585772
196
Verklein
Vergroot
Pagina terug
1/237
Pagina verder
Digital Camera
EN
User’s Guide
Thank you for purchasing this CASIO product.
Before using it, be sure to read the precautions contained in this User’s Guide.
Keep the User’s Guide in a safe place for future reference.
For the most up-to-date information about this product, visit the official EXILIM
Website at http://www.exilim.com/
This camera includes a BEST SHOT scene for analyzing golf swings. For details about using the golf swing
analysis BEST SHOT scene, see the “Using the Camera to Record and Analyze a Golf Swing” (page 150).
2
As you unpack your camera, check to make sure that all accessories shown below
are included. If anything is missing, contact your original retailer.
Accessories
Rechargeable lithium ion
battery (NP-130A)
USB-AC adaptor
(AD-C54UJ) USB cable
Neck strap
3
.Adjusting the Length of the Strap
You can adjust the length of the strap so it can
be used as a neck strap or a shoulder strap.
1. Pull the strap out at the center
of the buckle in the direction
indicated by 1.
2. Pull the strap in one of the
directions indicated by the
illustration to adjust the length.
Attaching the Neck Strap to the Camera
1. Undo the strap from the buckle
and remove the strap loop A.
3. Pass the end of the strap
through the strap loop ring A
and secure it with the buckle.
2. Attach the loop on the other end
of the strap B to the strap hole
on one side of the camera, and
the loop you removed A to the
other side.
Buckle
Ring
Strap hole
1
To shorten
To lengthen
4
The contents of this manual are subject to change without notice.
The contents of this manual have been checked at each step of the production
process. Feel free to contact us if you notice anything that is questionable,
erroneous, etc.
Any copying of the contents of this User’s Guide, either in part or its entirety, is
forbidden. Except for your own personal use, any other use of the contents of this
manual without the permission of CASIO COMPUTER CO., LTD. is forbidden
under copyright laws.
CASIO COMPUTER CO., LTD. shall not be held liable for any damages or lost
profits suffered by you or any third party due to the use or malfunction of this
product.
CASIO COMPUTER CO., LTD. shall not be held liable for any damages or lost
profits caused by loss of memory contents due to malfunction, repair, or any other
reason.
Note that the example screens and product illustrations shown in this User’s Guide
may differ somewhat from the screens and configuration of the actual camera.
LCD Panel
The liquid crystal panel of the monitor screen uses high-precision technology that
provides a pixel yield in excess of 99.99%. This means that some very small number
of pixels may not light or may remain lit at all times. This is due to the characteristics
of the liquid crystal panel, and does not indicate malfunction.
Read this first!
Take test shots
Before shooting your final image, shoot a test shot to ensure that the camera is
recording correctly.
5Contents
Contents
Accessories . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2
]Attaching the Neck Strap to the Camera. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3
Read this first! . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
]\
General Guide 11
]\
Monitor Screen Contents and How to Change Them 13
]\
Quick Start Basics 16
What you can do with your CASIO camera . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
Tilting the Monitor Screen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
Using the Stand . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21
First, charge the battery prior to use.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21
]To load the battery . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21
]Charge the Battery . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23
Configuring Basic Settings the First Time You Turn On the Camera. . . . . . . . 27
Preparing a Memory Card . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29
]Supported Memory Cards. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29
]To load a memory card . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30
]To format (initialize) a new memory card . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31
Turning the Camera On and Off . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32
Holding the Camera Correctly . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33
To shoot a snapshot. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34
]Selecting an Auto Recording Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34
]To shoot a snapshot . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35
Viewing Snapshots . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38
Deleting Snapshots and Movies . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39
Snapshot Shooting Precautions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40
]\
Snapshot Tutorial 42
Selecting the Recording Mode. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42
Using the Control Panel. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44
]Configuring Camera Settings with the Function Ring . . . . . . . . . . . . . . . . . . . . . 45
Using the Self-timer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .(Self-timer) . . 46
Adjusting White Balance . . . . . . . . . . . . . . . . . . . . . . . . . . (White Balance) . . 47
Selecting a Focus Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (Focus) . . 49
Specifying ISO Sensitivity . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (ISO) . . 51
Recording Beautiful Portraits . . . . . . . . . . . . . . . . . . . . . .(Make-up Level) . . 53
Correcting Image Brightness . . . . . . . . . . . . . . . . . . . . . . . . . . . (EV Shift) . . 54
Using Flash . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (Flash) . . 55
Specifying the Metering Mode . . . . . . . . . . . . . . . . . . . . . . . . . (Metering) . . 57
6Contents
Shooting with Zoom . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58
]Monitor Screen Information when Zooming . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60
]Zooming with Super Resolution . . . . . . . . . . . . . . . . . . . . . . . . (Zoom (SR)). . . 62
]Expanding the Zoom Range to Shoot Clearer Snapshots . (Multi SR Zoom). . . 63
Triggering a Self-timer Operation with Motion . . . . . . . . . . . . (Handsfree) . . 63
]Configuring Handsfree Mode Settings . . . . . . . . . . . . . . . . . . . (Handsfree). . . 65
]Repositioning the Motion Detection Area . . . . . . . . . . . . . (Motion Position). . . 66
Shooting with Artistic Effects . . . . . . . . . . . . . . . . . . . . . . . . (ART SHOT) . . 67
]Saving a Second Normal Image When
Shooting With HDR Art . . . . . . . . . . . . . . . . . . . . . . . . .(Double (HDR Art)). . . 69
Shooting with Triple Shot. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70
]\
Recording Movies 71
To record a movie . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71
]Audio. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72
Recording a High-definition Movie. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74
Recording a High Speed Movie . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74
Using Prerecord Movie . . . . . . . . . . . . . . . . . . . . . . . . (Prerecord (Movie)) . . 76
Recording a Time Lapse Movie . . . . . . . . . . . . . . . . . . . . . . (Time Lapse) . . 78
Recording a Movie for YouTube . . . . . . . . . . . . . . . . . . . . . (For YouTube) . . 80
Shooting a Snapshot while Shooting a Movie . . . . . (Snapshot In Movie) . . 81
]\
Using BEST SHOT 83
To shoot with BEST SHOT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83
Creating and Using Your Own Setups . . . . . . . . . . . . . (CUSTOM SHOT) . . 85
Shooting with a Face Brightening Effect . . . . . . . . . . . . . . . . (Brightening) . . 86
Shooting with High Speed Anti Shake . . . . . . . . . . . . . . .(HS Anti Shake) . . 87
Shooting Bright Images in the Dark without Flash . . . . . . (HS Night Shot) . . 88
Digitally Correcting for Overexposure and Underexposure . . . . . . (HDR) . . 89
Shooting with a Blurred Background . . . . . . . . . . . (Blurred Background) . . 90
Shooting with Full Focus Macro . . . . . . . . . . . . . . . . (All-In-Focus Macro) . . 91
Using Continuous Shutter with Auto Focus . . . . . . . . . . . . . . . . . (AF-CS) . . 92
Shooting a Burst of Images . . . . . . . . . . . . . . . . . . . . . . (High Speed CS) . . 93
Shooting with Priority on Subject Faces . . . . . . . . . . . (HS Best Selection) . . 96
Shooting a Panorama Image . . . . . . . . . . . . . . . . . . . . .(Slide Panorama) . . 97
Shooting with a Super Wide Angle of View . . . . . . . . . . . . . . (Wide Shot) . . 99
Shooting Snapshots . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (Snapshot) . 102
Shooting RAW Images . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (Raw Image) . 103
Using a TV Screen to Shoot Snapshots . . . . . . . . . . . . (HDMI TV Output) . 103
7Contents
]\
Advanced Settings (REC MENU) 105
Configuring Recording Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105
Changing to Left-handed Golfer Guidelines . . . . . . . . . . . . . . . . . . (Lefty) . 106
Configuring Handsfree Settings . . . . . . . . . . . . . . . . . . . . . . . (Handsfree) . 106
Configuring Motion Position Settings . . . . . . . . . . . . . . . (Motion Position) . 106
Assigning Functions to the Control Dial . . . . . . . . . . . . . . . . (Control Dial) . 107
Assigning Functions to the [4] and [6] Keys . . . . . . . . . . . . . . . (L/R Key) . 108
Saving a Second Normal Image When Shooting
With HDR Art . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (Double (HDR ART)) . 108
To select the snapshot image size . . . . . . . . . . . . . . . . . . . . (Image Size) . 109
Specifying Snapshot Image Quality . . . . . . . . . . . . . . . . . (Image Quality) . .111
Movie Image Quality Settings . . . . . . . . . . . . . . . . . . . . . . (Movie Quality) . .111
Specifying ISO Sensitivity . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (ISO) . 113
Specifying the ISO Sensitivity Upper Limit . . . . . . . . . . . . (ISO High Limit) . 113
Zooming with Super Resolution . . . . . . . . . . . . . . . . . . . . . . .(Zoom (SR)) . 114
Specifying the Auto Focus Area . . . . . . . . . . . . . . . . . . . . . . . . . (AF Area) . 114
Reducing the Effects of Camera and Subject Movement . . . .(Anti Shake) . 115
Optimizing Image Brightness . . . . . . . . . . . . . . . . . . . . . . . . . . . (Lighting) . 117
Shooting with Continuous Auto Focus . . . . . . . . . . . . . . (Continuous AF) . 117
Shooting with Face Detection . . . . . . . . . . . . . . . . . . . . . (Face Detection) . 118
Turning Digital Zoom On or Off . . . . . . . . . . . . . . . . . . . . . . (Digital Zoom) . 119
Reducing Wind Noise during Movie Recording . . . . . . . (Wind Noise Cut) . 119
Recording Beautiful Portraits . . . . . . . . . . . . . . . . . . . . . .(Make-up Level) . 119
Correcting Image Brightness . . . . . . . . . . . . . . . . . . . . . . . . . . . (EV Shift) . 120
Adjusting White Balance . . . . . . . . . . . . . . . . . . . . . . . . . . (White Balance) . 120
Selecting a Focus Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (Focus) . 120
Using the Self-timer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .(Self-timer) . 120
Specifying the Metering Mode . . . . . . . . . . . . . . . . . . . . . . . . . (Metering) . 120
Specifying Flash Intensity . . . . . . . . . . . . . . . . . . . . . . . . . (Flash Intensity) . 121
Controlling Image Sharpness . . . . . . . . . . . . . . . . . . . . . . . . . (Sharpness) . 121
Controlling Color Saturation . . . . . . . . . . . . . . . . . . . . . . . . . . (Saturation) . 121
Adjusting Image Contrast . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .(Contrast) . 121
Using the Auto Focus Assist Light . . . . . . . . . . . . . . . . . (AF Assist Light) . 122
Turning on Image Review . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (Review) . 122
Using Icon Help . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (Icon Help) . 123
Changing the Monitor Screen when Recording . . . . . . . . . (Shooting Info) . 123
Configuring Power On Default Settings . . . . . . . . . . . . . . . . . . . (Memory) . 125
8Contents
]\
Viewing Snapshots and Movies 126
Viewing Snapshots . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 126
Viewing a Movie. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 126
Viewing a Panorama Image. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 127
Viewing Continuous Shutter Images . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 128
]Deleting Continuous Shutter Images . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 129
]Dividing Up a CS Group . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 131
]Copying a CS Group Image . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 132
Scrolling Images at High Speed or by Recording Date . . . . . . . . . . . . . . . . . 132
Zooming an On-screen Image . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 133
Displaying the Image Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 133
Viewing Snapshots and Movies on a TV Screen . . . . . . . . . . . . . . . . . . . . . . 134
]Viewing High-quality Movies on a Hi-Vision Television. . . . . . . . . . . . . . . . . . . 135
]\
Other Playback Functions (PLAY MENU) 137
Displaying Two Movies Side-by-side . . . . . . . . . . . . . (Dual Screen Play) . 137
Burning Guidelines into a Previously Recorded Movie . . . . . . (Burn Lines) . 137
Playing a Slideshow on the Camera . . . . . . . . . . . . . . . . . . . . (Slideshow) . 137
]Transferring Music from Your Computer to Camera Memory . . . . . . . . . . . . . . 139
Creating a Snapshot of Movie Frames . . . . . . . . . . . . . (MOTION PRINT) . 140
Editing a Movie on the Camera . . . . . . . . . . . . . . . . . . . . .(Movie Editing) . 140
To merge two movies . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (Movie Merge) . 142
Optimizing Image Brightness . . . . . . . . . . . . . . . . . . . . . . . . . . . (Lighting) . 143
Adjusting White Balance . . . . . . . . . . . . . . . . . . . . . . . . . . (White Balance) . 143
Adjusting the Brightness of an Existing Snapshot . . . . . . . . . (Brightness) . 144
Selecting Images for Printing . . . . . . . . . . . . . . . . . . . . . . (DPOF Printing) . 144
Protecting a File Against Deletion . . . . . . . . . . . . . . . . . . . . . . . . .(Protect) . 144
Editing the Date and Time of an Image . . . . . . . . . . . . . . . . . (Date/Time) . 146
Rotating an Image . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .(Rotation) . 146
Resizing a Snapshot . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (Resize) . 147
Cropping a Snapshot . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (Trimming) . 147
Copying Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (Copy) . 148
Dividing Up a Continuous Shutter Group . . . . . . . . . . . . . . (Divide Group) . 148
Combining CS Images into a Single Still Image . . . . . . . . (CS Multi Print) . 149
Editing a CS Image . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .(CS Frame Edit) . 149
9Contents
]\ Using the Camera to Record and Analyze a Golf Swing
150
Recording a Swing and Moment of Impact . . . . . . . . . . . . . . . . . . . . . . . . . . 151
]Recording in Slow Motion from Behind
. . . . . . . . . . . . . . . . . . . . . . . . . . . (Slow motion behind (outdoors/indoors)). . 151
]Recording in Slow Motion from the Front
. . . . . . . . . . . . . . . . . . . . . . . . . . . . .(Slow motion front (outdoors/indoors)). . 155
]Recording the Moment of Impact in Slow Motion . . . (Slow motion impact). . 158
]Recording a Golf Swing with High Speed CS . . . . . . . . . . . . (Swing Burst). . 161
]Changing to Left-handed Golfer Guidelines . . . . . . . . . . . . . . . . . . . .(Lefty). . 162
Analyzing a Swing and Moment of Impact. . . . . . . . . . . . . . . . . . . . . . . . . . . 163
]To analyze a swing shot from behind . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 163
]To analyze a swing shot from the front . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 165
]To analyze the Moment of Impact . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 166
]Burning Guidelines into a Previously Recorded Movie . . . . . . (Burn Lines) . . 168
]Displaying Two Movies Side-by-Side . . . . . . . . . . . . . . . (Dual Screen Play). . 169
]\
Printing 173
Printing Snapshots. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 173
Connecting Directly to a PictBridge Compatible Printer . . . . . . . . . . . . . . . . 173
Using DPOF to Specify Images to be Printed and
the Number of Copies . . . . . . . . . . . . . . . . . . . . . . . . . . . . (DPOF Printing) . 175
]\
Using the Camera with a Computer 180
Things you can do using a computer... . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 180
Using the Camera with a Windows Computer . . . . . . . . . . . . . . . . . . . . . . . . 181
]Viewing and Storing Images on a Computer. . . . . . . . . . . . . . . . . . . . . . . . . . . 181
]Playing Movies . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 184
Using the Camera with a Macintosh . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 185
]Connecting the Camera to Your Computer and Saving Files . . . . . . . . . . . . . . 185
]Playing a Movie. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 187
Using an SD Memory Card with Built-in LAN . . . . . . . . . . . . . . . . . . . . . . . . 188
]Transferring Images with an Eye-Fi Card . . . . . . . . . . . . . . . . . . . (Eye-Fi). . 188
]Using a Smartphone to
Play Back Images Stored on a FlashAir Card . . . . . . . . . . . . . . . (FlashAir). . 190
Files and Folders . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 192
Memory Card Data . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 193
10 Contents
]\
Other Settings (SETTING) 195
Enabling Power Saving . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (ECO Mode) . 195
Adjusting Monitor Screen Brightness . . . . . . . . . . . . . . . . . . . . . .(Screen) . 195
Turning off Eye-Fi Card Communication . . . . . . . . . . . . . . . . . . . . (Eye-Fi) . 196
Configuring FlashAir Card Communication Settings . . . . . . . . . (FlashAir) . 196
Configuring Camera Sound Settings . . . . . . . . . . . . . . . . . . . . . (Sounds) . 196
Creating an Image Storage Folder . . . . . . . . . . . . . . . . . . (Create Folder) . 197
Time Stamping Snapshots . . . . . . . . . . . . . . . . . . . . . . . . . . .(Timestamp) . 197
Auto Image Orientation Detection and Rotation . . . . . . . . . . (Auto Rotate) . 198
Specifying the File Name Serial Number Generation Rule . . . . . (File No.) . 198
Configuring Sleep State Settings . . . . . . . . . . . . . . . . . . . . . . . . . . (Sleep) . 199
Configuring Auto Power Off Settings . . . . . . . . . . . . . . . (Auto Power Off) . 199
Specifying the Operation when the Monitor Screen is Tilted . (Screen Tilt) . 200
Configuring [p] Setting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (PLAY) . 200
Disabling File Deletion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .(Delete Key) . 200
Configuring World Time Settings . . . . . . . . . . . . . . . . . . . . . (World Time) . 201
Setting the Camera’s Clock . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (Adjust) . 202
Specifying the Date Style . . . . . . . . . . . . . . . . . . . . . . . . . . . . (Date Style) . 202
Specifying the Display Language . . . . . . . . . . . . . . . . . . . . . . (Language) . 203
Configuring USB Protocol Settings . . . . . . . . . . . . . . . . . . . . . . . . . .(USB) . 203
Selecting the Screen Aspect Ratio and
Video Output System . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (Video Output) . 204
Selecting the HDMI Terminal Output Method . . . . . . . . . . . (HDMI Output) . 204
Displaying a Startup Screen at Power On . . . . . . . . . . . . . . . . . .(Startup) . 204
Formatting Built-in Memory or a Memory Card . . . . . . . . . . . . . . .(Format) . 205
Resetting the Camera to Factory Defaults . . . . . . . . . . . . . . . . . . .(Reset) . 205
]\
Appendix 206
Safety Precautions. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 206
Precautions During Use. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 214
Power Supply. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 217
]Charging . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 217
]Battery Precautions. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 218
]Using the Camera in another Country . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 218
Using a Memory Card . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 219
Reset Initial Default Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 220
When things don’t go right... . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 222
]Troubleshooting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 222
]Display Messages. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 227
Number of Snapshots/Movie Recording Time . . . . . . . . . . . . . . . . . . . . . . . . 229
Specifications. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 233
11 General Guide
General Guide
The numbers in parentheses indicate the pages where each item is explained.
1Mode dial
(pages 34, 42, 71)
2Zoom controller
(pages 35, 58, 133)
3Shutter button
(pages 32, 34)
4Flash (page 55)
5[ON/OFF] (Power)
(pages 28, 32)
6Front lamp
(pages 46, 122)
7Strap holes (page 3)
8Function ring
(pages 45, 132)
9Lens
bkMicrophones (page 72)
bl[RING] button
(pages 45, 132)
bm[0] (Movie) button
(page 71)
bnBack lamp
(pages 24, 26, 32, 35,
55)
boTerminal cover
bp[USB/AV] port
(pages 23, 25)
bq[HDMI OUT]
HDMI output (Mini)
(pages 103, 135)
br[SET] button
(pages 44, 71, 105)
bs[MENU] button
(pages 71, 105)
bt[p] (PLAY) button
(pages 32, 38)
ckControl dial
([8][2][4][6])
(pages 12, 44, 71, 83,
105, 107)
clMonitor screen
(pages 13, 18, 32, 200)
cmStand (pages 18, 21)
321 46 75
89 brck bt bscl
cm
bk bobmbl bn 7
bp
bq
Front Back
12 General Guide
.Control Dial
In addition to using the up, down, left, and right buttons, you can also use the control
dial to perform operations.
Depending on the function, certain operations cannot be performed using the
control dial.
cp cncq co
Bottom
cnBattery/memory card slots (pages 21, 30)
coBattery cover
cpTripod hole
Use this hole when attaching to a tripod.
cqSpeaker
[8] [2] [4] [6] : Press the applicable button (up, down, left, right).
Control dial
13 Monitor Screen Contents and How to Change Them
Monitor Screen Contents and How to Change Them
The monitor screen uses various indicators, icons, and values to keep you informed
of the camera’s status.
The sample screens in this section are intended to show you the locations of all the
indicators and figures that can appear on the monitor screen in various modes.
They do not represent screens that actually appear on the camera.
.Snapshot Recording (1 Shot)
NOTE
Depending on recording settings, the aperture, shutter speed, and ISO sensitivity
values may not appear on the monitor screen. These values will be red if the Auto
Exposure (AE) is not correct for some reason.
1Self-timer mode (page 46)
2Face Detection (page 118)
3Recording mode (page 34)
4Image deterioration indicator/
Zoom (SR) indicator (page 61)
5Remaining movie memory
capacity (page 71)
6Remaining snapshot memory capacity
(page 229)
7Snapshot image size/Quality (pages 109, 111)
8Movie quality (FHD/STD movie)
(pages 71, 74)/
Recording speed (high speed movie) (page 74)
9Focal distance
(Converted to 35 mm film format.) (page 60)
bkAnti Shake (page 115)
blTimestamp indicator (page 197)
bmHistogram (page 123)
bnAF Area (page 114)
boDate/Time (pages 27, 202)
bpFocus frame (pages 35, 114)
bqBattery level indicator (page 27)
brMetering mode (page 57)
bsFlash (page 55)
btExposure compensation (page 54)
ckMake-up level (page 53)
clISO sensitivity (page 51)
cmFocus mode (page 49)
cnWhite balance (page 47)
8
9
bk
bo
bl
bm
13567
bq
ck
bs
br
bt
cm
cn
cl
24
bn
bp
14 Monitor Screen Contents and How to Change Them
.Snapshot Recording (Burst Shooting)
.Movie Recording
.Snapshot Viewing
1Continuous Shutter (CS) speed (page 93)
2Recording mode (page 34)
3Remaining snapshot memory capacity
(page 229)
4Allowable CS time/number of CS images
(page 93)
5Remaining movie memory capacity (page 230)
6Continuous Shutter mode (page 93)
7Prerecord CS shots (page 94)
8Maximum CS shots (page 93)
1Snapshot recording mode (Snapshot In Movie)
(page 81)
2Audio recording disabled (page 74)
3Recording mode (page 71)
4Movie recording time (page 71)
5Remaining movie memory capacity (page 71)
6Movie recording in progress (page 71)
7Movie quality (FHD/STD movie)
(pages 71, 74)/
Recording speed (high speed movie) (page 74)
8Remaining snapshot memory capacity
(page 229)
1File type
2Protect indicator (page 144)
3Snapshot image size
(page 109)
4Folder name/file name (page 192)
5Snapshot image quality (page 111)
6Recording mode (page 34)
7Histogram (page 123)
8Date/time (page 202)
9Metering mode (page 120)
bkWhite balance (page 143)
blBattery level indicator (page 27)
bmFlash (page 55)
bnExposure compensation (page 54)
boShutter speed
bpAperture value
bqISO sensitivity (page 51)
brFocal distance
(Converted to 35 mm film format.)
1243
6
7
85
6
5
423
7
8
1
2413
6
5
7
bk 9bl
bo
bn
bm
bq
bp
br
8
15 Monitor Screen Contents and How to Change Them
.CS Image Viewing
.Movie Playback
.Configuring Monitor Screen Settings
Each press of [8] (DISP) will cycle through display settings that
display or hide on-screen information. You can configure separate
settings for the REC mode and PLAY mode.
REC mode
PLAY mode
1Number of images in the group (page 128)
2CS group icon (page 128)
1No audio data available
2Movie recording time (page 126)
3Recording mode/Movie quality/speed
(pages 71, 74, 74)
4YouTube (page 80)
Information on Displays setting information.
Information off Hides setting information.
Information on Displays settings when shooting, current date and time,
histogram (page 123), and other information.
Information off No information displayed when shooting.
12
1 2
3
4
[8] (DISP)
16 Quick Start Basics
Quick Start Basics
Your CASIO camera is packed with a powerful selection of features and functions to
make recording of digital images easier, including the following main functions.
What you can do with your CASIO camera
Golf Swing Shooting and Analysis
Use High Speed Movie to shoot your swing and then
use on-screen guidelines to check your posture, plane,
etc. You can even play back two swings side-by-side
on the monitor screen for comparison. In addition to
High Speed Movie, you can also use High Speed CS
to record and analyze a swing.
Tiltable Monitor Screen
The camera’s monitor screen can be tiled upwards
up to 180 degrees. This makes it easy to compose
self-portraits and to shoot from low angles.
Handsfree Self-portraits
You can control operation of the self-timer from a
distance by waving your hand, which makes it easier to
shoot self-portraits from a distance.
Time Lapse Movie
You can use this function to record movies of natural
events that occur over time, to speed up the flow of
traffic in a city scene, or to record other similar types of
movies.
ART SHOT
A variety of artistic effects help to make even common,
ordinary subjects become more novel and exciting.
“ART SHOT” provides the following effects: HDR Art,
Toy Camera, Soft Focus, Light Tone, Pop, Sepia,
Monochrome, Miniature, Fisheye, Sparkling Shot.
*See page 150 for more information.
180 degrees
90 degrees *See page 18 for more information.
*See page 63 for more information.
*See page 78 for more information.
*See page 67 for more information.
17 Quick Start Basics
Triple Shot
Pressing the shutter button shoots a burst of three
images and stores them in memory. This feature is
great for making sure you don’t miss those special
moments when kids are around.
Premium Auto Pro
Select Premium Auto Pro recording and the
camera automatically determines whether you
are shooting a subject or scenery, and other
conditions. Premium Auto Pro delivers higher
image quality than standard Auto.
High Speed Movie
Movies can be recorded at up to 1000 frames per
second. This makes it possible to clearly view
phenomena that are invisible to the human eye, in
slow motion.
*See page 70 for more information.
*See page 34 for more information.
*See page 74 for more information.
18 Quick Start Basics
The monitor screen can be tilted upwards up
to 180 degrees. This means you can position
the monitor screen so it faces in the same
direction as the lens, for easy composition of
self-portraits. You can also tilt the monitor
screen upwards 90 degrees, which means
you can easily shoot from a low angle
without straining your neck to view the
monitor screen.
.What you can do with the camera...
Tilting the Monitor Screen
Shoot self-portraits Low-angle shots
You can position the monitor screen so it
faces in the same direction as the lens,
for easy composition of self-portraits.
You can also use a stand on the back of
the camera to keep the camera upright
when placed on a tabletop or other
surface.
The tilt angle of the monitor screen can
be adjusted for each composition of
images from various low angles.
High-angle shots
By holding the camera upside down, you
can angle the monitor screen in a way that
allows you to shoot from high angles. In
this case, the camera will automatically
rotate on-screen information and the
displayed image 180 degrees.
180 degrees
90 degrees
19 Quick Start Basics
.Tilting the Monitor Screen
As shown in the figure below, pull upwards on the bottom center of the monitor
screen at point A. The monitor screen will open up to 90 degrees and stop
momentarily.
Keep lifting and it will tilt upwards up to 180 degrees.
Do not pull downwards from the top of the monitor screen. Be sure to pull upwards
from the bottom of the monitor screen as shown in the figure.
IMPORTANT!
Under factory default settings, the camera will turn on automatically whenever the
monitor screen is tilted. See page 200 for information about configuring the camera
so it does not turn on when the monitor screen is tilted upwards.
When returning the monitor screen to the back of the camera, take care so you do
not catch your fingers between the top or bottom of the monitor screen and the
camera.
Do not subject the monitor screen to strong impact. Doing so can damage it.
NOTE
Be sure to return the monitor screen to its normal position to the back of the
camera when you are not using it.
Whenever placing the camera on a tabletop or other surface to shoot, be sure to
pull out the stand to keep it from falling over (page 21).
A
OK NG
20 Quick Start Basics
.Returning the Monitor Screen to Its Normal Position
1. Holding the monitor screen at
point A, rotate the screen
downwards to the back of the
camera.
2. Push the monitor screen
downwards with your finger at
point B to slide the monitor
screen down as far as it will go.
AB
21 Quick Start Basics
Your camera has a built-in stand. You can pull out
the stand and keep the camera stable on a tabletop
or other surface while the monitor screen is tilted
upwards 180 degrees. When using the camera on a
tabletop or other surface for landscape (horizontal)
orientation shots, you can adjust the vertical angle of
the camera somewhat by changing how far you pull
out the stand.
IMPORTANT!
When using the camera on a tabletop or other
surface for portrait (vertical) orientation shots, pull
the stand out as much as possible so the camera
is stable. Pulling the stand out part way in this
case can cause the camera to become unstable
and fall over.
Even when using the stand to adjust the vertical
angle of the camera while shooting with landscape (horizontal) orientation, take
care to extend the stand far enough to avoid camera instability, which can cause it
to fall over.
Whenever using the stand, make sure that the location where you place the
camera is stable and relatively level.
Note that the battery of a newly purchased camera is not charged. Perform the steps
below to load the battery into the camera and charge it.
Your camera requires a special CASIO rechargeable lithium ion battery (NP-130A
or NP-130) for power. Never try to use any other type of battery.
1. Open the battery cover.
Using the Stand
First, charge the battery prior to use.
To load the battery
Stand
22 Quick Start Basics
2. Load the battery.
With the CASIO logo on the battery
facing downwards (in the direction
of the lens), hold the stopper next
to the battery in the direction
indicated by the arrow as you slide
the battery into the camera. Press
the battery in until the stopper
secures it in place.
3. Close the battery cover.
To replace the battery
1. Open the battery cover and
remove the current battery.
2. Load a new battery.
CASIO logo
Stopper
Battery
OK
NG
Stopper
23 Quick Start Basics
You can use either of the two following methods to charge the camera’s battery.
USB-AC adaptor
USB connection to a computer (Using the included USB cable.)
.To charge with the USB-AC adaptor
The adaptor lets you charge the battery while it is loaded in the camera.
While the camera is turned off, connect in the sequence shown below.
Charging time: Approximately 240 minutes
When disconnecting the USB-AC adaptor from the camera, be sure to disconnect
from the camera first.
Charge the Battery
2
1
3
Making sure that the 6 mark on the camera is aligned with the 4 mark of the USB cable
connector, connect the cable to the camera.
[USB/AV] port
USB-AC adaptor
USB cable
(included with camera)
24 Quick Start Basics
IMPORTANT!
A battery that has not been used for a long time, or ambient temperature extremes
can cause charging to take longer than normal. If charging takes longer than about
five hours, a timer will terminate it automatically, even if the battery is not fully
charged. This is indicated by the back lamp flashing red. If the battery has not been
used for a very long time, charging may be terminated automatically and the back
lamp may start flashing red after only about 60 minutes. In either case, disconnect
the USB cable from the camera and then reconnect it to resume charging.
Make sure that you insert the cable connector into the [USB] port until you feel it
click securely into place. Failure to insert the connector fully can result in poor
communication or malfunction.
Note that even while the connector is fully inserted, you
still will be able to see the metal part of the connector as
shown in the illustration.
The USB-AC adaptor will become warm during charging.
This is normal and does not indicate malfunction.
The shape of the power plug depends on each country or
geographic area.
Back Lamp Operation
Lamp Status Description
Lit Red Charging
Flashing Red
Abnormal ambient temperature,
USB-AC adaptor problem, or battery
problem (page 217)
Off Charging complete
Back lamp
25 Quick Start Basics
.To charge using a USB connection to a computer
USB connection lets you charge the battery while it is loaded in the camera.
While the camera is turned off, connect in the sequence shown below (1, 2).
If the camera is on, press [ON/OFF] (Power) to turn it off before connecting it to
your computer.
IMPORTANT!
The first time you connect the camera to your computer with the USB cable, an
error message may appear on your computer. If this happens, disconnect and then
reconnect the USB cable.
A battery that has not been used for a long time, certain types of computers, and
connection conditions can cause charging to take more than approximately five
hours, which will trigger a timer that terminates charging automatically, even if the
battery is not fully charged. If this happens, disconnect and then reconnect the
USB cable to restart charging. To complete charging faster, use of the included
USB-AC adaptor is recommended.
If the battery has not been used for a very long time, charging may terminate
automatically and the back lamp may start flashing red or go out after only about
60 minutes. In either case, use of the USB-AC adaptor that comes with the camera
is recommended.
If you turn on the camera while charging over a USB connection to a computer is in
progress, the camera will establish a USB connection with the computer. Though
charging normally should continue at this time, certain types of computers or
connection environments may stop charging if supply power is low. This will be
indicated by the camera’s back lamp lighting green.
Charging is not performed while the connected computer is in the hibernate mode.
USB
1
2
USB cable
(included with camera)
Making sure that the 6 mark on the camera is aligned with the 4 mark
of the USB cable connector, connect the cable to the camera.
[USB/AV] port
USB port
Computer
(power turned on)
26 Quick Start Basics
Back Lamp Operation
The information in parentheses in the above table shows the lamp status while the
camera is turned on during charging.
Other Charging Precautions
With the two charging methods described above, you can charge the camera’s
battery (NP-130A or NP-130) without removing it from the camera. You also can
charge the battery using an optionally available charger unit (BC-130L). Never use
any other type of charger device. Attempting to use a different charger can result in
unexpected accident.
This model can be charged only via from USB 2.0 specification USB port only.
USB charging devices and power supply devices are subject to fixed standards.
Use of an inferior device or a device that is not up to standard can cause
malfunction and/or failure of your camera.
Operation is not guaranteed in the case of a computer built or modified by you.
Even in the case of a commercially available computer, certain USB port
specifications may make it impossible to charge via the USB cable.
A battery that is still warm immediately after normal use may not charge fully. Give
the battery time to cool before charging it.
A battery discharges slightly even when it is not loaded in the camera. Because of
this, it is recommended that you charge the battery immediately before you need to
use it.
Charging the camera’s battery may cause interference with TV and radio reception.
If this happens, plug the USB-AC adaptor into an outlet that is further away from
the TV or radio.
Actual charging time depends on current battery capacity and charging conditions.
Do not use the USB-AC adaptor with any other device.
Use only the USB-AC adaptor and USB cable specified in this manual for charging.
Use of any other type of devices may result in improper charging.
Lamp Status Description
Lit Red,
(Lit/Flashing Amber) Charging
Flashing Red
Abnormal ambient temperature,
charging taking abnormally long, or
battery problem (page 217)
Off, (Lit Green) Charging complete
Back lamp
27 Quick Start Basics
Checking Remaining Battery Power
As battery power is consumed, a battery indicator on the monitor screen indicates
remaining power as shown below.
indicates battery power is low. Charge the battery as soon as possible.
Recording is not possible when is indicated. Charge the battery immediately.
The level shown by the battery indicator may change when you switch between the
REC mode and PLAY mode.
Leaving the camera for about 30 days with no power supplied while the battery is
dead will cause its date and time settings to be cleared. A message telling you to
configure time and date settings will appear the next time you turn on the camera
after restoring power. When this happens, configure date and time settings (page
202).
See page 235 for information about battery life and number of shots.
Battery Power Conservation Tips
Entering the “ECO Mode” enables low-power operation (page 195).
When you do not need to use the flash, select ?(Flash Off) for the flash setting
(page 55).
Enable the Auto Power Off and the Sleep features to protect against wasting
battery power when you forget to turn off the camera (pages 199, 199).
Select “Off” for “Continuous AF” (page 117).
The first time you load a battery into the camera, a screen appears for configuring the
display language, date, and time settings. Failure to set the date and time correctly
will cause the wrong date and time data to be recorded with images.
IMPORTANT!
A screen for language selection will not appear in step 2 of the procedure below if
you purchased a camera intended for the Japanese market. To change the display
language from Japanese in this case, use the procedure under “Specifying the
Display Language (Language)” (page 203). Note that a version of this manual in
the language you select may not be included with a camera intended for the
Japanese market.
Camera models sold in certain geographic areas may not support display language
selection.
Remaining Power High Low
Battery Indicator ***
Indicator Color White *White *Red *Red
Configuring Basic Settings the First Time You Turn On the
Camera
28 Quick Start Basics
1. Press [ON/OFF] (Power) to turn on the
camera.
2. Use [8], [2], [4], and [6] to select the
language you want and then press
[SET].
3. Use [8] and [2] to select a date style and then press [SET].
Example: July 10, 2015
YY/MM/DD * 15/7/10
DD/MM/YY * 10/7/15
MM/DD/YY * 7/10/15
4. Set the date and the time.
Use [4] and [6] to select the setting you want to
change and then use [8] and [2] to change it.
To switch between 12-hour and 24-hour format, select
“24h” and then use [8] and [2] to change the setting.
5. After setting the date and time, use [4] and [6]
to select “Apply” and then press [SET].
NOTE
Each country controls its local time offset and the use of summer time, and so they
are subject to change.
Removing the battery from the camera too soon after configuring time and date
settings for the first time can cause the settings to be reset to their factory defaults.
Do not remove the battery for at least 24 hours after configuring settings.
If you make a mistake configuring display language, date, or time settings with the
above procedure, refer to the following pages for information about how to correct
the settings.
Display language: page 203
Date and time: page 202
[ON/OFF] (Power)
29 Quick Start Basics
Though the camera has built-in memory that can be used to store images and
movies, you probably will want to purchase a commercially available memory card for
greater capacity. The camera does not come with a memory card. Images recorded
while a memory card is loaded are saved to the memory card. When no memory card
is loaded, images are saved to built-in memory.
For information about memory card capacities, see page 229.
SD Memory Card
SDHC Memory Card
SDXC Memory Card
Use one of the above types of memory card.
The above are supported memory card types as of October 2013.
This camera supports use of SD memory cards of the following types and
capacities: SD memory cards up to 2GB, SDHC memory cards from 2GB up to
32GB, SDXC memory cards from 32GB up to 2TB. Note that the ability to use any
particular card with this camera, even if it satisfies the above capacity and type
requirements, is not guaranteed.
This camera supports use of Eye-Fi cards and FlashAir cards.
.Memory Card Handling Precautions
Certain types of cards can slow down processing speeds, and even can make it
impossible to store High Quality movies correctly. Also, use of certain types of
memory cards slows down data transfer and increases the time it takes to record
movie data, which can result in movie frames being dropped. The Y indicator on the
monitor screen turns yellow to indicate that frames are being dropped. In order to
avoid problems such as these, use of an Ultra High Speed Type SD memory card is
recommended. Note, however that CASIO makes no guarantees about the operation
of any Ultra High Speed Type SD memory card used with this camera.
Preparing a Memory Card
Supported Memory Cards
30 Quick Start Basics
1. Press [ON/OFF] (Power) to turn
off the camera and then open the
battery cover.
2. Load a memory card.
Positioning the memory card so its
front is facing upwards (towards the
monitor screen side of the camera),
slide it into the card slot all the way in
until you hear it click securely into
place.
3. Close the battery cover.
IMPORTANT!
Never insert anything besides a supported memory card (page 29) into the memory
card slot.
Should water or any foreign object ever get into the card slot, immediately turn off
the camera, remove the battery, and contact your retailer or nearest CASIO
authorized service center.
To load a memory card
Front Back
Front
31 Quick Start Basics
To replace the memory card
Press the memory card and then release
it. This will cause it to pop out of the
memory card slot slightly. Pull the card
out the rest of the way and then insert
another one.
Never remove a card from the camera
while the back lamp is flashing green.
Doing so can cause the image save
operation to fail and even damage the
memory card.
Format a memory card on the camera before using it for the first time.
IMPORTANT!
Formatting a memory card that already has snapshots or other files on it, will delete
its contents. Normally you do not need to format a memory card again. However, if
storing to a card has slowed down or if you notice any other abnormality, re-format
the card.
Be sure to use the camera to format a memory card. Formatting a card on a
computer will result in a non-SD standard format, which can greatly slow down
processing time and cause compatibility, performance, and other problems.
Before formatting a new Eye-Fi card to use it for the first time, copy the Eye-Fi
install file from the card to your computer.
Formatting a FlashAir card with the camera will delete files on the card that are
required for communication. For details about formatting, see the instructions that
come with the FlashAir card.
1. Turn on the camera and press [MENU].
2. Press [4], use [8] and [2] to select the “¥ SETTING” tab, and then
press [6].
3. Use [8] and [2] to select “Format” and then press [SET].
4. Use [8] and [2] to select “Format” and then press [SET].
5. Use [8] and [2] to select “Yes” and then press [SET].
To format (initialize) a new memory card
32 Quick Start Basics
.To turn power on
Pressing [ON/OFF] (Power) enters the
REC mode so you can record images.
Pressing [p] (PLAY) while in the REC
mode enters the PLAY mode, which you
can use to view snapshots and movies
(pages 38, 126).
You also can turn on the camera by
pressing [p] (PLAY) or by tilting the
monitor screen.
Pressing the shutter button while in
the PLAY mode returns to the REC
mode.
Take care to ensure that nothing is restricting or coming into contact with the lens
as it extends. Holding the lens with your hand so it cannot extend creates the risk
of malfunction.
About 10 seconds after you press [p] (PLAY) to enter the PLAY mode, the lens
will retract into the camera.
The Sleep function or Auto Power Off (pages 199, 199) will turn off power
automatically if you do not perform any operation for a preset amount of time.
.To turn off the camera
Press [ON/OFF] (Power).
NOTE
The camera can be configured so power turns off when the [p] (PLAY) button is
pressed (page 200) or whenever the monitor screen is returned to its normal
position (page 200).
Turning the Camera On and Off
[p] (PLAY)
Back lamp
[ON/OFF] (Power)
Shutter button
Monitor screen
33 Quick Start Basics
Your images will not come out
clearly if you move the camera
when you press the shutter
button. When pressing the
shutter button, be sure to hold
the camera as shown in the
illustration, and keep it still by
pressing your arms firmly
against your sides as you shoot.
Holding the camera still,
carefully press the shutter button
and take care to avoid all
movement as the shutter
releases and for a few moments after it releases. This is especially important when
available lighting is low, which slows down the shutter speed.
NOTE
Take care that your fingers and the strap do not
cover any of the areas indicated in the illustration.
To keep the camera from falling, be sure to keep
the strap around your neck, wrapped around your
wrist, or hanging from your shoulder.
Never swing the camera around by its strap.
The supplied strap is intended for use with this
camera only. Never use it for any other purpose.
When the “Auto Rotate” setting is turned on, the
camera will detect whether it is being held
vertically or horizontally when a snapshot image is
shot. When you display an image shot with the
camera held vertically, the image is rotated automatically 90 degrees when
displayed on the monitor screen (page 198).
IMPORTANT!
Take care to ensure that your fingers are not
blocking or are not too close to the flash. Fingers
can cause unwanted shadows when using the
flash.
Holding the Camera Correctly
Horizontal Vertical
Hold the camera so the flash is above the lens.
Front lamp
Lens
Flash
34 Quick Start Basics
You can select one of two auto recording modes (Program Auto or Premium Auto
Pro) according to your digital imaging needs.
1. Press [ON/OFF] (Power) to turn on the camera.
The camera will enter the REC mode.
If the camera is in the PLAY mode, press the shutter button.
2. Align the mode dial with [P] (Program Auto) or [Ÿ] (Premium Auto
Pro) to select Auto recording mode.
To shoot a snapshot
Selecting an Auto Recording Mode
Setting
REC Screen
Icon Display
Description
Program
Auto This is the standard Auto recording mode.
Premium
Auto Pro
With Premium Auto Pro recording, the camera
automatically determines whether you are shooting a
subject or scenery, and other conditions. Premium
Auto Pro recording delivers higher image quality than
Program Auto recording.
Some of the settings configured automatically by
Premium Auto Pro cannot be changed by you.
It also requires more power (and runs down the
battery quicker) than Program Auto.
P
Ÿ
Auto recording mode icon
Shutter button
Mode dial
[ON/OFF] (Power)
Remaining Snapshot Memory
Capacity (page 229) Monitor screen
35 Quick Start Basics
1. Point the camera at the subject.
If you are shooting with Premium Auto Pro, text will
appear at the bottom of the monitor screen describing the
type of shot the camera has detected.
You can zoom the image, if you want.
To shoot a snapshot
2. Half-press the shutter button to
focus the image.
When focus is complete, the camera
will beep, the back lamp will light
green, and the focus frame will turn
green.
When you half-press the shutter button, the
camera automatically adjusts exposure and
focuses on the subject it is currently pointed at.
Mastering how much pressure is required for a
half-press and a full-press of the shutter button
is an important technique for good-looking
images.
Appears when the
camera detects it is
stationary on a tripod.
w Wide Angle z Telephoto
Zoom controller
If the camera decides that it needs to shoot a series of images with Continuous Shutter
(CS), it will display “Š”. Take care to avoid any camera and subject movement until
shooting of all of the CS images is complete.
Focus frame
Back lamp
Half-press
Press lightly
until the
button stops.
Beep, beep (Image is in focus.)
36 Quick Start Basics
.If the image does not focus...
If the focus frame stays red and the back lamp is flashing green, it means that the
image is not in focus (because the subject is too close, etc.). Re-point the camera at
the subject and try to focus again.
.Shooting with Auto
If the subject is not in the center of the frame...
“Focus lock” (page 51) is the name of a technique you can use when you want to
shoot an image in which the subject to be focused on is not within the focus frame in
the center of the screen.
To track the movement of a moving subject
Half-press the shutter button to follow and focus automatically on a moving subject.
See “O Tracking” (page 114) for more information.
3. Continuing to keep the camera still,
press the shutter button the rest of
the way down.
This records the snapshot.
Recording a Movie
Press [0] (Movie) to start movie recording. Press
[0] (Movie) again to stop movie recording. See the
following pages for details.
Standard movie (STD movie): page 71
High-definition movie (FHD movie): page 74
High speed movie (HS movie): page 74
Full-press
Snap (Image is recorded.)
[0] (Movie)
37 Quick Start Basics
.Shooting with Premium Auto Pro
Some menu items are not available while Premium Auto Pro is in use (page 105).
Only the menu items whose settings can be configured will be displayed on the
menus while Premium Auto Pro is in use.
In addition to shutter speed, aperture, and ISO sensitivity, the camera
automatically executes the following operation as required when shooting with
Premium Auto Pro.
Continuous AF (page 117)
Intelligent AF (page 114)
Face Detection (page 118)
HS Scene Shooting (page 37)
Shooting with Premium Auto Pro can cause vibration and noise to occur due to
lens operation. This does not indicate malfunction.
When Shooting with Premium Auto Pro, the message “Processing Premium Auto.”
may appear on the monitor screen. If you feel the camera is taking too long to
process data, try shooting with standard Auto instead.
In some cases, Premium Auto Pro may not be able to interpret the shooting
environment correctly. If this happens, shoot with standard Auto.
If “Š” is displayed, the camera will shoot a series of CS images and merge them
into a final image. Take care to avoid any camera and subject movement until
shooting of all of the CS images is complete. If you do not want to shoot CS
images, select “Off” for the Control Panel (page 44) “HS Scene Shooting” item.
Certain flash settings (page 55) can limit environmental factors detectable by
Premium Auto Pro.
38 Quick Start Basics
Use the following procedure to view snapshots on the camera’s monitor screen.
For information about how to play back movies, see page 126.
For information about images recorded using continuous shutter (CS), see page
128.
1. Turn on the camera and press
[p] (PLAY) to enter the PLAY
mode.
This will display one of the snapshots
currently stored in memory.
Information about the displayed
snapshot also is included (page 14).
You also can clear the information to
view only the snapshot (page 15).
You can zoom in on the image by rotating the zoom controller towards z
(page 133). If you are recording a snapshot that is very important to you, it is
recommended that you zoom the image and check its details after recording it.
2. Use [4] and [6] to scroll between images.
Holding down either button scrolls at high speed.
NOTE
Half-pressing the shutter button while in the PLAY mode or while a menu screen is
displayed will switch directly to the REC mode.
Viewing Snapshots
[p] (PLAY)
[6][6]
[4][4]
39 Quick Start Basics
If memory becomes full, you can delete snapshots and movies you no longer need in
order to free up storage and record more images.
IMPORTANT!
Remember that a file (image) delete operation cannot be undone.
For information about images recorded using continuous shutter (CS), see page
129.
If you select “Disabled” for the “Delete Key” setting on the “¥ SETTING” menu
(page 200), the delete menu will not appear when you press [2] ( ) (Delete).
You can delete files only while “Enabled” is selected for “Delete Key”.
.To delete a single file
1. Press [p] (PLAY) to enter the PLAY mode and then
press [2] ( ).
2. Use [4] and [6] to scroll through the files until the one
you want to delete is displayed.
3. Use [8] and [2] to select “Delete” and then press [SET].
To delete other files, repeat steps 2 and 3.
To exit the delete operation, press [MENU].
If a CS group (page 128) is displayed when you perform the above procedure,
all of the images in the currently displayed CS group will be deleted.
.To delete specific files
1. Press [p] (PLAY) to enter the PLAY mode and then press [2] ( ).
2. Use [8] and [2] to select “Delete Files” and then press [SET].
This displays a file selection screen.
3. Use [8], [2], [4], and [6] to move the selection boundary to the file
you want to delete, and then press [SET].
This will select the check box in the lower left corner of the selected file’s image
and move the blue boundary to the next image.
You can enlarge the selected image before deleting it by rotating the zoom
controller towards z ([).
4. Repeat step 3 to select other files, if you want. After you are finished
selecting files, press [MENU].
5. Use [8] and [2] to select “Yes” and then press [SET].
This deletes the files you selected.
To cancel the delete operation, select “No” in step 5 and then press [SET].
Deleting Snapshots and Movies
40 Quick Start Basics
.To delete all files
1. Press [p] (PLAY) to enter the PLAY mode and then press [2] ( ).
2. Use [8] and [2] to select “Delete All Files” and then press [SET].
3. Use [8] and [2] to select “Yes” and then press [SET] to delete all files.
This will cause the message “There are no files.” to appear.
Operation
Never open the battery cover while the back lamp is flashing green. Doing so can
result in the image you just shot being saved incorrectly, damage to other images
stored in memory, malfunction of the camera, etc.
If unwanted light is shining onto the lens, shade the lens with your hand when
shooting an image.
Monitor Screen when Shooting Snapshots
Subject brightness conditions can cause monitor screen response to slow and can
cause digital noise in the monitor screen image.
The image that appears on the monitor screen is for image composition. The actual
image will be recorded at the quality set for the image quality setting (page 111).
Shooting Indoors under Fluorescent Lighting
Minute flickering of fluorescent lighting can affect the brightness or color of an
image.
Other Precautions
The slower the shutter speed, the greater the possibility that noticeable noise will
be generated in an image. Because of this, the camera automatically performs a
noise reduction at slow shutter speeds. The noise reduction process causes it to
take longer to record images at lower shutter speeds. The shutter speeds for which
noise reduction is performed depend on the camera setup and shooting conditions.
A noise reduction process is performed when ISO sensitivity is set to a high value.
This can cause the camera to take relatively longer to be ready to shoot again after
you press the shutter button. Do not perform any key operation while the image
recording operation is in progress.
Due to the characteristics of the imaging element used by the camera, very fast
moving objects in an image may appear distorted.
Snapshot Shooting Precautions
41 Quick Start Basics
.Auto Focus Restrictions
Any of the following can make proper focus impossible.
Solid color wall or other very low contrast subject
Strongly back lit subject
Very shiny subject
Blinds or other subject with a repeating horizontal pattern
Multiple subjects at varying distances from the camera
Subject in a dark location
Subject that is too far away for light from the AF assist light to reach
Camera movement while shooting
Fast-moving subject
Subjects outside the focus range of the camera
If you cannot focus properly, try using focus lock (page 51) or Manual Focus (page
49).
42 Snapshot Tutorial
Snapshot Tutorial
Your camera has a variety of different recording
modes. Before recording an image, rotate the mode
dial to select the recording mode that suits the type
of image you are trying to record.
Selecting the Recording Mode
PProgram Auto
Standard Auto recording mode. This is the mode you normally should use
(page 34).
Ÿ Premium Auto Pro
With Premium Auto Pro recording, the camera automatically determines
whether you are shooting a subject or scenery, and other conditions. Premium
Auto Pro recording delivers higher image quality than standard Auto recording
(page 34).
BEST SHOT
Simply select one of a collection of built-in sample scenes and the camera sets
up automatically for beautiful images every time (page 83).
ART SHOT
A variety of artistic effects help to make even common, ordinary subjects
become more novel and exciting (page 67).
Multi SR Zoom
This feature uses super resolution technology and multiple Continuous Shutter
(CS) images to expand the zoom range for overall images of higher quality and
clarity (page 63).
Time Lapse
You can use this function to record movies of natural events that occur over
time, to speed up the flow of traffic in a city scene, or to record other similar
types of movies (page 78).
D Triple Shot
Shoots a burst of three images, making this feature is great for capturing all
those special moments when kids are around (page 70).
Mode dial
C
j
F
43 Snapshot Tutorial
IMPORTANT!
In the S mode, ISO sensitivity (page 51) always operates according to its “Auto”
setting. The ISO sensitivity setting cannot be changed while in the S mode.
The flash >(Auto Flash) and ¥(Red Eye Reduction) flash modes are not
supported while A, S, or M is selected for the recording mode. If you want the flash
to fire, select <(Flash On) as the flash mode.
The displayed ISO sensitivity, shutter speed or aperture value will turn red when
you half-press the shutter button if the image is overexposed or underexposed.
M M (Manual Exposure) mode
This mode gives you total control over aperture and shutter speed settings.
1Press [SET] to open the Control Panel.
2Use [8] and [2] to select A(Aperture), and then press [SET].
3Use [8] and [2] to change the aperture setting, and then press [4].
4Use [8] and [2] to select S(Shutter Speed), and then press [SET].
5Use [8] and [2] to change the shutter speed setting, and then press [SET].
S S (Shutter Speed AE) mode
In this mode, you select the shutter speed and other settings are adjusted
accordingly.
1Press [SET] to open the Control Panel.
2Use [8] and [2] to select S(Shutter Speed), and then press [SET].
3Use [8] and [2] to change the shutter speed setting, and then press [SET].
You also can select the EV shift setting located under the shutter speed
setting and then specify an exposure value (EV shift), if you want.
A A (Aperture AE) mode
In this mode, you select the aperture and other settings are adjusted
accordingly.
1Press [SET] to open the Control Panel.
2Use [8] and [2] to select A(Aperture), and then press [SET].
3Use [8] and [2] to change the aperture setting, and then press [SET].
You also can select the EV shift setting located under the aperture setting
and then specify an exposure value (EV shift), if you want.
44 Snapshot Tutorial
2. Use [8] and [2] to select the setting you want to change, and then
press [SET].
This will select one of the Control Panel icons and display its settings.*
3. Use [8] and [2] to change the setting.
4. After the setting is the way you want, press
[SET].
This will apply the setting and return to the REC
mode.
NOTE
You also can use on-screen menus to configure settings other than those listed
above (page 105).
Using the Control Panel
The Control Panel can be used to configure camera
settings.
1. In the REC mode, press [SET].
You can also display the Control Panel by
pressing [2].
1Self-timer (page 46)
2White balance (page 47)
3Focus (page 49)
4ISO sensitivity (page 51)
5Make-up Level (page 53)
6EV shift (page 54)
7Flash (page 55)
8Metering (page 57)
*Items displayed in the Control Panel depend on the recording mode.
[SET]
[8] [2] [4] [6]
1
5
3
4
7
8
2
6
Control Panel
45 Snapshot Tutorial
Control Panel and menu item functions can be assigned to the function ring. After
that, camera settings can be easily configured by rotating the function ring.
Functions that can be assigned to the function ring depend on the recording mode.
You will not be able to assign functions to the function ring in the case of some
recording modes.
.To assign functions to the function ring
1. In the REC mode, press [RING].
2. Use [8], [2], [4], and [6] to select the
function you want to assign, and then press
[SET].
You can also use the function ring to select
functions.
.To use functions assigned to the function ring
1. Rotate the function ring to change the setting.
2. Press the shutter button to shoot.
NOTE
Assigning “Step Zoom” to the function ring makes it possible to adjust optical zoom
with the function ring (page 59).
You cannot assign “MF” (Manual Focus) to the function ring while “On” is selected
for face detection.
Depending on the recording mode, some of the functions cannot be assigned.
Configuring Camera Settings with the Function Ring
Function ring
[RING]
[8] [2] [4] [6]
[SET]
46 Snapshot Tutorial
With the Self-timer, pressing the shutter button starts a timer. The shutter is released
and the image is shot after a fixed amount of time.
1. In the REC mode, press [SET].
2. Use [8] and [2] to select the (Self-timer) Control Panel option, and
then press [SET].
3. Use [8] and [2] to select the setting you want and then press [SET].
The front lamp flashes while the Self-timer countdown is
in progress.
You can interrupt an ongoing Self-timer countdown by
pressing [SET].
Using the Self-timer (Self-timer)
Setting
REC Screen
Icon Display
Description
10 sec 10-second Self-timer
2 sec
2-second Self-timer
When shooting under conditions that slow
down the shutter speed, you can use this
setting to prevent image blur due to camera
movement.
×3
(Triple Self-
timer)
Shoots three images: one image 10 seconds
after the shutter button is pressed, and the next
two images as soon as the camera is ready
after shooting the previous image. How long it
takes for the camera to get ready to shoot
depends on the image size and quality settings,
whether or not a memory card is loaded in the
camera, and the flash charge condition.
Off None Turns off the Self-timer.
Front lamp
47 Snapshot Tutorial
NOTE
The Self-timer cannot be used together with the following features.
High Speed CS with Prerecord CS, Prerecord (Movie), Slide Panorama,
Wide Shot, Triple Shot
The Triple Self-timer cannot be used together with the following features.
Movie, Time Lapse, High Speed CS, Multi SR Zoom, HS Night Shot, HS Best
Selection, For YouTube, Blurred Background, All-In-Focus Macro
The Handsfree Mode (page 63) can be used only while the Control Panel’s self-
timer setting is “Off”. For any other self-timer setting, the applicable self-timer
operation is performed.
You can adjust white balance to match the source of light available where you are
shooting and avoid the blue cast that results when shooting outdoors when it is
cloudy, and the green cast that results when shooting under fluorescent lighting.
1. In the REC mode, press [SET].
2. Use [8] and [2] to select the (White Balance) Control Panel option,
and then press [SET].
3. Use [8] and [2] to select the shooting condition you want and then
press [SET].
You can also perform this operation using the function ring.
Adjusting White Balance (White Balance)
Setting
REC Screen
Icon Display
Description
Auto WB None Configures the camera to adjust white balance
automatically.
Daylight For shooting outdoors on a clear day
Overcast For shooting outdoors on an overcast rainy day,
in the shade, etc.
Shade For shooting on a clear day in the shade of trees
or buildings
DayWhite
Fluor
For shooting under white or day white
fluorescent lighting
Daylight
Fluor For shooting under daylight fluorescent lighting
¤
'
48 Snapshot Tutorial
When “ Auto WB” is selected for the white balance setting, the camera
automatically determines the white point of the subject. Certain subject colors
and light source conditions can cause problems when the camera tries to
determine the white point, which makes proper white balance adjustment
impossible. If this happens, select the white balance setting that matches your
shooting conditions (Daylight, Overcast, etc.).
Tungsten For shooting under light bulb lighting
Manual
WB
For configuring the camera manually to suit a
particular light source
1Select “Manual WB”.
2Under the lighting
conditions you plan to
use when shooting, point
the camera at a blank
white piece of paper so it
fills the entire monitor
screen and then press
the shutter button.
3Press [SET].
The white balance setting is retained even if you
turn off the camera.
Setting
REC Screen
Icon Display
Description
«
·
Blank white paper
49 Snapshot Tutorial
The “Focus” setting is always fixed at “AF” (Auto Focus) whenever “Face
Detection” (page 118) is being used. If you want to change the “Focus” setting, first
select “Off” for “Face Detection”.
1. In the REC mode, press [SET].
2. Use [8] and [2] to select the (Focus) Control Panel option, and
then press [SET].
3. Use [8] and [2] to select the setting you want and then press [SET].
*1 The focus range is the distance from the lens surface.
*2 The focus range depends on the current optical zoom position.
*3 During High Speed Movie recording, focus is fixed at the position where it was
when recording started. To focus an image, half-press the shutter button for Auto
Focus or focus manually before you press [0] (Movie) to start recording.
Selecting a Focus Mode (Focus)
Settings REC Screen
Icon Display Type of Shot Focus Mode Approximate Focus Range
*
1
Snapshot Movies Snapshot Movies
Q AF
(Auto
Focus)
None
General
recording
Automatic Automatic
*
3
5 cm to
9
(infinity)
(2.0" to
9
)
(Wide Angle)
*
2
´
Macro
Close ups
1 cm to 50 cm
(0.4" to 19.7")
(Fifth step zoom from the
Widest Angle setting)
*
2
Á
Super
Macro
Close ups 1 cm to 50 cm
(0.4" to 19.7")
)
Infinity
Focus
Scenery and
other distant
subjects
Fixed Infinity (Wide Angle)
W MF
(Manual
Focus)
When you
want to focus
manually
Manual 5 cm to
9
(infinity)
(2.0" to
9
) (Wide Angle)
*
2
50 Snapshot Tutorial
Super Macro
Super Macro fixes optical zoom at a position that allows you to shoot from the closest
distance to the subject. The result is closer and larger subject images.
NOTE
Zoom is fixed while Super Macro is selected, so no zoom operation is performed
when you rotate the zoom controller.
To focus with manual focus
1. On the monitor screen, compose the image so
the subject you want to focus on is within the
yellow boundary.
2. Watching the image on the monitor screen use
[4] (nearer) and [6] (further) to adjust focus.
At this time the image that is within the boundary
will enlarge and fill the monitor screen, which aids
in focusing. If you do not perform any operation for
two seconds while the enlarged image is displayed,
the screen in step 1 will re-appear.
When the function ring (page 45) or “Control Dial” (page 107) is set to “MF”
(Manual Focus), you can use the function ring or control dial for focusing.
NOTE
An Auto Macro feature detects how far the subject is from the lens and
automatically selects either Macro Focus or Auto Focus accordingly.
Use of the flash together with Macro Focus can cause the light of the flash to
become blocked, which may result in unwanted lens shadows in your image.
In the case of movie recording, Auto Macro operates before you start recording.
After recording is started, however, focus is fixed.
Whenever you perform an optical zoom operation while shooting with Auto Focus,
Macro Focus, or Manual Focus, a value will appear on the monitor screen to tell
you the focus range, as shown below. Note that the focus range is displayed
including the Auto Macro range only when shooting with Auto Focus.
Example: oo* cm - 9
*oo is the actual focusing range value.
The operations assigned to the [4] and [6] keys with the “L/R Key” setting (page
108) are disabled while Manual Focus is selected as the focus mode.
Yellow boundary
51 Snapshot Tutorial
Using Focus Lock
“Focus lock” is a technique you can use when you want to
compose an image in which the subject you want to focus
on is not within the focus frame in the center of the
screen.
To use focus lock, select “U Spot” or “O Tracking” for
the Auto Focus area (page 114).
1. Align the monitor screen’s focus frame with
the subject you want to focus on and then half-
press the shutter button.
2. Keeping the shutter button half-pressed
(which maintains the focus setting), move the
camera to compose the image.
When “O Tracking” is selected as the Auto Focus
area, the focus frame will move automatically and
follow the subject.
3. When you are ready to shoot the image, press the shutter button the
rest of the way down.
NOTE
Focus lock also locks exposure (AE).
ISO sensitivity is a measure of sensitivity to light.
1. In the REC mode, press [SET].
2. Use [8] and [2] to select the (ISO) Control Panel option, and then
press [SET].
Specifying ISO Sensitivity (ISO)
Subject to be focused on
Focus frame
52 Snapshot Tutorial
3. Use [8] and [2] to select the setting you want and then press [SET].
While “Auto” is selected, Anti Shake corrects for subject movement only (page
115).
Since higher ISO sensitivity values tend to result in digital noise in images, the
camera performs a noise filtering process. Because of this, it may take
relatively longer for the camera to finish recording an image after it is shot. You
will not be able to perform any key operation while image recording is in
progress.
In the S (Shutter Speed AE) mode, ISO sensitivity always operates according
to its “Auto” setting.
In the M (Manual Exposure) mode, “Auto” cannot be selected.
Setting
REC Screen
Icon Display
Description
Auto None Adjusts sensitivity automatically according to
conditions.
ISO80 Lower
sensitivity
Higher
sensitivity
Slow shutter speed
Fast shutter speed
(Set for shooting in
dimly lit areas.)
Less noise
Some coarseness
(increased digital
noise)
ISO100
ISO200
ISO400
ISO800
ISO1600
ISO3200
53 Snapshot Tutorial
The Make-up Function smoothes the skin texture of the subject and softens facial
shadows caused by harsh sunlight for better looking portraits. You can select a make-
up level within the range of “0 (Off)” to “+12 (Max.)”.
1. Enter the REC mode, and then press [SET].
2. Use [8] and [2] to select the (Make-up Level) Control Panel option,
and then press [SET].
3. Use [8] and [2] to select the Make-up Level setting you want, and then
press [SET].
You can select a make-up level within the range of “0 (Off)” to “+12 (Max.)”.
You can also perform this operation using the function ring.
4. Shoot the image.
NOTE
Selecting any Make-up Level setting from +1 (Min.) to +12 (Max.) causes the
settings below to be configured automatically.
Face Detection: On
Focus Mode: AF (Auto Focus)
Make-up cannot be used with the following functions.
Some BEST SHOT scenes, ART SHOT, Multi SR Zoom, Time Lapse
Recording Beautiful Portraits (Make-up Level)
54 Snapshot Tutorial
You can manually adjust an image’s exposure value (EV value) before shooting it.
Exposure Compensation Range: –2.0 EV to +2.0 EV
Unit: 1/3EV
1. In the REC mode, press [SET].
2. Use [8] and [2] to select the (EV Shift) Control Panel option, and
then press [SET].
3. Use [8] and [2] to adjust the exposure compensation value.
You can also perform this operation using the function ring.
4. Press [SET].
This applies the exposure compensation value. The exposure compensation
value you set remains in effect until you change it or turn off the camera (which
causes it to revert to “0.0”).
NOTE
When shooting under very dark or very bright conditions, you may not be able to
obtain satisfactory results even after performing exposure compensation.
Correcting Image Brightness (EV Shift)
[8], clockwise:
Increases the EV value. A higher EV value is
best for light-colored subjects and backlit
subjects.
[2], counterclockwise:
Decreases the EV value. A lower EV value is
best for dark-color subjects and for shooting
outdoors on a clear day.
To cancel exposure compensation, change the EV value to 0.0.
Exposure compensation value
55 Snapshot Tutorial
1. In the REC mode, press [2] ( )
once.
2. Use [8] and [2] to select the
flash setting you want and then
press [SET].
3. Press the shutter button to shoot.
For information about Flash Range, see page 234.
IMPORTANT!
Foreign matter on the flash window can react with the light of the flash, producing
some smoke and abnormal odor. Though this does not indicate malfunction, oil
from your fingers and other foreign matter when left on the flash window can
become difficult to clean off later. Because of this, you should make it a regular
habit to wipe the window clean regularly with a soft, dry cloth.
Using Flash (Flash)
Setting
REC Screen
Icon Display
Description
Auto Flash None
Flash fires automatically in accordance with
exposure (amount of light and brightness)
conditions.
Flash Off Flash does not fire.
Flash On
Flash always fires. This setting can be used to
brighten a subject that normally comes out dark
due to daylight or backlight (daylight synchro
flash).
Red Eye
Reduction
Flash fires automatically. This type of flash can
be used to reduce the chance of redness in the
subject’s eyes.
[2] ( )
Flash
Back lamp
Flashes orange while the flash is charging to
indicate that image recording is disabled.
You will not be able to take another flash
snapshot until the lamp stops flashing orange,
which indicates that charging is complete.
< indicates the flash will fire.
56 Snapshot Tutorial
NOTE
Take care so your fingers and the strap do not block the flash.
The desired effect may not be obtained when the subject is too far away or too
close.
Flash charging time (page 234) depends on operating conditions (battery
condition, ambient temperature, etc.).
Shooting with flash turned off when lighting is dim results in a slow shutter speed,
which can cause image blur due to camera movement. Under such conditions,
secure the camera with a tripod, etc.
With red eye reduction, the flash is fired automatically in accordance with
exposure. It does not fire in areas where lighting is bright.
The presence of outdoor sunlight, fluorescent lighting, or some other light source
can cause abnormal image colors.
Select ?(Flash Off) for the flash setting when shooting in areas where flash
photography is prohibited.
The flash >(Auto Flash) and ¥(Red Eye Reduction) flash modes are not
supported while A, S, or M is selected for the recording mode. If you want the flash
to fire, select <(Flash On) as the flash mode.
Red-eye Reduction
Using the flash to shoot at night or in a dimly lit room can cause red spots inside the
eyes of people who are in the image. This is caused when the light from the flash
reflects off of the retina of the eye. When red-eye reduction is selected as the flash
mode, the camera fires a pre-flash to cause the irises in the eyes of any people in the
image to close, which reduces the chance of red eye.
Note the following important points when using red-eye reduction.
Red-eye reduction does not work unless the people in the image are looking
directly at the camera (flash).
Red-eye reduction may not work very well if the subjects are located far away from
the camera.
57 Snapshot Tutorial
The metering mode determines what part of the subject is metered for exposure.
1. In the REC mode, press [SET].
2. Use [8] and [2] to select the (Metering) Control Panel option, and
then press [SET].
3. Use [8] and [2] to select the setting you want and then press [SET].
Specifying the Metering Mode (Metering)
Setting
REC Screen
Icon Display
Description
Multi None
Multi-pattern metering divides the image into
sections and measures the light in each section for
a balanced exposure reading. This type of
metering provides error-free exposure settings for
a wide range of shooting conditions.
Center
Weighted
Center weighted metering concentrates on the
center of the focus area to measure light. This type
of metering is best when you want some level of
control over contrast.
Spot
Spot metering takes readings at a very small area.
Use this metering method when you want
exposure to be set according to the brightness of a
particular subject, without being affected by
surrounding conditions.
B
N
˜
58 Snapshot Tutorial
Your camera is equipped with various types of zoom: optical zoom, HD Zoom, Single
SR Zoom, Multi SR Zoom, and digital zoom. The maximum zoom factor depends on
the image size setting and the digital zoom on/off settings.
1. In the REC mode, rotate the zoom controller to zoom.
2. Press the shutter button to shoot.
Shooting with Zoom
Optical zoom Zooming is performed by changing the lens focal distance, so
there is no deterioration of image quality.
HD Zoom
Allows greater zoom capabilities by cutting out a portion of the
original image and enlarging it, without deterioration of image
quality.
Single SR Zoom Applies super resolution technology to suppress image
deterioration (page 62).
Multi SR Zoom
Shoots a burst of high-speed images, which are then combined
into a final image in a way that lessens deterioration of image
quality. Multi SR Zoom is enabled only when the “Multi SR
Zoom” recording mode is selected (page 63).
Digital zoom A digital process is used to enlarge the center of the image, so
there is deterioration of image quality.
w (Wide Angle): Reduces the size of the subject and broadens the range.
z (Telephoto) : Enlarges the subject and narrows the range.
w Wide Angle z Telephoto Zoom controller
59 Snapshot Tutorial
NOTE
Use of a tripod is recommended to protect against image blur due to camera
movement when shooting with telephoto.
Performing a zoom operation changes the lens aperture.
Zoom operations are supported during movie recording. Zoom operations are
disabled during high speed movie recording. To use zoom, perform the zoom
operation before you press [0] (Movie) to start recording.
Zoom operations are not supported while shooting with the following feature. The
zoom setting is fixed at full wide angle.
Slide Panorama, Wide Shot, All-In-Focus Macro
.Zooming with the Function Ring (Step Zoom)
Assigning the Step Zoom function to the function ring lets you perform zoom
operations (within the optical zoom range only) with the function ring (page 45). Step
Zoom can be adjusted to the focal distances shown below.
24, 28, 38, 50, 85, 100, 135, 200, 300
(Unit: mm; 35 mm film equivalents)
For finer zoom adjustment, use the zoom controller.
The focal distance will be indicated on the monitor
screen while Step Zoom is being adjusted with the
function ring.
Current focal distance
60 Snapshot Tutorial
A variety of information is shown on the monitor screen while a zoom operation is in
progress.
.Zoom Mode Icons
The table below shows what appears on the monitor screen based on the zoom
mode.
Monitor Screen Information when Zooming
Zoom mode REC Screen Icon Display
Optical zoom None
HD Zoom None
Single SR Zoom ¨ (White)
Multi SR Zoom ¸ (Black)
Digital zoom ê
Focusing Range
(Displayed for Auto Focus,
Macro Focus, and Manual
Focus.)
Focal distance
(Converted to 35 mm film
format.)
Image quality limit
(Deterioration starts from
here.)
Zoom bar
Zoom mode
61 Snapshot Tutorial
.Interpreting the Zoom Bar
During a zoom operation, a zoom bar appears on the monitor screen to show the
current zoom setting.
.Zoom Factor
The digital zoom factor depends on the image size (page 109), the super resolution
zoom setting, and on whether or not “Multi SR Zoom” is selected (page 63).
Multi SR Zoom is enabled only when the “Multi SR Zoom” recording mode is
selected.
Image size Optical
zoom
Maximum zoom factor where image
deterioration can be suppressed Total maximum
zoom factor
(In combination
with digital zoom)
Zoom (SR): Off
(HD Zoom)
Multi SR Zoom
Zoom (SR): Single
16M 12.5X 12.5X 25.0X 50.0X
3:2 12.5X 12.5X 25.0X 50.0X
16:9 12.5X 12.5X 25.0X 50.0X
10M 12.5X 15.8X 31.6X 63.1X
5M 12.5X 22.5X 45.0X 90.0X
3M 12.5X 28.1X 56.3X 112.3X
VGA 12.5X 90.0X 179.6X 199.3X
Range where image deterioration is
suppressed.
Wide Angle Telephoto
Zoom pointer
(Indicates current zoom.)
Point from which image deteriorates
The location of this point depends on the image size, the “Zoom (SR)
setting, and whether Multi SR Zoom is enabled.
Optical zoom limit point
Deteriorated image range
62 Snapshot Tutorial
There are two types of Super Resolution Zoom: Single SR Zoom and Multi SR Zoom.
Single SR Zoom uses super resolution to expand the zoom range in which image
quality deterioration is minimized. Multi SR Zoom shoots a series of High Speed CS
images, which are then combined into an image that enables shooting at higher zoom
ratios without loss of image quality. For information about the effective zoom factor
ranges in which Super Resolution Zoom is effective, see page 61.
The procedure below shows how to configure Single SR Zoom settings. For
information about Multi SR Zoom, see page 63.
1. In the REC mode, press [MENU].
2. Press [4], use [8] and [2] to select the “r REC MENU” tab, and then
press [6].
3. Use [8] and [2] to select “Zoom (SR)” and then press [SET].
4. Use [8] and [2] to select “Single” and then press [SET].
NOTE
Single SR Zoom is effective when you want to capture delicate textures.
Single SR Zoom does not work during movie recording.
The following functions are disabled when shooting with Single SR Zoom.
Triple Self-timer, ART SHOT, Multi SR Zoom, Time Lapse, Triple Shot, some
BEST SHOT scenes
Zooming with Super Resolution (Zoom (SR))
63 Snapshot Tutorial
This feature uses super resolution technology and multiple Continuous Shutter (CS)
images to expand the zoom range for overall images of higher quality and clarity
(page 62).
1. Align the mode dial with [j] (Multi SR Zoom).
2. Press the shutter button to shoot.
NOTE
Multi SR Zoom is effective when you want to capture delicate textures.
The following functions are disabled when shooting with Multi SR Zoom.
Single SR Zoom, Triple Self-time, Sharpness, Contrast
With Multi SR Zoom, the flash setting automatically becomes ?(Flash Off).
Shooting with this function automatically sets Anti Shake to “Standard” (page 115),
but large movement of the camera or subject make it impossible to achieve the
desired shot.
Depending on shooting conditions and image composition, Multi SR Zoom may not
be able to produce the desired result.
When shooting with this feature, “ISO 3200” cannot be selected for “ISO” (page
51).
With the Handsfree Mode, the camera automatically
triggers a self-timer countdown whenever it detects
movement in the vicinity of an icon on the monitor
screen. This means you can control operation of the
self-timer from a distance by waving your hand, so you
can include yourself in the image being shot.
1. Select one of the following as the recording
mode: Program Auto, Premium Auto Pro, or
HS Best Selection (BEST SHOT scene).
Movie shooting is disabled while the HS Best
Selection BEST SHOT scene is being used.
2. Tilt the camera’s monitor screen upwards 180 degrees (page 18).
Under initial factory default settings, the camera will automatically enter the
Handsfree Mode whenever the monitor screen is tilted upwards 180 degrees.
3. Press the shutter button (if you want to shoot a snapshot) or
[0] (Movie) (if you want to shoot a movie).
The start self-timer icon will change to “ ” to indicate that the camera is in
standby for shooting.
Expanding the Zoom Range to Shoot Clearer Snapshots
(Multi SR Zoom)
Triggering a Self-timer Operation with Motion (Handsfree)
64 Snapshot Tutorial
4. Facing the camera, move your hand or perform some other movement
in the vicinity of the (start self-timer) icon on the monitor screen.
When the camera detects movement near the icon, it will automatically shoot an
image.
To stop movie recording, press [0] (Movie) again.
NOTE
In the case of snapshot shooting, the camera will return to standby after an image
is shot. The camera will automatically exit standby after 30 snapshots are shot
using the Handsfree Mode.
Any one of the following will automatically exit standby: pressing the shutter button,
changing the tilt orientation of the monitor screen, or turning the camera upside
down.
The Handsfree Mode may not operate properly when there is little difference
between the subject and the background of the icon, or when the subject is located
far away from the camera.
(preview icon) will appear on the monitor screen when a snapshot is shot.
When the camera detects movement in the vicinity of the preview icon, it will
display the image that was shot for three seconds.
•“O Tracking” cannot be selected for the AF area setting while shooting with the
Handsfree Mode. If “O Tracking” is selected in another mode, selecting the
Handsfree Mode will cause the AF area setting to change to “U Spot”.
You cannot shoot a snapshot by pressing the shutter button while movie recording
is in progress (Snapshot In Movie).
65 Snapshot Tutorial
Use the procedure below to configure Handsfree Mode settings.
1. In the REC mode, press [MENU].
2. Press [4], use [8] and [2] to select the “r REC MENU” tab, and then
press [6].
3. Use [8] and [2] to select “Handsfree” and then press [SET].
4. Configure Handsfree settings.
Configuring Handsfree Mode Settings (Handsfree)
Setting Description
Motion Shutter
Specifies the camera operation that enters the Handsfree
Mode.
Always:
The camera always remains in the Handsfree Mode,
regardless of whether or not the monitor screen is tilted.
180°only:
The camera enters the Handsfree Mode only when the
monitor screen is tilted upwards 180 degrees.
Off: Handsfree Mode disabled
Timer
Specifies the amount of time that should elapse until
shooting starts after the camera detects movement.
Settings: 0.5 sec, 1 sec, 2 sec, 5 sec, 10 sec
66 Snapshot Tutorial
Use the procedure below to reposition the motion detection area (Start self-timer
icon) as required when it (or the preview icon ) hinders your view of the display
image.
1. In the REC mode, press [MENU].
2. Press [4], use [8] and [2] to select the
r REC MENU” tab, and then press [6].
3. Use [8] and [2] to select “Motion Position”
and then press [SET].
4. Press [RING].
This will select one of the two icons on the
display. Pressing [RING] toggles the selection
between the start self-timer icon and the preview icon.
5. Use [8], [2], [4], and [6] to reposition the currently selected icon.
6. Press [RING] to select the other icon if you want, and reposition it
using the same operation as step 5.
7. When the icons are located where you want, press [SET].
You can also use the function ring to reposition an icon.
NOTE
If you assign “Motion Position” to the “L/R Key” setting of the “r REC MENU”
(page 108), you will be able to reposition the selected icon with the [4] and [6]
keys while in the Handsfree Mode.
Repositioning the Motion Detection Area (Motion Position)
Start self-timer icon
Preview icon
67 Snapshot Tutorial
A variety of artistic effects help to make even common, ordinary subjects become
more novel and exciting.
1. Align the mode dial with [C] (ART SHOT).
2. Press [SET].
3. Use [8] and [2] to select , and then press [SET].
4. Select the ART SHOT scene you want to use and then press [SET].
Shooting with Artistic Effects (ART SHOT)
Scene Description
HDR Art
Applies HDR (High Dynamic Range, page 89) photography
to transform snapshots and movies into works of art that
provide a greater degree of expression than conventional
imaging.
Toy Camera Darkens the periphery and changes hues for a toy camera
effect.
Soft Focus Blurs overall focus for a mysteriously soft effect.
Light Tone Weakens contrast to create an elegantly subdued effect.
Pop Strengthens saturation for richer colors.
Sepia Sepia colors are used to create a retro effect.
Monochrome Enhances contrast to create a grainy print effect.
Miniature Blurs some of the focus to make the image look like a
miniature.
Fisheye Humorous effect that looks like it was shot with a fisheye
lens.
Sparkling Shot Softens the overall image and adds points of light for a
sparkle effect.
Select from among: HDR Art, Toy Camera, Soft Focus, Light Tone, Pop, Sepia,
Monochrome, Miniature, Fisheye, Sparkling Shot
68 Snapshot Tutorial
5. Press [SET], use [8] and [2] to select the fifth Control Panel option
from the top, and then press [SET].
The intensity of the selected effect can be adjusted as described below.
6. Use [8] and [2] to change the setting.
7. Press [SET].
8. Press the shutter button to shoot.
.Using the Scene Information Screen
To find out more about a scene, select it with the boundary
on the scene menu and then rotate the zoom controller in
either direction.
To return to the scene menu, rotate the zoom controller
again.
To scroll between scenes, use [4] and [6].
To configure the camera with the settings for the currently
selected scene, press [SET].
Scene Adjustment
HDR Art Effect level
Toy Camera Hue
Soft Focus Effect level
Light Tone Hue
Pop Effect level
Sepia Effect level
Monochrome Effect level
Miniature Focus area
Fisheye Effect level
Sparkling Shot Effect type
69 Snapshot Tutorial
NOTE
Depending on the “ART SHOT” scenes, some of the items on the menu that
appears may not be usable.
With this “ART SHOT” scene, the flash setting automatically becomes ?(Flash
Off).
Movie recording is disabled while “Sparkling Shot” is selected.
With HDR Art Movie, the “Movie Quality” setting can be either “HD” or “STD” only
(page 111). When any “Movie Quality” setting other than “STD” is selected in
another mode, the “HD” setting is used when shooting with HDR Art Movie.
When using “HDR Art” for movie recording, the intensity of the art effect is fixed in
accordance with movie settings.
You can configure the camera to save two images when shooting with HDR Art: one
image with HDR Art effects applied in accordance with the scene you selected plus
another normal (Program Auto) image without any effects applied.
1. Align the mode dial with [C] and then press [MENU].
2. Press [4], use [8] and [2] to select the “r REC MENU” tab, and then
press [6].
3. Use [8] and [2] to select “Double (HDR Art)” and then press [SET].
4. Use [8] and [2] to select “On” and then press [SET].
While “Off” is selected for the above step, only a single HDR Art image is saved
(normal image not saved).
5. Press the shutter button to shoot.
Saving a Second Normal Image When Shooting With HDR Art
(Double (HDR Art))
70 Snapshot Tutorial
Triple Shot shoots a burst of three images and stores them in memory. This feature is
great for making sure you don’t miss those special moments when kids are around.
1. Align the mode dial with [D] (Triple Shot).
2. Point the camera at the subject and then half-press the shutter button.
The camera will start pre-recording images at this time.
If you release the half-pressed shutter button before pressing it the rest of the
way down, all of the images currently in the pre-record buffer will be deleted.
3. Press the shutter button all the way down to record.
This will record three images: one of the action before the shutter button is fully
pressed plus two real-time images.
Pressing the shutter button all the way without first half-pressing it will result in
only two images being recorded.
NOTE
The settings in the table below are fixed while shooting with this function.
*If you select “I Multi” or “O Tracking” for this setting in another mode and then
shoot with Triple Shot, shooting is performed using the “U Spot” setting.
Shooting with Triple Shot
Self-timer Off
Flash Flash Off
Image Quality Normal
Single SR Zoom Off
Face Detection On
Focus Mode AF
AF Area “Intelligent” or “Spot”*
71 Recording Movies
Recording Movies
The following procedure explains how to record a standard (STD) movie.
This camera supports Premium Auto Pro movie recording (page 72).
See the pages indicated below for more information about movies.
High-definition movie (FHD movie): page 74
High speed movie (HS movie): page 74
1. Align the mode dial with [P] (Program
Auto) or [Ÿ] (Premium Auto Pro).
2. Press [MENU].
3. Press [4], use [8] and [2] to select the
r REC MENU” tab, and then press
[SET].
4. Use [8] and [2] to select “Movie Quality”
and then press [6].
5. Use [8] and [2] to select “STD”, and then press [SET].
Recording is performed with an aspect ratio of 4:3, an image size of 640x480
pixels, and a frame rate of 30 frames per second (STD Movie). Image size
setting cannot be changed.
The shooting range for movies is smaller than that for snapshots. You can
display the movie shooting range with “Shooting Info” (page 123).
6. Point the camera at the subject and then
press [0] (Movie).
This will start recording and display Y on the
monitor screen.
Movie recording includes stereo audio.
7. Press [0] (Movie) again to stop recording.
The maximum size allowed for a single movie file
is 4GB. Movie recording stops automatically
when a file becomes 4GB.
To record a movie
[0] (Movie)
[MENU]
[SET]
[8][2][4][6]
Mode dial
Recording time
Remaining recording time
(page 230)
72 Recording Movies
Recording Movies with Premium Auto Pro
When Premium Auto Pro is enabled (page 34), the
camera automatically make judgments about the
subject, shooting conditions, and other parameters. The
result is higher quality images than those produced by
Program Auto recording. The shooting environment detected by the camera is
displayed at the bottom of the REC mode screen.
Premium Auto Pro is enabled for FHD movies and STD movies only.
Using Premium Auto Pro uses up the battery charge more quickly than using
Program Auto recording.
Shooting with BEST SHOT
With BEST SHOT (page 83), you can select the sample scene that matches the type
of movie you are trying to shoot and the camera will change its setup accordingly, for
beautiful movies every time.
Minimizing the Effects of Camera Movement during Movie Recording
You can use Anti Shake (page 115) to configure the camera to minimize the effects of
camera movement during FHD and STD movie recording. Note that Anti Shake
cannot be used with HDR Art Movie and that Anti Shake does not prevent image blur
due to subject movement.
Your camera has built-in microphones that can be used to record audio (stereo)
during movie recording.
Your camera has a function to reduce wind noise (Wind Noise Cut) when recording
movies (page 119).
.Recording Precautions
The camera also records audio. Note the following points
when shooting a movie.
Take care that the microphones are not blocked by your
fingers, etc.
Good audio recording results are not possible when the
camera is too far away from what you are trying to
record.
Performing a zoom operation while shooting can cause zoom and/or auto focus
noise to be in the audio recording.
Operating camera buttons while shooting can cause button noise to be picked
up in the audio.
When shooting with the “HS” movie mode at a frame rate setting of “30-120 fps” or
“30-240 fps”, audio is recorded only while the camera is shooting at 30 fps. Audio is
not recorded at any other frame rates.
Audio
Microphones
73 Recording Movies
IMPORTANT!
Spending a long time using movie recording will cause the camera to become
slightly warm to the touch. This is normal and does not indicate malfunction.
Shooting movies for long periods in areas where temperature is relatively high can
cause digital noise (dots of light) to appear in the movie image. A rise in the
camera’s internal temperature also may force movie recording to stop
automatically. If this happens, stop recording and allow the camera to cool down,
which should cause normal operation to resume.
Using the camera’s built-in memory or certain types of memory cards can slow
down processing speed. Whenever possible use an Ultra High-Speed Type
memory card. Note, however, that not all operations can be guaranteed even if an
Ultra High-Speed Type memory card is used. Certain movie quality settings can
result in too much time being required to record data, which can result in breaks in
the image and/or audio during playback. If this happens, the Y will turn yellow on
the monitor screen.
NOTE
Zoom operations are supported during movie recording (page 58). Zoom is
disabled during high speed movie recording. To use zoom for high speed movie
recording, perform the zoom operation before you press [0] (Movie) to start
recording.
Both Single SR Zoom (page 62) and Multi SR Zoom (page 63) are disabled during
movie recording.
The effects of camera movement in an image become more pronounced when you
shoot close up or with a large zoom factor. Because of this, use of a tripod is
recommended under these conditions.
Except for High Speed Movie, Continuous AF (page 117) is performed during
movie recording while “AF” (Auto Focus) or “Macro” is selected for the “Focus”
setting.
Face Detection is disabled during normal FHD and STD, and high speed movie
recording. Face Detection is enabled when shooting movies with Premium Auto
Pro (FHD and STD).
The following functions do not support movie recording.
Triple Shot, Multi SR Zoom, some BEST SHOT scenes
The A, S, and M recording modes are not supported when shooting a movie, or
when using the “Prerecord (Movie)” and “For YouTube” BEST SHOT scenes. In
these cases, the recording mode is always P(Program Auto).
74 Recording Movies
This camera supports recording of high-definition (FHD) movies. The aspect ratio of
an FHD movie is 16:9, the image size is 1920x1080 pixels, and the frame rate is
30 fps. Image quality and image size settings cannot be changed.
1. Align the mode dial with [P] (Program Auto) or [Ÿ] (Premium Auto
Pro).
2. Press [MENU].
3. Press [4], use [8] and [2] to select the “r REC MENU” tab, and then
press [SET].
4. Use [8] and [2] to select “Movie Quality” and then press [6].
5. Use [8] and [2] to select “FHD”, and then press [SET].
6. Record the movie the same way as you would a normal movie (page
71).
Press [0] (Movie) to start and stop recording.
This camera supports recording of high speed movies at a maximum speed of
1000 fps. The aspect ratio of movies recorded with this mode depends on the frame
rate (recording speed).
When recording with the frame rate setting of “30-120 fps” or “30-240 fps” frame
rate setting, audio recording is supported during 30 fps recording only. Audio is not
recorded at any other frame rates.
1. Align the mode dial with [P] (Program Auto).
2. Press [MENU].
3. Press [4], use [8] and [2] to select the “r REC MENU” tab, and then
press [SET].
Recording a High-definition Movie
Recording a High Speed Movie
75 Recording Movies
4. Use [8] and [2] to select “Movie Quality” and then press [6].
5. Use [8] and [2] to select the frame rate (recording speed) you want
and then press [SET].
A fast frame rate (such as 1000 fps) will result in a smaller image size.
6. Record the movie the same way as you would a normal movie (page
71).
Press [0] (Movie) to start and stop recording.
During High Speed Movie recording (HS120, HS240, HS480, HS1000), focus
is fixed at the position where it was when recording started. To focus an image,
half-press the shutter button for Auto Focus or focus manually before you press
[0] (Movie) to start recording.
Continuous AF is operational when recording at 30 fps with “HS30-120” or
“HS30-240”. However, focus becomes fixed whenever you switch to 120 fps or
240 fps.
When “HS30-120” or “HS30-240” is selected as the frame rate, recording
always starts with a frame rate of 30 fps. You can switch the frame rate
between 30 fps and 120 fps or between 30 fps and 240 fps only while recording
is in progress. Press [4], [6], or [SET] to switch speeds. Audio is recorded
only while shooting at a 30 fps.
Movie
Quality
REC Screen
Icon Display
Frame Rate Image Size
(Pixels)
HS1000 1000 fps 224x64
fps (frames per
second) is a unit of
measurement
indicating the
number of images
recorded or played
back per second.
HS480 480 fps 224x160
HS240 240 fps 512x384
HS120 120 fps 640x480
HS30-240 30-240 fps 512x384
HS30-120 30-120 fps 640x480
76 Recording Movies
NOTE
The higher the frame rate (speed), the more lighting is required when shooting.
When shooting a high speed movie, shoot in a well-lit environment.
When recording certain types of movies, the image that appears on the monitor
screen may be smaller than normal. When recording a high speed movie, there are
black bands along the top, bottom, left, and right of the screen.
When recording a high speed movie, light source flicker can cause horizontal
bands to appear in the image. This does not indicate malfunction of the camera.
Monitor screen content switching is disabled during high speed movie recording.
Prerecord (Movie) maintains a pre-recording of approximately five seconds of action
(approximately two seconds for High Speed Movie). When you start real-time
recording, the pre-recorded content is stored followed by the real-time recording, to
help make sure you do not miss anything by being late pressing the record button.
Using Prerecord Movie (Prerecord (Movie))
[0] (Movie)[0] (Movie)
Movie
Real-time recording start
Approximately 5-second prerecorded part (from the buffer)
Approximately two seconds for high speed movie
Real-time recording end
77 Recording Movies
.To set up the camera to shoot with Prerecord Movie
1. Align the mode dial with [ ] (BEST SHOT).
2. Press [MENU].
3. Press [4], use [8] and [2] to select the “r REC MENU” tab, and then
press [SET].
4. Use [8] and [2] to select “Movie Quality” and then press [6].
5. Use [8] and [2] to select the movie mode you want to use for shooting
and then press [SET].
6. Press [SET].
7. Use [8] and [2] to select , and then press [SET].
8. Use [8], [2], [4], and [6] to select the “Prerecord (Movie)” scene and
then press [SET].
This causes (Prerecord (Movie)) to appear on the monitor screen, indicating
that the camera is prerecording to its buffer.
.To shoot a Prerecord Movie
1. After using the above procedure to set up the camera for Prerecord
Movie, point the camera at the subject.
2. When you are ready to record, press [0] (Movie).
This will save the approximately five seconds of action that was prerecorded in
the buffer before you pressed [0] (Movie) (two seconds if you are using high
speed movie) and start real-time recording.
3. Press [0] (Movie) again to stop recording.
To turn off Prerecord Movie recording, align the mode dial with [P] (Program
Auto) or [Ÿ] (Premium Auto Pro).
When shooting with the high speed movie “HS30-120” and “HS30-240” setting,
you cannot change the speed (fps) setting while the camera is pre-recording to
the buffer in step 1 of the above procedure. You can change the speed (fps)
setting after you press [0] (Movie) to start real-time recording.
78 Recording Movies
NOTE
While the camera is set up for shooting with Prerecord Movie, pressing the shutter
button will not shoot a snapshot unless movie recording is in progress. With high-
definition (FHD) and standard (STD) movie, you can shoot still images while
realtime movie recording is in progress.
When shooting with Prerecord Movie in combination with high speed movie,
rotating the control dial will not change the EV shift or white balance setting, even if
“EV Shift” or “White Balance” is assigned for the “Control Dial” function (page 107).
To change the EV shift or white balance setting in this case, use the Control Panel.
You can use this function to record movies of natural events that occur over time, to
speed up the flow of traffic in a city scene, or to record other similar types of movies.
When using this function, shooting with a tripod is recommended.
To prevent loss of power while shooting, use a fully charged battery.
Make sure the memory card you are using has sufficient unused space before
shooting with this function.
Focus is fixed at what they are when shooting is started.
For some scenes, brightness and white balance settings are fixed at what they are
when shooting is started.
1. Align the mode dial with [F] (Time Lapse).
2. Press [SET].
3. Use [8] and [2] to select on the Control Panel and then press
[SET].
4. Select the scene you want to use and then press [SET].
5. Press [SET], use [8] and [2] to select (Time Lapse Settings), and
then press [SET].
6. Use [8] and [2] to select “ Interval” or “ Total Time”, press [6],
and then use [8] and [2] to change the setting.
Each scene is initially configured with unique “ Interval” and “ Total Time”
default settings suitable for that scene. You can change these settings, if you
want.
Recording a Time Lapse Movie (Time Lapse)
Interval Specifies the number of seconds between shots.
Total Time
Specifies the recording time. Selecting “Off” causes
recording to continue until the shutter button is pressed
again.
C
79 Recording Movies
7. Press [SET].
Time Lapse settings are shown at the bottom of
the screen.
8. Press the shutter button to start recording.
Shooting is repeated at the interval specified in
step 6.
Recording stops when the recording time
specified in step 6 elapses or when the shutter
button is pressed again.
Remaining recording time is not displayed
when the “ Total Time” setting is “Off”.
NOTE
During Time Lapse recording, the monitor screen will turn off in accordance with
the “Sleep” setting (page 199). Change the “Sleep” setting to “Off” if you want the
monitor screen to stay on. Note, however, that this setting will use up battery power
more quickly.
If sleep is enabled (page 199), the monitor screen will turn off after the preset sleep
period if no camera operation is performed, but the time lapse recording operation
will continue. The camera’s back lamp will flash at this time. Performing any
operation while the monitor screen is blank will turn it back on. However, the
following operations will not turn the monitor screen back on.
Pressing [ON/OFF] (Power)
Pressing the shutter button all the way
Rotating the mode dial
The following functions cannot be used with this function.
Single SR Zoom, Anti Shake, Lighting, Continuous AF, Triple Self-timer,
Handsfree, Face Detection, Metering, ISO, ISO High Limit, Make-up, Review
The frame rate of playback of movies shot with this function is 20 fps. Movie quality
depends on the scene you are using.
Scene 1 to 6: FHD
Scene 7 to 11: HD
Note that audio is not recorded when recording with this function.
The camera can be configured to play only Time Lapse movies during a slideshow
(page 137).
When using “HDR Art” for movie recording, the intensity of the art effect is fixed in
accordance with movie settings.
You cannot shoot a snapshot by pressing the shutter button while time lapse
recording is in progress (Snapshot In Movie).
The reset operation (page 205) returns “Interval” and “Total Time” to their initial
default settings. Each Time Lapse scene has its own unique “Interval” and “Total
Time” settings.
Interval
Total Time
Scene
Remaining recording time
Recording time
80 Recording Movies
To adjust brightness when shooting with the Time Lapse “Night Scene”, use S
(Shutter Speed) on the Control Panel (page 44) to adjust the shutter speed.
.Using the Scene Information Screen
To find out more about a scene, select it with the boundary
on the scene menu and then rotate the zoom controller in
either direction.
To return to the scene menu, rotate the zoom controller
again.
To scroll between scenes, use [4] and [6].
To configure the camera with the settings for the currently
selected scene, press [SET].
The “For YouTube” scene records movies in a format that is optimal for uploading to
the YouTube movie site, which is operated by YouTube, LLC. “For YouTube” can be
used when shooting a standard (STD) movie, a high-definition (FHD) movie, or a high
speed (HS) movie.
1. Align the mode dial with [ ] (BEST SHOT).
2. Press [MENU].
3. Press [4], use [8] and [2] to select the “r REC MENU” tab, and then
press [SET].
4. Use [8] and [2] to select “Movie Quality” and then press [6].
5. Use [8] and [2] to select the movie mode you want to use for shooting
and then press [SET].
6. Press [SET].
7. Use [8] and [2] to select , and then press [SET].
8. Use [8], [2], [4], and [6] to select the “For YouTube” scene and then
press [SET].
This causes Ê to appear on the monitor screen.
9. Record the movie.
The movie file will be stored in a camera folder named “100YOUTB”.
To exit “For YouTube”, align the mode dial with [P] (Program Auto) or
[Ÿ] (Premium Auto Pro).
Recording a Movie for YouTube (For YouTube)
81 Recording Movies
NOTE
Movies recorded with the “For YouTube” scene are stored in a special folder to
make them easy to locate for uploading (page 193). “For YouTube” movies are
shot using the image size, recording speed, and quality settings configured in the
Movie Mode (page 71).
Snapshots cannot be shot (regardless of whether you are recording or not) while
the “For YouTube” scene is selected.
A single movie can have a maximum file size of 2,048MB or a playback time of
15 minutes. The actual maximum recording time depends on the movie mode used
for recording (page 231).
You can shoot snapshots while movie recording is in progress. When the camera is in
the Single Shot mode, you can shoot snapshots one-by-one. In the CS mode, holding
down the shutter button will record up to seven consecutive images at a speed of
approximately 10 images per second (fps). You can shoot a maximum total of
28 images during a single movie recording operation.
Shooting a Snapshot while Shooting a Movie
(Snapshot In Movie)
1. While a movie is being recorded, press the
shutter button.
In the CS mode, images continue to be shot as long
as you keep the shutter button depressed.
While movie recording is in progress, you can toggle
between the Single Shot Mode and the CS mode by
pressing [4], [6], or [SET]. Note that this method
for mode switching is possible only during movie
recording. The CS mode is indicated when is
white (on the monitor screen), and the Single Shot
mode is selected when t is white.
Number of recordable
snapshots
Snapshot recording
mode
82 Recording Movies
NOTE
Note that the flash cannot be used when shooting a Snapshot In Movie.
Note that shooting a snapshot while shooting a movie is supported during FHD
movie and STD movie recording only. It is not supported during other types of
movie recording.
Snapshots shot with Snapshot In Movie cannot be focused individually. The focus
will be the same as the movie being recorded.
The field of view of a snapshot shot while FHD movie recording is in progress will
be wider than the field of view of the FHD movie.
The snapshot image quality automatically changes to “Normal”.
The P(Program Auto) recording mode is used when you shoot a snapshot during
movie recording.
You cannot shoot with Snapshot In Movie while Handsfree or Time Lapse movie
recording is in progress.
83 Using BEST SHOT
Using BEST SHOT
BEST SHOT provides you with a collection of sample “scenes” that show a variety of
different types of shooting conditions. When you need to change the setup of the
camera, simply find the scene that matches what you are trying to achieve, and the
camera sets up for it automatically. This helps to minimize the chance of ruined
images due to poor exposure and shutter speed settings.
.Some Sample Scenes
1. Align the mode dial with [ ] (BEST
SHOT).
2. Press [SET].
3. Use [8] and [2] to select , and then
press [SET].
This will display a menu of BEST SHOT scenes.
4. Use [8], [2], [4], and [6] to move the
boundary to the scene you want to select.
You can scroll to another page of scenes by
pressing [8] or [2], or by rotating the function
ring.
To return to normal snapshot recording, align
the mode dial with [P] (Program Auto).
Brightening Scenery HS Night Scene HS Night Scene and
Portrait
To shoot with BEST SHOT
Currently selected scene
(with boundary)
Scene number
Scene name
[]
84 Using BEST SHOT
5. Press [SET] to configure the camera with the settings for the currently
selected scene.
This returns to the REC mode.
To select a different BEST SHOT scene, repeat the above procedure from
step 2.
6. Press the shutter button (if you are shooting a snapshot) or [0] (Movie)
(if you are shooting a movie).
With some BEST SHOT scenes, the message “Busy... Please wait...” will
appear on the monitor screen after you press the shutter button. The camera is
in the process of recording an image until the message appears. Keep the
camera still. The image processing operation takes some time to complete
after the message appears. You will not be able to record another image while
the message is displayed.
.Using the Scene Information Screen
To find out more about a scene, select it with the boundary
on the scene menu and then rotate the zoom controller in
either direction.
To return to the scene menu, rotate the zoom controller
again.
To scroll between scenes, use [4] and [6].
To configure the camera with the settings for the currently
selected scene, press [SET].
.BEST SHOT Precautions
Sample images shown on BEST SHOT scene screens were not shot with this
camera. There are provided to illustrate the effects and merits of each scene.
Images shot using a BEST SHOT scene may not produce the results you expected
due to shooting conditions and other factors.
You can modify the camera settings that are configured after you select a BEST
SHOT scene. Note, however, that the BEST SHOT settings revert to their defaults
when you select another BEST SHOT scene or turn off the camera.
Snapshot shooting is disabled while the following BEST SHOT scenes are being
used.
Prerecord (Movie), For YouTube
Movie recording is disabled while the following BEST SHOT scenes are being
used.
Blurred Background, All-In-Focus Macro, HS Best Selection, HS Anti Shake, Wide
Shot, HS Night Shot, Slide Panorama, Snapshot, HDMI TV Output
When the movie mode is FHD/STD, movies are recorded using the settings of the
selected BEST SHOT scene. For high speed movie recording, BEST SHOT scene
settings are ignored and movie recording is performed as it normally is.
BEST SHOT scenes that use High Speed CS ignore the “Zoom (SR)” setting.
With the BEST SHOT scenes below, certain shooting conditions can cause the
image area to become narrower than normal.
HS Night Scene and Portrait, HS Night Shot
85 Using BEST SHOT
You can register up to 999 setups, based on snapshots shot with the camera, as
“CUSTOM SHOT” scenes. Selecting a registered “CUSTOM SHOT” scene
configures the camera with its settings. The setups of snapshots recorded with the
following modes and features can be registered as “CUSTOM SHOT” scenes.
Program Auto
A Mode
S Mode
M Mode
BEST SHOT (Excluding “Prerecord (Movie)”, “For YouTube”, and “HDMI TV
Output”)
.To register a “CUSTOM SHOT” scene
1. On the BEST SHOT scene menu, select the scene named “CUSTOM
SHOT (Register User Scene)” and then press [SET].
2. Use [4] and [6] to select the snapshot whose setup you want to save.
3. Use [8] and [2] to select “Save”, and then press [SET].
Your scene will be assigned the name “Custom Scene”, along with a scene
number.
NOTE
A movie setup cannot be registered as a “CUSTOM SHOT” scene.
You can check the settings of the currently selected “CUSTOM SHOT” scene by
displaying the camera’s setting menus and looking at its settings.
“CUSTOM SHOT” scenes are assigned numbers in the sequence: U1, U2, and so
on.
The following are the settings that are saved for each “CUSTOM SHOT” scene.
Face Detection, Focus, EV Shift, White Balance, Flash, ISO, Metering, Lighting,
Flash Intensity, Sharpness, Saturation, Contrast
“CUSTOM SHOT” scenes are stored in built-in memory (page 193) in the SCENE
folder (snapshots).
Formatting the camera’s built-in memory (page 205) deletes all user “CUSTOM
SHOT” scenes.
Use the following procedure when you want to delete a “CUSTOM SHOT” scene.
1Display the information screen (page 84) of the user BEST SHOT scene you
want to delete.
2Press [2] ( ), select “Clear”, and then press [SET].
Creating and Using Your Own Setups (CUSTOM SHOT)
86 Using BEST SHOT
.To record with a registered CUSTOM SHOT scene
1. In the BEST SHOT Mode, select “Custom Scene” (page 83).
2. Press the shutter button to shoot.
This effect can be used to brighten the facial tones of subjects.
1. In the BEST SHOT Mode, select “Brightening” (page 83).
2. Press the shutter button to shoot.
NOTE
The settings in the table below are fixed while shooting with this scene.
*If you select “I Multi” or “O Tracking” for this setting in another recording mode
and then shoot with this scene, shooting is performed using the “U Spot” setting.
Shooting with a Face Brightening Effect (Brightening)
AF Area š Intelligent” or “U Spot”*
Anti Shake “Standard” or “Off”
Focus Mode AF
Face Detection On
87 Using BEST SHOT
In addition to optical Anti Shake, a single press of the shutter button while HS Anti
Shake is enabled causes the camera to record multiple images and automatically
combine them. Use this feature to minimize image blur due to camera movement
under conditions where optical anti shake is not possible for some reason.
1. In the BEST SHOT Mode, select “HS Anti Shake” (page 83).
2. When you are ready to shoot, press the shutter button.
NOTE
With this BEST SHOT scene, the flash setting automatically becomes ?(Flash
Off).
HS Anti Shake may not operate properly resulting in blurred images if the camera
is moved more than the allowable range or if the subject moves during shooting.
When shooting with these BEST SHOT scenes, the “ISO” (page 51) and “ISO High
Limit” (page 113) are fixed at “Auto”.
Shooting with High Speed Anti Shake
(HS Anti Shake)
88 Using BEST SHOT
The camera shoots a series of images and then merges them into a final image. The
result is a bright image, even if shot in the dark without a flash.
1. In the BEST SHOT Mode, select “HS Night Shot” (page 83).
2. Press the shutter button to shoot.
Take care to avoid camera movement and subject movement as you shoot.
You should be able to see the subject(s) on the monitor screen when
composing the image.
NOTE
When shooting with this function, the “ISO” (page 51) becomes “Auto” (fixed).
If camera movement occurs when shooting with this function, the anti-shake
process will result in an image range that is narrower than normal.
When shooting with this function, the 16M, 3:2, and 16:9 image size settings
cannot be selected. If one of these sizes is selected in another mode, the image
size will change to 10M when this function is selected.
Shooting Bright Images in the Dark without Flash
(HS Night Shot)
Shot with “Program Auto”, without flash Shot with “HS Night Shot”
89 Using BEST SHOT
With HDR (High Dynamic Range), the camera shoots a series of CS images using
different exposure settings and combines them into a final image to correct for
overexposure or underexposure of subjects of different brightness levels.
1. In the BEST SHOT Mode, select “HDR” (page 83).
2. Press [SET] and then use [8] and [2] to select the (HDR Level)
Control Panel option, and then press [SET].
3. Use [8] and [2] to select the HDR Level setting you want, and then
press [SET].
The HDR Level can be set to Level 1, Level 2, or Level 3.
4. Press the shutter button to shoot.
NOTE
HDR works best when shooting with the camera mounted on a tripod.
Shooting with this function causes the flash setting to change automatically to
?(Flash Off).
Anti Shake correction performed to compensate for camera movement while
shooting with this function results in an image area that is narrower than normal.
The desired HDR effect may not be attained if the camera or subject moves during
shooting.
Digitally Correcting for Overexposure and Underexposure
(HDR)
90 Using BEST SHOT
This function analyzes a burst of consecutive images and then blurs the background
behind the main subject. This creates an effect that really makes the subject stand
out, just like photographs taken with a single-lens reflex camera. The blur effect can
be set to one of three levels.
1. In the BEST SHOT Mode, select “Blurred Background” (page 83).
2. Press [SET] and then use [8] and [2] to select the (Blur Effect)
Control Panel option, and then press [SET].
3. Use [8] and [2] to select the Image Blur level you want, and then
press [SET].
The Image Blur level can be set to Level 1, Level 2, or Level 3.
4. Press the shutter button to shoot.
Get as close as possible to the subject. Also, the background should be as far
away as possible from the subject. The required distances depend on the
zoom factor being used.
NOTE
With this function, the flash setting automatically becomes ?(Flash Off).
Shooting with this function automatically sets Anti Shake to “Standard” (page 115),
but large movement of the camera or subject make it impossible to achieve the
desired shot.
If the camera determines that it is unable to blur the background of an image for
some reason, it will display the message “Blurring failed. Normal background
recorded.”. Note, however, that the image will be saved, even if background
blurring is not possible.
Shooting with a Blurred Background (Blurred Background)
Shot with “Program Auto”. Shot with “Blurred Background”.
Example: When zoom is set to full wide (W), the distance between the camera
and subject should be 30cm, while the distance between the subject
and background should be at least 1 meter.
91 Using BEST SHOT
All-In-Focus Macro shoots and analyzes a burst of multiple images and combines
them in a way that produces an image in which everything is in focus: from nearby
objects to distant objects.
1. In the BEST SHOT Mode, select “All-In-Focus Macro” (page 83).
2. Press the shutter button to shoot.
Move the camera as close to the subject as possible, and take care to avoid
camera movement and subject movement as you shoot.
NOTE
When shooting with this function, zoom is fixed at wide angle.
When shooting with this function, the flash setting automatically becomes
?(Flash Off).
Shooting with this function automatically sets Anti Shake to “Standard” (page 115),
but large movement of the camera or subject make it impossible to achieve the
desired shot.
The message “Could not merge. Will record as normal images.” will appear if the
All-In-Focus Macro process cannot be performed for some reason. The images
shot by the camera will be saved even if they cannot be merged.
Shooting with Full Focus Macro (All-In-Focus Macro)
“Program Auto” image All-In-Focus Macro
92 Using BEST SHOT
AF-CS shoots up to 30 CS images while keeping the subject in focus. This feature
comes in handy when shooting children and other fast-moving subjects. The CS
speed is automatically adjusted in accordance with shooting conditions within the
range of three to six frames per second.
1. In the BEST SHOT Mode, select “AF-CS” (page 83).
2. Press the shutter button the rest of the way down.
Hold down the shutter button to shoot up to 30 images at high speed.
NOTE
Zoom is disabled during continuous shutter operations.
The following image sizes cannot be selected while shooting with Auto Focus CS:
3:2, 16:9. If select AF-CS while either of these image sizes is selected, the camera
will automatically switch the images size setting to 16M.
The following camera features cannot be used while shooting with Auto Focus CS:
Handsfree, Triple Self-timer, Single SR Zoom.
The settings in the table below are fixed while shooting with AF-CS.
Using Continuous Shutter with Auto Focus (AF-CS)
Image Quality Normal
Flash Flash Off
Focus Mode AF
AF Area Spot
93 Using BEST SHOT
You can use the procedures in this section to specify the speed, number of images,
and other settings for High Speed CS (Continuous Shutter).
.Shooting with High Speed CS
With High Speed CS, recording continues as long as you
keep the shutter button depressed.
The table below shows the settings that can be specified
for the CS speed and the number of images per High
Speed CS operation.
1. In the BEST SHOT Mode, select “High Speed CS” (page 83).
2. Press [SET].
3. Use [8] and [2] to select the (High Speed CS fps) Control Panel
option and then press [SET].
4. Use [8] and [2] to select the continuous shutter (CS) speed you want
and then press [4].
Use a higher “High Speed CS fps” setting when shooting a fast-moving subject.
5. Use [8] and [2] to select the (Maximum CS Shots) Control Panel
option and then press [SET].
6. Use [8] and [2] to select the maximum number of shots and then
press [SET].
7. Press the shutter button the rest of the way and hold it down.
Shooting of images will continue as long as you depress the shutter button or until
the maximum number of images specified by “High Speed CS fps” is reached.
Shooting a Burst of Images (High Speed CS)
CS Speed
(High Speed CS
fps)
3 fps, 5 fps, 10 fps, 15 fps, 30 fps
fps = frames per second
Maximum CS
Shots 5, 10, 20, 30
Maximum CS shots
CS speed
94 Using BEST SHOT
.Shooting with Prerecord CS
Half-pressing and holding the shutter button causes a pre-record buffer to be
continually updated with images. When the shutter button is fully pressed, buffer
contents are recorded along with a series of real-time images. Use Prerecord CS
when you want to make sure you do not miss fast-moving action.
1. In the BEST SHOT Mode, select “High Speed CS” (page 83).
2. Press [SET].
3. Use [8] and [2] to select the (High Speed CS fps) Control Panel
option and then press [SET].
4. Use [8] and [2] to select the continuous shutter (CS) speed you want
and then press [4].
Use a higher “High Speed CS fps” setting when shooting a fast-moving subject.
5. Use [8] and [2] to select the (Maximum CS Shots) Control Panel
option and then press [SET].
6. Use [8] and [2] to select the maximum number of shots and then
press [4].
7. Use [8] and [2] to select the (Pre-record CS Shots) Control Panel
option and then press [SET].
8. Use [8] and [2] to select the number of Prerecord (Still) images and
then press [SET].
Settings: 0 shots, 3 shots, 5 shots, 10 shots, 15 shots, 20 shots, 25 shots
If you select “0 shots”, no pre-record images will be stored when you half-press
the shutter button.
Shutter button
half-press
Recorded images (up to 30 images)
Pre-recorded images
Shutter button
full-press
Shutter button
release
Continuous recording of images until shutter
button released
95 Using BEST SHOT
9. Half-press and hold the shutter button to start pre-recording.
A pre-record buffer is continually updated with images as long as the shutter
button is pressed.
The camera will not emit shutter sounds as it pre-records images.
Releasing the half-pressed shutter button will cause the contents of the pre-
record buffer to be deleted.
10.
Full press and hold down the shutter button.
This will record the images in the pre-record buffer followed by real-time recorded
images. Shooting of images will continue as long as you depress the shutter or
until the maximum number of images specified by “High Speed CS fps” is
reached.
.Continuous Shutter Precautions
The greater the number of shots, the longer it takes to save them after shooting is
complete.
When using a continuous shutter mode, keep the camera still until shooting is
finished.
Zoom is disabled during continuous shutter operations.
When shooting with this function, the snapshot image quality automatically
changes to “Normal”.
When shooting with this function, exposure and focus for the first image are applied
for successive images as well.
When shooting with this function, the flash setting automatically becomes
?(Flash Off).
The following image sizes cannot be selected while shooting with this function:
“3:2”, “16:9”. Entering the High Speed CS mode while any one of these image
sizes is selected will cause the image size setting to change to “16M”
automatically.
The camera’s Handsfree feature cannot be used while shooting with this function.
The Triple Self-time cannot be used when shooting with this function.
The Self-timer cannot be used in the Prerecord CS mode.
Single SR Zoom cannot be used when shooting with this function.
96 Using BEST SHOT
With HS Best Selection, the camera automatically shoots a series of images, and
selects the best one based on facial image blur, and facial expression (whether the
subject is smiling or blinking).
1. In the BEST SHOT Mode, select “HS Best Selection” (page 83).
2. Press the shutter button to shoot.
NOTE
Shooting with this function causes the flash setting to change automatically to
?(Flash Off).
If one or more of the faces are blurred in all of the images that are shot, they will be
blurred in the final image as well.
The following conditions may make it impossible for the camera to determine if the
subject is blinking or smiling. This may result in a final image in which the subject is
blinking or not smiling.
Faces that are partially or completely darkened by shadows, etc.
Hair that is hiding or near the eyes
Eye glasses
Small faces
Faces that are not looking directly at the camera
Shooting a large group of people will cause processing of the image after shooting
to take longer.
Shooting with Priority on Subject Faces
(HS Best Selection)
97 Using BEST SHOT
With Slide Panorama, you move the camera to compose and record multiple images,
which are then combined to a panorama. This feature lets you shoot a panorama of
up to 360 degrees, which is dramatically greater than the physical capabilities of the
lens.
The final panorama image can be one of the two sizes shown below.
Slide Direction is Right or Left: Maximum 11520x1080 pixels
Slide Direction is Up or Down: Maximum 1920x7296 pixels
Zoom operations are not supporting during Slide Panorama shooting. The zoom
setting is fixed at full wide angle.
You can use Slide Panorama to shoot a horizontal image up to approximately
360 degrees and a vertical image up to approximately 180 degrees.
If you shoot a horizontal Slide Panorama image that is less than 360 degrees, the
image size will become 60, 120, 180, 240, or 300 degrees.
1. In the BEST SHOT Mode, select “Slide Panorama” (page 83).
2. Press [SET] and then use [8] and [2] to select the (Slide Direction)
Control Panel option, and then press [SET].
You can also select the Slide Direction by rotating the function ring.
3. Use [8] and [2] to select the direction you are planning to move the
camera while shooting, and then press [SET].
You can select one of four directions: Right, Left, Up, or Down.
4. Point the camera at the start of the panorama and half-press the
shutter button to allow the camera to focus automatically.
Shooting a Panorama Image (Slide Panorama)
98 Using BEST SHOT
5. Press the shutter button the rest of the way down
and a slide cursor will appear on the monitor
screen. Slowly move the camera in the direction
indicated by the arrow on the screen until the
slide cursor reaches the other end of its
movement range (i.e. all the way to the right
when moving the camera to the right).
The camera will start composing the panorama image
internally when the slide cursor reached the other end
of the movement range.
Image composing also will start automatically if you
stop moving the camera during panorama shooting.
NOTE
The following conditions are not compatible with Slide
Panorama shooting.
Subject whose brightness is very different from that of its surroundings due to
artificial light, sunlight, etc.
Rivers, waves, waterfalls, or other subject with constantly changing patterns
Sky, beach, or other subject with continuous patterns
Camera too close to the main subject
Moving subject
Dark surroundings
Slide Panorama may stop part way through in the following cases.
Subject or camera movement
Camera movement that is too fast or too slow
Shooting a Slide Panorama image after half-pressing the shutter button to perform
Auto Focus may not produce the desired results if there are considerable
differences in the brightness, color, and/or focus of the individual images. If this
happens, try changing the focus position by focusing on a different subject, etc.
Since a Slide Panorama image is created by joining multiple images together, there
may be some roughness at the point where two images are joined.
Shooting under a flickering light source (such as fluorescent lighting) may result in
uneven brightness and/or coloring in the final Slide Panorama image.
The exposure and white balance when shooting Slide Panorama images are fixed
at the levels measured when you half-press the shutter button at the beginning of
the operation.
Shooting with this function causes the flash setting to change automatically to
? (Flash Off).
Slide cursor
99 Using BEST SHOT
With this feature, a number of images are shot and then combined to produce an
image with a super-wide angle of view that exceeds the widest angle of view possible
with the lens. Converted to 35 mm equivalents, the focal distances available with this
feature enable shooting with approximate angles of view of 14 mm and 18 mm.
1. In the BEST SHOT Mode, select “Wide Shot” (page 83).
2. Press [SET] and then use [8] and [2] to select the (Wide Level)
Control Panel option, and then press [SET].
3. Use [8] and [2] to select the width setting (angle of view) you want
and then press [SET].
There are two settings available: “18 mm” and “14 mm”.
“14 mm” shoots a wider area than “18 mm”.
4. Hold the camera so it is
upright, with the shutter
button and other controls
at the bottom.
Do not point the camera
straight down at the ground
at this time. If you do, the
camera’s built-in vertical/
horizontal position sensor
will not operate properly
and may make it impossible
to start shooting.
Shooting with a Super Wide Angle of View (Wide Shot)
24 mm (lens widest angle) 18 mm 14 mm
Shutter button
Control dial
100 Using BEST SHOT
5. Point the camera at the
subject you want in the
center of the image and then
half-press the shutter button
to focus.
The outer blue boundary on
the screen indicates the
recordable range of the image.
6. Press the shutter button the rest of the way
down and slowly move the camera in
accordance with the instructions and arrow that
appear on the monitor screen.
Holding the camera firmly with both hands, follow
the instructions that appear on the monitor screen to
slowly slide the camera horizontally or vertically at a
constant speed in an arc centered on your body.
When sliding the camera horizontally, do not allow
your body to move left or right. A vertical line
running through your body should serve as the
axis.
When sliding the camera vertically, do not allow your body to move upwards
or downwards. A horizontal line between your shoulders should serve as the
axis.
Take care not to slide the camera diagonally and be sure to maintain a firm
grip on it.
The camera will start composing the super-wide image internally when the
slide cursor reached the other end of the movement range.
Image composing also will start automatically if you stop moving the camera
during super-wide shooting.
Desired image
Center part at the start of the
shooting operation
Blue boundary
Arrow
Instructions
101 Using BEST SHOT
NOTE
The “14 mm” and “18 mm” angle of view values are approximate and are provided
for reference only. Actual angle of view values are not guaranteed.
Zoom operations are not supported during Wide Shot shooting. The zoom setting
is fixed at full wide angle.
This function makes it possible to shoot images with a maximum angle of view of
14 mm or 18 mm. Note, however, that shooting conditions can result in a smaller
angle of view.
The following conditions are not compatible with Wide Shot shooting.
Subject whose brightness is very different from that of its surroundings due to
artificial light, sunlight, etc.
Rivers, waves, waterfalls, or other subject with constantly changing patterns
Sky, beach, or other subject with continuous patterns
Camera too close to the main subject
Moving subject
Panning upwards on a skyscraper or some other very tall structure or object
Dark surroundings
Any of the following can cause Wide Shot operation to stop part way through.
Subject or camera movement
Camera movement that is too fast or too slow
Camera movement outside of the required route
Camera movement in the wrong direction
Shooting a Wide Shot image after half-pressing the shutter button to perform Auto
Focus may not produce the desired results if there are considerable differences in
the brightness, color, and/or focus of the individual images. If this happens, try
changing the focus position by focusing on a different subject, etc.
Since a Wide Shot image is created by joining multiple images together, there may
be some roughness at the point where two images are joined.
Shooting under a flickering light source (such as fluorescent lighting) may result in
uneven brightness and/or coloring in the final Wide Shot image.
The exposure and white balance when shooting Wide Shot images are fixed at the
levels measured when you half-press the shutter button at the beginning of the
operation.
With this BEST SHOT scene, the flash setting automatically becomes ?(Flash
Off).
102 Using BEST SHOT
This function adjusts exposure and shoots whenever the shutter button is half-
pressed. This helps to ensure that you don’t miss the shots you want. This feature
comes in handy for daily shooting and when shooting natural scenery.
1. In the BEST SHOT Mode, select “Snapshot” (page 83).
2. Half-press the shutter button.
This will adjust exposure and shoot the snapshot.
This will cause a pan focus distance value (PF –o.om–) to appear in the
upper left corner of the display. Everything from this distance and further will be
in focus.
NOTE
The focus frame will not appear for this type of shot.
The settings below are fixed while shooting with this function.
An image shot with this function can be zoomed up to 2.0X.
Proper focusing may not be possible if the camera is too close to the subject, or if
the camera is subjected to vibration or impact.
Shooting Snapshots (Snapshot)
Focus Mode Pan Focus
ISO Auto
Make-up Level 0 (Off)
Flash Flash Off
103 Using BEST SHOT
You can configure the camera to save a RAW image* along with a standard JPEG
image when shooting snapshots. RAW image data is stored in a camera folder
named “RAW” (page 193).
*A RAW image is image data (file name extension .DNG) that is unprocessed
internally by the camera. Since there is no image deterioration, RAW files provide
more creative freedom when used with software that supports general-purpose
DNG format files.
1. In the BEST SHOT Mode, select “Raw Image” (page 83).
2. Press the shutter button to shoot.
NOTE
The image size is fixed at 16M when shooting with this function.
The following functions cannot be used with this function: Single SR Zoom, Digital
Zoom, movie recording.
Use the procedure below to configure the camera for shooting snapshots with an
aspect ratio of 16:9, as you compose them on a TV screen.
1. Turn off the camera and use a commercially available HDMI cable to
connect the camera to a TV.
2. Turn on the camera.
Shooting RAW Images (Raw Image)
Using a TV Screen to Shoot Snapshots (HDMI TV Output)
HDMI connector
HDMI cable
(commercially
available)
HDMI mini connector
HDMI input
HDMI output (mini)
104 Using BEST SHOT
3. In the BEST SHOT Mode, select “HDMI TV Output” (page 83).
This will turn off the camera’s monitor screen and display an image composition
screen on the connected TV.
4. Compose the image on the TV screen and press the shutter button to
shoot.
NOTE
For details about connecting to the camera and precautions when connecting, see
page 134.
If you want to change the digital video signal format, first unplug the HDMI cable
from the camera (page 136).
The settings in the table below are fixed while shooting with this function.
Image Size 16:9
AF Area Spot
Continuous AF Off
Face Detection Off
Make-up Level 0 (Off)
White Balance Auto WB
Metering Multi
105 Advanced Settings (REC MENU)
Advanced Settings (REC MENU)
The following are menu operations you can use to configure various camera settings.
You also can use the Control Panel (page 44) to configure some of the settings that
appear on the menu screen. Refer to the page references provided in this section
for information about configuring settings using the Control Panel.
.Example Menu Screen Operation
1. In the REC mode, press [MENU].
This will display the menu screen (r REC
MENU).
Menu contents are different in the REC mode
(r REC MENU) and PLAY mode (p PLAY
MENU).
2. Press [4], use [8] and [2] to select the tab
where the menu item you want to configure
is located, and then press [6].
3. Use [8] and [2] to select the menu item
you want, and then press [6].
Operating the zoom controller displays the next
page of menu items.
4. Use [8] and [2] to change the setting of
the selected menu item.
5. After the setting is the way you want, press
[SET] to apply the setting and return to the
viewfinder screen.
Pressing [4] registers the selected setting and
returns to the menu.
To configure settings on another tab, press [4]
twice to return to the tab, use [8] and [2] to
select a tab, and then press [6]. Next, proceed
from step 3 of the above procedure.
Pressing [MENU] interrupts the menu operation and exits the menu screen.
NOTE
Depending on the recording mode, some of the items on the menu that appears
may not be usable. While Premium Auto Pro is in use, only the menu items whose
settings can be configured will be displayed on the menus.
Configuring Recording Settings
[MENU] [SET]
[8] [2] [4] [6]
Items
Example:
When “Self-timer” is
selected on the “r REC
MENU” tab
Tabs
106 Advanced Settings (REC MENU)
.Menu Operations in This Manual
Menu operations are represented in this manual as shown below. The following
operation is the same as the one described under “Example Menu Screen Operation”
on page 105.
Procedure
Enter the REC Mode * [MENU] *r REC MENU” Tab * Lefty
See page 162 for details.
Procedure
Enter the REC Mode * [MENU] *r REC MENU” Tab * Handsfree
See page 65 for details.
Procedure
Enter the REC Mode * [MENU] *r REC MENU” Tab *
Motion Position
See page 66 for details.
Changing to Left-handed Golfer Guidelines (Lefty)
Configuring Handsfree Settings (Handsfree)
Configuring Motion Position Settings (Motion Position)
Procedure
Enter the REC Mode
*
[MENU]
*
r REC MENU” Tab
*
Self-timer
Press [4] and then use [8] and [2] to select the
r REC MENU” tab, and then press [SET].
Use [8] and [2] to select “Self-timer” and
then press [6].
Press [MENU].
107 Advanced Settings (REC MENU)
Procedure
Enter the REC Mode * [MENU] *r REC MENU” Tab * Control Dial
You can assign any one of the four functions below to the control dial. After you do,
you can change the setting of the function by rotating the control dial.
*Configure the settings below in order to directly adjust focus with the control dial.
Face Detection: Off
Make-up Level: 0 (Off)
Focus Mode: MF (Manual Focus)
NOTE
Depending on the recording mode, some functions may not be assignable to the
control dial.
Assigning Functions to the Control Dial (Control Dial)
Setting Description
EV Shift Brightness compensation (page 54)
White Balance Hue adjustment (page 47)
Self-timer Self-timer time setting (page 46)
MF*Focus adjustment (page 49)
Off No setting assigned to the control dial
108 Advanced Settings (REC MENU)
Procedure
Enter the REC Mode * [MENU] *r REC MENU” Tab * L/R Key
You can select from among the functions described below and assign one to the [4]
and [6] keys (Key Customize). After you do, you can select either of the functions by
pressing the [4] or [6] key.
*To use the [4] and [6] keys to change the motion detection area, first enter the
Handsfree Mode.
Procedure
Enter the REC Mode * [MENU] *r REC MENU” Tab *
Double (HDR Art)
See page 69 for details.
Assigning Functions to the [4] and [6] Keys (L/R Key)
Setting [4]/[6] key operation
Motion Position*Changing the Motion Detection Area (page 66)
Q*´*Á*)Selecting a Focus Mode (page 49)
“MF” (Manual Focus) cannot be selected.
AF Area Specifying the Auto Focus Area (page 114)
Metering Changes the Metering Mode (page 120)
Face Detection Turns face detection on and off (page 118)
ISO High Limit Specifying ISO Sensitivity Upper Limit (page 51)
Off Cancels [4] and [6] key assignments
Saving a Second Normal Image When Shooting With HDR Art
(Double (HDR ART))
109 Advanced Settings (REC MENU)
Procedure
Enter the REC Mode * [MENU] *r REC MENU” Tab * Image Size
The initial factory default image size setting is “16M”.
Selecting “3:2” records images with an aspect ratio of 3:2, which matches the
standard aspect ratio of print paper.
The letters “HDTV” stand for “High Definition Television”. An HDTV screen has an
aspect ratio of 16:9, which makes them wider than the usual 4:3 aspect ratio of
television screens of the past. Your camera can record images that are compatible
with the aspect ratio an HDTV screen.
You should regard the print paper sizes suggested here as guidelines only (200 dpi
print resolution).
To select the snapshot image size (Image Size)
Image Size
(Pixels)
REC Screen
Icon Display
Suggested
Print Size and
Application
Description
16M
(4608x3456) Poster Print
Good detail for better clarity even for
images cropped (page 147) from the
original
3:2
(4608x3072) Poster Print
16:9
(4608x2592) HDTV
10M
(3648x2736) Poster Print
Good detail
5M
(2560x1920) A4 Print
3M
(2048x1536) 3.5"×5" Print
Best when preserving memory
capacity is relatively more important
than image quality.
VGA
(640x480) E-Mail
Image files are smaller, which is
better when attaching images to
e-mail. However, images are
relatively coarser.
110 Advanced Settings (REC MENU)
Available image sizes are limited for some functions as noted below.
.Pixels and image size
A digital camera image is a collection of small
dots called “pixels”. The more pixels there are
in an image, the more detail there will be.
However, you generally can do with fewer
pixels when printing an image (L size) through
a print service, attaching an image to e-mail,
when viewing the image on a computer, etc.
The size of an image indicates how many
pixels it contains, and is expressed as
horizontal pixelsxvertical pixels.
Example:
Note that larger images have more pixels, so they take up more memory space.
For information about image size, image quality, and number of images that can be
stored, see page 229.
For information about movie image size, see page 111.
For information about resizing existing snapshots, see page 147.
16M
This image size cannot be selected when using “HS Night Shot”.
Selecting “16M” in another mode and then switching to “HS Night Shot”
will cause the image size to change to “10M” automatically.
3:2,
16:9
These image sizes cannot be selected when using “High Speed CS” or
“HS Night Shot”. Selecting “3:2” or “16:9” in another mode and then
switching to “High Speed CS” will cause the image size to change to
“16M” automatically. In the case of “HS Night Shot”, the image size will
change to “10M” automatically.
Image size Pixels
16M 4608x3456 (Approximately 16 million pixels)
3M 2048x1536 (Approximately 3 million pixels)
Pixel
111 Advanced Settings (REC MENU)
Procedure
Enter the REC Mode * [MENU] *r REC MENU” Tab *
Image Quality
The “Fine” setting helps to bring out details when shooting a finely detailed image
of nature that includes dense tree branches or leaves, or an image of a complex
pattern.
Memory capacity (the number of images you can record) will be affected by the
quality settings you configure (page 229).
Procedure
Enter the REC Mode * [MENU] *r REC MENU” Tab *
Movie Quality
This setting can be used to configure movie image quality settings and to select either
normal movie recording or High Speed Movie recording.
Specifying Snapshot Image Quality (Image Quality)
Setting REC Screen Icon
Display Description
Fine Gives image quality priority.
Normal Normal
Movie Image Quality Settings (Movie Quality)
Settings
(Quality
(pixels))
REC Screen
Icon Display
Approximate Data Rate
(Frame Rate)
Description
FHD
14.2 Megabits/second
(30 frames/second)
Select this setting record high-
definition (FHD) movies (page 74).
The aspect ratio of movies
recorded with this setting is 16:9.
HD
10.9 Megabits/second
(15, 20, 30 frames/
second)
Select this setting record high-
definition (HD) movies. The
aspect ratio of movies recorded
with this setting is 16:9.
“HD” can be selected in place of
“FHD” only when shooting with
ART SHOT (page 67) or a Time
Lapse (page 78) ART SHOT
scene (the values on the left are
for ART SHOT (page 67)). The
frame rate depends on the scene.
112 Advanced Settings (REC MENU)
STD
3.9 Megabits/second
(30 frames/second)
Use this setting for standard
movie recording. Recording with
this setting is performed using an
aspect ratio of 4:3.
HS1000
40.0 Megabits/second
(1000 frames/second)
The image size of movies
recorded with this mode depends
on the frame rate (recording
speed (page 74)).
HS480
40.0 Megabits/second
(480 frames/second)
HS240
40.0 Megabits/second
(240 frames/second)
HS120
40.0 Megabits/second
(120 frames/second)
HS30-240
5.4 Megabits/second
(30 frames/second)
40.4 Megabits/second
(240 frames/second)
HS30-120
10.4 Megabits/second
(30 frames/second)
40.4 Megabits/second
(120 frames/second)
Settings
(Quality
(pixels))
REC Screen
Icon Display
Approximate Data Rate
(Frame Rate)
Description
113 Advanced Settings (REC MENU)
Procedure
Enter the REC Mode * [MENU] *r REC MENU” Tab * ISO
For details, see the Control Panel procedure on page 51.
Procedure
Enter the REC Mode * [MENU] *r REC MENU” Tab *
ISO High Limit
NOTE
When the “ISO” setting (page 51) is something other than “Auto”, the “ISO High
Limit” setting is ignored, and shooting is performed using the option selected for the
“ISO” setting.
The settings available for “ISO High Limit” become as shown below when shooting
with “HS Night Shot” (page 88).
Auto, ISO 1600, ISO 3200, ISO 6400, ISO 12800, ISO 25600
The “ISO High Limit” setting cannot be configured while any one of the recording
mode below is in use.
Premium Auto Pro, M mode, some BEST SHOT scenes
The “ISO 3200” setting cannot be selected while the Multi SR Zoom REC mode is
selected. If “ISO 3200” is selected in another REC mode, switching to Multi SR
Zoom causes the REC mode to change to “ISO 1600”.
Specifying ISO Sensitivity (ISO)
Specifying the ISO Sensitivity Upper Limit (ISO High Limit)
Settings
REC Screen
Icon Display
Description
Auto None Shoots using the ISO sensitivity setting specified by the
“ISO” setting (page 51).
ISO 200
The setting selected here becomes the ISO sensitivity
upper limit when “Auto” is selected for the “ISO” setting
(page 51).
ISO 400
ISO 800
ISO 1600
ISO 3200
114 Advanced Settings (REC MENU)
Procedure
Enter the REC Mode * [MENU] *r REC MENU” Tab * Zoom (SR)
See page 62 for details.
Procedure
Enter the REC Mode * [MENU] *r REC MENU” Tab * AF Area
You can use the following procedure to change the Auto Focus metering area for
shooting snapshots.
When recording movies, the AF metering area is always “U Spot”.
Zooming with Super Resolution (Zoom (SR))
Specifying the Auto Focus Area (AF Area)
Settings Description
š Intelligent
The camera automatically determines the focus point on the
screen and focuses there (intelligent AF).
Face detection (page 118) operates automatically.
U Spot This mode takes readings of a small area in the center of the
image. This setting works well with focus lock (page 51).
I Multi
When you half-press the shutter button while this setting selected,
the camera will select the optimum Auto Focus area from among
nine possible areas. The focus frame of the area where the
camera focuses will be displayed in green.
O Tracking When you half-press the shutter button while this setting is
selected, the focus frame will follow the movement of the subject.
U Spot” or O Tracking”
Focus frame
š Intelligent”
Focus frame
I Multi”
Focus frame
115 Advanced Settings (REC MENU)
IMPORTANT!
Auto Focus is disabled when “MF” (Manual Focus) is selected for the focus mode
(page 49), even if you select an AF area.
Selecting “O Tracking” can cause vibration and noise to occur due to lens
operation while tracking a subject. This does not indicate malfunction.
With some BEST SHOT scenes, there are restrictions on the use of AF area
settings. Because of this, you may not be able to use certain settings or you may
not be able to specify any AF Area setting.
While Face Detection (page 118) is turned on, regardless of the current AF Area
setting, “U Spot” (center) focusing will be used automatically whenever a face
cannot be detected for some reason.
Procedure
Enter the REC Mode * [MENU] *r REC MENU” Tab * Anti Shake
You can turn on the camera’s Anti Shake feature to reduce image blur due to subject
movement or camera movement when shooting a moving subject using telephoto,
when shooting a fast-moving subject, or when shooting under dim lighting conditions.
Reducing the Effects of Camera and Subject Movement
(Anti Shake)
Settings
REC Screen
Icon Display
Description
Strong
While applying hand shake correction, shutter speed
faster than “Standard” also further reduces subject
blur. Also, ISO sensitivity may be raised from
“Standard”.
This setting can be used while the recording mode is
Program Auto (except for High Speed CS), Premium
Auto Pro or HS Anti Shake.
Standard Dramatically reduces the effects of hand and subject
movement.
Off None Turns off Anti Shake settings.
DEMO
Half-pressing the shutter button demonstrates the
effect of Anti Shake. However, the image is not
recorded. This setting can be used only when Program
Auto is selected as the recording mode.
C
116 Advanced Settings (REC MENU)
NOTE
Only camera shake correction can be used during FHD and STD movie recording.
Anti Shake correction is not supported during High Speed Movie, HDR Art Movie
recording or Time Lapse.
When Anti Shake is enabled and “Auto” is selected for “ISO” (page 51), ISO
sensitivity, aperture, and shutter speed will not appear on the monitor screen when
you half-press the shutter button. These values will appear in the display of the
image immediately after it is shot.
Shooting with Anti Shake enabled can cause an image to appear somewhat
coarser than normal and can cause slight deterioration of image resolution.
Anti Shake may not be able to eliminate the effects of camera or subject movement
when movement is severe.
Anti Shake may not work properly when the camera is mounted on a tripod. Turn
off Anti Shake.
Even if “Strong” is selected for the Anti Shake setting, some shooting conditions
may make it impossible to achieve the desired Anti Shake results.
117 Advanced Settings (REC MENU)
Procedure
Enter the REC Mode * [MENU] *r REC MENU” Tab * Lighting
You can use this setting to optimize the balance between bright areas and dark areas
when shooting images.
NOTE
Lighting is disabled during movie recording.
Procedure
Enter the REC Mode * [MENU] *r REC MENU” Tab *
Continuous AF
When shooting a snapshot while “On” is selected for Continuous AF, Auto Focus is
performed and focusing is continually updated until you half-press the shutter button.
Before you half-press the shutter button, the camera focuses at the center of the
screen. If “Face Detection” is turned on when you half-press the shutter button,
focusing is performed in the area where a face is detected.
Shooting with Continuous AF can cause vibration and noise to occur due to lens
operation. This does not indicate malfunction.
Optimizing Image Brightness (Lighting)
Settings Description
On
Performs brightness correction. When this option is selected, it
takes longer for the image to be stored after the shutter button is
pressed.
Off Does not perform brightness correction.
Shooting with Continuous Auto Focus (Continuous AF)
118 Advanced Settings (REC MENU)
Procedure
Enter the REC Mode * [MENU] *r REC MENU” Tab *
Face Detection
When shooting people, the face detection feature detects the faces of up to ten
individuals and adjusts focus and brightness accordingly.
1. Use [8] and [2] to select “On” and then press [SET].
2. Point the camera at the subject(s).
The camera will detect human faces and display a
frame around each one.
3. Half-press the shutter button.
The camera will focus and the frames around the
faces it focuses on will turn green.
4. Press the shutter button the rest of the way down.
Tips for Best Face Detection Results
The camera performs center focus if it cannot detect a face.
Always make sure that Auto Focus (AF) is selected as the focus mode when
shooting with face detection.
Detection of the following types of faces is not supported.
A face that is obstructed by hair, sunglasses, a hat, etc., or a face in dark shade
A profile or a face that is at an angle
A face that is very far away and small, or very close and large
A face in an area that is very dark
A face of a pet or some other non-human subject
IMPORTANT!
Face detection cannot be used in combination with any of the following features.
Some BEST SHOT scenes
Some ART SHOT scenes
Movie Mode (Including some BEST SHOT scenes that support High Speed
Movie recording)
High Speed CS with Prerecord CS (Including some BEST SHOT scenes that
support High Speed CS recording)
The “Focus” setting is always fixed at “AF” (Auto Focus) whenever “Face
Detection” is being used. If you want to change the “Focus” setting, first select “Off”
for “Face Detection”.
Shooting with Face Detection (Face Detection)
119 Advanced Settings (REC MENU)
Procedure
Enter the REC Mode * [MENU] *r REC MENU” Tab *
Digital Zoom
Select “On” when you want to use digital zoom (page 58).
Digital zoom is disabled while shooting with the following feature.
High speed movie recording, Some BEST SHOT scenes
Procedure
Enter the REC Mode * [MENU] *r REC MENU” Tab *
Wind Noise Cut
Select “On” to reduce wind noise during movie recording. Note, however, that this will
also cause the sound quality to change.
Procedure
Enter the REC Mode * [MENU] *r REC MENU” Tab *
Make-up Level
For details, see the Control Panel procedure on page 53.
Turning Digital Zoom On or Off (Digital Zoom)
Reducing Wind Noise during Movie Recording
(Wind Noise Cut)
Recording Beautiful Portraits (Make-up Level)
120 Advanced Settings (REC MENU)
Procedure
Enter the REC Mode * [MENU] *r REC MENU” Tab * EV Shift
For details, see the Control Panel procedure on page 54.
Procedure
Enter the REC Mode * [MENU] *r REC MENU” Tab *
White Balance
For details, see the Control Panel procedure on page 47.
Procedure
Enter the REC Mode * [MENU] *r REC MENU” Tab * Focus
For details, see the Control Panel procedure on page 49.
Procedure
Enter the REC Mode * [MENU] *r REC MENU” Tab * Self-timer
For details, see the Control Panel procedure on page 46.
Procedure
Enter the REC Mode * [MENU] *r REC MENU” Tab * Metering
For details, see the Control Panel procedure on page 57.
Correcting Image Brightness (EV Shift)
Adjusting White Balance (White Balance)
Selecting a Focus Mode (Focus)
Using the Self-timer (Self-timer)
Specifying the Metering Mode (Metering)
121 Advanced Settings (REC MENU)
Procedure
Enter the REC Mode * [MENU] *r REC MENU” Tab *
Flash Intensity
You can specify flash intensity to one of five levels from +2 (brightest flash) to –2
(least bright flash).
Flash intensity may not change when the subject is too far away or too close.
Procedure
Enter the REC Mode * [MENU] *r REC MENU” Tab * Sharpness
You can specify one of five sharpness settings from +2 (sharpest) to –2 (least sharp).
Procedure
Enter the REC Mode * [MENU] *r REC MENU” Tab * Saturation
You can specify one of five saturation settings from +2 (most saturated) to –2 (least
saturated).
Procedure
Enter the REC Mode * [MENU] *r REC MENU” Tab * Contrast
You can specify one of five contrast settings from +2 (most contrast between light and
dark) to –2 (least contrast between light and dark).
Specifying Flash Intensity (Flash Intensity)
Controlling Image Sharpness (Sharpness)
Controlling Color Saturation (Saturation)
Adjusting Image Contrast (Contrast)
122 Advanced Settings (REC MENU)
Procedure
Enter the REC Mode * [MENU] *r REC MENU” Tab *
AF Assist Light
Half-pressing the shutter button while this setting is selected
causes the front lamp to light, which provides illumination for
focusing in areas where lighting is dim. Leaving this function
turned off is recommended when shooting portraits from short
distances, etc.
IMPORTANT!
Never look directly into the front lamp while it is lit.
Make sure your finger is not covering the front lamp.
Procedure
Enter the REC Mode * [MENU] *r REC MENU” Tab * Review
While Review is turned on, the camera will display an image for about one second
immediately after it is recorded.
When shooting with some functions while “Type 1” is selected for “Review” will
cause the message “Busy... Please wait...” to appear after you press the shutter
button. Shooting another image is disabled while this message is displayed. Wait a
while until the process being performed is complete.
The Review image may not appear when shooting with some recording modes.
When shooting with “High Speed CS”, “AF-CS”, or “Triple Shot”, the Review image
is displayed as “Type 2” if “Type 1” is selected as the Review image type.
Shooting an “ART SHOT” image while “On” is selected for the “Double (HDR Art)”
setting and Review is enabled will cause both the “ART SHOT” image and the
normal image to be displayed as the Review image.
Using the Auto Focus Assist Light (AF Assist Light)
Turning on Image Review (Review)
Type 1 Displays a full-screen view of the image.
Type 2, Type 3
Displays a partial-screen view of the image. The difference
between Type 2 and Type 3 is the way the image appears on
the display.
Off Turns off review image display
Front lamp
123 Advanced Settings (REC MENU)
Procedure
Enter the REC Mode * [MENU] *r REC MENU” Tab * Icon Help
While Icon Help is turned on, a textual description will appear on the display for
certain icons when you switch between REC functions.
Functions Supported by Icon Help
Recording mode
Available options for the “L/R Key” and “Control Dial” settings
Exposure warning when shutter button is half-pressed
Procedure
Enter the REC Mode * [MENU] *r REC MENU” Tab *
Shooting Info
You can use the above procedure to display a grid or histogram, or the movie
shooting range on the monitor screen during recording.
Using Icon Help (Icon Help)
Changing the Monitor Screen when Recording (Shooting Info)
Grid
Selecting “On” for this setting displays
grid lines on the monitor screen. The
grid lines provide references that help
you keep the camera vertically and
horizontally straight.
Histogram
Selecting “On” for this setting displays a
histogram on the monitor screen. This
histogram lets you view exposure
information while shooting.
NOTE
Use of the flash and certain shooting conditions can cause the
histogram to indicate exposure that is different from the actual
exposure of the image when it is shot.
The histogram cannot be displayed during high speed movie
recording.
Histogram
124 Advanced Settings (REC MENU)
.How to Use the Histogram
A histogram is a graph that represents the lightness of an image in terms of the
number of pixels. The vertical axis indicates the number of pixels, while the horizontal
axis indicates lightness. If the histogram appears too lopsided for some reason, you
can use EV shift to move it left or right in order to achieve better balance. Optimum
exposure can be achieved by EV shifting so the graph is as close to the center as
possible. For snapshots, you can even display individual histograms for R (red),
G (green), and B (blue).
Example Histograms
NOTE
A centered histogram does not necessarily guarantee optimum exposure. The
recorded image may be over-exposed or under-exposed, even though its
histogram is centered.
Due to the limitations of exposure compensation, you may not be able to achieve
an optimum histogram configuration.
Movie Range
Selecting “On” for this setting
displays a semitransparent gray
frame on the monitor screen. The
area within the frame is what is
recorded as the movie.
A histogram towards the left side results when the
overall image is dark. A histogram that is too far to
the left may result in “black out” of the dark areas
of an image.
A histogram towards the right side results when
the overall image is light. A histogram that is too
far to the right may result in “white out” of the light
areas of an image.
An overall well-balanced histogram results when
the overall image is at optimal lightness.
Semi-transparent gray
frame
125 Advanced Settings (REC MENU)
Procedure
Enter the REC Mode * [MENU] *r REC MENU” Tab * Memory
This setting lets you specify which camera settings should be remembered by the
camera when it is turned off, and restored the next time the camera is turned on. To
have the camera remember a setting, you should enable the setting’s memory. Any
setting whose memory is disabled will be reset to its initial default any time the
camera is turned off.
*1 Remembered for each REC mode.
*2 Optical zoom setting only.
Configuring Power On Default Settings (Memory)
Setting Disabled (Initial Default Setting) Enabled
FUNCTION RING*1Initial Default Items
Setting at
power off
Flash Auto
Focus AF
ISO Auto
White Balance Auto WB
EV Shift 0.0
AF Area Spot
Metering Multi
Self-timer Off
Flash Intensity 0
Zoom (SR) Single
Digital Zoom On
MF Position Position before manual focus was selected.
Zoom Position*2Full wide
126 Viewing Snapshots and Movies
Viewing Snapshots and Movies
See page 38 for the procedure for viewing snapshots.
1. Press [p] (PLAY) and then use [4] and [6] to display the movie you
want to view.
2. Press [SET] to start playback.
Movie Playback Controls
Viewing Snapshots
Viewing a Movie
Fast forward/fast
reverse
[4] [6] (Playback in progress.)
Each press of either button increases the speed of the
fast forward or fast reverse operation.
You can also perform this operation using the function
ring.
To return to normal playback speed, press [2].
Play/pause [SET]
1 frame forward/
back
[4] [6] (Playback paused.)
Holding down either button scrolls continuously.
You can also perform this operation using the function
ring.
Volume adjustment
Press [2] and then press [8] [2]
Volume can be adjusted only while movie playback is in
progress.
Information display
on/off [8] (DISP)
Change to normal
playback speed
during high speed
movie playback
[0] (Movie)
•Press [0] (Movie) again to return to the slow playback
speed. This operation is not supported when playing a
movie shot with “HS30-120” or “HS30-240”.
Movie icon: »/» (Time Lapse)
Image quality
Recording time
127 Viewing Snapshots and Movies
Playback may not be possible for movies not recorded with this camera.
A movie that has been rotated using “Rotation” (page 146) or “Auto Rotate” (page
198) cannot be zoomed.
1. Press [p] (PLAY), and then use [4] and [6] to
display the panorama images you want to
view.
2. Press [SET] to start playback of the panorama.
Panorama playback causes the image to scroll left,
right, up, or down.
Playback Controls
The following functions cannot be performed on a panorama image.
MOTION PRINT, Movie Editing, Trimming, Resize, Lighting, White Balance,
Brightness, Rotation
Zoom
Rotate the zoom controller in the direction of z ([).
You can use [8], [2], [4], and [6] to scroll the zoomed
image on the monitor screen. You can zoom a movie
image up to 4.5 times normal size.
You can also perform this operation using the function
ring.
Stop playback [MENU]
Viewing a Panorama Image
To start or pause
playback [SET]
To advance scroll
while paused
[4] [6] (When the slide direction is left or right.)
[8] [2] (When the slide direction is up or down.)
Holding down any button scrolls continuously.
To hide or show
display information [8] (DISP)
To stop playback [MENU]
128 Viewing Snapshots and Movies
Each time you perform a continuous shutter (CS) operation, the camera creates a CS
group that includes all of the images for that particular CS session. You can use the
following procedure to play back the images in a particular CS group.
1. Press [p] (PLAY) and then use [4] and [6] to display the CS group
whose images you want to view.
2. Press [SET] to start playback.
Viewing Continuous Shutter Images
Number of image files in
the CS group
First image in the CS group
CS group icon
Current image number/number of images in the group
CS speed*
Playback guide
*Displayed when the image was shot using “High Speed CS”.
129 Viewing Snapshots and Movies
Playback Controls
You can use the following procedures to delete images while playback is in progress
or paused.
.Deleting a Specific CS Group File
1. While CS image playback is in progress or paused, press [2].
This will display the “CS Frame Edit” menu.
2. Use [8] and [2] to select “Delete” and then press [SET].
3. Use [4] and [6] to display the image you want to delete.
4. Use [8] and [2] to select “Delete” and then press [SET].
To delete other files, repeat steps 3 and 4.
To exit the delete operation, press [MENU].
[4] [6]
During playback, changes the playback direction and playback
speed.
While playback is paused, scrolls forward or back.
Forward and back scrolling can also be performed using the
function ring.
Playback speed cannot be adjusted while the displayed image is
zoomed.
[SET] Toggles between pause and play.
Zoom
controller
Zooms the image.
You can use [8], [2], [4], and [6] to scroll the zoomed image
on the monitor screen.
Rotating the zoom controller towards w (]) while an image is
not zoomed will display a menu of images in the current CS
group.
[MENU] Exits CS group playback.
[8] (DISP) Cycles through information display formats.
[2]Displays the “CS Frame Edit” menu.
Deleting Continuous Shutter Images
130 Viewing Snapshots and Movies
.Deleting Multiple Files in a CS Group
1. While CS image playback is in progress or paused, press [2].
This will display the “CS Frame Edit” menu.
2. Use [8] and [2] to select “Delete” and then press [SET].
3. Use [8] and [2] to select “Delete Frames” and then press [SET].
This displays a file selection screen.
4. Use [8], [2], [4], and [6] to move the selection boundary to the file
you want to delete, and then press [SET].
This will select the check box in the lower left corner of the selected file’s image
and move the blue boundary to the next image.
You can enlarge the selected image before deleting it by rotating the zoom
controller towards z ([).
5. Repeat step 4 to select other files, if you want. After you are finished
selecting files, press [MENU].
6. Use [8] and [2] to select “Yes” and then press [SET].
This deletes the files you selected.
To cancel the delete operation, select “No” in step 6 and then press [SET].
.Deleting All Files in a CS Group
1. While CS image playback is in progress or paused, press [2].
This will display the “CS Frame Edit” menu.
2. Use [8] and [2] to select “Delete” and then press [SET].
3. Use [8] and [2] to select “Del Group Images” and then press [SET].
4. Use [8] and [2] to select “Yes”, and then press [SET].
131 Viewing Snapshots and Movies
Use the following to divide up a CS Group into individual images.
.Dividing Up a Specific CS Group
1. In the PLAY mode, press [MENU].
2. Press [4], use [8] and [2] to select the “p PLAY MENU” tab, and
then press [SET].
3. Use [8] and [2] to select “Divide Group” and then press [6].
4. Use [8] and [2] to select “Select File”, and then press [SET].
5. Use [4] and [6] to display the CS group you want to divide up.
6. Use [8] and [2] to select “Divide” and then press [SET].
To divide up other CS group files, repeat steps 5 and 6.
.Dividing Up All CS Groups
IMPORTANT!
Once a CS group is divided, it cannot be regrouped.
1. In the PLAY mode, press [MENU].
2. Press [4], use [8] and [2] to select the “p PLAY MENU” tab, and
then press [SET].
3. Use [8] and [2] to select “Divide Group” and then press [6].
4. Use [8] and [2] to select “All Files” and then press [SET].
5. Use [8] and [2] to select “Yes”, and then press [SET].
Dividing Up a CS Group
132 Viewing Snapshots and Movies
Use the following procedure to copy an image in a CS group to a location outside of
the group.
1. While CS image playback is in progress or paused, press [2].
This will display the “CS Frame Edit” menu.
2. Use [8] and [2] to select “Copy”, and then press [SET].
3. Use [4] and [6] to display the image you want to copy.
4. Use [8] and [2] to select “Copy”, and then press [SET].
NOTE
The functions below cannot be performed on snapshots inside a CS group. Before
using either of these functions, perform the above procedure to copy the image
first.
White Balance, Brightness, Trimming, Rotation, Resize
You can rotate the function ring to scroll images at high speed or by recording date.
1. In the PLAY mode, press [RING].
2. Use [8], [2], [4] and [6] to select a scroll
speed and then press [SET].
You can also use the Function Ring to select a
scroll speed.
3. Rotate the function ring to scroll images.
Copying a CS Group Image
Scrolling Images at High Speed or by Recording Date
Setting Description
10 images
Scrolls forward or back by
the specified number of
images.
25 images
50 images
100 images
Date Scrolls images by
recording date.
Function ring
[RING]
[8] [2] [4] [6]
[SET]
133 Viewing Snapshots and Movies
1. In the PLAY mode, use [4] and [6] to scroll through the images until
the one you want is displayed.
2. Rotate the zoom controller towards z ([) to
zoom.
You can use [8], [2], [4], and [6] to scroll the zoomed
image on the monitor screen. You can also use the
control dial to scroll upwards and downwards, and the
function ring to scroll left and right. Rotate the zoom
controller towards w to unzoom the image.
When monitor screen contents are turned on, a
graphic in the lower right corner of the screen
shows what part of the zoomed image is currently
displayed.
To exit the zoom screen, press [MENU].
Though the maximum image zoom factor is 8X,
certain image sizes may not allow zooming up to the full 8X.
Pressing [SET] will lock the current zoom factor for the on-screen image. You
can then use [4] and [6] to scroll between images, using the same zoom
factor. Pressing [SET] again will unlock the zoom factor and allow you to use
[8], [2], [4] and [6] to move around the currently displayed images. This
function cannot be used while viewing CS group images or movies. Also, CS
group images and movies will not appear when you are scrolling images with
[4] and [6].
1. In the PLAY mode, rotate the zoom controller
towards w (]).
Use [8], [2], [4] and [6] to move the selection
boundary around the image menu.
To view a particular image, use [8], [2], [4], or [6] to
move the selection boundary to the image you want and
then press [SET].
In the case of a movie or a continuous shutter (CS)
file, the first frame of the file will be displayed.
You can scroll forward and back between image menu pages by rotating the
function ring.
A question mark (?) will be displayed for images that cannot be displayed for
some reason.
Zooming an On-screen Image
Displaying the Image Menu
Image area
Current display area
Zoom factor
Boundary
134 Viewing Snapshots and Movies
1. Use the optionally available AV cable (EMC-8A) to connect the camera
to the TV.
For details about connecting to the camera and precautions when connecting,
see page 25.
Make sure that the camera is turned off before plugging in or unplugging the
cable. Check the user documentation that comes with the TV for information
about requirements before plugging into or unplugging from the TV.
2. Turn on the TV and select its video input mode.
If the TV has more than one video input, select the one where the camera is
connected.
3. Turn on the camera and press [p] (PLAY).
This will cause an image to appear on the TV screen, without anything appearing
on the camera’s monitor screen.
You also can change the aspect ratio of the screen and the video output
system (page 204).
4. Now you can display images and play back movies as you normally do.
IMPORTANT!
Audio is initially output by the camera at maximum volume. When you first start
displaying images, set the TV volume control at a relatively low level and then
adjust it as required.
Viewing Snapshots and Movies on a TV Screen
Yellow
AV cable (EMC-8A) Red
VIDEO IN jack (yellow)
AUDIO IN jack (red)
TV
White
AUDIO IN jack (white)
Video Audio
135 Viewing Snapshots and Movies
NOTE
Audio is stereo.
Some TVs may not be able to output images and/or audio correctly.
All icons and indicators that appear on the monitor screen also appear on the TV
screen. You can use [8] (DISP) to change the display contents.
Normally connecting the camera to a TV during recording will cause the camera’s
monitor screen to go blank and display the image picked up by the camera on the
TV screen. If you are using Wide Shot (page 99), the image will be shown on the
monitor screen but not the TV screen. Image recording can be performed in either
case.
Use a commercially available HDMI cable to
connect the camera to the TV. For information
about playback, see the procedure starting
from step 2 under “Viewing Snapshots and
Movies on a TV Screen” on page 134.
Use a commercially available HDMI cable that is marked with the logo shown to the
right.
IMPORTANT!
Output to a TV is not supported while the camera is in the REC mode except for
“HDMI TV Output” (page 103).
Viewing High-quality Movies on a Hi-Vision Television
HDMI connector
HDMI cable
(commercially
available)
HDMI mini connector
HDMI input
HDMI output (Mini)
136 Viewing Snapshots and Movies
NOTE
Use a HDMI cable that with a plug that is compatible with the camera’s HDMI mini
connector on one end, and a plug that is compatible with your TV’s HDMI
connector on the other end.
Proper image and/or audio output and other operations may not be possible with
some devices.
Connecting the camera to the HDMI connector of another device can damage both
the camera and the other device. Never connect two HDMI output connectors to
each other.
Make sure that the camera is turned off before plugging in or unplugging the cable.
Check the user documentation that comes with the TV for information about
requirements before plugging into or unplugging from the TV.
When cables are connected to both the USB/AV port and the HDMI output
connector, the HDMI output connector connection is given priority.
Disconnect the HDMI cable when you are not using HDMI output. The camera’s
monitor screen may not operate normally while the HDMI cable is connected.
Audio is stereo.
Audio is initially output by the camera at maximum volume. When you first start
displaying images, set the TV volume control at a relatively low level and then
adjust it as required.
.Selecting the HDMI Terminal Output Method (HDMI Output)
Procedure
[MENU] *¥ SETTING” Tab * HDMI Output
Use this setting to select the digital signal format when connecting to a TV with an
HDMI cable.
*1080i corresponds to 1080 60i, but not 1080 50i. Because of this, the required
output method may be 576p when outputting to a digital TV in a PAL reception area
that does not support 1080i 60i. If you are in a PAL reception area and nothing is
displayed automatically, change the setting to 576p.
If an image does not appear when “Auto” is selected as the output method, try
changing this setting to something else.
IMPORTANT!
The “HDMI Output” setting cannot be changed as long as there is an HDMI cable
connection between the camera and a TV. Disconnect the HDMI cable from the
camera to change the “HDMI Output” setting.
Auto This setting will cause the format to change automatically in accordance
with the connected TV. Normally, you should use this mode.
1080i 1080i format output*
480p 480p format output
576p 576p format output
137 Other Playback Functions (PLAY MENU)
Other Playback Functions (PLAY MENU)
This section explains menu items that you can use to configure settings and perform
other playback operations.
Procedure
[p] (PLAY) * [MENU] *p PLAY MENU” Tab * Dual Screen Play
See page 169 for details.
Procedure
[p] (PLAY) * [MENU] *p PLAY MENU” Tab * Burn Lines
See page 168 for details.
Procedure
[p] (PLAY) * [MENU] *p PLAY MENU” Tab * Slideshow
For information about menu operations, see page 105.
Displaying Two Movies Side-by-side (Dual Screen Play)
Burning Guidelines into a Previously Recorded Movie
(Burn Lines)
Playing a Slideshow on the Camera (Slideshow)
Start
Starts the slideshow
Images
Specifies the type of images to be included in the slideshow
All images: Snapshots, movies, continuous shutter images
All except Z: All non-continuous shutter (CS) images
T Only: Snapshots only
» Only: Movies only
» Only: Timelapse only
Time
Time from the start to the end of the slideshow
3 minutes, 5 minutes, 10 minutes, 15 minutes, 30 minutes, 60 minutes
138 Other Playback Functions (PLAY MENU)
To stop the slideshow, press [SET] or [MENU]. Pressing [MENU] stops the
slideshow and returns to the menu screen.
Adjust audio volume by pressing [2] and then press [8] or [2] during playback.
All button operations are disabled while the slideshow is transitioning from one
image to another.
The time required for transition from one image to another may be longer in the
case of an image that was not recorded with this camera.
Interval
Amount of time each image remains displayed
Use [8] and [2] to select one of the following settings: 1, 3, 5, 10, 15, 20, or
30 seconds, or “MAX”.
If you specify a value other than “MAX”, movies play from beginning to end.
When the slideshow reaches a movie file while “MAX” is selected, only the first
frame of the movie will be displayed.
Effect
Select the effect you want.
Pattern 1 to 5: Plays background music and applies an image change effect.
Patterns 2 through 4 have different background music, but they all use the
same image change effect.
Pattern 5 can be used for playback of snapshots only (except for those that
are part of a CS group), and the “Interval” setting is ignored.
The currently selected image change effect setting is disabled automatically
in following cases.
When playing a slideshow for which “» Only” or» Only” is selected for
the “Images” setting
When the interval setting is “MAX” or 1 second
Before and after playback of a movie
During CS group playback (Except the Pattern 1 effect)
Off: No image change effect or background music
139 Other Playback Functions (PLAY MENU)
You can replace the built-in slideshow background music with other music from your
computer.
Supported File Types:
PCM format (16-bit, monaural / stereo) WAV files
Sampling Frequencies: 11.025 kHz/22.05 kHz/44.1 kHz
Number of Files: 9
File names: SSBGM001.WAV to SSBGM009.WAV
Create the music files on your computer using the above names.
Regardless of which effect pattern you select, the music files you store in camera
memory are played back in name sequence.
1. Connect the camera to your computer (pages 182, 186).
If you plan to save the music files to the camera’s memory card, make sure the
card is loaded in the camera.
2. Perform one of the following operations to open the memory card or
built-in memory.
This will cause the camera to be recognized by your computer as a Removable
Disk (Drive).
Windows
1Windows 8: Desktop * Explorer
Windows 7, Windows Vista: Start * Computer
Windows XP: Start * My Computer
2Double-click “Removable Disk”.
•Macintosh
1Double-click the camera’s drive icon.
3. Create a folder named “SSBGM”.
4. Double-click the “SSBGM” folder you created and copy the
background music file to it.
See the user documentation that comes with your computer for information
about moving, copying, and deleting files.
If there are background music files both in built-in memory and on the memory
card loaded in the camera, the files on the memory card take priority.
See page 193 for information about camera folders.
5. Disconnect the camera from the computer (pages 183, 186).
Transferring Music from Your Computer to Camera Memory
140 Other Playback Functions (PLAY MENU)
Procedure
[p] (PLAY) * Movie Screen * [MENU] *p PLAY MENU” Tab *
MOTION PRINT
1. Use [4] and [6] to scroll through the movie frames and display the one
you want to use as the image of the MOTION PRINT image.
Holding down [4] or [6] scrolls at high speed.
You can also perform this operation using the function ring.
2. Use [8] and [2] to select “Create” and then press [SET].
Only the frames of movies recorded on this camera can be used in a MOTION
PRINT image.
Procedure
[p] (PLAY) * Movie Screen of Movie to be Edited * [MENU] *
p PLAY MENU” Tab * Movie Editing
The Movie Editing feature lets you use one of the following procedures to edit out a
specific part of a movie.
1. Use [8] and [2] to select the editing method you want to use and then
press [SET].
2. Use the following operations to select the frame
(point) from which or to which you want to cut
the movie (the cut point).
Creating a Snapshot of Movie Frames (MOTION PRINT)
Editing a Movie on the Camera (Movie Editing)
Previous Cut Cuts everything from the beginning of the movie up to the
current location.
Intermediate Cut Cuts everything between two points.
Next Cut Cuts everything from the current location to the end of the
movie.
[4] [6]
During playback, changes the playback
direction and playback speed. While
playback is paused, scrolls forward or back.
You can also perform this operation using
the function ring.
[SET] Toggles between pause and play.
Cut range (blue)
141 Other Playback Functions (PLAY MENU)
3. Press [2] to display the editing menu and specify one or two cut
points.
4. Use [8] and [2] to select “Yes” and then press [SET].
The selected cut operation will take considerable time to complete. Don’t try to
perform any camera operation until the “Busy... Please wait...” message
disappears from the monitor screen. Note that a cut operation can take a long
time if the movie being edited is long.
IMPORTANT!
When you edit a movie, only the result is saved. The original movie is not retained.
An editing operation cannot be undone.
NOTE
A movie that is shorter than five seconds cannot be edited.
Editing of movies recorded with a different type of camera is not supported.
You will not be able to edit a movie if the amount of remaining memory capacity is
less than the size of the movie file you want to edit. If there is not enough memory
available, delete files you no longer need to free up more.
You also can start a movie editing operation while the movie you want to edit is
playing back. When playback reaches a frame where you want a cut point to be,
press [SET] to pause playback. Next, press [2] to display the menu of editing
options. Perform editing using the same procedures as described above.
Previous Cut While the frame you want the cut to be up to is
displayed, press [2].
Intermediate Cut
1While the frame you want the first (From) cut to be is
displayed, press [2].
2Select another frame.
3While the frame you want the second (To) cut to be
is displayed, press [2].
Next Cut While the frame you want the cut to be from is
displayed, press [2].
142 Other Playback Functions (PLAY MENU)
Procedure
[p] (PLAY) * Display one of the movies you want to merge. *
[MENU] *p PLAY MENU” Tab * Movie Merge
This procedure combines two movies. The play times of each movie must be less
than 10 minutes, and the two movies must be of the same quality and frame rate.
Note that merging of two High Speed Movies is not supported.
1. Use [4] and [6] to select the movie you want to merge with the one
that was displayed when you pressed [MENU].
Only movies that can be merged with (that are the same quality and frame rate
as) the movie displayed when you pressed [MENU] will be displayed.
2. Use [8] and [2] to select “Create” and then press [SET].
This will create a new movie that is a combination of movie that was displayed
when you pressed [MENU] and the movie you selected in step 1, above.
The original two movies are not affected.
NOTE
In the case of FHD or HD quality movies, some movies may not be able to be
merged because of differences in frame rates due to the recording mode, or the
ART SHOT or Time Lapse scene used.
A movie shot with another camera model cannot be merged with this function.
The original movies are not affected when merged. Make sure the memory card
you are using has sufficient unused space before using this function.
Depending on the movies, the merge operation may take some time to complete.
To merge two movies (Movie Merge)
143 Other Playback Functions (PLAY MENU)
Procedure
[p] (PLAY) * Snapshot Screen * [MENU] *
p PLAY MENU” Tab * Lighting
You can use this setting to adjust the balance between bright areas and dark areas in
existing images in the range of 0 (no optimization) to +2 (bright).
NOTE
Correcting the lighting when shooting produces better results (page 117).
Altering the lighting of an image causes the original image and the new (altered)
version to be stored as separate files.
When you display an altered image on the camera’s monitor screen, the date and
time indicates when the image was originally recorded, not when the image was
altered.
Procedure
[p] (PLAY) * Snapshot Screen * [MENU] *
p PLAY MENU” Tab * White Balance
You can use the white balance setting to select a light source type for a recorded
image, which will affect the colors of the image.
NOTE
You also can adjust the white balance when recording images (page 47).
The original snapshot is retained in memory and not deleted.
When you display an altered image on the camera’s monitor screen, the date and
time indicates when the image was originally recorded, not when the image was
altered.
Optimizing Image Brightness (Lighting)
Adjusting White Balance (White Balance)
Daylight Outdoors, fair weather
Overcast Outdoors, cloudy to rain, in tree shade, etc.
Shade Very high temperature light, such as building shade, etc.
Day White
Fluor
White or day white fluorescent lighting, without suppressing
color cast
Daylight Fluor Daylight fluorescent lighting, while suppressing color cast
Tungsten Suppressing of the appearance of light bulb lighting
Cancel No white balance adjustment
¤
'
«
144 Other Playback Functions (PLAY MENU)
Procedure
[p] (PLAY) * Snapshot Screen * [MENU] *
p PLAY MENU” Tab * Brightness
You can select one of five brightness levels, from +2 (brightest) to –2 (least bright).
NOTE
The original snapshot is retained in memory and not deleted.
When you display an altered image on the camera’s monitor screen, the date and
time indicates when the image was originally recorded, not when the image was
altered.
Procedure
[p] (PLAY) * Snapshot Screen * [MENU] *
p PLAY MENU” Tab * DPOF Printing
See page 175 for details.
Procedure
[p] (PLAY) * [MENU] *p PLAY MENU” Tab * Protect
Adjusting the Brightness of an Existing Snapshot
(Brightness)
Selecting Images for Printing (DPOF Printing)
Protecting a File Against Deletion (Protect)
Select File
Protects specific files.
1Use [4] and [6] to select the image that
you want to protect.
To view a particular image, rotate the
zoom controller.
2Press [SET].
An image that is protected is indicated by
the icon.
3To protect other files, repeat steps 1 and 2.
To exit the protect operation, press [MENU]. To unprotect a file, select
an protected image and then press [SET].
All Files
Protects all files.
1Use [8] and [2] to select “All Files: On” and then press [SET].
2Press [MENU].
To unprotect all files, select “All Files: Off” instead of “All Files: On” in
step 1 above.
145 Other Playback Functions (PLAY MENU)
IMPORTANT!
Note that even if a file is protected, it will be deleted if you perform the format
operation (page 205).
.To protect a specific image in a CS group
1. While CS image playback is in progress or paused, press [2].
This will display the “CS Frame Edit” menu.
2. Use [8] and [2] to select “Protect” and then press [SET].
3. Use [8] and [2] to select “Select Frames”, and then press [SET].
4. Use [4] and [6] to select the image that you want to protect, and then
press [SET].
This will protect the image and display the icon.
To view a particular image, rotate the zoom controller.
To unprotect a file, select an protected image and then press [SET].
5. After you are finished, press [MENU] to exit this operation.
IMPORTANT!
Note that even if a file is protected, it will be deleted if you perform the format
operation (page 205).
.To protect all the images in a CS group
1. While CS image playback is in progress or paused, press [2].
2. Use [8] and [2] to select “Protect” and then press [SET].
3. Use [8] and [2] to select “Frame all”, and then press [SET].
4. Use [8] and [2] to select “All Frames On” and then press [SET].
This will protect all the images in the group and display the icon.
To unprotect all of the images in the group, select “All Frames Off” in step 4
and then press [SET].
IMPORTANT!
Note that even if a file is protected, it will be deleted if you perform the format
operation (page 205).
146 Other Playback Functions (PLAY MENU)
Procedure
[p] (PLAY) * Snapshot Screen * [MENU] *
p PLAY MENU” Tab * Date/Time
When the date and time settings are what you want, align the cursor with “Apply” and
then press [SET] to apply them.
To switch between 12-hour and 24-hour timekeeping, move the cursor to “am (pm)”
and “24h” (one of which will be displayed) and then use [8] and [2] to change the
setting.
NOTE
The date and time stamped into an image using the Time Stamp (page 197) cannot
be edited.
You cannot edit the date and time of an image that is protected.
You can input any date from 1980 to 2049.
Procedure
[p] (PLAY) * Snapshot or Movie Screen * [MENU] *
p PLAY MENU” Tab * Rotation
1. Use [8] and [2] to select “Rotation and then press [SET].
Each press of [SET] will rotate the displayed image 90 degrees left.
2. When the displayed image is at the orientation you want, press
[MENU].
NOTE
Rotating a CS image causes all of the images in the CS group to be rotated. You
cannot rotate individual component image in a CS group.
Rotation of a panorama image is not supported.
Note that this procedure does not actually change the image data. It simply alters
how the image is displayed on the camera’s monitor screen.
An image that has been protected or zoomed cannot be rotated.
The original (unrotated) version of the image will be displayed on the image menu
screen.
Editing the Date and Time of an Image (Date/Time)
[8] [2]Changes the setting at the cursor location.
[4] [6]Moves the cursor between settings.
Rotating an Image (Rotation)
147 Other Playback Functions (PLAY MENU)
Procedure
[p] (PLAY) * Snapshot Screen * [MENU] *
p PLAY MENU” Tab * Resize
You can reduce the size of a snapshot and save the result as a separate snapshot.
The original snapshot is also retained. You can resize an image to one of three sizes:
10M, 3M, VGA.
Resizing a 3:2 or 16:9 size snapshot will create an image with an aspect ratio of
4:3, with both sides cut off.
The recording date of the resized version of the snapshot will be the same as the
recording date of the original snapshot.
Procedure
[p] (PLAY) * Snapshot Screen * [MENU] *
p PLAY MENU” Tab * Trimming
You can crop a snapshot to trim parts you do not need, and
save the result in a separate file. The original snapshot is
also retained.
Use the zoom controller to zoom the image to the size you
want, use [8], [2], [4], and [6] to display the portion of
the image you want to cut out, and then press [SET].
You also can use the function ring to change the display
position.
The image produced by cropping a 3:2 or 16:9 image will
have an aspect ratio of 4:3.
The recording date of the cropped image will be the
same as the recording date of the original snapshot.
Resizing a Snapshot (Resize)
Cropping a Snapshot (Trimming)
Represents
snapshot area
Part of snapshot that is
currently displayed
Zoom factor
148 Other Playback Functions (PLAY MENU)
Procedure
[p] (PLAY) * Snapshot or Movie Screen * [MENU] *
p PLAY MENU” Tab * Copy
Files can be copied from the camera’s built-in memory to a memory card or from a
memory card to built-in memory.
NOTE
You can copy snapshots or movies you recorded with this camera.
Procedure
[p] (PLAY) * [MENU] *p PLAY MENU” Tab * Divide Group
See page 131 for details.
Copying Files (Copy)
Built-in *
Card
Copies all files from built-in camera memory to a memory card.
This option copies all the files in built-in camera memory. It cannot be
used to copy a single file.
Card *
Built-in
Copies a single file on the memory card to camera built-in camera
memory. Files are copied to the folder in built-in memory whose
name has the largest serial number.
You cannot copy a continuous shutter (CS) group image (page
132).
1Use [4] and [6] to select the file you want to copy.
2Use [8] and [2] to select “Copy” and then press [SET].
Dividing Up a Continuous Shutter Group (Divide Group)
149 Other Playback Functions (PLAY MENU)
Procedure
[p] (PLAY) * Display CS group. * [MENU] *
p PLAY MENU” Tab * CS Multi Print
1. Use [8] and [2] to select “Create”.
You can use [4] and [6] to select a different CS group, if you want.
2. Press [SET].
This converts the CS group to a 16M (4608x3456) image with up to 30 CS
frames (5 vertical x 6 horizontal).
This camera may not be able to correctly convert a CS group image with
another camera.
The recording date of the converted image will be the same as the recording
date of the original CS group.
When converting a CS group whose images have been rotated by the
“Rotation” feature to a CS Multi Print image, the arrangement of the images in
the CS Multi Print will be different from that of normal (unrotated) CS images.
Procedure
[p] (PLAY) * [MENU] *p PLAY MENU” Tab * CS Frame Edit
See the following pages for details.
DPOF Printing: page 175
Protect: page 144
Copy: page 132
Delete: page 129
Combining CS Images into a Single Still Image
(CS Multi Print)
Editing a CS Image (CS Frame Edit)
150 Using the Camera to Record and Analyze a Golf Swing
Using the Camera to Record and Analyze a
Golf Swing
This guide explains how to use the BEST SHOT golf swing scenes to record a golf
swing and then analyze its movements.
From the behind From the front
Moment of Impact Two-swing comparison
B
151 Using the Camera to Record and Analyze a Golf Swing
Your camera includes a variety of recording features that make it easy to check your
golf swing and moment of impact. The BEST SHOT scenes available for golf swing
recording are listed below. Select the one that suits the kind of analysis you want to
perform.
Slow motion behind (outdoors)
Slow motion front (outdoors)
Slow motion behind (indoors)
Slow motion front (indoors)
Slow motion impact
Swing Burst
IMPORTANT!
Before shooting, carefully check the surrounding area to ensure that there is no
danger or anyone or anything being hit by the golf club or ball.
You can use an AV cable to connect the camera to a TV and view the image on the
TV screen as you record. Real-time monitoring of the recorded image using an
HDMI cable connection is not supported.
Use the procedures in this section to record a High Speed Movie of a person’s golf
swing from behind. You can also use the Handsfree Mode to trigger recording from a
distance with the movement of your golf club, and you can use the self-timer to set up
for automatic five-second recording after a preset amount of time.
NOTE
The only focus mode available when shooting with Slow Motion Swing (Behind) is
Pan Focus.
1. In the BEST SHOT Mode, select “Slow motion behind (outdoors)” or
“Slow motion behind (indoors)” (page 83).
Select either of the scenes in accordance with shooting conditions.
2. Configure the camera settings below.
“Lefty” (page 162): “Off” when shooting a right-handed golfer, “On” when
shooting a left-handed golfer.
“Shooting Info” “Grid” setting (page 123): On
3. Press [SET].
4. Use [8] and [2] to select the (Movie Quality) Control Panel option
and then press [SET].
Recording a Swing and Moment of Impact
Recording in Slow Motion from Behind
(Slow motion behind (outdoors/indoors))
152 Using the Camera to Record and Analyze a Golf Swing
5. Use [8] and [2] to select the movie quality setting you want and then
press [SET].
6. Perform the operation required for the type of image you want to shoot.
To self-shoot from behind with the Handsfree Mode (page 152).
To self-shoot from behind with the self-timer (page 153).
To shoot from behind with normal movie recording (page 154).
.To self-shoot from behind with the Handsfree Mode
1. Tilt the camera’s monitor screen
upwards 180 degrees.
This will cause the (REC standby icon) to
appear on the monitor screen, which
indicates the Handsfree Mode.
If the camera does not enter the
Handsfree Mode at this time, change its
“Handsfree” setting to “Always” or “180º
only”.
Note that the camera also will not enter
the Handsfree Mode if the self-timer is
operating. Make sure the self-timer setting is “Off” when you want to use the
Handsfree Mode.
You can specify the amount of time that should elapse before recording starts
after the camera detects movement. See page 65 for information about how to
change the setting.
2. Get the golfer’s body aligned with the guide
that appears on the camera monitor screen.
You can ask someone to assist you to make the
above adjustments. If you are alone, set up the
camera the best you can according to the above
general guidelines.
3. Press [0] (Movie).
This will cause the (REC standby) icon to change to the (start self-timer)
icon, and put the camera into movie standby.
Movie
Quality
REC Screen
Icon Display Frame Rate Image Size (Pixels)
HS120 120fps 640 x 480
HS240 240fps 512 x 384
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153 Using the Camera to Record and Analyze a Golf Swing
4. Move a golf club or something else near the (start self-timer) icon.
When the camera detects subject movement near the icon, it will automatically
start a countdown from the Handsfree timer start time. The camera will start
shooting the movie when the countdown reaches zero. After five seconds,
recording will stop automatically and the (preview) icon will appear on the
monitor screen.
Camera response to movement may become poor when the background is
close to the same color as the subject (your golf club), or when the subject is
too far away from the camera.
The camera will focus the image automatically before shooting starts, but the
focus setting will remain fixed while recording is in progress.
To stop movie recording part way through, press [0] (Movie) again.
5. To view the movie you just shot, move your hand in the vicinity of the
(preview) icon.
When the camera detects your movement, it will play back the movie in real
time. Use this feature when you want to check your swing immediately after
recording it.
.To self-shoot from behind with the self-timer
1. Press [SET].
2. Use [8] and [2] to select the (Self-timer) Control Panel option, and
then press [SET].
3. Use [8] and [2] to select (10 seconds) or (2 seconds) and then
press [SET].
4. Get the golfer’s body aligned with the guide
that appears on the camera monitor screen.
You can ask someone to assist you to make the
above adjustments. If you are alone, set up the
camera the best you can according to the above
general guidelines.
You can tilt the monitor screen 180 degrees so it
faces in the same direction as the lens for easier composition of self-portraits.
5. Press [0] (Movie).
This will start a countdown of the duration you selected in step 3, above. The
camera will start shooting the movie when the countdown reaches zero.
Recording will stop automatically after five seconds.
The front lamp flashes while the Self-timer countdown is in progress.
You can interrupt an ongoing self-timer countdown by pressing [SET].
The camera will focus the image automatically before shooting starts, but the
focus setting will remain fixed while recording is in progress.
To stop movie recording part way through, press [0] (Movie) again.
C
154 Using the Camera to Record and Analyze a Golf Swing
.To shoot from behind with normal movie recording
1. Get the golfer's body aligned with the guide
that appears on the camera monitor screen.
2. Press [0] (Movie).
This starts movie recording.
The camera will focus the image automatically
before shooting starts, but the focus setting will
remain fixed while recording is in progress.
3. Press [0] (Movie) again to stop recording.
155 Using the Camera to Record and Analyze a Golf Swing
Use the procedures in this section to record a High Speed Movie of a person’s golf
swing from the front (face on). You can also use the Handsfree Mode to trigger
recording from a distance with the movement of your golf club, and you can use the
self-timer to set up for automatic five-second recording after a preset amount of time.
NOTE
The only focus mode available when shooting with Slow Motion Swing (Front) is
Pan Focus.
1. In the BEST SHOT Mode, select “Slow motion front (outdoors)” or
“Slow motion front (indoors)” (page 83).
Select either of the scenes in accordance with shooting conditions.
2. Configure the camera settings below.
“Lefty” (page 162): “Off” when shooting a right-handed golfer, “On” when
shooting a left-handed golfer.
“Shooting Info” “Grid” setting (page 123): On
3. Press [SET].
4. Use [8] and [2] to select the (Movie Quality) Control Panel option
and then press [SET].
5. Use [8] and [2] to select the movie quality setting you want and then
press [SET].
6. Perform the operation required for the type of image you want to shoot.
To self-shoot from the front with the Handsfree Mode (page 156).
To self-shoot from the front with the self-timer (page 157).
To shoot from the front with normal movie recording (page 157).
Recording in Slow Motion from the Front
(Slow motion front (outdoors/indoors))
Movie
Quality
REC Screen
Icon Display Frame Rate Image Size (Pixels)
HS120 120fps 640 x 480
HS240 240fps 512 x 384
156 Using the Camera to Record and Analyze a Golf Swing
.To self-shoot from the front with the Handsfree Mode
1. Tilt the camera’s monitor screen
upwards 180 degrees.
This will cause the (REC standby icon) to
appear on the monitor screen, which
indicates the Handsfree Mode.
If the camera does not enter the
Handsfree Mode at this time, change its
“Handsfree” setting to “Always” or “180º
only”.
Note that the camera also will not enter
the Handsfree Mode if the self-timer is
operating. Make sure the self-timer setting is “Off” when you want to use the
Handsfree Mode.
You can specify the amount of time that should elapse before recording starts
after the camera detects movement. See page 65 for information about how to
change the setting.
2. Get the golfer’s body aligned with the guide
that appears on the camera monitor screen.
You can ask someone to assist you to make the
above adjustments. If you are alone, set up the
camera the best you can according to the above
general guidelines.
3. Press [0] (Movie).
This will cause the (REC standby) icon to change to the (start self-timer)
icon, and put the camera into movie standby.
4. Move a golf club or something else near the (start self-timer) icon.
When the camera detects subject movement near the icon, it will automatically
start a countdown from the Handsfree timer start time. The camera will start
shooting the movie when the countdown reaches zero. After five seconds,
recording will stop automatically and the (preview) icon will appear on the
monitor screen.
Camera response to movement may become poor when the background is
close to the same color as the subject (your golf club), or when the subject is
too far away from the camera.
The camera will focus the image automatically before shooting starts, but the
focus setting will remain fixed while recording is in progress.
To stop movie recording part way through, press [0] (Movie) again.
5. To view the movie you just shot, move your hand in the vicinity of the
(preview) icon.
When the camera detects your movement, it will play back the movie in real
time. Use this feature when you want to check your swing immediately after
recording it.
C
157 Using the Camera to Record and Analyze a Golf Swing
.To self-shoot from the front with the self-timer
1. Press [SET].
2. Use [8] and [2] to select the (Self-timer) Control Panel option, and
then press [SET].
3. Use [8] and [2] to select (10 seconds) or (2 seconds) and then
press [SET].
4. Get the golfer’s body aligned with the guide
that appears on the camera monitor screen.
You can ask someone to assist you to make the
above adjustments. If you are alone, set up the
camera the best you can according to the above
general guidelines.
You can tilt the monitor screen 180 degrees so it
faces in the same direction as the lens for easier
composition of self-portraits.
5. Press [0] (Movie).
This will start a countdown of the duration you selected in step 3, above. The
camera will start shooting the movie when the countdown reaches zero.
Recording will stop automatically after five seconds.
The front lamp flashes while the Self-timer countdown is in progress.
You can interrupt an ongoing self-timer countdown by pressing [SET].
The camera will focus the image automatically before shooting starts, but the
focus setting will remain fixed while recording is in progress.
To stop movie recording part way through, press [0] (Movie) again.
.To self-shoot from the front with normal movie recording
1. Get the golfer’s body aligned with the guide
that appears on the camera monitor screen.
2. Press [0] (Movie).
This starts movie recording.
The camera will focus the image automatically
before shooting starts, but the focus setting will
remain fixed while recording is in progress.
3. Press [0] (Movie) again to stop recording.
C
158 Using the Camera to Record and Analyze a Golf Swing
Use the procedure below to record a slow motion movie of the moment that the golf
club head impacts the ball. When you record with this BEST SHOT scene, the
camera automatically trims the beginning and end.
NOTE
The following camera settings are fixed when you shoot with this function:
Movie Quality: HS1000, Focus Mode: Pan focus.
1. In the BEST SHOT mode, select “Slow motion impact” (page 83).
2. Configure the camera settings below.
“Lefty” (page 162): “Off” when shooting a right-handed golfer, “On” when
shooting a left-handed golfer.
Selecting the “Lefty” setting that does not match the golfer you are shooting will
result in incorrect trimming of the movie.
“Shooting Info” “Grid” setting (page 123): On
3. Perform the operation required for the type of image you want to shoot.
“Self-shooting with the Handsfree Mode” (page 158).
“Self-shooting with the Self-timer” (page 159).
“To shoot normally” (page 160)
.To record the moment of impact with the Handsfree Mode
1. Tilt the camera’s monitor screen
upwards 180 degrees.
This will cause the (REC standby
icon) to appear on the monitor screen,
which indicates the Handsfree Mode.
If the camera does not enter the
Handsfree Mode at this time, change
its “Handsfree” setting to “Always” or
“180° only”.
Note that the camera also will not
enter the Handsfree Mode if the self-
timer is operating. Make sure the self-timer setting is “Off” when you want to
use the Handsfree Mode.
You can specify the amount of time that should elapse before recording starts
after the camera detects movement. See page 65 for information about how to
change the setting.
Recording the Moment of Impact in Slow Motion
(Slow motion impact)
159 Using the Camera to Record and Analyze a Golf Swing
2. Get the ball aligned with the guide that appears
on the camera monitor screen.
3. Press [0] (Movie).
This will cause the (REC standby) icon to change
to the (start self-timer) icon, and put the camera
into movie standby.
4. Move a golf club or something else near the start self-timer icon .
When the camera detects subject movement near the icon, it will automatically
start a countdown from the Handsfree timer start time. The camera will start
shooting the movie when the countdown reaches zero. After five seconds,
recording will stop automatically and the (preview) icon will appear on the
monitor screen.
After shooting is complete, the message “Busy... Please wait...” will appear on
the monitor screen. Wait until this message disappears.
Camera response to movement may become poor when the background is
close to the same color as the subject (your golf club), or when the subject is
too far away from the camera.
The camera will focus the image automatically before shooting starts, but the
focus setting will remain fixed while recording is in progress.
To stop movie recording part way through, press [0] (Movie) again.
5. To view the movie you just shot, move your hand in the vicinity of the
(preview) icon.
When the camera detects your movement, it will play back the movie. Use this
feature when you want to check your swing immediately after recording it.
.To shoot the moment of impact with the self-timer
1. Press [SET].
2. Use [8] and [2] to select the (Self-timer) Control Panel option, and
then press [SET].
3. Use [8] and [2] to select (10 seconds) or (2 seconds) and then
press [SET].
4. Get the ball aligned with the guide that appears
on the camera monitor screen.
You can tilt the monitor screen 180 degrees so it
faces in the same direction as the lens for easier
composition of self-portraits.
C
160 Using the Camera to Record and Analyze a Golf Swing
5. Press [0] (Movie).
This will start a countdown of the duration you selected in step 3, above. The
camera will start shooting a movie when the countdown reaches zero. Recording
will stop automatically after five seconds.
After shooting is complete, the message “Busy... Please wait...” will appear on
the monitor screen. Wait until this message disappears.
The front lamp flashes while the Self-timer countdown is in progress.
You can interrupt an ongoing self-timer countdown by pressing [SET].
The camera will focus the image automatically before shooting starts, but the
focus setting will remain fixed while recording is in progress.
To stop movie recording part way through, press [0] (Movie) again.
.To shoot normally
1. Get the ball aligned with the guide that appears
on the camera monitor screen.
2. Press [0] (Movie).
This starts movie recording.
The camera will focus the image automatically
before shooting starts, but the focus setting will
remain fixed while recording is in progress.
3. Press [0] (Movie) again to stop recording.
After shooting is complete, the message “Busy... Please wait...” will appear on
the monitor screen. Wait until this message disappears.
161 Using the Camera to Record and Analyze a Golf Swing
This BEST SHOT scene makes it easy to record a golf swing with High Speed CS.
Half-pressing and holding the shutter button causes a pre-record buffer to be
continually updated with images. When the shutter button is fully pressed, buffer
contents are recorded along with a series of real-time images (Prerecord (Still
Image)). Use this BEST SHOT scene when you want to make sure you do not miss
any part of fast-moving action. The initial default setting is for five pre-recorded
images, which helps to eliminate troublesome settings.
*Up to 30 images (pre-recorded buffer images plus real-time images) for each
operation.
1. In the BEST SHOT Mode, select “Swing Burst” (page 83).
The following are the initial default Prerecord CS settings used for Swing Burst.
You can use the Control Panel to change the above settings, if you want.
When you select “Swing Burst” with the BEST SHOT scene menu the High
Speed CS, Maximum CS Shots, and Prerecord CS Shots settings (which you
can configure using the Control Panel) are automatically set to the initial default
settings shown above.
2. Half-press the shutter button.
This will start updating of the pre-record buffer with images. Buffer contents are
continually updated until you full-press the shutter button.
If you release the half-pressed shutter button before pressing it the rest of the
way down, all of the images currently in the pre-record buffer will be deleted.
The camera will not emit shutter sounds as it pre-records images.
3. Press the shutter button the rest of the way and hold it down.
This will save the pre-recorded images and start shooting new images in real-
time. Images continue to be shot as long as you keep the shutter button
depressed or until the maximum number of images is reached.
Recording a Golf Swing with High Speed CS (Swing Burst)
High Speed CS Maximum CS Shots Prerecord CS Shots
10 fps 30 images 5 images
Shutter button half-press
Recorded images (up to 30 images)
Continuous recording of images until shutter
button is released*
Shutter button releaseShutter button full-press
Pre-recorded images
162 Using the Camera to Record and Analyze a Golf Swing
NOTE
Pre-recording of images is not performed if you full-press the shutter button without
half-pressing first. Whenever possible, be sure to half-press the shutter button and
wait for a while before full-pressing.
Use the procedure below to change the guidelines that are displayed when recording
a swing with a BEST SHOT golf scene, or when displaying guidelines in a movies of a
left-handed golfer.
1. In the REC mode, press [MENU].
2. Press [4], use [8] and [2] to select the “r REC MENU” tab, and then
press [6].
3. Use [8] and [2] to select “Lefty”, and then press [6].
4. Use [8] and [2] to select “On” and then press [SET].
NOTE
When you record a movie with “Slow motion impact” (page 158), the camera
automatically trims the beginning and end of the movie. Make sure that the “Lefty”
setting is correct for the golfer you are recording. If the wrong setting is selected,
the movie will not be trimmed correctly.
Changing to Left-handed Golfer Guidelines (Lefty)
On Left-handed guidelines selected.
Off Right-handed guidelines selected.
163 Using the Camera to Record and Analyze a Golf Swing
Your camera can be used in various ways to analyze a golf swing and moment of
impact.
Lines displayed in a movie image shot from behind the golfer can be used to analyze
the swing.
1. Press [p] (PLAY), and then use [4] and [6] to display the movie of
the back-shot swing you want to analyze.
2. Press [SET] to start playback. When playback reaches the image of the
golfer addressing the ball, press [SET] again to pause playback.
While playback is in progress, you can also use [4] (fast reverse) and [6] (fast
forward) to navigate the scene you want.
Pressing [0] (Movie) while playback is in progress toggles the playback speed
between slow motion and normal speed.
3. Press [8] (DISP) to display diagonal lines.
This displays angle of inclination values to
appear on the monitor screen.
4. Press [RING].
5. Use [8], [2], [4], and [6] to align the
reference point (the point where the red line
and the blue line intersect) with the ball.
Next, rotate the control dial to change the
angle of the red line so it is aligned with the
golfer’s hips.
You can also change the angle of the red line by
rotating the function ring.
Changing the angle of the red line will cause the
displayed angle of inclination (yellow part) and
the red angle value in the upper left corner to
change accordingly.
6. Press [SET].
Analyzing a Swing and Moment of Impact
To analyze a swing shot from behind
R (red) : Angle formed at the intersection of
the red line and horizontal.
B (blue) : Angle formed at the intersection of
the red line and blue line.
G (green) : Angle formed by the intersection of
the green line and vertical.
Red line Reference
point
164 Using the Camera to Record and Analyze a Golf Swing
7. Rotate the control dial to change the angle of
the blue line so it is aligned with the golfer’s
shoulder, and then press [SET].
You can also change the angle of the blue line by
rotating the function ring.
Changing the angle of the blue line will cause the
displayed angle of inclination (yellow part) and
the blue angle value in the upper left corner to
change accordingly.
8. Use [8], [2], [4], and [6] to align the
reference point (the point where the red line
and the green line intersect) with the golfer’s
hip. Next, rotate the control dial to change
the angle of the green line so it runs from the
hip to the shoulder.
You can also change the angle of the green line
by rotating the function ring.
Changing the angle of the green line will cause
the displayed angle of inclination (yellow part)
and the green angle value in the upper left
corner to change accordingly.
9. Press [RING].
This starts playback. Use the lines to check the golfer’s swing plane.
You can create a new movie file with the guidelines built into the moment of
impact movie by pressing [SET] during movie playback to pause it, and then
pressing [0] (Movie).
Blue line Reference
point
Green line Reference
point
165 Using the Camera to Record and Analyze a Golf Swing
Lines displayed in a movie image shot from the front of the golfer can be used to
analyze the swing.
1. Press [p] (PLAY) and then use [4] and [6] to display the movie of the
front-shot swing you want to analyze.
2. Press [SET] to start playback. When playback reaches the image of the
golfer addressing the ball, press [SET] again to pause playback.
While playback is in progress, you can also use [4] (fast reverse) and [6] (fast
forward) to navigate the scene you want.
Pressing [0] (Movie) while playback is in progress toggles the playback speed
between slow motion and normal speed.
3. Press [8] (DISP) to display parallel lines.
4. Press [RING].
5. Use [8], [2], [4], and [6] to move
the intersection of the blue (right
vertical) and red (top horizontal)
lines so the blue line is just outside
the left foot of the golfer and the red
line is aligned with the top of the
golfer’s head.
You can also use the control dial to
move up and down and the function
ring to move left and right.
6. Press [SET].
7. Use [8], [2], [4], and [6] to move
the intersection of the blue (left
vertical) and red (bottom
horizontal) lines so the blue line is
just outside the left foot of the
golfer and the red line is aligned
with the ball.
You can also use the control dial to
move up and down and the function
ring to move left and right.
To analyze a swing shot from the front
Red line
Intersection
Blue line
Red line
Intersection
Blue line
B
166 Using the Camera to Record and Analyze a Golf Swing
8. Press [RING].
This will start movie playback during which you can view the arc of the club head
and check for any vertical or horizontal movement.
You can create a new movie file with the guidelines built into the moment of
impact movie by pressing [SET] during movie playback to pause it, and then
pressing [0] (Movie).
You can use the procedure below to insert guidelines into a movie you recorded with
“Slow motion impact”, and analyze the moment club to ball impact.
1. Press [p] (PLAY), and then use [4] and [6] to select the movie that
shows the moment of impact.
2. Press [SET] to start playback, and then press [SET] again to pause
playback.
3. Press [8] (DISP) to enter the impact display
mode.
This displays angle of inclination values to appear
on the monitor screen.
4. Press [RING].
5. Use [8], [2], [4], and [6] to align the
reference point on the red line with the center
of the ball. Next, rotate the control dial to align
the red line with the flight path of the center of
the ball.
You can also change the angle of the red line by
rotating the function ring.
Changing the angle of the red line will cause the
displayed angle of inclination (yellow part) and the
red angle value to change accordingly.
6. Press [SET].
To analyze the Moment of Impact
R (red) : Angle formed at the intersection of
the red line and horizontal.
G (green) : Angle formed by the intersection of
the green line and horizontal.
Reference point
167 Using the Camera to Record and Analyze a Golf Swing
7. Use [8], [2], [4], and [6] to align the
reference point on the green line with the
center of the ball. Next, rotate the control dial
to align the green line with the path of the golf
club.
Adjust the green line with the path of one point on
the head.
You can also change the angle of the green line by
rotating the function ring.
Changing the angle of the green line will cause the displayed angle of
inclination (yellow part) and the green angle value to change accordingly.
8. Press [RING].
This starts playback so you can check the path of the club head during impact.
You can create a new movie file with the guidelines built into the moment of
impact movie by pressing [SET] during movie playback to pause it, and then
pressing [0] (Movie).
IMPORTANT!
When you display lines in a movie recorded with this camera, positions of the lines
will be recorded in the movie data. This means that any time you play back the
movie, you can toggle display of the guide show and hide by pressing [8] (DISP).
You can also press [RING] and reposition the lines, if you want.
Reference point
168 Using the Camera to Record and Analyze a Golf Swing
Use the procedure below to burn guidelines into a previously recorded movie and
save the result as a new movie file. The original movie is unaffected by this operation.
After you burn guidelines into a movie, they will appear whenever the movie is played
back on the camera, including Dual Screen Play, or on a computer.
1. In the PLAY mode, press [MENU].
2. Press [4], use [8] and [2] to select the “p PLAY MENU” tab, and
then press [6].
3. Use [8] and [2] to select “Burn Lines”, and then press [6].
4. Use [8] and [2] to select the type of lines you want burn and then
press [SET].
This will burn the lines into the movie and save the result as a new movie.
Line burning takes some time to complete. Wait until the message “Busy...
Please wait...” disappears from the monitor screen.
Pressing [MENU] while the message is displayed will stop the line burning
operation.
NOTE
This function can be used to burn guidelines into a high-speed movie with a
playback time of at least 10 minutes or less.
You cannot use this operation to adjust the positions of any of the lines. See pages
163, 165 and 166 for information about adjusting the positions of the guidelines.
You can burn guidelines into a movie even if movie playback is paused. After
pausing movie playback, use [8] to display the type of lines you want to burn, and
then press [0] (Movie).
This operation does not burn the angle values that appear during golf swing
analysis movie playback into the movie.
Burning Guidelines into a Previously Recorded Movie
(Burn Lines)
169 Using the Camera to Record and Analyze a Golf Swing
You can use Dual Screen Play to play back
movies of two different screens side-by-
side for comparison. Data played back
Dual Screen Play is stored on the camera’s
memory card, so you can easily play it
back again. Up to 40 sets of Dual Screen
Play data can be in memory at one time.
1. In the PLAY mode, press [MENU].
This will display the menu screen.
2. Press [4], use [8] and [2] to select the “p PLAY MENU” tab, and
then press [6].
3. Use [8] and [2] to select “Dual Screen Play” and the press [SET].
This displays the Dual Screen Play List.
4. Use [8] and [2] to select a “No data” pair and then press [0] (Movie).
Selecting existing Dual Screen Play data and pressing [SET] will start playback
of the two videos in the data.
Or you want to change the sync point of existing Dual Screen Play data, press
[RING].
The names of the data on Dual Screen Play List show the date the Dual
Screen Play data was created.
Displaying Two Movies Side-by-Side (Dual Screen Play)
Earlier recorded
movie
Later recorded
movie
Previously created data
When you play a pair of videos with Dual
Screen Play, their data is added to the Dual
Screen Play List.
170 Using the Camera to Record and Analyze a Golf Swing
5. On the image menu that appears, specify the
two movies you want to use for Dual Screen
Play.
After you select one movie, the only movies you will be able to select for the
second movie will be those that are the same image quality of the first movie.
To change the view from the image menu to the currently selected image only,
rotate the zoom controller.
When a single image is displayed, shooting setup information and the
recording date also are shown on the monitor screen.
If you selected previously created data on the Dual Screen Play List in step 4,
each of the images of the movies selected for that data will have a check mark
in the lower left hand corner. To delete data from the Dual Screen Play List,
move the blue boundary to each of the currently selected movies and then
press [SET] (to clear the check mark in the lower left corner). Next, press
[MENU].
6. Press [MENU].
This displays the earlier recorded of the two movies you selected in step 5.
7. Use [4] and [6] to display the moment of
impact or other moment that you want to
sync with the other movie (sync point).
Pressing [SET] toggles the movie between play
and pause.
8. Press [2].
This saves the sync point of the first movie and then displays the second movie.
[8], [2], [4], [6]: Move the blue boundary.
[SET] : Toggles the movie where the
blue boundary is located between
selected (check mark in the lower
left corner) and deselected (no
check mark).
Blue boundary
171 Using the Camera to Record and Analyze a Golf Swing
9. Use [4] and [6] to display the sync point of
the second movie, and then press [2].
If the message “Busy... Please wait...” appears
after you press [2], wait until the message
disappears. Playback of the second movie will
start after the message disappears.
You can zoom the image during movie playback
by operating the zoom slider.
Pressing [2] while movie playback is in progress
will perform either of the operations described
below, depending on when during the movie you
pressed it.
–Pressing [2] anywhere in the move prior to
the sync point will jump to the sync point.
–Pressing [2] at the sync point or anywhere
past it will jump to the start of the movie.
NOTE
Certain types of memory cards can slow down processing speed. Whenever
possible use an Ultra High-Speed Type memory card. Note, however, that not all
operations can be guaranteed even if an Ultra High-Speed Type memory card is
used.
The maximum Dual Screen Play duration at normal speed is five seconds.
The following functions are not available during Dual Screen Play.
MOTION PRINT, Movie Editing
Dual Screen Play data is stored in memory in a folder named EXILIM. Note that
deleting the EXILIM folder will cause Dual Screen Play List contents to be lost.
Turning off the camera causes Dual Screen Play data to be stored in a folder
named EXILIM in camera memory. Note that removing the camera's battery or
memory card before turning off the camera will cause all current Dual Screen Play
data to be lost.
.To edit Dual Screen Play data (Dual Screen Play Edit)
1. Start playback of the Dual Screen Play data you want to edit.
2. Press [SET] to pause it.
While Dual Screen Play is in progress or paused, you can select either movie
by pressing [RING]. Each press of [RING] cycles through the following
sequence: Left movie selected * Right movie selected * No movie
selected.
172 Using the Camera to Record and Analyze a Golf Swing
3. Press [2].
This causes the “Dual Screen Play Edit” menu to appear on the monitor screen.
Pressing [2] after selecting a movie with [RING] will display the menu items
that apply only to the selected movie.
Reselect Point
Changes the sync point of the left side movie.
Use [4] and [6] to display the scene in the movie that
you want to make the new sync point, and then press
[2].
Select Movie
Changes the left side movie.
1) Press [SET] to clear the check box in the lower left
corner of the movie currently selected with the blue
boundary.
2) Use [8], [2], [4], and [6] to move the blue
boundary to the new movie you want to select, and
then press [SET] to select its check box.
3) Press [MENU].
This will display a screen for specifying the sync
point of the newly selected movie.
Reselect Point
Changes the sync point of the right side movie.
Use [4] and [6] to display the scene in the movie that
you want to make the new sync point, and then press
[2].
Select Movie
Changes the right side movie.
1) Press [SET] to clear the check box in the lower left
corner of the movie currently selected with the blue
boundary.
2) Use [8], [2], [4], and [6] to move the blue
boundary to the new movie you want to select, and
then press [SET] to select its check box.
3) Press [MENU].
This will display a screen for specifying the sync
point of the newly selected movie.
To main screen Displays the Dual Screen Play List (page 169).
Cancel Exits Dual Screen Play Edit.
173 Printing
Printing
*You can specify which images you want to print, the number of copies, and date
stamp settings before printing (page 175).
You can connect the camera directly to a printer that supports PictBridge and print
images without going through a computer.
.To set up the camera before connecting to a printer
1. Turn on the camera and press [MENU].
2. On the “¥ SETTING” tab, select “USB” and then press [6].
3. Use [8] and [2] to select “PictBridge”, and then press [SET].
Printing Snapshots
Professional Print Service*
You can take a memory card that contains the images you want
to print to a professional print service and have them printed.
Printing on a Home Printer*
Printing Images on a Printer with Memory Card Slot
You can use a printer equipped with a memory card slot
to print images directly from a memory card. For details,
see the user documentation that comes with your
printer.
Connecting Directly to a PictBridge Compatible Printer
You can print on a printer that supports PictBridge (page 173).
Printing with a Computer
After transferring the images to your computer, use
commercially available software to print.
Connecting Directly to a PictBridge Compatible Printer
174 Printing
.Connecting the Camera to a Printer
Use the USB cable that comes bundled with the camera to connect the camera to
your printer’s USB port.
For details about connecting to the camera and precautions when connecting, see
page 25.
The camera does not draw power over the USB cable. Check the battery level
before connecting and make sure it is not too low.
Make sure that the camera is turned off before plugging in or unplugging the cable.
Check the user documentation that comes with the printer for information about
requirements before plugging into or unplugging from the printer.
.To print
1. Turn on the printer and load paper.
2. Turn on the camera.
This will display the print menu screen.
3. Use [8] and [2] to select “Paper Size”, and then press [6].
4. Use [8] and [2] to select a paper size and then press [SET].
The following are the available paper sizes.
3.5"×5", 5"×7", 4"×6", A4, 8.5"×11", By Printer
Selecting “By Printer” prints using a paper size selected on the printer.
See the documentation that comes with your printer for information about
paper settings.
USB
USB cable
(included with camera)
USB port
Large connector
Small connector
175 Printing
5. Use [8] and [2] to specify the print option you want.
To toggle date stamping on and off, press [0] (Movie). The date stamp will be
printed when “On” is indicated on the monitor screen.
6. Use [8] and [2] to select “Print” and then press [SET].
Printing will start and the message “Busy... Please wait...” will appear on the
monitor screen. The message will disappear after a short while, even though
printing is still being performed. Pressing any camera button will cause the
printing status to re-appear. The print menu screen will re-appear when printing is
complete.
If you selected “1 Image”, you can repeat the procedure from step 5, if you
want.
7. After printing is complete, turn off the camera and disconnect the USB
cable from the printer and camera.
.Digital Print Order Format (DPOF)
DPOF is a standard that allows you to include image type, number of copy,
and time stamp on/off information on the memory card with the images.
After configuring settings, you can use the memory card to print on a home
printer that supports DPOF or take the memory card to a professional print
service.
Whether or not you will be able to use DPOF settings for printing depends on the
printer you are using.
Some professional print services may not support DPOF.
1 Image : Prints one image. Select and then press [SET]. Next, use [4] and
[6] to select the image you want to print.
DPOF Printing: Prints multiple images. Select and then press [SET]. With this
option, images will be printed in accordance with DPOF settings
(page 175).
Using DPOF to Specify Images to be Printed and the Number
of Copies (DPOF Printing)
176 Printing
.Configuring DPOF Settings Individually for Each Image
Procedure
[p] (PLAY) * Snapshot Screen * [MENU] *
p PLAY MENU” Tab * DPOF Printing * Select images
1. Use [4] and [6] to scroll through the files until the image you want to
print is displayed.
2. Use [8] and [2] to specify the number of copies.
You can specify a value up to 99. Specify 00 if you do not want to print the image.
If you want to include the date in the images, press [0] (Movie) so “On” is
shown for date stamping.
Repeat steps 1 and 2 to configure settings for other images, if you want.
3. Press [SET].
.Configuring the Same DPOF Settings for All the Images
Procedure
[p] (PLAY) * Snapshot Screen * [MENU] *
p PLAY MENU” Tab * DPOF Printing * All images
1. Use [8] and [2] to specify the number of copies.
You can specify a value up to 99. Specify 00 if you do not want to print the image.
Note that the specified number of copies will be printed for all of the images in
any CS group included with the images.
If you want to include the date in the images, press [0] (Movie) so “On” is
shown for date stamping.
2. Press [SET].
177 Printing
.To specify the number of copies for a specific image in a CS group
1. While CS image playback is in progress or paused, press [2].
This will display the “CS Frame Edit” menu.
2. Use [8] and [2] to select “DPOF Printing” and then press [SET].
3. Use [8] and [2] to select “Select Frames” and then press [SET].
4. Use [4] and [6] to scroll through images until one you want to print is
displayed.
5. Use [8] and [2] to specify the number of copies.
You can specify a value up to 99. Specify 00 if you do not want to print the image.
If you want to include the date in the images, press [0] (Movie) so “On” is
shown for date stamping.
Repeat steps 4 and 5 to configure settings for other images, if you want.
6. Press [SET].
.To configure the same DPOF settings for all the images in a CS
group
1. While CS image playback is in progress or paused, press [2].
This will display the “CS Frame Edit” menu.
2. Use [8] and [2] to select “DPOF Printing” and then press [SET].
3. Use [8] and [2] to select “Frame all” and then press [SET].
4. Use [8] and [2] to specify the number of copies.
You can specify a value up to 99. Specify 00 if you do not want to print the image.
If you want to include the date in the images, press [0] (Movie) so “On” is
shown for date stamping.
5. Press [SET].
178 Printing
DPOF settings are not cleared automatically after printing is complete.
The next DPOF print operation you execute will be performed using the last DPOF
settings you configured for the images. To clear DPOF settings, specify “00” for the
number of copies of all images.
Tell your print service about your DPOF settings!
If you take a memory card to a professional print service, be sure to tell them that it
includes DPOF settings for the images to be printed and the number of copies. If you
don’t, the print service may print all the images without regard to your DPOF settings,
or they may ignore your date stamp setting.
.Date Stamping
You can use one of the following three methods to include the recording date in the
printout of an image.
Configuring camera settings
Configure DPOF settings (page 175).
You can turn date stamping on and off each time you print. You can configure
settings so some images include the date stamp and some don’t.
Configure the Camera’s Timestamp setting (page 197).
The camera’s Timestamp setting imprints the date into a snapshot when you
shoot it, so the date is always included when you print. It cannot be deleted.
Do not turn on DPOF date stamping for an image that includes a date
stamped with the camera’s Timestamp function. Doing so can cause the two
stamps to be overprinted.
Configuring computer settings
You can use commercially available image management software to date
stamp images.
Professional print service
Request date stamping when ordering prints from a professional print service.
179 Printing
.Standards Supported by the Camera
PictBridge
This is a standard of the Camera and Imaging Products Association
(CIPA). You can connect the camera directly to a printer that supports
PictBridge, and perform image selection and printing using the
camera monitor screen and controls.
PRINT Image Matching III
Using image editing software and printing on a printer that supports
PRINT Image Matching III makes it possible to use information about
shooting conditions that is recorded with the image, and produce
exactly the type of image you want. PRINT Image Matching and
PRINT Image Matching III are trademarks of Seiko Epson Corporation.
•Exif Print
Printing on a printer that supports Exif Print uses information about
shooting conditions recorded with the image to enhance printed
image quality. Contact your printer manufacturer for information
about models that support Exif Print, printer upgrades, etc.
180 Using the Camera with a Computer
Using the Camera with a Computer
You can perform the operations described below while the camera is connected to a
computer.
The procedures you need to perform are different for Windows and the Macintosh.
Things you can do using a computer...
Save images to
a computer and
view them there
Save images and view them manually (USB
connection) (pages 181, 185).
Transfer images to a computer automatically
over a wireless LAN for viewing (Eye-Fi)
(page 188).
Play back and
edit movies
You can play back movies (pages 184, 187).
To play back movies, use software that is
compatible with your computer’s operating
environment.
To edit movies, use commercially available
software as required.
Windows users should refer to “Using the Camera with a Windows Computer”
on page 181.
Macintosh users should refer to “Using the Camera with a Macintosh” on page
185.
181 Using the Camera with a Computer
You can connect the camera to your computer in order to view and store images
(snapshot and movie files).
IMPORTANT!
Never unplug the USB cable, or operate the camera while viewing or storing
images. Doing so can cause data to become corrupted.
NOTE
You also can use your computer’s card slot (if it has one) or a commercially
available card reader to access image files directly from the camera’s memory
card. For details, see the user documentation that comes with your computer.
Using the Camera with a Windows Computer
When you want
to do this:
Operating System
Version Required Software
See
page:
Save images to
a computer and
view them there
manually
Windows 8,
Windows 7,
Windows Vista,
Windows XP (SP3)
Installation not required. 181
Play movies
Windows 8,
Windows 7
Windows Media Player 12
(installed on computer)
184
Windows Vista,
Windows XP (SP3)
QuickTime 7
You need to download QuickTime 7
on the Web if you want to use it.
Viewing and Storing Images on a Computer
Never use your computer to modify, delete, move, or rename any image files
that are in the camera’s built-in memory or on its memory card.
Doing so can cause problems with the camera’s image management data, which
will make it impossible to play back images on the camera and can drastically alter
remaining memory capacity. Whenever you want to modify, delete, move, or
rename an image, do so only on images that are stored on your computer.
182 Using the Camera with a Computer
.To connect the camera to your computer and save files
1. Turn on the camera and press [MENU].
2. On the “¥ SETTING” tab, select “USB” and then press [6].
3. Use [8] and [2] to select “Mass Storage”, and then press [SET].
4. Turn off the camera and then
use the USB cable that comes
with the camera to connect it to
your computer.
For details about connecting to
the camera and precautions
when connecting, see page 25.
5. Turn on the camera.
The first time you connect the camera to your computer with the USB cable, an
error message may appear on your computer. If this happens, disconnect and
then reconnect the USB cable.
6. Windows 8 users: Click “Desktop” and then “Explorer”.
Windows 7, Windows Vista users: Click “Start” and then “Computer”.
Windows XP users: Click “Start” and then “My Computer”.
7. Double-click “Removable Disk”.
Your computer recognizes the memory card loaded in the camera (or built-in
memory if there is no card) as a removable disk.
8. Right-click the “DCIM” folder.
9. On the shortcut menu that appears, click “Copy”.
10.
Windows 8 users: Click “Documents”.
Windows 7, Windows Vista users: Click “Start” and then “Documents”.
Windows XP users: Click “Start” and then “My Documents”.
If you already have a “DCIM” folder in “Documents” (Windows 8, Windows 7,
Windows Vista) or “My Documents” (Windows XP), the next step will overwrite
it. If you want to keep the existing “DCIM” folder, you need to change its name
or move it to a different location before performing the next step.
USB
USB port
USB cable
(included with camera)
183 Using the Camera with a Computer
11.
Windows 8 users: On the “Documents” menus, click “Home” and then
“Paste”.
Windows 7, Windows Vista users: On the “Documents” menu, click
“Organize” or “Edit”, and then “Paste”.
Windows XP users: On the “My Documents” “Edit” menu, select
“Paste”.
This will paste the “DCIM” folder (and all the image files it contains) into your
“Documents” (Windows 8, Windows 7, Windows Vista) or “My Documents”
(Windows XP) folder. You now have a copy of the files that are in camera
memory on your computer.
12.
After you finish copying images, disconnect the camera from the
computer.
After confirming that the back lamp is not flashing red, disconnect the USB cable.
.To view images you copied to your computer
1. Double-click the copied “DCIM” folder to open it.
2. Double-click the folder that contains the images you want to view.
3. Double-click the image file you want to view.
For information about file names, see “Memory Folder Structure” on page 193.
An image that was rotated on the camera will be displayed on your computer
screen in its original (unrotated) orientation.
Viewing a CS image on a computer will individually display the component
images in the CS group. A CS group cannot be viewed as a CS image on a
computer.
C
184 Using the Camera with a Computer
To play back a movie, first copy it to your computer and then double-click the movie
file. Some operating systems may not be able to play back movies. If this happens,
you need to install separately available software.
With Windows 8 and Windows 7, playback is supported by Windows Media
Player 12.
If you are unable to play back movies, go to the URL below to download
QuickTime 7 and install it on your computer.
http://www.apple.com/quicktime/
.Minimum Computer System Requirements for Movie Playback
The minimum system requirements described below are necessary to play back
movies recorded with this camera on a computer.
The above are recommended system environments. Configuring one of these
environments does not guarantee proper operation.
Certain settings and other installed software may interfere with proper playback of
movies.
.Movie Playback Precautions
Be sure to move the movie data to the hard disk of your computer before trying to
play it. Proper movie playback may not be possible for data accessed over a
network, from a memory card, etc.
Proper movie playback may not be possible on some computers. If you experience
problems, try the following.
Try recording movies with a quality setting of “STD”.
Quit any other applications you have running, and stop resident applications.
Even if proper playback is not possible on the computer, you can use a commercially
available HDMI cable to connect to the HDMI terminal of a TV or computer and play
back movies that way.
Playing Movies
Operating System : Windows 8, Windows 7, Windows Vista, Windows XP (SP3)
CPU : Image Quality “FHD” or “HD”:
Core 2 Duo 3.0GHz or higher
Image Quality “STD” or “HS”:
Pentium 4 3.2GHz or higher
Required Software: QuickTime 7 (Not required with Windows 8 and Windows 7.)
185 Using the Camera with a Computer
IMPORTANT!
Never unplug the USB cable, or operate the camera while viewing or storing
images. Doing so can cause data to become corrupted.
The camera does not support operation with Mac OS X 10.0. Operation is
supported with Mac OS 10.1, 10.2, 10.3, 10.4, 10.5, 10.6, 10.7, and 10.8 (using the
OS standard USB driver) only.
NOTE
You also can use your computer’s card slot (if it has one) or a commercially
available card reader to access image files directly from the camera’s memory
card. For details, see the user documentation that comes with your computer.
Using the Camera with a Macintosh
When you want to
do this:
Operating
System Version Required Software
See
page:
Save images to your
Macintosh and view
them there manually
OS X Installation not required. 185
Save images to your
Macintosh
automatically/
Manage images
OS X iPhoto, which comes bundled
with some Macintosh products.
Play movies OS X With OS X 10.4.11 or higher,
QuickTime 7 or higher 187
Connecting the Camera to Your Computer and Saving Files
Never use your computer to modify, delete, move, or rename any image files
that are in the camera’s built-in memory or on its memory card.
Doing so can cause problems with the camera’s image management data, which
will make it impossible to play back images on the camera and can drastically alter
remaining memory capacity. Whenever you want to modify, delete, move, or
rename an image, do so only on images that are stored on your computer.
186 Using the Camera with a Computer
.To connect the camera to your computer and save files
1. Turn on the camera and press [MENU].
2. On the “¥ SETTING” tab, select “USB” and then press [6].
3. Use [8] and [2] to select “Mass Storage”, and then press [SET].
4. Turn off the camera and then
use the USB cable that comes
with the camera to connect it to
your Macintosh.
For details about connecting to
the camera and precautions
when connecting, see page 25.
5. Turn on the camera.
The camera’s back lamp will light green or amber at this time. In this mode, your
Macintosh recognizes the memory card loaded in the camera (or the camera’s
built-in memory if it does not have a memory card loaded) as a drive. The
appearance of the drive icon depends on the Mac OS version you are using.
The first time you connect the camera to your Macintosh with the USB cable,
an error message may appear on your computer. If this happens, disconnect
and then reconnect the USB cable.
6. Double-click the camera’s drive icon.
7. Drag the “DCIM” folder to the folder to which you want to copy it.
8. After the copy operation is complete, drag the drive icon to Trash.
9. Disconnect the camera from the computer.
After confirming that the back lamp is not flashing red, disconnect the USB cable.
USB
USB port
USB cable
(included with camera)
187 Using the Camera with a Computer
.To view copied images
1. Double-click the camera’s drive icon.
2. Double-click the “DCIM” folder to open it.
3. Double-click the folder that contains the images you want to view.
4. Double-click the image file you want to view.
For information about file names, see “Memory Folder Structure” on page 193.
An image that was rotated on the camera will be displayed on your Macintosh
screen in its original (unrotated) orientation.
Viewing a CS image on a computer will individually display the component
images in the CS group. A CS group cannot be viewed as a CS image on a
computer.
You can use QuickTime, which comes bundled with your operating system, to play
back movies on a Macintosh. To play back a movie, first copy it to your Macintosh
and then double-click the movie file.
.Minimum Computer System Requirements for Movie Playback
The minimum system requirements described below are necessary to play back
movies recorded with this camera on a computer.
The above are recommended system environments. Configuring one of these
environments does not guarantee proper operation.
Certain settings and other installed software may interfere with proper playback of
movies.
Playing a Movie
Operating System : Image Quality “FHD” or “HD”:
Mac OS X 10.4.11 or higher
Image Quality “STD” or “HS”:
Mac OS X 10.3.9 or higher
Required Software: QuickTime 7 or higher
188 Using the Camera with a Computer
.Movie Playback Precautions
Proper movie playback may not be possible on some Macintosh models. If you
experience problems, try the following.
Try recording movies with a quality setting of “STD”.
Upgrade to the latest version of QuickTime.
Shut down other applications that are running.
Even if proper playback is not possible on your Macintosh, you can use a
commercially available HDMI cable to connect to the HDMI terminal of a TV or
Macintosh and play back movies that way.
IMPORTANT!
Be sure to move the movie data to the hard disk of your Macintosh before trying to
play it. Proper movie playback may not be possible for data accessed over a
network, from a memory card, etc.
Shooting with an Eye-Fi wireless SD memory card loaded in the camera makes it
possible to transfer image data automatically to a computer via wireless LAN.
1. Configure LAN access point, transfer destination and other settings for
the Eye-Fi card in accordance with the instructions that come with the
Eye-Fi card.
2. After configuring settings, load the Eye-Fi card into the camera and
record.
Images you record are sent by wireless LAN to your computer, etc.
For full details, see the user documentation that comes with the Eye-Fi card.
Before formatting a new Eye-Fi card to use it for the first time, copy the Eye-Fi
install file from the card to your computer.
Using an SD Memory Card with Built-in LAN
Transferring Images with an Eye-Fi Card (Eye-Fi)
189 Using the Camera with a Computer
IMPORTANT!
Recorded images are transferred over wireless LAN. Do not use the Eye-Fi card or
turn off Eye-Fi card communication (page 196) when on an aircraft or in any other
location where use of wireless communication is limited or prohibited.
Loading an Eye-Fi card will cause the Eye-Fi indicator to
appear on the monitor screen. Its transparent or not transparent
appearance indicates the communication status as shown below.
A communication icon will appear on the monitor screen while image
data transfer is in progress.
Depending on the type of Eye-Fi card you are using and your Eye-Fi card settings,
the Eye-Fi indicator and/or the communication indicator may be different from
those described above.
The camera’s Auto Power Off (page 199) function is disabled while image data
transfer is in progress.
A confirmation message will appear on the monitor screen if you try to turn off the
camera while image data transfer is in progress. Follow the instructions in the
messages (page 227).
Transfer of a large number of images can take some time to complete.
Depending on the type of Eye-Fi card you are using and its settings, images on the
Eye-Fi card may be deleted following image data transfer.
Breaks in the image and/or audio may occur when recording a movie to or playing
a movie from an Eye-Fi card.
Proper Eye-Fi card data communication may not be possible due to camera
settings, battery level, or operating conditions.
Transparent Access point cannot be found or no
transferable image data exists.
Not transparent Image transfer in progress
Flashing Searching for access points
C
190 Using the Camera with a Computer
Loading a commercially available FlashAir card in the camera makes it possible to
view images on and copy them to a smartphone or computer over a wireless LAN
connection.
For more information, see the instructions that come with the card.
1. Use a computer or other device to configure the settings of the
FlashAir card.
To protect your personal information, it is recommended that you change the
password of a FlashAir card after you purchase it. For more information, see
the instructions that come with the card.
If the FlashAir card’s “Start automatically at boot” setting is selected, a wireless
LAN connection will be established automatically whenever the camera is
turned on.
If you want to turn “FlashAir” (page 196) on and off manually on the camera,
change the FlashAir card’s setting to “Start with the control image”.
2. Load the configured FlashAir card into the camera and shoot the
images you want.
Formatting a FlashAir card with the camera will delete files on the card that are
required for communication. For details about formatting, see the instructions
that come with the card.
3. Access the FlashAir card from a smartphone or other device.
Using a Smartphone to Play Back Images Stored on a FlashAir
Card (FlashAir)
191 Using the Camera with a Computer
IMPORTANT!
When on an aircraft or in any other location where use of wireless communication
is limited or prohibited, do not use a FlashAir card, or change the camera’s
“FlashAir” setting (page 196) and the FlashAir card’s setting to those shown below.
FlashAir: Off
Memory Card: Start with the control image
Loading a FlashAir card into the camera will cause the FlashAir icon to appear
on the monitor screen.
The following applies to camera operations while image data on a FlashAir card is
being manipulated from a smartphone or other device.
icon displayed on the monitor screen.
The Sleep function (page 199) and Auto Power Off function (page 199) are
disabled.
A confirmation message appears on the monitor screen if you try to turn it off. If
this happens, follow the instructions in the message (page 227).
Depending on the type of FlashAir card you are using and your FlashAir card
settings, the FlashAir indicator and/or the communication indicator may be different
from those described above.
The FlashAir wireless LAN connection is automatically terminated if no operation is
performed for a certain amount of time.
Recording or playing back a movie to a FlashAir card can result in breaks in the
image and/or audio.
Proper FlashAir card communication may not be possible due to camera settings,
battery level, or operating conditions.
Changing the configuration of camera settings and performing other operations
may take longer than normal when a FlashAir card is running.
Transparent No wireless LAN connection
Not transparent Communication enabled
Flashing Running (Communication disabled)
C
192 Using the Camera with a Computer
The camera creates a file each time you shoot a snapshot, record a movie, or
perform any other operation that stores data. Files are grouped by storing them in
folders. Each file and folder has its own unique name.
For details about how folders are organized in memory, see “Memory Folder
Structure” (page 193).
You can view folder and file names on your computer. For details about how file
names are displayed on the camera’s monitor screen, see page 14.
The total number of folders and files allowed depends on the image size and
quality, and capacity of the memory card being used for storage.
Files and Folders
Name and Maximum Number Allowed Example
File
Each folder can contain up to 9999 files named
CIMG0001 through CIMG9999. The extension
on the file name depends on the file type.
26th file name:
Folders
Folders are named from 100CASIO to
999CASIO.
There can be up to 900 folders in memory.
BEST SHOT has a scene named “For
YouTube” that optimizes movie settings for
recording movies for upload to YouTube.
Images recorded with the YouTube scene are
stored in a folder named “100YOUTB”.
100th folder name:
CIMG0026.JPG
Extension
Serial number
(4 digits)
100CASIO
Serial number (3 digits)
193 Using the Camera with a Computer
The camera stores images you shoot in accordance with the Design Rule for Camera
File System (DCF).
.About DCF
The following operations are supported for DCF-compliant images. Note, however,
that CASIO makes no performance guarantees concerning these operations.
Transferring this camera’s DCF-compliant images to another manufacturer’s
camera and view them.
Printing this camera’s DCF-compliant images on another manufacturer’s printer.
Transferring another camera’s DCF-compliant images to this camera and view
them.
.Memory Folder Structure
DCIM Folder
Recording Folder
Image File
Movie File
Recording Folder
Recording Folder
DPOF File Folder
DPOF File
Scene folder for snapshots registered with CUSTOM SHOT
Background Music Folder
Background Music File
Background Music File
Dual Screen Play Data File Folder
*1 The BEST SHOT “For YouTube” scene sets up the camera for recording movies
that are optimized for uploading to YouTube. Images recorded with the “For
YouTube” scene are stored in a folder named “100YOUTB”.
*2 This folder or file can be created in built-in memory only.
Memory Card Data
DCIM
100CASIO
*
1
CIMG0001.JPG
*
CIMG0002.MOV
101CASIO
*
1
102CASIO
*
1
MISC
AUTPRINT.MRK
RAW
EXILIM
SCENE *
2
SSBGM001.WAV
SSBGM002.WAV
SSBGM
194 Using the Camera with a Computer
.Supported Image Files
Image files shot with this camera
DCF-compliant image files
This camera may not be able to display an image, even if it is DCF-compliant. When
displaying an image recorded on another camera, it may take a long time for the
image to appear on this camera’s monitor screen.
.Built-in Memory and Memory Card Data Handling Precautions
Whenever copying memory contents to your computer, you should copy the DCIM
folder and all of its contents. A good way to keep track of multiple DCIM folders it to
change their names to dates or something similar after you copy them to your
computer. If you later decided to return a DCIM folder to the camera, however, be
sure to change its name back to DCIM. The camera is designed to recognize only a
root file with the name DCIM. Note the camera also will not be able to recognize the
folders inside the DCIM folder unless they have the names they originally had
when you copied them from the camera to your computer.
Folders and files must be stored in accordance with the “Memory Folder Structure”
shown on page 193 in order for the camera to be able to recognize them correctly.
195 Other Settings (SETTING)
Other Settings (SETTING)
This section explains menu items that you can use to configure settings and perform
other operations in both the REC mode and PLAY mode.
Procedure
[MENU] *¥ SETTING” Tab * ECO Mode
Enabling power saving reduces the brightness of the monitor screen and switches
other camera operations to low-power operation, which allows a charge to last longer
and increases the number of images that can be shot between charges.
Selecting “On” enters the “ECO Mode”, which is indicated by e on the monitor
screen. The power saving effect of the “ECO Mode” is most efficient when “Program
Auto” is selected for the recording mode. Use the “Program Auto” recording mode is
recommended when using the “ECO Mode”.
NOTE
You can achieve even greater power savings by using the “ECO Mode” in
combination with Auto Power Off (page 199) and Sleep (page 199).
Procedure
[MENU] *¥ SETTING” Tab * Screen
Turning on the “ECO Mode” (page 195) while the “Screen” setting is +2 or +1 will
cause the “Screen” setting to change to 0.
For information about menu operations, see page 105.
Enabling Power Saving (ECO Mode)
Adjusting Monitor Screen Brightness (Screen)
Auto With this setting, the camera detects available light levels and
automatically adjusts the brightness of the monitor screen accordingly.
+2 Brightness that is greater than +1, which makes the screen easier to view.
This setting consumes more power.
+1 Bright setting for outdoor use, etc. Brightness that is greater than 0.
0Normal monitor screen brightness for indoor use, etc.
–1 Low monitor screen brightness for nighttime use, indoor use under dark
conditions, etc.
196 Other Settings (SETTING)
Procedure
[MENU] *¥ SETTING” Tab * Eye-Fi
Select “Off” to disable Eye-Fi card communication (page 188).
Procedure
[MENU] *¥ SETTING” Tab * FlashAir
Selecting “Start with the control image” for the FlashAir card setting and selecting
“On” for the camera’s “FlashAir” setting will establish a FlashAir wireless LAN
connection (page 190).
If the FlashAir card’s “Start automatically at boot” setting is selected, a wireless
LAN connection will be established automatically whenever the camera is turned
on.
Procedure
[MENU] *¥ SETTING” Tab * Sounds
Setting a volume level of 0 mutes output.
Turning off Eye-Fi Card Communication (Eye-Fi)
Configuring FlashAir Card Communication Settings (FlashAir)
Configuring Camera Sound Settings (Sounds)
Startup
Specifies the startup sound
Sound 1 - 5: Built-in sounds (1 through 5)
Off: Sound off
Half Shutter
Shutter
Operation
Operation Vol Specifies the sound volume. This setting is also used as the
audio level during TV output (page 134).
Playback Vol Specifies the volume of movie audio output. This volume
setting is not used during TV output (page 134).
197 Other Settings (SETTING)
Procedure
[MENU] *¥ SETTING” Tab * Create Folder
Images recorded with the BEST SHOT “For eBay” or “Auction” scene, and the “For
YouTube” scene are stored in special folders. They are not stored in the folder you
create here.
Deleting all of the files in a folder cause the folder to be deleted as well.
Procedure
[MENU] *¥ SETTING” Tab * Timestamp
You can configure the camera to stamp the recording date only, or date and time in
the lower right corner of each snapshot.
Once date and time information is stamped into a snapshot, it cannot be edited or
deleted.
Example: July 10, 2015, 1:25 p.m.
Even if you do not stamp the date and/or time with Timestamp, you can do so later
using the DPOF function or some printing application (page 178).
Stamping is performed in accordance with the date and time settings (page 202)
and the display style settings (page 202).
Time stamping is disabled when certain BEST SHOT scenes are being used.
Creating an Image Storage Folder (Create Folder)
Create Folder
Creates a folder with a unique number (page 192). Files will be
stored in the new folder starting from when you record your
next image.
Cancel Cancels folder creation.
Time Stamping Snapshots (Timestamp)
Date 2015/7/10
Date & Time 2015/7/10 1:25pm
Off No stamping of date and/or time
198 Other Settings (SETTING)
Procedure
[MENU] *¥ SETTING” Tab * Auto Rotate
The camera automatically detects whether a snapshot image was shot in portrait or
landscape orientation and displays it accordingly.
Procedure
[MENU] *¥ SETTING” Tab * File No.
Use the following procedure to specify the rule that governs generation of the serial
number used in file names (page 192).
Auto Image Orientation Detection and Rotation (Auto Rotate)
On Automatically rotates snapshots shot with the camera held vertically
90 degrees.
Off Images not rotated automatically.
Specifying the File Name Serial Number Generation Rule
(File No.)
Continue
Tells the camera to remember the last used file number. A new file
will be named using the next sequential number, even if files are
deleted or if a blank memory card is loaded. If a memory card is
loaded and that card already has files stored on it and the largest
sequential number in the existing file names is greater than the
largest sequential number remembered by the camera, numbering of
new files will start from the largest sequential number in the memory
card file names plus 1.
Reset
Restarts the serial number from 0001 whenever all files are deleted
or when the memory card is replaced with a blank one. If a memory
card is loaded and that card already has files stored on it, numbering
of new files will start from the largest sequential number in the
memory card file names plus 1.
199 Other Settings (SETTING)
Procedure
[MENU] *¥ SETTING” Tab * Sleep
This feature turns off the monitor screen and lights the back lamp (green) whenever
no camera operation is performed for a preset period of time. Press any button to turn
the monitor screen back on.
Trigger Time Settings: 30 sec, 1 min, 2 min, Off (Sleep is disabled while “Off” is
selected.)
Sleep is disabled under any of the following conditions.
In the PLAY mode
While the camera is connected to a computer, TV, or other device
During movie recording and playback
When both sleep and Auto Power Off are turned on, Auto Power Off takes priority.
Procedure
[MENU] *¥ SETTING” Tab * Auto Power Off
Auto Power Off turns off the camera whenever no camera operation is performed for
a preset amount of time.
Trigger Time Settings: 2 min, 5 min, 10 min (The trigger time is always 5 minutes in
the PLAY mode.)
Auto Power Off is disabled under any of the following conditions.
While the camera is connected to a computer or other device
During a slideshow
During CS group playback
During movie recording and playback
Configuring Sleep State Settings (Sleep)
Configuring Auto Power Off Settings (Auto Power Off)
200 Other Settings (SETTING)
Procedure
[MENU] *¥ SETTING” Tab * Screen Tilt
Procedure
[MENU] *¥ SETTING” Tab * PLAY
With “On/Off”, the camera turns off when you press [p] (PLAY) in the PLAY
mode.
Procedure
[MENU] *¥ SETTING” Tab * Delete Key
The camera will not start the image delete operation when you press [2] ( ) while
“Delete Key” is turned on.
You can protect against accidental deletion of images by selecting “Disabled” for
“Delete Key”.
Performing a format operation (page 205) will cause all images to be deleted, even
if file deletion is disabled (“Disabled” selected for “Delete Key”) for some images.
Specifying the Operation when the Monitor Screen is Tilted
(Screen Tilt)
Power On Turns on the camera whenever the monitor screen is tilted.
On/Off
Turns on the camera whenever the monitor screen is tilted, and
turns it off when the monitor screen is returned to its normal
position.
Off No power on/off operation performed when the monitor screen is
tilted or returned to its normal position.
Configuring [p] Setting (PLAY)
Power On Camera turns on whenever [p] (PLAY) is pressed.
On/Off Camera turns on or off whenever [p] (PLAY) is pressed.
Off Camera does not turn on or off when [p] (PLAY) is pressed.
Disabling File Deletion (Delete Key)
201 Other Settings (SETTING)
Procedure
[MENU] *¥ SETTING” Tab * World Time
You can use the World Time screen to view the current time in a zone that is different
from your Home City when you go on a trip, etc. World Time displays the current time
in 162 cities in 32 time zones around the globe.
1. Use [8] and [2] to select “Destination” and then press [6].
To change the geographic area and city for the time where you normally use
the camera, select “Home”.
2. Use [8] and [2] to select “City” and then press [6].
To change the “Destination” setting to summer time, use [8] and [2] to select
“DST” and then select “On”. Summer time is used in some geographical areas
to advance the current time setting by one hour during the summer months.
3. Use [8] and [2] to select the geographic area you want and then press
[SET].
4. Use [8] and [2] to select the city you want and then press [SET].
5. Press [SET].
IMPORTANT!
Before configuring World Time settings, make sure that the Home City setting is
the place where you live or normally use the camera. If it isn’t, select “Home” on the
screen in step 1 and configure the Home City, date, and time settings as required
(page 202).
Configuring World Time Settings (World Time)
202 Other Settings (SETTING)
Procedure
[MENU] *¥ SETTING” Tab * Adjust
When the date and time settings are what you want, select “Apply” and then press
[SET] to apply them.
To switch between 12-hour and 24-hour timekeeping, move the cursor to “am (pm)”
and “24h” (one of which will be displayed) and then use [8] and [2] to change the
setting.
You can specify a date from 2001 to 2049.
Be sure to select your Home City (page 201) before setting the time and date. If
you set the time and date while the wrong city is selected for your Home City, the
times and dates of all of the World Time cities (page 201) will be wrong.
Procedure
[MENU] *¥ SETTING” Tab * Date Style
You can select from among three different styles for the date.
Example: July 10, 2015
Setting the Camera’s Clock (Adjust)
[8] [2]Change the setting at the cursor location
[4] [6]Move the cursor between settings
Specifying the Date Style (Date Style)
YY/MM/DD 15/7/10
DD/MM/YY 10/7/15
MM/DD/YY 7/10/15
203 Other Settings (SETTING)
Procedure
[MENU] *¥ SETTING” Tab * Language
.Specify the display language you want.
1Select the bottom tab “¥”.
2Select “Language”.
3Select the language you want.
Camera models sold in certain geographic areas may
not support display language selection.
Procedure
[MENU] *¥ SETTING” Tab * USB
You can use the procedure below to select the USB communication protocol, which is
used when exchanging data with a computer, printer, or other external device.
Specifying the Display Language (Language)
Configuring USB Protocol Settings (USB)
Mass Storage
Select this setting when connecting to a computer (pages 182,
186). With this setting, the computer sees the camera as an
external storage device. Use this setting for normal transfer of
images from the camera to a computer.
PictBridge Select this setting when connecting to a printer that supports
PictBridge (page 173).
123
204 Other Settings (SETTING)
Procedure
[MENU] *¥ SETTING” Tab * Video Output
You can use the procedure in this section to select either NTSC or PAL as the video
output system. You can also specify an aspect ratio of 4:3 or 16:9.
Select the aspect ratio (4:3 or 16:9) that matches the type of TV you plan to use.
Images will not display correctly if you select the wrong aspect ratio.
Images will not display correctly unless the camera’s video signal output setting
matches the video signal system of the TV or other video equipment.
Images cannot be displayed correctly on a TV or video equipment that is not NTSC
or PAL.
Procedure
[MENU] *¥ SETTING” Tab * HDMI Output
See page 136 for details.
Procedure
[MENU] *¥ SETTING” Tab * Startup
Selecting “On” for Startup causes a built-in startup screen to appear on the monitor
screen whenever the camera is turned on.
Selecting the Screen Aspect Ratio and Video Output System
(Video Output)
NTSC Video system used in Japan, the U.S., and other countries
PAL Video system used in Europe and other areas
4:3 4:3 aspect ratio
16:9 Wide screen aspect ratio
Selecting the HDMI Terminal Output Method (HDMI Output)
Displaying a Startup Screen at Power On (Startup)
205 Other Settings (SETTING)
Procedure
[MENU] *¥ SETTING” Tab * Format
If a memory card is loaded in the camera, this operation will format the memory card.
It will format built-in memory if no memory card is loaded.
The format operation will delete all contents on the memory card or in built-in
memory. It cannot be undone. Make sure you do not need any data currently on
the card or in built-in memory before you format it.
Formatting built-in memory will delete the following data.
Protected images
“CUSTOM SHOT” setups
Formatting a memory card will delete the following data.
Protected images
Formatting will cause all images to be deleted, even if file deletion is disabled
(“Disabled” selected for “Delete Key” (page 200)) for some images.
Check the battery level before starting a format operation and make sure it is not
too low. Formatting may not be performed correctly and the camera may stop
operating normally if the camera powers down while formatting is in progress.
Never open the battery cover while formatting is in progress. Doing so can cause
the camera to stop operating normally.
Procedure
[MENU] *¥ SETTING” Tab * Reset
See page 220 for details about the camera’s factory default settings.
The settings below are not reset.
World Time settings, clock settings, date style, screen language, Video Output
Formatting Built-in Memory or a Memory Card (Format)
Resetting the Camera to Factory Defaults (Reset)
206 Appendix
Appendix
*DANGER
This symbol indicates information that, if ignored or applied incorrectly, creates the
danger of death or serious personal injury.
*WARNING
This indication stipulates matters that have the risk of causing death or serious injury
if the product is operated incorrectly while ignoring this indication.
*CAUTION
This indication stipulates matters that have the risk of causing injury as well as
matters for which there is the likelihood of occurrence of physical damage only if the
product is operated incorrectly while ignoring this indication.
Symbol Examples
Safety Precautions
!This circle with a line through it (-) means that the indicated action must not
be performed. Indications within or nearby this symbol are specifically
prohibited. (The example at left indicates that disassembly is prohibited.)
$
The black dot (0) means that the indicated action must be performed.
Indications within this symbol are actions that are specifically instructed to be
performed. (The example at left indicates that the power plug must be
unplugged from the electrical socket.)
*DANGER
.Rechargeable Battery
To charge the battery, use only the method specifically described in this
manual. Attempting to charge the battery by an unauthorized means
creates the risk of battery overheating, fire, and explosion.
Do not expose or immerse the battery in fresh water or salt water. Doing
so can damage the battery, and cause deterioration of its performance
and loss of service life.
The battery is intended for use with a CASIO Digital Camera only. Use
with any other device creates the risk of the battery damage, or
deterioration of battery performance and service life.
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207 Appendix
Failure to observe any of the following precautions creates the risk of battery
overheating, fire, and explosion.
Never use or leave the battery near open flame.
Do not expose the battery to heat or fire.
Make sure the battery is oriented correctly when charging it.
Never carry or store the battery together with items that can conduct electricity
(necklaces, pencil lead, etc.).
Never disassemble the battery, pierce it with a needle, or expose it to strong
impact (hit it with a hammer, step on it, etc.), and never apply solder to it.
Never place the battery into a microwave oven, dehumidifier, high-pressure
generating device, etc.
Never remove the outer sticker from the battery.
Should you ever notice leakage, strange odor, heat generation,
discoloration, deformation, or any other abnormal condition while using,
charging, or storing a battery, immediately remove it from the camera
and keep it away from open flame. Also, do not use the affected battery after the
abnormal symptoms disappear.
Do not use or leave the battery under direct sunlight, in an automobile
parked in the sun, or in any other area subject to high temperatures.
Doing so can damage the battery, and cause deterioration of its
performance and loss of service life. Also, these conditions can cause the
battery to swell to the point that you may not be able to remove it.
Battery fluid can damage your eyes. Should battery fluid get into your
eyes accidentally, immediately rinse them with clean tap water and then
consult a physician.
*DANGER
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208 Appendix
*WARNING
.Smoke, abnormal odor, overheating, and other abnormalities
Continued use of the camera while it is emitting smoke or strange odor,
or while it is overheating creates the risk of fire and electric shock.
Immediately perform the following steps whenever any of the above
symptoms are present.
1. Turn off the camera.
2. If you are using the USB-AC adapter to power the camera, unplug the power
plug from the power outlet. Also, remove the battery from the camera, taking
care to protect yourself against burn injury.
3. Contact your retailer or nearest CASIO authorized service center.
.Keep Away From Fire
Never expose the camera to fire, which can cause it to explode and
creates the risk of fire and personal injury.
.Avoid Use While In Motion
Never use the camera to record or play back images while operating an
automobile or other vehicle, or while walking. Looking at the monitor
while in motion creates the risk of serious accident.
.Flash and Other Light Emitting Functions
Never use light emitting functions in areas where there is the chance of
flammable or explosive gas being present. Such conditions create the
risk of fire and explosion.
Never fire the flash or use light emitting functions pointed in the direction
of a person operating a motor vehicle. Doing so can interfere with the
driver’s vision and create the risk of accident.
.USB-AC Adapter
Misuse of USB-AC adapter creates the risk of fire and electric shock. Be sure to
observe the following precautions.
Use only the specified USB-AC adapter.
Never use the USB-AC adapter with another device.
Use a power outlet that matches the power supply specified for the
USB-AC adapter.
Never plug the USB-AC adapter into a wall outlet that is shared by other
devices, or into a shared extension cord.
Never locate the USB-AC adapter near a stove or other heating device.
Misuse of the USB-AC adapter can cause them to become damaged, creating
the risk of fire and electric shock. Be sure to observe the following precautions.
Never place heavy objects on the USB-AC adapter or subject it to
direct heat.
Do not modify the USB-AC adapter, allow it to become damaged, or
forcibly bend it.
When in use, locate the cord where it will not be tripped over.
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209 Appendix
Never touch the power plug while your hands are wet. Doing so creates
the risk of electric shock.
Should the power plug become damage, contact your retailer or nearest
CASIO authorized service center.
Do not use the USB-AC adapter in areas where liquids* might spill on
them. Liquids create the risk of fire and electric shock.
*Liquids: Water, sports drinks, seawater, animal or pet urine, etc.
Do not place a flower vase or any other liquid container on top of the
USB-AC adapter. Water creates the risk of fire and electric shock.
Do not touch the camera or USB-AC adapter during lightning storms.
.Water and Foreign Matter
Water, other liquids, or foreign matter (especially metal) getting inside
the camera creates the risk of fire and electric shock. Immediately
perform the following steps whenever any of the above symptoms are
present. Particular care is required when using the camera where it is raining or
snowing, near the ocean or other body of water, or in a bathroom.
1. Turn off the camera.
2. If you are using the USB-AC adapter to power the camera, unplug the power
plug from the wall outlet. Also, remove the battery from the camera, taking
care to protect yourself against burn injury.
3. Contact your retailer or nearest CASIO authorized service center.
.Disassembly and Modification
Never try to take the camera apart or modify it in any way. Doing so
creates the risk of electric shock, burn injury, and other personal injury.
Be sure to leave all internal inspection, maintenance, and repair up to
your retailer or nearest CASIO authorized service center.
.Dropping and Rough Treatment
Continued use of the camera after it is damaged by dropping or other
rough treatment creates the risk of fire and electric shock. Immediately
perform the following steps whenever any of the above symptoms are
present.
1. Turn off the camera.
2. If you are using the USB-AC adapter to power the camera, unplug the power
plug from the wall outlet. Also, remove the battery from the camera, taking
care to protect yourself against burn injury.
3. Contact your retailer or nearest CASIO authorized service center.
*WARNING
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210 Appendix
.Memory Cards
Memory cards are small and present a risk of accidentally being
swallowed by infants and young children. Keep memory cards out of the
reach of infants and young children. If a memory card is ever swallowed
accidentally, contact a physician immediately.
.Precaution when Camera is On
Do not touch the camera for long periods while it is on. The camera
becomes warm when on, and long term contact creates the risk of low-
temperature burns.
*WARNING
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211 Appendix
*CAUTION
.USB-AC Adapter
Misuse of the USB-AC adapter creates the risk of fire and electric shock. Make
sure you observe the following precautions.
Never cover the USB-AC adapter with a quilt, blanket, or other cover
while it is in use, and do not use it near a heater. Doing so can
interfere with heat radiation and cause the area around them to
become hot.
Do not use detergent when cleaning the USB-AC adapter, or the USB cable
(especially the plugs and jacks).
Insert the power plug into the wall outlet as far as it will go.
Unplug the power plug from the wall outlet before leaving the camera
unattended for long periods, such as when leaving on a trip, etc.
At least once a year, use a cloth or vacuum cleaner to clean any dust build up
on the prongs of the power plug and in the area around them.
.Rechargeable Battery
If battery charging does not end normally within the specified charging
time, stop charging anyway and contact your local CASIO authorized
service center. Continued charging creates the risk of battery
overheating, fire, and explosion.
Be sure to read the user documentation that comes with the camera and
special charger unit before using or charging the battery.
Store batteries in a location that cannot be reached by infants and young
children. When using a battery where infants and young children are
present, be on guard to ensure that they do not have the chance to
remove the battery from the charger unit or camera.
Do not leave batteries near areas used by pets. A pet chewing on a
battery can lead to accidents caused by the battery leaking, overheating,
or exploding.
Should fluid from a battery accidentally get onto clothing or your skin,
immediately rinse it off with clean tap water. Prolonged contact with
battery fluid can cause skin irritation.
.Connections
Never plug any devices that are not specified for use with this camera
into connectors. Connecting a non-specified device creates the risk of
fire and electric shock.
.Unstable Locations
Never place the camera on an unstable surface, on a high shelf, etc.
Doing so can cause the camera to fall, creating the risk of personal
injury.
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212 Appendix
.Locations To Be Avoided
Never leave the camera in any of the following types of locations. Doing so
creates the risk of fire and electric shock.
Areas subject to large amounts of humidity or dust
Food preparation areas or other locations where oil smoke is present
Near heaters, on a heated carpet, in areas exposed to direct sunlight,
in a closed vehicle parked in the sun, or other areas subject to very high
temperatures
.Monitor Screen
Do not apply strong pressure to the LCD panel surface or subject it to
strong impact. Doing so can cause the display panel glass to crack and
lead to personal injury.
Should the monitor screen ever become cracked, never touch any of the
liquid inside the monitor screen. Doing so creates the risk of skin
inflammation.
Should monitor screen liquid ever get into your mouth, immediately rinse
your mouth out and contact your physician.
Should monitor screen liquid ever get into your eyes or onto your skin,
immediately rinse with clean water for at least 15 minutes and contact
your physician.
.Backing Up Important Data
Always keep backup copies of important data in camera memory by
transferring it to a computer or other storage device. Note that data can
be deleted in the case of camera malfunction, repair, etc.
.Memory Protection
Whenever replacing the battery, be sure to follow the correct procedure
as described in the documentation that comes with the camera.
Incorrectly replacing the battery can result in corruption or loss of data in
camera memory.
.Flash and Other Light Emitting Functions
Never fire the flash or use light emitting functions pointed in the direction
of and too close to a person’s face. Doing so creates the risk of loss of
eyesight. In the case of infants and young children in particular, keep the
light source at least one meter away the eyes.
Take care that your fingers, glove, or other items are not touching the
flash window when you shoot. Touching the flash window can lead to
burn injury, smoke, discoloration, or other problems.
Do not fire the flash while the flash window is dirty, dusty, or soiled with
foreign matter. Doing so can lead to smoke emission and discoloration.
.Transport
When in an aircraft or medical facility, comply with instructions of
personnel in charge. Electromagnetic waves and other signals emitted
by the camera can adversely affect other equipment.
*CAUTION
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213 Appendix
.Camera Jacket
When wearing the strap around your neck, the camera can
unexpectedly bump into objects, fall, or become caught in a door,
creating the risk of malfunction or personal injury. Hold the camera in
your hand or take other precautions to avoid such problems. Never swing the
jacket around by the strap.
Keep the jacket out of the reach of small children. The jacket strap can
become wound around the neck of a small child, creating the risk of
serious accident.
Should you notice any itching, rash, or other skin abnormality in the
vicinity of the neck strap, immediately stop using it.
.Monitor Screen
When returning the monitor screen to the back of the camera, take care
so you do not catch your fingers between the top or bottom of the
monitor screen and the camera.
*CAUTION
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214 Appendix
.Data Error Precautions
Your digital camera is manufactured using precision digital components. Any of the
following creates the risk of corruption of data in camera memory.
Removing the battery or memory card while the camera is performing some
operation
Removing the battery or memory card while the back lamp is flashing green after
turning off the camera
Disconnecting the USB cable while communication is in progress
Shooting with a battery that quickly goes low right after it is charged
Shooting with a battery that quickly goes low right after it is charged can also
cause camera malfunction. Replace the battery with a new one immediately.
Other abnormal operations
Any of the above conditions can cause an error message to appear on the monitor
screen (page 227). Perform the action indicated by the message that appears.
.Operating Environment
Operating Temperature Requirements: 0 to 40°C (32 to 104°F)
Operating Humidity: 10 to 85% (non condensation)
Do not place the camera in any of the following locations.
In an area exposed to direct sunlight, or large amounts of moisture, dust, or sand
Near heating or cooling devices, or in other areas subjected to extreme changes
in temperature or humidity
Inside of a motor vehicle on a hot day, or in an area subjected to strong vibration
.Condensation
Sudden and extreme temperature changes, such as when the camera is moved from
the outdoors on a cold winter day into a warm room, can cause water droplets called
“condensation” to form on the interior and the exterior of the camera, which creates
the risk of malfunction. To prevent condensation from forming seal the camera in a
plastic bag before changing locations. Then leave the bag sealed to allow the air
inside to naturally change to the same temperature as the air in the new location.
After that, remove the camera from the bag and open the battery cover for a few
hours.
Precautions During Use
215 Appendix
.Lens
Never apply too much force when cleaning the surface of the lens. Doing so can
scratch the lens surface and cause malfunction.
You may sometimes notice some distortion in certain types of images, such as a
slight bend in lines that should be straight. This is due to the characteristics of
lenses, and does not indicate malfunction of the camera.
.Caring for your camera
Never touch the lens or flash window with your fingers. Finger smudges, dirt, and
other foreign matter on the lens or flash window can interfere with proper operation
of the camera. Use a blower or other means to keep the lens and flash window free
of dirt and dust, and wipe gently with a soft, dry cloth.
To clean the camera, wipe it with a soft, dry cloth.
.Old Rechargeable Battery Handling Precautions
Insulate the positive and negative terminals with tape, etc.
Do not peel the covering off of the battery.
Do not try to take the battery apart.
.Discarding or Transferring Ownership of a Memory Card or the
Camera
The format and delete functions of the camera do not actually delete files from the
memory card. The original data remains on the card. Note that responsibility for the
data on a memory card lies with you. The following procedures are recommended
whenever you discard a memory card or the camera, or if you transfer ownership to
another party.
When discarding a memory card, either physically destroy the memory card or use
commercially available data delete software to completely delete the data on the
memory card.
When transferring ownership of a memory card to another party, use commercially
available data deletion software to completely delete the data on it.
Use the format function (page 205) to completely delete the data in built-in memory
before discarding or transferring ownership of the camera.
.Other Precautions
The camera becomes slightly warm during use. This is normal and does not indicate
malfunction.
216 Appendix
.Copyrights
Except for your own personal enjoyment, unauthorized use of snapshots or movies of
images whose rights belong to others, without the permission of the right holder, is
forbidden by copyright laws. In some cases, shooting of public performances, shows,
exhibitions, etc. may be restricted entirely, even if it is for your own personal
enjoyment. Regardless of whether such files are purchased by you or obtained for
free, posting them on a website, a file sharing site, or any other Internet site, or
otherwise distributing them to third parties without the permission of the copyright
holder is strictly prohibited by copyright laws and international treaties. For example,
uploading or distributing on the Internet images of TV programs, live concerts, music
videos, etc. that were photographed or recorded by you may infringe upon the rights
of others. Note that CASIO COMPUTER CO., LTD. shall not be held liable for use of
this product in any way that infringes on the copyrights of others or that violates
copyright laws.
Note that trademark and registered trademark ® are not used within the text of this
manual.
SDXC Logo is a trademark of SD-3C, LLC.
Microsoft, Windows, Internet Explorer, Windows Media, Windows Vista,
Windows 7, Windows 8, and DirectX are registered trademarks or trademarks of
Microsoft Corporation in the United States and other countries.
Macintosh, Mac OS, QuickTime, and iPhoto are trademarks of Apple Inc.
YouTube and the YouTube logo are trademarks or registered trademarks of
Google Inc.
HDMI, the HDMI logo, and High-Definition Multimedia Interface are trademarks or
registered trademarks of HDMI Licensing, LLC.
Eye-Fi and the Eye-Fi logo are trademarks of Eye-Fi, Inc.
FlashAir and the FlashAir logo are trademarks of TOSHIBA CORPORATION.
EXILIM is a registered trademark of CASIO COMPUTER CO., LTD.
All other company or product names mentioned herein are registered trademarks
or trademarks of their respective companies.
Any and all unauthorized copying, distribution, and transfer for commercial purposes
of the software provided by CASIO for this product are prohibited.
The camera’s YouTube recording function is provided under license granted by
YouTube, LLC.
The following terms, which are used in this manual, are registered trademarks or
trademarks of their respective owners.
217 Appendix
.If the camera’s back lamp starts flashing red...
If the back lamp starts flashing red during charging, it means that further charging is
not possible for one of the reasons below. Perform the actions described below to
correct the problem and then try charging again.
Ambient temperature or the temperature of the battery is abnormally high
or low
Unplug the USB cable from the camera and wait for a while until the camera is within
the temperature range of 15°C to 35°C (59°F to 95°F), and then try charging again.
Safety timer activated
A battery that has not been used for a long time, certain types of computers, and
connection conditions can cause charging to take longer than normal. If charging
takes longer than about 5 hours, a safety timer will terminate it automatically, even if
the battery is not fully charged. If the battery has not been used for a very long time,
charging may terminate automatically after only about 60 minutes.
1) Using a battery that has not been used for a long time.
Disconnect and then reconnect the USB cable to resume charging.
2) Insufficient power supply when connected to computer
The camera can be charged only via a USB 2.0 standard USB port. Connect
directly to a USB port what supplies a current of 500mA.
For details about the power supply capacity of a computer’s USB port, contact the
manufacturer of the computer. Though disconnecting and then reconnecting the USB
cable will resume charging, you may need to do so repeatedly if the power supply
capacity of the computer is low.
Power Supply
Charging
If problems persist after you perform the above steps or if the battery fails to
charge after 5 hours, it could mean that the battery is faulty. Contact your nearest
CASIO authorized service center.
218 Appendix
.Precautions during Use
Operation provided by a battery under cold conditions is always less than operation
under normal temperatures. This is due to the characteristics of the battery, not the
camera.
Charge the battery in an area where the temperature is within the range of 15°C to
35°C (59°F to 95°F). Outside this temperature range charging can take longer than
normal or even fail.
Do not tear or remove the battery outer label.
If a battery provides only very limited operation following a full charge, it probably
means the battery has reached the end of its service life. Replace the battery with a
new one.
.Storage Precautions
Storing the battery for a long time while it is charged can cause deterioration of
battery characteristics. If you do not plan to use a battery for some time, fully use
up its charge before storing it.
Always remove the battery from the camera when you are not using it. A battery left
in the camera can discharge and go dead, which will require some time to charge
when you need to use the camera.
Store batteries in a cool, dry place (20°C (68°F) or lower).
To prevent over discharging of an unused battery, fully charge it, and then load it in
the camera and fully use up the charge about once every six months.
.Precautions during Use
The bundled USB-AC adaptor is designed for operation with any power supply in
the range of 100V to 240V AC, 50/60Hz. Note, however, that the shape of the
power plug depends on each country or geographic area. Before taking the camera
and USB-AC adaptor along on a trip, check with travel agent about the power
supply requirements in your destination(s).
Do not connect the USB-AC adaptor to a power supply through a voltage converter
or similar device. Doing so can lead to malfunction.
.Extra Batteries
Taking along extra fully charged batteries (NP-130A or NP-130) is recommended
while on a trip in order to avoid not being able to shoot images due to the battery
going dead.
Battery Precautions
Using the Camera in another Country
219 Appendix
See page 29 for information about supported memory cards and how to load a
memory card.
.Using a Memory Card
SD memory cards, SDHC memory cards, and SDXC
memory cards have a write protect switch. Use the
switch when you need to guard against accidentally
deleting data. Note, however, if you write protect an
SD memory card you must then turn write protection
off whenever you want to record to it, format it, or
delete any of its images.
If a memory card starts to behave abnormally during
image playback, you can restore normal operation by reformatting it (page 205).
However, it is recommended that you always take along multiple memory cards
whenever using the camera far away from the home or office.
As you record data to and delete data from a memory card a number of times, it
loses its ability to retain data. Because of this, periodic re-formatting of a memory
card is recommended.
Electrostatic charge, electrical noise, and other phenomena can cause data to
become corrupted or even lost. Make sure that you always back up important data
on other media (CD-R, CD-RW, hard disk, etc.).
.Memory Card Handling Precautions
Certain types of memory cards can slow down processing speed. Whenever possible
use an Ultra High-Speed Type memory card. Note, however, that not all operations
can be guaranteed even if an Ultra High-Speed Type memory card is used. Certain
movie quality settings can result in too much time being required to record data,
which can result in breaks in the image and/or audio during playback. If this happens,
the Y will turn yellow on the monitor screen.
Using a Memory Card
Write enabled
Write disabled
220 Appendix
The tables in this section show the initial default settings that are configured for menu
items (displayed when you press [MENU]) after you reset the camera (page 205).
Menu items depend on whether the camera is in the REC mode or PLAY mode.
A dash (–) indicates an item whose setting is not reset or an item for which there is
no reset setting.
IMPORTANT!
Depending on the recording mode, some of the items on the menu that appears
may not be usable.
.r REC MENU
Reset Initial Default Settings
Lefty Off
Handsfree
Motion Shutter:
180°only /
Timer: 5 sec
Motion Position : Upper right
: Upper left
Control Dial Off
L/R Key Off
Double (HDR
Art) On
Image Size 16M
Image Quality Normal
Movie Quality FHD
ISO Auto
ISO High Limit Auto
Zoom (SR) Single
AF Area U Spot
Anti Shake Standard
Lighting On
Continuous AF Off
Face Detection Off
Digital Zoom On
Wind Noise Cut Off
Make-up Level Depends on the
recording mode.
EV Shift 0.0
White Balance Auto WB
Focus AF
Self-timer Off
Metering Multi
Flash Intensity 0
Sharpness 0
Saturation 0
Contrast 0
AF Assist Light On
Review Type 2
Icon Help On
Shooting Info
Grid: On /
Histogram: Off /
Movie Range: Off
Memory
FUNCTION RING:
On /
Flash: On /
Focus: Off /
ISO: Off /
White Balance: Off /
EV Shift: Off /
AF Area: On /
Metering: Off /
Self-timer: Off /
Flash Intensity: Off /
Zoom (SR): On /
Digital Zoom: On /
MF Position: Off /
Zoom Position: Off
221 Appendix
.p PLAY MENU
.¥ SETTING
Dual Screen
Play
Burn Lines
Slideshow
Images:
All images /
Time: 30 min /
Interval: 3 sec /
Effect: Pattern 1
MOTION PRINT Create
Movie Editing
Movie Merge
Lighting 0
White Balance
Brightness 0
DPOF Printing
Protect
Date/Time
Rotation
Resize
Trimming
Copy
Divide Group
CS Multi Print
CS Frame Edit
ECO Mode Off
Screen Auto
Eye-Fi On
FlashAir On
Sounds
Startup: Sound 1 /
Half Shutter:
Sound 1 /
Shutter: Sound 1 /
Operation:
Sound 1 /
Operation Vol: 3 /
Playback Vol: 3
Create Folder
Timestamp Off
Auto Rotate On
File No. Continue
Sleep 1 min
Auto Power Off 5 min
Screen Tilt Power On
PLAY Power On
Delete Key Enabled
World Time
Adjust
Date Style
Language
USB Mass Storage
Video Output
HDMI Output Auto
Startup On
Format
Reset
222 Appendix
When things don’t go right...
Troubleshooting
Problem Possible Cause and Recommended Action
Power Supply
Power does not
turn on.
1)The battery may not be loaded correctly (page 21).
2)The battery may be dead. Charge the battery (page 23). If the
battery goes dead soon after being charged, it means the
battery has reached the end of its life and needs to be
replaced. Purchase a separately available CASIO NP-130A
or NP-130 rechargeable lithium ion battery.
The camera
suddenly powers
down.
1)Auto Power Off may have activated (page 199). Turn power
back on.
2)The battery may be dead. Charge the battery (page 23).
3)The camera’s protection function may have activated
because camera temperature is too high. Turn off the camera
and wait until it cools down before trying to use it again.
Power will not turn
off. Nothing
happens when a
button is pressed.
Remove the battery from the camera and then reload them.
Charging
The back lamp
does not light red
and the battery
won’t charge.
1)Unplug the USB cable from the camera and then plug it back
in again.
2)Remove the battery from the camera and then reload it (page
22).
Image Recording
Image is not
recorded when the
shutter button is
pressed.
1)If the camera is in the PLAY mode, press the shutter button to
enter the REC mode.
2)If the flash is charging, wait until the charge operation
finishes.
3)If the message “Memory Full” appears, transfer images to
your computer, delete images you no longer need, or use a
different memory card.
Auto Focus does
not focus properly.
1)If the lens is dirty, clean it off.
2)The subject may not be in the center of the focus frame when
you compose the image.
3)The subject you are shooting may not be a type that is
compatible with Auto Focus (page 41). Use manual focus
(page 50).
4)You may be moving the camera when shooting. Try shooting
with Anti Shake or use a tripod.
223 Appendix
The subject is out
of focus in the
recorded image.
The image may not be focused properly. When composing the
image, make sure the subject is located inside the focus frame.
The flash does not
fire.
1)If ? (Flash Off) is selected as the flash mode, change to
another mode (page 55).
2)If the battery is low, charge it (page 23).
3)If a BEST SHOT scene that uses ? (Flash Off) is selected,
change to a different flash mode (page 55) or select a
different BEST SHOT scene (page 83).
The red ? (Flash
Off) icon is
displayed on the
monitor screen and
the flash does not
fire.
The flash unit may be malfunctioning. Contact a CASIO
authorized service center or your original retailer. Note that
though the flash will not fire, you still can use the camera for
non-flash shots.
Camera powers
down during Self-
timer countdown.
The battery may be low. Charge the battery.
The monitor screen
image is out of
focus.
1)You may be using Manual Focus and have not focused the
image. Focus the image (page 49).
2)You may be using ´ (Macro) or Á (Super Macro) for
scenery or portraits. Use Auto Focus for scenery and portrait
shots (page 49).
3)You may be trying to use Auto Focus or ) (Infinity Focus)
when shooting a close-up shot. Use the ´ (Macro) or
Á (Super Macro) for close ups (page 49).
There is digital
noise in images.
1)Sensitivity may have been increased automatically for a dark
subject, which increases the chance of digital noise. Use a
light or some other means to illuminate the subject.
2)You may be attempting to shoot in a dark location with
? (Flash Off) selected, which can increase digital noise and
make images appear coarse. In this case, turn on flash (page
55) or use lights for illumination.
3)Lighting (page 117) may be enabled for snapshots, which can
cause an increase in digital noise. Use a light or some other
means to illuminate the subject.
4)Shooting movies for long periods in areas where temperature
is relatively high can cause digital noise (dots of light) to
appear in the movie image. If this happens, move to a cooler
environment or turn off the camera and allow it to cool down,
which should cause normal operation to resume.
Problem Possible Cause and Recommended Action
224 Appendix
A recorded image
was not saved.
1)Camera power may have been turned off before the save
operation was complete, which will result in the image not
being saved. If the battery indicator shows , charge the
battery as soon as possible (page 27).
2)You may have removed the memory card from the camera
before the save operation was complete, which will result in
the image not being saved. Do not remove the memory card
before the save operation is complete.
Though available
lighting is bright,
the faces of people
in the image are
dark.
Not enough light is reaching the subjects. Change the flash
mode setting to < (Flash On) for daylight synchro flash (page
55), or adjust EV shift to the + side (page 54).
Night shots come
out bad.
Use the following BEST SHOT scenes (page 83) when shooting
at night.
HS Night Scene (for shooting night scenery only)
HS Night Scene and Portrait (for shooting people against
night scenery)
Subjects are too
dark when shooting
images in a
seashore or ski
area.
Sunlight reflected by water, sand, or snow, can cause
underexposure of images. Change the flash mode setting to
< (Flash On) for daylight synchro flash (page 55), or adjust EV
shift to the + side (page 54).
Digital zoom will
not go up to the
maximum value.
1)The digital zoom setting may be turned off. Turn on digital
zoom (page 119).
2)Zoom will not go up to the maximum value if the “Zoom (SR)”
setting is “Single”. Change the setting to “Off” (page 62).
3)Zoom will not go up to the maximum value if the snapshot
size setting is something other than “VGA”. Change to a
different setting (page 109).
The image is out of
focus during movie
recording.
1)Focusing may not be possible because the subject is outside
the focus range. Shoot within the allowable range.
2)The lens may be dirty. Clean the lens (page 215).
3)During High Speed Movie recording, focus is fixed at the
position where it was when recording started. To focus an
image, half-press the shutter button for Auto Focus or focus
manually before you press [0] (Movie) to start recording.
Movie recording
suddenly stops.
The camera’s protection function may have activated because
camera temperature is too high. Wait until the camera
temperature drops to normal levels.
I can't change the
settings of menu
items. Menu items
for some settings
are not displayed
on the menu.
Depending on the recording mode, some of the items on the
menu that appears may not be usable. While Premium Auto Pro
is in use, only the menu items whose settings can be configured
will be displayed on the menus.
Problem Possible Cause and Recommended Action
225 Appendix
Playback
The color of the
playback image is
different from what
appears on the
monitor screen
when shooting.
Sunlight or light from another source may be shining directly
into the lens when you are shooting. Position the camera so
sunlight does not shine directly into the lens.
Images are not
displayed.
This camera cannot display non-DCF images recorded onto a
memory card using another digital camera.
Images cannot be
edited (with White
Balance,
Brightness, Resize,
Trimming,
Rotation).
Note that you cannot edit the following types of snapshots.
Snapshots created using MOTION PRINT
CS group snapshots
•Movies
Panorama Image
Snapshots recorded with another camera
File Deletion
A file cannot be
deleted.
1)The file may be protected. Unprotect the file (page 144).
2)Delete Key” setting may be “Disabled”. Change the setting to
“Enabled” (page 200).
Other
The wrong date
and time are
displayed, or the
wrong date and
time are being
stored along with
image data.
The date and time setting is off. Set the correct date and time
(page 202).
The messages on
the display are in
the wrong
language.
The wrong display language is selected. Change the display
language setting (page 203).
Images cannot be
transferred over a
USB connection.
1)The USB cable may not be connected securely. Check all
connections.
2)The wrong USB communication protocol is selected. Select
the correct USB communication protocol in accordance with
the type of device you are connecting (pages 182, 185).
3)If the camera is not turned on, turn it on.
4)Your computer may not be able to recognize the camera if
you connect via a USB hub. Always connect directly to the
computer’s USB port.
5)USB communication may not be possible when the battery
level indicator is . Charge the battery before connecting.
Problem Possible Cause and Recommended Action
226 Appendix
Language selection
screen appears
when the camera is
turned on.
1)You did not configure initial settings after purchasing the
camera or the camera may have been left with a dead
battery. Configure the correct settings (pages 27, 203).
2)There may be a problem with the camera’s memory data. If
this is the case, perform the reset operation to initialize the
camera’s setup (page 205). After that, configure each setting.
If the language selection screen does not re-appear when you
turn the camera on, it means that the camera’s memory
management data has been restored.
If the same message appears after you turn power back on,
contact your retailer or a CASIO authorized service center.
There are various
indicators and
values on the
monitor screen.
The monitor screen shows indicators and other information
about shooting conditions and the image you are recording. You
can use [8] (DISP) to select what information you want to
include on the display (page 13).
The time and date
settings configured
the first time after
purchasing the
camera are reset to
their factory
defaults when I
remove the
camera’s battery.
Load the camera’s battery and reconfigure the time and date
settings (page 27). Do not remove the battery from the camera
for at least 24 hours after configuring time and date settings.
After that, the settings will not be reset if you remove the
battery.
If the time and date are reset to their factory default settings
when you remove the battery after it has been loaded for
more than 24 hours, it could mean that the camera’s setting
memory is defective. Contact your retailer or a CASIO
authorized service center.
Buttons are not
responsive right
after the power has
been turned on.
With large capacity memory cards there is a delay after the
power has been turned on before the buttons become
responsive.
Problem Possible Cause and Recommended Action
227 Appendix
Display Messages
ALERT
The camera’s protection function may have activated
because camera temperature is too high. Turn off the
camera and wait until it cools down before trying to use it
again.
Battery is low. Battery power is low.
Can not find the file.
The image you specified with the slideshow “Images”
setting cannot be found. Change the “Images” setting (page
137) and try again.
Card ERROR
There is something wrong with the memory card. Turn off
the camera, remove the memory card and then reload it
into the camera. If this message re-appears when you turn
the camera back on, format the memory card (page 205).
IMPORTANT!
Formatting a memory card deletes all its files. Before
formatting, try transferring recoverable files to a
computer or some other storage device.
Check connections!
You are attempting to connect the camera to a printer while
the camera’s USB settings are not compatible with the USB
system of the printer (page 173).
Connecting to the
network
Camera power was turned off while image data was being
copied to a computer or other device using a FlashAir card
or an Eye-Fi card (pages 188, 190).
File could not be
saved because
battery is low.
Battery power is low, so an image file could not be saved.
Folder cannot be
created.
You are trying to record a file while there are already 9999
files stored in the 999th folder. If you want to record more,
delete files you no longer need (page 39).
LENS ERROR
This message appears and the camera turns off whenever
the lens performs some unexpected operation. If the same
message appears after you turn power back on, contact a
CASIO authorized service center or your original retailer.
LENS ERROR 2
The Anti Shake unit of the camera may be malfunctioning.
If the same message appears after you turn power back on,
contact your retailer or a CASIO authorized service center.
Load paper! The printer ran out of paper while printing.
228 Appendix
Memory Full
Memory is full with images you recorded and/or files saved
by editing operations. When shooting with Prerecord CS,
this message indicates that there is not enough memory
capacity to record all of the pre-recorded images. Delete
files you no longer need (page 39).
Printing Error
An error occurred while printing.
The printer is turned off.
The printer generated an error, etc.
Record Error
Image compression could not be performed for some
reason during image data recording. Perform a zoom
operation to change the composition of the image and
shoot it again.
RETRY POWER ON
The lens came into contact with an obstruction while
moving. The camera will turn off automatically when this
message appears. Remove the obstruction and turn power
back on again.
SYSTEM ERROR Your camera system is corrupted. Contact your retailer or a
CASIO authorized service center.
The card is locked.
The LOCK switch of the SD, SDHC, or SDXC
memory card loaded in the camera is in the
locked position. You cannot store images to
or delete images from a memory card that is
locked.
There are no files. There are no files in built-in memory or on the memory
card.
There are no
printing images. Set
up DPOF.
There are currently no files specified for printing. Configure
the required DPOF settings (page 175).
There is no image to
register.
The setup you are trying to save is for an image that cannot
be saved as a user “CUSTOM SHOT” scene.
This card is not
formatted.
The memory card loaded in the camera is not formatted.
Format the memory card (page 205).
This file cannot be
played.
The file you are trying to access is corrupted or is a type
that cannot be displayed by this camera.
This function cannot
be used.
This message will appear part way through an operation
when you attempt to use a function that is not allowed in
combination with another function.
LOCK
229 Appendix
Snapshot
Number of Snapshots/Movie Recording Time
Image Size
(Pixels) Quality File Size
Built-in Memory
*
1
Recording
Capacity
SD Memory Card
*
2
Recording
Capacity
16M
(4608x3456)
Fine 10.71 MB 1 1072
Normal 5.57 MB 2 1654
3:2
(4608x3072)
Fine 9.43 MB 1 1214
Normal 4.92 MB 2 1873
16:9
(4608x2592)
Fine 7.83 MB 1 1466
Normal 4.1 MB 2 2221
10M
(3648x2736)
Fine 6.4 MB 2 1787
Normal 3.38 MB 3 2728
5M
(2560x1920)
Fine 2.99 MB 3 2990
Normal 1.72 MB 5 4283
3M
(2048x1536)
Fine 2.0 MB 6 4669
Normal 1.25 MB 8 6533
VGA
(640x480)
Fine 430 KB 25 19683
Normal 290 KB 34 26809
230 Appendix
Movies
Image Size/
Pixels
(Audio)
Approximate Data
Rate (Frame Rate)
Maximum
File Size
Built-in
Memory
*
1
Recording
Capacity
Maximum
Recording
Time with
SD Memory
Card
*
2
File Size of
1-minute
Movie
Continuous
Recording
Time per
Movie
*
3
FHD
(1920
x
1080)
(Stereo)
14.2 Megabits/
second
(30 frames/second)
4GB
9 seconds 2 hours
13 minutes 106.5 MB 29 minutes
HD
(1280
x
720)
(Stereo)
10.9 Megabits/
second
(15, 20, 30 frames/
second)
12 seconds
*4
2 hours
53 minutes
*4
81.8 MB
*4
29 minutes
*4
STD
(640
x
480)
(Stereo)
3.9 Megabits/second
(30 frames/second) 38 seconds 8 hours
12 minutes 29.3 MB 29 minutes
HS1000
(224
x
64)
(No audio)
40.0 Megabits/
second
(1000 frames/
second)
3 seconds 48 minutes 300.0 MB 13 minutes
10 seconds
HS480
(224
x
160)
(No audio)
40.0 Megabits/
second
(480 frames/second)
3 seconds 48 minutes 300.0 MB 13 minutes
2 seconds
HS240
(512
x
384)
(No audio)
40.0 Megabits/
second
(240 frames/second)
3 seconds 48 minutes 300.0 MB 12 minutes
58 seconds
HS120
(640
x
480)
(No audio)
40.0 Megabits/
second
(120 frames/second)
3 seconds 47 minutes 300.0 MB 12 minutes
55 seconds
HS30-240
(512
x
384)
(Audio
recording at
30 fps only)
5.4 Megabits/second
(30 frames/second)
40.4 Megabits/
second
(240 frames/second)
27 seconds
*
5
5 hours
59 minutes
*
5
40.5 MB
*
5
29 minutes
*
5
HS30-120
(640
x
480)
(Audio
recording at
30 fps only)
10.4 Megabits/
second
(30 frames/second)
40.4 Megabits/
second
(120 frames/second)
13 seconds
*
5
3 hours
5 minutes
*
5
78.0 MB
*
5
29 minutes
*
5
231 Appendix
YouTube
*1 Built-in memory capacity after formatting (Approx. 19.9MB)
*2 When using a 16GB SDHC memory card (SanDisk Corporation). Number of image and
recording time values depend on the memory card you are using.
*3 The allowable recording time will be shorter if the capacity of the SD memory card you
are using is smaller than the maximum size of one file.
*4 Values when shooting with “ART SHOT”.
Image Quality
(Pixels) /
(Audio)
Approximate Data
Rate (Frame Rate)
Maximum
File Size
Built-in
Memory
*
1
Recording
Capacity
Maximum
Recording
Time with
SD Memory
Card
*
2
Continuous
Recording
Time per
Movie
*
3
YouTube
(FHD)
(1920x1080)
(Stereo)
14.2 Megabits/second
(30 frames/second)
2048MB or
up to a
maximum
playback
time of
15 minutes
9 seconds 2 hours
13 minutes 15 minutes
YouTube
(STD)
(640x480)
(Stereo)
3.9 Megabits/second
(30 frames/second) 38 seconds 8 hours
12 minutes 15 minutes
YouTube
(HS1000)
(224x64)
(No audio)
40.0 Megabits/second
(1000 frames/second) 3 seconds 48 minutes 27 seconds
YouTube
(HS480)
(224x160)
(No audio)
40.0 Megabits/second
(480 frames/second) 3 seconds 48 minutes 56 seconds
YouTube
(HS240)
(512x384)
(No audio)
40.0 Megabits/second
(240 frames/second) 3 seconds 48 minutes 1 minute
52 seconds
YouTube
(HS120)
(640x480)
(No audio)
40.0 Megabits/second
(120 frames/second) 3 seconds 47 minutes 3 minutes
45 seconds
YouTube
(HS30-240)
(512x384)
(Audio
recording at
30 fps only)
5.4 Megabits/second
(30 frames/second)
40.4 Megabits/second
(240 frames/second)
27 seconds
*
5
5 hours
59 minutes
*
5
15 minutes
*
5
YouTube
(HS30-120)
(640x480)
(Audio
recording at
30 fps only)
10.4 Megabits/second
(30 frames/second)
40.4 Megabits/second
(120 frames/second)
13 seconds
*
5
3 hours
5 minutes
*
5
15 minutes
*
5
232 Appendix
*5 Recordable time when the entire movie is recorded at 30 fps. Recording time is shorter
if the 30 fps frame rate is switched to 120 fps or 240 fps during recording.
Snapshot and movie recording capacity values are approximate and intended for
reference only. Actual capacity depends on image contents.
File size and data rate values are approximate and intended for reference only. Actual
values depend on the type of image being shot.
When using a memory card with a different capacity, calculate the number of images as a
percentage of 16GB.
The time it takes to play back a high speed movie will be different from the time it takes to
record it. If you record a 240 fps high speed movie for 10 seconds, for example, it will
take 80 seconds to play it back.
233 Appendix
Specifications
File Format Snapshots:
RAW (DNG)*, JPEG (Exif Version 2.3; DCF 2.0 standard;
DPOF compliant)
Movies:
MOV format, H.264/AVC standard, IMA-ADPCM (stereo)
*DNG file format is one type of RAW image file, and it is
recommended by Adobe Systems Incorporated for use as a
standard image file format.
Recording Media Built-in Memory (Image Storage Area: 19.9MB*)
SD/SDHC/SDXC
*Built-in memory capacity after formatting
Recorded Image Sizes Snapshots:
16M (4608x3456), 3:2 (4608x3072), 16:9 (4608x2592),
10M (3648x2736), 5M (2560x1920), 3M (2048x1536),
VGA (640x480)
Movies:
FHD (1920x1080 30 fps), HD (1280x720 15 fps/
20 fps/30 fps)*, STD (640x480 30 fps),
HS1000 (224x64 1000 fps), HS480 (224x160 480 fps),
HS240 (512x384 240 fps), HS120 (640x480 120 fps),
HS30-240 (512x384 30 fps/240 fps switchable),
HS30-120 (640x480 30 fps/120 fps switchable)
*Can be selected only when shooting with “ART SHOT” or
some Time Lapse scenes.
Effective Pixels 16.1 Megapixels
Imaging Element Size: 1/2.3-inch square pixel high-speed CMOS
Total Pixels: 16.79 Megapixels
Lens/Focal Distance F3.0 (W) to 5.9 (T) f = 4.24 to 53.0 mm
(equivalent to 24 to 300 mm in 35 mm format)
Zoom 12.5X Optical zoom, 25.0X in combination with Multi SR Zoom
4X Digital zoom
Up to 199.3X when HD Zoom and Digital zoom are used in
combination (VGA size)
Focusing Contrast Detection Auto Focus; with AF assist light
Focus Modes:
Auto Focus, Macro Focus, Super Macro Focus, Infinity,
Manual Focus
•AF Area:
Intelligent, Spot, Multi, Tracking
Approximate Focus
Range
(From Lens Surface)
Auto Focus: 5 cm to 9 (2.0" to 9) (Wide Angle)
Macro Focus: 1 cm to 50 cm (0.4" to 19.7")
(Fifth step zoom from the Widest Angle setting)
Super Macro Focus: 1 cm to 50 cm (0.4" to 19.7")
Infinity: 9 (Wide Angle)
Manual Focus: 5 cm to 9 (2.0" to 9) (Wide Angle)
Range is affected by optical zoom.
Metering Multi-pattern, center weighted, and spot by imaging element
234 Appendix
Exposure Control Program AE, Aperture Priority AE, Shutter Speed Priority AE,
Manual Exposure
Exposure
Compensation
–2.0 EV to +2.0 EV (in 1/3EV steps)
Shutter CMOS electronic shutter, mechanical shutter
Shutter Speed Snapshot (Program Auto): 1/4 to 1/2000 second
Snapshot (Premium Auto PRO): 4 to 1/4000 second
Snapshot (Aperture Priority AE): 1 to 1/2000 second
Snapshot (Shutter Speed Priority AE): 15 to 1/2000 second
Snapshot (Manual Exposure): 15 to 1/2000 second
1/25000-second shutter speed is possible only with High
speed Continuous Shutter, shutter speed priority AE or
manual exposure.
May differ due to the camera setup.
Aperture Value F3.0 (W) to F7.9 (W) (With ND filter)
Using optical zoom changes the aperture value.
White Balance Auto, Daylight, Overcast, Shade, Day White Fluorescent,
Daylight Fluorescent, Tungsten, Manual WB
Sensitivity
(Standard Output
Sensitivity)
Snapshots:
Auto, ISO 80, ISO 100, ISO 200, ISO 400, ISO 800,
ISO 1600, ISO 3200 equivalent
Snapshots (High Speed Night Shot):
ISO 25600 equivalent maximum
Movies: Auto
Flash Modes Auto, Off, On, Red-eye reduction
Flash Range
(ISO Sensitivity: Auto)
0.4 m to 4.7 m (1.3' to 15.4') (Wide Angle)
0.9 m to 2.4 m (3.0' to 7.9') (Telephoto)
Range is affected by optical zoom.
Flash Intensity
Adjustment
–2, –1, 0, +1, +2
Flash Charging Time Approximately 5 seconds
Monitor Screen 3.0-inch TFT color LCD (Super Clear LCD)
921,600 dots, tiltable (180 degrees)
External connection
terminal
USB port (Hi-Speed USB standard, USB charging),
AV output terminal (NTSC/PAL)
HDMI output (Mini)
Microphones Stereo
Speaker Monaural
Power Requirements Rechargeable lithium ion battery (NP-130/NP-130A) x1
235 Appendix
Approximate Battery Life
All of the values provided below represent the approximate amount of time under
normal temperature (23°C (73°F)) before the camera turns off. These values are not
guaranteed. Low temperatures shorten battery life.
Temperature: 23°C (73°F)
Battery: NP-130A (Rated Capacity: 1800 mAh)
Recording Medium: 16GB SDHC memory card (SanDisk Corporation)
*1 In accordance with CIPA (Camera and Imaging Products Association) standards
*2 In accordance with CASIO standards
*3 Other settings
Time Lapse scene: Standard, Recording interval: 1/2 seconds, Total time: Off,
Sleep: 1 minute
*4 One-image scroll approximately every 10 seconds
The above values are based a new battery, starting from a full charge. Repeated
charging shortens battery life.
The above values are for reference only. They do not guarantee that the specified
battery life will be attained under actual operating conditions.
Frequency of flash, zoom, Auto Focus, and High Speed CS usage, configured
settings, the amount of time the camera is left turned on, and ambient temperature
in the area where the camera is used all greatly affect recording time and number
of shots values.
Number of Shots (Operating Time)*1470 shots
Number of Shots (ECO)*1590 shots
Actual movie recording time (FHD Movie)*11 hour 30 minutes
Approximate continuous movie recording time (FHD Movie)*22 hours 30 minutes
Approximate continuous movie recording time
(High speed movie (HS 240))*22 hours 40 minutes
Approximate time lapse recording time*2 (FHD Movie*3)4 hours 30 minutes
Continuous Playback (Snapshots)*45 hours 30 minutes
Power Consumption 3.7 V DC, Approximately 5.8 W
Dimensions 107.5 (W) x 61.5 (H) x 36.7 (D) mm
(4.2" (W) x 2.4" (H) x 1.4" (D))
(28 mm (1.1") thick excluding projections)
Weight Approximately 256 g (9.0 oz)
(including battery and memory card*)
Approximately 216 g (7.6 oz)
(excluding battery and memory card)
*16GB SDHC memory card (SanDisk Corporation)
236 Appendix
.Rechargeable lithium ion battery (NP-130A)
.USB-AC adaptor (AD-C54UJ)
Rated Voltage 3.7 V
Rated Capacitance 1800 mAh
Operating Temperature
Requirements
0 to 40°C (32 to 104°F)
Dimensions 37.8 (W) x 44.8 (H) x 11.2 (D) mm
(1.49" (W) x 1.76" (H) x 0.44" (D)) (excluding projections)
Weight Approximately 38 g (1.3 oz)
Input 100 to 240 V AC, 50/60 Hz, 90 mA
Output 5.0 V DC, 650 mA
Operating Temperature
Requirements
5 to 35°C (41 to 95°F)
Dimensions 64.6 (W) x 38.4 (H) x 24 (D) mm
(2.5" (W) x 1.5" (H) x 0.9" (D)) (excluding projections)
Weight Approximately 40 g (1.6 oz)
Manufacturer:
CASIO COMPUTER CO., LTD.
6-2, Hon-machi 1-chome, Shibuya-ku, Tokyo 151-8543, Japan
Responsible within the European Union:
CASIO EUROPE GmbH
Casio-Platz 1, 22848 Norderstedt, Germany
Declaration of Conformity According to EU Directive
2013
CASIO COMPUTER CO., LTD.
6-2, Hon-machi 1-chome
Shibuya-ku, Tokyo 151-8543, Japan
MA1406-CMF
196

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