Point from which image deteriorates
• The location of this point depends on the image size, the “Zoom (SR)”
setting, and whether Multi SR Zoom is enabled.
Optical zoom limit point
Deteriorated image range
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Snapshot Tutorial
There are two types of Super Resolution Zoom: Single SR Zoom and Multi SR Zoom.
Single SR Zoom uses super resolution to expand the zoom range in which image
quality deterioration is minimized.
This section explains how to configure Single SR Zoom settings. For information
about Multi SR Zoom, see page 59.
• For information about the zoom factor ranges in which SR Zoom is effective, see
page 57.
1. Press [MENU].
2. Press [4], use [8] and [2] to select the “
r
REC MENU” tab, and then
press [6].
3. Use [8] and [2] to select “Zoom (SR)” and then press [6].
4. Use [8] and [2] to select “Single” and then press [SET].
NOTE
• Single SR Zoom is effective when you want to capture delicate textures.
• Single SR Zoom does not work during movie recording.
• Single SR Zoom is disabled when shooting with the following functions.
Triple Self-timer, Art Shot, Multi SR Zoom, Time Lapse, Triple Shot, some BEST
SHOT scenes
Zooming with Super Resolution (Zoom (SR))
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Snapshot Tutorial
Multi SR Zoom shoots a burst of High Speed CS images, which are then combined
into a final image. This enables shooting at higher zoom ratios without loss of image
quality.
1. Align the mode dial with [j] (Multi SR Zoom).
NOTE
• Multi SR Zoom is effective when you want to capture delicate textures.
• The following functions are disabled when shooting with Multi SR Zoom.
Single SR Zoom, Triple Self-time, Sharpness, Contrast
• With Multi SR Zoom, the flash setting automatically becomes ? (Flash Off).
• Shooting with this function automatically sets Anti-shake Functions to “Standard”
(page 110), but large movement of the camera or subject make it impossible to
achieve the desired shot.
• Depending on shooting conditions and image composition, Multi SR Zoom may not
be able to produce the desired result.
Expanding the Zoom Range without Losing Image Resolution
and Quality (Multi SR Zoom)
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Snapshot Tutorial
With High Speed CS, recording continues as long as you
keep the shutter button depressed.
The table below shows the settings that can be specified
for the CS speed and the number of images per High
Speed CS operation.
1. Align the mode dial with [P] (Program Auto).
2. Press [MENU].
3. Press [4], use [8] and [2] to select the “
r
REC MENU” tab, and then
press [6].
4. Use [8] and [2] to select “CS”, and then press [6].
5. Use [8] and [2] to select “High Speed CS” and then press [SET].
This will cause the recording mode icon on the screen to become Ú.
6. Press [SET].
7. Use [8] and [2] to select the (High Speed CS fps) Control Panel
option and then press [SET].
8. Use [8] and [2] to select the continuous shutter (CS) speed you want
and then press [4].
• Use a higher “High Speed CS fps” setting when shooting a fast-moving subject.
Shooting a Burst of Images (CS)
Shooting with High Speed CS
CS Speed
(High Speed CS
fps)
3 fps, 5 fps, 10 fps, 15 fps, 30 fps
fps = frames per second
Maximum CS
Shots
5, 10, 20, 30
Maximum CS shots
CS speed
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Snapshot Tutorial
9. Use [8] and [2] to select the (Maximum CS Shots) Control Panel
option and then press [SET].
10.
Use [8] and [2] to select the maximum number of shots and then
press [SET].
11.
Press the shutter button the rest of the way and hold it down.
Shooting of images will continue as long as you depress the shutter button or until
the maximum number of images specified by “High Speed CS fps” is reached.
Half-pressing and holding the shutter button causes a pre-record buffer to be
continually updated with images. When the shutter button is fully pressed, buffer
contents are recorded along with a series of real-time images. Use Prerecord CS
when you want to make sure you do not miss fast-moving action.
1. Perform steps 1 through 10 under “Shooting with High Speed CS”
(page 60), and specify the CS speed and the maximum number of shots
settings for each continuous shutter operation.
• After you specify the maximum number of shots, press [4] instead of [SET].
2. Use [8] and [2] to select the (Pre-record CS Shots) Control Panel
option and then press [SET].
3. Use [8] and [2] to select the number of Prerecord (Still) images and
then press [SET].
• Settings: 0 shots, 3 shots, 5 shots, 10 shots, 15 shots, 20 shots, 25 shots
• If you select “0 shots”, no pre-record images will be stored when you half-press
the shutter button.
Shooting with Prerecord CS
Shutter button
half-press
Recorded images (up to 30 images)
Pre-recorded images
Shutter button
full-press
Shutter button
release
Continuous recording of images until shutter
button released
62
Snapshot Tutorial
4. Half-press and hold the shutter button to start pre-recording.
A pre-record buffer is continually updated with images as long as the shutter
button is pressed.
• The camera will not emit shutter sounds as it pre-records images.
• Releasing the half-pressed shutter button will cause the contents of the pre-
record buffer to be deleted.
5. Full press and hold down the shutter button.
This will record the images in the pre-record buffer followed by real-time recorded
images. Shooting of images will continue as long as you depress the shutter or
until the maximum number of images specified by “High Speed CS fps” is
reached.
NOTE
• You can use any one of the following recording modes to shoot with
High Speed CS: A (Aperture AE) mode, S (Shutter Speed AE) mode, M (Manual
Exposure) mode.
• The greater the number of shots, the longer it takes to save them after shooting is
complete.
• When using a continuous shutter mode, keep the camera still until shooting is
finished.
• Zoom is disabled during continuous shutter operations.
• The snapshot image quality automatically changes to “Normal”.
• Exposure and focus for the first image are applied for successive images as well.
• The flash setting automatically becomes ? (Flash Off).
• The following image sizes cannot be selected: 3:2, 16:9. Entering the High Speed
CS mode while any one of these image sizes is selected will cause the image size
setting to change to “12M” automatically.
• The following functions cannot be used.
Motion Shutter, Triple Self-timer, Multi SR Zoom
• During CS recording some setting items are dimmed on the display and cannot be
selected.
• The Self-timer cannot be used in the Prerecord CS mode.
• If you assign “CS” to the Key Customize (page 103) “L/R Key” setting, you can
change the CS mode by pressing the [4] or [6] key.
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Snapshot Tutorial
AF CS shoots up to 30 CS images while keeping the subject in focus. This feature
comes in handy when shooting children and other fast-moving subjects. The CS
speed is automatically adjusted in accordance with shooting conditions within the
range of three to six frames per second.
1. Align the mode dial with [P] (Program Auto).
2. Press [MENU].
3. Press [4], use [8] and [2] to select the “
r
REC MENU” tab, and then
press [6].
4. Use [8] and [2] to select “CS”, and then press [6].
5. Use [8] and [2] to select “AF CS” and then press [SET].
This will cause the recording mode icon on the screen to become Ú.
6. Press the shutter button the rest of the way down.
Hold down the shutter button to shoot up to 30 images at high speed.
NOTE
• You can use any one of the following recording modes to shoot with AF CS:
A (Aperture AE) mode, S (Shutter Speed AE) mode, M (Manual Exposure) mode.
• Zoom is disabled during continuous shutter operations.
• The following image sizes cannot be selected while shooting with Auto Focus CS:
3:2, 16:9. If select AF CS while either of these image sizes is selected, the camera
will automatically switch the images size setting to 12M.
• The following camera features cannot be used while shooting with Auto Focus CS:
Motion Shutter, Triple Self-timer, Single SR Zoom.
• The settings in the table below are fixed while shooting with AF CS.
– Image Quality: Normal
– Flash: Flash Off
– Focus Mode: AF
– AF Area: Spot
Using Continuous Shutter with Auto Focus (AF CS)
64
Snapshot Tutorial
With this feature, the camera automatically triggers a self-
timer countdown whenever it detects movement in the
vicinity of an icon on the monitor screen. This means you
can control operation of the self-timer from a distance by
waving your hand, so you can include yourself in the
image being shot.
1. Select one of the following as the recording mode: Program Auto or
Premium Auto Pro, or Make-up.
2. Press [MENU].
3. Press [4], use [8] and [2] to select “r REC MENU” tab, and then
press [6].
4. Use [8] and [2] to select “Motion Shutter”, and then press [6].
5. Use [8] and [2] to select “Motion Settings”, and then press [6].
6. Use [8] and [2] to select “Always” or “180°only”, and then press
[SET].
• If you select “180°only”, go to step 7. Selecting “Always” activates Motion
Shutter. Advance to step 8.
7. If you selected “180°only” in step 6 above, tilt the camera’s monitor
screen 180 degrees (page 19).
This activates Motion Shutter.
8. Press the shutter button (if you want to shoot a snapshot) or
[0] (Movie) (if you want to shoot a movie).
• About three seconds after you press the shutter button or [0] (Movie) button,
the camera will go into standby. This will cause the self-timer icon “ ” to
change from flashing to blue.
9. Facing the camera, move your hand or perform some other movement
in the vicinity of the (start self-timer) icon on the monitor screen.
When the camera detects movement near the icon, it will automatically shoot an
image.
• To stop movie recording, press [0] (Movie) again.
Triggering a Self-timer Operation with Motion (Motion Shutter)
65
Snapshot Tutorial
NOTE
• After shooting a snapshot, the camera will return to standby. Any one of the
following will cancel a Motion Shutter operation.
– Shooting 30 Motion Shutter snapshots
– Pressing the shutter button during standby
– Tilting the monitor screen
– Rotating the camera
• The Motion Shutter may not operate properly when there is little difference
between the subject and the background of the icon, or when the subject is located
far away from the camera.
• (preview icon) will appear on the monitor screen when a snapshot is shot.
When the camera detects movement in the vicinity of the preview icon, it will
display the image that was shot for three seconds.
•“O Tracking” cannot be selected for the AF area setting while shooting with the
Motion Shutter. If “O Tracking” is selected in another mode, selecting the Motion
Shutter will cause the AF area setting to change to “U Spot” (page 107).
• You cannot shoot a snapshot by pressing the shutter button while movie recording
is in progress (Snapshot In Movie).
66
Snapshot Tutorial
Use the procedure below to configure Motion Shutter settings.
1. In the REC mode, press [MENU].
2. Press [4], use [8] and [2] to select the “
r
REC MENU” tab, and then
press [6].
3. Use [8] and [2] to select “Motion Shutter” and then press [6].
4. Configure Motion Shutter settings.
Configuring Motion Shutter Settings (Motion Shutter)
Setting Description
Motion
Settings
Specifies the Motion Shutter activation operation.
Always:
Motion Shutter remains activated, regardless of whether or
not the monitor screen is tilted.
180°only:
Motion Shutter is activated when the monitor screen is
tilted 180 degrees.
Off: Motion Shutter disabled.
Timer
Specifies the amount of time that should elapse until
shooting starts after the camera detects movement.
Settings: 0.5 sec, 1 sec, 2 sec, 10 sec
Motion
Position
Changes the positions of the self-timer icon “ ” and
preview icon “ ”.
[8] [2] [4] [6]: Moves the currently selected icon.
[W] (Wireless): Selects the icon to be moved.
67
Snapshot Tutorial
A variety of artistic effects help to make even common, ordinary subjects become
more novel and exciting.
1. Align the mode dial with [C] (Art Shot).
2. Press [SET].
3. Use [8] and [2] to select the Control Panel option, and then press
[SET].
This will display a menu of Art Shot scenes.
4. Select the Art Shot scene you want to use and then press [SET].
Shooting with Artistic Effects (Art Shot)
Scene Description
HDR Art
Uses HDR (High Dynamic Range, page 92) to turn normal
images into works of art.
Toy Camera
Dark edges and altered hues make images look like they
were shot by a toy camera.
Soft Focus Overall blurring for a soft and romantic effect.
Light Tone Weakened contrast for a feeling of airy refinement.
Pop
Enhanced saturation makes colors stand out in with rich
clarity.
Sepia Sepia tones create a decidedly retro look.
Monochrome
All of the strong contrast and graininess of a black and white
print.
Miniature
Partial blurring makes scenes look like they are from of a
miniature world.
Fisheye
A fisheye lens effect can be used to create a variety of
humorous images.
Sparkling Shot
Softens the overall image and adds points of light for a
sparkle effect.
Crystal Ball
Creates a mysterious effect by placing the image in a bubble
floating in midair.
Art Shot Bracketing
Shoots a series of photos with HDR Art, Toy Camera,
Monochrome, and Crystal Ball. A copy of the image (shot
with Program Auto) without any effect applied is also saved
at the beginning of the series of bracketed images.
68
Snapshot Tutorial
5. Press [SET], use [8] and [2] to select the fifth Control Panel option
from the top, and then press [SET].
The intensity of the selected effect can be adjusted as described below.
• When shooting with Art Shot Bracketing, effects are applied at the levels
currently set for each applicable scene (HDR Art, Toy Camera, Monochrome,
Crystal Ball). To change the level of one of these effects, select the applicable
Art Shot scene and then perform step 5, above.
6. Use [8] and [2] to change the setting, and then press [SET].
7. Press the shutter button to shoot.
. Using the Scene Information Screen
To find out more about a scene, select it with the boundary
on the scene menu and then rotate the zoom controller in
either direction.
• To return to the scene menu, rotate the zoom controller
again.
• To scroll between scenes, use [4] and [6].
• To configure the camera with the settings for the currently
selected scene, press [SET].
Scene Adjustment
HDR Art Effect level
Toy Camera Hue
Soft Focus Effect level
Light Tone Hue
Pop Effect level
Sepia Effect level
Monochrome Effect level
Miniature Focus area
Fisheye Effect level
Sparkling Shot Effect type
Crystal Ball Effect type
69
Snapshot Tutorial
NOTE
• Depending on the “Art Shot” scenes, some of the items on the menu that appears
may not be usable.
• The flash setting automatically becomes
?
(Flash Off).
• Movie recording is disabled while “Sparkling Shot” or “Art Shot Bracketing” is
selected.
• After shooting an image with “Art Shot Bracketing”, you will not be able to shoot
another image until save of the previous image is complete.
• With HDR Art Movie, the “Movie Quality” setting can be either “HD” or “STD” only
(page 113). When any “Movie Quality” setting other than “STD” is selected in
another mode, the “HD” setting is used when shooting with HDR Art Movie.
• When using “HDR Art” for movie recording, the intensity of the art effect is fixed in
accordance with movie settings.
• An image shot with an Art Shot scene cannot be converted to a normal image
without the Art Shot effect.
You can configure the camera to save two images when shooting with HDR Art: one
image with HDR Art effects applied in accordance with the scene you selected plus
another normal (Program Auto) image without any effects applied.
1. Align the mode dial with [C] and then press [MENU].
2. Press [4], use [8] and [2] to select the “
r
REC MENU” tab, and then
press [6].
3. Use [8] and [2] to select “Double (HDR Art)” and then press [6].
4. Use [8] and [2] to select “On” and then press [SET].
While “Off” is selected for the above step, only a single HDR Art image is saved
(normal image not saved).
5. Press the shutter button to shoot.
NOTE
• Except for HDR Art, shooting with an Art Shot scene saves only an Art Shot image.
No companion normal (non Art Shot) image is saved.
Saving a Second Normal Image When Shooting With HDR Art
(Double (HDR Art))
70
Snapshot Tutorial
You can use the procedure below to record a series of images over a specified period
(Interval Shot). This function is useful when recording the movement of stars, a
blooming flower, etc.
• When using this function, shooting with a tripod is recommended.
• To prevent loss of power while shooting, use a fully charged battery.
• Make sure the memory card you are using has sufficient unused space before
using this function.
• Focus is fixed at what they are when shooting is started.
1. Align the mode dial with [F] (Time Lapse).
2. Press [SET].
3. Use [8] and [2] to select the (Time Lapse) Control Panel option,
and then press [SET].
This displays a menu of Time Lapse scenes.
4. Use [8], [2], [4], and [6] to select “ Interval Shot”, and then press
[SET].
5. Press [SET], use [8] and [2] to select the (Time Lapse Settings)
Control Panel option, and then press [SET].
6. Use [8] and [2] to select “ Interval” or “ Shots”, press [6], and
then use [8] and [2] to change the setting.
7. Press [SET].
• The current Interval Shot settings are shown at the
bottom of the monitor screen.
8. Press the shutter button to start recording.
• Shooting is repeated at the interval specified in
step 6.
• Recording stops when the recording time specified
in step 6 elapses or when the shutter button is
pressed again.
Shooting Multiple Images Over a Specified Period
(Interval Shot)
Interval Specifies the shooting interval.
Shots Specifies the number of shots.
Interval
Number of shots
Remaining
shooting time
71
Snapshot Tutorial
NOTE
• The monitor screen is blank while a time lapse operation is in progress. The
camera’s back lamp will be lit to indicate that recording is in progress. Performing a
camera operation while the monitor screen is blank will cause screen contents to
appear. Note, however, that changing the mode dial setting will cause the Interval
Shot operation to stop.
• If the “ Interval” setting is one minute or greater, the camera’s lens will retract
and the back lamp will go out between shots. Turning on the camera while an
Interval Shot operation is in progress will cause a message to appear.
The camera’s battery can be charged over a USB connection while the lens is
retracted during Interval Shot. If you want the battery to be charged during Interval
Shot, set up the USB connection before starting the recording operation.
Connecting the USB cable while the lens is extended will cause camera power to
turn off.
• The “Auto Flash” and “Red Eye Reduction” flash settings are not supported while a
setting other than “Auto” is selected for the “Aperture” or “Shutter Speed” setting
while using Interval Shot. Selecting Interval Shot while an unsupported flash setting
is in effect will cause the flash mode setting to change automatically to “Flash Off”.
• The functions below cannot be used with this function.
Shoot with phone, High Speed CS, Motion Shutter, Anti-shake Functions, Zoom
(SR), Continuous AF
• Pressing the shutter button while the camera is standing by between Interval Shot
shots will cancel the Interval Shot operation and display the message “Interval
recording was canceled.”
• The Auto Power Off is disabled while shooting with this function (page 176).
72
Snapshot Tutorial
Triple Shot shoots a burst of three images and stores them in memory. This feature is
great for making sure you don’t miss those special moments when kids are around.
1. Align the mode dial with [D] (Triple Shot).
2. Point the camera at the subject and then half-press the shutter button.
The camera will start pre-recording images at this time.
• If you release the half-pressed shutter button before pressing it the rest of the
way down, all of the images currently in the pre-record buffer will be deleted.
3. Press the shutter button all the way down to record.
This will record three images: one of the action before the shutter button is fully
pressed plus two real-time images.
• Pressing the shutter button all the way without first half-pressing it will result in
only two images being recorded.
NOTE
• The settings in the table below are fixed while shooting with this function.
– Self-timer: Off
– Flash: Flash Off
– Image Quality: Normal
– Single SR Zoom: Off
– Face Detection: On
– Focus Mode: AF
– AF Area: “Intelligent” or “Spot”*
* If you select “I Multi” or “O Tracking” for this setting in another mode and then
shoot with Triple Shot, shooting is performed using the “U Spot” setting.
Shooting with Triple Shot
73
Recording Movies
Recording Movies
The procedure below shows the steps for normal standard (STD or FHD) movie
recording. For information about other types of movie recording (High Speed Movie),
see page 77.
1. Align the mode dial with [P] (Program Auto) or
[Ÿ] (Premium Auto Pro).
2. Press [MENU].
3. Press [4], use [8] and [2] to select the
“
r
REC MENU” tab, and then press [6].
4. Use [8] and [2] to select “Movie Quality” and then press [6].
5. Use [8] and [2] to select the movie quality you want to use, and then
press [SET].
• fps (frames per second) is a unit of measurement for the number of images per
second.
• Image size settings are fixed.
• When high-definition movie (FHD) is selected, the movie is shot with an aspect
ratio of 16:9.
• The camera uses progressive scan for FHD movies.
• The shooting range for movies is smaller than that for snapshots. You can
display the movie shooting range with “Shooting Info” (page 170).
6. Press [0] (Movie).
This will start recording and display Y on the
monitor screen.
Movie recording includes stereo audio.
• Pressing [SET] will re-start a Continuous AF
operation (page 109).
To record a movie
Movie
Quality
REC Screen
Icon Display
Frame Rate
Image Size
(Pixels)
STD 30fps 640
x
480
FHD 30fps 1920
x
1080
[P] or [Ÿ]
Recording time
Remaining recording time
(page 219)
74
Recording Movies
7. Press [0] (Movie) again to stop recording.
• Each movie can be up to 29 minutes long. Movie recording stops automatically
after 29 minutes of recording. Movie recording also will stop automatically if
memory becomes full before you stop movie recording by pressing [0] (Movie)
again.
• The movie is recorded in MOV format (page 170). The camera does not
support conversion to a different movie format.
Recording Movies with Premium Auto Pro
When Premium Auto Pro is enabled (page 33), the
camera automatically make judgments about the
subject, shooting conditions, and other parameters. The
result is higher quality images than those produced by
Program Auto recording. The shooting environment detected by the camera is
displayed at the bottom of the REC mode screen.
• Premium Auto Pro is enabled for FHD movies and STD movies only.
• Using Premium Auto Pro uses up the battery charge more quickly than using
Program Auto recording.
Shooting with BEST SHOT
With BEST SHOT (page 86), you can select the sample scene that matches the type
of movie you are trying to shoot and the camera will change its setup accordingly, for
beautiful movies every time.
Minimizing the Effects of Camera Movement during Movie Recording
You can use Anti Shake (page 110) to configure the camera to minimize the effects of
camera movement during FHD and STD movie recording. Note that Anti Shake
cannot be used with HDR Art Movie and that Anti Shake does not prevent image blur
due to subject movement.
75
Recording Movies
Your camera has built-in microphones that can be used to record audio (stereo)
during movie recording.
• Your camera has a function to reduce wind noise (Wind Noise Cut) when recording
movies (page 116).
. Recording Precautions
• The camera also records audio. Note the following points
when shooting a movie.
– Take care that the microphones are not blocked by your
fingers, etc.
– Good audio recording results are not possible when the
camera is too far away from what you are trying to
record.
– Performing a zoom operation while shooting can cause zoom and/or auto focus
noise to be in the audio recording.
– Operating camera buttons while shooting can cause button noise to be picked
up in the audio.
• When shooting with the “HS” movie quality at a frame rate setting of
“30-120 fps” or “30-240 fps”, audio is recorded only while the camera is shooting at
30 fps. Audio is not recorded at any other frame rates (page 113).
IMPORTANT!
• Spending a long time using movie recording will cause the camera to become
slightly warm to the touch. This is normal and does not indicate malfunction.
• Shooting movies for long periods in areas where temperature is relatively high can
cause digital noise (dots of light) to appear in the movie image. A rise in the
camera’s internal temperature also may force movie recording to stop
automatically. If this happens, stop recording and allow the camera to cool down,
which should cause normal operation to resume.
• Use of the camera’s built-in memory or certain types of memory cards can slow
down processing speeds. In particular, high-quality movies may not be able to be
stored correctly. A slow memory card can take too much time to record data and
result in breaks in the image and/or audio during playback. When this happens a
yellow “Y” indicator will appear on the monitor screen.
Audio
Microphones
76
Recording Movies
NOTE
• Zoom operations are supported during movie recording (page 55). Zoom is
disabled during high speed movie recording. To use zoom for high speed movie
recording, perform the zoom operation before you press [0] (Movie) to start
recording.
• Both Single SR Zoom (page 58) and Multi SR Zoom (page 59) are disabled during
movie recording.
• The effects of camera movement in an image become more pronounced when you
shoot close up or with a large zoom factor. Because of this, use of a tripod is
recommended under these conditions.
• Except for High Speed Movie, Continuous AF (page 109) is performed during
movie recording while “AF” (Auto Focus) or “Macro” is selected for the “Focus”
setting.
• Face Detection is disabled during normal FHD and STD, and high speed movie
recording. Face Detection is enabled when shooting movies with Premium Auto
Pro (FHD and STD).
• The following functions do not support movie recording.
Triple Shot, Multi SR Zoom, some BEST SHOT scenes
• The A, S, and M recording modes are not supported when shooting a movie, or
when using the “Prerecord (Movie)” BEST SHOT scene. In these cases, the
recording mode is always P (Program Auto).
77
Recording Movies
This camera supports recording of high speed movies at a maximum speed of
1000 fps. The aspect ratio of movies recorded with this mode depends on the frame
rate (recording speed).
• When recording with the frame rate setting of “30-120 fps” or “30-240 fps” frame
rate setting, audio recording is supported during 30 fps recording only. Audio is not
recorded at any other frame rates.
1. Align the mode dial with [P] (Program Auto).
• High Speed Movie recording is not supported when shooting with Premium
Auto Pro.
2. Press [MENU].
3. Press [4], use [8] and [2] to select the “
r
REC MENU” tab, and then
press [6].
4. Use [8] and [2] to select “Movie Quality” and then press [6].
5. Use [8] and [2] to select the frame rate (recording speed) you want
and then press [SET].
A fast frame rate (such as 1000 fps) will result in a smaller image size.
Recording a High Speed Movie
Movie
Quality
REC Screen
Icon Display
Frame Rate
Image Size
(Pixels)
HS1000 1000 fps 224
x
64
• fps (frames per
second) is a unit of
measurement
indicating the
number of images
recorded or played
back per second.
HS480 480 fps 224
x
160
HS240 240 fps 512
x
384
HS120 120 fps 640
x
480
HS30-240 30-240 fps 512
x
384
HS30-120 30-120 fps 640
x
480
78
Recording Movies
6. Record the movie the same way as you would a normal movie (page
73).
Press [0] (Movie) to start and stop recording.
• During High Speed Movie recording (HS120, HS240, HS480, HS1000), focus
is fixed at the position where it was when recording started. To focus an image,
half-press the shutter button for Auto Focus or focus manually before you press
[0] (Movie) to start recording.
• Continuous AF is operational when recording at 30 fps with “HS30-120” or
“HS30-240”. However, focus becomes fixed whenever you switch to 120 fps or
240 fps.
• When “HS30-120” or “HS30-240” is selected as the frame rate, recording
always starts with a frame rate of 30 fps. You can switch the frame rate
between 30 fps and 120 fps or between 30 fps and 240 fps only while recording
is in progress. Press [4], [6], or [SET] to switch speeds. Audio is recorded
only while shooting at a 30 fps.
NOTE
• The higher the frame rate (speed), the more lighting is required when shooting.
When shooting a high speed movie, shoot in a well-lit environment.
• When recording certain types of movies, the image that appears on the monitor
screen may be smaller than normal. When recording a high speed movie, there are
black bands along the top, bottom, left, and right of the screen.
• When recording a high speed movie, light source flicker can cause horizontal
bands to appear in the image. This does not indicate malfunction of the camera.
• Monitor screen content switching is disabled during high speed movie recording.
79
Recording Movies
Prerecord (Movie) maintains a pre-recording of approximately five seconds of action
(approximately two seconds for High Speed Movie). When you start real-time
recording, the pre-recorded content is stored followed by the real-time recording, to
help make sure you do not miss anything by being late pressing the record button.
. To set up the camera to shoot with Prerecord Movie
1. Align the mode dial with [b] (BEST SHOT).
2. Press [MENU].
3. Press [4], use [8] and [2] to select the “
r
REC MENU” tab, and then
press [6].
4. Use [8] and [2] to select “Movie Quality” and then press [6].
5. Use [8] and [2] to select the movie quality you want to use for
shooting and then press [SET].
6. Press [SET].
7. Use [8] and [2] to select the Control Panel option, and then press
[SET].
8. Use [8], [2], [4], and [6] to select the “Prerecord (Movie)” scene and
then press [SET].
This causes ‰ (Prerecord (Movie)) to appear on the monitor screen, indicating
that the camera is prerecording to its buffer.
Using Prerecord Movie (Prerecord (Movie))
[0] (Movie)[0] (Movie)
Movie
Real-time recording start
Approximately 5-second prerecorded part (from the buffer)
• Approximately two seconds for high speed movie
Real-time recording end
80
Recording Movies
. To shoot a Prerecord Movie
1. After using the above procedure to set up the camera for Prerecord
Movie, point the camera at the subject.
2. When you are ready to record, press [0] (Movie).
This will save the approximately five seconds of action that was prerecorded in
the buffer before you pressed [0] (Movie) (two seconds if you are using high
speed movie) and start real-time recording.
3. Press [0] (Movie) again to stop recording.
• To turn off Prerecord Movie recording, align the mode dial with [P] (Program
Auto) or [Ÿ] (Premium Auto Pro).
• When shooting with the high speed movie “HS30-120” and “HS30-240” setting,
you cannot change the speed (fps) setting while the camera is pre-recording to
the buffer in step 1 of the above procedure. You can change the speed (fps)
setting after you press [0] (Movie) to start real-time recording.
NOTE
• While the camera is set up for shooting with Prerecord Movie, pressing the shutter
button will not shoot a snapshot unless movie recording is in progress. With high-
definition (FHD) and standard (STD) movie, you can shoot still images while
realtime movie recording is in progress.
• When shooting with Prerecord Movie in combination with high speed movie,
rotating the control dial will not change the Exposure or white balance setting, even
if “Exposure” or “White Balance” is assigned for the “Control Dial” function. To
change the Exposure Compensation or white balance setting in this case, use the
Control Panel.
81
Recording Movies
You can use this function to record movies of natural events that occur over time, to
speed up the flow of traffic in a city scene, or to record other similar types of movies.
Time Lapse provides a collection of sample scenes that show various types of
images. Simply selecting a scene causes the camera to set up automatically with
optimal settings for the subject type and conditions shown in the sample scene.
• Normally, you should use the “» Standard” scene.
• When using this function, shooting with a tripod is recommended.
• To prevent loss of power while shooting, use a fully charged battery.
• Make sure the memory card you are using has sufficient unused space before
shooting with this function.
• Focus is fixed at what they are when shooting is started.
• For some scenes, brightness and white balance settings are fixed at what they are
when shooting is started.
Recording a Time Lapse Movie (Time Lapse)
Scene Description
Interval Shot
You can specify the shooting interval and the number of shots.
* page 70
Standard
Lets you view long movies more quickly. You can specify the
shooting interval and time.
Clouds
For images that capture the feel of clouds floating across the
sky.
Night Scene
Headlights and building lights add a dramatic touch to
nightscapes.
Sundown Reproduces all the beauty and drama of the setting sun.
Trains & Planes
Sets up for great images of trains, planes, and other modes of
transport.
Cityscape Captures the hustle and bustle of a busy city street.
HDR Art
Uses HDR (High Dynamic Range, page 92) to turn normal
images into works of art.
Toy Camera
Dark edges and altered hues make images look like they were
shot by a toy camera.
Monochrome
All of the strong contrast and graininess of a black and white
print.
Miniature
Partial blurring makes scenes look like they are from of a
miniature world.
Fisheye
A fisheye lens effect can be used to create a variety of
humorous images.
82
Recording Movies
1. Align the mode dial with [F] (Time Lapse).
2. Press [SET].
3. Use [8] and [2] to select the (Time Lapse) Control Panel option,
and then press [SET].
This displays a menu of Time Lapse scenes.
4. Select the scene you want to use and then press [SET].
• A scene that can be used for time lapse recording is indicated by ».
5. Press [SET], use [8] and [2] to select the (Time Lapse Settings)
Control Panel option, and then press [SET].
6. Use [8] and [2] to select “ Interval” or “ Total Time”, press [6],
and then use [8] and [2] to change the setting.
Each scene is initially configured with unique “ Interval” and “ Total Time”
default settings. Change these settings, if you want.
7. Press [SET].
• Time Lapse settings are shown at the bottom of
the screen.
8. Press the shutter button to start recording.
• Shooting is repeated at the interval specified in
step 6.
• Recording stops when the recording time
specified in step 6 elapses or when the shutter
button is pressed again.
• Remaining recording time is not displayed
when the “ Total Time” setting is “Off”.
Interval Specifies the number of seconds between shots.
Total Time
Specifies the recording time. Selecting “Off” causes
recording to continue until the shutter button is pressed
again.
Interval
Total Time
Scene
Remaining recording time
Recording time
83
Recording Movies
NOTE
• During Time Lapse recording, the monitor screen will turn off in accordance with
the “Sleep” setting (page 176). Change the “Sleep” setting to “Off” if you want the
monitor screen to stay on. Note, however, that this setting will use up battery power
more quickly.
• If sleep is enabled (page 176), the monitor screen will turn off after the preset sleep
period if no camera operation is performed, but the time lapse recording operation
will continue. The camera’s back lamp will flash at this time. Performing any
operation while the monitor screen is blank will turn it back on. However, the
following operations will not turn the monitor screen back on.
– Pressing [ON/OFF] (Power)
– Pressing the shutter button all the way
– Rotating the mode dial
• The Auto Power Off is disabled while time lapse recording is in progress (page
176).
• The following functions cannot be used with this function.
Single SR Zoom, Anti-shake Functions, Lighting, Continuous AF, Triple Self-timer,
Motion Shutter, Face Detection, Metering, ISO, ISO High Limit, Make-up
• The frame rate of playback of movies shot with this function is 20 fps. Movie quality
depends on the scene you are using.
Scene 2 to 7: FHD
Scene 8 to 12: HD
• Note that audio is not recorded when recording with this function.
• When shooting in combination with the functions below, maximum zoom is 2X and
the focus mode is infinity.
Clouds, Sundown
• The camera can be configured to play only Time Lapse movies during a slideshow
(page 130).
• When using “» HDR Art” for movie recording, the intensity of the art effect is fixed
in accordance with movie settings.
• You cannot shoot a snapshot by pressing the shutter button while time lapse
recording is in progress (Snapshot In Movie).
• To adjust brightness when shooting with the Time Lapse “» Night Scene”, use
“
S
” (Shutter Speed) on the Control Panel (page 43) to adjust the shutter speed.
84
Recording Movies
. Using the Scene Information Screen
To find out more about a scene, select it with the boundary
on the scene menu and then rotate the zoom controller in
either direction.
• To return to the scene menu, rotate the zoom controller
again.
• To scroll between scenes, use [4] and [6].
• To configure the camera with the settings for the currently
selected scene, press [SET].
You can shoot snapshots while movie recording is in progress by pressing the shutter
button. When the camera is in the Single Shot mode, you can shoot snapshots one-
by-one. In the CS mode, holding down the shutter button will record up to seven
consecutive images at a speed of approximately 10 images per second (fps). You
can shoot a maximum total of 28 images during a single movie recording operation.
Shooting a Snapshot while Shooting a Movie
(Snapshot In Movie)
1. While a movie is being recorded, press the
shutter button.
• Select FHD movie or STD movie as the movie
quality setting (page 113).
• In the CS mode, images continue to be shot as long
as you keep the shutter button depressed.
• While movie recording is in progress, you can toggle
between the Single Shot Mode and the CS mode by
pressing [Õ] (Continuous Shutter), [4] or [6]. Note
that this method for mode switching is possible only
during movie recording. The CS mode is indicated
when is white (on the monitor screen), and the
Single Shot mode is selected when t is white.
Number of recordable
snapshots
Snapshot
recording mode
85
Recording Movies
NOTE
• Note that the flash cannot be used.
• Note that shooting a snapshot while shooting a movie is supported during FHD
movie and STD movie recording only. It is not supported during other types of
movie recording.
• Auto-focus is not performed if you half press the shutter button to shoot a snapshot
during movie recording. You can restart Continuous AF by pressing [SET].
• The field of view of a snapshot shot while FHD movie recording is in progress will
be wider than the field of view of the FHD movie.
• The image quality automatically changes to “Normal”.
• The P (Program Auto) recording mode is used when you shoot a snapshot during
movie recording.
• You cannot shoot with Snapshot In Movie while Motion Shutter or Time Lapse
movie recording is in progress.
86
Using BEST SHOT
Using BEST SHOT
BEST SHOT provides you with a collection of sample “scenes” that show a variety of
different types of shooting conditions. When you need to change the setup of the
camera, simply find the scene that matches what you are trying to achieve, and the
camera sets up for it automatically. This helps to minimize the chance of ruined
images due to poor exposure and shutter speed settings.
No.
Scene Description
1 Make-up
Adjusts skin tone. Setting zoom to telephoto blurs the
background.
2 Make-up BKT Shoots 3 images with different skin tone settings.
3Magnifying Glass
SR Zoom magnification from closest macro zoom
position.
4 HS Night Scene
Auto detection of handheld or tripod shooting for
beautiful, blur-free night scenes.
5
HS Night Scene and
Portrait
Auto detection of handheld or tripod shooting for
beautiful night scenes and portraits.
6HS Night Shot
Enables recording of an image without flash, even
when lighting is dim.
7HDR
Combines multiple images for best exposure, even for
complex brightness conditions. * page 92
8 HS Anti Shake
Records multiple images and combines them into a
single image to correct image blur.
9 Blurred Background
Blurred background makes subject stand out. Move in
as close to subject as possible. * page 93
10 All-In-Focus Macro In-focus macro shooting up to distant scenery.
11 Slide Panorama
Sweep the camera in the direction you want to shoot a
wide panorama. * page 94
12 Wide Shot Sweep the camera to shoot a wide image. * page 96
13 Scenery Hard sharpness High saturation
14
Portrait With
Scenery
Adjustable skin tone. Wide angle zoom simplifies
focusing of people and scenery.
15 Children Fast shutter speed
16 Sports Fast shutter speed
17 Candlelight Portrait
Soft sharpness and tungsten white balance. Keep the
camera still!
18 Party Fast shutter speed
19 Pet Fast shutter speed Shoot from the eye level of your pet.
20 Flower Macro Mode High saturation
87
Using BEST SHOT
21 Natural Green
Hard sharpness and high saturation enhance green
hues.
22 Autumn Leaves Hard sharpness and high saturation enhance red hues.
23 Soft Flowing Water Slow shutter speed
24 Splashing Water Fast shutter speed
25 Sunset Red filter Daylight white balance
26 Fireworks Slow shutter speed Keep the camera still!
27 Food Macro Mode High saturation
28 Text Macro Mode Hard sharpness High contrast
29 RAW Image
RAW image file recording. JPEG data version is also
saved. * page 98
30 Prerecord (Movie)
Continually pre-records movie images, which are saved
when ° is pressed. * page 79
31 HDMI TV Output
Displays camera screen contents on a TV over an
HDMI cable connection. * page 99
32
Register User Scene
(Custom Shot)
Registers a new user scene. Press the ¦ button to
start image selection. * page 90
No.
Scene Description
88
Using BEST SHOT
1. Align the mode dial with [b] (BEST SHOT).
2. Press [SET].
3. Use [8] and [2] to select the Control Panel
option, and then press [SET].
This will display a menu of BEST SHOT scenes.
4. Use [8], [2], [4], and [6] to move the
boundary to the scene you want to select.
• You can scroll to another page of scenes by
pressing [8] or [2], or rotating the function ring.
5. Press [SET] to configure the camera with the
settings for the currently selected scene.
This returns to the REC mode.
• To select a different BEST SHOT scene, repeat
the above procedure from step 2.
6. Press the shutter button (if you are shooting a
snapshot) or [0] (Movie) (if you are shooting a
movie).
• With some BEST SHOT scenes, the message “Busy... Please wait...” will
appear on the monitor screen after you press the shutter button. The camera is
in the process of recording an image until the message appears. Keep the
camera still. The image processing operation takes some time to complete
after the message appears. You will not be able to record another image while
the message is displayed.
. Using the Scene Information Screen
To find out more about a scene, select it with the boundary
on the scene menu and then rotate the zoom controller in
either direction.
• To return to the scene menu, rotate the zoom controller
again.
• To scroll between scenes, use [4] and [6].
• To configure the camera with the settings for the currently
selected scene, press [SET].
To shoot with BEST SHOT
Currently selected
scene (with boundary)
Scene number
Scene name
[b]
89
Using BEST SHOT
. BEST SHOT Precautions
• Sample images shown on BEST SHOT scene screens were not shot with this
camera. There are provided to illustrate the effects and merits of each scene.
• Images shot using a BEST SHOT scene may not produce the results you expected
due to shooting conditions and other factors.
• You can modify the camera settings that are configured after you select a BEST
SHOT scene. Note, however, that the BEST SHOT settings revert to their defaults
when you select another BEST SHOT scene or turn off the camera.
• Snapshot shooting is disabled while the following BEST SHOT scenes are being
used.
Prerecord (Movie)
• Movie recording is disabled while the following BEST SHOT scenes are being
used.
Make-up BKT, Magnifying Glass, Blurred Background, All-In-Focus Macro, HS Anti
Shake, Wide Shot, HS Night Shot, Slide Panorama, HDMI TV Output
• When the movie recording mode is FHD/STD, movies are recorded using the
settings of the selected BEST SHOT scene. For high speed movie recording,
BEST SHOT scene settings are ignored and movie recording is performed as it
normally is.
• BEST SHOT scenes that use High Speed CS ignore the “Zoom (SR)” setting.
• With the BEST SHOT scenes below, certain shooting conditions can cause the
image area to become narrower than normal.
HS Night Scene and Portrait, HS Night Shot
• When shooting with All-In-Focus Macro, the focus range (page 47) is
approximately 12 cm.
• When shooting with All-In-Focus Macro, the camera will display the message
“Could not merge. Will record as normal images.” if it judges that it cannot perform
an operation. The images shot by the camera will be saved even if they cannot be
merged.
90
Using BEST SHOT
You can register up to 999 setups, based on snapshots shot with the camera, as
“Custom Shot” scenes. Selecting a registered “Custom Shot” scene configures the
camera with its settings. The setups of snapshots recorded with the following modes
and features can be registered as “Custom Shot” scenes.
• Program Auto
• A Mode
• S Mode
• M Mode
• BEST SHOT (Excluding “Prerecord (Movie)”, and “HDMI TV Output”)
. To register a “Custom Shot” scene
1. In the BEST SHOT Mode, select “Custom Shot (Register User Scene)”
(page 86).
2. Use [4] and [6] to select the snapshot whose setup you want to save.
3. Select “Save”, and then press [SET].
Your scene will be assigned the name “Custom Scene”, along with a scene
number.
NOTE
• A movie setup cannot be registered as a “Custom Shot” scene.
• You can check the settings of the currently selected “Custom Shot” scene by
displaying the camera’s setting menus and looking at its settings.
• “Custom Shot” scenes are assigned numbers in the sequence: U1, U2, and so on.
• The following are the settings that are saved for each “Custom Shot” scene.
Face Detection, Focus, Exposure, White Balance, Flash, ISO, Metering, Lighting,
Flash Intensity, Sharpness, Saturation, Contrast
• “Custom Shot” scenes are stored in built-in memory (page 170) in the SCENE
folder (snapshots).
• Formatting the camera’s built-in memory (page 180) deletes all user “Custom Shot”
scenes.
• Use the following procedure when you want to delete a “Custom Shot” scene.
1
Display the information screen (page 88) of the user BEST SHOT scene you
want to delete.
2
Press [2] ( ), select “Clear”, and then press [SET].
Creating and Using Your Own Setups (Custom Shot)
91
Using BEST SHOT
. To record with a registered Custom Shot scene
1. In the BEST SHOT Mode, select the registered “Custom Scene” (page
88).
2. Press the shutter button to shoot.
Make-up enables adjustment of human skin tone hues and texture, and softening of
facial shadows caused by harsh sunlight for better looking portraits.
1. In the BEST SHOT Mode, select “Make-up” (page 86).
2. Press [SET], and then select the “ ” (Make-up Settings) Control Panel
option (page 43).
3. Select the setting you want, and change the setting value.
4. Press [SET].
Make-up Bracketing (Make-up BKT) lets you shoot three versions of the same image
with the press of the shutter button, each with a different Skin Tone setting. One of
the images is shot using the camera’s current Skin Tone setting, while the other two
images are shot using variations of the Skin Tone setting.
1. In the BEST SHOT Mode, select “Make-up BKT” (page 86).
2. Press [SET], and then select the “ ” (Make-up Settings) Control Panel
item (page 43).
3. Select the setting you want, and change the setting value.
4. Press [SET].
Recording Beautiful Portraits (Make-up)
Skin Tone “Tan +6” to “0 (Off)” to “Light +6”
Smooth Skin “0 (Off)” to “+12 (Max.)”
Shooting Three Versions of an Image with Different Skin Tone
Settings (Make-up BKT)
Skin Tone “Tan +6” to “0 (Off)” to “Light +6”
Smooth Skin “0 (Off)” to “+12 (Max.)”
92
Using BEST SHOT
5. Press the shutter button to shoot.
This will shoot and store three versions of the same image with various “Skin
Tone” settings, based on the setting you selected in step 4, above.
NOTE
• After shooting an image with Make-up BKT, you will not be able to shoot another
image until save of the previous image is complete.
• Only two versions of the image will be shot and stored if you shoot with Make-up
BKT while “Tan +6” or “Light +6” is selected for “Skin Tone”.
• Movie recording is disabled while Make-up BKT is selected.
With HDR (High Dynamic Range), the camera shoots a series of CS images using
different exposure settings and combines them into a final image to correct for
overexposure or underexposure of subjects of different brightness levels.
1. In the BEST SHOT Mode, select “HDR” (page 86).
2. Press [SET], and then select the (HDR Level) Control Panel option
(page 43).
3. Select the HDR Level setting you want, and then press [SET].
• You can select one of three HDR levels.
NOTE
• HDR works best when shooting with the camera mounted on a tripod.
• Shooting with this function causes the flash setting to change automatically to
?
(Flash Off).
• Anti Shake correction performed to compensate for camera movement while
shooting with this function results in an image area that is narrower than normal.
• The desired HDR effect may not be attained if the camera or subject moves during
shooting.
Digitally Correcting for Overexposure and Underexposure
(HDR)
93
Using BEST SHOT
This function analyzes a burst of consecutive images and then blurs the background
behind the main subject. This creates an effect that really makes the subject stand
out, just like photographs taken with a single-lens reflex camera. The blur effect can
be set to one of three levels.
1. In the BEST SHOT Mode, select “Blurred Background” (page 86).
2. Press [SET], and then select the (Blur Effect) Control Panel option
(page 43).
3. Select the Image Blur level you want, and then press [SET].
• You can select one of three Image Blur levels.
• Get as close as possible to the subject. Also, the background should be as far
away as possible from the subject. The required distances depend on the
zoom factor being used.
NOTE
• With this function, the flash setting automatically becomes ? (Flash Off).
• Shooting with this function automatically sets Anti-shake Functions to “Standard”
(page 110), but large movement of the camera or subject make it impossible to
achieve the desired shot.
• If the camera determines that it is unable to blur the background of an image for
some reason, it will display the message “Blurring failed. Normal background
recorded.”. Note, however, that the image will be saved, even if background
blurring is not possible.
Shooting with a Blurred Background (Blurred Background)
Shot with “Program Auto”. Shot with “Blurred Background”.
Example: When zoom is set to full wide (W), the distance between the camera
and subject should be 30cm, while the distance between the subject
and background should be at least 1 meter.
94
Using BEST SHOT
With Slide Panorama, you move the camera to compose and record multiple images,
which are then combined to a panorama. This feature lets you shoot a panorama of
up to 360 degrees, which is dramatically greater than the physical capabilities of the
lens.
• The final panorama image can be one of the two sizes shown below.
Slide Direction is Right or Left: Maximum 11520
x
1080 pixels
Slide Direction is Up or Down: Maximum 1920
x
7296 pixels
• Zoom operations are not supporting during Slide Panorama shooting. The zoom
setting is fixed at full wide angle.
• You can use Slide Panorama to shoot a horizontal image up to approximately
360 degrees and a vertical image up to approximately 180 degrees.
If you shoot a horizontal Slide Panorama image that is less than 360 degrees, the
image size will become 60, 120, 180, 240, or 300 degrees.
1. In the BEST SHOT Mode, select “Slide Panorama” (page 86).
2. Press [SET], and then select the (Slide Direction) Control Panel
option (page 43).
• You can also select the Slide Direction by rotating the function ring.
3. Select the direction you are planning to move the camera while
shooting, and then press [SET].
You can select one of four directions: Right, Left, Up, or Down.
4. Point the camera at the start of the panorama and half-press the
shutter button to allow the camera to focus automatically.
Shooting a Panorama Image (Slide Panorama)
95
Using BEST SHOT
5. Press the shutter button the rest of the way down
and a slide cursor will appear on the monitor
screen. Slowly move the camera in the direction
indicated by the arrow on the screen until the
slide cursor reaches the other end of its
movement range (i.e. all the way to the right
when moving the camera to the right).
• The camera will start composing the panorama image
internally when the slide cursor reached the other end
of the movement range.
• Image composing also will start automatically if you
stop moving the camera during panorama shooting.
NOTE
• The following conditions are not compatible with Slide Panorama shooting.
– Subject whose brightness is very different from that of its surroundings due to
artificial light, sunlight, etc.
– Rivers, waves, waterfalls, or other subject with constantly changing patterns
– Sky, beach, or other subject with continuous patterns
– Camera too close to the main subject
– Moving subject
– Dark surroundings
• Slide Panorama may stop part way through in the following cases.
– Subject or camera movement
– Camera movement that is too fast or too slow
• Shooting a Slide Panorama image after half-pressing the shutter button to perform
Auto Focus may not produce the desired results if there are considerable
differences in the brightness, color, and/or focus of the individual images. If this
happens, try changing the focus position by focusing on a different subject, etc.
• Since a Slide Panorama image is created by joining multiple images together, there
may be some roughness at the point where two images are joined.
• Shooting under a flickering light source (such as fluorescent lighting) may result in
uneven brightness and/or coloring in the final Slide Panorama image.
• The exposure and white balance when shooting Slide Panorama images are fixed
at the levels measured when you half-press the shutter button at the beginning of
the operation.
• Shooting with this function causes the flash setting to change automatically to
? (Flash Off).
Slide cursor
96
Using BEST SHOT
With this feature, a number of images are shot and then combined to produce an
image with a super-wide angle of view that exceeds the widest angle of view possible
with the lens. Converted to 35 mm equivalents, the focal distances available with this
feature enable shooting with approximate angles of view of 15 mm and 19 mm.
1. In the BEST SHOT Mode, select “Wide Shot” (page 86).
2. Press [SET], and then select the (Wide Level) Control Panel option
(page 43).
3. Select the width setting (angle of view) you want and then press [SET].
There are two settings available: “19 mm” and “15 mm”.
“15 mm” shoots a wider area than “19 mm”.
4. Hold the camera so it is upright, with the
shutter button and other controls at the
bottom.
• Do not point the camera straight down at the
ground at this time. If you do, the camera’s built-in
vertical/horizontal position sensor will not operate
properly and may make it impossible to start
shooting.
5. Point the camera at the
subject you want in the
center of the image and then
half-press the shutter button
to focus.
• The outer blue boundary on
the screen indicates the
recordable range of the image.
Shooting with a Super Wide Angle of View (Wide Shot)
25 mm (lens widest angle) 19 mm 15 mm
Desired image
Center part at the start of the
shooting operation
Blue boundary
97
Using BEST SHOT
6. Press the shutter button the rest of the way
down and slowly move the camera in
accordance with the instructions and arrow that
appear on the monitor screen.
• Holding the camera firmly with both hands, follow
the instructions that appear on the monitor screen to
slowly slide the camera horizontally or vertically at a
constant speed in an arc centered on your body.
– When sliding the camera horizontally, do not allow
your body to move left or right. A vertical line
running through your body should serve as the
axis.
– When sliding the camera vertically, do not allow your body to move upwards
or downwards. A horizontal line between your shoulders should serve as the
axis.
– Take care not to slide the camera diagonally and be sure to maintain a firm
grip on it.
• The camera will start composing the super-wide image internally when the
slide cursor reached the other end of the movement range.
• Image composing also will start automatically if you stop moving the camera
during super-wide shooting.
NOTE
• The “15 mm” and “19 mm” angle of view values are approximate and are provided
for reference only. Actual angle of view values are not guaranteed.
• Zoom operations are not supported during Wide Shot shooting. The zoom setting
is fixed at full wide angle.
• This function makes it possible to shoot images with a maximum angle of view of
15 mm or 19 mm. Note, however, that shooting conditions can result in a smaller
angle of view.
• The following conditions are not compatible with Wide Shot shooting.
– Subject whose brightness is very different from that of its surroundings due to
artificial light, sunlight, etc.
– Rivers, waves, waterfalls, or other subject with constantly changing patterns
– Sky, beach, or other subject with continuous patterns
– Camera too close to the main subject
– Moving subject
– Panning upwards on a skyscraper or some other very tall structure or object
– Dark surroundings
• Any of the following can cause Wide Shot operation to stop part way through.
– Subject or camera movement
– Camera movement that is too fast or too slow
– Camera movement outside of the required route
– Camera movement in the wrong direction
Arrow
Instructions
98
Using BEST SHOT
• Shooting a Wide Shot image after half-pressing the shutter button to perform Auto
Focus may not produce the desired results if there are considerable differences in
the brightness, color, and/or focus of the individual images. If this happens, try
changing the focus position by focusing on a different subject, etc.
• Since a Wide Shot image is created by joining multiple images together, there may
be some roughness at the point where two images are joined.
• Shooting under a flickering light source (such as fluorescent lighting) may result in
uneven brightness and/or coloring in the final Wide Shot image.
• The exposure and white balance when shooting Wide Shot images are fixed at the
levels measured when you half-press the shutter button at the beginning of the
operation.
• With this BEST SHOT scene, the flash setting automatically becomes ? (Flash
Off).
You can configure the camera to save a RAW image
* along with a standard JPEG
image when shooting snapshots. RAW image data is stored in a camera folder
named “RAW” (page 170).
* A RAW image is image data (file name extension .DNG) that is unprocessed
internally by the camera. Since there is no image deterioration, RAW files provide
more creative freedom when used with software that supports general-purpose
DNG format files.
1. In the BEST SHOT Mode, select “RAW Image” (page 86).
NOTE
• The image size is fixed at 12M when shooting with this function.
• Single SR Zoom and Digital Zoom cannot be used with this function. Only optical
zoom can be used, up to a maximum zoom factor of 1.3X (35mm when converted
to 35mm film).
• Shooting of RAW image data is not supported for movie recording.
Shooting RAW Images (Raw Image)
99
Using BEST SHOT
Use the procedure below to configure the camera for shooting snapshots with an
aspect ratio of 16:9, as you compose them on a TV screen.
1. Turn off the camera and use a commercially available HDMI cable to
connect the camera to a TV.
• Use a commercially available HDMI
cable that is marked with the logo
shown to the right.
• Make sure that the camera is turned
off before plugging in or unplugging
the cable. Check the user documentation that comes with the TV for
information about requirements before plugging into or unplugging from the TV.
2. Turn on the camera.
3. In the BEST SHOT Mode, select “HDMI TV Output” (page 86).
This will turn off the camera’s monitor screen and display an image composition
screen on the connected TV.
4. Compose the image on the TV screen and press the shutter button to
shoot.
Using a TV Screen to Shoot Snapshots (HDMI TV Output)
HDMI connector
HDMI cable
(commercially
available)
HDMI micro connector
HDMI input
HDMI output (micro)
TV
100
Using BEST SHOT
NOTE
• For details about connecting to the camera and precautions when connecting, see
page 99.
• If you want to change the digital video signal format, first unplug the HDMI cable
from the camera (page 127).
• The settings in the table below are fixed while shooting with this function.
– Image Size: 16:9
– AF Area: Spot
– Continuous AF: Off
– Face Detection: Off
– Make-up: 0 (Off)
– White Balance: Auto WB
– Metering: Multi
• You will not be able to enter a wireless mode (page 145) by pressing
[W] (Wireless) during HDMI TV output. If you want to use a wireless mode, either
select a scene other than “HDMI TV Output”, change to a different recording mode,
or disconnect the HDMI cable from the camera.
101
Advanced Settings (REC MENU)
Advanced Settings (REC MENU)
The following are menu operations you can use to configure various camera settings.
• You also can use the Control Panel (page 43) to configure some of the settings that
appear on the menu screen. Refer to the page references provided in this section
for information about configuring settings using the Control Panel.
1. In the REC mode, press [MENU].
This will display the menu screen (r REC
MENU).
• Menu contents are different in the REC mode
(r REC MENU) and PLAY mode (p PLAY
MENU).
2. Press [4], use [8] and [2] to select the
“r REC MENU” tab, and then press [6] or
[SET].
• To configure settings on the “p PLAY
MENU”, select the “p PLAY MENU” tab
(which is displayed only in the PLAY mode).
To configure other settings, select the
“¥ SETTING” tab (page 172).
3. Use [8] and [2] to select the menu item
you want, and then press [6] or [SET].
• Operating the zoom controller displays the next
or previous page of menu items.
4. Use [8] and [2] to change the setting of
the selected menu item.
5. After the setting is the way you want, press
[SET] to apply the setting and return to the
viewfinder screen.
• Pressing [MENU] cancels the current selections and returns to the menu
screen.
• To continue with configuration of another setting item, press [4] instead of
[SET], move the selection boundary to the next setting item, and then use [8]
and [2] to change the selected setting. Next, press [6].
• Pressing the shutter button or [p] (PLAY) interrupts the menu operation and
exits the menu screen.
NOTE
• Depending on the recording mode, some of the items on the menu may be dimmed,
which indicates they are not available. While Premium Auto Pro is in use, only the
menu items whose settings can be configured will be displayed on the menus.
Using the Menu Screen to Configure Recording Settings
[MENU]
[SET]
[8] [2] [4] [6]
Items
Example:
When “Self-timer” is
selected on the “
r
REC
MENU” tab
Tabs
B
102
Advanced Settings (REC MENU)
See page 60 for details.
See page 64 for details.
This setting can be used to assign the recording function to be performed when the
front shutter button is pressed while the camera is in the REC mode.
Shooting a Burst of Images (CS)
Menu item: CS
Triggering a Self-timer Operation with Motion (Motion Shutter)
Menu item: Motion Shutter
Assigning a Recording Function to the Front Shutter Button
(Front Shutter)
Menu item: Front Shutter
Setting
REC Screen
Icon Display
Description (When front shutter button is
pressed)
Standard Normal recording using the current camera setup.
AF less
Half-pressing the front shutter button immediately
shoots a snapshot without adjusting focus, so
there is less time lag between shutter button
operation and shooting than there is when using
the top shutter button. If you want to focus (with
AF) before shooting, half-press the top shutter
button to focus. Next, press the front shutter button
to shoot.
This front shutter operation can be used for
shooting single snapshots only.
10s timer
Image recording 10 seconds after the front shutter
button is pressed.
2s timer
Image recording 2 seconds after the front shutter
button is pressed.
CS
Recording of a series of up to 10 images at 10 fps.
This function can be used only when the recording
mode is Program Auto and the “CS” menu item
setting (page 60) is “Off”.
Off No recording.
103
Advanced Settings (REC MENU)
NOTE
• Front shutter button operation will become disabled while shooting with some
BEST SHOT scenes.
• For front shutter button operations in the PLAY mode, see page 128.
• When the “Front Shutter” setting is something other than “Off”, the front shutter
button can be used to shoot a snapshot while movie recording is in progress
(Snapshot In Movie), In this case, however, only a single snapshot can be
recorded. You cannot shoot a Continuous Shutter (CS) image during movie
recording.
You can assign any one of the functions below to the Function Ring and Control Dial.
After you do, you can change the setting of the function by rotating the Control Dial, or
by pressing the left/right keys.
Assigning Functions to the Function Ring and Control Dial
(Key Customize)
Menu item: Key Customize
Operation Setting Description
See page:
Function Ring*
1
Step Zoom Changes the zoom factor.
Page 56
Exposure Corrects brightness.
Page 51
ISO
Changes the ISO sensitivity
setting.
Page 49
White Balance Adjusts hue.
Page 45
MF*
2
Adjusts focus.
Page 47
Smooth Skin Adjusts skin smoothness.
Page 50
Shutter Speed Changes the shutter speed.
Page 42
Aperture Adjusts the aperture.
Page 42
Pre-record CS
Shots
Specifies the number of pre-
recorded CS shots.
Page 61
Art Effect
Adjusts the intensity of the
effect.
Page 68
104
Advanced Settings (REC MENU)
*1 Functions that can be assigned depend on the recording mode.
*2 Configure the settings below in order to directly adjust focus with the function ring.
Focus Mode: MF (Manual Focus)
Face Detection: Off
Smooth Skin: 0 (Off)
*3 The control dial operates as described below in the M (Manual Exposure)
recording mode.
• When a function other than “Aperture” is assigned to the function ring (page
103), rotating the control dial adjusts aperture.
• When “Aperture” is assigned to the function ring, rotating the dial adjusts
shutter speed.
*4 When performing the operations below, the functions assigned to the left and right
keys are fixed and are not affected by the functions you assign to them with Key
Customize “L/R Key”.
• When “MF” is selected as the focus mode, the left and right keys perform focus
adjustment.
• When “I Multi” is selected as the AF area setting, the left and right keys shift
the focus area.
Control Dial
*
3
Exposure Corrects brightness.
Page 51
White Balance Adjusts hue.
Page 45
ISO
Changes the ISO sensitivity
setting.
Page 49
ISO High Limit
Specifies the ISO sensitivity high
limit.
Page 106
Self-timer Selects the self-timer time.
Page 44
Focus Changes the focus mode.
Page 47
Off No function assigned to the dial.
L/R Key
*
4
CS Enters the CS Mode.
Page 60
Exposure Corrects brightness.
Page 51
White Balance Adjusts hue.
Page 45
ISO
Changes the ISO sensitivity
setting.
Page 49
ISO High Limit
Specifies the ISO sensitivity high
limit.
Page 106
Self-timer Selects the self-timer time.
Page 44
Metering Changes the Metering Mode.
Page 54
Off
No function assigned to the [4]
and [6] keys.
Operation Setting Description
See page:
105
Advanced Settings (REC MENU)
NOTE
• The same function cannot be assigned to multiple controllers (keys, control dial).
• Depending on the recording mode, some functions may not be assignable to the
Control Dial.
For details, see the Control Panel procedure on page 44.
For details, see the Control Panel procedure on page 51.
For details, see the Control Panel procedure on page 45.
For details, see the Control Panel procedure on page 49.
Using the Self-timer (Self-timer)
Menu item: Self-timer
Correcting Image Brightness (Exposure)
Menu item: Exposure
Adjusting White Balance (White Balance)
Menu item: White Balance
Specifying ISO Sensitivity (ISO)
Menu item: ISO
106
Advanced Settings (REC MENU)
NOTE
• When the “ISO Sensitivity” setting (page 49) is something other than “Auto”, the
“ISO High Limit” setting is ignored, and shooting is performed using the option
selected for the “ISO Sensitivity” setting.
• The settings available for “ISO High Limit” become as shown below when shooting
with “HS Night Shot” (page 86).
Auto, ISO 1600, ISO 3200, ISO 6400, ISO 12800, ISO 25600
• The “ISO High Limit” setting cannot be configured while any one of the recording
mode below is in use.
Premium Auto Pro, M mode, some BEST SHOT scenes
For details, see the Control Panel procedure on page 47.
Specifying the ISO Sensitivity Upper Limit (ISO High Limit)
Menu item: ISO High Limit
Settings
REC Screen
Icon Display
Description
Auto None
Shoots using the ISO sensitivity setting specified by the
“ISO Sensitivity” setting (page 49).
ISO 200
The setting selected here becomes the ISO sensitivity
upper limit when “Auto” is selected for the “ISO
Sensitivity” setting (page 49).
ISO 400
ISO 800
ISO 1600
ISO 3200
ISO 6400
Selecting a Focus Mode (Focus)
Menu item: Focus
107
Advanced Settings (REC MENU)
You can use the following procedure to change the Auto Focus metering area for
shooting snapshots.
• When recording movies, the AF metering area is always “U Spot”.
IMPORTANT!
• Auto Focus is disabled when “MF” (Manual Focus) is selected for the focus mode
(page 47), even if you select an AF area.
• Selecting “O Tracking” can cause vibration and noise to occur due to lens
operation while tracking a subject. This does not indicate malfunction.
Specifying the Auto Focus Area (AF Area)
Menu item: AF Area
Settings Description
š Intelligent
The camera automatically determines the focus area on the
screen and focuses there (intelligent AF).
• Face detection (page 108) operates automatically.
U Spot
This mode takes readings of a small area in the center of the
image. This setting works well with focus lock (page 48).
I Multi
When you half-press the shutter button while this setting selected,
the camera will select the optimum Auto Focus area from among
nine possible areas. The focus frame of the area where the
camera focuses will be displayed in green.
The steps below can be used to shift the position of the nine Auto
Focus areas.
1
While in record standby, press [4] or [6].
2
Use [4], [6], [8], and [2] to shift the focus areas.
• Rotating the zoom controller will cause only the center focus
area to become selected.
3
When the Auto Focus area is in the position you want, press
[SET].
O Tracking
When you half-press the shutter button while this setting is
selected, the focus frame will follow the movement of the subject.
“U Spot” or “O Tracking”
Focus frame
“š Intelligent”
Focus frame
“I Multi”
Focus frame
108
Advanced Settings (REC MENU)
• With some BEST SHOT scenes, there are restrictions on the use of AF area
settings. Because of this, you may not be able to use certain settings or you may
not be able to specify any AF Area setting.
• When “I Multi” is selected as the AF area setting, the left and right keys shift the
focus area. In this case, the functions of the left and right keys are fixed and they
are not affected by the camera’s Key Customize “L/R Key” setting (page 103).
When shooting people, the face detection feature detects the faces of up to ten
individuals and adjusts focus and brightness accordingly.
1. Use [8] and [2] to select “On” and then press [SET].
2. Point the camera at the subject(s).
The camera will detect human faces and display a
frame around each one.
3. Half-press the shutter button.
The camera will focus and the frames around the
faces it focuses on will turn green.
4. Press the shutter button the rest of the way down.
Tips for Best Face Detection Results
• If the camera cannot detect a face, focusing is performed in accordance with the
AF Area setting (page 107).
• Always make sure that Auto Focus (AF) is selected as the focus mode when
shooting with face detection.
• Detection of the following types of faces is not supported.
– A face that is obstructed by hair, sunglasses, a hat, etc., or a face in dark shade
– A profile or a face that is at an angle
– A face that is very far away and small, or very close and large
– A face in an area that is very dark
– A face of a pet or some other non-human subject
Shooting with Face Detection (Face Detection)
Menu item: Face Detection
109
Advanced Settings (REC MENU)
IMPORTANT!
• Face detection cannot be used in combination with any of the following features.
– Some BEST SHOT scenes
– Some Art Shot scenes
– Movie recording (Including some BEST SHOT scenes that support High Speed
Movie recording)
– High Speed CS with Prerecord CS (Including some BEST SHOT scenes that
support High Speed CS recording)
• The “Focus” setting is always fixed at “AF” (Auto Focus) whenever “Face
Detection” is being used. If you want to change the “Focus” setting, first select “Off”
for “Face Detection”.
For details, see the Control Panel procedure on page 50.
When shooting a snapshot while “On” is selected for Continuous AF, Auto Focus is
performed and focusing is continually updated until you half-press the shutter button.
• Shooting with Continuous AF can cause vibration and noise to occur due to lens
operation. This does not indicate malfunction.
For details, see the Control Panel procedure on page 54.
Recording Beautiful Portraits (Make-up)
Menu item: Make-up
Shooting with Continuous Auto Focus (Continuous AF)
Menu item: Continuous AF
Specifying the Metering Mode (Metering)
Menu item: Metering
110
Advanced Settings (REC MENU)
You can turn on the camera’s Anti-shake Functions feature to reduce image blur due
to subject movement or camera movement when shooting a moving subject using
telephoto, when shooting a fast-moving subject, or when shooting under dim lighting
conditions.
NOTE
• Only camera shake correction can be used during FHD and STD movie recording.
• Anti-shake Functions is not supported during High Speed Movie, HDR Art Movie
recording or Time Lapse.
• When “Auto” is selected for ISO (page 49) and Anti-shake is enabled, ISO
sensitivity, aperture, and shutter speed will not appear on the monitor screen when
you half-press the shutter button. If “Type 1” is set for the review setting (page
116), the image review screen will appear immediately after the image is shot.
• Shooting with Anti-shake Functions enabled can cause an image to appear
somewhat coarser than normal and can cause slight deterioration of image
resolution.
• Image Stabilization may not be able to eliminate the effects of camera or subject
movement when movement is severe.
• Image Stabilization may not work properly when the camera is mounted on a
tripod. Turn off Anti-shake Functions.
• Even if “Strong” is selected for the Anti-shake Functions setting, some shooting
conditions may make it impossible to achieve the desired Anti Shake results.
Reducing the Effects of Camera and Subject Movement
(Anti-shake Functions)
Menu item: Anti-shake Functions
Settings
REC Screen
Icon Display
Description
Strong
While applying hand shake correction, shutter speed
faster than “Standard” also further reduces subject
blur. Also, ISO sensitivity may be raised from
“Standard”.
This setting can be used while the recording mode is
Program Auto (except for High Speed CS), Premium
Auto Pro or HS Anti Shake.
Standard Dramatically reduces the effects of hand movement.
Off None Turns off Anti Shake settings.
111
Advanced Settings (REC MENU)
• The initial factory default image size setting is “12M”.
• Selecting “3:2” records images with an aspect ratio of 3:2, which matches the
standard aspect ratio of print paper.
• The letters “HDTV” stand for “High Definition Television”. An HDTV screen has an
aspect ratio of 16:9. Your camera can record images that are compatible with the
aspect ratio an HDTV screen.
• You should regard the print paper sizes suggested here as guidelines only (200 dpi
print resolution).
• Available image sizes are limited for some functions as noted below.
To select the snapshot image size (Image Size)
Menu item: Image Size
Image Size
(Pixels)
REC Screen
Icon Display
Suggested
Print Size and
Application
Description
12M
(4000
x
3000)
Poster
Good detail for better clarity even for
images cropped (page 140) from the
original
3:2
(4000
x
2656)
Poster
16:9
(4000
x
2240)
HDTV
8M
(3264
x
2448)
A4 Print Good detail
3M
(2048
x
1536)
3.5"×5" Print
Best when preserving memory
capacity is relatively more important
than image quality.
3:2,
16:9
These image sizes cannot be selected when using “High Speed CS” or
“HS Night Shot”. Selecting “3:2” or “16:9” in another mode and then
switching to “High Speed CS” or “HS Night Shot” will cause the image
size to change to “12M” automatically.
112
Advanced Settings (REC MENU)
. Pixels and image size
A digital camera image is a collection of small
dots called “pixels”. The more pixels there are
in an image, the more detail there will be.
However, you generally can do with fewer
pixels when printing an image (L size) through
a print service, attaching an image to e-mail,
when viewing the image on a computer, etc.
The size of an image indicates how many
pixels it contains, and is expressed as
horizontal pixels
x
vertical pixels.
Example:
• Note that larger images have more pixels, so they take up more memory space.
• For information about image size, image quality, and number of images that can be
stored, see page 218.
• For information about movie image size, see page 113.
• For information about resizing existing snapshots, see page 140.
• The “Fine” setting helps to bring out details when shooting a finely detailed image
of nature that includes dense tree branches or leaves, or an image of a complex
pattern.
• Memory capacity (the number of images you can record) will be affected by the
quality settings you configure (page 218).
Image size Pixels
12M 4000
x
3000 (Approximately 12 million pixels)
3M 2048
x
1536 (Approximately 3 million pixels)
Specifying Snapshot Image Quality (Image Quality)
Menu item: Image Quality
Setting
REC Screen Icon
Display
Description
Fine Gives image quality priority.
Normal Normal
Pixel
113
Advanced Settings (REC MENU)
This setting can be used to configure movie image quality settings and to select the
movie recording mode (either normal movie recording or High Speed Movie
recording).
Movie Image Quality Settings (Movie Quality)
Menu item: Movie Quality
Settings
(Quality
(pixels))
REC Screen
Icon Display
Approximate Data Rate
(Frame Rate)
Description
FHD
14.2 Megabits/second
(30 frames/second)
Select this setting to record high-
definition (FHD) movies (page 73).
The aspect ratio of movies
recorded with this setting is 16:9.
HD
10.9 Megabits/second
(12, 15, 20, 30 frames/
second)
Select this setting when shooting
with Art Shot (page 67) or with a
Time Lapse (page 81) Art Shot
scene, or when shooting a high
definition movie (HD movie). The
aspect ratio of movies recorded
with this setting is 16:9.
• The frame rate depends on the
currently selected scene.
STD
3.9 Megabits/second
(30 frames/second)
Use this setting for standard
movie recording. Recording with
this setting is performed using an
aspect ratio of 4:3.
HS1000
40.0 Megabits/second
(1000 frames/second)
The image size of movies
recorded with this mode depends
on the frame rate (recording
speed (page 77)).
HS480
40.0 Megabits/second
(480 frames/second)
HS240
40.0 Megabits/second
(240 frames/second)
HS120
40.0 Megabits/second
(120 frames/second)
HS30-240
5.4 Megabits/second
(30 frames/second)
40.4 Megabits/second
(240 frames/second)
HS30-120
10.4 Megabits/second
(30 frames/second)
40.4 Megabits/second
(120 frames/second)
114
Advanced Settings (REC MENU)
You can use this setting to optimize the balance between bright areas and dark areas
when shooting images.
NOTE
• Lighting is disabled during movie recording.
You can specify one of five sharpness settings from +2 (sharpest) to –2 (least sharp).
You can specify one of five saturation settings from +2 (most saturated) to –2 (least
saturated).
Optimizing Image Brightness (Lighting)
Menu item: Lighting
Settings Description
On
Performs brightness correction. When this option is selected, it
takes longer for the image to be stored after the shutter button is
pressed.
Off Does not perform brightness correction.
Controlling Image Sharpness (Sharpness)
Menu item: Sharpness
Controlling Color Saturation (Saturation)
Menu item: Saturation
115
Advanced Settings (REC MENU)
You can specify one of five contrast settings from +2 (most contrast between light and
dark) to –2 (least contrast between light and dark).
You can specify flash intensity to one of five levels from +2 (brightest flash) to –2
(least bright flash).
• Flash intensity may not change when the subject is too far away or too close.
See page 58 for details.
Select “On” when you want to use digital zoom (page 55).
• Digital zoom is disabled while shooting with the following feature.
– High speed movie recording, Some BEST SHOT scenes, Interval Shot
Half-pressing the shutter button while this setting is selected
causes the front lamp to light, which provides illumination for
focusing in areas where lighting is dim.
• Leaving this function turned off is recommended when
shooting portraits from short distances, etc.
IMPORTANT!
• Never look directly into the front lamp while it is lit.
• Make sure your finger is not covering the front lamp.
Adjusting Image Contrast (Contrast)
Menu item: Contrast
Specifying Flash Intensity (Flash Intensity)
Menu item: Flash Intensity
Zooming with Super Resolution (Zoom (SR))
Menu item: Zoom (SR)
Turning Digital Zoom On or Off (Digital Zoom)
Menu item: Digital Zoom
Using the Auto Focus Assist Light (AF Assist Light)
Menu item: AF Assist Light
Front lamp
116
Advanced Settings (REC MENU)
See page 69 for details.
Select “On” to reduce wind noise during movie recording. Note, however, that this will
also cause the sound quality to change.
While Review is turned on, the camera will display an image for about one second
immediately after it is recorded.
• When shooting with some functions while “Type 1” is selected will cause the
message “Busy... Please wait...” to appear after you press the shutter button.
Shooting another image is disabled while this message is displayed. Wait a while
until the process being performed is complete.
• The Review image may not appear when shooting with some recording modes.
• When shooting with the following modes or functions, the Review image is
displayed as “Type 2” if “Type 1” is selected as the Review image type.
– High Speed CS, AF CS, Triple Shot (BEST SHOT)
– Art Shot Bracketing (Art Shot)
• Shooting an “HDR Art” image while “On” is selected for the “Double (HDR Art)”
setting and Review is enabled will cause both the “Art Shot” image and the normal
image to be displayed as the Review image.
Saving a Second Normal Image When Shooting With HDR Art
(Double (HDR ART))
Menu item: Double (HDR Art)
Reducing Wind Noise during Movie Recording
(Wind Noise Cut)
Menu item: Wind Noise Cut
Turning on Image Review (Review)
Menu item: Review
Type 1 Displays a full-screen view of the image.
Type 2, Type 3
Displays a partial-screen view of the image. The difference
between Type 2 and Type 3 is the way the image appears on
the display.
Off Turns off review image display.
117
Advanced Settings (REC MENU)
While Icon Help is turned on, a textual description will appear on the display for
certain icons when you switch between REC functions.
Functions Supported by Icon Help
• Recording mode
• Available options for the “Function Ring”, “Control Dial” and “L/R Key” settings
• Exposure warning when shutter button is half-pressed
You can use the above procedure to display a grid or histogram, or the movie
shooting range on the monitor screen during recording.
Using Icon Help (Icon Help)
Menu item: Icon Help
Changing the Monitor Screen when Recording (Shooting Info)
Menu item: Shooting Info
Grid
Selecting “On” for this setting displays
grid lines. The grid lines provide
references that help you keep the
camera vertically and horizontally
straight.
Histogram
Selecting “On” for this setting displays a
histogram. This histogram lets you view
exposure information while shooting.
NOTE
• Use of the flash and certain shooting conditions can cause the
histogram to indicate exposure that is different from the actual
exposure of the image when it is shot.
• The histogram cannot be displayed during movie recording.
Movie Range
Selecting “On” for this setting
displays a semitransparent gray
frame. The area within the frame is
what is recorded as the movie.
Histogram
Semi-transparent gray
frame
118
Advanced Settings (REC MENU)
. How to Use the Histogram
A histogram is a graph that represents the lightness of an image in terms of the
number of pixels. The vertical axis indicates the number of pixels, while the horizontal
axis indicates lightness. If the histogram appears too lopsided for some reason, you
can use Exposure Compensation to move it left or right in order to achieve better
balance. Optimum exposure can be achieved by EV shifting so the graph is as close
to the center as possible. For snapshots, you can even display individual histograms
for R (red), G (green), and B (blue).
Example Histograms
NOTE
• A centered histogram does not necessarily guarantee optimum exposure. The
recorded image may be over-exposed or under-exposed, even though its
histogram is centered.
• Due to the limitations of exposure compensation, you may not be able to achieve
an optimum histogram configuration.
A histogram towards the left side results when the
overall image is dark. A histogram that is too far to
the left may result in “black out” of the dark areas
of an image.
A histogram towards the right side results when
the overall image is light. A histogram that is too
far to the right may result in “white out” of the light
areas of an image.
An overall well-balanced histogram results when
the overall image is at optimal lightness.
119
Advanced Settings (REC MENU)
This setting lets you specify which camera settings should be remembered by the
camera when it is turned off, and restored the next time the camera is turned on. To
have the camera remember a setting, you should enable the setting’s memory. Any
setting whose memory is disabled will be reset to its initial default any time the
camera is turned off.
Configuring Power On Default Settings (Memory)
Menu item: Memory
Setting Disabled (Initial Default Setting) Enabled
Function Ring
Initial Default Items (Remembered for each
REC mode.)
Setting at
power off
CS Off
Flash Auto
Focus AF
ISO Auto
White Balance Auto WB
Exposure 0.0
AF Area Spot
Metering Multi
Self-timer Off
Flash Intensity 0
Zoom (SR) Single
Digital Zoom On
MF Position Position before manual focus was selected.
Zoom Position Full wide (Optical zoom setting only.)
120
Viewing Snapshots and Movies
Viewing Snapshots and Movies
See page 37 for the procedure for viewing snapshots.
1. In the PLAY mode, use [4] and [6] to display the movie you want to
view.
2. Press [SET] to start playback.
Movie Playback Controls
Viewing Snapshots
Viewing a Movie
Fast forward/fast
reverse
[4] [6] (Playback in progress.)
• Each press of either button increases the speed of the
fast forward or fast reverse operation.
• You can also perform this operation using the function
ring.
• To return to normal playback speed, press [2].
Play/pause [SET]
1 frame forward/
back
[4] [6] (Playback paused.)
• Holding down either button scrolls continuously.
• You can also perform this operation using the function
ring.
Volume adjustment
Press [2] and then press [8] [2].
• Volume can be adjusted only while movie playback is in
progress.
Information display
on/off
[8] (DISP)
Change to normal
playback speed
during high speed
movie playback
(slow playback)
[0] (Movie)
•Press [0] (Movie) again to return to the slow playback.
This operation is not supported when playing a movie
shot with “HS30-120” or “HS30-240”.
Movie icon: »/» (Time Lapse)
Image quality
Recording time
121
Viewing Snapshots and Movies
• Playback may not be possible for movies not recorded with this camera.
• A movie that has been rotated using “Rotation” (page 139) or “Auto Rotate” (page
175) cannot be zoomed.
1. In the PLAY mode, use [4] and [6] to display
the panorama images you want to view.
2. Press [SET] to start playback of the panorama.
Panorama playback causes the image to scroll left,
right, up, or down.
Playback Controls
• The following functions cannot be performed on a panorama image.
MOTION PRINT, Movie Editing, Trimming, Resize, Lighting, White Balance,
Brightness, Rotation
Zoom
Rotate the zoom controller in the direction of z ([).
• You can use [8], [2], [4], and [6] to scroll the zoomed
image on the monitor screen. You can zoom a movie
image up to 4.5 times normal size.
• You can also perform this operation using the function
ring.
Stop playback [MENU]
Viewing a Panorama Image
To start or pause
playback
[SET]
To advance scroll
while paused
[4] [6] (When the slide direction is left or right.)
[8] [2] (When the slide direction is up or down.)
• Holding down any button scrolls continuously.
To hide or show
display information
[8] (DISP)
To stop playback [MENU]
122
Viewing Snapshots and Movies
Each time you shoot with continuous shutter (CS) or Interval Shot, the camera
creates a group that includes all of the images for that particular session. You can use
the following procedure to play back the images in a particular group.
1. In the PLAY mode, use [4] and [6] to display the group whose images
you want to view.
2. Press [SET] to start playback.
Playback Controls
Viewing Continuous Shutter Images
[4] [6]
During playback, changes the playback direction and playback
speed.
While playback is paused, scrolls forward or back.
• You can also perform this operation using the function ring.
• Playback speed cannot be adjusted while the displayed image is
zoomed.
[SET] Toggles between pause and play.
Zoom
controller
Zooms the image.
• You can use [8], [2], [4], and [6] to scroll the zoomed image
on the monitor screen.
• Rotating the zoom controller towards w (]) while an image is
not zoomed will display a menu of images in the current CS
group.
Number of image files in the group
First image in the group
Group icon
Interval
Interval Shot icon
Current image number/number of images in the group
CS speed
Playback guide
123
Viewing Snapshots and Movies
You can use the following procedures to delete CS images while playback is in
progress or paused.
1. While playback of a CS or interval group is in progress or paused,
press [2].
• This will display the “Edit Group” menu.
2. Use [8] and [2] to select “Delete” and then press [SET].
3. Use [8] and [2] to select the delete operation type and then press
[SET].
[MENU] Exits group playback.
[8] (DISP) Cycles through information display formats.
[2] Displays the “Edit Group” menu.
Deleting CS Images
Delete
Deletes a specific file.
1
Use [4] and [6] to display the file you want to delete.
2
Use [8] and [2] to select “Delete” and then press [SET].
• To delete other files, repeat steps
1
and
2
.
3
Press [MENU] to exit the delete operation.
Delete
Frames
Deletes multiple files.
1
Use [8], [2], [4], and [6] to move the selection boundary to a
file you want to delete, and then press [SET].
• This will cause the check box in the lower left corner of the
selected file’s thumbnail to become selected.
• You can zoom in on the image by rotating the zoom
controller towards z ([).
2
Repeat step
1
to select other files, if you want.
3
After selecting all of the files you want to delete, press [MENU].
4
Use [8] and [2] to select “Yes”, and then press [SET].
• This deletes the files you selected.
• To cancel the delete operation, select “No” and then press
[SET].
Del Group
Images
Deletes all the files in a group.
1
Use [8] and [2] to select “Yes”, and then press [SET].
124
Viewing Snapshots and Movies
Use the procedure below to divide up a CS Group into individual images.
IMPORTANT!
• Once a CS group is divided, it cannot be regrouped.
1. In the PLAY mode, press [MENU].
2. Press [4], use [8] and [2] to select the “p PLAY MENU” tab, and
then press [6].
3. Use [8] and [2] to select “Divide Group” and then press [6].
4. Use [8] and [2] to select the image group to be divided and then
press [SET].
Use the following procedure to copy an image in a group to a location outside of the
group.
1. While CS or interval shot group playback is in progress or paused,
press [2].
This will display the “Edit Group” menu.
2. Use [8] and [2] to select “Copy”, and then press [SET].
3. Use [4] and [6] to display the image you want to copy.
4. Use [8] and [2] to select “Copy”, and then press [SET].
NOTE
• The functions below cannot be performed on snapshots inside a group. Before
using either of these functions, perform the above procedure to copy the image
first.
White Balance, Brightness, Trimming, Rotation, Resize
Dividing Up an Image Group
Select File
Divides a specific CS group.
1
Use [4] and [6] to display the CS group you want to
divide up.
2
Use [8] and [2] to select “Divide” and then press
[SET].
• To delete another CS group, repeat steps
1
and
2
.
All Files
Divides all CS groups.
1
Use [8] and [2] to select “Yes”, and then press [SET].
Copying an Image in a Group (Copy)
125
Viewing Snapshots and Movies
1. In the PLAY mode, use [4] and [6] to scroll through the images until
the one you want is displayed.
2. Rotate the zoom controller towards z ([) to
zoom.
You can use [8], [2], [4], and [6] to scroll the zoomed
image on the monitor screen. You can also use the
control dial to scroll upwards and downwards, and the
function ring to scroll left and right. Rotate the zoom
controller towards w to unzoom the image.
– When monitor screen contents are turned on, a
graphic in the lower right corner of the screen
shows what part of the zoomed image is currently
displayed.
– To exit the zoom screen, press [MENU].
– Though the maximum image zoom factor is 8X,
certain image sizes may not allow zooming up to the full 8X.
• Pressing [SET] will lock the current zoom factor for the on-screen image. You
can then use [4] and [6] to scroll between images, using the same zoom
factor. Pressing [SET] again will unlock the zoom factor and allow you to use
[8], [2], [4] and [6] to move around the currently displayed images. This
function cannot be used while viewing CS group images or movies. Also, CS
group images and movies will not appear when you are scrolling images with
[4] and [6].
1. In the PLAY mode, rotate the zoom controller
towards w (]).
Use [8], [2], [4] and [6] to move the selection
boundary around the image menu.
To view a particular image, use [8], [2], [4], or [6] to
move the selection boundary to the image you want and
then press [SET].
• In the case of a movie or a continuous shutter (CS)
file, the first frame of the file will be displayed.
• You can scroll forward and back between image menu pages by rotating the
function ring.
• A question mark (?) will be displayed for images that cannot be displayed for
some reason.
Zooming an On-screen Image
Displaying the Image Menu
Image area
Current display area
Zoom factor
Boundary
126
Viewing Snapshots and Movies
1. Use a commercially available HDMI cable to connect the camera to the
TV (page 99).
IMPORTANT!
• Output to a TV is not supported while the camera is in the REC mode except for
“HDMI TV Output” (page 99).
2. Turn on the TV and select its HDMI input mode.
If the TV has more than one video input, select the one where the camera is
connected.
3. Turn on the camera and press [p] (PLAY).
This will cause an image to appear on the TV screen, without anything appearing
on the camera’s monitor screen.
4. Now you can display images and play back movies as you normally do.
IMPORTANT!
• Audio is initially output by the camera at maximum volume. When you first start
displaying images, set the TV volume control at a relatively low level and then
adjust it as required.
NOTE
• Use a HDMI cable that with a plug that is compatible with the camera’s HDMI micro
connector on one end, and a plug that is compatible with your TV’s HDMI
connector on the other end.
• Proper image and/or audio output and other operations may not be possible with
some devices.
• Connecting the camera to the HDMI connector of another device can damage both
the camera and the other device. Never connect two HDMI output connectors to
each other.
• Disconnect the HDMI cable when you are not using HDMI output. The camera’s
monitor screen may not operate normally while the HDMI cable is connected.
• Audio is stereo.
Viewing Snapshots and Movies on a TV Screen
127
Viewing Snapshots and Movies
. Selecting the HDMI Terminal Output Method (HDMI Output)
Use this setting to select the digital signal format when connecting to a TV with an
HDMI cable.
1. In the PLAY mode, press [MENU].
2. Press [4], use [8] and [2] to select the “¥ SETTING” tab, and then
press [6].
3. Use [8] and [2] to select “HDMI Output”, and then press [6].
4. Use [8] and [2] to select the output method, press [SET].
*
1080i corresponds to 1080 60i, but not 1080 50i. Because of this, the required
output method may be 576p when outputting to a digital TV in a PAL reception
area that does not support 1080i 60i. If you are in a PAL reception area and
nothing is displayed automatically, change the setting to 576p.
• If an image does not appear when “Auto” is selected as the output method, try
changing this setting to something else.
IMPORTANT!
• The “HDMI Output” setting cannot be changed as long as there is an HDMI cable
connection between the camera and a TV. Disconnect the HDMI cable from the
camera to change the “HDMI Output” setting.
Auto
This setting will cause the format to change automatically in
accordance with the connected TV. Normally, you should use this
mode.
1080i 1080i format output*
480p 480p format output
576p 576p format output
128
Other Playback Functions (PLAY MENU)
Other Playback Functions (PLAY MENU)
This section explains menu items that you can use to configure settings and perform
other playback operations.
1. In the PLAY mode, press [MENU].
This will display the menu screen (p PLAY MENU).
2. Press [4], use [8] and [2] to select the “p
PLAY MENU” tab, and then press [6] or [SET].
3. Select the operation or setting item you want,
and configure its setting as desired.
• For information about menu operations, see page 101.
This setting can be used to assign the function to be performed when the front shutter
button is pressed while the camera is in the PLAY mode.
Using the Menu Screen to Select a Playback Operation and
Configure Settings
Assigning a Function to the Front Shutter Button
(Front Shutter)
Menu item: Front Shutter
Setting
PLAY Screen
Icon Display
Description (When front shutter button is
pressed)
Standard Enters the REC mode.
Quick Collage
Create a collage image automatically (page 129).
Note, however, that you will not be able to select a
layout for a collage created by a front shutter
button operation.
Quick Send
Sends image currently displayed by the camera to
a smartphone over a wireless LAN connection
(page 151).
Slideshow Starts a slideshow (page 130).
Copy Group
Image
Copies the currently displayed image in a group to
a location outside of the group (page 124).
Off No operation performed.
129
Other Playback Functions (PLAY MENU)
You can rotate the function ring to scroll images at high speed or by recording date.
This function can be used to combine multiple snapshots into a
single collage image.
1. Use [4] and [6] to select the layout you want.
2. Press [SET].
This creates and stores the collage image.
• The collage will combine three or four snapshots,
including the one that was displayed when you started
the Quick Collage operation.
NOTE
• Assigning the “Quick Collage” function to the camera’s front shutter button makes it
possible to create a collage image each time the front shutter button is pressed
(page 128). In this case, however, the layout applied to the collage is the one last
selected using the above procedure.
• Quick Collage automatically selects snapshots to be included in the collage. You
cannot specify the snapshots to be used.
• The types of images below cannot be included in a collage image.
Panorama image, CS group image, Image created with Quick Collage, Movies
• Quick Collage may not work if there is a snapshot in camera memory that cannot
be displayed by the camera. In this case, the error message “There are not enough
images for a collage.” will appear.
Scrolling Images at High Speed or by Recording Date
(Function Ring)
Menu item: Function Ring
Setting Description
10 images
Scrolls forward or back by the specified number of images.
25 images
50 images
100 images
Date Scrolls images by recording date.
Creating a Collage Image (Quick Collage)
Menu item: Quick Collage
130
Other Playback Functions (PLAY MENU)
Playing a Slideshow on the Camera (Slideshow)
Menu item: Slideshow
Start
Starts the slideshow
Images
Specifies the type of images to be included in the slideshow
All images: Snapshots, movies, continuous shutter images
All except
Z
: All non-continuous shutter (CS) images
T
Only: Snapshots only
» Only: Movies only
» Only: Timelapse only
Time
Time from the start to the end of the slideshow
3 minutes, 5 minutes, 10 minutes, 15 minutes, 30 minutes, 60 minutes
Interval
Amount of time each image remains displayed
Use [8] and [2] to select one of the following settings: 1, 3, 5, 10, 15, 20, or
30 seconds, or “MAX”.
If you specify a value other than “MAX”, movies and CS images play from
beginning to end.
When the slideshow reaches a movie or CS image file while “MAX” is selected,
only the first frame of the movie will be displayed.
Effect
Select the effect you want.
Pattern 1 to 5: Plays background music and applies an image change effect.
• Patterns 2 through 4 have different background music, but they all use the
same image change effect.
• Pattern 5 can be used for playback of snapshots only (except for those that
are part of a CS group), and the “Interval” setting is ignored.
• Snapshots that are part of a group are displayed the same as those shot with
the single shot mode, and not as a group.
• The currently selected image change effect setting is disabled automatically
in following cases.
– When playing a slideshow for which “» Only” or “» Only” is selected for
the “Images” setting
– When the interval setting is “MAX” or 1 second
– Before and after playback of a movie
Off: No image change effect or background music
131
Other Playback Functions (PLAY MENU)
• To stop the slideshow, press [SET] or [MENU]. Pressing [MENU] stops the
slideshow and returns to the menu screen.
• Adjust audio volume by pressing [2] and then press [8] or [2] during playback.
• All button operations are disabled while the slideshow is transitioning from one
image to another.
• The time required for transition from one image to another may be longer in the
case of an image that was not recorded with this camera.
. Transferring Music from Your Computer to Camera Memory
You can replace the built-in slideshow background music with other music from your
computer.
Supported File Types:
• PCM format (16-bit, monaural / stereo) WAV files
• Sampling Frequencies: 11.025 kHz/22.05 kHz/44.1 kHz
Number of Files: 9
File names: SSBGM001.WAV to SSBGM009.WAV
• Create the music files on your computer using the above names.
• Regardless of which effect pattern you select, the music files you store in camera
memory are played back in name sequence.
1. Connect the camera to your computer (pages 163, 167).
If you plan to save the music files to the camera’s memory card, make sure the
card is loaded in the camera.
2. Perform one of the following operations to open the memory card or
built-in memory.
This will cause the camera to be recognized by your computer as a Removable
Disk (Drive).
• Windows
1
Windows 8.1, Windows 8: Desktop * Explorer
Windows 7, Windows Vista: Start * Computer
2
Double-click “Removable Disk”.
•Macintosh
1
Double-click the camera’s drive icon.
3. Create a folder named “SSBGM”.
4. Double-click the “SSBGM” folder you created and copy the
background music file to it.
• See the user documentation that comes with your computer for information
about moving, copying, and deleting files.
• If there are background music files both in built-in memory and on the memory
card loaded in the camera, the files on the memory card take priority.
• See page 170 for information about camera folders.
5. Disconnect the camera from the computer (pages 164, 167).
132
Other Playback Functions (PLAY MENU)
You can use the procedure below to convert snapshots shot with this camera to a
movie. Selecting a group will include all of the images in the group in one movie. You
can use up to 1,000 snapshots in a movie.
1. Use [8], [2], [4], and [6] to move the blue boundary to a snapshot
you want to include in the movie and then press [SET].
This will select the check box in the lower left corner of the image and move the
blue boundary to the next image.
• To clear (deselect) a check box, move the blue boundary to the applicable
image and then press [SET].
• Selecting a group and pressing [SET] will select all of the images in the group
for inclusion in the movie.
• To view a particular image, rotate the zoom controller.
2. Repeat step 1 to select other images you want to include in the movie.
After you are finished selecting images, press [MENU].
3. Use [8] and [2] to select the playback speed and then press [SET].
This creates a movie using the selected snapshots.
NOTE
• RAW images cannot be included in a movie.
• Movie image quality depends on the size of the snapshots.
3M and greater: FHD
2M or 1M: HD
0.8M or VGA: STD
Using Snapshots to Create a Movie (Make Movie)
Menu item: Make Movie
133
Other Playback Functions (PLAY MENU)
The Movie Editing feature lets you use one of the following procedures to edit out a
specific part of a movie.
• Display the movie you want to edit before performing this operation.
1. Use [8] and [2] to select the editing method you want to use and then
press [SET].
2. Use the following operations to select the frame
(point) from which or to which you want to cut
the movie (the cut point).
3. Press [2] to display the editing menu and specify one or two cut
points.
4. Use [8] and [2] to select “Yes” and then press [SET].
The selected cut operation will take considerable time to complete. Don’t try to
perform any camera operation until the “Busy... Please wait...” message
disappears from the monitor screen. Note that a cut operation can take a long
time if the movie being edited is long.
Editing a Movie on the Camera (Movie Editing)
Menu item: Movie Editing
Previous Cut
Cuts everything from the beginning of the movie up to the
current location.
Intermediate Cut Cuts everything between two points.
Next Cut
Cuts everything from the current location to the end of the
movie.
[4] [6]
During playback, changes the playback
direction and playback speed. While
playback is paused, scrolls forward or back.
• You can also perform this operation using
the function ring.
[SET] Toggles between pause and play.
Previous Cut
While the frame you want the cut to be up to is
displayed, press [2].
Intermediate Cut
1
While the frame you want the first (From) cut to be is
displayed, press [2].
2
Select another frame.
3
While the frame you want the second (To) cut to be
is displayed, press [2].
Next Cut
While the frame you want the cut to be from is
displayed, press [2].
Cut range (blue)
134
Other Playback Functions (PLAY MENU)
IMPORTANT!
• When you edit a movie, only the result is saved. The original movie is not retained.
An editing operation cannot be undone.
NOTE
• A movie that is shorter than five seconds cannot be edited.
• Editing of movies recorded with a different type of camera is not supported.
• You will not be able to edit a movie if the amount of remaining memory capacity is
less than the size of the movie file you want to edit. If there is not enough memory
available, delete files you no longer need to free up more.
• Splitting of a movie into two movies is not supported.
• You also can start a movie editing operation while the movie you want to edit is
playing back. When playback reaches a frame where you want a cut point to be,
press [SET] to pause playback. Next, press [2] to display the menu of editing
options. Perform editing using the same procedures as described above.
135
Other Playback Functions (PLAY MENU)
This procedure combines two movies. The play times of the each movies must be
less than 10 minutes, and the two movies must be of the same quality and frame rate.
Note that merging of two High Speed Movies is not supported.
• Display one of the movies you want to merge before performing this operation.
1. Use [4] and [6] to select the movie you want to merge with the one
that was displayed when you pressed [MENU].
Only movies that can be merged with (that are the same quality and frame rate
as) the movie displayed when you pressed [MENU] will be displayed.
2. Use [8] and [2] to select “Create” and then press [SET].
This will create a new movie that is a combination of movie that was displayed
when you pressed [MENU] and the movie you selected in step 1, above.
• The original two movies are not affected.
NOTE
• In the case of FHD or HD quality movies, some movies may not be able to be
merged because of differences in frame rates due to the recording mode, or the Art
Shot or Time Lapse scene used.
• A movie shot with another camera model cannot be merged with this function.
• The original movies are not affected when merged. Make sure the memory card
you are using has sufficient unused space before using this function.
• Depending on the movies, the merge operation may take some time to complete.
• Display the movie that contains the frame you want to use to create a snapshot
before performing this operation.
1. Use [4] and [6] to scroll through the movie frames and display the one
you want to use as the image of the MOTION PRINT image.
Holding down [4] or [6] scrolls at high speed.
• You can also perform this operation using the function ring.
2. Use [8] and [2] to select “Create” and then press [SET].
• Only the frames of movies recorded on this camera can be used in a MOTION
PRINT image.
To merge two movies (Movie Merge)
Menu item: Movie Merge
Creating a Snapshot of a Movie Frame (MOTION PRINT)
Menu item: MOTION PRINT
136
Other Playback Functions (PLAY MENU)
You can use this setting to adjust the balance between bright areas and dark areas in
existing images in the range of 0 (no optimization) to +2 (bright).
• Display a snapshot before performing this operation.
NOTE
• Correcting the lighting when shooting produces better results (page 114).
• Altering the lighting of an image causes the original image and the new (altered)
version to be stored as separate files.
• When you display an altered image on the camera’s monitor screen, the date and
time indicates when the image was originally recorded, not when the image was
altered.
You can use the white balance setting to select a light source type for a recorded
image, which will affect the colors of the image.
• Display a snapshot before performing this operation.
NOTE
• You also can adjust the white balance when recording images (page 45).
• The original snapshot is retained in memory and not deleted.
• When you display an altered image on the camera’s monitor screen, the date and
time indicates when the image was originally recorded, not when the image was
altered.
Optimizing Image Brightness (Lighting)
Menu item: Lighting
Adjusting White Balance (White Balance)
Menu item: White Balance
Daylight Outdoors, fair weather
Overcast Outdoors, cloudy to rain, in tree shade, etc.
Shade Very high temperature light, such as building shade, etc.
Day White
Fluor
White or day white fluorescent lighting, without suppressing
color cast
Daylight Fluor Daylight fluorescent lighting, while suppressing color cast
Tungsten Suppressing of the appearance of light bulb lighting
Cancel No white balance adjustment
¤
'
“
†
–
«
137
Other Playback Functions (PLAY MENU)
You can select one of five brightness levels, from +2 (brightest) to –2 (least bright).
• Display a snapshot before performing this operation.
NOTE
• The original snapshot is retained in memory and not deleted.
• When you display an altered image on the camera’s monitor screen, the date and
time indicates when the image was originally recorded, not when the image was
altered.
See page 157 for details.
• Display a snapshot before performing this operation.
IMPORTANT!
• Note that even if a file is protected, it will be deleted if you perform the format
operation (page 180).
Adjusting the Brightness of an Existing Snapshot (Brightness)
Menu item: Brightness
Selecting Images for Printing (DPOF Printing)
Menu item: DPOF Printing
Protecting a File Against Deletion (Protect)
Menu item: Protect
Select File
Protects specific files.
1
Use [4] and [6] to select the image that
you want to protect.
• To view a particular image, rotate the
zoom controller.
2
Press [SET].
An image that is protected is indicated by
the › icon.
• To unprotect a file, select an protected image and then press
[SET].
3
To protect other files, repeat steps
1
and
2
.
To exit the protect operation, press [MENU].
All Files
Protects all files.
1
Use [8] and [2] to select “All Files: On” and then press [SET].
2
Press [MENU].
To unprotect all files, select “All Files: Off” instead of “All Files: On” in
step
1
and then press [SET].
138
Other Playback Functions (PLAY MENU)
1. While playback of a CS or interval group is in progress or paused,
press [2].
• This will display the “Edit Group” menu.
2. Use [8] and [2] to select “Protect” and then press [SET].
3. Use [8] and [2] to select the protect method you want to use and then
press [SET].
IMPORTANT!
• Note that even if a file is protected, it will be deleted if you perform the format
operation (page 180).
Protecting an Image in a Group Against Deletion (Protect)
Select Frames
Protects specific images within a group.
1
Use [8], [2], [4], and [6] to move the blue selection
boundary to the image you want to protect.
• You can scroll through images by rotating the zoom
controller.
2
Press [SET].
This makes the image protected, which is indicated by
“›” on the image thumbnail.
• To unprotect an image, select a protected file and
then press [SET].
3
Press [MENU] to exit the protect operation.
Frame all
Protects all the images within a group.
1
Use [8] and [2] to select “All Frames On” and then
press [SET].
To unprotect all of the images in the group, select “All
Frames Off” in step
1
and then press [SET].
139
Other Playback Functions (PLAY MENU)
• Display a snapshot before performing this operation.
When the date and time settings are what you want, align the cursor with “Apply” and
then press [SET] to apply them.
• To switch between 12-hour and 24-hour timekeeping, move the cursor to “am (pm)”
and “24h” (one of which will be displayed) and then use [8] and [2] to change the
setting.
NOTE
• The date and time stamped into an image using the Timestamp (page 174) cannot
be edited.
• You cannot edit the date and time of an image that is protected.
• You can input any date from 1980 to 2049.
• Display a snapshot before performing this operation.
1. Use [8] and [2] to select “Rotation” and then press [SET].
Each press of [SET] will rotate the displayed image 90 degrees left.
2. When the displayed image is at the orientation you want, press
[MENU].
NOTE
• Rotating a CS image causes all of the images in the CS group to be rotated. You
cannot rotate individual component image in a CS group.
• Rotation of a panorama image is not supported.
• Note that this procedure does not actually change the image data. It simply alters
how the image is displayed on the camera’s monitor screen.
• An image that has been protected or zoomed cannot be rotated.
• The original (unrotated) version of the image will be displayed on the image menu
screen.
Editing the Date and Time of an Image (Date/Time)
Menu item: Date/Time
[8] [2] Changes the setting at the cursor location.
[4] [6] Moves the cursor between settings.
Rotating an Image (Rotation)
Menu item: Rotation
140
Other Playback Functions (PLAY MENU)
You can reduce the size of a snapshot and save the result as a separate snapshot.
The original snapshot is also retained. You can resize an image to one of three sizes:
8M, 3M, VGA.
• Display a snapshot before performing this operation.
• Resizing a 3:2 or 16:9 size snapshot will create an image with an aspect ratio of
4:3, with both sides cut off.
• The recording date of the resized version of the snapshot will be the same as the
recording date of the original snapshot.
• A snapshot created with MOTION PRINT cannot be resized.
You can crop a snapshot to trim parts you do not need, and
save the result in a separate file. The original snapshot is
also retained.
Use the zoom controller to zoom the image to the size you
want, use [8], [2], [4], and [6] to display the portion of
the image you want to cut out, and then press [SET].
• Display a snapshot before performing this operation.
• You also can use the function ring to change the display
position.
• The image produced by cropping a 3:2 or 16:9 image will
have an aspect ratio of 4:3.
• The recording date of the cropped image will be the
same as the recording date of the original snapshot.
Resizing a Snapshot (Resize)
Menu item: Resize
Cropping a Snapshot (Trimming)
Menu item: Trimming
Represents
snapshot area
Part of snapshot that is
currently displayed
Zoom factor
141
Other Playback Functions (PLAY MENU)
Files can be copied from the camera’s built-in memory to a memory card or from a
memory card to built-in memory.
• Display a snapshot before performing this operation.
NOTE
• You can copy snapshots or movies you recorded with this camera.
• Display the CS group that contains the frame you want to use to create a snapshot
before performing this operation.
1. Use [8] and [2] to select “Create”.
• You can use [4] and [6] to select a different CS group, if you want.
2. Press [SET].
This converts the CS group to a 12M (4000
x
3000) image with up to 30 CS
frames (5 vertical
x
6 horizontal).
• This camera may not be able to correctly convert a CS group image with
another camera.
• The recording date of the converted image will be the same as the recording
date of the original CS group.
• When converting a CS group whose images have been rotated by the
“Rotation” feature to a CS Multi Print image, the arrangement of the images in
the CS Multi Print will be different from that of normal (unrotated) CS images.
Copying Files (Copy)
Menu item: Copy
Built-in *
Card
Copies all files from built-in camera memory to a memory card.
This option copies all the files in built-in camera memory. It cannot be
used to copy a single file.
Card *
Built-in
Copies a single file on the memory card to camera built-in camera
memory. Files are copied to the folder in built-in memory whose
name has the largest serial number.
• You cannot copy a continuous shutter (CS) group image (page
124).
1
Use [4] and [6] to select the file you want to copy.
2
Use [8] and [2] to select “Copy” and then press [SET].
Combining CS Images into a Single Still Image (CS Multi Print)
Menu item: CS Multi Print
142
Other Playback Functions (PLAY MENU)
See page 124 for details.
See the following pages for details.
DPOF Printing: page 157
Protect: page 138
Copy: page 124
Delete: page 123
Dividing Up a Group (Divide Group)
Menu item: Divide Group
Editing the Images in a Group (Edit Group)
Menu item: Edit Group
143
Connecting the Camera with a Smartphone
(Wireless Connection)
Connecting the Camera with a Smartphone
(Wireless Connection)
Your camera has both Bluetooth wireless technology and wireless LAN capabilities
built in. After establishing a wireless connection with a smartphone, you can perform
the operations described in the table below. Requires installation of the EXILIM
Connect app on your smartphone.
• Your camera is a Bluetooth
®
Smart
device.
• Your camera can connect using
Bluetooth wireless technology with a
smartphone that supports Bluetooth low
energy.
Controlling Your Camera with a Smartphone
With this function: You can do this:
Auto Send
Images can be automatically sent as they are
shot to a smartphone that has been Bluetooth
paired with the camera.
Shoot with phone
Remotely control and shoot with the camera
using a smartphone (page 150).
Quick Send
Send a snapshot displayed in the PLAY mode
to a smartphone by pressing the camera’s front
shutter button. After sending an image to a
smartphone, you can then upload it from the
smartphone to a social networking service
(page 151).
144
Connecting the Camera with a Smartphone
(Wireless Connection)
IMPORTANT!
• Inside an aircraft or anywhere else where use of wireless communication is
restricted or prohibited, put the camera into the airplane mode.
• Some smartphone models may not be able to play back movie files from your
camera.
• Depending on your smartphone model, its operating system version, and/or its
remaining storage capacity can cause failure of a movie or snapshot save
operation. Receiving a camera file, perform the required operation on your
smartphone to check if the file was stored properly.
• Viewing a movie received on an Android terminal:
Note that movies are not displayed by Gallery. Movies are stored in a folder named
“EXILIM Connect”. A separate movie player is required to playback movies (whose
files have the file name extension MOV). Depending on your movie player, you
may not be able to playback movies and/or audio.
• Images recorded on another manufacturer’s camera cannot be sent using this
function.
• Attempting to use a memory card that includes a wireless function with this camera
can cause abnormal operation.
NOTE
• Note that using wireless functions requires more battery power usage than normal.
Make sure that the camera battery is sufficiently charged before starting a wireless
LAN operation.
• The operating range depends on the local communication environment and on the
type of smartphone you are connected to.
Send to phone
Send snapshots and movies recorded with your
camera to your smartphone.
After sending an
image to a smartphone, you can then upload it
from the smartphone to a social networking
service (page 152).
View on phone
View snapshots stored in camera memory on a
smartphone, and copy snapshots and movies
to a smartphone for viewing. You can also view
snapshots and movies in camera memory on a
computer, and copy them to a computer (page
152).
With this function: You can do this:
145
Connecting the Camera with a Smartphone
(Wireless Connection)
. About EXILIM Connect
For detailed information about EXILIM Connect, refer to the EXILIM Connect User’s
Guide (which you can download at the website below).
http://www.exilim.com/manual/
• Note that to view the EXILIM Connect User’s Guide, you will have to install Adobe
Reader. Consult CASIO authorized service center if you are unable to open to
display the PDF format User’s Guide.
• Note that EXILIM Connect User’s Guides may not be available in all languages. If
you cannot find a EXILIM Connect User’s Guide in your native language, please
use a version in another language.
Your camera has a variety of different wireless modes. Select the wireless mode that
suits your specific requirements.
1. Press [W] (Wireless).
2. Use [8], [2], [4], and [6] to
select the wireless mode you
want, and then press [SET].
Using a Wireless Mode
Send to phone
Select to view images you shoot with the camera on a smartphone (page 152).
Pairing
Select this mode to establish a Bluetooth wireless technology connection
between the camera and a smartphone (page 148).
Shoot with phone
Select this mode for remote control of image recording from a smartphone
(page 150).
Wireless settings
Select this mode to configure wireless settings (page 153).
[W] (Wireless)
146
Connecting the Camera with a Smartphone
(Wireless Connection)
. Wireless Connection Icons
After you configure camera and smartphone connection settings, the icons below will
appear on the camera screen to indicate the current communication status.
Semi-
transparent
Pairing is complete, but there is no Bluetooth wireless
technology connection.
Opaque
Pairing is complete, and there is a Bluetooth wireless
technology connection.
Semi-
transparent
Wireless LAN is enabled, but there is no connection.
Opaque Wireless LAN connected.
Opaque Wireless LAN connected, and image data is being sent.
Opaque Camera is in the Airplane Mode.
147
Connecting the Camera with a Smartphone
(Wireless Connection)
Installing the EXILIM Connect Smartphone app on your smartphone makes it
possible to remotely control the camera from your smartphone and to send images
recorded with the camera to your smartphone. Search the EXILIM Connect app on
Google Play or App Store and install it on your smartphone.
. App operation guarantees
No guarantees are made concerning the ability to operate the EXILIM Connect app
on any particular smartphone or tablet.
IMPORTANT!
• For information about operating system version supported by the app, check the
information on Google Play or the App Store.
• App functions and the required operating environment are subject to change
without notice.
. Android terminal
1. Open “Google Play”.
2. In the search field, type “EXILIM Connect”.
3. Install EXILIM Connect.
. iPhone (iOS)
1. Open “App Store”.
2. In the search field, type “EXILIM Connect”.
3. Install EXILIM Connect.
Getting Ready to Establish a Connection between a
Smartphone and Your Camera
Installing the EXILIM Connect App on Your Smartphone
148
Connecting the Camera with a Smartphone
(Wireless Connection)
The first time you establish a wireless connection between the camera and a
smartphone, you need to use the procedure below to configure wireless connection
settings. This operation is required for the first connection only.
. Smartphone that supports Bluetooth low energy
Connecting the camera to a smartphone using Bluetooth wireless technology
(pairing) makes it simple to configure wireless connection settings.
IMPORTANT!
• Performing this operation automatically configures your smartphone’s wireless
LAN connection settings (page 149).
• Some smartphone models may not be compatible with this camera.
• If you want to re-pair the camera with the smartphone it is already paired with, first
unpair them and then pair again. Re-pairing the camera and smartphone will result
in all pending unsent images to remain unsent.
Camera Operation
1. Press [W] (Wireless).
This will display the wireless mode screen.
2. Use [8], [2], [4], and [6] to select “Pairing” and then press [SET].
3. Select “Start” and then press [SET].
Smartphone Operation
4. Start up the EXILIM Connect app.
5. Tap “Pairing”.
6. Perform the required connection operation as instructed by the app
and your smartphone.
This establishes a Bluetooth wireless technology connection between the camera
and smartphone.
• For information about how to configure wireless connection settings, refer to
the EXILIM Connect manual (page 145).
Camera Operation
7. Press [SET].
8. Select “Enable.” if you want to send all images recorded on the camera
to the smartphone, or “Do not enable.” if you do not want to send
images to the smartphone. Next, press [SET].
Establishing a Wireless Connection for the First Time
149
Connecting the Camera with a Smartphone
(Wireless Connection)
NOTE
• After the camera is paired, Bluetooth wireless technology operation will consume
battery power even when the camera it turned off. Because of this, it is
recommended that you charge the camera’s battery before you plan to use it.
• Removing the camera’s battery will terminate the Bluetooth wireless technology
connection. However, the connection will be re-established when you load a
battery into the camera and turn on the power again.
. Smartphone that does not support Bluetooth low energy
Configure smartphone wireless LAN connection settings (input the camera SSID and
password).
1. Press [W] (Wireless).
2. Use [8], [2], [4], or [6] to select “Shoot
with phone”, and then press [SET].
3. Use [8] and [2] to select “Remote Start”,
and then press [SET].
This will enable connection with a smartphone and
the camera will display a screen for input of an
SSID and password.
4. For the smartphone Wi-Fi setting, input the camera SSID and
password.
When the message “Start up the phone app.” appears on the camera’s monitor
screen, it means that the smartphone has established a wireless connection with
the camera.
• What you need to do to establish a wireless LAN connection depends on the
type of smartphone you are using. For details about how to establish a wireless
LAN connection see the user documentation that comes with your smartphone.
. What to do if you are unable to establish a wireless LAN connection
between the camera and a smartphone.
This problem may be caused when the smartphone is already wirelessly connected to
one of the networks or devices below. Go to your smartphone’s Wi-Fi settings and
select this camera’s SSID.
– Household wireless LAN
– Public wireless LAN
– Portable wireless LAN device
password
SSID
150
Connecting the Camera with a Smartphone
(Wireless Connection)
This function lets you remotely shoot a snapshot or movie with the camera using a
smartphone. You also can perform remote zoom, self-timer, and other operations as
well.
1. Press [W] (Wireless).
2. Use [8], [2], [4], and [6] to select “Shoot with phone”, and then
press [SET].
3. Use [8] and [2] to select “Remote Start”, and then press [SET].
For information about how to use “Shoot with phone”, refer to the EXILIM
Connect manual (page 145).
You can select one more snapshot and/or movie file in camera memory and send it to
a smartphone. You can select up to 100 files, totaling no more than 500MB for a
single send. After sending an image to a smartphone, you can then upload it to a
social networking service.
1. Press [W] (Wireless).
2. Use [8], [2], [4], and [6] to select “Send to phone”, and then press
[SET].
3. Use [8] and [2] to select “Send Selected Image”, and then press
[SET].
4. Use [8], [2], [4], or [6] to move the blue boundary to the image you
want to send to the smartphone, and then press [SET].
Selecting the image of a file causes its check box to become selected.
• You can enlarge the selected image by rotating the zoom controller towards
z ([).
5. After selecting the images of all of the files you want to send to the
smartphone, press [MENU].
For information about how to use “Send Selected Image”, refer to the EXILIM
Connect manual (page 145).
Using a Smartphone as a Camera Remote Controller
(Shoot with phone)
Sending a Snapshot or Movie File from Camera Memory to a
Smartphone (Send Selected Image)
151
Connecting the Camera with a Smartphone
(Wireless Connection)
You can use the procedure below to send an image displayed in the PLAY mode
(including movies) to a smartphone by pressing the camera’s front shutter button.
After sending an image to a smartphone, you can then upload it to a social
networking service.
• To use this function, you need to assign the Quick Send function to the front shutter
button.
1. In the PLAY mode, press [MENU].
2. Press [4], and then use [8] and [2] to select the “p PLAY MENU”
tab. Next, press [6].
3. Use [8] and [2] to select “Front Shutter” and then press [6].
4. Use [8] and [2] to select “Quick Send” and then press [SET].
For information about how to use “Quick Send”, refer to the EXILIM Connect
manual (page 145).
Configuring the Front Shutter Button to Send Images
(Quick Send)
152
Connecting the Camera with a Smartphone
(Wireless Connection)
You can connect the camera to a smartphone over wireless LAN to view and
download snapshots and movies in camera memory on up to eight connected
smartphones. You can also view snapshots and movies in camera memory on a
computer, and copy them to a computer. A smartphone does not need to have the
EXILIM Connect app installed in order to access camera images using this function.
1. Press [W] (Wireless).
2. Use [8], [2], [4], and [6] to select “Send to phone”, and then press
[SET].
3. Use [8] and [2] to select “View on phone”, and then press [SET].
This establishes a connection between the smartphone and camera, and displays
a URL.
• If the message “Connect your phone to the access point below.” remains on
the camera’s monitor screen, change the smartphone’s Wi-Fi settings so your
camera is selected for connection (page 148).
• After about 60 seconds, the camera’s monitor screen will go blank. Pressing
[SET] will cause its image to reappear.
4. On the smartphone, start up its browser app.
• The browser will automatically access the URL displayed by the camera in
step 3 of this procedure, and then display an image stored in camera memory.
• If no camera image appears automatically,
manually input the URL into the browser.
• To exit the wireless LAN function, press [MENU].
IMPORTANT!
• Some smartphone models may not be able to play back movie files.
NOTE
• You can also view image in camera memory on a computer’s browser by
establishing a wireless LAN connection with the computer.
• For information about how to start up EXILIM Connect and view images, refer to
the EXILIM Connect manual (page 145).
Viewing Snapshots and Movies in Camera Memory on a
Smartphone (View on phone)
URL
153
Connecting the Camera with a Smartphone
(Wireless Connection)
This section explains wireless mode operations and setting items.
1. Press [W] (Wireless).
This will display the wireless mode screen.
• Pressing [W] (Wireless) again will return to the screen that was displayed
before the wireless mode screen.
2. Use [8], [2], [4], and [6] “Wireless settings”
and then press [SET].
This will display the wireless setting screen.
3. Use [8] and [2] to select the item you want to
configure and then press [SET].
4. Change the setting of the selected item.
5. When the settings are the way you want, press [SET].
• Pressing [MENU] cancels the currently displayed settings and returns to the
wireless mode screen.
Wireless connection with the camera is disabled while “On” is selected for the
airplane mode setting. Enter the airplane mode to disable generation of radio waves
from the camera while in a medical facility, on an aircraft, etc.
Configuring Wireless Connection Settings
Entering the Camera’s Airplane Mode (Airplane Mode)
Item name: Airplane Mode
154
Connecting the Camera with a Smartphone
(Wireless Connection)
While “On” is selected for this setting, images are automatically sent to the paired
smartphone as they are shot. If there is no wireless connection between the camera
and smartphone when the images are shot, they will be sent as soon as a connection
is established.
IMPORTANT!
• Auto Send cannot be enabled unless the camera is paired with a smartphone
(page 148).
NOTE
• Auto Send can be used only with a smartphone that supports Bluetooth low
energy. Both a Bluetooth and wireless LAN connection are required between the
camera and smartphone to auto send camera images.
• The icons below are displayed on the camera screen while the camera and
smartphone are connected.
– Wireless LAN connection: X
– Bluetooth wireless technology connection: V
• You can specify the size of the image sent to the smartphone using “Resize before
send” (page 155).
• You can use the smartphone apps below to view snapshots after sending them.
– iPhone: Camera Roll
– Android terminal: Gallery, Photo, or another photo browser app
• Auto Send is disabled while the camera’s Airplane Mode setting is “On” (page 153).
Auto Send become re-enabled when the camera’s Airplane Mode setting is
changed to “Off”.
• Images shot while the Auto Send setting is “On” will be sent to the smartphone,
even if the Auto Send setting is changed to “Off” before they are sent.
• When “On” is selected for Auto Send, a message will appear whenever you try to
delete a file or turn off the camera.
• If you try to turn off the camera while there are unsent images in memory, a
message will appear to alert you. If you want the images to be sent, leave the
camera on until the send operation is complete. Pressing [ON/OFF] (Power) again
will turn off the camera.
• Note that if the connection between the camera and smartphone is lost while there
are unsent images in memory, the camera will turn off after about three minutes. In
this case, the camera will try to send the images again after it is turned back on.
Sending Images from the Camera to a Smartphone as They are
Recorded (Auto Send)
Item name: Auto Send
155
Connecting the Camera with a Smartphone
(Wireless Connection)
Specifies the files to be sent to a smartphone by Auto Send.
IMPORTANT!
• The maximum size movie file that can be sent by Auto Send is 100 MB.
This feature can be use to resize snapshots before they are sent to a smartphone
using “Quick Send”, “Shoot with phone”, or “Send to phone”.
Specifying Images to be Sent by Auto Send
(Auto Send File Settings)
Item name: Auto Send File Settings
T » Snapshots and movies are sent.
T Only Only snapshots are sent.
Resizing Snapshots before Sending Them to a Smartphone
(Resize before send)
Item name: Resize before send
3M
Images are converted to 3M size before being sent.
• If an original image is 3M size or smaller, it is sent without
resizing.
Off Images are sent in the size they were originally recorded.
156
Connecting the Camera with a Smartphone
(Wireless Connection)
Use procedure to change the password you used when establishing a wireless LAN
connection between the camera and a smartphone.
IMPORTANT!
• Before changing the wireless LAN password, unpair the camera from its paired
smartphone (page 156).
1. Use [4] and [6] to move the cursor to the password digit you want to
change.
2. Use [8] and [2] to change the currently selected digit.
3. When the password is the way you want, move the cursor to “Apply”
and then press [SET].
NOTE
• Changing the wireless LAN password will terminate the connection with the
smartphone. To reconnect with the smartphone, configure wireless connection
settings (page 148). If your smartphone does not support Bluetooth low energy,
perform the operations below to change your smartphone’s Wi-Fi settings.
– iPhone:
Tap the right arrow of the field where the SSID of the camera is displayed in the
Wi-Fi settings to delete network settings. After deleting, select the camera SSID
again and input the new password.
– Android terminal:
Tap the field where the SSID of the camera is displayed in the Wi-Fi settings and
select Forget. Select the camera SSID again and input the new password.
Unpairs the camera from a smartphone.
To use the camera with a different smartphone, first unpair it from the current
smartphone.
NOTE
• When unpairing, be sure also to perform the unpairing operation on the
smartphone as well. For details, refer to the EXILIM Connect User’s Guide (page
145).
• Unpairing the camera from a smartphone will result in all pending unsent images to
remain unsent.
Changing the Camera Password for Wireless LAN Connection
(WLAN password)
Item name: WLAN password
Unpairing the Camera from a Smartphone (Unpairing)
Item name: Unpairing
B
157
Printing
Printing
* You can specify which images you want to print, the number of copies, and date
stamp settings before printing (page 157).
• Your camera supports Exif Print.
• Your camera supports PRINT Image Matching III.
. Digital Print Order Format (DPOF)
DPOF is a standard that allows you to include image type, number of copy,
and time stamp on/off information on the memory card with the images.
After configuring settings, you can use the memory card to print on a home
printer that supports DPOF or take the memory card to a professional print
service.
• Whether or not you will be able to use DPOF settings for printing depends on the
printer you are using.
• Some professional print services may not support DPOF.
Printing Snapshots
Professional Print Service*
You can take a memory card that contains the images you want
to print to a professional print service and have them printed.
Printing on a Home Printer*
You can use a printer equipped with a memory card slot to print
images directly from a memory card. For details, see the user
documentation that comes with your printer.
Printing with a Computer
After transferring the images to your computer, use
commercially available software to print.
Using DPOF to Specify Images to be Printed and the Number
of Copies (DPOF Printing)
158
Printing
. Configuring DPOF Settings Individually for Each Image
1. In the PLAY mode, press [MENU].
2. Press [4], use [8] and [2] to select the “p PLAY MENU” tab, and
then press [6].
3. Use [8] and [2] to select “DPOF Printing”, and then press [6].
4. Use [8] and [2] to select “Select images”, and then press [SET].
5. Use [4] and [6] to scroll through the files until the image you want to
print is displayed.
6. Use [8] and [2] to specify the number of copies.
You can specify a value up to 99. Specify 00 if you do not want to print the image.
• If you want to include the date in the images, press [0] (Movie) so “On” is
shown for date stamping.
• Repeat steps 1 and 2 to configure settings for other images, if you want.
7. Press [SET].
. Configuring the Same DPOF Settings for All the Images
1. In the PLAY mode, press [MENU].
2. Press [4], use [8] and [2] to select the “p PLAY MENU” tab, and
then press [6].
3. Use [8] and [2] to select “DPOF Printing”, and then press [6].
4. Use [8] and [2] to select “All images”, and then press [SET].
5. Use [8] and [2] to specify the number of copies.
You can specify a value up to 99. Specify 00 if you do not want to print the image.
• When printing a CS or interval shot group, the specified number of copies of all
of the images in the group is printed.
• If you want to include the date in the images, press [0] (Movie) so “On” is
shown for date stamping.
6. Press [SET].
159
Printing
. Specifying the Number of Images for Grouped Images
You can specify the number of copies when printing images that are part of a CS or
interval group.
1. While playback of a CS or interval group is in progress or paused,
press [2].
• This will display the “Edit Group” menu.
2. Use [8] and [2] to select “DPOF Printing” and then press [SET].
3. Use [8] and [2] to select print method you want to use and then press
[SET].
Select Frames
Specifies which group’s images and how many copies of
each should be printed.
1
Use [4] and [6] to scroll through images until one you
want to print is displayed.
2
Use [8] and [2] to specify the number of copies.
You can specify a value up to 99. Specify 00 for images
you do not want to print.
• If you want to include the date in the images, press
[0] (Movie) so “On” is shown for date stamping.
• Repeat steps
1
and
2
for all of the images you
want to print.
3
Press [SET].
Frame all
Specifies the same print settings for all the images in a
group.
1
Use [8] and [2] to specify the number of copies.
You can specify a value up to 99. Specify 00 if you do
not want to print the group images.
• If you want to include the date in the images, press
[0] (Movie) so “On” is shown for date stamping.
2
Press [SET].
160
Printing
DPOF settings are not cleared automatically after printing is complete.
The next DPOF print operation you execute will be performed using the last DPOF
settings you configured for the images. To clear DPOF settings, specify “00” for the
number of copies of all images.
Tell your print service about your DPOF settings!
If you take a memory card to a professional print service, be sure to tell them that it
includes DPOF settings for the images to be printed and the number of copies. If you
don’t, the print service may print all the images without regard to your DPOF settings,
or they may ignore your date stamp setting.
. Date Stamping
You can use one of the following three methods to include the recording date in the
printout of an image.
Configuring camera settings
Configure DPOF settings (page 157).
You can turn date stamping on and off each time you print. You can configure
settings so some images include the date stamp and some don’t.
Configure the Camera’s Timestamp setting (page 174).
• The camera’s Timestamp setting imprints the date into a snapshot when you
shoot it, so the date is always included when you print. It cannot be deleted.
• Do not turn on DPOF date stamping for an image that includes a date
stamped with the camera’s Timestamp function. Doing so can cause the two
stamps to be overprinted.
Configuring computer settings
You can use commercially available image management software to date
stamp images.
Professional print service
Request date stamping when ordering prints from a professional print service.
161
Using the Camera with a Computer
Using the Camera with a Computer
You can perform the operations described below while the camera is connected to a
computer.
The procedures you need to perform are different for Windows and the Macintosh.
Things you can do using a computer...
Save images to
a computer and
view them there
• Save images and view them manually (USB
connection) (pages 162, 166).
Play back and
edit movies
• You can play back movies (pages 165, 168).
To play back movies, use software that is
compatible with your computer’s operating
environment.
• To edit movies, use commercially available
software as required.
• Windows users should refer to “Using the Camera with a Windows Computer”
on page 162.
• Macintosh users should refer to “Using the Camera with a Macintosh” on page
166.
162
Using the Camera with a Computer
You can connect the camera to your computer in order to view and store images
(snapshot and movie files).
IMPORTANT!
• Never unplug the USB cable, or operate the camera while viewing or storing
images. Doing so can cause data to become corrupted.
NOTE
• You also can use your computer’s card slot (if it has one) or a commercially
available card reader to access image files directly from the camera’s memory
card. For details, see the user documentation that comes with your computer.
Using the Camera with a Windows Computer
When you want
to do this:
Operating System
Version
Required Software
See
page:
Save images to
a computer and
view them there
manually
Windows 8.1,
Windows 8,
Windows 7,
Windows Vista
Installation not required. 162
Play movies
Windows 8.1,
Windows 8,
Windows 7
Windows Media Player 12
165
Windows Vista
QuickTime 7 or higher
• You need to download QuickTime 7
or higher on the Web if you want to
use it.
Viewing and Storing Images on a Computer
Never use your computer to modify, delete, move, or rename any image files
that are in the camera’s built-in memory or on its memory card.
Doing so can cause problems with the camera’s image management data, which
will make it impossible to play back images on the camera and can drastically alter
remaining memory capacity. Whenever you want to modify, delete, move, or
rename an image, do so only on images that are stored on your computer.
163
Using the Camera with a Computer
. To connect the camera to your computer and save files
1. Turn off the camera and then
use the micro USB cable that
comes with the camera to
connect it to your computer.
• For details about connecting to
the camera and precautions
when connecting, see page 24.
2. Press [ON/OFF] (Power) to turn on the camera.
When you turn on the camera, check to make sure that the color of its back lamp
changes from red to green or amber (page 24). Note that in this case the
camera’s lens will not extend and the monitor screen will remain blank.
• The first time you connect the camera to your computer with the USB cable, an
error message may appear on your computer. If this happens, disconnect and
then reconnect the USB cable.
3. Windows 8.1, Windows 8 users: Click “Desktop” and then “Explorer”.
Windows 7, Windows Vista users: Click “Start” and then “Computer”.
4. Double-click “Removable Disk”.
• Your computer recognizes the memory card loaded in the camera (or built-in
memory if there is no card) as a removable disk.
5. Right-click the “DCIM” folder.
6. On the shortcut menu that appears, click “Copy”.
7. Windows 8.1, Windows 8 users: Click “Documents”.
Windows 7, Windows Vista users: Click “Start” and then “Documents”.
• If you already have a “DCIM” folder in “Documents”, the next step will overwrite
it. If you want to keep the existing “DCIM” folder, you need to change its name
or move it to a different location before performing the next step.
USB
USB port
Micro USB cable
(included with camera)
164
Using the Camera with a Computer
8. Windows 8.1, Windows 8 users: On the “Documents” menus, click
“Home” and then “Paste”.
Windows 7, Windows Vista users: On the “Documents” menu, click
“Organize” or “Edit”, and then “Paste”.
This will paste the “DCIM” folder (and all the image files it contains) into your
“Documents” folder. You now have a copy of the files that are in camera memory
on your computer.
9. After you finish copying images, disconnect the camera from the
computer.
After confirming that the back lamp is not flashing red, disconnect the USB cable.
. To view images you copied to your computer
1. Double-click the copied “DCIM” folder to open it.
2. Double-click the folder that contains the images you want to view.
3. Double-click the image file you want to view.
• For information about file names, see “Memory Folder Structure” on page 170.
• An image that was rotated on the camera will be displayed on your computer
screen in its original (unrotated) orientation.
• Viewing CS and interval shot images on a computer will individually display the
component images in the group. CS and interval shot images cannot be
viewed as a group on a computer.
165
Using the Camera with a Computer
To play back a movie, first copy it to your computer and then double-click the movie
file. Some operating systems may not be able to play back movies. If this happens,
you need to install separately available software.
• With Windows 8.1, Windows 8 and Windows 7, playback is supported by Windows
Media Player 12.
• If you are unable to play back movies, go to the URL below to download
QuickTime 7 and install it on your computer.
http://www.apple.com/quicktime/
. Minimum Computer System Requirements for Movie Playback
The minimum system requirements described below are necessary to play back
movies recorded with this camera on a computer.
• The above are recommended system environments. Configuring one of these
environments does not guarantee proper operation.
• Certain settings and other installed software may interfere with proper playback of
movies.
. Movie Playback Precautions
• Be sure to move the movie data to the hard disk of your computer before trying to
play it. Proper movie playback may not be possible for data accessed over a
network, from a memory card, etc.
• Proper movie playback may not be possible on some computers. If you experience
problems, try the following.
– Try recording movies with a quality setting of “STD”.
– Quit any other applications you have running, and stop resident applications.
Even if proper playback is not possible on the computer, you can use a commercially
available HDMI cable to connect to the HDMI terminal of a TV or computer and play
back movies that way.
Playing Movies
Operating System : Windows 8.1, Windows 8, Windows 7, Windows Vista
CPU : Image Quality “FHD” or “HD”:
Core 2 Duo 3.0GHz or higher
Image Quality “STD” or “HS”:
Pentium 4 3.2GHz or higher
Required Software: QuickTime 7 or higher (Not required with Windows 8.1,
Windows 8 and Windows 7.)
166
Using the Camera with a Computer
IMPORTANT!
• Never unplug the USB cable, or operate the camera while viewing or storing
images. Doing so can cause data to become corrupted.
• The camera does not support operation with Mac OS X 10.0 to 10.4. Operation is
supported with Mac OS 10.5 to 10.10 (using the OS standard USB driver) only.
NOTE
• You also can use your computer’s card slot (if it has one) or a commercially
available card reader to access image files directly from the camera’s memory
card. For details, see the user documentation that comes with your computer.
Using the Camera with a Macintosh
When you want to
do this:
Operating
System Version
Required Software
See
page:
Save images to your
Macintosh and view
them there manually
OS X Installation not required. 166
Save images to your
Macintosh
automatically/
Manage images
OS X
iPhoto, which comes bundled
with some Macintosh products.
–
Play movies
OS X 10.5 or
higher
QuickTime Player
(installed on computer)
168
Connecting the Camera to Your Computer and Saving Files
Never use your computer to modify, delete, move, or rename any image files
that are in the camera’s built-in memory or on its memory card.
Doing so can cause problems with the camera’s image management data, which
will make it impossible to play back images on the camera and can drastically alter
remaining memory capacity. Whenever you want to modify, delete, move, or
rename an image, do so only on images that are stored on your computer.
167
Using the Camera with a Computer
. To connect the camera to your computer and save files
1. Turn off the camera and then use the micro USB cable that comes with
the camera to connect it to your Macintosh (page 163).
2. Press [ON/OFF] (Power) to turn on the camera.
When you turn on the camera, check to make sure that the color of its back lamp
changes from red to green or amber (page 24). Note that in this case the
camera’s lens will not extend and the monitor screen will remain blank.
In this mode, your Macintosh recognizes the memory card loaded in the camera
(or the camera’s built-in memory if it does not have a memory card loaded) as a
drive. The appearance of the drive icon depends on the Mac OS version you are
using.
• The first time you connect the camera to your Macintosh with the USB cable,
an error message may appear on your computer. If this happens, disconnect
and then reconnect the USB cable.
3. Double-click the camera’s drive icon.
4. Drag the “DCIM” folder to the folder to which you want to copy it.
5. After the copy operation is complete, drag the drive icon to Trash.
6. Disconnect the camera from the computer.
After confirming that the back lamp is not flashing red, disconnect the USB cable.
. To view copied images
1. Double-click the camera’s drive icon.
2. Double-click the “DCIM” folder to open it.
3. Double-click the folder that contains the images you want to view.
4. Double-click the image file you want to view.
• For information about file names, see “Memory Folder Structure” on page 170.
• An image that was rotated on the camera will be displayed on your Macintosh
screen in its original (unrotated) orientation.
• Viewing CS and interval shot images on a computer will individually display the
component images in the group. CS and interval shot images cannot be
viewed as a group on a computer.
168
Using the Camera with a Computer
To play back a movie, first copy it to your Macintosh and then double-click the movie
file.
. Minimum Computer System Requirements for Movie Playback
The minimum system requirements described below are necessary to play back
movies recorded with this camera on a computer.
• The above are recommended system environments. Configuring one of these
environments does not guarantee proper operation.
• Certain settings and other installed software may interfere with proper playback of
movies.
. Movie Playback Precautions
Proper movie playback may not be possible on some Macintosh models. If you
experience problems, try the following.
– Try recording movies with a quality setting of “STD”.
– Shut down other applications that are running.
Even if proper playback is not possible on your Macintosh, you can use a
commercially available HDMI cable to connect to the HDMI terminal of a TV or
Macintosh and play back movies that way.
IMPORTANT!
• Be sure to move the movie data to the hard disk of your Macintosh before trying to
play it. Proper movie playback may not be possible for data accessed over a
network, from a memory card, etc.
Playing a Movie
Operating System : Mac OS X 10.5 or higher
Required Software: QuickTime Player (installed on computer)
169
Using the Camera with a Computer
The camera creates a file each time you shoot a snapshot, record a movie, or
perform any other operation that stores data. Files are grouped by storing them in
folders. Each file and folder has its own unique name.
• For details about how folders are organized in memory, see “Memory Folder
Structure” (page 170).
• When viewing snapshots or playing back movies, the folder name and file name in
the upper right corner of the monitor screen has the meaning described below.
Example: 100-0023: 23rd file in the folder named “100CASIO”.
• You can view folder and file names on your computer. For details about how file
names are displayed on the camera’s monitor screen, see page 15.
• The total number of folders and files allowed depends on the image size and
quality, and capacity of the memory card being used for storage.
Files and Folders
Name and Maximum Number Allowed Example
File
Each folder can contain up to 9999 files named
CIMG0001 through CIMG9999. The extension
on the file name depends on the file type.
26th file name:
Folders
Folders are named from 100CASIO to
999CASIO.
There can be up to 900 folders in memory.
100th folder name:
CIMG0026.JPG
Extension
Serial number
(4 digits)
100CASIO
Serial number (3 digits)
170
Using the Camera with a Computer
The camera stores images you shoot in accordance with the Design Rule for Camera
File System (DCF).
. About DCF
The following operations are supported for DCF-compliant images. Note, however,
that CASIO makes no performance guarantees concerning these operations.
• Transferring this camera’s DCF-compliant images to another manufacturer’s
camera and view them.
• Printing this camera’s DCF-compliant images on another manufacturer’s printer.
• Transferring another camera’s DCF-compliant images to this camera and view
them.
. Memory Folder Structure
DCIM Folder
Recording Folder
Image File
Movie File
Recording Folder
Recording Folder
DPOF File Folder
DPOF File
Scene folder for snapshots registered with Custom Shot
Background Music Folder
Background Music File
Background Music File
* This folder or file can be created in built-in memory only.
Memory Card Data
DCIM
100CASIO
CIMG0001.JPG
CIMG0002.MOV
101CASIO
102CASIO
MISC
AUTPRINT.MRK
RAW
SCENE
*
SSBGM001.WAV
SSBGM002.WAV
SSBGM
171
Using the Camera with a Computer
. Supported Image Files
• Image files shot with this camera
• DCF-compliant image files
This camera may not be able to display an image, even if it is DCF-compliant. When
displaying an image recorded on another camera, it may take a long time for the
image to appear on this camera’s monitor screen.
. Built-in Memory and Memory Card Data Handling Precautions
• Whenever copying memory contents to your computer, you should copy the DCIM
folder and all of its contents. A good way to keep track of multiple DCIM folders it to
change their names to dates or something similar after you copy them to your
computer. If you later decided to return a DCIM folder to the camera, however, be
sure to change its name back to DCIM. The camera is designed to recognize only a
root file with the name DCIM. Note the camera also will not be able to recognize the
folders inside the DCIM folder unless they have the names they originally had
when you copied them from the camera to your computer.
• Folders and files must be stored in accordance with the “Memory Folder Structure”
shown on page 170 in order for the camera to be able to recognize them correctly.
172
Other Settings (SETTING)
Other Settings (SETTING)
This section explains menu items that apply to both the REC mode and PLAY mode.
1. Press [MENU].
2. Press [4], use [8] and [2] to select the “¥ SETTING” tab, and then
press [6] or [SET].
3. Select the item you want and then change its setting.
• For information about menu operations, see page 101.
Enabling power saving reduces the brightness of the monitor screen and switches
other camera operations to low-power operation, which allows a charge to last longer.
Selecting “On” enters the ECO Mode, “e” will appear on the screen whenever the
camera is in the Program Auto mode. The power saving effect of the “ECO Mode” is
most efficient when “Program Auto” is selected for the recording mode. Use the
“Program Auto” recording mode is recommended when using the “ECO Mode”.
NOTE
• You can achieve even greater power savings by using the “ECO Mode” in
combination with Auto Power Off (page 176) and Sleep (page 176).
Using the Menu Screen to Configure Other Settings
Enabling Power Saving (ECO Mode)
Menu item: ECO Mode
173
Other Settings (SETTING)
• Turning on the “ECO Mode” (page 172) while the “Screen” setting is +2 or +1 will
cause the “Screen” setting to change to 0.
• Setting a volume level of 0 mutes output.
Adjusting Monitor Screen Brightness (Screen)
Menu item: Screen
Auto
With this setting, the camera detects available light levels and
automatically adjusts the brightness of the monitor screen accordingly.
+2
Brightness that is greater than +1, which makes the screen easier to view.
This setting consumes more power.
+1 Bright setting for outdoor use, etc. Brightness that is greater than 0.
0 Normal monitor screen brightness for indoor use, etc.
–1
Low monitor screen brightness for nighttime use, indoor use under dark
conditions, etc.
Configuring Camera Sound Settings (Sounds)
Menu item: Sounds
Startup
Specifies the startup sound
Sound 1 - 5: Built-in sounds (1 through 5)
Off: Sound off
Half Shutter
Shutter
Operation
Operation Vol
Specifies the sound volume. This setting is also used as the
audio level during TV output (page 126).
Playback Vol
Specifies the volume of movie audio output. This volume
setting is not used during TV output (page 126).
174
Other Settings (SETTING)
• Deleting all of the files in a folder cause the folder to be deleted as well.
You can configure the camera to stamp the recording date only, or date and time in
the lower right corner of each snapshot.
• Once date and time information is stamped into a snapshot, it cannot be edited or
deleted.
Example: July 10, 2016, 1:25 p.m.
• Even if you do not stamp the date and/or time with Timestamp, you can do so later
using the DPOF function or some printing application (page 160).
• Stamping is performed in accordance with the date and time settings (page 179)
and the display style settings (page 179).
• Time stamping is disabled when certain BEST SHOT scenes are being used.
Creating an Image Storage Folder (Create Folder)
Menu item: Create Folder
Create Folder
Creates a folder with a unique number (page 169). Files will be
stored in the new folder starting from when you record your
next image.
Cancel Cancels folder creation.
Time Stamping Snapshots (Timestamp)
Menu item: Timestamp
Date 2016/7/10
Date & Time 2016/7/10 1:25pm
Off No stamping of date and/or time
175
Other Settings (SETTING)
This setting can be used to configure the camera to display playback images in the
same orientation as the camera when the image was shot.
Use the following procedure to specify the rule that governs generation of the serial
number used in file names (page 169).
Auto Image Orientation Detection and Rotation (Auto Rotate)
Menu item: Auto Rotate
On
Rotates the displayed image in accordance with the camera
orientation when the image was recorded.
Off Images not rotated automatically.
Specifying the File Name Serial Number Generation Rule
(File No.)
Menu item: File No.
Continue
Tells the camera to remember the last used file number. A new file
will be named using the next sequential number, even if files are
deleted or if a blank memory card is loaded. If a memory card is
loaded and that card already has files stored on it and the largest
sequential number in the existing file names is greater than the
largest sequential number remembered by the camera, numbering of
new files will start from the largest sequential number in the memory
card file names plus 1.
Reset
Restarts the serial number from 0001 whenever all files are deleted
or when the memory card is replaced with a blank one. If a memory
card is loaded and that card already has files stored on it, numbering
of new files will start from the largest sequential number in the
memory card file names plus 1.
176
Other Settings (SETTING)
This feature turns off the monitor screen and lights the back lamp (green) whenever
no camera operation is performed for a preset period of time. Press any button to turn
the monitor screen back on.
Trigger Time Settings: 30 sec, 1 min, 2 min, Off (Sleep is disabled while “Off” is
selected.)
• Sleep is disabled under any of the following conditions.
– In the PLAY mode
– While the camera is connected to a computer, TV, or other device
– During movie recording and playback
– During Shoot with smartphone operation
• When both sleep and Auto Power Off are turned on, Auto Power Off takes priority.
Auto Power Off turns off the camera whenever no camera operation is performed for
a preset amount of time.
Trigger Time Settings: 2 min, 5 min, 10 min (The trigger time is always 5 minutes in
the PLAY mode.)
• Auto Power Off is disabled under any of the following conditions.
– While the camera is connected to a computer or other device
– During a slideshow
– During CS or interval shot group playback
– During Interval Shot recording
– During Time Lapse recording
– During movie recording and playback
– During Shoot with smartphone operation
Configuring Sleep State Settings (Sleep)
Menu item: Sleep
Configuring Auto Power Off Settings (Auto Power Off)
Menu item: Auto Power Off
B
177
Other Settings (SETTING)
• With “On/Off”, the camera turns off when you press [p] (PLAY) in the PLAY
mode.
The camera will not start the image delete operation when you press [2] ( ) while
“Delete Key” is turned on.
You can protect against accidental deletion of images by selecting “Disabled” for
“Delete Key”.
• Performing a format operation (page 180) will cause all images to be deleted, even
if file deletion is disabled (“Disabled” selected for “Delete Key”) for some images.
Specifying the Operation when the Monitor Screen is Tilted
(Screen Tilt)
Menu item: Screen Tilt
Power On Turns on the camera whenever the monitor screen is tilted.
On/Off
Turns on the camera whenever the monitor screen is tilted, and
turns it off when the monitor screen is returned to its normal
position.
Off
No power on/off operation performed when the monitor screen is
tilted or returned to its normal position.
Configuring [p] Setting (PLAY)
Menu item: PLAY
Power On Camera turns on whenever [p] (PLAY) is pressed.
On/Off Camera turns on or off whenever [p] (PLAY) is pressed.
Off Camera does not turn on or off when [p] (PLAY) is pressed.
Disabling File Deletion (Delete Key)
Menu item: Delete Key
178
Other Settings (SETTING)
You can use the World Time screen to view the current time in a zone that is different
from your Home City when you go on a trip, etc. World Time displays the current time
in 162 cities in 32 time zones around the globe.
1. Use [8] and [2] to select “Destination” and then press [6].
• To change the geographic area and city for the time where you normally use
the camera, select “Home”.
2. Use [8] and [2] to select “City” and then press [6].
• To change the “Destination” setting to summer time, use [8] and [2] to select
“DST” and then select “On”. Summer time is used in some geographical areas
to advance the current time setting by one hour during the summer months.
3. Use [8] and [2] to select the geographic area you want and then press
[SET].
4. Use [8] and [2] to select the city you want and then press [SET].
5. Press [MENU] twice.
IMPORTANT!
• Before configuring World Time settings, make sure that the Home City setting is
the place where you live or normally use the camera. If it isn’t, select “Home” on the
screen in step 1 and configure the Home City, date, and time settings as required
(page 179).
Configuring World Time Settings (World Time)
Menu item: World Time
179
Other Settings (SETTING)
When the date and time settings are what you want, select “Apply” and then press
[SET] to apply them.
• To switch between 12-hour and 24-hour timekeeping, move the cursor to “am (pm)”
and “24h” (one of which will be displayed) and then use [8] and [2] to change the
setting.
• You can specify a date from 2001 to 2049.
• Be sure to select your Home City (page 178) before setting the time and date. If
you set the time and date while the wrong city is selected for your Home City, the
times and dates of all of the World Time cities (page 178) will be wrong.
You can select from among three different styles for the date.
Example: July 10, 2016
Setting the Camera’s Clock (Adjust)
Menu item: Adjust
[8] [2] Change the setting at the cursor location
[4] [6] Move the cursor between settings
Specifying the Date Style (Date Style)
Menu item: Date Style
YY/MM/DD 16/7/10
DD/MM/YY 10/7/16
MM/DD/YY 7/10/16
180
Other Settings (SETTING)
. Specify the display language you want.
1
Select the bottom tab “¥”.
2
Select “Language”.
3
Select the language you want.
• Camera models sold in certain geographic areas may
not support display language selection.
• See page 127 for details.
If a memory card is loaded in the camera, this operation will format the memory card.
It will format built-in memory if no memory card is loaded.
• The format operation will delete all contents on the memory card or in built-in
memory. It cannot be undone. Make sure you do not need any data currently on
the card or in built-in memory before you format it.
• Formatting built-in memory will delete the following data.
– Protected images
– “Custom Shot” setups
• Formatting a memory card will delete the following data.
– Protected images
• Formatting will cause all images to be deleted, even if file deletion is disabled
(“Disabled” selected for “Delete Key” (page 177)) for some images.
• Check the battery level before starting a format operation and make sure it is not
too low. Formatting may not be performed correctly and the camera may stop
operating normally if the camera powers down while formatting is in progress.
• Never open the battery cover while formatting is in progress. Doing so can cause
the camera to stop operating normally.
Specifying the Display Language (Language)
Menu item: Language
Selecting the HDMI Terminal Output Method (HDMI Output)
Menu item: HDMI Output
Formatting Built-in Memory or a Memory Card (Format)
Menu item: Format
1 23
181
Other Settings (SETTING)
See page 207 for details about the camera’s factory default settings.
The settings below are not reset.
World Time settings, clock settings, date style, screen language, WLAN password
NOTE
• Resetting the camera does not unpair it from a smartphone (page 148).
• Resetting the camera causes the Airplane Mode setting (page 153) to become
“Off”.
Selecting this menu item displays the camera model name, the version of firmware
installed on the camera, and the camera’s MAC address.
• Note that the MAC address is fixed number that functions as the camera’s network
device identifier.
• Check this screen after updating the camera’s firmware to confirm that updating
was actually performed.
Resetting the Camera to Factory Defaults (Reset)
Menu item: Reset
Checking the Current Camera Firmware Version (Version)
Menu item: Version
182
Appendix
Appendix
*
DANGER
This symbol indicates information that, if ignored or applied incorrectly, creates the
danger of death or serious personal injury.
*
WARNING
This indication stipulates matters that have the risk of causing death or serious injury
if the product is operated incorrectly while ignoring this indication.
*
CAUTION
This indication stipulates matters that have the risk of causing injury as well as
matters for which there is the likelihood of occurrence of physical damage only if the
product is operated incorrectly while ignoring this indication.
Symbol Examples
Safety Precautions
!
This circle with a line through it (-) means that the indicated action must not
be performed. Indications within or nearby this symbol are specifically
prohibited. (The example at left indicates that disassembly is prohibited.)
$
The black dot (0) means that the indicated action must be performed.
Indications within this symbol are actions that are specifically instructed to be
performed. (The example at left indicates that the power plug must be
unplugged from the electrical socket.)
*
DANGER
. Rechargeable Battery
• To charge the battery, use only the method specifically described in this
manual. Attempting to charge the battery by an unauthorized means
creates the risk of battery overheating, fire, and explosion.
• Do not expose or immerse the battery in fresh water or salt water. Doing
so can damage the battery, and cause deterioration of its performance
and loss of service life.
• The battery is intended for use with a CASIO Digital Camera only. Use
with any other device creates the risk of the battery damage, or
deterioration of battery performance and service life.
+
%
+
183
Appendix
• Failure to observe any of the following precautions creates the risk of battery
overheating, fire, and explosion.
– Never use or leave the battery near open flame.
– Do not expose the battery to heat or fire.
– Make sure the battery is oriented correctly when charging it.
– Never carry or store the battery together with items that can conduct electricity
(necklaces, pencil lead, etc.).
– Never disassemble the battery, pierce it with a needle, or expose it to strong
impact (hit it with a hammer, step on it, etc.), and never apply solder to it.
Never place the battery into a microwave oven, dehumidifier, high-pressure
generating device, etc.
– Never remove the outer sticker from the battery.
• Should you ever notice leakage, strange odor, heat generation,
discoloration, deformation, or any other abnormal condition while using,
charging, or storing a battery, immediately remove it from the camera
and keep it away from open flame. Also, do not use the affected battery after the
abnormal symptoms disappear.
• Do not use or leave the battery under direct sunlight, in an automobile
parked in the sun, or in any other area subject to high temperatures.
Doing so can damage the battery, and cause deterioration of its
performance and loss of service life. Also, these conditions can cause the
battery to swell to the point that you may not be able to remove it.
• Battery fluid can damage your eyes. Should battery fluid get into your
eyes accidentally, immediately rinse them with clean tap water and then
consult a physician.
*
DANGER
-
+
-
+
184
Appendix
*
WARNING
. Smoke, abnormal odor, overheating, and other abnormalities
• Continued use of the camera while it is emitting smoke or strange odor,
or while it is overheating creates the risk of fire and electric shock.
Immediately perform the following steps whenever any of the above
symptoms are present.
1. Turn off the camera.
2. If you are using the USB-AC adapter to power the camera, unplug the power
plug from the power outlet. Also, remove the battery from the camera, taking
care to protect yourself against burn injury.
3. Contact your retailer or nearest CASIO authorized service center.
. Keep Away From Fire
• Never expose the camera to fire, which can cause it to explode and
creates the risk of fire and personal injury.
. Avoid Use While In Motion
• Never use the camera to record or play back images while operating an
automobile or other vehicle, or while walking. Looking at the monitor
while in motion creates the risk of serious accident.
. Flash and Other Light Emitting Functions
• Never use light emitting functions in areas where there is the chance of
flammable or explosive gas being present. Such conditions create the
risk of fire and explosion.
• Never fire the flash or use light emitting functions pointed in the direction
of a person operating a motor vehicle. Doing so can interfere with the
driver’s vision and create the risk of accident.
. USB-AC Adapter
• Misuse of USB-AC adapter creates the risk of fire and electric shock. Be sure to
observe the following precautions.
– Use only the specified USB-AC adapter.
– Never use the USB-AC adapter with another device.
– Use a power outlet that matches the power supply specified for the
USB-AC adapter.
– Never plug the USB-AC adapter or power cord into a wall outlet that is shared
by other devices, or into a shared extension cord.
– Never locate the USB-AC adapter near a stove or other heating device.
• Misuse of the USB-AC adapter can cause them to become damaged, creating
the risk of fire and electric shock. Be sure to observe the following precautions.
– Never place heavy objects on the USB-AC adapter or subject it to
direct heat.
– Do not modify the USB-AC adapter, allow it to become damaged, or
forcibly bend it.
– Do not twist or pull on the power cord.
– When in use, locate the cord where it will not be tripped over.
$
-
-
-
-
-
-
185
Appendix
• Never touch the power plug while your hands are wet. Doing so creates
the risk of electric shock.
• Should the power cord or power plug become damage, contact your
retailer or nearest CASIO authorized service center.
• Do not use the USB-AC adapter in areas where liquids
* might spill on
them. Liquids create the risk of fire and electric shock.
* Liquids: Water, sports drinks, seawater, animal or pet urine, etc.
• Do not place a flower vase or any other liquid container on top of the
USB-AC adapter. Water creates the risk of fire and electric shock.
• Do not touch the camera or USB-AC adapter during lightning storms.
If a power cord was included with your camera
• The power cord that comes with the camera is designed for use in the
country where the camera was purchased. If you use the camera in
another country, be sure to use a power cord that conforms to that
country’s ratings and power supply voltage. Use of an improper power cord
creates the risk of fire and electric shock.
• Before going out, be sure to unplug the USB-AC adapter from the power
outlet and put in a place away from objects used by animals and pets.
An animal or pet chewing on the power cord can cause it short, leading
to the risk of fire.
. Water and Foreign Matter
• Water, other liquids, or foreign matter (especially metal) getting inside
the camera creates the risk of fire and electric shock. Immediately
perform the following steps whenever any of the above symptoms are
present. Particular care is required when using the camera where it is raining or
snowing, near the ocean or other body of water, or in a bathroom.
1. Turn off the camera.
2. If you are using the USB-AC adapter to power the camera, unplug the power
plug from the wall outlet. Also, remove the battery from the camera, taking
care to protect yourself against burn injury.
3. Contact your retailer or nearest CASIO authorized service center.
. Disassembly and Modification
• Never try to take the camera apart or modify it in any way. Doing so
creates the risk of electric shock, burn injury, and other personal injury.
Be sure to leave all internal inspection, maintenance, and repair up to
your retailer or nearest CASIO authorized service center.
*
WARNING
"
+
-
%
1
+
+
%
!
186
Appendix
. Dropping and Rough Treatment
• Continued use of the camera after it is damaged by dropping or other
rough treatment creates the risk of fire and electric shock. Immediately
perform the following steps whenever any of the above symptoms are
present.
1. Turn off the camera.
2. If you are using the USB-AC adapter to power the camera, unplug the power
plug from the wall outlet. Also, remove the battery from the camera, taking
care to protect yourself against burn injury.
3. Contact your retailer or nearest CASIO authorized service center.
. Memory Cards
• Memory cards are small and present a risk of accidentally being
swallowed by infants and young children. Keep memory cards out of the
reach of infants and young children. If a memory card is ever swallowed
accidentally, contact a physician immediately.
. Precaution when Camera is On
• Do not touch the camera for long periods while it is on. The camera
becomes warm when on, and long term contact creates the risk of low-
temperature burns.
. Interference with other digital devices
• Should you notice radio interference or other problems on other devices
is being caused while using this camera, stop using the wireless
functions (Shoot with phone, image transfer, wireless image viewing,
etc.) of this camera, or turn off the camera. Use of wireless functions creates the
risk of radio interference and abnormal operation of other devices.
• When in a medical facility or aircraft, comply with instructions of
personnel in charge. Electromagnetic waves and other signals emitted
by the camera’s wireless function create the risk of accident.
*
WARNING
-
+
+
-
+
187
Appendix
• Do not use the camera’s wireless function while in the vicinity of high
precision digital devices or digital devices that use weak signals. Doing
so can interfere with proper operation of such digital devices and create
the risk of accident.
• When using the camera’s wireless function, keep it away from any
person wearing a pacemaker. Magnetism emitted by the camera may
affect cardiac pacemakers and other medical devices. Should you ever
notice any abnormality, immediately move away from the product and contact a
physician.
• On a crowded train or any other crowded location where there is the
possibility of being in the vicinity of a person wearing a cardiac
pacemaker, stop using the wireless functions (Shoot with phone, image
transfer, wireless image viewing, etc.) of this camera, or turn off the camera.
Radio waves emitted by the camera’s wireless function may affect pacemaker
operation.
*
CAUTION
. USB-AC Adapter
• Misuse of the USB-AC adapter creates the risk of fire and electric shock. Make
sure you observe the following precautions.
– Never cover the USB-AC adapter or power cord with a quilt, blanket,
or other cover while it is in use, and do not use it near a heater. Doing
so can interfere with heat radiation and cause the area around them
to become hot.
– Do not use detergent when cleaning the power cord, the USB-AC adapter, or
the USB cable (especially the plugs and jacks).
– Insert the power plug into the wall outlet as far as it will go.
– Unplug the power plug from the wall outlet before leaving the camera
unattended for long periods, such as when leaving on a trip, etc.
– At least once a year, use a cloth or vacuum cleaner to clean any dust build up
on the prongs of the power plug and in the area around them.
– (Power cord included with your camera) When unplugging from the wall outlet,
never pull on the power cord. Grasp the power plug and pull.
*
WARNING
-
+
+
-
+
188
Appendix
. Rechargeable Battery
• If battery charging does not end normally within the specified charging
time, stop charging anyway and contact your local CASIO authorized
service center. Continued charging creates the risk of battery
overheating, fire, and explosion.
• Be sure to read the user documentation that comes with the camera and
special charger unit before using or charging the battery.
• Store batteries in a location that cannot be reached by infants and young
children. When using a battery where infants and young children are
present, be on guard to ensure that they do not have the chance to
remove the battery from the charger unit or camera.
• Do not leave batteries near areas used by pets. A pet chewing on a
battery can lead to accidents caused by the battery leaking, overheating,
or exploding.
• Should fluid from a battery accidentally get onto clothing or your skin,
immediately rinse it off with clean tap water. Prolonged contact with
battery fluid can cause skin irritation.
. Connections
• Never plug any devices that are not specified for use with this camera
into connectors. Connecting a non-specified device creates the risk of
fire and electric shock.
. Unstable Locations
• Never place the camera on an unstable surface, on a high shelf, etc.
Doing so can cause the camera to fall, creating the risk of personal
injury.
. Locations To Be Avoided
• Never leave the camera in any of the following types of locations. Doing so
creates the risk of fire and electric shock.
– Areas subject to large amounts of humidity or dust
– Food preparation areas or other locations where oil smoke is present
– Near heaters, on a heated carpet, in areas exposed to direct sunlight,
in a closed vehicle parked in the sun, or other areas subject to very high
temperatures
*
CAUTION
+
+
+
-
+
-
-
-
189
Appendix
. Monitor Screen
• Do not apply strong pressure to the LCD panel surface or subject it to
strong impact. Doing so can cause the display panel glass to crack and
lead to personal injury.
• Should the monitor screen ever become cracked, never touch any of the
liquid inside the monitor screen. Doing so creates the risk of skin
inflammation.
• Should monitor screen liquid ever get into your mouth, immediately rinse
your mouth out and contact your physician.
• Should monitor screen liquid ever get into your eyes or onto your skin,
immediately rinse with clean water for at least 15 minutes and contact
your physician.
. Backing Up Important Data
• Always keep backup copies of important data in camera memory by
transferring it to a computer or other storage device. Note that data can
be deleted in the case of camera malfunction, repair, etc.
. Memory Protection
• Whenever replacing the battery, be sure to follow the correct procedure
as described in the documentation that comes with the camera.
Incorrectly replacing the battery can result in corruption or loss of data in
camera memory.
. Flash and Other Light Emitting Functions
• Never fire the flash or use light emitting functions pointed in the direction
of and too close to a person’s face. Doing so creates the risk of loss of
eyesight. In the case of infants and young children in particular, keep the
light source at least one meter away the eyes.
• Take care that your fingers, glove, or other items are not touching the
flash window when you shoot. Touching the flash window can lead to
burn injury, smoke, discoloration, or other problems.
• Do not fire the flash while the flash window is dirty, dusty, or soiled with
foreign matter. Doing so can lead to smoke emission and discoloration.
*
CAUTION
-
1
+
+
+
+
-
-
-
190
Appendix
. Data Error Precautions
Your digital camera is manufactured using precision digital components. Any of the
following creates the risk of corruption of data in camera memory.
– Removing the battery or memory card while the camera is performing some
operation
– Removing the battery or memory card while the back lamp is flashing green after
turning off the camera
– Disconnecting the USB cable while communication is in progress
– Shooting with a battery that quickly goes low right after it is charged
• Shooting with a battery that quickly goes low right after it is charged can also
cause camera malfunction. Replace the battery with a new one immediately.
– Other abnormal operations
Any of the above conditions can cause an error message to appear on the monitor
screen (page 216). Perform the action indicated by the message that appears.
. Operating Environment
• Operating Temperature Requirements: 0 to 40°C (32 to 104°F)
• Operating Humidity: 10 to 85% (non condensation)
• Do not place the camera in any of the following locations.
– In an area exposed to direct sunlight, or large amounts of moisture, dust, or sand
– Near heating or cooling devices, or in other areas subjected to extreme changes
in temperature or humidity
– Inside of a motor vehicle on a hot day, or in an area subjected to strong vibration
. Condensation
Sudden and extreme temperature changes, such as when the camera is moved from
the outdoors on a cold winter day into a warm room, can cause water droplets called
“condensation” to form on the interior and the exterior of the camera, which creates
the risk of malfunction. To prevent condensation from forming seal the camera in a
plastic bag before changing locations. Then leave the bag sealed to allow the air
inside to naturally change to the same temperature as the air in the new location.
After that, remove the camera from the bag and open the battery cover for a few
hours.
. Lens
• Never apply too much force when cleaning the surface of the lens. Doing so can
scratch the lens surface and cause malfunction.
• You may sometimes notice some distortion in certain types of images, such as a
slight bend in lines that should be straight. This is due to the characteristics of
lenses, and does not indicate malfunction of the camera.
Precautions During Use
191
Appendix
. Caring for your camera
• Never touch the lens or flash window with your fingers. Finger smudges, dirt, and
other foreign matter on the lens or flash window can interfere with proper operation
of the camera. Use a blower or other means to keep the lens and flash window free
of dirt and dust, and wipe gently with a soft, dry cloth.
• To clean the camera, wipe it with a soft, dry cloth.
. Old Rechargeable Battery Handling Precautions
• Insulate the positive and negative terminals with tape, etc.
• Do not peel the covering off of the battery.
• Do not try to take the battery apart.
. Precautions During Wireless Function (Wireless LAN, Bluetooth
Wireless Technology) Use
Operation of this product may affect or may be affected by nearby devices that use
wireless functionality.
Radio transmission interception
The radio waves that are used to send and receive data can be intercepted by third
parties.
Unauthorized access
CASIO COMPUTER CO., LTD. shall be held in no way liable for any unauthorized
access and/or use of the access point equipped on this product if the product is ever
lost or stolen.
Use as a wireless device
Use the wireless functions of this product only as specifically described in this
manual. Any other use is unintended use, and CASIO COMPUTER CO., LTD. shall
be held in no way liable for any damages arising out of unintended use.
Magnetism, electrostatic charge, and radio interference
Do not use this product near a microwave oven or any other area where magnetism,
electrostatic charge, or radio interference is generated. Radio wave reception may be
poor in certain environments.
Also note that other devices using the same 2.4GHz band used by this product may
cause reduced processing speeds in both devices.
Connection to a public LAN
This product does not support wireless LAN connection over a public wireless LAN
environment.
192
Appendix
Intended Areas of Use
1)The wireless LAN functions of this camera are provided for use in the countries and
geographic areas below.
Hong Kong, Singapore, Thailand, The United Arab Emirates (UAE), Paraguay,
Venezuela, Panama, Germany, Austria, France, The Netherlands, Spain, Italy, Sweden,
Denmark, Slovakia, Poland, and Norway
2)Approval for use under radio regulations in the countries and geographic areas below is
granted only when the camera is purchased within that particular country or geographic
area.
Taiwan, Indonesia, Malaysia, and South Korea
. Other Precautions
The camera becomes slightly warm during use. This is normal and does not indicate
malfunction.
. Copyrights
Except for your own personal enjoyment, unauthorized use of snapshots or movies of
images whose rights belong to others, without the permission of the right holder, is
forbidden by copyright laws. In some cases, shooting of public performances, shows,
exhibitions, etc. may be restricted entirely, even if it is for your own personal
enjoyment. Regardless of whether such files are purchased by you or obtained for
free, posting them on a website, a file sharing site, or any other Internet site, or
otherwise distributing them to third parties without the permission of the copyright
holder is strictly prohibited by copyright laws and international treaties. For example,
uploading or distributing on the Internet images of TV programs, live concerts, music
videos, etc. that were photographed or recorded by you may infringe upon the rights
of others. Note that CASIO COMPUTER CO., LTD. shall not be held liable for use of
this product in any way that infringes on the copyrights of others or that violates
copyright laws.
Note that trademark
™ and registered trademark
®
are not used within the text of this
manual.
• SDXC Logo is a trademark of SD-3C, LLC.
• Windows, Internet Explorer, Windows Media, Windows Vista, Windows 7,
Windows 8 and Windows 8.1 are registered trademarks or trademarks of Microsoft
Corporation in the United States and other countries.
• Macintosh, Mac OS, QuickTime, iPhoto, and iPhone are trademarks of Apple Inc.
• Adobe and Reader are either registered trademarks or trademarks of Adobe
Systems Incorporated in the United States and/or other countries.
• HDMI, the HDMI logo, and High-Definition Multimedia Interface are trademarks or
registered trademarks of HDMI Licensing, LLC.
• Android and Google Play are trademarks or registered trademarks of Google Inc.
• App Store is a service mark of Apple Inc.
• iOS is a trademark or registered trademark of Cisco Systems, Inc. of the United
States.
• Wi-Fi is a registered trademark of the Wi-Fi Alliance.
The following terms, which are used in this manual, are registered trademarks or
trademarks of their respective owners.
193
Appendix
• The Bluetooth
®
word mark and logos are registered trademarks owned by
Bluetooth SIG, Inc. and any use of such marks by CASIO COMPUTER CO., LTD.
is under license. Other trademarks and trade names are those of their respective
owners.
• EXILIM and EXILIM Connect are registered trademarks or trademarks of CASIO
COMPUTER CO., LTD.
• All other company or product names mentioned herein are registered trademarks
or trademarks of their respective companies.
Any and all unauthorized copying, distribution, and transfer for commercial purposes
of the software provided by CASIO for this product are prohibited.
194
Appendix
. Open Source Software
This product includes software that is licensed under the license conditions below.
OpenVG 1.1 Reference Implementation
Copyright (c) 2007 The Khronos Group Inc.
Permission is hereby granted, free of charge, to any person obtaining a
copy of this software and /or associated documentation files
(the "Materials "), to deal in the Materials without restriction,
including without limitation the rights to use, copy, modify, merge,
publish, distribute, sublicense, and/or sell copies of the Materials,
and to permit persons to whom the Materials are furnished to do so,
subject to the following conditions:
The above copyright notice and this permission notice shall be included
in all copies or substantial portions of the Materials.
THE MATERIALS ARE PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND,
EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF
MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT.
IN NO EVENT SHALL THE AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM,
DAMAGES OR OTHER LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR
OTHERWISE, ARISING FROM, OUT OF OR IN CONNECTION WITH THE MATERIALS OR
THE USE OR OTHER DEALINGS IN THE MATERIALS.
bluedroid 5.0.0_r2
Copyright (c) 2014 The Android Open Source Project
Copyright (C) 1998-2014 Broadcom Corporation
Licensed under the Apache License, Version 2.0 (the "License");
you may not use this file except in compliance with the License.
You may obtain a copy of the License at
http://www.apache.org/licenses/LICENSE-2.0
Unless required by applicable law or agreed to in writing, software
distributed under the License is distributed on an "AS IS" BASIS,
WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied.
See the License for the specific language governing permissions and
limitations under the License.
Apache License
Version 2.0, January 2004
http://www.apache.org/licenses/
TERMS AND CONDITIONS FOR USE, REPRODUCTION, AND DISTRIBUTION
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the copyright owner that is granting the License.
195
Appendix
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196
Appendix
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as part of the Derivative Works; within the Source form or
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within a display generated by the Derivative Works, if and
197
Appendix
wherever such third-party notices normally appear. The contents
of the NOTICE file are for informational purposes only and
do not modify the License. You may add Your own attribution
notices within Derivative Works that You distribute, alongside
or as an addendum to the NOTICE text from the Work, provided
that such additional attribution notices cannot be construed
as modifying the License.
You may add Your own copyright statement to Your modifications and
may provide additional or different license terms and conditions
for use, reproduction, or distribution of Your modifications, or
for any such Derivative Works as a whole, provided Your use,
reproduction, and distribution of the Work otherwise complies with
the conditions stated in this License.
5. Submission of Contributions. Unless You explicitly state otherwise,
any Contribution intentionally submitted for inclusion in the Work
by You to the Licensor shall be under the terms and conditions of
this License, without any additional terms or conditions.
Notwithstanding the above, nothing herein shall supersede or modify
the terms of any separate license agreement you may have executed
with Licensor regarding such Contributions.
6. Trademarks. This License does not grant permission to use the trade
names, trademarks, service marks, or product names of the Licensor,
except as required for reasonable and customary use in describing the
origin of the Work and reproducing the content of the NOTICE file.
7. Disclaimer of Warranty. Unless required by applicable law or
agreed to in writing, Licensor provides the Work (and each
Contributor provides its Contributions) on an "AS IS" BASIS,
WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or
implied, including, without limitation, any warranties or conditions
of TITLE, NON-INFRINGEMENT, MERCHANTABILITY, or FITNESS FOR A
PARTICULAR PURPOSE. You are solely responsible for determining the
appropriateness of using or redistributing the Work and assume any
risks associated with Your exercise of permissions under this License.
8. Limitation of Liability. In no event and under no legal theory,
whether in tort (including negligence), contract, or otherwise,
unless required by applicable law (such as deliberate and grossly
negligent acts) or agreed to in writing, shall any Contributor be
liable to You for damages, including any direct, indirect, special,
incidental, or consequential damages of any character arising as a
result of this License or out of the use or inability to use the
Work (including but not limited to damages for loss of goodwill,
work stoppage, computer failure or malfunction, or any and all
other commercial damages or losses), even if such Contributor
has been advised of the possibility of such damages.
198
Appendix
9. Accepting Warranty or Additional Liability. While redistributing
the Work or Derivative Works thereof, You may choose to offer,
and charge a fee for, acceptance of support, warranty, indemnity,
or other liability obligations and/or rights consistent with this
License. However, in accepting such obligations, You may act only
on Your own behalf and on Your sole responsibility, not on behalf
of any other Contributor, and only if You agree to indemnify,
defend, and hold each Contributor harmless for any liability
incurred by, or claims asserted against, such Contributor by reason
of your accepting any such warranty or additional liability.
END OF TERMS AND CONDITIONS
bluedroid 5.0.0_r2
Copyright (c) 1998-2008, Brian Gladman, Worcester, UK. All rights reserved.
LICENSE TERMS
The redistribution and use of this software (with or without changes)
is allowed without the payment of fees or royalties provided that:
1. source code distributions include the above copyright notice, this
list of conditions and the following disclaimer;
2. binary distributions include the above copyright notice, this list
of conditions and the following disclaimer in their documentation;
3. the name of the copyright holder is not used to endorse products
built using this software without specific written permission.
DISCLAIMER
This software is provided 'as is' with no explicit or implied warranties
in respect of its properties, including, but not limited to, correctness
and/or fitness for purpose.
libhardware 5.0.0_r2
Copyright (c) 2005-2014, The Android Open Source Project
Licensed under the Apache License, Version 2.0 (the "License");
you may not use this file except in compliance with the License.
You may obtain a copy of the License at
http://www.apache.org/licenses/LICENSE-2.0
Unless required by applicable law or agreed to in writing, software
distributed under the License is distributed on an "AS IS" BASIS,
WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied.
199
Appendix
See the License for the specific language governing permissions and
limitations under the License.
Apache License
Version 2.0, January 2004
http://www.apache.org/licenses/
TERMS AND CONDITIONS FOR USE, REPRODUCTION, AND DISTRIBUTION
1. Definitions.
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200
Appendix
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201
Appendix
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reproduction, and distribution of the Work otherwise complies with
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any Contribution intentionally submitted for inclusion in the Work
by You to the Licensor shall be under the terms and conditions of
this License, without any additional terms or conditions.
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the terms of any separate license agreement you may have executed
with Licensor regarding such Contributions.
6. Trademarks. This License does not grant permission to use the trade
names, trademarks, service marks, or product names of the Licensor,
except as required for reasonable and customary use in describing the
origin of the Work and reproducing the content of the NOTICE file.
7. Disclaimer of Warranty. Unless required by applicable law or
agreed to in writing, Licensor provides the Work (and each
Contributor provides its Contributions) on an "AS IS" BASIS,
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202
Appendix
8. Limitation of Liability. In no event and under no legal theory,
whether in tort (including negligence), contract, or otherwise,
unless required by applicable law (such as deliberate and grossly
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License. However, in accepting such obligations, You may act only
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defend, and hold each Contributor harmless for any liability
incurred by, or claims asserted against, such Contributor by reason
of your accepting any such warranty or additional liability.
END OF TERMS AND CONDITIONS
203
Appendix
. If the camera’s back lamp starts flashing red...
If the back lamp starts flashing red during charging, it means that further charging is
not possible for one of the reasons below. Perform the actions described below to
correct the problem and then try charging again.
Ambient temperature or the temperature of the battery is abnormally high
or low
Unplug the USB cable from the camera and wait for a while until the camera is within
the temperature range of 15°C to 35°C (59°F to 95°F), and then try charging again.
Safety timer activated
A battery that has not been used for a long time, certain types of computers, and
connection conditions can cause charging to take longer than normal. If charging
takes longer than about 5 hours, a safety timer will terminate it automatically, even if
the battery is not fully charged. If the battery has not been used for a very long time,
charging may terminate automatically after only about 60 minutes.
1) Using a battery that has not been used for a long time.
Disconnect and then reconnect the USB cable to resume charging.
2) Insufficient power supply when connected to computer
The camera can be charged only via a USB 2.0 standard USB port. Connect
directly to a USB port what supplies a current of 500mA.
For details about the power supply capacity of a computer’s USB port, contact the
manufacturer of the computer. Though disconnecting and then reconnecting the USB
cable will resume charging, you may need to do so repeatedly if the power supply
capacity of the computer is low.
Power Supply
Charging
If problems persist after you perform the above steps or if the battery fails to
charge after 5 hours, it could mean that the battery is faulty. Contact your nearest
CASIO authorized service center.
204
Appendix
. Precautions during Use
• Operation provided by a battery under cold conditions is always less than operation
under normal temperatures. This is due to the characteristics of the battery, not the
camera.
• Charge the battery in an area where the temperature is within the range of 15°C to
35°C (59°F to 95°F). Outside this temperature range charging can take longer than
normal or even fail.
• Do not tear or remove the battery outer label.
• If a battery provides only very limited operation following a full charge, it probably
means the battery has reached the end of its service life. Replace the battery with a
new one.
. Storage Precautions
• Storing the battery for a long time while it is charged can cause deterioration of
battery characteristics. If you do not plan to use a battery for some time, fully use
up its charge before storing it.
• Always remove the battery from the camera when you are not using it. A battery left
in the camera can discharge and go dead, which will require some time to charge
when you need to use the camera.
• Store batteries in a cool, dry place (20°C (68°F) or lower).
• To prevent over discharging of an unused battery, fully charge it, and then load it in
the camera and fully use up the charge about once every six months.
. Precautions during Use
• The bundled USB-AC adaptor is designed for operation with any power supply in
the range of 100V to 240V AC, 50/60Hz. Note, however, that the shape of the
power plug depends on each country or geographic area. Before taking the camera
and USB-AC adaptor along on a trip, check with travel agent about the power
supply requirements in your destination(s).
• Do not connect the USB-AC adaptor to a power supply through a voltage converter
or similar device. Doing so can lead to malfunction.
. Extra Batteries
• Taking along extra fully charged batteries (NP-130A) is recommended while on a
trip in order to avoid not being able to shoot images due to the battery going dead.
Battery Precautions
Using the Camera in another Country
205
Appendix
See page 28 for information about supported memory cards and how to load a
memory card.
. Using a Memory Card
• SD memory cards, SDHC memory cards, and SDXC
memory cards have a write protect switch. Use the
switch when you need to guard against accidentally
deleting data. Note, however, if you write protect an
SD memory card you must then turn write protection
off whenever you want to record to it, format it, or
delete any of its images.
• If a memory card starts to behave abnormally during
image playback, you can restore normal operation by reformatting it (page 180).
However, it is recommended that you always take along multiple memory cards
whenever using the camera far away from the home or office.
• As you record data to and delete data from a memory card a number of times, it
loses its ability to retain data. Because of this, periodic re-formatting of a memory
card is recommended.
• Electrostatic charge, electrical noise, and other phenomena can cause data to
become corrupted or even lost. Make sure that you always back up important data
on other media (Blu-ray, DVD, or other optical disk, hard disk, etc.).
. Memory Card Handling Precautions
Certain types of memory cards can slow down processing speed. Whenever possible
use an Ultra High-Speed Type memory card. Note, however, that not all operations
can be guaranteed even if an Ultra High-Speed Type memory card is used. Certain
movie quality settings can result in too much time being required to record data,
which can result in breaks in the image and/or audio during playback. If this happens,
the
Y
will turn yellow on the monitor screen.
Using a Memory Card
Write enabled
Write disabled
206
Appendix
. Discarding or Transferring Ownership of a Memory Card or the
Camera
The format and delete functions of the camera do not actually delete files from the
memory card. The original data remains on the card. Note that responsibility for the
data on a memory card lies with you. The following procedures are recommended
whenever you discard a memory card or the camera, or if you transfer ownership to
another party.
• When discarding a memory card, either physically destroy the memory card or use
commercially available data delete software to completely delete the data on the
memory card.
• When transferring ownership of a memory card to another party, use commercially
available data deletion software to completely delete the data on it.
Use the format function (page 180) to completely delete the data in built-in memory
before discarding or transferring ownership of the camera.
207
Appendix
The tables in this section show the initial default settings that are configured for menu
items (displayed when you press [MENU]) after you reset the camera (page 181).
Menu items depend on whether the camera is in the REC mode or PLAY mode.
• A dash (–) indicates an item whose setting is not reset or an item for which there is
no reset setting.
IMPORTANT!
• Depending on the recording mode, some of the items on the menu that appears
may not be usable.
.r REC MENU
Reset Initial Default Settings
CS Off
Motion Shutter
Motion Settings:
180°only
Timer: 2 sec
Motion Position:
: Upper right
: Upper left
Front Shutter Standard
Key Customize
Function Ring:
Step Zoom
Control Dial : Off
L/R Key: Off
Self-timer Off
Exposure 0.0
White Balance Auto WB
ISO Auto
ISO High Limit Auto
Focus AF
AF Area
U
Spot
Face Detection Off
Make-up
Skin Tone : 0 (Off)
Smooth Skin :
0 (Off)
Continuous AF Off
Metering Multi
Anti-shake
Functions
Standard
Image Size 12M
Image Quality Normal
Movie Quality FHD
Lighting On
Sharpness 0
Saturation 0
Contrast 0
Flash Intensity 0
Zoom (SR) Single
Digital Zoom On
AF Assist Light On
Double (HDR
Art)
On
Wind Noise Cut Off
Review Type 2
Icon Help On
Shooting Info
Grid: Off /
Histogram: Off /
Movie Range: Off
B
208
Appendix
.
p
PLAY MENU
Memory
Function Ring: On /
CS: Off /
Flash: On /
Focus: Off /
ISO: Off /
White Balance: Off /
Exposure: Off /
AF Area: On /
Metering: Off /
Self-timer: Off /
Flash Intensity: Off /
Zoom (SR): On /
Digital Zoom: On /
MF Position: Off /
Zoom Position: Off
Front Shutter Standard
Function Ring –
Quick Collage –
Slideshow
Images:
All images /
Time: 30 min /
Interval: 3 sec /
Effect: Pattern 1
Make Movie –
Movie Editing –
Movie Merge –
MOTION PRINT –
Lighting –
White Balance –
Brightness –
DPOF Printing –
Protect –
Date/Time –
Rotation –
Resize –
Trimming –
Copy –
CS Multi Print –
Divide Group –
Edit Group –
B
209
Appendix
.
¥
SETTING
. Wireless settings
Airplane Mode Off
Auto Send Off
Auto Send File
Settings
T Only
Resize before
send
3M
WLAN
password
–
Unpairing –
ECO Mode Off
Screen Auto
Sounds
Startup: Sound 1 /
Half Shutter:
Sound 1 /
Shutter: Sound 1 /
Operation:
Sound 1 / Operation
Vol: 3 /
Playback Vol: 3
Create Folder –
Timestamp Off
Auto Rotate On
File No. Continue
Sleep 1 min
Auto Power Off 5 min
Screen Tilt Power On
PLAY Power On
Delete Key Enabled
World Time –
Adjust –
Date Style –
Language –
HDMI Output Auto
Format –
Reset –
Version –
B
210
Appendix
When things don’t go right...
Troubleshooting
Problem Possible Cause and Recommended Action
Power Supply
Power does not
turn on.
1)The battery may not be loaded correctly (page 21).
2)The battery may be dead. Charge the battery (page 22). If the
battery goes dead soon after being charged, it means the
battery has reached the end of its life and needs to be
replaced. Purchase a separately available CASIO NP-130A
rechargeable lithium ion battery.
The camera
suddenly powers
down.
1)Auto Power Off may have activated (page 176). Turn power
back on.
2)The battery may be dead. Charge the battery (page 22).
3)The camera’s protection function may have activated
because camera temperature is too high. Turn off the camera
and wait until it cools down before trying to use it again.
Power will not turn
off. Nothing
happens when a
button is pressed.
Remove the battery from the camera and then reload them.
Charging
The back lamp
does not light red
and the battery
won’t charge.
1)Unplug the USB cable from the camera and then plug it back
in again.
2)Remove the battery from the camera and then reload it (page
22).
Image Recording
Image is not
recorded when the
shutter button is
pressed.
1)If the camera is in the PLAY mode, press the shutter button to
enter the REC mode.
2)If the flash is charging, wait until the charge operation
finishes.
3)If the message “Memory Full” appears, transfer images to
your computer, delete images you no longer need, or use a
different memory card.
Auto Focus does
not focus properly.
1)If the lens is dirty, clean it off.
2)The subject may not be in the center of the focus frame when
you compose the image.
3)The subject you are shooting may not be a type that is
compatible with Auto Focus (page 40). Use manual focus
(page 47).
4)You may be moving the camera when shooting. Try shooting
with Anti Shake or use a tripod.
211
Appendix
The subject is out
of focus in the
recorded image.
The image may not be focused properly. When composing the
image, make sure the subject is located inside the focus frame.
The flash does not
fire.
1)If
?
(Flash Off) is selected as the flash mode, change to
another mode (page 52).
2)If the battery is low, charge it (page 22).
3)If a BEST SHOT scene that uses
?
(Flash Off) is selected,
change to a different flash mode (page 52) or select a
different BEST SHOT scene (page 86).
The red ? (Flash
Off) icon is
displayed on the
monitor screen and
the flash does not
fire.
The flash unit may be malfunctioning. Contact a CASIO
authorized service center or your original retailer. Note that
though the flash will not fire, you still can use the camera for
non-flash shots.
Camera powers
down during Self-
timer countdown.
The battery may be low. Charge the battery.
The monitor screen
image is out of
focus.
1)You may be using Manual Focus and have not focused the
image. Focus the image (page 47).
2)You may be using
´
(Macro) for scenery or portraits. Use
Auto Focus for scenery and portrait shots (page 47).
3)You may be trying to use Auto Focus when shooting a close-
up shot. Use the
´
(Macro) for close ups (page 47).
There is digital
noise in images.
1)Sensitivity may have been increased automatically for a dark
subject, which increases the chance of digital noise. Use a
light or some other means to illuminate the subject.
2)You may be attempting to shoot in a dark location with
?
(Flash Off) selected, which can increase digital noise and
make images appear coarse. In this case, turn on flash (page
52) or use lights for illumination.
3)Lighting (page 114) may be enabled for snapshots, which can
cause an increase in digital noise. Use a light or some other
means to illuminate the subject.
4)Shooting movies for long periods in areas where temperature
is relatively high can cause digital noise (dots of light) to
appear in the movie image. If this happens, move to a cooler
environment or turn off the camera and allow it to cool down,
which should cause normal operation to resume.
Problem Possible Cause and Recommended Action
212
Appendix
A recorded image
was not saved.
1)Camera power may have been turned off before the save
operation was complete, which will result in the image not
being saved. If the battery indicator shows , charge the
battery as soon as possible (page 26).
2)You may have removed the memory card from the camera
before the save operation was complete, which will result in
the image not being saved. Do not remove the memory card
before the save operation is complete.
Though available
lighting is bright,
the faces of people
in the image are
dark.
Not enough light is reaching the subjects. Change the flash
mode setting to
<
(Flash On) for daylight synchro flash (page
52), or adjust Exposure to the + side (page 51).
Night shots come
out bad.
Use the following BEST SHOT scenes (page 86) when shooting
at night.
• HS Night Scene (for shooting night scenery only)
• HS Night Scene and Portrait (for shooting people against
night scenery)
Subjects are too
dark when shooting
images in a
seashore or ski
area.
Sunlight reflected by water, sand, or snow, can cause
underexposure of images. Change the flash mode setting to
<
(Flash On) for daylight synchro flash (page 52), or adjust
Exposure to the + side (page 51).
Digital zoom will
not go up to the
maximum value.
1)The digital zoom setting may be turned off. Turn on digital
zoom (page 115).
2)Zoom will not go up to the maximum value if the “Zoom (SR)”
setting is “Single”. Change the setting to “Off” (page 58).
3)Zoom will not go up to the maximum value if the snapshot
size setting is something other than “3M”. Change to a
different setting (page 111).
The image is out of
focus during movie
recording.
1)Focusing may not be possible because the subject is outside
the focus range. Shoot within the allowable range.
2)The lens may be dirty. Clean the lens (page 190).
3)During High Speed Movie recording, focus is fixed at the
position where it was when recording started. To focus an
image, half-press the shutter button for Auto Focus or focus
manually before you press [0] (Movie) to start recording.
Movie recording
suddenly stops.
The camera’s protection function may have activated because
camera temperature is too high. Wait until the camera
temperature drops to normal levels.
The monitor screen
goes blank and
camera operation
becomes disabled.
Selecting S or M for the recording mode and using a slow
shutter speed will cause the monitor screen to go blank during
the period from when the shutter button is pressed until image
recording is complete. Camera operations are disabled during
this time. Wait until the back lamp goes out and an image
appears on the monitor screen again.
Problem Possible Cause and Recommended Action
213
Appendix
I can’t change the
settings of menu
items. Menu items
for some settings
are not displayed
on the menu.
Some menu items may not be available, depending on the
recording mode in use. While Premium Auto Pro is in use, only
the menu items whose settings can be configured will be
displayed on the menus.
Playback
The color of the
playback image is
different from what
appears on the
monitor screen
when shooting.
Sunlight or light from another source may be shining directly
into the lens when you are shooting. Position the camera so
sunlight does not shine directly into the lens.
Images are not
displayed.
This camera cannot display non-DCF images recorded onto a
memory card using another digital camera.
Images cannot be
edited (with White
Balance,
Brightness, Resize,
Trimming,
Rotation).
Note that you cannot edit the following types of snapshots.
• Snapshots created using MOTION PRINT
• CS and interval shot group snapshots
•Movies
• Panorama Image
• Snapshots recorded with another camera
File Deletion
A file cannot be
deleted.
1)The file may be protected. Unprotect the file (page 137).
2)“Delete Key” setting may be “Disabled”. Change the setting to
“Enabled” (page 177).
Wireless Connection
I can’t establish a
wireless
connection.
The wireless
connection is
broken.
1)The camera cannot connect with a smartphone if they are too
far apart from each other.
2)The smartphone may be connected with another wireless
device. Check the smartphone’s Wi-Fi settings and confirm
that the camera is selected for wireless connection (page
148).
3)Connection may have been lost due to interference caused
by a nearby microwave oven, cordless phone, or other
wireless device. Move the camera away from the device
causing the problem.
Problem Possible Cause and Recommended Action
214
Appendix
Other
The wrong date
and time are
displayed, or the
wrong date and
time are being
stored along with
image data.
The date and time setting is off. Set the correct date and time
(page 179).
The messages on
the display are in
the wrong
language.
The wrong display language is selected. Change the display
language setting (page 180).
Images cannot be
transferred over a
USB connection.
1)The USB cable may not be connected securely. Check all
connections.
2)If the camera is not turned on, turn it on.
3)Your computer may not be able to recognize the camera if
you connect via a USB hub. Always connect directly to the
computer’s USB port.
4)USB communication may not be possible when the battery
level indicator is . Charge the battery before connecting.
Language selection
screen appears
when the camera is
turned on.
1)You did not configure initial settings after purchasing the
camera or the camera may have been left with a dead
battery. Configure the correct settings (pages 26, 180).
2)There may be a problem with the camera’s memory data. If
this is the case, perform the reset operation to initialize the
camera’s setup (page 181). After that, configure each setting.
If the language selection screen does not re-appear when you
turn the camera on, it means that the camera’s memory
management data has been restored.
If the same message appears after you turn power back on,
contact your retailer or a CASIO authorized service center.
There are various
indicators and
values on the
monitor screen.
The monitor screen shows indicators and other information
about shooting conditions and the image you are recording. You
can use [8] (DISP) to select what information you want to
include on the display (page 13).
Problem Possible Cause and Recommended Action
215
Appendix
The time and date
settings configured
the first time after
purchasing the
camera are reset to
their factory
defaults when I
remove the
camera’s battery.
Load the camera’s battery and reconfigure the time and date
settings (page 26). Do not remove the battery from the camera
for at least 24 hours after configuring time and date settings.
After that, the settings will not be reset if you remove the
battery.
• If the time and date are reset to their factory default settings
when you remove the battery after it has been loaded for
more than 24 hours, it could mean that the camera’s setting
memory is defective. Contact your retailer or a CASIO
authorized service center.
Buttons are not
responsive right
after the power has
been turned on.
With large capacity memory cards there is a delay after the
power has been turned on before the buttons become
responsive.
Problem Possible Cause and Recommended Action
216
Appendix
Display Messages
ALERT
The camera’s protection function may have activated
because camera temperature is too high. Turn off the
camera and wait until it cools down before trying to use it
again.
Battery is low. Battery power is low.
Can not find the file.
The image you specified with the slideshow “Images”
setting cannot be found. Change the “Images” setting (page
130) and try again.
Card ERROR
There is something wrong with the memory card. Turn off
the camera, remove the memory card and then reload it
into the camera. If this message re-appears when you turn
the camera back on, format the memory card (page 180).
IMPORTANT!
• Formatting a memory card deletes all its files. Before
formatting, try transferring recoverable files to a
computer or some other storage device.
Communication
stopped.
This message appears when the wireless LAN connection
is broken for some reason during data communication
between the camera and smartphone.
File could not be
saved because
battery is low.
Battery power is low, so an image file could not be saved.
Folder cannot be
created.
You are trying to record a file while there are already 9999
files stored in the 999th folder. If you want to record more,
delete files you no longer need (page 38).
LENS ERROR
This message appears and the camera turns off whenever
the lens performs some unexpected operation. If the same
message appears after you turn power back on, contact a
CASIO authorized service center or your original retailer.
LENS ERROR 2
The Anti Shake unit of the camera may be malfunctioning.
If the same message appears after you turn power back on,
contact your retailer or a CASIO authorized service center.
Memory Full
Memory is full with images you recorded and/or files saved
by editing operations. When shooting with Prerecord CS,
this message indicates that there is not enough memory
capacity to record all of the pre-recorded images. Delete
files you no longer need (page 38).
217
Appendix
Record Error
Image compression could not be performed for some
reason during image data recording. Perform a zoom
operation to change the composition of the image and
shoot it again.
RETRY POWER ON
The lens came into contact with an obstruction while
moving. The camera will turn off automatically when this
message appears. Remove the obstruction and turn power
back on again.
The card is locked.
The LOCK switch of the SD, SDHC, or SDXC
memory card loaded in the camera is in the
locked position. You cannot store images to
or delete images from a memory card that is
locked.
There are no files.
There are no files in built-in memory or on the memory
card.
There is no image to
register.
The setup you are trying to save is for an image that cannot
be saved as a user “Custom Shot” scene.
This card is not
formatted.
The memory card loaded in the camera is not formatted.
Format the memory card (page 180).
This file cannot be
played.
The file you are trying to access is corrupted or is a type
that cannot be displayed by this camera.
This function cannot
be used.
This message will appear part way through an operation
when you attempt to use a function that is not allowed in
combination with another function.
LOCK
218
Appendix
Snapshot
Number of Snapshots/Movie Recording Time
Image Size
(Pixels)
Quality File Size
Built-in Memory
*
1
Recording
Capacity
SD Memory Card
*
2
Recording
Capacity
12M
(4000
x
3000)
Fine 7.87 MB 4 1453
Normal 4.13 MB 7 2221
3:2
(4000
x
2656)
Fine 6.87 MB 5 1672
Normal 3.62 MB 8 2549
16:9
(4000
x
2240)
Fine 5.66 MB 6 2019
Normal 3.0 MB 9 3048
8M
(3264
x
2448)
Fine 5.66 MB 6 2019
Normal 3.0 MB 9 3048
3M
(2048
x
1536)
Fine 2.0 MB 14 4669
Normal 1.25 MB 20 6533
219
Appendix
Movies
*1
Built-in memory capacity after formatting (Approx. 48.9MB)
*2 When using a 16GB SDHC memory card (SanDisk Corporation). Number of image and
recording time values depend on the memory card you are using.
*3 The allowable recording time will be shorter if the capacity of the SD memory card you
are using is smaller than the maximum size of one file.
*4 The data transfer rate of built-in memory is not sufficient for FHD and HS movies.
Whenever possible use an Ultra High-Speed Type memory card (pages 28, 75).
Image Size/
Pixels
(Audio)
Approximate Data
Rate (Frame Rate)
Maximum
File Size
Built-in
Memory
*
1
Recording
Capacity
Maximum
Recording
Time with
SD Memory
Card
*
2
File Size of
1-minute
Movie
Continuous
Recording
Time per
Movie
*
3
FHD
(1920
x
1080)
(Stereo)
14.2 Megabits/
second
(30 frames/second)
4GB or
29 minutes
25 seconds
*
4
2 hours
13 minutes
106.5 MB 29 minutes
HD
(1280
x
720)
(Stereo)
10.9 Megabits/
second
(12, 15, 20, 30
frames/second)
33 seconds
*
5
2 hours
53 minutes
*
5
81.8 MB
*
5
29 minutes
*
5
STD
(640
x
480)
(Stereo)
3.9 Megabits/second
(30 frames/second)
1 minute
34 seconds
8 hours
12 minutes
29.3 MB 29 minutes
HS1000
(224
x
64)
(No audio)
40.0 Megabits/
second
(1000 frames/
second)
9 seconds
*
4
48 minutes 300.0 MB
13 minutes
10 seconds
HS480
(224
x
160)
(No audio)
40.0 Megabits/
second
(480 frames/second)
9 seconds
*
4
48 minutes 300.0 MB
13 minutes
2 seconds
HS240
(512
x
384)
(No audio)
40.0 Megabits/
second
(240 frames/second)
9 seconds
*
4
48 minutes 300.0 MB
12 minutes
58 seconds
HS120
(640
x
480)
(No audio)
40.0 Megabits/
second
(120 frames/second)
9 seconds
*
4
47 minutes 300.0 MB
12 minutes
55 seconds
HS30-240
(512
x
384)
(Audio
recording at
30 fps only)
5.4 Megabits/second
(30 frames/second)
40.4 Megabits/
second
(240 frames/second)
1 minute
9 seconds
*
6
5 hours
59 minutes
*
6
40.5 MB
*
6
29 minutes
*
6
HS30-120
(640
x
480)
(Audio
recording at
30 fps only)
10.4 Megabits/
second
(30 frames/second)
40.4 Megabits/
second
(120 frames/second)
35 seconds
*
6
3 hours
5 minutes
*
6
78.0 MB
*
6
29 minutes
*
6
220
Appendix
*5 Values when shooting with Art Shot.
*6 Recordable time when the entire movie is recorded at 30 fps. Recording time is shorter
if the 30 fps frame rate is switched to 120 fps or 240 fps during recording.
• Snapshot and movie recording capacity values are approximate and intended for
reference only. Actual capacity depends on image contents.
• File size and data rate values are approximate and intended for reference only. Actual
values depend on the type of image being shot.
• When using a memory card with a different capacity, calculate the number of images as a
percentage of 16GB.
• The time it takes to play back a high speed movie will be different from the time it takes to
record it. If you record a 240 fps high speed movie for 10 seconds, for example, it will
take 80 seconds to play it back.
221
Appendix
Specifications
File Format Snapshots:
RAW (DNG)*, JPEG (Exif Version 2.3; DCF 2.0 standard;
DPOF compliant)
Movies:
MOV format, H.264/AVC standard, IMA-ADPCM (stereo)
* DNG file format is one type of RAW image file, and it is
recommended by Adobe Systems Incorporated for use as a
standard image file format.
Recording Media Built-in Memory (Image Storage Area: 48.9MB*)
SD/SDHC/SDXC
* Built-in memory capacity after formatting
Recorded Image Sizes Snapshots:
12M (4000
x
3000), 3:2 (4000
x
2656), 16:9 (4000
x
2240),
8M (3264
x
2448), 3M (2048
x
1536)
Movies:
FHD (1920
x
1080 30 fps),
HD (1280
x
720 12 fps/15 fps/20 fps/30 fps)*,
STD (640
x
480 30 fps), HS1000 (224
x
64 1000 fps),
HS480 (224
x
160 480 fps), HS240 (512
x
384 240 fps),
HS120 (640
x
480 120 fps),
HS30-240 (512
x
384 30 fps/240 fps switchable),
HS30-120 (640
x
480 30 fps/120 fps switchable)
* HD movie can be selected only when shooting with Art Shot or
some Time Lapse scenes.
Effective Pixels 12.1 Megapixels
Imaging Element Size: 1/1.7-inch square pixel high-speed CMOS
Total Pixels: 12.76 Megapixels
Lens/Focal Distance F2.8 (W) to 6.3 (T) f = 5.4 to 64.8 mm
(equivalent to 25 to 300 mm in 35 mm format)
Zoom 12.0X Optical zoom, 24.0X in combination with Multi SR Zoom
4X Digital zoom
Up to 93.6X when HD Zoom and Digital zoom are used in
combination (3M size)
Focusing Contrast Detection Auto Focus; with AF assist light
• Focus Modes:
Auto Focus, Macro Focus, Manual Focus
•AF Area:
Intelligent, Spot, Multi (25 selectable areas), Tracking
Approximate Focus
Range
(From Lens Surface)
Auto Focus: 6 cm to
9
(2.4" to
9
) (Wide Angle)
Macro Focus: 6 cm to 50 cm (2.4" to 19.7") (Wide Angle)
Manual Focus: 6 cm to
9
(2.4" to
9
) (Wide Angle)
• Range is affected by optical zoom.
Metering Multi-pattern, center weighted, and spot by imaging element
Exposure Control Program AE, Aperture Priority AE, Shutter Speed Priority AE,
Manual Exposure
222
Appendix
Exposure
Compensation
–2.0 EV to +2.0 EV (in 1/3EV steps)
Shutter CMOS electronic shutter, mechanical shutter
Shutter Speed Snapshot (Program Auto): 1/4 to 1/1600 second
Snapshot (Premium Auto Pro): 4 to 1/4000 second
Snapshot (Aperture Priority AE): 1 to 1/1600 second
Snapshot (Shutter Speed Priority AE): 15 to 1/1600 second
Snapshot (Manual Exposure): 30 to 1/1600 second
• 1/20000-second shutter speed is possible only with High
speed Continuous Shutter, shutter speed priority AE or
manual exposure.
• May differ due to the camera setup.
Aperture Value F2.8 (W) to F7.9 (W) (With ND filter)
• Using optical zoom changes the aperture value.
White Balance Auto, Daylight, Overcast, Shade, Day White Fluorescent,
Daylight Fluorescent, Tungsten, Manual WB
Sensitivity
(Standard Output
Sensitivity)
Snapshots:
Auto, ISO 80, ISO 100, ISO 200, ISO 400, ISO 800,
ISO 1600, ISO 3200, ISO 6400 equivalent
Snapshots (HS Night Shot):
ISO 25600 equivalent maximum
Movies: Auto
Flash Modes Auto, Off, On, Red-eye reduction
Flash Range
(ISO Sensitivity: Auto)
0.4 m to 4.1 m (1.3' to 13.5') (Wide Angle)
1.4 m to 1.8 m (4.6' to 5.9') (Telephoto)
• Range is affected by optical zoom.
Flash Intensity
Adjustment
–2, –1, 0, +1, +2
Flash Charging Time Approximately 5 seconds
Communication
function
Bluetooth:
• Communication standard: Bluetooth
®
Smart
Wi-Fi:
• Standard: IEEE 802.11b/g/n
• Operation frequency range: 1 to 11ch
• Encryption: WPA2
Monitor Screen 3.0-inch TFT color LCD (Super Clear LCD)
921,600 dots, tiltable (180 degrees)
External connection
terminal
Micro USB port (Hi-Speed USB compliance, USB charging)
HDMI output (Micro/TypeD)
Microphones Stereo
Speaker Monaural
Power Requirements Rechargeable lithium ion battery (NP-130A)
x
1
223
Appendix
Approximate Battery Life
All of the values provided below represent the approximate amount of time under
normal temperature (23°C (73°F)) before the camera turns off. These values are not
guaranteed. Low temperatures shorten battery life.
• Temperature: 23°C (73°F)
• Battery: NP-130A (Rated Capacity: 1800 mAh)
• Recording Medium: 16GB SDHC memory card (SanDisk Corporation)
*1 In accordance with CIPA (Camera and Imaging Products Association) standards
*2 In accordance with CASIO standards
*3 Other settings
Time Lapse scene: » Standard, Recording interval: 1/2 seconds, Total time: Off,
Sleep: 1 minute
*4 One-image scroll approximately every 10 seconds
• The above values are based a new battery, starting from a full charge. Repeated
charging shortens battery life.
• The above values are for reference only. They do not guarantee that the specified
battery life will be attained under actual operating conditions.
• Frequency of flash, zoom, Auto Focus, and High Speed CS usage, configured
settings, the amount of time the camera is left turned on, and ambient temperature
in the area where the camera is used all greatly affect recording time and number
of shots values.
Number of Shots (Operating Time)*
1
430 shots
Number of Shots (ECO)*
1
510 shots
Actual movie recording time (FHD Movie)*
1
1 hour 35 minutes
Approximate continuous movie recording time (FHD Movie)*
2
2 hours 30 minutes
Approximate continuous movie recording time
(High speed movie (HS 240))*
2
2 hours 45 minutes
Approximate time lapse recording time*
2
(FHD Movie*
3
) 4 hours 5 minutes
Continuous Playback (Snapshots)*
4
5 hours 30 minutes
Power Consumption 3.7 V DC, Approximately 4.4 W
Dimensions 108.3 (W)
x
61.5 (H)
x
36.7 (D) mm
(4.3" (W)
x
2.4" (H)
x
1.4" (D))
(28.0 mm (1.1") thick excluding projections)
Weight Approximately 248 g (8.7 oz)
(including battery and memory card*)
Approximately 208 g (7.3 oz)
(excluding battery and memory card)
* 16GB SDHC memory card (SanDisk Corporation)
224
Appendix
. Rechargeable lithium ion battery (NP-130A)
. USB-AC adaptor (AD-C53U)
• Power cord precautions for use in Singapore
The power cord set is not supplied. The power cord used must comply with
relevant national and/or international standards.
Rated Voltage 3.7 V
Rated Capacitance 1800 mAh
Operating Temperature
Requirements
0 to 40°C (32 to 104°F)
Dimensions 37.8 (W)
x
44.8 (H)
x
11.2 (D) mm
(1.49" (W)
x
1.76" (H)
x
0.44" (D)) (excluding projections)
Weight Approximately 38 g (1.3 oz)
Input 100 to 240 V AC, 50/60 Hz, 100 mA
Output 5.0 V DC, 650 mA
Operating Temperature
Requirements
5 to 35°C (41 to 95°F)
Dimensions 53 (W)
x
21 (H)
x
45 (D) mm
(2.1" (W)
x
0.83" (H)
x
1.8" (D)) (excluding projections)
Weight Approximately 37 g (1.3 oz)
2015
CASIO COMPUTER CO., LTD.
6-2, Hon-machi 1-chome
Shibuya-ku, Tokyo 151-8543, Japan
MA1503-BM29
… 224

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